S02E18 "Funhouse"

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No, no, don't touch that
dial. Jus what's on my mind?

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To Emma's new home as a lurid
passed about eighty years ago. Some guy

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killed his wife here and he slid
her through it from ear to ear.

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But then, so does Emma imagine
driving a man that crazy father ghosts in

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her house because she has skeletons in
her closet. Find out and it's got

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a real distorted view in the world. On the next Lenny Nightmares, Well,

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my friends, hello, it is
that time again. It's time to

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head to Springwood and of course your
host Enrique Kuto here with double D Louis

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bains Denoyer, and we are here
to talk all about Freddie's Nightmares. That

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we are and if you don't know
by now, that's upsetting because we're like

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fifty some episodes in to our podcast
and we're how many episodes now into the

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showies. This is episode eighteen,
so yeah, so we are into forty

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we are in we are into the
last four after this. Oh so this

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is forty on the on the yeah, on the nose. So we have

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been watching dutifully with you all Freddie's
Nightmares four over a year now, ye

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now of course, we've done some
extra shows where we've interviewed people. We've

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done some extra shows where we've checked
out some other ephemera. Yeah, that's

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my favorite word of Freddy Krueger.
Yes, and uh, it's kind of

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wild to look back at like time
hop and see that like a week ago

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we published a second episode ever.
Yeah, and a week before that it

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was the first episode ever. No, a year really went by quick.

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But also just it like I like
I posted on our anniversary that I was

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just I was really amazed with how
much fun a we've had with the show,

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but be the guest we've been able
to get. And then on top

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of that too, just how much
Freddy's Nightmares has become a part of my

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life to where it's probably not gonna
leave now. Well, no, it

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can't leave now. It's impossible.
And I do want to mention if you

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are new to this program, one
of the things we're referring to is the

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fact that we've done interviews with people
like James Cappy, who wrote an episode

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two episodes yeah, of Freddy's Nightmares. Uh, we've talked to jeff Rylick,

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who produced and show well show ran
yea the entire first season and was

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a major influence on the second season. We've had Gil adler On who's produced

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every single episode of Freddy's Nightmares,
and we've had Al katz On who wrote

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several episodes with Gil, and later
Gil and Al went on to run a

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show that no one's ever heard of
called Tales from the Crypt for a channel

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nobody's ever heard of called Home Box
Office. So we had a really great

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time kind of bringing all this together. And that's why I want to make

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a big announcement first of all,
but before that, before you get your

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dessert, you gotta eat your greens. I want to say an extra special

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thank you to everybody who has reached
out after I did that impromptu Jeff Burr

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dedication last week. For those who
don't know, Jeff Berr, very talented

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director, genre filmmaker that many many
people know and love. He did Texas,

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Change on MASCAR three, Pumpkinhead two, Stepfather two, Puppet Master four

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and five, among many many other
films. And I was a friend of

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his and he passed away, and
it was it was a rough thing.

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And last week, just out of
the blue, we hadn't even discussed it.

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No, I just started talking about
what our friendship was and what he

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was like as a person, and
it was awesome for me. It really

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let me go from being kind of
grumpy the whole show, as Dave would

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attest, you definitely lightened. Oh
thanks, So what you're saying is I'm

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a jerk. Usually did not say
that, but I mean I've been a

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jerk before too, So who am
I to say, Dave, You're always

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a jerk. I mean, but
no, we want to say a thing.

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I want to say thank you because
I decided to. After we did

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that, I realized how much I
had exercised out from doing that, so

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I shared it. I clipped that
video. Usually the video podcast is only

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available for our Patreon subscribers, which
shameless plug Freddy's Nightmares dot com. Click

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on Patreon you get the show one
day early with no ads and in video

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form if that's what you're into.
So I shared that, and actually some

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of Jeff's friends from Dalton, Georgia
saw it and shared it among themselves,

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and I was really moved by it. It was definitely one of those i'm

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not crying, you're crying kind of
moments, absolutely, and I just want

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to say thank you. You know, thank you so much for being an

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audience that we get to talk to
every week, and believe it or not,

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you know, there's a decent amount
of you out there, and it's

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bizarre that we have people who hang
out with us every week while we watch

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Freddy's Nightmares. Yea, is is
truly amazing. But I have like really

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buried the lead. So after saying
that, I want everybody to know that

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there will actually, although it'll be
a while, there is going to be

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a culmination of all of this beyond
our final few episodes, and that is

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an unofficial Freddy's Nightmare's Guide is being
written and published, and David and I's

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exhaustive dive into the series and interviews
is being used as one of the main

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sources. So David and I are
actually co authors on this book. It's

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going to be the Freddy's Nightmares,
the unofficial Freddy's Nightmares television Guide, and

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it's going to be written by Jeff
Turner. Jeff Turner who did two official

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Night of Living Dead books. He
did the home video history of Night of

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Living Dead and the advertising history of
Night a Living Dead. He's going to

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be branching out into a new book
so I don't know when it's coming,

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and it'll definitely come long after the
show has run its course. Yes,

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but we will come back to tell
you. I promise. Oh it's going

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to happen. It's gonna happen.
I would say for a year away.

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Maybe not a year. Maybe I
will see. Last I talked to Jeff,

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he said that he was about to
start the breakdown of episode one because

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he was doing a chapter on just
the anthology television Boom of the eighties.

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Oh yeah, so that's going to
be the start of it. That's a

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lot. Yeah, yeah, Well, he's an incredible researcher. Is if

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you haven't read one of Jeffrey Turner's
books, his name is Jeffrey g e

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o F F R e Y.
If you type in jeff g OFFF Turner

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into Amazon, you can find all
of his books. Or you can go

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to Deathcultpress dot com. That's where
all of his books are also available.

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You should check them out. He's
written some incredible books, especially if you're

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a big Night of a Living Dead
fan. Yeah. But on top of

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that, Yeah, we're doing a
book with him. So awesome. And

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I've holding onto that information for like
two months and I was talking to the

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other day. I was liked,
you mind if I tell the audience and

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he was like, you haven't yet, and I was like, oh,

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I was gonna say yeah when you
texted me that that's been a while ago.

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So yeah, I'm glad we have
the word out now. Oh well,

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you know, I figured why not, like we may as well let

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everybody know, ye says but I'm
thrilled about it. And I just want

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to thank everybody for supporting us.
And if you have any kindness you want

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to send our away, just go
to Freddy's Nightmares dot com. That's where

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you can find our email That's where
you can find our contact list. Uh

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oh, and by the way,
when you go to Freddie's Nightmares dot com,

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there is a thing to sign up
for an email list. Oh we

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don't have an email list okay yet, but if you sign up for the

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email list on our website, I
will save that email and inform you when

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the book comes out. Hell yeah, So there is not an official list

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like you will not get if you
sign up. The only time we'll email

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you is when the book is available
for you to purchase. That's good.

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So on that note, this is
season two episode eighteen. Yes, it

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is unhouse. And is this I
believe this is directed by a friend of

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the show. Yes it is,
so this is at last, Leeder said,

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Season two episode eighteen directed by Gil
Adler. He of course, was

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a writer on the Hitchhiker series in
eighty seven. He gave us the episodes

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Freddy's Strickxon Treats, Welcome to Springwood, Bloodlines. But he was also the

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director on Tales from the Crypt with
What's Cooking, Death of Some Salesman,

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which are two very famous episodes.
He had a hand in season three onward

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of Tales from the Crypt. So
you've liked an episode he's worked, Oh

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yeah, And also the infamous director
of Bordella of Blood, producer of Demon

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Night, the House on Haunted Hill
remake, thirteen Ghosts, ghost Ship,

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Constantine. The list goes on and
on. Well, that's because you're under

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selling the fact that he founded was
it ghost House, ghost House Fixtures?

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Yeah, with Ramy Well, No, no, no, not Ramie,

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with Joel Silver Silver thank you.
Yeah. So, I mean he was

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literally a horror movie studio executive.
Yeah, for a good chunk of time,

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which is when most of those films
you mentioned, yes, came out.

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Now I'm I'm worried because I'm like, is it was it ghost house?

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I thought it was ghost house.
I thought it was ghost House pictures.

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I have to castle or dark Castle. It's dark Castle. You're right,

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ghost house was Sam Raimi, Sam
Raimi, That's what I was thinking.

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Ramy. So it's it's a dark
Castle pictures. YEA, Well,

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now I have to know that too, Dark Castle Entertainment. He founded it

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with Joel Silver and that schlub Robert
Semechis, who only did all three Back

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to the Futures Yeah, but more
importantly wrote the first draft of Bordello of

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Blood. Let's never forget. Let's
not also forget Amazing Stories because they were

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truly amazing stories. I loved amazing
stories as a young man and speaking the

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stories. This episode is also written
by Gil Adler as well as our good

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buddy Al Katz is also along for
this one, and we may or may

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not just talk about him towards the
end of the episode. Well, and

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this is this is one of the
major beginnings of them becoming a writing team

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Powerhouse because they were the team behind
I know, I keep mentioning it,

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but they were the team behind Tales
from the Crypt season three and onward.

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Yeah, so every script went through
their hands, every script had to be

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If it needed to be punched up
or rewritten, it was rewritten by them

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everything. Hell yeah. So and
if you want to hear them talk about

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that experience, I'd be I'd be
ashamed of myself if I didn't mention their

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podcast, Yeah, How Not to
Make a Movie and the fact that we

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had them on just about eight weeks
ago or six weeks ago, So go

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back and listen to that episode if
you haven't already, or better yet,

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subscribe on Patreon and watch it.
And How Not to Make a Movie is

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in their second season right now,
which is going on forever, and this

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season has had some amazing interviews with
it. The first season is like a

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podcast documentary. The second season is
more just straight up show business interviews.

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Yeah, really fun different than before. I that first season was one of

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my favorite podcast documentaries of all time. Absolutely so. I remember texting you

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how excited there was. So I
found it first, As is often the

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case, I thought I found it
and texted you because mc Geara's had the

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mill. You texted me, no, no, no, hear me on.

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I'm not trying to I'm not trying
to steal your shine. You texted

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me about the post mortem interview with
gil Adler because we've always had like an

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inside joke about gil Adler in our
friend group, friend group being just you

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and you and I. I'm the
one who actually jumped into the show.

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First. You found the show that
introduced you, and then I listened to

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it. I was like, dude, you have to listen, because I

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think I was the one that told
you, like, dude, no,

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it's really only about Bordella Blood.
And that's when you were like, holy

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crap, because I have a vivid
memory of watching or listening to how not

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to make a movie while I was
putting in all the acoustic treatment in my

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in my studio, and David,
wouldn't you know, look at that night

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of the Scarecrow by Jeff Burr poster. Do you see right next to production

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designer it says mixed straw. Aren't
we having mixed strawn on? He will

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be next week? Guess he will
be mixed stra on the production designer of

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Freddie's Nightmares. We'll be having on
very soon. I wasn't actually gonna mention

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that I literally look the poster and
the editor is Bob Barowski, Yeah,

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who is famous for being Sam Raimi's
editor. Yeah. And the production designers

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mcstrawn just yeah, really wild.
So anyway, man, I got something

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to ask him. We have a
lot I would love to ask her about

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working with Burr. Actually you will, so thanks. But anyway, all

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of that to say, we're just
very happy to do this show and share

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this weird fandom with all of you. But without any further ado, we're

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not gonna go twenty five minutes before
we talk about the show. This twelve

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right now. So let's head in
to the fun house, all right.

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So we open with a shot of
a mansion. Inside we meet one of

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the new owners, Emma Palmer.
She is played by Robin Greer, who

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was in Satan's Cheerleaders in nineteen seventy
seven. Isn't she the second Satan's Cheerleaders

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alumni? Yes, yes she is. We also have her in Angels Brigade

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in nineteen seventy nine. She was
in the Hitchhiker series in nineteen eighty four,

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the series Hotel in eighty six,
Falcon Crest in eighty six, which

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was also a frylic show Yes,
Werewolf series in nineteen eighty seven, and

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she was also on Roseanna in ninety
three. She is carrying boxes into her

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bedroom with the help of the mover
and returning to Freddy's nightmares. Turk,

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Oh and Turk. What a piece
of work? Yeah, that Turk,

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That Turk. Indeed, for those
who don't remember, which episode was that

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we Springwood was Welcome to Springs was
technically a direct sequel to Welcome to spring

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was my not understanding Turk was like
the the sleazy inner you know, insides

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that combined everything on Welcome to Springwood. He works for Springwood Moving and Storage,

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the and Storage which and all he
does is try to bed whoever he's

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moving moving as long as their female. And he's scary. This is true.

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And he's played by Todd Allen,
who was the star of Witchboard.

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Yes, and he was also in
forty eight Hours in nineteen eighty two You

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Mask, not the Mask in eighty
five Smoke, I'll Never Feel Love?

