A Festive Season of Film: Unpredictable Weather and Naughty Christmas Revels | S02E26
### Show Notes for "First on Film and Entertainment" Podcast
**Episode Title:** "A Festive Season of Film: Unpredictable Weather and Naughty Christmas Revels"
**Host:** Alex First
**Guests:** Film Critics Greg King and Peter Krause
---
**Summary:**
In...
### Show Notes for "First on Film and Entertainment" Podcast
**Episode Title:** "A Festive Season of Film: Unpredictable Weather and Naughty Christmas Revels"
**Host:** Alex First
**Guests:** Film Critics Greg King and Peter Krause
---
**Summary:**
In this episode of 'First on Film and Entertainment', Alex First, alongside esteemed film critics Greg King and Peter Krause, delve into a diverse range of topics. The conversation begins with a lighthearted discussion on Melbourne's unpredictable weather, setting the tone for a vibrant and engaging episode. From there, the trio shifts gears to explore a range of films and theatrical productions, offering insights and critiques that are both thought-provoking and entertaining.
---
**Featured Reviews:**
1. **A Very Naughty Christmas:** The show's mix of humor, risqué themes, and Christmas spirit captivated the hosts. Its bold approach to traditional festive narratives and its emphasis on laughter and fun are highlighted as key attractions.
2. **Wonka:** This film's reinterpretation of a classic character through a fresh lens garners praise. The hosts appreciate its colorful and creative storytelling, emphasizing its appeal to both children and adults.
3. **Master Gardener:** A more serious tone is struck with this film. Its exploration of complex themes and character depth is commended, with particular praise for the performances and the plot's intricate layers.
4. **One True Loves:** The hosts express mixed opinions on this film. While seen as a classic midday movie romance, its predictability and execution receive a less enthusiastic response, particularly from Peter Krause.
5. **One Life:** The episode concludes on a high note with this inspiring historical drama. The film's powerful portrayal of an individual's impact on many lives during a tumultuous period in history is deeply appreciated by the hosts.
---
**Additional Discussions:**
- The cultural quirk of Melbourne's weather and its impact on daily life.
- The evolution of theatrical productions and their adaptation to contemporary themes.
- The challenges and rewards of film criticism in today's diverse cinematic landscape.
---
**Closing Remarks:**
Alex encourages listeners to embrace the festive spirit, appreciate the efforts of service workers during this busy season, and look forward to more film discussions in upcoming episodes.
This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5645288/advertisement
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First on film and entertainment. We're
getting towards the end of the year,
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no idea what the weather is doing, because hey, it depends on the
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time of the day. That's kind
of what we're in for during the summer.
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Every summer. This is Melbourne.
People in other states have no idea
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what they're missing out on, do
they? Great? Key? I think
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Sydney in for Well, I'm saying
if you come to Melbourne, you've got
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no idea what sort of weather like
in Melbourne. You know to prepare,
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right, you can prepare an umbrella, you can prepare a parker, you
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can prepare a T shirt and then
the same day. Correct, that's the
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point. But you know any other
state that that we're the laughing stock when
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it comes to weather? Is that
not the case, Peter? Look,
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I don't think so. I think
our weather's become more settled and more predictable.
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What are you talking about it's totally
unsettled all the time. Well,
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where's where's the predictability of that?
I don't know. View of virtuology?
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Oh god, you know you get
forecasts that are what twenty seven days in
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advance and they're wrong. No,
no, it's not. Sorry, I
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love the Bireau. We shouldn't be
like this at all. No, No,
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I just like the fact that now
I look at my app and for
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example, if we're looking ahead and
we sort of for those people who want
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to you're looking at Christmas Day,
you're looking at Boxing Day. I mean
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obviously cricket, et cetera. But
I mean you're preparing for it, right,
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there's the anticipation, you get closer
to it, and it's totally different.
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So I'd rather they not tell us
if it's wrong. How do we
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get that across, Peter, I
don't know. I suppose we'll weather the
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storm somehow. Beg you very much. Indeed, now, guys, one
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thing that I want to start with
a show simply because I had no idea
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what to expect. And I've said
to you that I saw the NTC production,
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which is very, very funny,
and I also saw the Comedy Theater
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production, which is very funny.
Related to Christmas one. You know,
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it's the Scrooge story, right,
so you've got the Jewish version and you've
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got the Christian version. So they've
been terrific, no complaints whatsoever, and
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you know, I want them to
keep coming back a year after year.
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But what I hadn't seen is a
show called A Very Naughty Christmas. And
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apparently it's been playing in Queensland for
seven years, and this is the first
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time we've had it down here.
Apparently it's playing in Queensland on both the
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Gold Coast and also in Brisbane,
and there's also now a show in Melbourne,
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and some of the people from Queensland
have come down and others have stayed
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there, and we've got original cast
members from this state. So now both
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of you have seen Magic Mike.
Yeah, the movie. Now, I've
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got to say I was sitting in
the theater at alex Theatre Insinkilda and sort
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of the opening and you've got a
nice Christmas Carol behind curtains and you're thinking,
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okay, well that's fair enough.
Now it's titled A Very Naughty Christmas.
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I've not read anything about it.
And the next thing, you know,
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I have no idea whether I'm watching
Magic Mike or whether I'm watching Santa.
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That's the sort of show, this
says Peter. So I mean,
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you know, that's that's all.
And I've got to say it's got an
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R rating, all right, So
not too many shows I go to have
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an R rating. Not too many
movies have an R rating. Now I
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suppose that you could say that honestly, there are times you can't tell the
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difference between Magic Michael or Santine.
What is a sexually promiscuous, irreverent Christmas
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review with no shortage of fun?
Now? Have I tivlated your your taste
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buds, Peter or Dodd? Pit
Santa? Slide down the pole? Yes,
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yes, there is a pole,
very well picked up. Now there
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is a barber's pole. And so
it's a two tiered set. And on
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the top tier you've got a three
piece orchestra, and then you've got sets
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of stairs at eather's side, and
you've got a barber's bowl. So you
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know that's the setup now, so
it up ends absolutely everything you thought you
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knew about the festive season and keeps
the laughs coming. Now that's what Christmas
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should be about, right, family
and fun? And I mean, look,
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you've got to have a really strong
sense of humor here, because if
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not, you're going to be offended. Right, So those people who are
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listening to us, who happen to
be very fervently religious Christians are going to
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run a thousand kilos in the opposite
direction. I dare say it depends on
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their sensitivity. I shouldn't be that
judgmental. But you've got that Christmas Carol,
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then that gives way to smut an
innuendo. And I got to say
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that it was a full full congregation. I was about to say a full
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set of patrons on opening night,
and boy did they lap it up.
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The laughs were thick and fast.
So you've got song and dance, you've
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got stripped teas, you've got a
retelling of the first Christmas with audience participation,
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and then you've got Saint Nick's politically
watered down address. And that was
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my fancy. That was really my
favorite. You know, there's political correctness
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that's going on and everything is sort
of woke. Well basically what they want
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to do. Santa sort of puts
out a plea to all the boys and
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girls and whatever, and he runs
through this with if you're like a minder,
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and every time he opens his mouth, the minder says, no,
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you can't say that, and it
is hilarious. So it starts with ho
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ho ho. But you can imagine
you can't say that anymore, greg right,
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you still can No, you can't
what does HO mean peta a second
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thing in a bit sexual? Well, yeah, I mean women who are
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loose, shall we say? Right, So you can't say that, you
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can't start an address anymore, right, that's the you get my sensitivity.
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And then Christmas you can't say that
because that isn't inclusive enough. You can't
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say boys and girls anymore without Greek, can you, because there are only
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two genders and there's more than two
genders yet me. So it does go
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down to treat and you know,
it's just to watch this unfold because there's
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a lot of truth in all of
this. I hate to say. You've
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got to be so careful about giving
it address not to offend anybody, and
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it means that I mean anything.
You're right. You know when you're writing
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a review, Greg, I suppose
you don't. A lot of this doesn't
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really apply to you. But a
lot of the shows I go to with
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my written reviews, I've got to
be so careful that I appropriate the correct
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pronoun to the person. And if
they're in the program, that makes it
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a lot easier. If it's not
in the program, I've also got into
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trouble when it's not been in the
program. How am I supposed to know?
