El hotel Driskill y sus fantasmas || Relatos del lado oscuro (Podcast)

0:00 He likes to travel, he likes to go to different places or to stay in a hotel, for example, that that hotel offers him a nice room, but not any room of lines, but something that you have love, that the building is nice, that he eats well, that there are wide spaces, that there are these beautiful stairs, that there are many ornaments, things to see we are going to have his own ghosts and his own stories. If you like tonight, we' re going to tell you about one of those hotels where staying means more than just spending the night. The same dark side accounts for strange beings, inexplicable events, diversified stories that otherlinds prefer ignorant. Don let me bring it back a little in time. It is in nineteen hundred and ninety- two and the American rock band Concrey Blond has performed in the Texan city of Austin a tremendous concert. This group in those

1:30 years used to give very energetic concerts, full of intensity. Vocalist Johnette Napolitano had a spectacular voice and continues to have it. But in the concerts his performance was to jump, dance, sing, scream for a while, so normally, after a long day, he would end up exhausted at the end of the day. In Austin and as part of his whole package of activities, he is assigned a room in a downtown hotel. It' s an old hotel, but it' s a very special hotel, it' s a very dear hotel for the city. So you don' t think twice about it You don' t know anything about this place It' s really not something you' re worried about. When he arrives, the only thing he realizes is that the rooms are relatively small. But that' s very good, because it' s comfortable, it' s practical and it has this old taste like sitting in a rocking chair with a very old blanket, very tasty. The rest of the equipment is distributed in different places. She stays in this really weird room. He loves it in the old part of the hotel. After a while, already when the staff retires from some things that has to see if they close their pero decides to take a good bath,

3:01 it turns out that the room has a beautiful tub. It' s a room that' s in the corner, on the top level of the building, and it' s got a tub of those strange irons. You can' t help it by taking a good bath, warm, steamy, relaxing. When she finishes bathing, she wraps herself in a towel with a bathing gown that says here or the name and all that. The problem is that when you go out when you open the bathroom door, while you are rubbing with a towel on your head and suddenly move as you turn your view to the left. There, by the window, keep in mind that it must be more than one in the morning. By the window there' s a gentleman, there' s a man standing in the window looking out.

3:57 He' s a guy wearing a Texan hat, he' s a cowboy. You can see the figure of this guy. There she gets shocked and about to scream and start asking for help. What the hell is a guy doing in his room, but when she' s about to throw the towel on the floor and run away screaming, that silhouette turns around gently as if to look at her. But there is nothing to see, because at the same time that it makes this movement in the image, it dissolves in the air and disappears the singer. This woman would be very impressed with that temperament to raise an audience of forty- zero spectators and put them to frantic dance with force. She' s been impressed, but that same force keeps her from running away. She just gets really surprised. She would spend the rest of the night very restless and, as told in the morning, not only had she been restless, but she had even written a song dedicated to the ghost cowboy in the room, and it is that the beloved singer johnet Napolitano had stayed, according to legend, at the Driskel Hotel in Austin, Texas, in the United States of America, a hotel that is famous for being

5:29 one of the most haunted in the world or, at least, of those with the greatest paranormal presence ever known, would not be the only one. The singer of the group Euritmix, who would also give a presentation in the Austin area, would live something similar having a character who also smelled of tobacco in a building where smoking was forbidden. The fact is, the site has a great story. The building was built casually, not so long ago. The land was bought in one thousand eight hundred and eighty- four, so it must be about one hundred and thirty- something years old, but it is a very particular building. The guy who built it was Colonel Jesse Driskel.

6:18 Triskile wasn' t just some guy. This man had made his fortune by selling meat to the soldiers, both Confederate and Union, depending on those who walked where the cattle were. He sold him to the highest bidder, so he wasn' t a man of strong convictions, he was a businessman, a farmman. His job was not to raise cattle, but to buy them from those who raised them and carry massive prayers wherever they needed. It was the time of the bulldozers, of the cowboys who carried great acts of cattle. That was Driskild' s business. Of course in the war.

