S02E17 "Interior Loft - Later" with a Dedication to Jeff Burr

WEBVTT

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No, don't touch that dial.
Here's what's on my mind tonight. Alex

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is a sculptor dying to sell his
work. As I'm sure you know,

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an artist value skyrockets just as soon
as he or she dies. Maybe I

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should just kill myself. So he
decides to fake his own death. The

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critics will eat this up and we'll
be rich. But playing dead can be

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a real nightmare. The best insurance
for my investment is to kill you.

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On Freddie's Nightmare, Welcome to Springwood, my friend. Hello, I am

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Enrique Kuto here with double D Louis
Denoyer, and we are we are We

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are back to Springwood time Freddie's Nightmares
podcast. I am in an interesting mind

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space. I would say we both
arek out of there right now. Yah,

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baby won a bottle? Yeah,
what's your problem? Fair? No,

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but no, no, like,
Yeah, it's been it's been quite

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a time. October is always a
tough time. I mean, we love

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October, but also it's a really
busy time. But also life has just

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not been kind to either of us
lately, but especially you. Well,

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I mean I appreciate the especially meet
oh yeah, the case and point.

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Yeah. So just been a fuck
of a week. I don't know how

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else to say it. That's properfect
well number one, and uh, I

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mean this without being passive aggressive.
Dave's a fucking asshole. No, no,

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but no, Dave had a concert
to go to because everybody but me

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gets to do something fun in October. Can't help it, Alice Supercina my

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hometown. You could have helped it
by protesting place. But my point is

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I had. Uh God, I
don't even know where to start. I

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mean, I guess from the beginning
that's a horrible idea. That's fair.

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So well, I'll start with I
pulled a muscle in my abdomen and it

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hurts so bad. And I don't
know if anybody else is out here.

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I know you mentioned you had.
It takes forever to heal. Could you

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use it for everything? It's like, oh, uh, you want to

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pick that thing up off the ground. Pain, Oh you like sleeping pain.

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You're laughing at a meme your friend
sent you. Pain, And it's

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it's mostly healed now. So then
naturally I tweaked my back helping hen Wolf

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in the backyard because she's been having
trouble peeing on her own now and so

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it's just been like she has degenerative
mylopathy for those keeping score, so she's

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slowly losing the use of her back
legs, very slowly, thank goodness.

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So I'm like dealing with that reality
and then unfortunately I hate even having to

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talk about it. But but my
my friend Jeff Burr passed away. Yeah,

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and a lot of people will know
Jeff's work because he did gosh,

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he did Texas Chancel, Maascar three, From a Whisper to a scream U,

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Stepfather two, Pop Up Master four
and five, Night of the Scarecrow,

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Eddie Presley, a ton of films, and but more importantly, and

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this is the thing that's been hard
to to kind of get across to people

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is, you know, I've been
getting a lot of of kind messages from

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people, but they're like, you
know, I get it. You know,

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it's hard to lose somebody you know
you look up to it. It's

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like, yeah, but I mean, I I like ate dinner with the

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man several times. I met his
mom, you know, and he was

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one of the few people that when
I was really starting out, he had

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an impressive care and didn't think I
was like a joke. He was incredibly

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generous with his time, he watched
every film I made, and yeah he

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was. He appeared in the movie
Making Out, which was a dream for

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me because as a you know,
one of the things I hate about show

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business and about all this is that
we compare ourselves to each other. And

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we live in a paradigm now where
you can make movies anywhere, and a

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lot of the leaders in B movies
are elsewhere. They're not in Los Angeles.

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So when you are admiring your B
movie heroes who were all in LA

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because they had to be, you're
thinking about, like, man, they're

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movies they had like foury Akerman or
they had you know, some you know,

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washed up guy from TV in it
or whatever, and be like,

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man, I never get to cast
my heroes because they don't live in Dayton,

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Ohio or wherever you are. And
I definitely think that's a silly thing,

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but I definitely think that a lot
of us fall into that. And

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for me to be able to get
Burr in my movie was like a huge

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win. To feel like wow,
and the fact that he was so excited

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to do it, and oh he
was hilarious. Yeah, the the you

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know, the line he improvised that
he asked me. He was like,

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do you mind if I try one
on my own? And I was like

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sure, and he was like,
all right, listen, kid, I'm

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just a fat fuck WHU puddle pedals
pictures. That was the line he made

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up, I'm just a fat fuck
whu puddles pictures. And he loved the

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idea that I cast him as a
producer who abuses his power. He thought

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that was very funny because Jeff,
you know, he dealt with that a

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lot. And I actually learned a
story that I don't know if his public

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knowledge or not, but when Eddie
Presley was being made, which was Jeff's

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second personal epic, it was from
a whisper to scream that Eddie Presley then

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straight into darkness. When when he
was making Eddie Presley, they'd raised some

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money, but it wasn't a big
budget and it was like one hundred and

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eighty grand I know that's a lot
of money to be too, but I'm

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just saying, like, for that
era, to make a movie in Hollywood

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on film, it's cheap and they
were ready to go three weeks till production.