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Gree No, no, that doesn't
help me. Greg, Come on,
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get with the program. Peter,
what would you suggest? I suggest
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you go with your gut instinct and
don't worry about what anyone else says all
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things. No, no, oh
no, I've copped plaque for that in
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the past, and yeah, no, you can't get you can't get away
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with that anymore. So anyway,
I'll continue to struggle with pronouns. So
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look, it's a I've got to
say that. The cast even manages to
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find room for a tap dance routine. So look bloody, marvelous or all
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of this, I say, really
really good. It's a polished it's a
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joyful show. But of course,
as I said, if you're easily offended,
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don't go because they swear like troopers. They're not backward in coming forward.
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Eight performers plus the three piece band, and you've got the musical director
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Martine Wengro on keyboard, Sam Ainsley
on guitar and bass, and Faku al
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Varez on drums. All the artists
excel, but I want to highlight three
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of them. Having seen Tim page
Phill the big Man shoes, I'll never
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look at Santa the same way again. Apart from his potty mouth, let's
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just say he doesn't mind bearing more
than a little skin. And I was
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left to ponder whether that was actually
a fur code covering his chest that I'll
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leave that in the ether. He'd
be a lock at any Christmas party worth
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it, Solt, That's all I
can say. Shae Debney is his most
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endearing offsider, and he's an eager
to please Elf, to whom the audience
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immediately warms, and his affectations are
priceless. And then he got Jordan Twigg.
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She vocally is sensational. I've seen
it before and she's a commanding presence.
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Has the most mallifluous boys and others
on the stage Rebecca Role, Joe
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Kalou, kate Yaxley, Madeline Pratt, and Joe I'm sure Spinello. So
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that's the eight cast members and overall, many of the tuneful songs with sexually
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forward lyrics are absolute rippers. And
the show is the brainschild of the creators
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Alex Woodward and Dan Vince and Vents
also wrote, choreographed and directs the offering
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alongside co writer and director Alistair Smith. Skid writers Emily Christopher, Stephen Hurst
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and Matt Semple collectively, they really
do know how to tap into crowd sensibilities.
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They turn the tables on woke and
how the pacing of A Very Naughty
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Christmas is spot on, never a
dull moment. One routine simply rolls into
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the next. And I must say
that sad as attempt at going PC is
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the thing that really gets the mark
for me. So you know that's the
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jolly fat Man. Bardy costuming by
Isaac Loomis, including lace underwear, shimmery
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suits, no shortage of flesh,
revealing numbers in green, red, gold,
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and white, sex toys, large
playing cards to cover the privates proved
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to be quite useful props here,
Peter, are you getting in on the
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Christmas action here? Oh, I'm
still imagining Santra soniding down the pole,
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Thank you very much. Eighteen minutes
of hilarity and vice. It's I've described
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this greg as a box of licorice
all sorts. Do you like licorice?
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Yeah, you're not into licorice?
No, it's not into litrish. Well,
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everything's left on the stage. The
title of it, A Very Naughty
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Christmas speaks volumes it is very naughty
but nice. Loved it, absolutely loved
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it. And again I make the
point suitable for adults only playing at a
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theater that bears my name. Do
I get royalties? Do I know?
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Anyway, it's called the Alex Theater, it's insign Kilda. It's playing till
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the twenty third of December, and
it is heaps and heaps of fun.
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I look, I just if you've
got the right it puts you in the
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right frame of mind. It's a
great if you're wanting to have a bit
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of a breakup at work, this
would be an absolute ripper of a night
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out. It's that sort of It
is that sort of show. So anyway,
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there's lots of Christmas shows that have
been doing the rounds. Christmas under
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the Big Top has been is still
on for those people who want to go
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to Burnley Oval and catch that one. And you've got a Christmas Carol and
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a very Jewish Christmas Carol, so
you know they mind you. They are
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going to be finishing very very soon. I'm just yeah, anyway, a
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Christmas Carol. Note Christmas Carol's going
till the seventh of January, so that's
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well worth catching. If you haven't
caught it the Comedy Theater and the other
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one is the Melbourne Theater a very
Jewish Christmas Carol. And I'm just looking
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up the date that that finishes because
I think it is. Yeah, it's
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in fact, it finished yesterday,
So there we go. Hopefully next year
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that comes back. Let's turn to
some movies and the big one of the
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week, and you're on JAYA by
the way, eighty eight FM Intelligent,
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interesting, entertaining, engaging programming,
good music twenty four or seven. And
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if you want to become a member, you just need to go to ja
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dashed dot com dot au and pay
fifty four bucks and you can become a
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member. That's it's as easy as
that. Let's talk about Wonka Boys.
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Now, okay, for those people
who go back to Gene Wilder as Willie
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Wonka, I found it hard to
believe that was fifty two years ago.
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So you were but a lad at
that stage, Greg, eh was I
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I was probably didn't even see you
ritually, I think on Silver tram on
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TV. What about Johnny Depp years
Yeah, that was eighteen years ago.
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So okay, when you think about
this, the newest generation haven't been brought
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up on Gene Wilder or Johnny Depp. So unless you're into movies, which
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Peter you were before you were in
the Birth canal Stell, that is what
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about two hundred and thirty seven years
ago? But yes, sorry with Motart,
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Yes, yeah, exactly, Oh, yes, thank you. I
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mean what I'm getting at though,
you would see movies before you were born.
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I get that, but a lot
of people don't. So do you
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think it's fair game? And this
is the conversation I want to have.
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Do you think it's fair game that
they redo no matter how good a movie
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is a movie for the next generation, or do you think that it's incumbent
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upon people, even though they're relucting
to do that, to go and visit
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something predating their birth. What's your
view? That's a hard one because the
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originals are usually always the best.
However, remakes can be very good if
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they change things a little bit,
if they update, if they have something
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that gives that extra energy to an
original story. But generally speaking, I
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mean a great example of Psycho when
they did a remake of Psacho that was
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abominable. Yes it wasn't good,
but the remake Alice is not a strict
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dreammate. It's more of an origin
story. It is more of an I
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know, a valid point, but
it's still you know, it still deals
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with the same theme. I mean
the point that I was making, I
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reckon's only fitting that this generation has
its own Wonka, right and and and
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you know, the singing dancing Timothy
Shallow mate, I reckon, he makes
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a mighty good fist of it here
to me, like Johnny Depp is great
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choice, Okay, Gene Wild the
terrific choice. I think all three of
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them have been outstanding choices. Do
you not think that great? Oh yeah,
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but there'd be a different take on
the character. Yeah, I think
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simsichel mate, he brings a much
more of an innocent, naive approach to
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the character. I think that's great. I think that's great because it's got
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a PG rating, but it's it's
a pretty wholesome representation. And I really
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I liked it because it was like, and I think he's a really good
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actor. What was the gay themed
film that Called Me by Your Name?
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Which was just fabulous and really thrust
him into the public eye. And I've
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got to say, there are certain
actors that you look forward to seeing in
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roles because you know they're going to
do a good job. I think he's
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one of them. I think he's
really cemented his place. How old is
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he? What, late twenties by
now or not even that? No,
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I think he's about twenty three,
twenty four or something like wow wow's I
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mean he's really charming, his effusive. He's the sort of magic man come
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chocolatier who arrives in town after to
Devin, he's twenty seven. There you
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go. Okay, heykay, well
and when when was call me by your
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name? Mate? Just would you
mind googling while we're chatting away here?
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So here's this magic man come chocolatier
arrives in town having spent seven years at
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sea, and he arrives, he
decides he wants to open a chocolate chop,
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and having spent and squandered the twelve
sovereigns in his pocket on his walk
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from ship to shore, he's now
skinned and he chooses to think the best
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of a rogue who ushes him out
of the cold. Okay, call me
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by your name is twenty seventeen,
there you go, so all right,
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So here you go six years ago? So all right. So if he's
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twenty seven. Yeah, twenty one
year old, thrust in the limelight.
