Señoricidio

0:04 The tremendous court? The tremendous cut? To a public hearing, the tremendous? Judge of the tremendous Court is going to solve a tremendous case or at night. Secretary, good night, Mr Joe, how you keep on in regular health let' s go what you have. Nothing, uh, that lynching put on a weight of Gregor fines. So nothing, I put it is a fine weight. I know, because if it' s something, not something, because it already did. That' s about taking and putting some paper in the bell and that' s a fine. Let' s do it in favor. Well, if you want it, then let' s go there and do nothing but war on me. I feel good, Mr Juey, but that' s got to be taken in jail because of the heat. You believe, how not in what rhymes tropical, fifty percent of people, at least they look of the liver in fifty percent. Right.

1:06 Yes, Mr End and I think I' ve stayed small. Well, you don' t have to say that, because you' re seeing what. You' ve stayed small. Listen now, pretty girl, we ' re going to see the good guy and see what case we have today, a good guaguero who went against a house and ended it, because tell me whose house a lady was. It' s already complicated in that gentleman and place right away. Lord Hue Luz, Maria Na Nani Na, here as every day, without dulfo rock this present José Candelario, three skates to larrea well, first of all, who is the guagero, who is it going to be, sir but who can you think it is? Sir was the nice one, the funny one, the beautiful one on three skates.

1:59 Well, don' t listen to me, don' t you hear me so much, ma' am, in favor of not saying that, because besides that I' m not a guagüero, then this driver ofÓrnibus, driver ofÓmnibo, ruiner of house. And what you are, I won ' t know what the thing is. It wasn' t for as much as it wasn' t for so much clumsy. You didn' t put your guagua into Nononi' s house. No, yes, sir, and Nula derupbo. No, no, no, sir without Dolfo, all I did was change the layout of the house a little bit. How to change the plan of the house. Yeah,' cause where the kitchen used to be, now there' s the living room. Yeah, where the dining room used to be, saves the bathroom and where the bedrooms used to be.

2:46 You know what there is now, that there is now a beautiful terrace, outdoors b and the portal. Well, the portal like it was from the first one the house had portal, of course, that I have it, well, then Jehotak was equal, that it was made as equal, that you are equal, that it was before I manufactured the house. But that' s fabled. Hear how they manage to make a new portal. Any playmaster, that' s what you do to him in the three weeks. So, what do you expect me to pay for it? No, no, no, no, no, no, no, no, no, no, no, no, no, no. Oh, no, no, because I could keep it to babies. If you can, if you trust him, do me a favor, but hear me have Cuedo you ' re hearing what you' re saying, they' re water. Not this one, yes, of course, but we' re on the side.

3:30 The thing was, on three skates I was driving a guagua. It ' s not that, yes, sir, and apparently he crashed into Nananina ' s house. It' s not like that, yes, sir, and why that shock, because I' m sure the doctor' s excessive speed, because I want to warn you that I attend this trial as a private accuser on behalf of the Clash League. Yes, indeed, yes, sir, and according to the statistics that that League carries, most of the wounded who enter emergencies daily are only victims of speeding. Really, really and well yes, you want me to read you the list of those who entered today to see you to the leala hear it you yes, Panangana anicetto injured all over the body, you crashed with your machine against a pole when you were going 90 kilometers per hour, victim of speed, right. Evaristo Curricán frozen with his sidecar against a truck of ten tons loaded with bricks, victim of speed, truth, a moment without dulfo, that side went with speeding.

4:51 No, sir, the one who was speeding was the truck. But the fridge is a victim of each other' s f- speed, right, uh, right, yeah, yeah, and how' s the fridge a regular. The one that' s very serious is the lane. Don ' t tell me the cart' s bad. Yeah, because he had a hemorrhage from Guanabana tremendously and you think he' ll be saved. Well let me see, right now, when I was coming here, you were going to have a butter transfusion, well, well, continuous, so it was a calandraca dino, ballerio, contusion to the head. Victim of the speed, truth of what speed of the pitcher. He didn' t see the ball coming until he hit him in the middle of his head. Ah come on, and what else, abelin, caradure, injured and traumatic throughout the body. He was surprised by his lady Dancing in a cabaret. Victim of speed, also true of what speed of the face, son, because he had told his wife that a wake was going very well and what else.