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Dwayne Whitaker told me this he stars
in Eddie Presley. I wrote it,

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Jeff got a call from I think
it was at that point, Dimension

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or New or New World, but
they offered him straight up hell Raiser three.

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Oh wow, Like straight up.
They were like, we want you

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for hell Razer three. But if
he said yes, Eddie Presley would have

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to be canceled or they'd have to
find a new director or something, and

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Jeff just said, no, man, I'm already I'm already booked. And

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his payday from hell Raiser three would
have been more than the budget Presley absolutely,

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and but that just that just is
a testament to the kind of guy

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he is. They had locations booked
and actors counting on him, and he

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was not going to let those people
down, and in my opinion, he

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made a more influential movie, although
it would have been cool for him to

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also have Hell Razor three on his
own, but instead it went to Anthony

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Hickocks, who we also lost like
just a week or two, ageez,

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But no. So yeah, I
missed the hell out of Jeff and I'm

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still processing my grief on it,
even though it's it's been it's been like

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five days. It hasn't been a
long at all, but it sucks and

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he The thing I've enjoyed the most
about grieving him as seeing so many people

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have similar stories, it doesn't make
me jealous, it makes me happy.

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He was so he was. So
I'm gonna put it this way because I

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feel like it really gets it across. He was so needlessly kind. There

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was absolutely no reason for him to
be anything more than genial to anybody like

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me, And there were a lot
of people like me who had stories about

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Jeff. I mean, one of
my favorite things was I sat with Jeff

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at a convention once after the show
and he told me, he was like,

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if you buy me a bud light
and a cheap shot and a well

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whiskey. I think it is what
it was called, you know, well

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whiskey, cheap whiskey. He's like, if you get me a shot and

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a bud light, I will show
you everything in my scrap book. So

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I went and I literally was like, it's a well whiskey. I never

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I don't drink, so I had
no idea what the terms were or anything.

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So they got me. The bartender
hooked me up and I had the

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drink and I brought it to Jeff
and he busted open this incredible incredible binder

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full of scraps from mostly from a
whisper to a scream and stepfather too,

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wow, and he was like,
yeah, babe, check this out.

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So when from a Whisper came out. Back in those days, if you

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wanted to do pr you had to
hire a company and their only job was

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to cut out references to your film
and newspapers mail them to you. Yeah.

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He was like, they're just like
these people in warehouses. I don't

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know if they were monkeys or something, just just you know, just trained

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apes, just going through and cutting
out every time from a whisper to a

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screen was in there. And he's
like and it was amazing. And then

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you get this package in the mail
that you paid a thousand bucks for to

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find out everybody thinks you suck.
Oh god, yeah, that would ship.

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That would be shitty. But that
was That was why he was such

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a great friend and and such a
great resource for knowledge, because he he

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had that mentality where he was like, he was like, well, you

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know, uh, what was He
used to say, I know it was

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a quote, but he used to
say, well, you know, making

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films is a is a horrible,
horrible, painful, time consuming soul crushing

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uh vocation and the only thing worse
is not making movies. And and that

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helped me a lot hearing stuff like
that from somebody. I admired him greatly,

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and the way I met him was
just that I had to meet him

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because I was like, I got
to meet the guy who not only did

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Leather Faced Texas, Chainsaw three and
puppet Master four and five, which were

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my first puppet Master movies, but
also Eddie Presley, which is a movie

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that completely changed my life. So, but no one other memory I want

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to share, because I have a
few. I'm very fortunate I have memories

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with him that nobody else has.
Yeah. So when I went down to

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Georgia, I was looking for sould
to steel, was in a buye and

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I was really behind. No uh
yeah, yeah done, don dun told

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you just one huh no uh but
no, I went down to Georgia to

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see Jeff and to film his cameo
in Making Out. Yeah. And first

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of all, he's the kind of
guy that you drive down to film a

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cameo with him. He works for
you for free all day and then refuses

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to not take you out to dinner. That's numero uno. But at the