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He's very, very boyish in terms
of his look as well. Anyway,
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Bleacher is the name of the rogue
played by Tom Davis, looks to take
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advantage of Wonker's vulnerability, takes him
to lodgings at Missus Scrubberts Missus Scrubbard played
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by Olivia Coleman. It took him
out great actors anyway, not listening to
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the sage advice of one of Scrubberts
helping hands kept in servitude, I might
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say this helping hand. Wonka fails
to read the fine print because he can't
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read, and as a result,
he signs up for what he's told is
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a sob in a night which he
believes he can easily cover, only to
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be hood winked big time, and
in a matter of hours his bill rises
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to ten thousand sovereigns and he joined
several others trapped in scrub Its web.
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But onek is different to the others. Seemingly out of nowhere, he can
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magically create the world's most delicious chocolates
that result in people literally taking flights.
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Now, at this point, I'm
going to pause and ask are you a
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chocoholic, Gregory King, I like
I like my chocolate, yes, yeah,
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okay, in terms of your favorite
food, does chocolate rate in the
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top three? I know about the
top three, but it might be I
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will certainly be in the five or
six, all right, Peter, true,
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true, give give give give here, Yes, chockeyes. I do
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like chocolate, especially dark chocolate.
Yes, you like dark chocolate. Okay,
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So now in your top three foods
food groups, I don't, again,
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like greg not necessarily top three,
but certainly in the top ten.
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Okay, chocolate is number one for
me. I absolutely adore chocolate, and
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chips is number two. So does
that make me very healthy? Have you
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checked your cholesterol lately? But I
mean you can air fried chips these days,
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so they're healthier. Right. And
they keep telling us that dark chocolate,
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the darker the better, is is
actually good for you. I'm not
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sure I believe that, but there
you go. All right, So I
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like the fact, mind you.
I'll tell you what, chocolate is one
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of life's pleasures, no question about
that. And you go to a lot
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of European countries and you just you
have to go along, and some of
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the chocolate chops that just the smell
of a chocolate chop. You're working in
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chocolate chop, and chocolate chop like
Cadbury would be would be a bit of
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a challenge after a while, I
reckon, you know, whether was it
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is it Cabrey that allows you to
eat as much as you want? I'm
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not sure whether they then have a
dietitian into to ensure that their workers don't
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drop dead. No, no,
I'm not saying that. I'm not saying
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that at all. That just that
just snuck out of my lips, and
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I deny it immediately. Anyway,
I love, actually I really like I
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like Cadbury chocolate. I do.
I also like Lint. I think that's
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a really nice brand of chocolate.
Now, what happens in Wonka is that
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people who try his chocolate that sort
of he creates magically, as I say,
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literally take flight. And what happens
beyond that is that he forges an
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instant connection with the orphan girl who
urged him to read the fine print at
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the establishment where he's staying. And
that girl's name is Noodle or that's her
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nickname, played by Carla Lane,
and with her help, she breaks his
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restraints intent on opening a chocolate chop
in a posh part of town named Gallery
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Gormey Right, so her help.
She breaks his restraints because he is literally
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sort of tied down effectively. And
it's something that he foresaw years earlier when
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his beloved mother played by Sally Hawkins
who's now no longer with us, introduced
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him to the lights of handmade chocolate. That's how he got his love of
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the particular delicacy. Only what he
doesn't count on is a conspiracy by a
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cartel operated by three uppitty chocolate ears
to keep him out of the market.
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And those three are Slugworth played by
Patterson, Joseph prod Knows Matt Lucas and
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fickle Gruber Matthew Bayton. In their
pockets are the Chief of Police, not
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literally the Chief of Police played by
Keegan Michael Key, a priest called Father
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Julian Rowan Atkinson, and five hundred
chocoholic monks. Yes, you got it.
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You can be you know, you
can be close to God and still
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like your chopeyes. But Wonka is
nothing if not persistent, and of course
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he possesses this indomitable spirit and one
card overlook is encountered with the diminutive orange
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umpah Lumpa with green hair played by
Hugh Grant, who better to play the
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Unpolumpa, and this Umpa Lumpa has
been stalking him, and the Impolumpa maintains
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that Wonka is beholden to him and
now okay, So this is Wonka infused
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with some strong musical numbers which help
carry the narrative and the resetting of the
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role. Dahl's story is by Simon
Farnaby and Paul King. I think it
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works a treat, it's colorful,
it's creative, put smiles on faces and
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you not surprisingly, it's the larger
than life characters that make the piece what
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it is, and many are priceless, and I've already referenced Timothy Shallamy being
284
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so endearing. Coleman revels in her
greedy and wicked persona which Tom Davis feeds.
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Patterson, Joseph Matt Lucas Matthew Baton
play up the chocolate Baron's arrogance and
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entitlement. Carla Laine displays resilience as
Noodle, and the person who's gifted some
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choice one liners and doesn't let us
down delivers them with a plumber is Hugh
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Grant. His droll sense of humor
suits the role perfectly. Always a crowd
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favorite. I would have liked to
have seen more of Rowan Atkinson as an
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unlikely man of the cloth. And
among the many standouts in the film is
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the sumptuous consuming and the production design
by Lyndy Hemming and Nathan Crowley respectively.
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00:22:40.480 --> 00:22:44.200
Paul King, who established his Voda
fights as a fine family film director with
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Baddington and also Paddington. iiO,
I reckon he's crafted another beauty. It's
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a delightful blend of fantasy, adventure
and humor and chocolate. Lovers can read
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choice, don't you think, greg
Ah, Yes, indeed there's a fun
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film there. And Paul Keen,
as you said, has es savaged himself.
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I like, I really enjoyed Pennington
too there and fitting me here Grant,
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who has had a great couple of
years there with his roles in Pennington
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and a couple of guy Rishi films. I thought it was excellent as ye
300
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lump there special effects of reduced him
through ministeral size, but he was having
301
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fun there. Sims Challa made brings
that sense of innocence and Avid to the
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younger, optimistic Wonker there. But
at times the film had a bit of
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a tim Burton field where I thought
there, especially the scenes set in the
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underground laundry there and Olivia Clemens role
there remind me of a couple of Tim
305
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Burton films, particularly the Sweeny Todd
there. I sort of captured that vibe
306
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for me. But it's very colorful. A lot of song and Dan's numbers
307
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there. I thought a couple of
sound a little bit bland, actually,
308
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Alex did he? I like the
songs, okay, I like really poppy
309
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type tunes, and I'm I'm into
top forty type stuff. I'm afraid so
310
00:24:00.079 --> 00:24:04.440
this suited me. Okay, So, but I mean the performances, did
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you also really like me? I
really enjoyed the role that Missus Scrubberts role.
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I think Ola Coleman. I thought
he was really great as a villain
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there. I enjoyed a little bit
that Rowan Atkinson did. We needed more
314
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of him, didn't we? We
needed more of him, yeah, because
315
00:24:25.640 --> 00:24:29.640
he didn't really ever checked. He
was a gazumped by Hugh Grant, because
316
00:24:29.680 --> 00:24:33.079
Hugh Grant was gifted all these great
lines. So, but it's a it's
317
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a fun film and it's PG right. It's a lot of people who are
318
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going to enjoy it. But I
think adults as well as you youngsters can
319
00:24:38.400 --> 00:24:44.279
have fun with this, don't you. Yeah? Yeah, okay, comudgine,
320
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Sorry, thank you very much.
Come on, please tell me you
321
00:24:49.640 --> 00:24:56.839
enjoyed Wonka. I actually did enjoying. I thought a really nice British film
322
00:24:56.000 --> 00:25:02.319
which had a sort of Dickensian quality
to it. And yes, Paul King,
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00:25:02.400 --> 00:25:07.720
who directed Paddington one and two,
really knows how to get the humor
324
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going, and he also directs the
song and dance numbers very well. I
325
00:25:11.240 --> 00:25:18.079
was surprised how good Chalamay was with
the singing and dancing and so on.
326
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The special effects are also quite noteworthy
and really well produced. And yes,
327
00:25:23.920 --> 00:25:27.119
a great cast. It was nice
to see John Carter, who was in
328
00:25:27.160 --> 00:25:37.359
The Crown and other sort of British
films. Is that Magner's brother saying you
329
00:25:37.480 --> 00:25:41.240
King John will be proud or another
yad joke there, Ale, thank you,
330
00:25:41.279 --> 00:25:45.119
thank you? Yes, yes,
slipping, my friend. You haven't
331
00:25:45.119 --> 00:25:49.039
slipped too many in so you know, I just thought i'd lift the tone.