7:04 Many people died in the secession war, the American civil war. But in reality, he did very well with that, because he sold his cattle to whoever bought them. The fact is, he also had another lot of business and he was a man very much given to three things, the drink, the game and, of course, the ladies. When, being a little older man, he decides to do something with all the money he has instead of keeping it in store, what he thinks is to build a hotel in Austin. Casually, at that time Austin was not the big city, but rather a town, a dusty town with dirt streets where people rode on horseback.

7:48 There was no electrical energy, of course, there were no cars, there was nothing yet. If only there was a train station and a lot of dust. But Colonel Chriskile hires a Texas architect to design that and designs an incredibly detailed building for him. The original building had three entrances, depending on the address. Each entrance had a function and each one had precious columns that raised the porch. It was a relatively small building. Four floors, with a beautiful central staircase, with marble, with lots of wooden ornaments.

8:31 The interior ornamentation was impressive. The spaces of the first Riskield were tremendous. On the second floor was the food area, there was the dance hall. In the lower part was the bar, the hall area and some other things that could be used, such as the barbershop. This building was thought of as far away, west was very elegant for the time. Of course, they had things like gas lighting. The long inner corridors were lit with gas lamps, but the site was filled with very rough people, cowboys and mules.

9:15 So it wasn' t strange that there were bullets in there, too. Although the weapons were requested to be left at the reception, there were also shots and another very peculiar detail. Since the hotel was known to be full of very rough people. Thick- mouthed drunk smoker. The ladies were coming in through a different door. It was known that ladies would also arrive and that they would not be exposed to obscene language and you were and did not have to be contaminated with tobacco. They had their own entrance that led them straight to the rooms. Little detail of gallantry, but not only that. It also worked very well because Mr Triskill loved to be visited by Ladies and so that it was not known which lady had entered or what time she had entered. They were coming in through the ladies' door. So it was a very peculiar place. Sixty rooms, had some amenities like a Turkish bath and four of the rooms, the corners of each floor had their own bathroom. Oh, yeah, this was something that wasn' t used before.

10:28 Before. There were no bathrooms in the rooms. There was a small pot of water and a jar for one to wash one' s face and hands, but the rest was in a common bathroom. This hotel innovated by putting in each corner a room with bathroom. Casually, Triskell occupied the room on the corner of the right and was a great smoker. The fact is that the businesses were not also even when the hotel opened with hype and saucer on December 20th, one thousand eight hundred and eighty- six, for the following year it was closed and very soon would be sold. Tragically, Driskil would die in a thousand eight hundred and eighty- eight. He could never really enjoy the hotel even though he lived there practically every day from its opening until his death, the hotel had to be sold. Some say he lost it on an unlikely bet, actually, in a terrible winter. Much of the cattle Driskell had died between drought and cold. He lost a lot of money and found himself in the need to sell the hotel to his brother- in- law, who at the time had a bank that he installed in one of the corners of the building and where the armored box is still kept.

11:54 The fact is that Driskill, with the sadness of losing his magna work, dies very soon. From there, the hotel is changing hands. By the beginning of the 20th century it would be remodeled again and about one thousand nine hundred thirty was built the annex, which is a thirteen- story building that connects the hotel. Then I' d pass another hand. In a thousand nine hundred and sixty- six, they were about to demolish it. The machines were already there, but fortunately it was saved and the Hyat chain is currently the owner. Why I tell you all this, why this hotel has a great history, a great story and in the middle of this story are terrible events and that obviously are believed to have generated the ghostly presence.