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time his mother was very elderly,
and that was one of the reasons he

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was back in Georgia that and he
was just sick of Los Angeles. So

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we went to his house, to
his mother's house, and she is just

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the sweet old lady and she her
living room is nothing but posters from his

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movie. That's amazing, and it
made me so happy because at that time

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Burr couldn't have been fifty one,
and his elderly mom collected every and some

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of the posters were like you could
tell she had them printed herself, and

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some of them were ones she'd found
or gotten or whatever. But she had

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like a shrine to all of Jeff's
accomplishment. That that is a special moment

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for me. I'll never I'll I'll
never lose, assuming no more head injuries,

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hopefully. That I just wanted to
share. He was a very very

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cool guy. From what you told
me. You never got to meet him,

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did you never did? Well,
the only chance he would have gotten

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was at Waste Landed. Yeah,
and yeah, because that was when he

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and I had when I bought him
a beer and he showed me the scrap

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book. Ye. He was always
so kind, but I'll tell you.

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The last thing I want to say
is when I met Jeff, I was

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in a crossroads in my life that
nobody knew about at the time, where

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I kind of didn't want my career
anymore. I felt like all my career

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had done was give me heartache.
So I was like, I don't want

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to make movies anymore. I just
want to, like I think I wanted

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to drive a truck. Actually,
And I never told Jeff this, but

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I was making I was in the
process of making a movie, my first

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personal epic, a movie called Depression. The movie, a movie that I

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was doing without any concern for you
know, selling it, any concern for

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any of that shit. I just
wanted. I was just making it to

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make it because I felt so fed
up with the process. And I told

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Jeff right when we met, I
was like, I'm actually in the process

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of making a movie that I would
I would consider my Eddie Presley. And

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he was and he looked at me
and he was like, it's scary,

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and I was like, yeah it
is, and he was like and he

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just went like this and he was
like, well, he sold one copy.

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And then when I saw him next
the movie had just been completed,

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and I gave him his copy in
person, and he gave me a He

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printed me a screenplay for Eddie Presley
and signed it from Eddie to Depression the

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movie Yeah yeah, yeah, so
but so so. Then, in typical

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Burr fashion, he got home from
the convention and four days later he watched

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the film Yeah yeah, and he
wrote me and he was like, so

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I got good news. I got
bad news. And I was like okay.

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He was like, good news is
damn fine picture, really funny,

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really heartfelt. And the thing that's
most important about this movie is no one

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else could have made this in the
whole world except you. Yeah. And

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I was like, thank you.
And he was like, that's the best

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compliment I could ever give. When
you make a piece of art that nobody

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else could ever make, that's when
you've truly done something special. And I

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know, I know it's like,
oh, he's just he's just gesticulating himself

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or whatever. Fuck off. But
then he was like, I was like,

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well, what's the bad news,
Jeff? And he was like,

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well, Babe, this is all
you're ever gonna do, Like you're just

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gonna keep making movies. He was
like, once you've crossed that line where

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you made a movie that was truly
yours, You'll never stop. And he

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was completely right. Yeah, so, and we used to joke about that

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was the kind of thing we would
always joke about as like as like,

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damn it, I'm sorry, you're
making another movie. Okay, well awesome,

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but sorry. Also, I remember
when we were done filming, he

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was like, I'm pretty sure there
was a performance in there somewhere that was

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good. And I was like,
oh, Jeff, I think it was

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good. He was like, oh, no, no, I know it's

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00:14:58.399 --> 00:15:01.960
in there, babe, it's there. I gave you gold, you just

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00:15:01.960 --> 00:15:07.440
got to mine it. That was
and he actually signed my Pumpkinhead two poster

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00:15:07.519 --> 00:15:09.799
with that, That's all great.
I gave you gold, babe, Now

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00:15:09.799 --> 00:15:15.039
you got to mine it. So
I miss you, Jeff. A lot

208
00:15:15.039 --> 00:15:18.679
of people do way too young.
He was sixty. Yeah, way too

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00:15:18.759 --> 00:15:24.279
young. And honestly, it was
very surreal to see the internet telling me

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about a friend's death and I didn't
recognize the sources. So I called him,

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00:15:30.600 --> 00:15:31.879
yeah you. Obviously he did not
answer, otherwise this would be a

212
00:15:31.960 --> 00:15:35.919
much more interesting story. Yeah.
Uh, but yeah, So it was

213
00:15:35.960 --> 00:15:39.919
just very surreal, you know,
we're at an age where our heroes are

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00:15:39.000 --> 00:15:43.840
dying. But he was too fucking
young. Yeah so, but he has