332
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There you go, keep going great
altho, Yeah, exactly, okay,
333
00:25:55.000 --> 00:25:57.119
keep going pleator, Yes, thank
you, okay. I actually liked
334
00:25:57.160 --> 00:26:03.960
the new musical numbers as well as
the rendition near the end of Pure Imagination,
335
00:26:03.160 --> 00:26:08.680
which has featured in the first Willie
Wonka film. So look, there
336
00:26:08.680 --> 00:26:14.559
are some really nice elements to the
film. There are some potential darker moments
337
00:26:14.559 --> 00:26:19.240
which are the film of course defeats
and goes very strongly positive. And I
338
00:26:19.279 --> 00:26:27.880
can see a possible sequel in the
wind to look at Wonka's journey from establishing
339
00:26:27.960 --> 00:26:34.079
himself to going to the next stage
and what happens when he became you call
340
00:26:34.160 --> 00:26:40.880
the sequel, I don't. It
will be very hard one. I'll call
341
00:26:40.880 --> 00:26:51.039
it Wonky. So because we're afraid
that Paddington I didn't show a lot of
342
00:26:51.079 --> 00:26:55.480
imagine and imagination for me, and
Want the two doesn't really show a lot
343
00:26:55.519 --> 00:26:59.559
of imagination, hence the reason I
asked. But now I just wanted to
344
00:26:59.599 --> 00:27:03.720
add that the roll Dahl Estate was
part of the production of this film,
345
00:27:03.799 --> 00:27:10.640
so it looks like they're going to
be making more films that are accessible through
346
00:27:10.799 --> 00:27:15.400
roll Dahl's sort of works. Well. I like the fact that this is
347
00:27:15.440 --> 00:27:18.599
a By the way, I've got
to compliment Universal because they put on a
348
00:27:18.720 --> 00:27:25.799
terrific spread at one of my favorite
theater, probably my favorite cinema apart from
349
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Imax, which is my favorite place
to see them movie. But the RIVALI
350
00:27:30.079 --> 00:27:36.839
is just a wonderful, wonderful art
deco cinema. And since they're basically improved,
351
00:27:36.839 --> 00:27:41.759
it tarted it up. Bad use
of word. But a few years
352
00:27:41.759 --> 00:27:45.480
ago I love going there and they
put on that I don't know, have
353
00:27:45.960 --> 00:27:51.839
you tried it? They put on
chocolate toothpaste. Have you yet tried that?
354
00:27:51.920 --> 00:27:55.880
Beta? No, I'm too afraid
to walk around with brown teeth.
355
00:27:56.400 --> 00:27:59.160
Well, okay, I'm going to
tell you guys a story. Settle back,
356
00:27:59.319 --> 00:28:03.839
right, Settle back and enjoy the
story. And Dad, once upon
357
00:28:03.880 --> 00:28:10.640
a time there was a little fella
me barely able to sort of reach above
358
00:28:10.680 --> 00:28:15.559
the kitchen table, and he trotted
himself off to India, and there were
359
00:28:15.720 --> 00:28:22.000
lots of people in India, and
he went to a very very nice hotel.
360
00:28:22.519 --> 00:28:26.759
And you get shampoo, and you
get all sorts of other goodies that
361
00:28:26.839 --> 00:28:30.480
you take away at the end of
your stay. Not the kitchen sink,
362
00:28:30.559 --> 00:28:34.200
but you know, the slippers and
the comb and stuff like that, and
363
00:28:34.920 --> 00:28:40.440
the most delirious experience he had.
Apart from staying in the hotel, which
364
00:28:40.480 --> 00:28:45.920
was delightful, was the fact that
he was given chocolate shampoo. Seriously,
365
00:28:47.720 --> 00:28:51.960
I absolutely now this shows how much
of a chocoholic I am. Can you
366
00:28:52.000 --> 00:28:57.319
imagine sort of putting, you know, rubbing it through your hair and the
367
00:28:57.400 --> 00:29:04.880
aroma is intoxicating. It is like
it fills the room. It's fantastic and
368
00:29:06.119 --> 00:29:08.720
I was so disappointed when I ran
out of it. When I get back
369
00:29:10.039 --> 00:29:15.680
back to Australia. Actually, after
seeing one a true story, I googled
370
00:29:15.759 --> 00:29:18.319
chocolate champoo and I'm going to buy
some ware. So there you go.
371
00:29:18.839 --> 00:29:26.880
It's really satisfied my taste buds as
well. Have you ever heard of chocolate
372
00:29:26.920 --> 00:29:30.960
champoo prior to this conversation, Brick, No, I haven't, and thank
373
00:29:30.000 --> 00:29:36.119
you for awakening me to that.
Alex there why not? And Peter,
374
00:29:36.759 --> 00:29:40.519
with all being hair suit, you
know, chocolate shampoo may do it for
375
00:29:40.599 --> 00:29:44.400
you, right, you know,
I could just imagine the top deck hair
376
00:29:44.960 --> 00:29:47.960
top deck hair exactly, So there
you go. It's not cheap. I
377
00:29:48.039 --> 00:29:52.039
might say, I don't know why, but I could do vanilla. I
378
00:29:52.160 --> 00:29:55.519
like it. Do you like the
smell of vanilla? Peter? My goodness,
379
00:29:55.519 --> 00:29:57.480
what are your putting through your hair? This is getting out of hand.
380
00:30:00.319 --> 00:30:03.440
This is a hair raising expiration.
Now, yes, hey, listen,
381
00:30:03.720 --> 00:30:07.160
excuse me, because I'm getting my
skull cap op top? What you
382
00:30:07.240 --> 00:30:11.799
been getting? I've got? I
asked my darling wife. I said,
383
00:30:11.799 --> 00:30:14.279
look, can I just go?
You know, can I go the full
384
00:30:14.920 --> 00:30:18.759
bottle and just sort of shine the
dome? And she said absolutely, no
385
00:30:18.880 --> 00:30:23.440
way. If you dare do that, the marriage is over. Well,
386
00:30:23.480 --> 00:30:26.599
I reckon, some people do bald
well, and I haven't tried it.
387
00:30:29.079 --> 00:30:33.680
As a youngster, I had a
massive afro. It was like imagine putting
388
00:30:33.680 --> 00:30:37.359
your finger into it a socket,
right, It was like that. I
389
00:30:37.400 --> 00:30:41.920
had a massive socket of hair.
But as the years have passed, I
390
00:30:41.920 --> 00:30:45.200
thought it was time to try something
different. But she doesn't want me to
391
00:30:45.200 --> 00:30:49.480
do. Nothing wrong with bald men? Is there? They? Okay?
392
00:30:51.000 --> 00:30:56.319
I'm speechless. This has really got
off the rails. It's lovely, you
393
00:30:56.319 --> 00:30:59.079
know, a little bit of distraction
here and there, all right, So
394
00:30:59.480 --> 00:31:06.119
let us let us now get back
to rating for Wonka PG rate it and
395
00:31:06.240 --> 00:31:10.240
it runs for all of one hundred
and sixteen minutes. Score out of ten,
396
00:31:10.279 --> 00:31:14.440
Gregory King, Look, I'll give
it seven out of ten. Okay,
397
00:31:15.480 --> 00:31:21.000
and mister curmudgeon, I give it
the same Marcus Gregg seven out of
398
00:31:21.039 --> 00:31:23.599
ten. Well that's sort of better
than average, but I reckon it's worth
399
00:31:23.640 --> 00:31:26.680
more. I reckon you guys are
being you're giving it a hard time.
400
00:31:26.920 --> 00:31:32.240
Eight out of ten for mine,
for Wonka, Yes, why not go
401
00:31:32.279 --> 00:31:33.799
along and see it. I think
you can have a lot of fun.
402
00:31:34.240 --> 00:31:38.119
Now, we didn't speak about Master
Gardner, which opened the previous week,
403
00:31:38.480 --> 00:31:41.519
and I have caught up with it, and I'm really pleased that I did.