12:52 One of the events that is remembered is a tragic death. You' ll see in the year of 1, 800 when the hotel opens. Very close to there they were building Congress for the Texas Senate, but it wasn' t finished. Senators from the U S state of Texas therefore met at the Driskel Hotel, which was just opened for sessions. In the famous Ballroom, everything was built in the Bold Dancerum or Boldrum, everything was built for the senators to discuss the issues. So many of them who came from other regions of Texas stayed right there. The fact is that one of these senators, Temple Leah Houston, arrives there accompanied by his wife, his little son and his little girl, Samantha, the little girl of his eyes, a caramelito, an incredible creature in her dress with Caireles, a girl of the Victorian era, with little shoes that are very beautiful to a cheerful and playful.

14:01 Temple Leah Houston was a very young man, he was an amazing lawyer who had developed a very fast activity at his twenty- five years old. He was a Senator of the State of Texas. He was a bar lawyer, a guy with a lot of money and very proud of his family. While you' re staying at the hotel. Everything is going very well, or at least it seems so. April 1 887, the Senator visits his wife and children in the room. They' re on the tablenin level in one of the suites. After saying goodbye and giving them the kiss of good night, he returns to the session that is extending and is held at the end of the corridor in the living room, in the bal room, as they called him a ballroom. They' re locked in there. Without knowing that while his wife has gone to the bathroom, little four- year- old Samanta has taken her ball and gone out to play in the hallway is late at night. So there' s practically no one in the corridors. The little girl plays by throwing the ball cheerfully as she laughs by throwing it and running behind her, not knowing that death is around the corner, because just

15:33 around the corner. The long corridor leads to the steep stairs that in one thousand eight hundred and eighty- seven were entirely marble. The corridor leading to the stairs is equally marble. Slippery, shiny, thin hard. The little girl runs with her ball that slops to the stairs, being happily followed by the little one that her curls, those blond caireles fly as she runs laughing cheerfully, slips and begins to fall heavy by taking a turn, after another after another, until reaching the rest of the ladder where she finds death.

16:15 When he hit his head, it would take a while before someone came by and realized there was a dead girl there. When they realize this, they report immediately everyone knows that this is Samantha Houston, the Senator' s daughter. Someone runs to where the session is and Senator' s Temple Houston comes running where he finds his dead daughter lying at the stairwell break. When someone comes up to want to cover her up, to want to move her to do something, he unhooks a gun and threatens to kill whoever touches her the girl is alive, he' s just sleeping, dislocated with the gun in his hand, threatening everyone who approaches, until finally a fellow senator manages to take the gun, remove it and control it. After removing the gun, the man begs someone to do something, but there' s nothing to do.

17:18 The child is dead. This is reported and the girl is taken out of the hotel. The press is also aware, but Driskeld, the owner, along with the other members of the Senate, convince journalists only to mention death. You mustn' t say the name. However, Senator Houston is completely destroyed to the point where he demands that someone portray the child before burying her. She wants someone to make a painting of her. Such is his despair, which does not allow the creature to be buried until this is done.

17:59 A painter or William Henry hull would be in charge of making the first sketch of the girl' s body. Of course, he does not draw it in the state in which he was on the ladder, much less, but from the image of the dead girl, he draws a beautiful creature, standing with his little dress, with his ball in his hand. After only one creature she is buried at her place of origin about four hundred and fifty miles from Austin. Senator Temple would go through a lot of bad time. In fact, he would die very young, twenty years after Samantha' s death, being a drunk man, still litigating, still being a character in the law. He dies, probably because of the galloping alcoholism he was suffering from. But painting, painting becomes an interesting piece of this story, because the painting that was entrusted to William Henry Hell was never collected. Not the senator was so wrecked that his wife didn' t come back for her.

19:11 Nor was the painting paid for given to Colonel Briskil, who would pay his respects to the Senator, hanging the image on the stairs. There at the center of the stairway, where the two sections converge. The painting, however, would take on certain peculiar attributes. From the very beginning she would often fall from her place constantly, so she had to be moved some time later, Senator Houston' s widow would give the hotel a portrait of her own tempo leah and her so that they would be placed together with the portrait of the girl n n n e r r or for some error of fate.