215
00:15:43.879 --> 00:15:46.679
an amazing body of work. He
left an amazing legacy with you and a

216
00:15:46.720 --> 00:15:50.840
bunch of other people as well.
No, he was an incredible filmmaker and

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00:15:50.879 --> 00:15:56.799
he was highly underrated. Yes,
very so. I've asked the listeners on

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00:15:56.840 --> 00:15:58.960
weekly spooky this, so I'll ask
you guys here, I welcome to prime

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00:16:00.080 --> 00:16:04.679
Time this. It would be a
personal favor to me if you guys during

220
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your week, just watch a Jeff
Burr movie for me. I don't care

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00:16:10.360 --> 00:16:11.879
which one it is. It doesn't
have to be Eddie Presley, it doesn't

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00:16:11.879 --> 00:16:15.720
have to be his genius work.
It could be Johnny Mistow, the kids

223
00:16:15.840 --> 00:16:19.320
movie he made in Romania, or
Texas, Chainsaw three, or whatever you

224
00:16:19.519 --> 00:16:22.639
like. Halloween movie, not of
the Scarecrow. Is it on Halloween?

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It's not fall, it's fall.
Well, I have a poster for it.

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That was actually, I'll tell you
that was actually when it hit me

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00:16:30.360 --> 00:16:40.919
that he was gone. I was
in here working and I have a studio

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and I have an office, and
the office is also a studio. They're

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both recording studios. And the office
is where I do like heavier stuff like

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Weekly Spooky and things like that,
where I need like a really controlled environment

231
00:16:52.200 --> 00:16:56.759
and a powerful computer. Sometimes I
get sick of working in there, so

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I come in here to work because
it's spacious and the dogs like to nap

233
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in here and stuff. And every
time I sit down and here to work,

234
00:17:06.880 --> 00:17:12.720
Night of the Scarecrow posters right there. And I didn't cry because I

235
00:17:12.759 --> 00:17:18.839
saw his movie and then whatever.
I cried because I remembered what I always

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think when I look at that poster, which is every time we've recorded in

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here without me, just in my
own brain, I've went Every time I

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look at the post, I'm like, man, I cannot wait to go

239
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down to Dalton again and get him
to sign that, because he signed every

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00:17:32.279 --> 00:17:36.039
poster of his I own except that
one, because I got it after the

241
00:17:36.119 --> 00:17:37.599
last time I saw him. Yeah, And that's what made me emotional,

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00:17:37.640 --> 00:17:42.640
because it's like, because death doesn't
just remind you that you miss you're gonna

243
00:17:42.640 --> 00:17:48.039
miss somebody. It reminds you that
time is passing. It's a multi prong

244
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pain of reality. It tells you
that you don't that you know the idea

245
00:17:52.559 --> 00:17:56.440
that we have a lot of time
that's an illusion, that's a lie we

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tell ourselves in order to feel okay. But in reality, you know tomorrow

247
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is not guaranteed. No, it's
not so. With that all being said,

248
00:18:08.119 --> 00:18:11.359
when you lose a dear friend or
a parent or a family member or

249
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whatever, and you realize that time
is ticking by, that's when you need

250
00:18:15.000 --> 00:18:18.359
to look in the mirror. Take
a second, take a deep breath,

251
00:18:19.039 --> 00:18:23.599
look yourself square in the eyes in
the mirror, and ask yourself. Do

252
00:18:23.759 --> 00:18:34.279
I argue with people on the internet. Enough, fair, welcome to prime

253
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time. We'll be right back.
We're back now, bitch. So that

254
00:18:45.000 --> 00:18:48.880
rant that goes to Jeff. Anybody
if you're listening this, if you knew

255
00:18:48.920 --> 00:18:55.640
Jeff or knew of his work,
just know yeah he's loved, yes,

256
00:18:55.839 --> 00:18:59.680
massively loved. Yeah, then we
will miss him. And again, like

257
00:18:59.720 --> 00:19:02.480
Hendry I said, if you can
watch Jeff Burr film this week or even

258
00:19:02.519 --> 00:19:06.559
just in October, we all would
appreciate it. Yeah, and it'll make

259
00:19:06.599 --> 00:19:08.039
you happy too. I'm gonna watch
Pumpkinhead to at some point this week.