404
00:31:42.160 --> 00:31:45.160
I enjoyed this movie. I really
did. Now, well there it's
405
00:31:45.160 --> 00:31:48.640
always not really the word for this
one. Elements. It's a bit dark
406
00:31:48.680 --> 00:31:51.640
and bleak time. Yeah, okay, sorry, I appreciated it. You're
407
00:31:51.680 --> 00:31:56.160
quite right, thank you for the
correction. And I get the whack.
408
00:31:56.559 --> 00:32:00.759
Look, it's m rated. It's
hundred eleven minutes. Never heard the name
409
00:32:00.839 --> 00:32:05.720
of the Joel Edgerton character. Have
you ever heard that before? Greg novel
410
00:32:06.240 --> 00:32:09.079
n a v El? Where does
that come from? Have no idea?
411
00:32:09.720 --> 00:32:14.519
No? That probably a bit of
narvel gazing went into this one. Oh,
412
00:32:14.559 --> 00:32:19.240
thank you Marvel. That yes,
all right. So narvel Roth is
413
00:32:19.279 --> 00:32:23.440
the character that he plays. He
is a remarkably gifted and meticulous gardener who
414
00:32:23.559 --> 00:32:29.640
leaves nothing to chance. Everything he
does is planned and documented. Nevertheless,
415
00:32:29.640 --> 00:32:34.519
his knights are plagued by flashbacks two
different time in his life. He leads
416
00:32:34.559 --> 00:32:38.279
a team of gardeners tending the grounds
of Norma have a Hills, beautiful and
417
00:32:38.440 --> 00:32:45.359
historic private estate called Gracewood Gardens and
Norma have a Hill is a role filled
418
00:32:45.400 --> 00:32:52.000
by Sigourney Weaver. He is preparing
for the annual Spring charity auction when Miss
419
00:32:52.079 --> 00:32:58.400
Havel who is a no nonsense employer, calls him in for a chat.
420
00:32:59.240 --> 00:33:05.319
She asks him to engage her troubled
grand niece, Maya Core played by Quintess
421
00:33:05.279 --> 00:33:12.359
Swindell, whom she hasn't seen since
the latter was a little girl. Wants
422
00:33:12.400 --> 00:33:16.559
him to employ her as his apprentice. But mete, I'm going to to
423
00:33:16.559 --> 00:33:23.039
take a drink because I'm going orse
gurgle, gurgle, gurgle. So Miss
424
00:33:23.119 --> 00:33:30.319
Haverhill makes it clear she has no
respect for Mayaku's mother, who is her
425
00:33:30.400 --> 00:33:37.200
niece and who was a drug addict, and it's soon established that twenty something
426
00:33:37.359 --> 00:33:42.440
Maya is quick on the uptake and
seemingly settles well into her gardening duties,
427
00:33:42.720 --> 00:33:45.680
that is, until she has a
couple of unsettling run ins with the hard
428
00:33:45.759 --> 00:33:52.000
nosed Miss Aveil. Things really begin
to unravel after Maya arrives at work having
429
00:33:52.039 --> 00:33:55.839
been beaten up by the drug peddler
that also dealt with her mother, and
430
00:33:55.920 --> 00:34:01.759
at the same time, a jealous
Miss Haverhill accuses novel of having sexual relationship
431
00:34:01.880 --> 00:34:07.839
with Mayer. Truth be told,
age is no barrier for Miss Avahill to
432
00:34:07.400 --> 00:34:15.360
have a special relationship with the conciliatory
novel now as much on the line here
433
00:34:15.599 --> 00:34:22.199
as novels intent on breaking Maya's drug
cycle, while his nefarious past threatens to
434
00:34:22.320 --> 00:34:25.440
prevent that from happening. The novel
of Today's vastly different man from the what
435
00:34:25.559 --> 00:34:30.480
he was more than a decade earlier, and yet he may have to use
436
00:34:30.519 --> 00:34:34.239
the wiles of bygone days to deal
with the present. It's been written and
437
00:34:34.239 --> 00:34:38.159
directed by Paul Schrader, who was
responsible to The Card Counter. It's a
438
00:34:38.320 --> 00:34:43.880
measured, dramatic thriller. It's got
a mysterious and ugly underbelly, and it's
439
00:34:43.920 --> 00:34:47.760
a question of pulling back the layers, which only happens gradually because where we
440
00:34:47.920 --> 00:34:52.519
the audience, were left to piece
together the full backstory, which is not
441
00:34:52.679 --> 00:34:57.679
revealed. That's a deliberate drip feed
ploy by Schrader works well as the cues
442
00:34:57.679 --> 00:35:00.199
are strong enough to do that.
In other words, Trader lets our respective
443
00:35:00.239 --> 00:35:06.800
and collective imaginations run freely. Although
not initially envisaged as a trilogy, Master
444
00:35:06.920 --> 00:35:12.159
Gardner does mark the end of three
what I'll call lonely figure films that their
445
00:35:12.199 --> 00:35:16.440
movies concerning characters wrestling with the past
and hiding behind day jobs waiting for something
446
00:35:16.480 --> 00:35:21.800
to change. First was First Reform, That was twenty seventeen, the Card
447
00:35:21.840 --> 00:35:24.639
Counter I mentioned in twenty twenty one, and now Master Gardner. Mind you
448
00:35:24.679 --> 00:35:29.920
that crt of character first emerged in
Taxi Driver. That was the film that
449
00:35:30.000 --> 00:35:35.920
Trader wrote back in nineteen seventy six
as an outgrowth of the existential hero that
450
00:35:36.000 --> 00:35:39.880
you often got in European fiction.
Novel Like so many Trader leading men,
451
00:35:40.159 --> 00:35:47.079
is a loaner and he sports a
largely poker face, as that Edguton is
452
00:35:47.199 --> 00:35:52.800
sort of sporting. This largely poker
face still manages to channel a range of
453
00:35:52.840 --> 00:35:59.079
traits for novel, including restraint,
determination, and menace. You know,
454
00:35:59.159 --> 00:36:04.079
as this Master Gardner, and there's
an Order Leaders in respect about his fellow
455
00:36:04.159 --> 00:36:08.280
Green thumbs as their cast in this
movie as Miss Haverhill, Sigourney Weaver is
456
00:36:08.320 --> 00:36:13.400
a controlling figure, very used to
getting her weight and with her life at
457
00:36:13.400 --> 00:36:19.239
the crossroads. Quintessa Swindell has a
magnetism. I thought about her as Maya
458
00:36:19.719 --> 00:36:24.079
quite an endearing character, even though
she's certainly got a dark side. I
459
00:36:24.199 --> 00:36:29.000
really appreciated the plot twist, the
gritty feel of the movie, which balances
460
00:36:29.159 --> 00:36:32.880
order with chaos. Did you appreciate
it as well, Peter or not?
461
00:36:34.599 --> 00:36:39.000
I did. I really like Paul
Schrader's work and the way he deals with
462
00:36:39.440 --> 00:36:44.119
the writing that he does and also
with his direction First Reformed you mentioned and
463
00:36:44.719 --> 00:36:50.559
Tatsi Driver and Raging Ball, etc. He deals with damaged people or people
464
00:36:50.559 --> 00:36:55.960
who need redemption of some sort as
well. And I found Master Gardener so
465
00:36:57.000 --> 00:37:04.159
interesting because of the Leo Nazi asp
bet that's developed in the storyline, as
466
00:37:04.159 --> 00:37:09.159
well as the racial issues that come
up, white supremacy, white superiority,
467
00:37:10.760 --> 00:37:15.960
wealth versus poverty, et cetera.
There are so many aspects to the film
468
00:37:16.280 --> 00:37:22.119
without going into too much detail in
the narrative structure of the plot that I
469
00:37:22.159 --> 00:37:28.320
think it makes the film very impressive, and it is extremely well acted by
470
00:37:28.880 --> 00:37:37.119
Editon and by Sigourney Weaver especially,
who plays this rather difficult privileged white role
471
00:37:37.800 --> 00:37:44.639
extremely well. What about Quintessa Swindell, I thought she she certainly impressed me.
472
00:37:45.440 --> 00:37:47.079
She's called, she's called. She
needs to develop more in terms of
473
00:37:47.079 --> 00:37:52.840
other films, et cetera. And
she's used more as a device, if
474
00:37:52.840 --> 00:38:00.519
you like, in the story to
pivot between Editon and Weaver's it does.