6:02 Heriberto Frescolin, accompanied by a nurse, has attended cookie in the left eye and kicked in the right tap. He tried to hug a nurse five minutes after meeting her veil victim and the truth is that hair, but you ' re also at speed there, well, what yes, yes, how you' re going to get in, to hug a nurse five minutes later. That' s a speeding here and anywhere, well, that' s fine. Let' s accept that. We' re going to accept no, sir who' s going to accept you or me, ah doesn' t get ah well, that one' s judged. We have to accept that. Then you think that the three duck accident was due to speeding.

6:46 Not exactly that one. My dear doctor, forgets, forgets, forgets that perhaps my dear doctor, my dear doctor' s process. You want me, man, like night with us we' ll have our dicussions, but deep down I' ve got you a treat I can' t see you. Wait a minute, three ducks Explain that to me, please, what ' s that? You say you have an affection for me that you can ' t see me. If I see that I cannot see you without greeting you immediately with appreciation, with affection, with love song. That' s what you wanted from that man. Of course, give him ten pesos of a fine in case of a secretary, and now answer me three times yours, ju aguaero, it' s not that, no, boy, I ' ll be able to repeat it to you. I' m an Ornibus jofer. What about Ornibus, Ornebus Ornebus that' s what that is?

7:33 Bye- bye, boy, what' s that Ornibu Ornibo, I don ' t know what it is. Now he wins the translation in Guagua' s hat in English. Orninus isn' t, sir or bono, it ' s called Wawa is omnibus. It' s notórnibus, that r ' s why he' s going? And it' s not the same carriage, it' s not the same one that' s not the same claw, it' s the same sir, I think, but it' s wrongly said as you say, well, no ray Orni driver, so that' s the French one, it' s the Ornibus phrase. But you' re one of those eight ornibus coffins that go down the street like lightning. No, no, no, no. I never go like a scratch. I' m going like a sparkle. No more I didn' t see myself anymore so you' re going like a sparkle. Yeah, but today it' s like a sparkle of the slow ones. No, because I' m one of the jofferres who never runs in my life I ' ve been vey of speed, as he says, sure, sure no, no, no, no, no, no, no. I swear to him a word looks, because twenty- three or polines that are still wide street and avenues, uh avenues yes, and wide avenues, yes, come on, uh, uh, uh, no, that' s mean.

8:48 I tell you it' s avenues, avenues, streets, avenues of preference, we tell you. But avenues, avenues, an avenue is a wide street lar a, well, then still down that street axe I run a little, no yes, but for example, it poses Rafael, Rafael de Lamparilla and the other street so I never pass the hundred and five kilometers in itself and it seems little come that to whom he taught to run like this, Juan Manuel Fangil, No, no, no, I taught Mamita che what he tells me. Your mommy drives a car. Yes, she has a package machine, a package machine, if it' s an old guy who has worn out the transparent doors that is like this, yes, sir, and lame counters, because she has a stick wheel. Don' t talk firefighters, ma' am It' s a beautiful five- door car. How to say you know four, no, no, no, this one of five poets, because you start it here, for example, it starts walking on average at the five doors, stops and does not walk.

9:52 Macha, come on, here, come on, and that machine that you just mentioned there is a package machine yes boy, package, package so you can get tired buano the one that throws us good. But anyway, I want you to explain to me, because here we have talked about everything but what the accusation is made, which is a clash you had with a house. I want you to detail me in detail how that happened. You broke into a nanny' s house. Okay. I' m going to tell you I' m preparing the guagua at the location for the part of the seat, precisely not for another. To be on the other side to take a head at the time they were asked to tell me with the watch to greet them. If they tell you there nothing more than to say the clock to go out ah welcomes him to catch it is the trinerary chiqui ah is that the trinerary, the route that you have to take itinerary yes, it is trinitarian, no, no, not you and not money of or I was born good he or he said to me from peiro to collo.