260
00:19:08.079 --> 00:19:11.079
There you go, blud. I
feel like that one gives me how Halloween

261
00:19:11.160 --> 00:19:14.559
vibes. But now I'm gonna watch
that a scarecrow because you said that great

262
00:19:14.559 --> 00:19:15.640
one. You'll you still have the
out of print blue raya baster, of

263
00:19:15.640 --> 00:19:18.519
course I do, because I'm a
fan. I used to have it.

264
00:19:18.640 --> 00:19:22.920
Oh yeah, like bart it to
somebody and I never got it back.

265
00:19:22.200 --> 00:19:26.720
That was college. Wow. Yeah, I'm hateful, little you are.

266
00:19:26.559 --> 00:19:32.319
Oh and also I'm the I'm the
target of a massive line. Uh paid,

267
00:19:32.640 --> 00:19:34.400
So frett I would like to take
the mic for a second. Shit

268
00:19:34.480 --> 00:19:37.640
Okay, I was gonna just say
that and then end it. Okay,

269
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Okay. So unfortunately, Hendrick's other
on one of the many other podcasts that

270
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he has, Weekly Spooky, his
most popular, is under attack right now

271
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by somebody that has a grudge that
really needs to get a fucking life,

272
00:19:49.640 --> 00:19:52.920
and in doing so, has really
created some issues in regards to leaving a

273
00:19:52.920 --> 00:19:56.720
lot of negative reviews on the page. And it would be a personal favor

274
00:19:56.839 --> 00:20:00.559
of me and Henrick both if you
are listening to this episode at some point

275
00:20:00.640 --> 00:20:04.559
that today this week October, if
you could just go leave a five star

276
00:20:04.599 --> 00:20:07.759
review on Weekly Spooky, it would
be very helpful to all of us.

277
00:20:08.519 --> 00:20:12.640
It's being unfairly maligned because of this
person. Just some like I said,

278
00:20:12.680 --> 00:20:17.759
just having a stupid grudge. We
caught them, yeah, paying people on

279
00:20:17.920 --> 00:20:21.920
fiver to review me negatively, so
we know that this is a this is

280
00:20:22.039 --> 00:20:26.799
orchestrated. Yeah, so we would
sincerely appreciate it if you would leave a

281
00:20:26.839 --> 00:20:29.519
five star review on Weekly Spooky.
You don't even have to type anything,

282
00:20:29.599 --> 00:20:33.599
just the five stars. Be grateful, so we can tell this motherfucker to

283
00:20:33.640 --> 00:20:37.079
shut up and let him get back
to his very sad life apparently and his

284
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worthless genitals. No as well.
I was gonna say, like a whole

285
00:20:41.599 --> 00:20:44.599
bunch of that, but I honestly, I was much happier talking about Burr.

286
00:20:44.720 --> 00:20:48.440
Yeah. But yeah, I am
like I'm the target of a bunch

287
00:20:48.480 --> 00:20:53.880
of harassment right now, and it
blows. Nothing's worse than just like having

288
00:20:53.920 --> 00:20:59.759
a passion and something you love and
all you're doing is sharing it. And

289
00:21:00.119 --> 00:21:03.240
I'm fine with people saying like it
sucks, I didn't like it, you're

290
00:21:03.279 --> 00:21:07.039
not a very good host. Fine, those are all reasonable, But this

291
00:21:07.079 --> 00:21:11.960
shit is like defamatory saying that my
dog's fundraiser is fraud. They reported my

292
00:21:12.000 --> 00:21:17.359
dog's fundraiser to go fund me and
I had to reprove my identity and they're

293
00:21:17.400 --> 00:21:22.680
sending personal things to my email accounts. Have I done legal things? Yes,

294
00:21:23.880 --> 00:21:27.200
it's hard to nail anybody, and
it's expensive. Yeah. And also

295
00:21:27.279 --> 00:21:30.160
in regards to getting the reviews removed, it's not as easy as dealing with

296
00:21:30.200 --> 00:21:34.799
Apple unfortunately. No, Apple's really
hard to deal with. So anyway,

297
00:21:34.880 --> 00:21:37.920
that's all. I really don't want
to go into it a ton, because

298
00:21:37.640 --> 00:21:41.240
because I already cried about Burr,
I won't cry about this. Well,

299
00:21:41.240 --> 00:21:45.079
we'll just give Freddy that fucker's address. Don't worry when he comes on here

300
00:21:45.119 --> 00:21:47.440
later. I'm sure. Oh yeah, Freddy, Freddie, do you have

301
00:21:47.440 --> 00:21:49.799
any idea Freddie would kill himself if
he saw this loser's dream problem self.