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Whichboard too, he was a garbage
man. Yeah, he played the garbage

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man right at the end which that
ending on which Board two? The big

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do you remember what? Oh?
Yeah, oh yes, scared the hell

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out of a little little Henny when
he was watching it on Cinemax late at

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night, I can imagine. And
he was also in Django Unchain. He

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played dollar Bill of the Twin Tarantino
film. So Todd Allen has done a

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lot. He is Turk in this
episode, who is telling her the house

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is haunted. She doesn't believe him, but Turk goes on that there was

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a jealous lover who was caught with
caught his wife cheating eighty years ago.

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Emma interrupts him with, let me
guess he killed them both and their spirits

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have been haunting the house ever since. Turk tells her that he chased his

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wife into the study and slit her
throat from ear to ear. So yes,

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yes, yes, that's correct.
And so now the house is supposed

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to be haunted. And do you
think ghosts in Springwood like the ghosts from

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like the twenties, thirties, forties, do you think they just really freaking

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hate Freddy? They're just like,
no one ever talks about us, They

219
00:15:01.200 --> 00:15:05.559
only talk about the child. Did
learn like that's gotta suck? Oh,

220
00:15:05.600 --> 00:15:09.360
and Freddy in this episode boy will
get to Oh he's a blast in this

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one. So Turk stands behind him, holding her and demonstrating the slash.

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The two were interrupted by Robert Palmer, her husband, who is played by

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Clayton Landy. He has one hundred
and five acting credits on IMDb. Dukes

224
00:15:22.120 --> 00:15:24.600
of Hazard in nineteen seventy nine,
Normal Ray in nineteen seventy nine, Knots

225
00:15:24.679 --> 00:15:30.879
Landing Nightmare on Elm Street three,
he plays Lorenzo Lorenzo. I don't know

226
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who that is, but that's who
he's listed as. Hey, girly,

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00:15:35.320 --> 00:15:39.840
I got the Keys to Heaven.
Oh, he's the guy who offers the

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00:15:39.879 --> 00:15:43.639
one girl, the orderly Jennifer Luke
Rubens k. He's someone who offers Jennifer

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00:15:43.679 --> 00:15:50.480
Rubens character to go into them.
I'm talking pure pharmaceutical. Hi. Oh

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my god, you're so right.
I'm good. I did not look that

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00:15:54.120 --> 00:15:56.960
up. Yeah you did not.
So. Fatal Beauty in nineteen eighty seven,

232
00:15:56.039 --> 00:16:00.799
The Blob in nineteen eighty eight,
The First Power in eighteen ninety.

233
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We here At, Welcome to Primetime. We fuck with the first Powell.

234
00:16:04.360 --> 00:16:08.879
Yeah, pop up the volume nineteen
ninety Days of Our Lives in nineteen ninety

235
00:16:08.919 --> 00:16:11.919
TENK Girl in ninety five, A
Racer in ninety six, Sliders in ninety

236
00:16:12.000 --> 00:16:15.840
nine, Jag in two thousand and
five, Zombie Strippers in two thousand and

237
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six, Sally in twenty sixteen,
and Bingo Hell in twenty twenty one.

238
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I have to give it up that
he would be like so then I was

239
00:16:23.200 --> 00:16:29.320
in Sully. Yeah, but that
was coming right off of Zombie Strippers.

240
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I love it. I love it. I love that about actors. So

241
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Robert calls to Emma introducing a maid
named Gillian. She's played by Lauren Austin,

242
00:16:37.000 --> 00:16:40.759
who is was in twenty one,
Jump Street in nineteen eighty eight,

243
00:16:41.080 --> 00:16:44.600
dream On in nineteen ninety, the
Nighthouse in twenty twenty. You remember that

244
00:16:44.639 --> 00:16:48.799
one uh one where the chick loses
her husband and thinks she's going crazy in

245
00:16:48.840 --> 00:16:52.519
the house and has a new lover
that she goes after. We saw it

246
00:16:52.519 --> 00:16:56.440
in the theaters where she thinks her
husband's a serial killer. Possibly we saw

247
00:16:56.440 --> 00:17:00.000
it in the theater, Yeah,
man, I wish I'm struggling to remember

248
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that it was. It was during
the COVID time, so it may have

249
00:17:02.320 --> 00:17:06.880
just gotten mixed in also Alone Together
in twenty two, Emma Roberts tell or.

250
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Emma tells Roberts that she didn't hire
a maid, and Robert informs her

251
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that she comes with the house,
which, uh, let's point out for

252
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a second, so one of our
favorite things are at least my favorite things

253
00:17:17.160 --> 00:17:23.000
to point out about Freddy's nightmares.
Yes, is the economy in Springwood booming.

254
00:17:23.200 --> 00:17:30.359
There are so many incredibly wealthy people, and not just incredibly wealthy people,

255
00:17:30.440 --> 00:17:34.920
but big ticket businesses. Yeah,
like record labels, Yes, nuclear

256
00:17:36.039 --> 00:17:41.319
silos. Yes, there's so much
major in Springwood. And now rich people

257
00:17:41.359 --> 00:17:45.480
are moving in. Yeah. Because
the moment I saw the maid walk in,

258
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I was like, are you are
you serious right now? Like they're

259
00:17:49.599 --> 00:17:53.920
they're moving in and they've got to
live in maid. Yep, welcome to

260
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prime time. We'll be right back. Ah, We're back now, bitch.

261
00:18:04.400 --> 00:18:07.920
So Emma comments that this place is
just full of surprises, adding how

262
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the mover was just telling her the
place is haunted. Robert jokes, what

263
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we pay in rent, it's nice
to have a few additions to go along

264
00:18:14.599 --> 00:18:18.599
with the place we rent. Well, then it makes a little bit more

265
00:18:18.680 --> 00:18:21.759
sense for a maid to come with
the place as posted. It's like we

266
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bought the house cash. She's a
slave, she's tied to the house.

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Forever. Emma continues that she's really
beginning to like the place. It's got

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character history and ghosts, she says, looking over at Turk, who's still

269
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unpacking. Jillian questions if she should
start unpacking the kitchen as Emma confirms.

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Turk finishes up unpacking and tells Emma
that he's done, handing her a slip

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to sign. He tells Emma he
thinks they should talk as he's new,

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as she's new to Springwood, and
he's a native who could show her around,

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which I'm pretty sure we heard that
same line in Welcome to Springwood,

274
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and we'll hear it again in the
best story. Boy. I love how

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Okay, So it's not just that
I love the sleez ball Turk, although

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I do. Yes the actor what
was his name, Todd Allen damn fine

277
00:19:07.119 --> 00:19:12.240
actor, and he's so good.
He just commits so hard. Because I've

278
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seen him in Witchboard be a very
likable, wholesome guy. But in Freddy's

279
00:19:19.119 --> 00:19:26.559
Nightmares he is such a sea I
just hate him, but I kind of

280
00:19:26.559 --> 00:19:30.680
love him. You know, he
steals, he steals the ball. I

281
00:19:30.720 --> 00:19:33.400
love it so much. So Turk
finishes up unpacking and he tells Emma that

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he's a native and she's new to
town, so he could absolutely show her

283
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around. Emma says Or signs the
slip at Turk, commenting, I bet

284
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you could. Of course, the
fact that I married means absolutely nothing to

285
00:19:45.039 --> 00:19:48.240
you. Turk smirks, and adding
he never. Turk smirks, adding he

286
00:19:48.279 --> 00:19:52.359
never lets details get in the way
of a little fun. That's fair.

287
00:19:52.440 --> 00:19:53.680
You know, when life is good, it's best not to ask about the

288
00:19:53.759 --> 00:19:57.119
husband. She hands him back the
slip with a water cash, dismissing him,

289
00:19:57.160 --> 00:20:00.720
stating maybe some other time. Turk
the cash leaves the bedroom and Emma

290
00:20:00.759 --> 00:20:03.400
looks up to the ceiling. Fan
Or looks up to the ceiling to find

291
00:20:03.519 --> 00:20:07.039
the chandeliers shaking in the bedroom until
it breaks loose, falling to the ground

292
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and shattering, where we immediately cut
to Freddy's domain where we see the broken

293
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chandelier. He picks up a piece
of the broken glass, stating, my

294
00:20:15.119 --> 00:20:18.720
pal, Emma's got a real distorted
view of the world. She's about to

295
00:20:18.759 --> 00:20:22.079
wind up in a prison of her
own making. He looks through the broken

296
00:20:22.079 --> 00:20:26.519
shard, laughing, you did you
say prison? Is it prism? Yeah,

297
00:20:26.640 --> 00:20:29.920
that's the pun. Yeah, he's
looking through a piece of glass from

298
00:20:29.960 --> 00:20:33.519
our crystal from the chandelier, and
he says, and he's going, she's

299
00:20:33.559 --> 00:20:36.680
gonna be in a prism of her
own. That was probably a typo on

300
00:20:36.759 --> 00:20:41.000
my part, or you were looking
at captions. The captions don't care about

301
00:20:41.079 --> 00:20:42.720
joy. Actually, I don't even
know if they don't care about happiness.

302
00:20:42.519 --> 00:20:48.119
It's the captions only care about the
basic that's the problem with captions. Okay,

303
00:20:48.880 --> 00:20:51.640
side note, no no no no
no, okay, no no no,

304
00:20:51.640 --> 00:20:55.720
no, no, okay. As
a filmmaker and that's my day job.

305
00:20:56.160 --> 00:21:03.319
I remember the day that it became
law that you had to have captions

306
00:21:03.359 --> 00:21:07.119
on your movies to be on streaming
platforms. Whatever. I get it,

307
00:21:07.319 --> 00:21:11.200
I totally get it. But what
that did was that meant that, like

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00:21:11.240 --> 00:21:14.119
if you had a little movie that
had cost almost nothing, you had to

309
00:21:14.119 --> 00:21:17.720
spend hundreds to get a caption.
Yep. And right now the going rate

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00:21:17.759 --> 00:21:21.559
for captions is a dollar fifty a
minute. So it's like calling Miss Cleo

311
00:21:21.599 --> 00:21:25.240
in nineteen ninety nine. Yeah,
so it's a little stressful. But because

312
00:21:25.279 --> 00:21:29.640
of that, because it's become law, no one has captions because they care

313
00:21:29.680 --> 00:21:33.079
about the hearing impair, they have
captions because they have to have to.

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00:21:33.279 --> 00:21:40.839
So everyone, myself included, get
the cheapest captions we can and we just

315
00:21:41.119 --> 00:21:44.119
push them out there. If they
have typos, if they have misspellings,

316
00:21:44.160 --> 00:21:49.759
if they're just wrong, we don't
care. But that being said, captions

317
00:21:49.759 --> 00:21:55.240
on DVDs back in the olden days
were also horribly wrong because half the time

318
00:21:55.440 --> 00:21:57.359
they'd be roughly based on the script. Yeah, and they'd also cut out

319
00:21:57.359 --> 00:22:00.359
a lot of the foul language on
most cases that I remember. Yeah,

320
00:22:02.200 --> 00:22:04.079
yeah, it's all it's all sad, it's all bad. So back in

321
00:22:04.119 --> 00:22:07.400
the house, we find Emma and
Robert in the downstairs study commenting on how

322
00:22:07.440 --> 00:22:11.400
he could have sworn that Turk was
hitting on her. Emma asked him why

323
00:22:11.400 --> 00:22:14.119
does he think that every guy is
hitting on her? And Robert replies back

324
00:22:14.160 --> 00:22:18.359
with experience. Oh. They continue
unpacking, noticing a portrait on the wall

325
00:22:18.359 --> 00:22:21.079
of an old couple, joking with
her if she thinks that the house is

326
00:22:21.519 --> 00:22:25.119
that's the haunted couple. Emma comments
she believes that they are the haunted couple.

327
00:22:25.160 --> 00:22:27.880
Before removing a gift wrap box,
she excitedly tells Robert he shouldn't have

328
00:22:27.920 --> 00:22:32.559
it. Robert, surprised at the
side of the box states that he didn't.

329
00:22:32.839 --> 00:22:36.279
She removes the tag stated gainst an
anniversary present from Colin, Emma's ex

330
00:22:36.359 --> 00:22:40.319
husband and Robert's ex friend. The
tag reads I would check out. Yeah.

331
00:22:40.359 --> 00:22:44.200
The tag reads If this doesn't keep
you together, nothing will. Robert

332
00:22:44.240 --> 00:22:47.400
looks concerned. She opens the box
to reveal a matching pair of handcuffs.

333
00:22:47.440 --> 00:22:52.119
As Robert states his and hers handcuffs
that ex husband of yours is one sick

334
00:22:52.160 --> 00:22:56.839
puppy. Ah, I think it's
romantic. Emma reminds him that it's also

335
00:22:56.920 --> 00:22:59.759
his ex best friend, and Robert
questions if she thinks that it means he's

336
00:22:59.799 --> 00:23:03.599
for but Emma states she doesn't know
what it means. Jillian enters the room.