20:00 And, according to the accounts, the portraits were placed in separate places and constantly fell to the floor, until someone had the good idea of putting them together. Note that for long periods of time, the hotel was closed after the sale of the same, then in renovations, in periods where there were no customers, etc. And they always found the two portraits of Dad and Mom Houston fallen. When it finally comes in the remodeling, they put us in one place and you' ll wonder what' s deserted from the ghostly portrait or the cursed portrait. Okay, we' re on our way. Little Samantha' s image is no longer in the hotel. For some time the image was in the old building at the front. After that, for some strange reason, images of the Houston family were assaulted, damaged. Some vandal damaged them early in the 20th century. Probably in some Texan government- related vendetta something similar and the images were removed and replaced by other pictures.

21:12 However, Samantha' s portrait would be replaced by an image that resembled the original painting, of which it is not known exactly where it is. The painting that replaced Samantha' s image was a replica, a well- known replica of a work by a British author. The work is known as Lope Letters Love Letters and is a work by the English painter Charles Treborg Garland. The play was more or less made at the same time as Samantha died in that place. However, what is there is a replica, It is a copy made long after by Richard King in the seventies However, since always that picture has given many problems. People who approach and see it feel a strange nervousness. Every time he has been changed from the place, the painting falls down and it is told that those who put sweets on their feet on a table the next day were no longer there. That' s an urban legend.

22:17 Actually, the painting is hanging in a hallway and has never had a little table, but many people have been uncomfortable with this picture when they stay looking at it. They feel dizzy, they feel uncomfortable. But it' s not just the painting. The people who have worked at the hotel have always felt, as the night falls close to one in the morning, the noise of a boy playing a girl is heard how he runs precisely there near the old staircase, in the main access, in the old building, in the building of Driskel, not in the enlargement. The picture is currently in the extension, in the annex, on the fiveth floor, in the old building. It' s where they hear each other. In the voices there is a relationship in this. Some believe that the girl is attached to her painting, that she was originally on the ladder and that she has followed it even when it is a lithography, that is, an impression. It' s not an original. For others. What' s in the picture is some kind of curse. It' s a cursed picture like many others.

23:21 However, the strongest part of this Samantha story is the ghost. As late as two thousand five, two thousand six, two thousand eight, security guards have reported entry in the morning hearing the laughter of a little girl or boy playing in this place. Even though they know there' s no one, even when you can see there' s no one in the security cameras, you can hear this. What has also been reported by visitors is that when they enter the night, when they return to their rooms and have been lucky enough to be touched by the old rooms in the first building, they come to hear that, they come to hear the laughter of a creature. But when you open the room door to see who' s making a fuss, there' s nothing. The corridors are very long, so it would be hard to hide and if someone closes a door, it would be heard.

24:17 It' s funny, but for many, Samantha, she' s never gone. He' s still there, but he' s not the only person still there. Another of the ghosts that has been pointed out is Driskie himself. Some say that, in fact, the appearance that Johnet Napolitano saw, the story with which he started the program, is none other than the jessiet Riskill himself, who, by the way, was known to be very fond of the company of very varied ladies and who happened to love that room. But, in case this isn' t enough, there' s Miss Bridges' case. Miss Bridgers was in charge of the counter in the 1930s.

25:04 This woman was the one who received the visitors, a very Victorian woman, still wearing her dress to the old very conservative, very own who practically lived there. And not only that, but he spent many years working there. She was in charge of receiving people, of receiving special guests, even accompanying them to their rooms, of caring for them in a well- known person controlled the service people. He saw that everything was fine in one of those efficient people attached to his post always attentively the old desk at the reception is no longer there. In one of the renovations of the sixties it was replaced and is no longer there. However, for years many people have seen an older woman of unusual appearance next to the flowers on the access. In this place. There are usually flowers adorning the entrance and they usually see it there. But when she' s not there, they know she' s out there because of the smell of Mrs Bridges, she always loved having fresh flowers at the entrance to the building. It was a touch of courtesy and when it appears, it appears accompanied by a strong smell of fresh roses.