475
00:38:00.119 --> 00:38:06.880
Nevertheless, this is a very strong
film. Paul Trader is such an important
476
00:38:06.920 --> 00:38:10.920
filmmaker, and I thoroughly endorse this
film that people go and see it.
477
00:38:10.920 --> 00:38:15.320
It's excellent. And Greg, did
you enjoy it too well? As I
478
00:38:15.360 --> 00:38:21.840
said before, Alis is not a
film in jury produce a filia niolistic film.
479
00:38:21.840 --> 00:38:24.480
Forwards the end there and as you
and PEDERI will point out, it
480
00:38:24.559 --> 00:38:30.960
follows the directory of a lot of
Charader's films and a sort of loaner character
481
00:38:30.760 --> 00:38:36.440
trying to tone for his dark past. There this build up, this slow
482
00:38:36.559 --> 00:38:39.519
and measured, and then it adventures
in the more familiar territory before it erupts
483
00:38:39.559 --> 00:38:44.960
into control violds at the end.
It follows the templated film White taxi driver
484
00:38:45.719 --> 00:38:51.559
the card counter first reformed Norwo's,
but I thought the performances were quite would
485
00:38:51.639 --> 00:38:55.800
here. Edison has a button up
quality to his performance as nicely understated,
486
00:38:57.400 --> 00:39:01.400
and he brings a sort of down
while to his novel there, and his
487
00:39:01.639 --> 00:39:06.800
very sense of underas is palpable there. And I thought we were suitably haughty
488
00:39:06.880 --> 00:39:12.760
and imperious and cold and slightly unhappy
there. I didn't think there was a
489
00:39:12.840 --> 00:39:17.400
real sparkle chemistry though between Edison and
Swindle. I found Man's a little bit
490
00:39:17.440 --> 00:39:22.599
unlikely. That's I did. I
thought again, I think I must have
491
00:39:22.639 --> 00:39:28.000
thought much more of Quintessa Swindle than
both of you. That's hard. I
492
00:39:28.000 --> 00:39:31.360
thought it was nicely shot by regular
cinemasult for Alexander Dinan, a little bit
493
00:39:31.440 --> 00:39:36.800
dark and bleak at times there,
and I thought the production design was actually
494
00:39:37.039 --> 00:39:40.079
quite good there, being a sense
of ronning grandeur soose gardens and they have
495
00:39:40.199 --> 00:39:45.440
a hill essate there, And I
thought the garden itself became opposed is somewhat
496
00:39:45.519 --> 00:39:50.599
heavy handed metaphor for the scenes of
regeneration growth and changed it creative with the
497
00:39:50.679 --> 00:39:53.519
exploring here. I agreed, agreed, Yeah, So I mean okay,
498
00:39:53.559 --> 00:39:57.320
overall, in Greek. What would
you give it out of ten? It's
499
00:39:57.880 --> 00:40:00.920
it's Master Gardener one hundred and eleven
minute, m RTED six and a half.
500
00:40:01.079 --> 00:40:04.880
Seven. Okay, Peter, you'll
go higher than that, won't you.
501
00:40:05.559 --> 00:40:07.440
Absolutely? I give it eight out
of ten and I give it seven
502
00:40:07.480 --> 00:40:12.039
and a half, So okay,
it's a film that we would certainly recommend
503
00:40:12.960 --> 00:40:16.199
a movie. This was an interesting
experience. I went to Where did I
504
00:40:16.280 --> 00:40:22.320
go to the Dendy to see this
one? I'd missed it when it I
505
00:40:22.320 --> 00:40:25.360
think there was a screener that we
were given and I didn't see it.
506
00:40:25.480 --> 00:40:30.280
One True Loves. Were we given
a screen of boys? Or where did
507
00:40:30.320 --> 00:40:32.039
you see it? Peter? Yeah? I think I did have a screener
508
00:40:32.079 --> 00:40:36.639
for that. Yeah, okay,
So PG rated one hundred minutes. So
509
00:40:36.639 --> 00:40:39.000
this was the experience. So I
get into the cinema. It's a very
510
00:40:39.559 --> 00:40:45.559
narrow cinema, the one that I
think was number five, And there was
511
00:40:45.880 --> 00:40:49.599
a gentleman there and I was the
only other patron the night that I saw
512
00:40:49.679 --> 00:40:52.719
it, And halfway through the gentleman
walks out and doesn't come back. So
513
00:40:53.679 --> 00:41:00.000
interesting anyway, PG rated one hundred
minutes. One True Loves think old fashioned
514
00:41:00.559 --> 00:41:06.920
free to air midday more movie right
or a Mills and Boone romance novel,
515
00:41:07.440 --> 00:41:10.480
and your head's in the right space
to contemplate one through loves. Since school
516
00:41:10.519 --> 00:41:15.480
days, Sam has been into Emma, but Emma always had the hots for
517
00:41:15.000 --> 00:41:20.400
the school swimming champion Jesse. As
it turned out, Jesse swept Emma off
518
00:41:20.400 --> 00:41:22.920
as feet. They fell deeply in
love. They traveled the world together,
519
00:41:23.119 --> 00:41:27.920
They got married, she in fact
as a travel writer. And these you
520
00:41:28.000 --> 00:41:32.840
happily ever after, well not quite
work. Sees Jesse played by Luke Bracey
521
00:41:34.039 --> 00:41:37.880
edoch Or Alaska on his own,
promising to celebrate their wedding anniversary. When
522
00:41:37.880 --> 00:41:40.400
he returns home. I think it
was the first wedding anniversary. Wasn't it
523
00:41:40.400 --> 00:41:45.840
better in recollection? But anyway,
wedding anniversary instead. Emma played by Philipps
524
00:41:45.880 --> 00:41:52.039
Sue gets a dreadful phone call to
say that Jesse's missing, presumed dead after
525
00:41:52.119 --> 00:41:58.280
a helicopter crash in the Pacific Ocean, and Emma's totally lost, bereft of
526
00:41:58.320 --> 00:42:02.199
what to do next. So it
is that her older sister Marie will Marie
527
00:42:02.599 --> 00:42:07.400
played by Mikayla Conlan, sweeps her
up, brings her back to their picturesque
528
00:42:07.519 --> 00:42:14.079
small hometown in Massachusetts, and it's
there that Marie and their parents operate a
529
00:42:14.079 --> 00:42:17.960
bookstore, something Emma never wanted to
be a part of, but now things
530
00:42:19.000 --> 00:42:22.320
are different. The combination of the
local environment the familiarity of the bookshop brings
531
00:42:22.360 --> 00:42:28.639
Emma a sense of solace, and
then unexpectedly, Emma bumps into Sam.
532
00:42:28.960 --> 00:42:31.400
This is the guy who had the
hots for all those years ago, played
533
00:42:31.400 --> 00:42:37.159
by Simoulu once more, and he's
now the high school music teacher. As
534
00:42:37.199 --> 00:42:42.719
spark ignites and in time, the
pairs engaged to be married. Thereafter,
535
00:42:43.159 --> 00:42:47.800
Emma receives a call that rocks everyone's
socks. Four years after he disappeared,
536
00:42:49.239 --> 00:42:54.119
Jesse has been found on a deserted
island. Suddenly Emma has to try to
537
00:42:54.400 --> 00:43:00.760
navigate what the future looks like loving
two men with if those feelings reciprocated by
538
00:43:00.840 --> 00:43:07.280
each of them awkward. It's been
written by Taylor Jenkins Read and Alex Jenkins
539
00:43:07.360 --> 00:43:12.280
Read, based on the former's book
of the same name. Both writers have
540
00:43:12.360 --> 00:43:16.000
television backgrounds, and it shows in
fact the movie looks like it has been
541
00:43:16.000 --> 00:43:21.679
written for television. It's schmaltzy features
a bunch of good looking, nice people
542
00:43:22.039 --> 00:43:27.519
feels heavily manufactured or put on to
solicit audience sympathy, and given those restraints,
543
00:43:28.039 --> 00:43:30.119
obtaining performances that had a ring of
truth about them was always going to
544
00:43:30.159 --> 00:43:34.559
be a challenge. Mind you.