337
00:23:03.680 --> 00:23:07.000
Doesn't know what it means. She
doesn't know what it means. Jillian

338
00:23:07.160 --> 00:23:08.839
enters the room with a space heater, adding she thought that they might need

339
00:23:08.839 --> 00:23:12.000
it as it gets quite cold in
the study. Robert admires her walking past

340
00:23:12.079 --> 00:23:15.480
him, keeping an eye on her
lower backside and thanking her. He goes

341
00:23:15.480 --> 00:23:18.440
on to ask Jillian what kind of
a person her boss was, but Jillian

342
00:23:18.519 --> 00:23:22.160
tells him she's never met him and
she he was a friend of her father's.

343
00:23:22.359 --> 00:23:25.880
She knows that he lives in Europe
and she gets paid on the tenth

344
00:23:25.880 --> 00:23:29.799
of every month. I mean,
hey, that you know that doesn't seem

345
00:23:30.079 --> 00:23:33.799
not a bad deal, questionable at
all, Luckily. I mean it's all

346
00:23:33.880 --> 00:23:36.480
on the up and up. Everything
in Springwood is on the up and up.

347
00:23:37.599 --> 00:23:38.960
She asked them if they would like
her to serve dinner, but Robert

348
00:23:38.960 --> 00:23:41.480
informs her that they're giving her the
night off so that they can have the

349
00:23:41.480 --> 00:23:45.160
house to themselves. Gillian thanks them
and leaves as the two embrace each other

350
00:23:45.240 --> 00:23:48.079
sharing a kiss, and Emma suggests
that they go break in the bed,

351
00:23:48.480 --> 00:23:52.839
but stops to grab the new playthings
as she calls it, retrieving the box

352
00:23:52.839 --> 00:23:56.759
with the handcuffs. I'm afraid,
David, you just said that he asked

353
00:23:56.759 --> 00:24:00.240
if she wants to go break in
the bed. Yeah, I think you

354
00:24:00.240 --> 00:24:04.559
misheard. Okay, I'm almost certain
that this newlywed couple moving into their first

355
00:24:04.559 --> 00:24:12.960
home together, Yes, wanted to
watch break in Breaking in Bed? Because

356
00:24:14.240 --> 00:24:17.599
is that a fact? Don't act
like you've never watched Breaking in Bed.

357
00:24:17.640 --> 00:24:19.599
I've watched Break in Bed many times. Come on, no breaking too,

358
00:24:19.680 --> 00:24:23.000
especially Electric Boogle. Oh, it
was always on Pluto Oh my god,

359
00:24:23.160 --> 00:24:27.240
you're just sitting there. I just
I just imagine Dave's sitting in bed like

360
00:24:27.279 --> 00:24:30.680
looking at his phone and talking to
somebody, and then break into electric bogloo.

361
00:24:33.519 --> 00:24:34.480
You literally, yeah, you click
it, your throw it, and

362
00:24:34.519 --> 00:24:37.960
you go. I have to know
the electric boogloo, because the whole movie

363
00:24:38.039 --> 00:24:41.039
is then building up to, like, you gotta learn how to do the

364
00:24:41.119 --> 00:24:42.839
electric booglo. Man, I don't
think anybody even knows what Break in two's

365
00:24:42.880 --> 00:24:49.039
about. I know, yeah,
well we may know, right. Robert

366
00:24:49.079 --> 00:24:52.799
goes off, leaving her in the
study alone and wanders around uneasy, finding

367
00:24:52.839 --> 00:24:56.119
herself in front of the portrait of
the old couple. She watches us blood

368
00:24:56.160 --> 00:25:00.400
begins to pour from the woman's neck
in the portrait. She frantically calls out

369
00:25:00.440 --> 00:25:02.960
to Robert, dropping the box of
cuffs and running to the stairs. As

370
00:25:03.000 --> 00:25:04.680
Robert comes down, he asked what's
wrong. As she tells them that the

371
00:25:04.720 --> 00:25:07.880
woman in the painting is bleeding,
the two rushback over to the portrait to

372
00:25:07.880 --> 00:25:12.240
find no blood and no slice at
all in the painting, not a single

373
00:25:12.319 --> 00:25:15.599
can of slice, single canvas,
the whole slice. Why did you have

374
00:25:15.680 --> 00:25:19.640
to say that, God? Green? There was nothing like green? Slice

375
00:25:19.680 --> 00:25:23.079
like it was. It was magic. The flavor was green slice lime.

376
00:25:23.559 --> 00:25:27.720
Yeah, I mean that's yeah.
There aren't a lot of sodas that are

377
00:25:27.960 --> 00:25:32.599
just lime. Yeah, it's usually
lemon lime. It's like you gotta cut

378
00:25:32.880 --> 00:25:36.279
the line, yeah with the lemon. Yeah, you gotta put the lime

379
00:25:36.359 --> 00:25:38.640
in the coconut and shake them both
up. Okay, you just got his

380
00:25:38.759 --> 00:25:45.279
copyright striked. Thanks a lot,
my apologizes. Do you remember the Slice

381
00:25:45.319 --> 00:25:48.279
girls? No, I I know
about them in regards to like, I've

382
00:25:48.319 --> 00:25:51.920
seen them on I think I love
the nineties. I want to say they

383
00:25:52.000 --> 00:25:56.759
had the Slice girls, Yeah,
like was it the eighties or I remember

384
00:25:56.799 --> 00:26:00.880
the late nineties where Sean was in
it? It was it was a oh

385
00:26:00.880 --> 00:26:03.640
it was a girl. Yeah yeah
yeah, yeah, yeah, that didn't

386
00:26:03.640 --> 00:26:07.799
really do anything. I remember you
telling me about them, but Debbie was

387
00:26:07.880 --> 00:26:15.400
isis Slice And I just I remembered
that for a long time because I thought

388
00:26:15.400 --> 00:26:18.160
it was so cool. But unfortunately
it never really never really caught on.

389
00:26:18.200 --> 00:26:22.720
Did you find any pictures? Not
a one. I'm pretty sure it was

390
00:26:22.759 --> 00:26:26.160
like only referenced in Fangoria once and
that disappeared. That tracks all right,

391
00:26:26.200 --> 00:26:29.960
So later that night, MLA's in
bed as a man come to the side

392
00:26:30.000 --> 00:26:33.559
of the bed holding one of the
cuffs. Colin played by Joseph Brutzman.

393
00:26:33.680 --> 00:26:36.519
He was in the Facts of Life
in nineteen eighty four, The Paper Chase

394
00:26:36.559 --> 00:26:40.599
in nineteen eighty five, Once Bitten
in nineteen eighty five, Invaders from Mars

395
00:26:40.599 --> 00:26:44.480
in nineteen eighty six, Thirty Something
in nineteen ninety and he did La Law

396
00:26:44.480 --> 00:26:48.160
in ninety one. But what I
also found was very interesting Henrik. He

397
00:26:48.240 --> 00:26:52.480
was the main producer on Yukon Man, Mountain Men, and Beach Hunters.

398
00:26:52.799 --> 00:26:56.640
Well, it sounds like he smartly
made a very very positive career change because

399
00:26:56.880 --> 00:27:00.440
those shows are number one. They're
really good, especially Mountain Men Mountain Men

400
00:27:00.519 --> 00:27:04.559
especially I love that show and they're
highly popular. Yeah, so good on

401
00:27:04.680 --> 00:27:08.279
him. So he slaps the cuffs
nder her wrist, startling her awake.

402
00:27:08.559 --> 00:27:11.200
She says his name as Colin tells
her that he's not going to let her

403
00:27:11.200 --> 00:27:14.960
get away. She tells him it's
over and goes to wake up Robert,

404
00:27:15.079 --> 00:27:18.119
rolling him over in the bed as
his lifeless body stares at the ceiling.

405
00:27:18.440 --> 00:27:22.319
Colin tells her, laughing that Robert
betrayed his trust and can't help her,

406
00:27:22.359 --> 00:27:25.359
and she betrayed his love, but
he's willing to give her another chance and

407
00:27:25.440 --> 00:27:29.440
say yes. Emma tells him no
again, when suddenly Turk appears behind Colin,

408
00:27:29.599 --> 00:27:32.720
stabbing him, causing him to drop
to the floor. Turk then hovers

409
00:27:32.720 --> 00:27:36.440
over Emma with the blade, asking
you're ready for a little fun. Emma

410
00:27:36.519 --> 00:27:38.240
lets out a scream as we as
he brings the blade to her throat,

411
00:27:38.279 --> 00:27:41.640
but suddenly comes to in her bed, revealing Henrik to be another nightmare.

412
00:27:41.799 --> 00:27:45.559
I was a nightmare all along,
were the nightmare all along? And now

413
00:27:45.599 --> 00:27:52.599
becomes reality that all right, now
we're cooking with gas. Oh my god.

414
00:27:52.839 --> 00:27:55.640
No, So I have to say, you know, we've watched a

415
00:27:55.640 --> 00:27:57.799
lot of Freddy's nightmares here. Believe
it or not, this is true.

416
00:27:59.480 --> 00:28:03.920
That is how you do a freaking
nightmare. Yeah. So guy reveals himself

417
00:28:03.960 --> 00:28:07.000
that she's afraid of. She turns
over her husband's already dead. Yes,

418
00:28:07.039 --> 00:28:11.720
Then he gets stabbed and she's saved
by the guy that she's literally afraid as

419
00:28:11.759 --> 00:28:15.200
a rapist. See I it reminds
me of this is one of my favorite

420
00:28:15.200 --> 00:28:17.799
favorite endings of all time, and
it's picked me up. The Masters of

421
00:28:17.799 --> 00:28:21.440
a Horse or The Larry Cohen.
I love the ending spoilers. The Thing

422
00:28:21.480 --> 00:28:22.799
has been out forever, so this
this is a spoiler. Well, what

423
00:28:22.799 --> 00:28:26.640
does this have to do with the
Thing? The thing? I mean,

424
00:28:26.680 --> 00:28:30.599
I love the Thing by John Carpenter, A Thing from Another World original pick

425
00:28:30.640 --> 00:28:36.240
me Up. Pick me Up as
an ending that is the whole pastard,

426
00:28:37.839 --> 00:28:41.079
the whole entire ship, the whole
entire episode is that you have one hitchhiker

427
00:28:41.119 --> 00:28:45.119
that is a complete psychopath and the
other one is a truck driver that's a

428
00:28:45.160 --> 00:28:48.480
complete psychopath, and they're pairing off
against each other. And at the end

429
00:28:48.559 --> 00:28:51.720
for USA, Bulk is basically the
prey. Thereafter the something happens where they

430
00:28:51.799 --> 00:28:53.559
end up crashing and they're getting taken
away by the ambulance. And I love

431
00:28:53.559 --> 00:28:56.160
the reveal of pick me Up because
you're thinking, oh shit, these guys

432
00:28:56.200 --> 00:29:00.720
are gonna kill the ambulance drivers,
when in reality the ambulance drivers are more

433
00:29:00.720 --> 00:29:03.640
psycho than the other guys. Oh
yeah, they kill the serial killers.

434
00:29:03.680 --> 00:29:06.359
And then they reveal that they have
Freeze Ball tied up for later, like

435
00:29:06.400 --> 00:29:08.240
you have no idea what's gonna happen, obviously, but you do. And

436
00:29:08.279 --> 00:29:11.160
then the episode ends like that's such
a dark, ending that's the one that

437
00:29:11.599 --> 00:29:18.200
Larry Kevin. Yeah, big piece
of cherry pie. That's a good one.

438
00:29:18.400 --> 00:29:22.079
That's a really good one. Dobvi
so. Jillian, with a tray

439
00:29:22.079 --> 00:29:25.319
of breakfast, asks if she's all
right, and Emma questions where is Robert.

440
00:29:25.640 --> 00:29:27.400
Gillian tells her he left this morning
to buy a new lighting fixture to

441
00:29:27.400 --> 00:29:32.440
fix the chandelier. Emma returns to
the study, observing the portrait of the

442
00:29:32.480 --> 00:29:34.200
couple again, which shows no blood
or slice in it. Once again,

443
00:29:34.559 --> 00:29:37.799
she begins to reach for it when
the doorbell rings. No slice, what's

444
00:29:37.839 --> 00:29:41.359
she gonna drink? Then? I
hope she's got fresca at least. She

445
00:29:41.599 --> 00:29:45.599
goes to the door, opening it
to find Colin. She asked what is

446
00:29:45.640 --> 00:29:48.559
he doing here as he enters,
and Colin fires back he wanted to say

447
00:29:48.559 --> 00:29:52.319
hello, asking is that a crime? It might be actually if there's a

448
00:29:52.359 --> 00:29:56.400
restraining order. She comments it's nice
to see he hasn't lost his defensive side,

449
00:29:56.440 --> 00:29:59.559
and Colin takes a second composing himself, stating he just wanted to see

450
00:29:59.559 --> 00:30:03.160
her in the house and not make
her feel guilty. He comments that it's

451
00:30:03.200 --> 00:30:04.839
a nice place, adding it looks
a lot like a place she's always dreamed

452
00:30:04.880 --> 00:30:08.279
of, then ask if she got
his gift. Emma comments it was a

453
00:30:08.400 --> 00:30:11.880
very imaginative, calling Colin to ask
how's Robert, before he states nevermind,

454
00:30:12.000 --> 00:30:15.440
he wasn't much of a friend anyway, which I love that. I know.