26:30 It has been seen many times and has been seen as late as the two thousand years. There are many people who assure it after this. There are others, such as the case of Peter Loles. Mr Peter Lo Lees was a permanent guest of the Driskie. This man arrived there in a thousand eight hundred and eighty- eight, shortly before Colonel Briskil himself closed it and sold it. But, as he had made an advance payment, he stayed at the hotel even though there were no other guests. He had his own room and his own key to entering the building. The last night he spent at the hotel was in a thousand nine hundred and sixteen. Almost thirty years, twenty- eight years in which he stayed there. There would be remodeling or not. There would have been remodeling, there would be customers, there would be service, it didn' t matter to him it was there. It has been seen many times many times. He loved checking his watch for good on time. For years you' ve seen a gentleman who suddenly walks down a corridor, stops taking out a watch from those little chain that were carried in the bag of the vest. Check the time, look, and while you realize there' s someone watching you, you disappear Mr Loles is an

28:03 entire institution like a ghost in this building. Practically any waitress. Any employee who was there during the night has come to see numerous customers as well. But the problem with the hotel is that, well, there are those who go specifically to live the experience of meeting a ghost and there are those who did not know it and carry a tremendous surprise, because this is frequent and, for example, in the annex at the back, which are thirteen levels, there are also a number of tremendous stories and is that this site is also marked. In nineteen hundred and forty, the hotel was running fullness, it was at a great moment, the city was growing. Everything was fine and in the halls of the old building were celebrated weddings of bachelorettes, bachelors.

28:56 There were great dances, celebrations, commitments. When they were a compromise, there was a party, tremendous and piano orchestra, exuberant meals, beautiful things. The fact is that in nineteen hundred and forty, in the middle of World War II, when the war was over, a Texan couple is engaged and is going to marry. The bride' s father pays for the hotel, pays for the party. The most elegant service that could be a great dinner is going to serve at all luxury. It separates one of the best suites. Unfortunately they can' t in the old building, so they ' re assigned. The room on the pin fifth floor of the Annex is a special room with a beautiful tub. It' s a bridal room.

29:47 Everything' s perfect, except the wedding day, the groom doesn' t show up and he' s never gonna make it. He sent a missive ca cancelling the engagement for some reason that the guy didn' t explain. He gave up marrying that young woman who, desperate to find out, rushes up to her room and locks herself in while everything was chaos in the living room, and with guests, and everything ready, ready to eat. Well, dinner is served because people have already arrived and when they are distracted when they go to the room to look for the young woman, they find her dead. The girl had hung herself from a pipe in one of the dressing rooms, in one of the closetts, had put something around her neck and had taken her life dressed as a bride. From that moment on, so many people have seen the ghostly bride, especially when there is going to be a wedding party. There are those who have seen a woman dressed in white walking in the path of the area of the annex of the fifth floor, to the party hall that is in the old building. They' ve seen her walking like that to crash into a wall and disappear, to walk to a door that never opens and disappears to be behind someone. This situation has sometimes become a little disturbing, because the ghostly bride of the Triskill, especially

31:18 the one in room five hundred twenty- five, which is not the only one, usually has the aim of standing behind people. Those couples who are romantically going to spend their honeymoon at the driskil or the wedding night while trying to open the door suddenly realize that behind them is the ghostly bride. In the middle of the night more than one has run away believe me. And that' s not that weird either, because suddenly, when the doorbell rings at the reception and someone answers if I tell me room, I don' t know what just happened to me. It' s to report a ghost. They' re used to it. They know how to deal with that, but she' s not the only ghost bride. In nine hundred and ninety, a young woman from Houston' s high society in Texas is about to marry. Everything' s settled, everything' s ready. One of those great spectacular parties. The party is going to be in Houston, not in Austen, but everything is prepared and exactly the same way as the first case, suddenly the groom decides to cancel the wedding arguing that she had failed her that the young woman had walked. That' s where he made a story. The guy, so he cancels the wedding. The young woman, stripped of her face, has one last resort. Before the wedding was cancelled, the groom had given her a credit card to make some purchases for the