I did like the moral quandrey that was
545
00:43:34.679 --> 00:43:37.880
established and opened itself up to being
explored. Further so to the setting.
546
00:43:37.920 --> 00:43:43.559
The scener is beautiful, which the
cinematographer Greg Gardiner has captured well, it's
547
00:43:43.559 --> 00:43:46.880
stracted by Andy Fickman. It plays
it safe and by the book, does
548
00:43:46.920 --> 00:43:52.400
it not? Peter Ah, Yes, sir, one true loves This film
549
00:43:52.400 --> 00:43:55.480
has gone straight onto my list of
one of the worst films of the heir.
550
00:43:57.559 --> 00:44:01.440
I was cringing through it as I
was watched, and I must say,
551
00:44:02.000 --> 00:44:06.480
there's everything wrong about this film.
I have to say. One is
552
00:44:06.519 --> 00:44:10.400
the title, which is grammatically idiotic. Secondly, that's the whole idea,
553
00:44:10.440 --> 00:44:15.320
hang on, hang They've done that
deliberately to get people like you get up
554
00:44:15.360 --> 00:44:19.719
your goat, and they've succeeded.
Congratulations. I don't remember the goat in
555
00:44:19.760 --> 00:44:24.039
the film, but I must watch
out for it again. Secondly, Luke
556
00:44:24.079 --> 00:44:30.039
Bracy, who's an Australian actor,
is given a role that is just makes
557
00:44:30.079 --> 00:44:34.840
no sense whatsoever. Four years on
a deserted island, how could he have
558
00:44:34.920 --> 00:44:40.920
possibly survived? This is just ludicrous
plighting. Okay, I'm sure that we
559
00:44:42.000 --> 00:44:46.320
had a volleyball and there was survival
in a very fine movie not so many
560
00:44:46.360 --> 00:44:52.519
years ago. Hey, thank you? Can I keep going? And I
561
00:44:52.559 --> 00:44:54.920
don't know what you said? You
don't know how you could survive. He's
562
00:44:55.039 --> 00:45:01.239
very industrious, he swims very well, and he's obviously captured f and maybe
563
00:45:01.239 --> 00:45:08.880
there's coconuts, and maybe Santa is
sad. Exactly reading down the pole is
564
00:45:08.960 --> 00:45:15.199
what's wrong with Santra in the Easter
Bunny? Right right? You're very very
565
00:45:15.400 --> 00:45:19.559
arsh, don't yes? Keep going? Thank you. I'd like my commotion
566
00:45:19.760 --> 00:45:25.440
role. I also, the whole
plot premise is makes no sense whatsoever.
567
00:45:25.960 --> 00:45:30.639
I mean, you have this music
teacher who spends his time talking to his
568
00:45:30.800 --> 00:45:37.679
class about his relationship situation. Again, makes no sense. We second you,
569
00:45:37.679 --> 00:45:40.960
gootic. No, you got to
put context around that. He is
570
00:45:42.239 --> 00:45:45.679
about to get married to the the
love of his life, who he's loved
571
00:45:45.679 --> 00:45:50.000
since he was at high school and
she was a high school. The husbands
572
00:45:50.000 --> 00:45:53.880
come back, and now he doesn't
know whether the husband has got prior rights,
573
00:45:53.920 --> 00:45:58.039
and therefore he's going to miss out, and so he lets he spills
574
00:45:58.039 --> 00:46:00.679
his guts out to his students and
to the teachers. What's so difficult to
575
00:46:01.159 --> 00:46:06.039
you're being? Oh my golly,
we're very, very stupid, I have
576
00:46:06.159 --> 00:46:09.800
to say, And maybe the whole
plotting is stupid. Imagine that happening,
577
00:46:09.840 --> 00:46:14.800
couldn't you? Yeah, of course, hey, I am you. You
578
00:46:14.840 --> 00:46:17.880
and Gregor are both in a teaching
environment. Could that ever happen in the
579
00:46:17.920 --> 00:46:23.239
school? No, you would not
share that sort of No, you normally
580
00:46:23.239 --> 00:46:29.360
wouldn't make I would agree that it's
not, of course not. And such
581
00:46:29.400 --> 00:46:32.440
good actors as Michael o'keef, who
remember back from films dating back a number
582
00:46:32.440 --> 00:46:37.880
of years, and Tom Everett Scott
are totally wasted in this film. I
583
00:46:37.920 --> 00:46:39.880
was surprised to see Tom Evertt Scott, I've got to say, in a
584
00:46:39.960 --> 00:46:46.760
thankless role. This is one of
those awful Hallmark style films which obviously leads
585
00:46:46.800 --> 00:46:52.800
to a happy ending. Obviously all
of them have to be satisfactorily resolved one
586
00:46:52.880 --> 00:46:57.280
true loves. I would give that
a huge miss. It is just awful.
587
00:46:57.599 --> 00:47:00.599
Well, look, it's been a
long time, Greg do you remember
588
00:47:01.559 --> 00:47:06.639
even on your program. I often
talked about sort of midday movie, and
589
00:47:06.920 --> 00:47:10.079
you know, this was for years
I did this. I haven't been doing
590
00:47:10.079 --> 00:47:15.480
it recently because there haven't been many
that have come out that I felt that
591
00:47:15.519 --> 00:47:20.320
it was in that sort of space. This one definitely is. I still
592
00:47:20.559 --> 00:47:24.079
look, I thought it was okay, I thought I knew exactly what was
593
00:47:24.119 --> 00:47:29.280
happening. I knew exactly what was
going to happen once it was established that
594
00:47:29.280 --> 00:47:35.320
he had been lost and found.
Notwithstanding that, I suppose I adopted I.
595
00:47:35.360 --> 00:47:38.320
Well, it's a midday movie type
film and it's snuck through into the
596
00:47:38.320 --> 00:47:40.800
cinemas. I'm giving it a five
and a half out of ten. So
597
00:47:42.079 --> 00:47:45.440
a bear pass PG. One hundred
minutes. You're going to fail it.
598
00:47:45.440 --> 00:47:47.320
I know that. What's your score? So one? Or is it two?
599
00:47:47.480 --> 00:47:52.800
Peter? Ah, you are so
so right. I can barely give
600
00:47:52.840 --> 00:47:58.760
it two out of ten. There
you go. Wow, So this makes
601
00:47:58.800 --> 00:48:01.719
the list. Have you seen the
worst film leater this year? Oh?
602
00:48:01.840 --> 00:48:07.719
Yes, Blue beetlele is one that
comes to mind. The Fast X was
603
00:48:07.840 --> 00:48:14.320
just awful. Shazam. Oh look, there are some really shockers this year.
604
00:48:14.760 --> 00:48:19.159
Okay, it's nice to know that, you know you're keeping count I'm
605
00:48:19.199 --> 00:48:22.320
delighted to hear it. So all
right, I do have good films too.
606
00:48:23.639 --> 00:48:25.840
I'm delighted to hear it. And
by the way, I think,
607
00:48:25.880 --> 00:48:30.679
what I think we'll do that next
week? Guys, if they were in
608
00:48:30.760 --> 00:48:34.239
terms of the film, do we
do Christmas films or do we do films
609
00:48:34.280 --> 00:48:37.119
of the year next week? What
do you think? Maybe we do Christmas
610
00:48:37.119 --> 00:48:39.280
films and then we do films of
the year the following. We'll talk about
611
00:48:39.320 --> 00:48:44.800
it after your people will talk to
my people outside of this program, and
612
00:48:44.840 --> 00:48:49.559
we'll work we'll work that through.