302
00:21:49.920 --> 00:21:53.720
Probably he would just be like wow, so just that time your mom spiked

303
00:21:53.759 --> 00:22:00.960
y huh. So speaking of Freddy
again, yeah, and the Dreamers,

304
00:22:00.000 --> 00:22:03.799
Oh, the Freddy and the Dreamers. So we are into season two,

305
00:22:03.880 --> 00:22:08.680
episode seventeen, Interior Loft later,
which I had to shed some light on

306
00:22:08.759 --> 00:22:11.960
you about remember because you were like
what like you were just kind of like

307
00:22:12.359 --> 00:22:15.440
that's the title of the sequel to
Interior Loft, and I had to point

308
00:22:15.480 --> 00:22:22.240
out although there is no reference to
screenwriting in this one, the Interior Loft.

309
00:22:22.240 --> 00:22:26.680
It was literally the titles Interior Loft
dashed later, Yeah, which is

310
00:22:26.720 --> 00:22:30.240
a screenwriting thing to signify that time
has passed yes to the reader, not

311
00:22:30.279 --> 00:22:36.359
necessarily, and basically what it tells
the reader is, I know, explains

312
00:22:36.440 --> 00:22:41.200
James Capy's gonna be like not quite
but no. So it applies to the

313
00:22:41.240 --> 00:22:45.880
reader who may be producing the film
that they need to make sure to inform

314
00:22:45.960 --> 00:22:51.119
the audience time has passed, gotcha
Like Like often that's a useful tool in

315
00:22:51.160 --> 00:22:52.720
the edit room because the editor will
see it and it'll be like, oh,

316
00:22:52.720 --> 00:22:55.519
it's the same location, but it
says later. Oh well, then

317
00:22:55.559 --> 00:22:59.000
I'll cut to like a clock or
stock footage or something and give it like

318
00:22:59.039 --> 00:23:02.200
a little time move. Yeah.
So that's why it's Interior Loft Later.

319
00:23:02.519 --> 00:23:07.200
It is still lazy, lazy,
it's just vaguely come come funny. We

320
00:23:07.240 --> 00:23:10.039
are back in the same loft.
It's just got new owners this time.

321
00:23:10.759 --> 00:23:15.839
It's got it's got two sets of
Yes it does and people. People are

322
00:23:15.599 --> 00:23:18.920
there, they're they're definitely dying to
get in. Oh ah, do get

323
00:23:18.960 --> 00:23:22.880
it? Okay, So we are
talking about anterior Loft later. Original air

324
00:23:22.960 --> 00:23:26.440
date was either January twenty ninth or
February fourth of nineteen ninety. This episode

325
00:23:26.480 --> 00:23:30.400
is directed by our friend Ken Weederhorn. Once again, I'm back on the

326
00:23:30.400 --> 00:23:33.720
show with shock Waves in seventy seven. He did Dies of a Stranger in

327
00:23:33.759 --> 00:23:37.640
eighty one for Certainly Dead Part two
and Dark Justice. He's like the like

328
00:23:37.799 --> 00:23:41.480
the feature guy that was like all
over this series. He's all over first

329
00:23:41.519 --> 00:23:45.119
season and second and this episode once
again written by Jonathan. Last year he

330
00:23:45.240 --> 00:23:48.599
was in Or. He wrote Mikey
in nineteen ninety two, did some Star

331
00:23:48.640 --> 00:23:52.359
Trek Voyager episodes in ninety five CS
I'mami, and as of recent I don't

332
00:23:52.359 --> 00:23:55.799
know if it's still on right now. But this year he had a show

333
00:23:55.799 --> 00:23:57.319
on Sci Fi that was I think
into its second or third season called The

334
00:23:57.480 --> 00:24:02.480
Arc that he is both the producer
of I Believe Well, I'll be dipped

335
00:24:02.519 --> 00:24:07.079
in shit. So the episode opens
with an exterior shot of a loft apartment

336
00:24:07.119 --> 00:24:10.519
building we see from the streets of
Springwood. Inside, we see two gentlemen

337
00:24:10.559 --> 00:24:12.599
and a woman step off the elevator
into the loth where we can see many

338
00:24:12.680 --> 00:24:18.880
people enjoying an art show. We
know that's a stretch. One does not

339
00:24:18.640 --> 00:24:22.440
enjoy an art show yes, this
is true. So actually, before we

340
00:24:22.480 --> 00:24:26.400
get into this, I had a
question for you. So this is Scarewaves

341
00:24:26.440 --> 00:24:30.119
related. Oh okay, when painting
at Midnight, wasn't there supposed to be

342
00:24:30.160 --> 00:24:34.680
an art show sequence in that story? So in the original this is inside

343
00:24:34.720 --> 00:24:38.640
Baseball my film Scarewaves, which is
my anthology movie. The opening segment is

344
00:24:38.640 --> 00:24:44.359
called Painting After Midnight and it was
about a art very easy comics inspired.