455
00:30:15.440 --> 00:30:18.440
It was super good. I loved
it. Trying to be nice and

456
00:30:18.440 --> 00:30:21.240
he's like, no, no,
fuck, that's fine. He then confesses

457
00:30:21.240 --> 00:30:22.880
that he came over because he wants
her back and he wants to give her

458
00:30:22.880 --> 00:30:26.960
another chance. Emma tells him she
doesn't want his love anymore, and then

459
00:30:26.079 --> 00:30:30.880
escorts a frantic callin to the door, telling him she thinks he should leave.

460
00:30:30.240 --> 00:30:33.799
She tells him she doesn't want to
see him back and especially does not

461
00:30:33.839 --> 00:30:36.759
want him to love her, before
shutting the door in his face. Returning

462
00:30:36.799 --> 00:30:38.599
to the study, she finds Turk
sitting at the desk, commenting the back

463
00:30:38.640 --> 00:30:41.960
door was open, and it's not
a good idea. Yeah, if you

464
00:30:42.039 --> 00:30:45.160
leave your back door open, creeps
like meal just come on in anyway.

465
00:30:45.279 --> 00:30:48.160
Hi. He adds that some boxes
were left on the truck, and Emma

466
00:30:48.240 --> 00:30:52.319
is quick to remind him that she's
not interested in that she's married. Turk

467
00:30:52.359 --> 00:30:55.759
tells her he overheard her conversation with
Colin, but Emma isn't wanting to hear

468
00:30:55.799 --> 00:30:59.000
anymore as she goes to the phone, calling the Springwood Police and reporting a

469
00:30:59.000 --> 00:31:00.400
break in which she actually, like
legit, calls them, like I thought

470
00:31:00.400 --> 00:31:04.720
she would just pick it up,
But she calls them because David believes that

471
00:31:04.799 --> 00:31:07.680
all women are horse That's not what
I said at all, what you were

472
00:31:07.680 --> 00:31:11.839
getting now, So David's like,
of course, she's just gonna hook up

473
00:31:11.839 --> 00:31:15.039
with him, because you know what
I said. That's what Turk tells her.

474
00:31:15.200 --> 00:31:18.720
That turks her. Turk tells her
that he knows more about her,

475
00:31:18.720 --> 00:31:22.039
and she knows more about herself,
adding he's never she's never been faithful to

476
00:31:22.039 --> 00:31:26.319
anyone in her life and they're a
lot alike. Emma hears him, hanging

477
00:31:26.400 --> 00:31:29.599
up the phone and looking over at
him seductively moves in for a kiss that

478
00:31:29.640 --> 00:31:33.079
they share before she begins to unbuckle
his pants, which this went pretty quick.

479
00:31:33.319 --> 00:31:37.440
Oh so now you're like, finally
I was vindicated. Turk moves his

480
00:31:37.519 --> 00:31:40.359
hand around her back side, lifting
up her skirt. Emma grabs a pair

481
00:31:40.359 --> 00:31:44.119
of cuffs off the study desk and
moves Turk over to the fireplace. She

482
00:31:44.160 --> 00:31:47.119
cuffs one wrist to the mantle and
then the other, telling him she wants

483
00:31:47.160 --> 00:31:49.000
him to watch her take off her
clothes, but she wants to be sure

484
00:31:49.039 --> 00:31:53.119
that he cannot touch him or herself. Turk doesn't resist as the cuff clicks

485
00:31:53.160 --> 00:31:56.559
locked in place on the mantle.
Coming on her seductive mood, she confronts

486
00:31:56.559 --> 00:32:00.960
Turk, calling him Houdini and asking
how did he make the chandelier fall?

487
00:32:00.119 --> 00:32:04.319
How do he make the painting bleed? Turk, not following what she's asking,

488
00:32:04.359 --> 00:32:07.559
states that if she's not gonna take
off her clothes, then she better

489
00:32:07.599 --> 00:32:10.319
remove the cuffs. Suddenly, Robert
returns home, walking into the study,

490
00:32:10.359 --> 00:32:14.319
asking what the hell is going on
here. Turk tries to state that he

491
00:32:14.400 --> 00:32:16.240
was just bringing a box back,
but Robert points out that his pants are

492
00:32:16.279 --> 00:32:20.839
half open, causing Turk to tell
him to ask Emma. Robert takes one

493
00:32:20.839 --> 00:32:22.880
look at Emi, stating he doesn't
have to before walking out of the study

494
00:32:23.200 --> 00:32:27.839
after Emma states Turk is the jerk
that's been haunting the place. Robert continues

495
00:32:27.839 --> 00:32:30.880
walking as Emma chases after him,
trying to explain herself. As Turk begins

496
00:32:30.920 --> 00:32:34.279
to struggle with the cuffs on the
mantel. Suddenly, the fireplace begins to

497
00:32:34.319 --> 00:32:37.119
shift back as a secret passage opens, taking Turk back into it. He

498
00:32:37.200 --> 00:32:40.319
calls for help, but it can't
be heard over the couples arguing. Robert

499
00:32:40.359 --> 00:32:44.400
shortly returns to the study, commenting
maybe I should just kick his teeth in,

500
00:32:44.519 --> 00:32:47.039
but stops as he finds Turk is
no longer there. Yeah, and

501
00:32:47.440 --> 00:32:52.319
I love that. You know why? Why? Because why? Because he

502
00:32:52.319 --> 00:32:57.319
gets mad about that? Right,
So his response is like, I guess

503
00:32:57.359 --> 00:33:05.319
your ghosts just disappear. Hmm.
Only he would think that someone in their

504
00:33:05.359 --> 00:33:09.000
home disappearing without a TRACE's evidence that
they aren't the ghost in their house.

505
00:33:09.160 --> 00:33:14.000
Yeah. I remember it, laughing
out loud at that part because he's like,

506
00:33:14.039 --> 00:33:16.640
oh, well, your ghost disappeared. It's like, yeah, I've

507
00:33:16.680 --> 00:33:20.240
been, like we both have been, like, is someone hiding in the

508
00:33:20.240 --> 00:33:22.319
house and terrorizing us? And he
disappeared the moment we looked away. I

509
00:33:22.359 --> 00:33:25.480
think that's evidently. Did you say
hiding in the house, like hide her

510
00:33:25.519 --> 00:33:30.480
in the house with Gary Busey?
Hell yeah I did, though, of

511
00:33:30.519 --> 00:33:32.720
course you do. Emma questions how
did he get out? And Robert comments,

512
00:33:32.759 --> 00:33:36.240
so much for your ghost. Emma
tries to reason with him again,

513
00:33:36.279 --> 00:33:38.000
but Robert comments that he should be
happy that she didn't have him in the

514
00:33:38.039 --> 00:33:42.440
bedroom. Emma fire's back with go
to Hell, and Robert leaves while she

515
00:33:42.519 --> 00:33:45.240
goes over to inspect the cuffs still
attached to the mantle. Later that night,

516
00:33:45.240 --> 00:33:49.079
Emma is asleep as she hears something
outside the window. She gets out

517
00:33:49.119 --> 00:33:52.680
of bed to look when suddenly the
glass balcony door shatters as Turk comes in

518
00:33:52.720 --> 00:33:54.960
and approaches her. Emma calls out
no as he gets closer. When Turk

519
00:33:55.079 --> 00:33:59.319
latches onto her, stating you know
you want me, He lays a kiss

520
00:33:59.319 --> 00:34:00.799
on her and they begin to sink
to the floor, making out as Turk

521
00:34:00.839 --> 00:34:05.720
begins to kiss every inch of her
body. Emma looks over at a portrait,

522
00:34:05.839 --> 00:34:08.039
realizing that the couple is now just
the woman as the man is missing.

523
00:34:08.360 --> 00:34:10.599
Oh. Suddenly, on the other
side of the room, the man

524
00:34:10.920 --> 00:34:16.480
played by Bill Frolick materializes right before
Emma's eyes. That's our god, that's

525
00:34:16.559 --> 00:34:22.280
our guy. That's the ghost.
Okay, nice I did notice there was

526
00:34:22.320 --> 00:34:25.159
like a sternness, like a stiffness
to him that made it seem like maybe

527
00:34:25.119 --> 00:34:29.239
it wasn't like a just an actor. Yeah, it's rebelore Emma's eyes.

528
00:34:29.239 --> 00:34:31.480
He watches her, commenting, you
deceitful little bitch. I knew you would

529
00:34:31.559 --> 00:34:35.679
cheat on me. The man reaches
over, grabbing a dagger. But you

530
00:34:35.679 --> 00:34:38.119
will never cheat again. He goes
over to Emma, who's telling him no,

531
00:34:38.320 --> 00:34:42.320
but the man creeps up, running
the blade across her throat, slicing

532
00:34:42.360 --> 00:34:45.440
it as blood beginst the surface.
Suddenly, Emma wakes up on the couch

533
00:34:45.480 --> 00:34:50.719
and the study revealing another nightmare.
I swear we're maggoty with nightmares. She

534
00:34:50.840 --> 00:34:52.920
looks up to see to find that
the portrait is still as she remembers,

535
00:34:53.079 --> 00:34:57.079
before laying back down and shutting her
eyes. Unbeknownst to her that a pair

536
00:34:57.079 --> 00:35:00.559
of eyes behind a wall are watching
as the camera reveals someone looking through a

537
00:35:00.599 --> 00:35:05.880
spy hole and breathing. Oh,
breathing, breathing, The dastardly bastard,

538
00:35:06.119 --> 00:35:09.599
The bastardly dastard. Even the next
morning, Jillian brings coffee to Emma as

539
00:35:09.639 --> 00:35:14.199
she questions what time Robert left.
Jillian tells her Robert left early and then

540
00:35:14.199 --> 00:35:16.000
comments that she knows how she feels, adding the last time that she and

541
00:35:16.000 --> 00:35:21.039
her boyfriend had a fight, they
didn't speak for three weeks. Emma picks

542
00:35:21.119 --> 00:35:22.960
up the phone and rings Colin.
She leaves a message stating that she was

543
00:35:23.000 --> 00:35:27.840
thinking about him and wanted to apologize
for how she treated him, stating he

544
00:35:27.880 --> 00:35:30.000
was very good to her. She
ends the message asking him to call back

545
00:35:30.039 --> 00:35:34.039
before she hangs up. In the
study, we see her pacing As Robert

546
00:35:34.039 --> 00:35:37.639
returns home, stating he was thinking
about last night. Emma tells him she

547
00:35:37.760 --> 00:35:39.440
was as well, before telling him
that she's made the decision to go back

548
00:35:39.480 --> 00:35:43.199
to Colin, adding she's betrayed a
lot of men in her life, but

549
00:35:43.239 --> 00:35:46.199
when she betrayed Colin, she betrayed
herself and apologizes that that's the way it's

550
00:35:46.239 --> 00:35:50.280
got to be. Robert, getting
angry, tells her she won't leave,

551
00:35:50.320 --> 00:35:52.079
before grabbing her wrist and using the
cuff on the mantle to cuff her.

552
00:35:52.360 --> 00:35:55.719
Emma asked what he's doing as the
other riff wrist is cuffed to the other

553
00:35:55.800 --> 00:35:59.840
side, and Robert tells her he
won't let her do this to anyone else.

554
00:36:00.280 --> 00:36:02.480
Ripping open her shirt, he grabs
a red hot poker from the fireplace

555
00:36:02.519 --> 00:36:06.519
with an A on the end.
He then pushes the poker unto her chest,

556
00:36:06.599 --> 00:36:08.559
branding the A, which instantly scars
as she lets out a scream.

557
00:36:08.679 --> 00:36:12.280
And what does that A stand for? David? That's the scarlet letter,

558
00:36:12.320 --> 00:36:15.039
which is Oh man, this is
fun. I thought he'd know right away.

559
00:36:15.639 --> 00:36:19.960
Go on, David, Oh my
god. Uh you don't know,

560
00:36:20.039 --> 00:36:22.960
do you? I know I read
the scarlet letter I had, did you?

561
00:36:22.400 --> 00:36:27.079
What was it with your eyes here? But it's not an A for

562
00:36:27.159 --> 00:36:31.719
harlot, No, David, it
is not an A for heart. What

563
00:36:31.760 --> 00:36:37.800
does it remind me? Adulter alter? That's right, Jesus. Oh that

564
00:36:37.920 --> 00:36:45.039
was so good, My god,
go on, you got this lost my

565
00:36:45.039 --> 00:36:51.119
place here? Good? Good,
good? I ruined your week. Jumped

566
00:36:51.119 --> 00:36:53.719
again. I patted Dave on his
shoulder. We went to see the Exorcist

567
00:36:53.800 --> 00:36:57.639
Believer before this, Yes, And
I went and patted you on the shoulder

568
00:36:57.679 --> 00:37:00.400
after me, and you jerked.
It's like, do I do you want

569
00:37:00.400 --> 00:37:04.519
people to think I beat you?
Is that what you want? Oh?