Let's let's have a look at a movie
613
00:48:49.719 --> 00:48:52.360
which we talked about a few weeks
ago, Greg, didn't we when we
614
00:48:52.360 --> 00:48:57.400
were talking about the British Film Festival. But it's now going to come out
615
00:48:57.440 --> 00:49:01.559
on Boxing Day and that's one Life, correct. We did talk about it
616
00:49:01.920 --> 00:49:07.000
a few weeks ago from recollection,
and it's a movie that I really want
617
00:49:07.000 --> 00:49:12.880
people to see. I think it's
a very good film. I think we
618
00:49:13.000 --> 00:49:15.480
saw it probably back in what October, November something like that. That's my
619
00:49:15.599 --> 00:49:19.719
recollection in terms of yes, it
was the media launch for the British Film
620
00:49:19.760 --> 00:49:24.119
Festival. Okay, good well,
December nineteen thirty eight, Nicholas Nikki Winton,
621
00:49:24.320 --> 00:49:29.440
mild mannered British stockbroker, headed for
a week in Prague and increasingly refugees
622
00:49:29.480 --> 00:49:32.360
have fled there to try to outrun
the growing Nazi presence in Europe, and
623
00:49:32.400 --> 00:49:36.159
Winton wants to help in any way
he can, But the situation he finds
624
00:49:36.159 --> 00:49:39.000
when he gets there really disturbs him. Children, many of them Jewish,
625
00:49:39.000 --> 00:49:45.480
are facing desperately poor conditions. They've
got little or no shelter, They're malnourished,
626
00:49:45.719 --> 00:49:49.199
they're sick, and they are dying. As the tide of anti Semitism
627
00:49:49.320 --> 00:49:54.519
rises. Where others work within the
system, Winton subverts it his intent on
628
00:49:54.559 --> 00:50:00.760
transporting as many children as he can
via train to temporary homes in England before
629
00:50:00.760 --> 00:50:04.239
the borders are closed. But first
he needs the legal authority to do that,
630
00:50:04.599 --> 00:50:08.920
as well as the financing as well
as the foster parents. Decades later,
631
00:50:09.159 --> 00:50:13.679
as I say started December nineteen thirty
eight, now nineteen eighty seven,
632
00:50:14.039 --> 00:50:20.400
living in Maidenhead, England, Winton's
wartime experiences come flooding back. The prompt
633
00:50:20.480 --> 00:50:25.480
is opening a thick scrapbook which charts
his exploits at each turn. That triggers
634
00:50:25.639 --> 00:50:30.639
a series of life affirming events.
Quite a remarkable story of persistence and humility.
635
00:50:30.840 --> 00:50:36.360
Winton's presented as a humanitarian intent on
doing the right thing and as a
636
00:50:36.360 --> 00:50:40.079
younger man, is the driving force
behind a quite remarkable rescue effort. In
637
00:50:40.199 --> 00:50:45.079
old age, he finally gets the
recognition he so richly deserves. Based on
638
00:50:45.119 --> 00:50:50.960
the book If It's Not Possible by
Nicholas Winton's daughter Barbara, who unfortunately passed
639
00:50:50.960 --> 00:50:55.440
away midway through principal photography on this
movie and the screenplay by Lucinda Coxon and
640
00:50:55.559 --> 00:51:00.320
Nick Drake is very well developed,
many surprises coming near the end end of
641
00:51:00.360 --> 00:51:04.840
the film, present as an emotional, heartfelt journey jumping between the onset of
642
00:51:04.880 --> 00:51:09.760
war and the late nineteen eighties.
Score by Volka Bertleman really resonates direction from
643
00:51:09.840 --> 00:51:15.559
James Wores, who cut his teeth
helming TV series He Is. Transition to
644
00:51:15.639 --> 00:51:19.239
the big screen seems to be seamless
as far as I'm concerned, thought Anthony
645
00:51:19.239 --> 00:51:23.360
Hopkins was compelling should humble as a
man initially told to clean up his clutter.
646
00:51:23.920 --> 00:51:30.440
Johnny Flynn plays Winton's younger self as
respectful but shocked into taking action when
647
00:51:30.480 --> 00:51:35.039
others see the barriers as been too
severe. Helena Bonham Carter memorable as Wynton's
648
00:51:35.039 --> 00:51:38.239
asserted mother babette who brought up a
son with a strong streak of conscience.
649
00:51:38.519 --> 00:51:43.960
Lena Olden fills the role of Wynton's
loving Danish born wife Gret with warmth and
650
00:51:44.159 --> 00:51:47.519
alacrity, and Romola Garai paint story
and Warren of the head of the British
651
00:51:47.519 --> 00:51:53.400
Committee for Refugees in Czechoslovakia, as
an energetic and spirited leader. And Alex
652
00:51:53.440 --> 00:51:59.119
Sharp good sort as Trevor Chadwick boots
on the ground fellow Britain Prague, never
653
00:51:59.159 --> 00:52:01.599
afraid of mucking in. Look,
this film, One Life gives voice to
654
00:52:01.599 --> 00:52:07.159
the truism one handmaker difference, and
it reminded me of the excellent film Shindler's
655
00:52:07.159 --> 00:52:10.360
List. I also couldn't but help
think about just how much this movie resonates
656
00:52:10.360 --> 00:52:15.760
in the fractured world in which we
live today. It's a pivotal picture and
657
00:52:15.360 --> 00:52:17.960
it's on general release on Boxing Day. What did you think of it?
658
00:52:19.000 --> 00:52:21.960
Better? Oh, I really liked
it. And by the way, correctly
659
00:52:22.079 --> 00:52:24.320
it was the opening night film with
the British, not the media launch film.
660
00:52:25.000 --> 00:52:29.679
Excellent performance by Anthony Hopkins. There's
been a few documentaries about Winton,
661
00:52:30.800 --> 00:52:36.280
but this film about the early days
of the Kinder transport is really well developed
662
00:52:36.400 --> 00:52:42.159
and moving. And it was nice
to see the television show that where all
663
00:52:42.199 --> 00:52:45.800
of this was revealed, that was
hosted by Esther Ranson at the time,
664
00:52:45.880 --> 00:52:50.360
and actress who plays her does it
very well. Now I really liked One
665
00:52:50.440 --> 00:52:53.199
Life very much. Well, what
do you think, Greg, Yeah,
666
00:52:53.199 --> 00:52:58.519
it's a great little film. Something
you call this film Winton's List, isn't
667
00:52:58.559 --> 00:53:01.280
it? Yeah? Yeah? Yeah, it is that A great a great
668
00:53:01.320 --> 00:53:05.880
story there and it opens is one
of those actors seems to get better with
669
00:53:05.960 --> 00:53:09.079
age, isn't he amazing? Absolutely
amazing and you long to see him on
670
00:53:09.119 --> 00:53:12.199
the screen. Greg, I agree
with you, a good good assessment.
671
00:53:12.280 --> 00:53:15.360
Yeah, yeah, but you know, I enjoyed it. It's a great
672
00:53:15.400 --> 00:53:20.440
story. As you said when I
thought the production details and period detail was
673
00:53:20.440 --> 00:53:24.840
also very well done, and the
juxtaposition between time frames actually works very well.
674
00:53:25.920 --> 00:53:30.960
Even though we've sort of praised Anthony
Hopkins, Johnny Flynn's got a substantial
675
00:53:31.039 --> 00:53:34.000
role in this Greek, doesn't he. I mean, he does a good
676
00:53:34.039 --> 00:53:37.559
job. He does it boo.
It's like when he captures some of Anthony
677
00:53:37.559 --> 00:53:42.280
Hopkins's mannerisms or was it the other
way around? Yeah, yeah, reading
678
00:53:42.320 --> 00:53:46.760
mannerisms. And I also love seeing
Helena bollin Carter. We don't see a
679
00:53:46.800 --> 00:53:53.360
lot of her, but she's a
very stowy actor and somebody who you always
680
00:53:53.440 --> 00:53:58.239
recognize when she appears on the screen. So score out of ten Greek,
681
00:53:58.920 --> 00:54:04.079
I'll do it some and Peter I
really liked it. Eight out of ten.
682
00:54:04.280 --> 00:54:06.360
Yeah, I agree with you.
Peter. I gave it an eight
683
00:54:06.400 --> 00:54:09.159
out of ten PG rated one hundred
and nine minutes. Boys, thank you
684
00:54:09.239 --> 00:54:14.000
very much for your contribution to First
On Film and Entertainment today. We will
685
00:54:14.000 --> 00:54:16.119
do it all again next week,
and be kind to one another as we
686
00:54:16.159 --> 00:54:21.880
get closer to the festive season.
Don't toot yourrn too badly in traffic,
687
00:54:21.920 --> 00:54:25.119
and be nice to the shopkeepers that
are trying to look after us. Catch
688
00:54:25.159 --> 00:54:30.239
you then see you later on First
On Film and Entertainment.
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