345
00:24:44.400 --> 00:24:48.279
It was about an artist who sold
his soul to become a better painter,

346
00:24:48.839 --> 00:24:52.200
but in exchange, he has to
sacrifice a model every full moon. Yes,

347
00:24:52.319 --> 00:24:55.720
so he has to paint a model
and then they disappear, a demon

348
00:24:55.759 --> 00:25:00.720
takes them or something. And yeah, the original concept that there was not

349
00:25:00.880 --> 00:25:04.039
only an art gallery, but there
was this annoying art gallery guy who was

350
00:25:04.079 --> 00:25:07.559
like really condescending that I based on
like other filmmakers being shitty. Yeah,

351
00:25:07.799 --> 00:25:11.400
and that's what we ended up doing
is that became Rachel's. Rachel's part.

352
00:25:11.960 --> 00:25:15.240
We ended up giving her all of
that dialogue and just changing it a little

353
00:25:15.440 --> 00:25:18.400
so literally that part where she goes
like, I mean before I thought your

354
00:25:18.400 --> 00:25:23.359
work was shit, but now now
yeah. So but what happened was we

355
00:25:23.440 --> 00:25:32.880
had the location and they dropped out
I want to say, seven days out,

356
00:25:32.920 --> 00:25:34.680
like barely a week out. They
canceled on us. Yeah. And

357
00:25:34.720 --> 00:25:37.839
then on top of that, the
actor who was going to play like the

358
00:25:37.880 --> 00:25:45.680
snobby ass, he dropped out on
us. But no, he dropped out

359
00:25:45.680 --> 00:25:48.119
on us first. Yeah, no, sorry, he dropped out on us

360
00:25:48.119 --> 00:25:53.640
first. And then it was going
to be Rachel at that location, and

361
00:25:53.680 --> 00:25:56.279
then it all ended up just being
her, you know, doing the life

362
00:25:56.359 --> 00:26:00.599
model entirely. So it worked out. But yeah, yeah, so there

363
00:26:00.640 --> 00:26:02.880
was originally supposed to be in our
show. I was curious, Okay,

364
00:26:02.960 --> 00:26:06.039
so we meet Garrick Marks, who
was played by Creid Richard Nelson. This

365
00:26:06.119 --> 00:26:08.640
gentleman was in The Paper Chase in
nineteen seventy three, Fernwood Tonight in seventy

366
00:26:08.640 --> 00:26:12.480
seven. Have you ever seen any
episodes of Fernwood Tonight, Martin maull And,

367
00:26:12.640 --> 00:26:15.960
Oh yeah, yeah, yeah,
that was a s CTV. Yes,

368
00:26:17.039 --> 00:26:19.680
right, yeah, so my bodyguarded
nineteen eighty, Amazing Stories in eighty

369
00:26:19.720 --> 00:26:22.279
seven, from the Hip with Judd
Nelson in eighty seven, as well the

370
00:26:22.279 --> 00:26:26.319
Bates Motel movie that was supposed to
be that pilot in eighty seven. Dream

371
00:26:26.359 --> 00:26:32.519
On in nineteen ninety and Home Improvement
in ninety seven. Oh he is an

372
00:26:32.599 --> 00:26:34.599
art critic. Looking at around the
various pieces around the loft, most of

373
00:26:34.640 --> 00:26:38.160
which involving mannequins sitting in an empty
bathtub sketching in the middle of the room,

374
00:26:38.200 --> 00:26:41.799
we meet Alex mcphain, who was
played by Robert F. Lyons.

375
00:26:41.839 --> 00:26:45.720
This gentleman has one hundred and nine
credits on his resume on IMDb. I

376
00:26:45.240 --> 00:26:49.240
Dream Aginie in nineteen sixty six,
Night Gallery in seventy one, Dark Knight

377
00:26:49.279 --> 00:26:53.119
of the Scarecrow in eighty one.
Say what he plays, Skeeter? No

378
00:26:53.440 --> 00:26:56.799
way, those are the artist guys
Skeeter in Dark Knight. I would have

379
00:26:57.119 --> 00:27:02.240
never, freaking in a million years
guessed we'd get a Dark Knight of the

380
00:27:02.279 --> 00:27:06.640
Scarecrow alumni. For those who don't
know, Dark Knight and Scarecrow one of

381
00:27:06.680 --> 00:27:12.079
the best goddamn TV movie horror movies
of the eighties. Phenomenal for October.