11:05 I get in the voice of being the driver hooks that he' s taking a coffee out of the exit and right there jumps and hooks. I' ll take all the time train for the route. To read the thing. Then he rode a passengerroite mounted a passenger aha then, like I see that the horre of which he had already walked forward, no yes, but hear the thing is that you got into the house of the nanny. Yes, if I' m going to stop there like this, if you' re going to see the glass it was nananina that came from passenger of my guagua to her was going in his guagua. Yeah, you didn' t ask her. Yeah, and coming in front of her house, she just yelled at me looking at the ferra that I' m staying here. I wanted to roll up the guaguatan grid, but it was also settled that when mevineda told me I had already got inside the house. I' m going for you and how did the boy passengers come out divinely. This borito, this yes, as there wasn' t, like fifteen lessons, what are we left with? You don' t say the passengers went out divinely. Yes, they all came out divinely, because the windows are big, wide for that very thing. But when they were West, yes, where they went divinely afterwards through the windows, yes, well, less one who was blown away by a drop dueve that he may have had and that one had to be pulled out aha, but as soon as they took him out in the guagua he went a little soto and the man began to walk. As if nothing limping perfectly broke a leg. No. No, no, it didn ' t make a scratch. Then why did he fuck? No, he

12:35 was the lame one at birth and ah come on, but irreparable loss. There was no truth. By the way, yes, one of the passengers lost his mind, yes, and he couldn' t find it. No, Chico, no, I say he lost his mind because he lost his serenity and instead of running towards the wax, he ran across the street and was hit by some machine. No, but he stumbled upon a friend who he owed him twenty pesos and had to pay him there because the friend needed it. Yeah, but he didn' t die. Hey, he didn ' t die. No, no, Chico, he was going to die. And then what was the loss of repairable and the loss of the twenty pesos seems little to you. Oh ray, let' s not discuss that, but there was some good Erico Rami. The only serious case was a passenger who lost the memory of a compa who was seen in the head.

13:20 He didn' t remember who he was or where he lived or anything about how he didn' t remember anything. Chico Juan didn' t take him to the bride, who were very pretty by seven who did nothing to her Bride to see if she recognized him Aha, he asked her who she was. Look how the Lopez was asking him who you are to the bride. Yes, and from there they realized that she had completely lost her memory because she didn' t remember, or that she fished to fall in love with everyone. Boy, poor man,' cause I' m sure my myth is where the woman fell for another boyfriend. Oh, no, no. No. Nor is it that women are not so changed hunters. The horrible nonsense, sir, that you know about that, that you' re going to throw half a man at me, look, it' s not for nothing. But once I had a girlfriend who spent the day telling me I swear I have no love but you. And one night I thought I' d go into a movie theater and there she was with another and I wouldn ' t be a friend. No, because the face he put on when he saw me wasn' t friendly. What he did to you. I stood in front of him and I told him ah, ungrateful, perverse woman and you' re naturalized like the reverberal spirit you didn' t swear to me that you had no more love than me and she who replied that it was true, because the other was not his love. Ah well, but anyway, the thing is clear. Trespatino has been the only one to blame for that accident and therefore has to pay for all the damage he did to Nananina' s house. Well, then, I can add no that there isn' t like that. It' s not like that. No, sir, according to the law, you have to absorb me why I have to solve it. Up high, what happened there was that my guahua'

14:52 s defense crashed into Nana Nina' s house. It' s not done, yes, Mr Well, it was like the guagua is my property, the defense of my property also so it has to be me why, because it' s a clash in self- defense. Write there, Secretary, come people the laws. I know. No. I allow you to teach me laws and, in addition to stating that you will pay for the damage, I suspend your aquila wallet for ten years. I put him Fernández, Aníbal de Barra and a thousand Manolon, the punic Díaz writes Castor Bispo, Production and direction of Maconara, bad ones who speak to them. You say good luck to them, folks. Focused Audio