32:49 party. So, armed with that genenédito card, this young lady is moving to Houston. He stays at the Thriski Hotel, in one of the rooms of his choice, the three, two, nine and from that moment on he is dedicated to shopping Throughout a week. Every day he goes and buys things. He arrives with bags full of his hands in his room. However, after a week, suddenly no one else sees her and it would not be until three days after they stopped seeing her. For the last time someone arrives and with the master key opens the door to find a terrible scene in the bathtub of the room. The body of the young woman who took her life by shooting herself in the abdomen. The girl has taken a gun, put on a pillow at the height of her abdomen and shot herself taking her life. It collects all that. The hundreds of packages in the room are sent to this girl' s family. The room closes, of course, for some time, but when it opens again, things get very complicated, because throughout the same night it can appear several times, especially if those who are there are couples of newlywed doors that are whipped, kisses that are heard

34:19 as if someone were kissing, like a memory of a pleasant moment. The curtains open, the people who are sleeping are awakened by something that moves them. The front door opens and clear, the laughter, the laughter of the dead bride that is still heard today and you would think who lightning wants to stay there. Well, it' s a beautiful hotel. It has these beautiful corridors, full of images, full of ornaments. The bar is spectacular, it eats magnificently and the ghosts that live there are not at all aggressive.

35:15 They just like to play a joke. The building, early in the 21st century, is a 100 percent tobacco- free place, completely forbidden to smoke. There' s a fine of several hundred dollars or thousands of dollars for whoever smokes inside. And yet, it is not so rare that, as you walk through one of the corridors of the old building, suddenly you feel a penetrating smell of strong tobacco, strong, not cigarette tobacco, but something else very strong. Of course, it' s not that someone is smoking, but someone who was there a long time ago is still walking. Some say it' s Colonel Driskie himself, some say it can be any other number of people keep in mind that in there, while playing a leisure hand, someone killed someone that simple still in hostile territory back then. But one of the places that has attracted the most attention because of the rare effect it has is the Maximilian Hall. There' s a story behind it.

36:20 This beautiful living room has eight mirrors. The eight mirrors were manufactured in Europe. They have a gold- lined, laminated frame and are of exceptional quality. They are distributed in such a way that when one separates and looks at one of the mirrors, the infinite effect is immediately generated, since one is seeing this mirror and the one behind it is placed in the same direction, reflects this one and thus mutually generates an infinite string of images. The sensation it causes, moreover, is a sense of sadness, a sense of abandonment, of loneliness. Some even point out that it can be a sense of madness and that these mirrors have a terrible history behind them. History has to do with Mexico. That' s why it' s called the Maximilian Hall.

37:14 In Mexico, about one thousand eight hundred and sixty- sixteen, there was an emperor of Austrian origin. It is not the subject of this long programme. The fact is that Maximilian of Habsburg was the Mexican emperor. A stitch that had been thrown by a group of Mexicans at the time, at the very moment, tense the country was very confronted, there were war actions. The fact is that this man arrives believing that he will be the great emperor supported by France, but the moment the French troops withdraw, he remains alone and is captured and sentenced to death. The Mexican President, Benito Juárez, is the one who regains power and controls the government and in one thousand eight hundred and sixty- seven, Maximilian is executed, shot, his wife had been sent to Europe with several commissions, among others. While in Europe, he had ordered the manufacture of the eight mirrors to decorate the palace.