570
00:37:04.599 --> 00:37:07.400
No? The worst is when this
only happens sometimes. But when somebody's doing

571
00:37:07.400 --> 00:37:10.679
my makeup, like somebody's doing my
eyes, I jump, like when the

572
00:37:10.719 --> 00:37:15.079
brush comes near my fily, I
jump like every freezing that makes any sense,

573
00:37:15.119 --> 00:37:16.880
because no one wants to be poked
in the eye. But I'm your

574
00:37:16.960 --> 00:37:22.079
friend and I'm trying to offer you
consolation and comfort, and you're like ah.

575
00:37:22.320 --> 00:37:25.400
Suddenly she comes through at the desk, revealing another nightmare as she immediately

576
00:37:25.440 --> 00:37:29.320
checks and feels her chest, finding
no brand. She looks over at the

577
00:37:29.320 --> 00:37:31.159
fireplace and walks over to it,
trying to find a switch, which she

578
00:37:31.199 --> 00:37:36.880
eventually does, opening the secret entry
behind the fireplace. Finally she enters and

579
00:37:36.880 --> 00:37:39.079
finds the bloody portrait of the couple. Walking further down, she finds a

580
00:37:39.159 --> 00:37:43.760
roll of wrapping paper that Colin's gift
came in as she stands in front of

581
00:37:43.760 --> 00:37:46.639
a two way mirror right in their
bedroom, in front of the bed.

582
00:37:46.840 --> 00:37:51.079
Oh and this is where it's getting. This is nuts. Oh, this

583
00:37:51.159 --> 00:37:52.519
is so good. We next see
Emma waiting at the door. As she

584
00:37:52.559 --> 00:37:55.519
opens it, Colin rushes in,
stating he got her message and came over

585
00:37:55.559 --> 00:37:59.599
immediately. He tells her that he
loves her so much and he will make

586
00:37:59.599 --> 00:38:01.519
her so happy, offering to run
away with her right now and buy a

587
00:38:01.519 --> 00:38:06.559
better house. Emma tells him she
can't right now, but tonight you will

588
00:38:06.599 --> 00:38:08.639
have your answer. As the two
share a hug. Em repeats again that

589
00:38:08.679 --> 00:38:13.719
tonight he will have his answer.
We next see her waiting in the study

590
00:38:13.719 --> 00:38:15.519
as Robert enters, telling her they
need to talk, adding he won't be

591
00:38:15.559 --> 00:38:19.840
one of her victims like Colin.
Emma tells Robert that she wants to show

592
00:38:19.920 --> 00:38:22.280
him something upstairs. As she leads
him up to the bedroom, she puts

593
00:38:22.280 --> 00:38:25.039
her arms around him at the bed, telling him that she's gonna show him

594
00:38:25.039 --> 00:38:28.760
what love is. As the two
share a kiss, she tells him that

595
00:38:28.800 --> 00:38:30.840
she loves him more than she loves
anyone in the world, putting him onto

596
00:38:30.840 --> 00:38:34.400
the bed and climbing on top of
him, making sure that they are right

597
00:38:34.440 --> 00:38:37.079
in the view of the two way
mirror. She kisses him again, and

598
00:38:37.119 --> 00:38:40.800
suddenly we hear Colin shout no.
The mirror shatters as Colin steps through with

599
00:38:40.840 --> 00:38:45.280
a pistol. He tells Emma he
has his answer and orders Robert to lay

600
00:38:45.320 --> 00:38:47.280
down right next to Emma. He
asked Emma what does she want, and

601
00:38:47.280 --> 00:38:51.599
Emma states that she thought she wanted
him till she found out that he's been

602
00:38:51.639 --> 00:38:54.519
watching them all along. Colin admits
that he was gonna give one last chance

603
00:38:54.559 --> 00:38:57.559
to her, but she didn't.
But he didn't want to be fooled,

604
00:38:57.559 --> 00:39:00.079
adding that he hired the real estate
agent to bring them after he had had

605
00:39:00.119 --> 00:39:05.480
the house remodeled, matching to what
she always wanted. And that's where we

606
00:39:05.559 --> 00:39:09.000
start to go. Ah, the
house is so big and nice, but

607
00:39:09.079 --> 00:39:15.360
somehow they're renting it and somehow they
can afford it. Yeah, welcome to

608
00:39:15.440 --> 00:39:22.079
prime time. We'll be right back. Ah, we're back now, bitch.

609
00:39:24.480 --> 00:39:28.119
So Emma tries to reason with him, stating if he would just have

610
00:39:28.199 --> 00:39:30.760
told her that this, excuse me, if he just would have told her

611
00:39:30.800 --> 00:39:35.360
this, she would have of dumped
Robert, but Colin interrupts her, reminding

612
00:39:35.360 --> 00:39:37.559
her that she just told Robert she
loved him. He orders Robert to kiss

613
00:39:37.559 --> 00:39:40.440
Emma as she is forced to lay
back down with him. He removes a

614
00:39:40.519 --> 00:39:44.719
remote from his pocket, pushing a
button. As Robert and Emma watched,

615
00:39:44.719 --> 00:39:49.000
the wall behind the bed open up, revealing a wall of spikes. Emma

616
00:39:49.000 --> 00:39:52.039
pleas to Colin that she loves him, and Colin confirms he loves her too,

617
00:39:52.400 --> 00:39:54.559
then hits another button. The bed
suddenly turns into a murphy bed,

618
00:39:54.639 --> 00:39:59.159
sending the two levers directly onto the
spikes, killing them. Yeah, I

619
00:39:59.639 --> 00:40:01.920
have to say I did not have
Death by Murphy bed on my bingo card

620
00:40:01.960 --> 00:40:05.199
now, but I'm here for it. I'm here for it too. The

621
00:40:05.280 --> 00:40:07.280
A story ends as we cut to
Freddy's domain. Freddy has a pair of

622
00:40:07.320 --> 00:40:13.239
reading glasses on in states hmmm,
a four letter word for torture, He

623
00:40:13.280 --> 00:40:15.559
thinks for a second in states,
got it. He begins to write on

624
00:40:15.559 --> 00:40:22.800
his crossword puzzle l O V E. Love. He laughs, having filled

625
00:40:22.800 --> 00:40:27.440
in the word on the puzzle,
and Freddie's right this go yes, I

626
00:40:27.480 --> 00:40:30.119
gotta stand by him on that one. So that is the end of our

627
00:40:30.159 --> 00:40:31.639
A story. Hendrick, would you
like to explain the difference of our A

628
00:40:31.719 --> 00:40:35.519
story and B story and freddie Nightmares? I know you don't, go ahead,

629
00:40:35.639 --> 00:40:37.760
Ah, okay. So on most
shows there's an A story in their

630
00:40:37.760 --> 00:40:40.880
B story, right, But on
Freddy's Nightmares it's very different. The A

631
00:40:42.039 --> 00:40:44.960
story is the first half hour and
the B story is the second half hour.

632
00:40:45.440 --> 00:40:47.519
This is because the show was syndicated, which means it did not have

633
00:40:47.559 --> 00:40:52.440
a set time slot anywhere, so
some areas there was a half hour available.

634
00:40:52.480 --> 00:40:54.239
In some areas there was an hour
available. Well. Bob Shay and

635
00:40:54.280 --> 00:40:58.880
the Pho Fine Folks at Laura mar
they did not want to leave a penny

636
00:40:58.880 --> 00:41:01.079
on the table. They made a
show that could be enjoyed as a half

637
00:41:01.079 --> 00:41:06.840
an hour or as a one hour. So because of that, the episodes

638
00:41:06.880 --> 00:41:08.039
the halves have to kind of stand
on their own, and it makes them

639
00:41:08.039 --> 00:41:13.239
feel a little disjointed. And some
of the episodes have very little in common

640
00:41:13.280 --> 00:41:16.400
other than maybe a setting or a
couple of characters. In this one's case,

641
00:41:16.840 --> 00:41:20.119
we have quite a bit in common. This is one of the better

642
00:41:20.320 --> 00:41:22.559
A story B story combos I agree
that I've witnessed in a while. So

643
00:41:22.599 --> 00:41:25.679
the B story begins as we flash
back to the shot of Turk handcuffed to

644
00:41:25.679 --> 00:41:29.840
the mantle place so the or the
mantle of the fireplace, struggling again,

645
00:41:30.239 --> 00:41:32.960
we see him trigger the button,
sending the fireplace back into the secret passageway,

646
00:41:34.119 --> 00:41:37.559
as Colin comes over and chloroforms him. Oh yeah, whatever happened Turk?

647
00:41:37.679 --> 00:41:40.519
Yeah, yeah, he just kind
of disappeared. Yeah. We hear

648
00:41:40.599 --> 00:41:44.480
Turk tell someone that he woke up
in his car about two hours later,

649
00:41:44.519 --> 00:41:46.239
and we now see him kneeling by
the fireplaces as he speaks to the new

650
00:41:46.239 --> 00:41:49.760
owner, telling her that he came
back a few days later, and the

651
00:41:49.800 --> 00:41:52.719
Owners were Gone. We meet Evelyn
Hall, who was played by Valerie Wildman.

652
00:41:52.840 --> 00:41:57.320
She was in Splash in nineteen eighty
four, Salvador with James Woods in

653
00:41:57.360 --> 00:42:00.800
eighty six, Beverly Hills Cop Two
in nineteen eighty, Sevevan Monsters in nineteen

654
00:42:00.840 --> 00:42:06.280
eighty nine, My Blue Heaven in
nineteen ninety, Dark Justice in nineteen ninety

655
00:42:06.320 --> 00:42:09.119
two, Tails from the Crip in
ninety three, Silk Stockings in ninety four,

656
00:42:09.480 --> 00:42:15.599
Rumpels Still Skin in ninety five,
I Love RUMPELSTI Mars Attacks in ninety

657
00:42:15.599 --> 00:42:19.320
six, Castaway in two Thousand Days
of Our Lives in nineteen ninety nine through

658
00:42:19.320 --> 00:42:22.119
two thousand and one. And she's
actually currently on bell Air on Peacock.

659
00:42:22.519 --> 00:42:28.960
Oh yeah, wow, bell Air
is still on Peacock. Yep, yeah,

660
00:42:29.239 --> 00:42:32.239
you got nothing, you got nothing? Who? So we meet,

661
00:42:32.519 --> 00:42:36.199
Like I said, we meet Evelyn, who asked did they move away?

662
00:42:36.199 --> 00:42:38.400
And Turk states that they just vanish. He inspects the fireplace, telling her

663
00:42:38.440 --> 00:42:42.800
that this thing opens up somehow,
but he can't find the switch off the

664
00:42:42.800 --> 00:42:45.079
side. A man in a wheelchair
is brought in by Jillian Victor Hall,

665
00:42:45.199 --> 00:42:50.559
who is played by Robert Dowdo Dowdell
he was in Studio one in nineteen fifty

666
00:42:50.599 --> 00:42:52.239
six, Voyage to the Bottom of
the Sea in nineteen sixty four, the

667
00:42:52.280 --> 00:42:57.159
Swat TV series in nineteen seventy five, Buck Rodgers in nineteen seventy nine,

668
00:42:57.599 --> 00:43:01.840
The Initiation in nineteen eighty four.
Do enjoy me some The Initiation Assassination with

669
00:43:01.920 --> 00:43:06.599
Charles Bronson in nineteen eighty seven,
and one of my personal favorite skin Deep

670
00:43:06.719 --> 00:43:09.079
of John ridd film in nineteen eighty
nine. He comments on how peculiar,

671
00:43:09.199 --> 00:43:14.239
asking Jillian if she knows anything since
she was their maid. Jillian tells him

672
00:43:14.239 --> 00:43:16.519
that she left Friday night came back
Monday to find them gone as well.

673
00:43:17.000 --> 00:43:21.360
Victor comments on a house of intrigue
and begins to cough a bit before excusing

674
00:43:21.440 --> 00:43:23.960
himself, asking Jillian to take him
to his room. Turk hands Evelyn the

675
00:43:23.960 --> 00:43:27.800
slip to sign and tells her that
they should really get to know each other

676
00:43:27.840 --> 00:43:31.159
more. With her being new to
Springwood and him being a negative, he

677
00:43:31.159 --> 00:43:36.400
could show her around. Oh that's
so nice of Wait a second, I

678
00:43:36.559 --> 00:43:39.840
feel like we've heard this song in
dance before, Davies. She comments she

679
00:43:39.920 --> 00:43:44.360
didn't know Springwood was such a tourist
attraction, adding they only settled on it

680
00:43:44.440 --> 00:43:50.679
for some peace and quiet. I
mean cemeteries are very quiet. Al Turk

681
00:43:50.719 --> 00:43:52.239
tells her it may not look like
much, but there's plenty to do.

682
00:43:52.519 --> 00:43:55.320
Evelyn shuts him down, telling him
her dance card is full and he can

683
00:43:55.360 --> 00:44:00.280
show himself out. Turk leaves with
a grin, but she stops him,

684
00:44:00.320 --> 00:44:02.239
asking his name. He tells her
Turk, and she responds with maybe I'll

685
00:44:02.239 --> 00:44:07.719
see you around sometime, Turk McGirk. We immediately cut to Freddy's domain,

686
00:44:07.760 --> 00:44:12.159
where we find a box from the
Springwood Moving in storage, which Freddy suddenly

687
00:44:12.159 --> 00:44:15.239
pops out of, stating, good
old Turk thinks he's one hell of a

688
00:44:15.280 --> 00:44:19.800
moving man. Wait till he sees
when I deliver the goods, and that

689
00:44:19.960 --> 00:44:23.559
is it. I mean, at
least Freddy's referencing the episode. Yeah,

690
00:44:24.079 --> 00:44:27.800
it's not like he's popping up for
no good reason. That's fair. Yes,

691
00:44:28.159 --> 00:44:30.679
So we cut back to the house
as Gillian answered the door to find

692
00:44:30.679 --> 00:44:32.760
Turk returning with a box, stating
I got left on the truck. He

693
00:44:32.800 --> 00:44:36.760
offers to give it to missus Hall, but Jillian tells her she's asleep.

694
00:44:37.079 --> 00:44:39.760
Turk mentions her lights are on frustrating
Gillian, who tells him that she's a

695
00:44:39.840 --> 00:44:44.000
nice young woman and he's a sick
old man, but Turk is a gutter

696
00:44:44.039 --> 00:44:46.960
snake out for himself, asking him
to leave them alone. Turk tells her

697
00:44:46.960 --> 00:44:50.880
to go be a maid, but
is interrupted as Evelyn appears on the stairs,

698
00:44:51.119 --> 00:44:53.239
telling her that she'll take care of
it. Turk tells her that one

699
00:44:53.239 --> 00:44:55.599
of the boxes was left on the
truck and takes it into the study with

700
00:44:55.599 --> 00:44:59.760
Evelyn. She tells him he shouldn't
have come, but Turk tells her that

701
00:44:59.800 --> 00:45:01.960
he had to see her. She
tells him to leave, but Turk moves

702
00:45:01.960 --> 00:45:05.480
in on her, pushing her up
against the mantle, commenting on how he

703
00:45:05.559 --> 00:45:07.960
knows that they don't sleep together.
Evelyn tells Turk that's none of his damn

704
00:45:08.000 --> 00:45:12.480
business, but Turk keeps making his
move, asking how long has it been?

705
00:45:12.760 --> 00:45:15.960
A year, a decade. Evelyn
states that she loves her husband,

706
00:45:15.960 --> 00:45:19.519
and Turk states he thinks that she
owes it to herself. As the two

707
00:45:19.559 --> 00:45:22.239
begin to make out, we cut
to them immediately in bed as Turk asks

708
00:45:22.280 --> 00:45:24.920
how has it been or how long
has it been, and Evelyn tells him

709
00:45:24.920 --> 00:45:29.840
it's been two years since Victor's accident. She adds that Victor is the kindest

710
00:45:29.880 --> 00:45:32.199
and gentlest man in the world,
and Turk asks why she in bed with

711
00:45:32.280 --> 00:45:36.360
him then, and Evelyn adds there
are some things that Victor can't do,

712
00:45:36.760 --> 00:45:40.119
adding that they'll still play sexy games
from time to time. I mean,

713
00:45:42.400 --> 00:45:45.320
it's the most romantic story in spring
Wood we've had yet, this is true.

714
00:45:45.480 --> 00:45:49.239
Turk questions, nothing with handcuffs,
right, and Evelyn states no.

715
00:45:49.440 --> 00:45:52.559
Victor has a collection of antique pistols, and they do roleplay, sometimes holding

716
00:45:52.599 --> 00:45:57.320
her at gunpoint and making her strip
while he watches, adding makes him feel

717
00:45:57.320 --> 00:46:00.679
in control, and control is very
sexy. Well, all right, I'm

718
00:46:00.719 --> 00:46:06.920
not here to kink shame, I'm
just here to kink. Ask why Turk

719
00:46:06.960 --> 00:46:09.039
stakes He thinks it might be crazy, but anything less than a hands on

720
00:46:09.079 --> 00:46:13.559
experience is stupid. Evelyn climbs back
onto Turk as the two begin to have

721
00:46:13.599 --> 00:46:15.719
sex again. The camera goes behind
the mirror, where we hear laughter this

722
00:46:15.840 --> 00:46:20.360
time. Sometime later, Evelyn and
Turk are still in bed when the sounds

723
00:46:20.360 --> 00:46:22.280
of the wheels rolling wakes her up. She tells Turk it's Victor and he

724
00:46:22.360 --> 00:46:25.480
needs to leave it fear of them
being found out and him killing Turk.

725
00:46:25.880 --> 00:46:29.480
Turk scrambles out of the bed,
but Victor comes into the room. She

726
00:46:29.559 --> 00:46:31.960
tells him she didn't expect him,
and Victor states he wanted to surprise her

727
00:46:32.000 --> 00:46:36.519
and maybe play a game of Yankee
Spy. Holding up one of his antique

728
00:46:36.519 --> 00:46:42.880
pistols he Yankee spy. He asked, what's wrong, adding that she looks

729
00:46:42.920 --> 00:46:45.000
pale. Evelyn says nothing, and
Victor rolls over the side of the bed,

730
00:46:45.039 --> 00:46:49.320
finding Turk hiding. He quickly draws
the pistol from his lap, shooting

731
00:46:49.360 --> 00:46:52.840
Turk dead. Suddenly, Evelyn wakes
up in the bed, still with Turk,

732
00:46:52.920 --> 00:46:57.320
revealing it to be another nightmare.
God darn these nightmare. She looks

733
00:46:57.360 --> 00:46:59.800
at the foot of the bed to
find Victor, who states he just came

734
00:46:59.800 --> 00:47:01.800
to say good night. Evelyn states
to him that he can explain, or

735
00:47:01.840 --> 00:47:05.599
she can explain, but Victor interrupts
her that there is no need to explain,

736
00:47:05.760 --> 00:47:08.079
asking if Turk satisfies her, adding
if he does, then ask him

737
00:47:08.079 --> 00:47:12.559
to stay. I only ever want
you to be happy. Victor wheels out

738
00:47:12.559 --> 00:47:15.079
of the room, leaving the two
in bed. Turk comments that he is

739
00:47:15.119 --> 00:47:17.360
one very strange guy. But Evelyn
is quick to state no, he's the

740
00:47:17.360 --> 00:47:22.679
most wonderful man in the world.
She then asked him will he will you

741
00:47:22.760 --> 00:47:25.280
stay, and Turk asks for the
night, and Evelyn states no forever.

742
00:47:25.880 --> 00:47:30.360
I don't think Turk over here,
I don't think he was thinking about this

743
00:47:30.480 --> 00:47:34.039
level of commitment. I think he
was thinking more like, maybe maybe you

744
00:47:34.119 --> 00:47:37.159
fool around a couple times, have
a couple laughs, maybe you accidentally get

745
00:47:37.199 --> 00:47:38.519
pregnant. He disappears. Yeah,
I think that's what he was thinking.

746
00:47:38.559 --> 00:47:42.400
That could Yeah. So the two
laid back down as we go behind the

747
00:47:42.400 --> 00:47:45.159
mirror again where we see Colin watching
over the two and laughing to himself.

748
00:47:45.480 --> 00:47:49.840
The next morning, Turk finds Victor
in the study polishing one of his pistols.

749
00:47:49.880 --> 00:47:52.639
He asked Turk if he slept well, and Turk questions why is he

750
00:47:52.679 --> 00:47:57.039
letting him sleep with his wife?
Still polishing Victor polishing the pistol, Victor

751
00:47:57.039 --> 00:48:00.559
asked Turk if he knows anything about
guns, but Turk stays. Victor comments,

752
00:48:00.599 --> 00:48:04.480
that's too bad, he's quite fond
of them, adding that he has

753
00:48:04.559 --> 00:48:06.880
a lot. He was a lot
like Turk in his young age, and

754
00:48:06.960 --> 00:48:09.320
much like women, you don't have
to fire them to appreciate their beauty.

755
00:48:10.000 --> 00:48:13.960
Victor pulls the trigger on the pistol
as we hear the click, which visually

756
00:48:14.000 --> 00:48:16.280
makes Turk uneasy. Turk again asks
if he really doesn't mind, and Victor

757
00:48:16.320 --> 00:48:22.000
confirms he doesn't as excuse me that
he doesn't. As through him, Evelyn

758
00:48:22.039 --> 00:48:25.119
can get the satisfaction she deserves.
Turk agrees to stay and help Victor by

759
00:48:25.119 --> 00:48:29.360
putting the pistol back with the others. Later, Evelyn and Turk are having

760
00:48:29.360 --> 00:48:30.960
sex in the bedroom again, but
Turk stops as he hears the wheels of

761
00:48:31.039 --> 00:48:35.920
Victor going past the room. Before
going back to Evelyn, we see Colin

762
00:48:35.960 --> 00:48:38.280
once again behind the mirror watching them
go at it. They finish, Yes,

763
00:48:38.320 --> 00:48:42.239
the man in the mirror, Yes, right? They finished. Sometime

764
00:48:42.320 --> 00:48:45.280
later, laying in bed together as
Evelyn tells Turk that he reminds her of

765
00:48:45.320 --> 00:48:47.679
a young Victor and it almost feels
like she's falling in love all over again.

766
00:48:47.960 --> 00:48:52.960
I mean, this is getting awfully
romantic for Springwood. I think this

767
00:48:52.039 --> 00:48:57.000
is the second most healthy relationship next
to Freddie not being over his prom date.

768
00:48:57.280 --> 00:49:01.320
Jesus, I forgot about that,
Turk snickers, commenting it's kind of

769
00:49:01.360 --> 00:49:05.440
strange. As Evelyn leaves the bed
to do some things, Turk says he

770
00:49:05.480 --> 00:49:07.400
will be here when she gets back. He goes to the window looking out

771
00:49:07.400 --> 00:49:10.800
as Jillian walks in, commenting on
how she's how impressed she is that he

772
00:49:10.800 --> 00:49:14.559
made it through the front door and
now the bedroom door. But he's a

773
00:49:14.599 --> 00:49:17.239
fool. Turk comments that he gets
the feeling she doesn't like him very much,

774
00:49:17.320 --> 00:49:21.719
but he intends to stick around.
Jillian says that Victor has made it

775
00:49:21.760 --> 00:49:23.480
safe for him, and Turk's a
guy who likes danger, so how long

776
00:49:23.519 --> 00:49:28.679
does he expect for this arrangement to
work? Adding that Eleen Evelyn is falling

777
00:49:28.679 --> 00:49:31.280
in love with him and she doesn't
want love or she doesn't want love.

778
00:49:31.360 --> 00:49:35.679
What he needs is someone to do
Oh my god, it's okay, first

779
00:49:35.679 --> 00:49:37.440
time reading, Yeah, adding that
Evelyn is falling in love with him and

780
00:49:37.480 --> 00:49:40.559
he doesn't want love. What he
needs is someone to do this. She

781
00:49:40.639 --> 00:49:45.079
walks up to him and kisses him
as they both share one. Kid,

782
00:49:45.239 --> 00:49:50.320
he's done that with the lady.
I would I would say so, Yeah,

783
00:49:50.440 --> 00:49:53.119
I would say so. So.
She walks up, kisses him and

784
00:49:53.119 --> 00:49:57.800
they both share one then steps back, adding and then walk out. She

785
00:49:57.880 --> 00:50:00.639
leaves the room as Turk continues looking
out the window. Downstairs, Turk finds

786
00:50:00.719 --> 00:50:05.280
Gillian and the two begin to make
out until Victor wheels by. They stop

787
00:50:05.320 --> 00:50:07.280
as he catches a glance, not
saying anything as the two go back to

788
00:50:07.320 --> 00:50:10.760
getting hot and heavy. We next
see Evelyn on the bed crying as Turk

789
00:50:10.840 --> 00:50:14.800
asked if Victor told her. She
fires back with he loves me. Of

790
00:50:14.800 --> 00:50:16.840
course, he told me. Turk
goes to say he's sorry, but suddenly

791
00:50:16.840 --> 00:50:21.360
Evelyn draws up one of the pistols, pointing it at Turk and stating he'll

792
00:50:21.400 --> 00:50:23.880
be sorry. Yeah. Turk tells
her to stop, stating it's not even

793
00:50:23.920 --> 00:50:28.280
loaded. Evelyn then holds up the
bullets, showing him she keeps the gun

794
00:50:28.320 --> 00:50:30.320
pointed at Turk As he begins to
back away. Stating that he's sorry,

795
00:50:30.400 --> 00:50:34.480
Evelyn tells him her heart is the
last he will ever break, firing a

796
00:50:34.480 --> 00:50:37.199
shot into Turk, who drops the
floor. Suddenly, Turk comes into in

797
00:50:37.239 --> 00:50:40.679
the study, revealing another nightmare as
he looks around, letting out a few