38:23 In Mexico, the mirrors would be finished, paid for and shipped by boat, but they would arrive in New Orleans, in the United States, where they would be detained. There was no more Mexican empire. Maximilian had been executed. His wife, Carlota, was practically out of her mind in Europe. Those who claim she went crazy about the husband' s death. Some claim she was mentally ill because of a toxin she had consumed in Mexico as part of an alleged treatment for infertility. Well, there' s a whole myth about another program. The fact is that Carlota is in Europe and there she stays, she no longer returns to Mexico and her mirrors, these eight beautiful and very fine mirrors, stay for a long time stored in a winery in New Orleans, until finally someone sells them and they are bought and installed in the thirties of the twentieth century at the Whiskel Hotel where the Maximilian salon is built, because the mirrors had been manufactured with that idea. From that moment on, this space has been a very rare place. The sensations that are described are described as deep sadness. Not always and not all people, not all who are there, perceive this, but those who are a little more sensitive can feel very uncomfortable. So this is a place that has everything,

39:54 from the ghost of the child, the cursed picture, which causes dizziness and very rare sensations and which is believed to be related to the ghost of the girl who sees herself reflected in this image, the ghost of Mr Lowles, the ghost of Mrs Bridges, the ghost of Jessie Dris Hill himself and the suicide brides. A perfect cocktail in a beautiful building. He' s active today. If you want to stay there it can be clear if it has value, because if you touch room five hundred twenty- five, it is very likely that, in the middle of the morning, they knock at your door loudly, as if they wanted to knock it down, as if they wanted to open it, because they know that someone inside has just hanged themselves but when you open the door outside, this long corridor is completely empty.

40:51 Don' t worry. If you call the reception desk and there' s some room available, they' ll probably give you access and if there isn' t, they' ll probably give you your money back, because they know that there are people who don' t like ghosts showing up half the night and now, if I may, let' s say hello. We want to greet Patti Chuchuca, who is in Ecuador and is a faithful follower of the program. A great greeting from Adela Pelayo and her husband Ezekiel, who always accompany us. We' re very happy to be able to send them a hug. James, Carolina greets his wife Jenny and her son Joseph. They are virtually in paradise, in Aruba in a beautiful place and from there they accompany us last night. We sent a hug to all three of them. Thank you so much for joining us. Marisol Alonso and she is a follower of this program. He discovered us about a year ago and hasn' t stopped accompanying us for a single day. We send him a big congratulations because very soon it will be his birthday. We wish her the best of the best, long life, lots of health, lots of strength, congratulations And of course, for Chris Carbonnet, she' s going to

42:22 turn 6 November. We congratulate her very much. He' s always with us, too. We are very happy that people will join us and let us know. So the hug goes to Chris Carmone Uriel Bañuelos Arreguil. He ' s a great follower of the program and just turned out to be just a few years old. So we sent a big hug to Uriel. Thank you very much, Uriel for your pleasant comments. We would also like to congratulate Eliana Mancilla. Eliana Mancilla is about to turn and congratulates her daughter Renata Álvarez. We sent a big hug to both of you. Thank you so much for joining us. Juan Antonio Pareja, He is in mijas in Malaga and is about to turn, So we send him a strong hug to Malaga in Spain, thank you very much. We also want to greet Lucero Carmona and her children, Paola and Sebastián, who are in Mexico City and always hear us Claudio Ricardo, Bravo for Syntia and Pablo, who are in Buenos Aires. Daniel Bonilla, say hello to his wife Michel. They' re in Indiana, in the United States. Silvia Mejía. She congratulates her sister Graciela Patricia, who has just turned age. Congratulations, thank you so much for joining us. We sent them a big hug. Zully Ortega. She congratulates her husband, who has also just turned age. Many congratulations, a hug for both of you. Daniel Ortiz he congratulates his wife Fernanda, who has also just turned age and they are in Metepec. So we sent a big hug to both of you. Thank you all very much. Good night and rest in peace. O r R