798
00:50:40.719 --> 00:50:45.039
breaths. This guy naps way too
much? Does anybody ever get moved in

799
00:50:45.079 --> 00:50:47.599
the spring Wood? Really? He
goes to the bar pouring a shot,

800
00:50:47.599 --> 00:50:51.679
but is interrupted by Evelyn, who
is sporting a nice dress and a pistol

801
00:50:51.880 --> 00:50:54.320
that she's pointing at Turk, telling
him to take it. Turk reluctantly takes

802
00:50:54.320 --> 00:50:58.159
the pistol as Evelyn turns around with
her back to him, telling him to

803
00:50:58.199 --> 00:51:00.559
tell her. Turk asks tell her, but, and Evelyn says to tell

804
00:51:00.599 --> 00:51:05.039
her what comes off first, insinuating
that she wants him to play one of

805
00:51:05.039 --> 00:51:07.280
her in Victor's games, adding that
he's so much like him, she thought

806
00:51:07.320 --> 00:51:12.159
that he would like this. I
think that insinuation is a bit subtle for

807
00:51:12.239 --> 00:51:15.159
what she's I think she's making it
very clear that she wants him to hold

808
00:51:15.199 --> 00:51:19.519
her a gun point yes, uh, for sex. So she goes to

809
00:51:19.559 --> 00:51:22.119
a stool, stating that Victor usually
has to remove her stockings first. As

810
00:51:22.159 --> 00:51:25.559
she sits beginning to remove them,
Turk asks if they can just have sex

811
00:51:25.599 --> 00:51:29.960
normally, but Evelyn tells him no. To play the game. Turk asks

812
00:51:29.960 --> 00:51:31.920
if the gun is loaded, and
Evelyn assures him that it isn't. He

813
00:51:31.960 --> 00:51:35.920
tells her to remove the stockings,
which she begins doing, starting with her

814
00:51:35.920 --> 00:51:38.599
shoe. Evelyn removes them playfully,
throwing them to the floor as Turk tells

815
00:51:38.599 --> 00:51:42.679
her to remove the other one,
which she does. He then tells her

816
00:51:42.679 --> 00:51:45.000
to take her top off, but
Evelyn walks past him, causing to state,

817
00:51:45.159 --> 00:51:49.679
I said take off your damn top. Evelyn turns around excited, stating

818
00:51:49.760 --> 00:51:52.159
that's it. Get into it,
make me do it. Turk stops and

819
00:51:52.199 --> 00:51:55.639
turns around, stating this is stupid. Evelyn warns him that if he doesn't

820
00:51:55.639 --> 00:52:00.599
play the game, he gets nothing. He adds that he does like games

821
00:52:00.599 --> 00:52:02.719
that Evelyn tells him that she does, that she does, and to play

822
00:52:02.760 --> 00:52:06.679
it for her. She begins to
undo the front of her breast, teasing

823
00:52:06.760 --> 00:52:10.800
him and exposing with a breast undoes
her breast. It's okay, guys,

824
00:52:10.880 --> 00:52:15.519
David has never seen a woman before. It's it's gonna take a minute.

825
00:52:15.519 --> 00:52:17.840
She begins to undo the front of
her dress, teasing him with exposing her

826
00:52:17.880 --> 00:52:21.719
breasts. There we go. Turk
picks up the gun, pointing it at

827
00:52:21.760 --> 00:52:24.039
Evelyn, demanding her to take it
off, but she refuses. He cocks

828
00:52:24.039 --> 00:52:28.480
the gun, repeating himself and Evelyn
still refuses. Suddenly, the trigger is

829
00:52:28.480 --> 00:52:30.599
pulled as the bullet goes into Evelyn. She sinks to the floor as Turk

830
00:52:30.679 --> 00:52:34.920
stares at the stairs at the gun
shocked. It was loaded. Okay,

831
00:52:35.000 --> 00:52:43.079
So what we have here is on
Freddy's nightmares, this woman is into kinky

832
00:52:43.599 --> 00:52:45.679
pistol play. This is true,
right, Okay, so that's what's happened.

833
00:52:46.199 --> 00:52:51.199
So she hands him a pistol and
is like, point the gun at

834
00:52:51.280 --> 00:52:53.039
me, make me do stuff.
Ha ha ha, you know whatever.

835
00:52:53.280 --> 00:52:57.239
I'm not here to shame, but
that's what they're doing, right, That's

836
00:52:57.239 --> 00:53:00.880
exactly what they're doing. She points
the gun at her. She is resisting,

837
00:53:00.320 --> 00:53:02.519
so he's like do it, do
it now, do it now,

838
00:53:02.559 --> 00:53:07.320
and all this stuff. He pulls
the trigger and shoots her. The gun

839
00:53:07.400 --> 00:53:10.199
is loaded. It kills her.
My only question, uh huh, what

840
00:53:10.320 --> 00:53:15.400
was his plan if the gun No, I'm just saying, in the role

841
00:53:15.400 --> 00:53:19.880
playing scenario that they're doing, Yeah, what was his plan? Was he

842
00:53:19.920 --> 00:53:22.119
gonna pull the trigger and it was
gonna click? And then what was she

843
00:53:22.159 --> 00:53:23.519
supposed to go like, ah,
you shot me, then fall on the

844
00:53:23.559 --> 00:53:28.559
ground and play sexy corpse for him? Because if that's the case, we

845
00:53:28.639 --> 00:53:30.800
really missed out. Who we did
miss it? I missed out on an

846
00:53:30.840 --> 00:53:36.440
opportunity to see somebody play sexy corpse
and uh, I'm just saying. I

847
00:53:36.440 --> 00:53:39.400
mean there'd be two stiffs in that
room. I guess this is again true.

848
00:53:40.039 --> 00:53:44.079
Jillian comes to Evelyn's side, asking
Turk what has he done. Turk

849
00:53:44.119 --> 00:53:46.079
tells her the gun wasn't supposed to
be loaded, and Jillian says they have

850
00:53:46.119 --> 00:53:49.800
to call the police. He begins
to panic, stating he's got to get

851
00:53:49.840 --> 00:53:52.920
out of here, but Jillian tells
him he won't ever get away once Victor

852
00:53:52.960 --> 00:53:55.599
finds out. Turk asked what they
should do, and Jillian states first they

853
00:53:55.639 --> 00:53:59.599
need to hide the body, adding
does he really want to leave her for

854
00:53:59.679 --> 00:54:02.480
Victor? Fine, Gillian pushes the
switch on the fireplace, opening the secret

855
00:54:02.480 --> 00:54:06.920
passage, stating that they can hide
her and hear. Turk drags the body

856
00:54:06.920 --> 00:54:09.079
in as Gillian states she believes it
was Victor, adding that he was one

857
00:54:09.119 --> 00:54:13.199
six son of a bitch. She
offers to show him something further in the

858
00:54:13.199 --> 00:54:15.920
passage. Turk questions why would Victor
do this, and Gillian tells him he

859
00:54:16.000 --> 00:54:21.039
drove Victor to the edge. Jillian
climbs the ladder inside the passageway as Turk

860
00:54:21.199 --> 00:54:23.400
argues that Victor wanted him here.
He follows her up to the two way

861
00:54:23.400 --> 00:54:29.000
mirror, telling him that Victor liked
to watch them. Jillian shock, Yeah,

862
00:54:29.079 --> 00:54:32.679
yeah, we're all so surprised.
Jillian then tells him that in order

863
00:54:32.719 --> 00:54:36.320
to get out of this, he
will have to kill Victor, handing the

864
00:54:36.360 --> 00:54:39.039
gun back over to Turk. Victor
calls to Evelyn and Turk pushes the switch,

865
00:54:39.119 --> 00:54:43.599
opening the mirror and steps out into
the with the pistol. Confronting Victor,

866
00:54:43.960 --> 00:54:46.360
he asks where's Evelyn and Turk tells
him that he knows what he did,

867
00:54:46.400 --> 00:54:50.960
accusing him of loading the gun that
killed Evelyn. Victor reminds Turk that

868
00:54:51.000 --> 00:54:52.519
he cannot walk or move, so
how is he supposed to stand up and

869
00:54:52.559 --> 00:54:57.559
load a gun. Jillian states that
Evelyn could have gotten could have gotten the

870
00:54:57.599 --> 00:55:00.679
gun, but Victor is quick to
fire back with yeh, but who would

871
00:55:00.719 --> 00:55:06.599
have gotten the bullets? Jillian or
Evelyn turns his attentions towards our Gillian,

872
00:55:06.639 --> 00:55:08.840
accusing her. Jillian goes to call
the police, but Turk tells her to

873
00:55:08.880 --> 00:55:13.280
stop, pointing the pistol right at
her. Jillian tells Turk he doesn't have

874
00:55:13.320 --> 00:55:15.679
the guts, turns her back to
keep walking as Turk fires another shot,

875
00:55:15.760 --> 00:55:20.920
dropping Jillian to the floor. Dead, Victor gross a smile and turns back

876
00:55:20.920 --> 00:55:24.840
to Turk stating Bravo. He begins
to applot as suddenly Gillian stands up and

877
00:55:24.880 --> 00:55:29.679
Evelyn comes out of the passageway,
and now, my friends is when the

878
00:55:29.719 --> 00:55:35.119
plot gets thicker than a two dollars
stew. Suddenly, Victor rips at his

879
00:55:35.159 --> 00:55:37.840
face, revealing it to be a
mask, as Colin is revealed to have

880
00:55:37.880 --> 00:55:42.760
been Victor the whole time. Colin
congratulates Turk for an excellent game, apologizing

881
00:55:42.800 --> 00:55:45.079
for not being honest with him.
He introduces himself, stating that he and

882
00:55:45.119 --> 00:55:49.159
his friends have been having a little
fun with him. A little fun,

883
00:55:49.239 --> 00:55:52.159
yeah, a little fun. They've
been having a little fun with it.

884
00:55:52.320 --> 00:55:55.920
They had two women have sex with
him and then make him think he had

885
00:55:55.960 --> 00:56:00.599
to murder them. A little fun. Yeah, yeah. Laugh. Turk

886
00:56:00.719 --> 00:56:04.400
is relieved of vine that all of
it was fake, laughing and sitting on

887
00:56:04.440 --> 00:56:07.480
the bed with Jillian and Evelyn.
Turk states he's relieved it was all a

888
00:56:07.559 --> 00:56:09.559
joke, but Colin interrupts him,
stating not a joke, adding would you

889
00:56:09.599 --> 00:56:14.199
call life a joke? No,
this was theater. They cast him in

890
00:56:14.239 --> 00:56:15.679
a role of a ladies man,
which is what he thought of himself.

891
00:56:16.119 --> 00:56:20.599
Jillian and Evelyn climb into bed with
Turk and begin touching on him. The

892
00:56:20.599 --> 00:56:22.840
two women tell him they're sad it's
over, but Colin interrupts again, stating

893
00:56:22.880 --> 00:56:25.639
it's not quite over, as they
have one last point to make, and

894
00:56:25.679 --> 00:56:29.320
I just want to say, Turk
is the dumbest son of a bitch.

895
00:56:29.599 --> 00:56:34.599
Yeah, after all of that,
you think that now they're gonna like like,

896
00:56:34.800 --> 00:56:37.840
apology, Fuck you, apology manaje
toy, You get the fuck out

897
00:56:37.880 --> 00:56:40.920
of here, Turk, removing a
remote from his pocket. Again, Turk

898
00:56:42.039 --> 00:56:45.119
questions a point. Jillian and Evelyn
get off the bed and join Colin,

899
00:56:45.159 --> 00:56:47.400
who states, yeah, after all, this is a morality play the man

900
00:56:47.440 --> 00:56:51.360
who lives by the spike. He
clicks the remote, unveiling the wall of

901
00:56:51.400 --> 00:56:54.519
spikes behind the bed. Continues shall
perish by the spike. He clicks it

902
00:56:54.519 --> 00:56:58.519
again, sending the murphy bed with
Turk onto it, right into the spikes

903
00:56:58.519 --> 00:57:04.440
and paling him. Eh see,
you got right here. Yeah, what

904
00:57:04.480 --> 00:57:07.599
do you have? The murphy bed
of nails? So nice? They did

905
00:57:07.599 --> 00:57:13.199
it twice. We now see Colin
and Evelyn dressed as a French couple,

906
00:57:13.280 --> 00:57:16.800
sipping espresso espresso. He offers one
as they both begin to sip. The

907
00:57:16.840 --> 00:57:21.159
two are interrupted as Jillian, now
dressed as a French maid, enters with

908
00:57:21.239 --> 00:57:25.079
a milkman played by our good buddy
Al Cats, who looks I know that

909
00:57:25.159 --> 00:57:30.320
he's gotta be in his twenties or
whateverbody looks like he's like fourteen to me.

910
00:57:30.280 --> 00:57:35.159
Maybe I'm just a bastard. The
milkman, admiring Jillian, Colin gets

911
00:57:35.199 --> 00:57:39.960
a devilish devilish commenting a milkman,
how perfect, Nespa. He laughs as

912
00:57:40.000 --> 00:57:45.440
Colin invites the milkman in setting up
another game. The episode ends as we

913
00:57:45.480 --> 00:57:47.440
cut to Freddy, who is in
his domain dressed as a woman. As

914
00:57:47.480 --> 00:57:52.360
the camera pans up, at first, you just see you just see a

915
00:57:52.400 --> 00:57:57.000
blonde hair, yes, and Freddy's
voice, and then as it pulls in,

916
00:57:57.360 --> 00:58:00.960
Freddy turns and reveals that he he's
the one with the flowing blonde hair.

917
00:58:01.079 --> 00:58:05.079
But here's the line that I love
because I'm ready for it. Hey,

918
00:58:05.119 --> 00:58:07.800
babe, I think we should talk. I mean, here you are,

919
00:58:07.960 --> 00:58:12.199
you're new in town here I am
a native. He turns around,

920
00:58:12.199 --> 00:58:15.800
sporting a wig and states I could
show you around. I love love games

921
00:58:16.239 --> 00:58:21.239
and blows a kiss to the audience, and that my Friends is season two,

922
00:58:21.480 --> 00:58:24.320
No. Episode eighteen, and that
my Friends is what will replace the

923
00:58:24.320 --> 00:58:30.760
whale in My Nightmares episode eighteen.
Fun house, and what a fun house

924
00:58:30.800 --> 00:58:36.840
it was. I yeah, I
don't. I don't even know where to

925
00:58:36.920 --> 00:58:44.800
go from that. Like, so
they're having so this So what it is

926
00:58:44.800 --> 00:58:49.159
is this this psychotic house of nut
jobs yep? Who one of them is

927
00:58:49.159 --> 00:58:52.039
this psycho rich guy yep? Whatever, And what they're doing is just like

928
00:58:52.119 --> 00:58:57.400
taking turns playing different roles where they
put a real person in it and then

929
00:58:57.440 --> 00:59:00.039
inevitably kill them. Invite the same
movie Guy back, which is a hell

930
00:59:00.119 --> 00:59:05.079
of Invite the same movie Guy Back
twice. Well that's just obvious. That's

931
00:59:05.119 --> 00:59:07.480
a loose end, you know,
but that just blows my mind. I

932
00:59:07.760 --> 00:59:13.599
think that that's a great gag.
I think that that's a super fun concept

933
00:59:14.039 --> 00:59:16.760
to run through Freddy's and it almost
feels like again like a proto type of

934
00:59:16.800 --> 00:59:21.559
a later Tales of the Crypt episode. So I I really enjoyed it.

935
00:59:21.760 --> 00:59:25.320
David, do you have a rating
for us? I will. After fred

936
00:59:27.519 --> 00:59:31.679
I thought we might get away with
it. I was almost, don't quote,

937
00:59:31.679 --> 00:59:35.280
the worst movie in my series.
That's one of my favorites. Freddy.

938
00:59:35.320 --> 00:59:37.400
Sorry, yeah, you're a you're
a fucking idiot. That's fair.

939
00:59:37.440 --> 00:59:40.079
Wow, that was a little hard, Reddy. How's it going, Freddy?

940
00:59:40.280 --> 00:59:43.960
Oh, you know, not too
bad. How about that Turk guy?

941
00:59:44.039 --> 00:59:46.000
Right? Yeah? I mean yeah, yeah, I guess, I

942
00:59:46.039 --> 00:59:51.320
guess, yeah, I guess in
the end he thought he had it made,

943
00:59:52.880 --> 00:59:57.239
not bad, not bad. I
I get I guess he had it

944
00:59:57.280 --> 01:00:05.280
made made like id You know,
I have to admit I found the fate

945
01:00:05.320 --> 01:00:14.079
of Old Turk very moving. Okay, that was the best one because he

946
01:00:14.159 --> 01:00:15.719
works at Springwood Mole. We got
it, Freddy, thank you for you

947
01:00:15.760 --> 01:00:21.119
don't have to explain it. Jeez. You know this episode had a lot

948
01:00:21.199 --> 01:00:25.360
to say about marriage. It makes
it clear to me I do not want

949
01:00:25.440 --> 01:00:32.760
to be boxed in. You had
it going and then you kind of tanked

950
01:00:32.760 --> 01:00:37.480
on that one. But yeah,
yeah really, Oh so seriously, I

951
01:00:37.719 --> 01:00:40.880
was the Exorcist believer? Are you
you really want to know? Freddy?

952
01:00:42.239 --> 01:00:45.880
Yeah? I bet it sucked right
at David Gordon green guy, he like

953
01:00:45.119 --> 01:00:49.119
he ruined, he ruined Michael Myers, and now he's gonna come and he's

954
01:00:49.159 --> 01:00:52.480
gonna ruin the Exorcist too, right, Freddy. I liked the Halloween series

955
01:00:52.480 --> 01:00:55.519
from David Gordon Green. That's because
you're an income poop. That's fair.

956
01:00:55.599 --> 01:01:00.039
I liked it too. You're even
worse, dude, what No? I

957
01:01:00.039 --> 01:01:02.920
thought it was pretty good. I
liked it. I liked it. The

958
01:01:02.960 --> 01:01:07.440
one big critique that I would have
Freddie is that the Catholicism is kind of

959
01:01:07.440 --> 01:01:15.679
gone. Inclusion is stupid. It
should have just been white cuff through Freddie.

960
01:01:16.119 --> 01:01:19.559
You know, I don't think you
have any room talking, Freddy.

961
01:01:19.760 --> 01:01:24.679
Let's talk about your reboot. Oh
I to go away or whatever. But

962
01:01:25.559 --> 01:01:30.639
wow, I think we figured it
out. It only took some episodes.

963
01:01:30.679 --> 01:01:31.679
I figured out how to get Freddy
to leave us alone right away. We

964
01:01:31.760 --> 01:01:35.039
talk about the remail. Oh my
god, that's it. That's amazing.

965
01:01:35.079 --> 01:01:38.920
We have to do. I'm so
happy right now unless he figures it out

966
01:01:38.960 --> 01:01:43.239
next week. God. So what
was your rating, David? I am

967
01:01:43.280 --> 01:01:46.079
gonna give this a solid B minus. Like I didn't. I didn't dislike

968
01:01:46.159 --> 01:01:52.800
it by any facts, but it
was fun but also just kind of happened

969
01:01:52.920 --> 01:01:54.239
like it was one of the crazier
ones. I mean, that is what

970
01:01:54.280 --> 01:01:57.480
the show does, is yeah,
yeah, I know, Like it was

971
01:01:57.519 --> 01:02:00.719
a very fun episode. And also
I love Gill and OL's right. They

972
01:02:00.760 --> 01:02:02.679
always really kind of throw you for
a loop with that b story, especially

973
01:02:02.760 --> 01:02:07.079
even though it was kind of a
repeat of this one. But the the

974
01:02:07.159 --> 01:02:09.960
idea, the characters, it all
worked for me. The only the idea

975
01:02:10.000 --> 01:02:15.199
of the house being basically a comedy
troupe from Hell, Yeah, I kind

976
01:02:15.199 --> 01:02:17.760
of love that. It reminded me
a lot of I cannot remember the damn

977
01:02:17.840 --> 01:02:24.320
name of it, but the episode, the episode with John, Oh my

978
01:02:24.400 --> 01:02:29.079
god, I can't think of David's
doing such a bad job. I really

979
01:02:29.079 --> 01:02:31.199
am. Oh my god, I
can picture his face, John Love.

980
01:02:31.239 --> 01:02:36.480
It's the John Lovetts Tales from the
Crypt, John Aston and everything, the

981
01:02:36.480 --> 01:02:39.000
Maniac from the Asylum. It reminded
me a lot of that. My only

982
01:02:39.119 --> 01:02:42.840
the thing that kind of knocked down
a little bit was using the bed of

983
01:02:42.920 --> 01:02:46.280
Nails twice. Yeah, but I
liked the idea that they're a comedy troop

984
01:02:46.360 --> 01:02:51.280
from Hell. Yeah, it's pretty
great. Yeah. My rating would be

985
01:02:51.320 --> 01:02:54.360
actually just a straight betraight. It
would be higher if it had more Freddy.

986
01:02:57.119 --> 01:03:00.360
But what are you gonna do?
You you don't get more Freddy,

987
01:03:00.719 --> 01:03:05.639
I'm moved mine. It would be
so copying me. Not fair? Okay,

988
01:03:05.679 --> 01:03:08.199
fine, so we have the same
rating. Hooray, hurrah. Whatever.

989
01:03:08.480 --> 01:03:12.159
So next week, though, we
are going to be back here.

990
01:03:12.239 --> 01:03:14.239
Well, actually I don't know if
it's gonna be next week or not,

991
01:03:14.280 --> 01:03:16.239
but the next time we meet,
it's going to be season two, episode

992
01:03:16.320 --> 01:03:21.280
nineteen, A family Affair. Yes, I have not previewed it yet,

993
01:03:21.320 --> 01:03:25.440
but it looks it looks very sleazy. Well, they were a fair in

994
01:03:25.480 --> 01:03:30.840
it. I think we are into
the sleazy end of this series. When

995
01:03:30.840 --> 01:03:32.880
the Bible Belt finally caught on and
was like, what are they airing at

996
01:03:32.880 --> 01:03:37.199
four pm in Minnesota? Yeah,
no, I'm excited for it. But

997
01:03:37.239 --> 01:03:38.360
yeah, that is what the next
week is going to be. And uh

998
01:03:38.480 --> 01:03:43.280
yeah, that is going to get
us into the last three episodes. Then

999
01:03:43.880 --> 01:03:46.159
what wait, no, last three
or last four nineteen is next week?

1000
01:03:46.159 --> 01:03:49.519
Oh yeah, you're right. Yeah, yeah, sometimes they get confused.

1001
01:03:49.559 --> 01:03:52.679
Yeah, there's twenty two episodes per
season, yeah, forty four to Wow,

1002
01:03:52.679 --> 01:03:54.119
we're getting there. We are getting
there, and we are working on

1003
01:03:54.199 --> 01:03:58.800
putting together our dream episode, yes, that we'd like to do before we

1004
01:03:58.840 --> 01:04:01.639
wrap everything up. We're also working
on maybe trying to have Dave take on

1005
01:04:01.719 --> 01:04:06.199
the nightmar Elm Street Anes game one
last time, one last time, But

1006
01:04:08.000 --> 01:04:10.480
I think it's about time we get
out of here. But before we do,

1007
01:04:10.719 --> 01:04:12.760
I want to remind you, if
you like what we're doing here at

1008
01:04:12.760 --> 01:04:15.559
the Freddy's Nightmares Podcast, the best
thing in the world you could do is

1009
01:04:15.599 --> 01:04:19.519
go to Apple Podcasts and Spotify and
leave us A five star rating costs you

1010
01:04:19.599 --> 01:04:23.800
absolutely nothing, and it helps people
know that they're in the right place.

1011
01:04:23.800 --> 01:04:27.039
And if you have a friend who's
a fred heead send them our way.

1012
01:04:27.599 --> 01:04:30.159
We would love to have them.
When the show does run its course,

1013
01:04:30.840 --> 01:04:34.039
the entire archive is going to stay
up for as long as I am able

1014
01:04:34.079 --> 01:04:41.000
to pay for it, So this
will always be the place for Freddy's Nightmares

1015
01:04:41.320 --> 01:04:45.599
fans and people who are simply curious
to learn about the show and to get

1016
01:04:45.000 --> 01:04:49.280
to have fun. If you're sitting
at home with your Freddy's Nightmares bootleg and

1017
01:04:49.320 --> 01:04:51.360
you're like, I don't want to
sit and watch these all by myself,

1018
01:04:51.400 --> 01:04:54.920
watch one, listen to us,
watch another one, Listen to us.

1019
01:04:55.000 --> 01:04:57.920
Absolutely, we'll hang out with you. We love you. Yes, So

1020
01:04:58.119 --> 01:05:00.440
on that note, we're going to
get out of here. That's the wrong

1021
01:05:00.480 --> 01:05:03.159
button. We're gonna get out of
here. Welcome to primetime Freddy's nivers podcast.

1022
01:05:03.159 --> 01:05:05.519
We appreciate you listening. Make sure
to come back next week. If

1023
01:05:05.519 --> 01:05:09.880
you want to reach out and cut
someone and uh send us the email,

1024
01:05:10.039 --> 01:05:14.239
just go to Freddy's Nightmares dot com
or send us email Freddie Nightmar's pod at

1025
01:05:14.320 --> 01:05:17.760
gmail dot com. We really look
forward to seeing you all next week.

1026
01:05:17.840 --> 01:05:21.400
And by the way, check out
my horror podcast Weekly Spooky if you need

1027
01:05:21.440 --> 01:05:26.440
something scary to listen to this October. But now we're gonna get out of

1028
01:05:26.440 --> 01:05:30.719
here until next time. I've been
Enrique Kuto here with Double D Louis Dreyfus,

1029
01:05:30.719 --> 01:05:32.840
Denyer. We'll catch you all next
time. Audios, Boats