382
00:27:12.119 --> 00:27:17.960
It was one of the last of
that of that truly scary made for TV

383
00:27:18.039 --> 00:27:22.559
movie. Have you seen Trilogy of
Terror two? It's been a long time,

384
00:27:22.559 --> 00:27:23.160
but it's been a while. Are
you sure you've seen it? And

385
00:27:23.240 --> 00:27:26.160
I've seen it. I've seen.
I just haven't seen it in a while,

386
00:27:26.200 --> 00:27:27.240
Like, I don't remember it,
damn thing about except the zoonie dolls

387
00:27:27.240 --> 00:27:30.599
back in one story. Oh kay, you have seen it. How late

388
00:27:30.640 --> 00:27:33.160
are you going to stay at my
house after this? We'll see. I'm

389
00:27:33.200 --> 00:27:37.279
I'm, I have no plans.
Dave and I are trying to make lemon

390
00:27:37.279 --> 00:27:38.680
out of lemonade. Oh yeah,
so I said I didn't want to throw

391
00:27:38.680 --> 00:27:42.480
anybody under the bush I met.
We're recording this like the day before it

392
00:27:42.519 --> 00:27:47.599
airs. I hate doing that,
but Dave needed it because because gam Gam

393
00:27:47.680 --> 00:27:51.960
was intelling. But no, so
to make lemon lemonade out of lemons.

394
00:27:52.119 --> 00:27:57.079
We're also just watching horror movies.
But anyway, so uh was deplayed Skeeter

395
00:27:57.200 --> 00:28:02.079
in Dark Knight. Scarecrow is in
Falcon Crest in eighty one. And then

396
00:28:02.079 --> 00:28:03.920
this is where I got interested,
because I was like, holy shit,

397
00:28:03.960 --> 00:28:07.240
I remember him. He's in Death
Wish to ten to Midnight and Murphy's Law

398
00:28:07.480 --> 00:28:11.519
man. He must have been he
must have been Bronson's buddy. Well.

399
00:28:11.519 --> 00:28:15.720
He was also an avenging Angel in
eighty five Transylvania six five thousand, platoon

400
00:28:15.799 --> 00:28:18.799
leader with Michael dudukoffin eighty so he
was a cannon guy for a while,

401
00:28:18.319 --> 00:28:22.640
but judging by this resume, and
also appeared in Dark Justice in ninety three

402
00:28:22.640 --> 00:28:25.079
as well as Criminal Minds in O
nine. He's still acting today too.

403
00:28:25.359 --> 00:28:27.319
That's awesome. Yeah, but does
he still have the rat tail? I

404
00:28:27.359 --> 00:28:30.319
hope, so, God, I
hope I'll talk about that more than a

405
00:28:30.319 --> 00:28:33.400
little bit. So the artist on
displaying the loftowner Alex mcpain, who's sketching

406
00:28:33.640 --> 00:28:37.559
to himself. Molly Rhoades played by
Margot Rose. She was in Killer's Delight

407
00:28:37.599 --> 00:28:40.640
in nineteen seventy eight, forty eight
Hours in eighty two, Brewsters Millions in

408
00:28:40.720 --> 00:28:44.319
nineteen eighty five, Night Court in
eighty six, True Believer in eighty nine.

409
00:28:44.319 --> 00:28:47.240
Have you ever seen True Believer?
By the way, describe it to

410
00:28:47.279 --> 00:28:48.880
me. So. James Woods is
a is a lawyer, but he's kind

411
00:28:48.880 --> 00:28:52.519
of like a fly by night laurier
that's a huge pothead and he ends up

412
00:28:52.519 --> 00:28:55.799
falling into like a giant like legal
suit with like I think it's a racism

413
00:28:55.839 --> 00:28:59.759
issue or something. And Robert he's
a racist, he's not racist enough.

414
00:29:00.400 --> 00:29:03.000
Robert Downey Junior is his uh uh
yeah, I guess intern that comes to

415
00:29:03.039 --> 00:29:07.640
work with him. He's the straight
lace guy. Oh wow. And Kurt

416
00:29:07.640 --> 00:29:11.519
wood Smith's on it as the opposing
attorney. You know what I love about

417
00:29:11.559 --> 00:29:15.440
kurtwood Smith, besides everything, is
that his name is not real. And

418
00:29:15.480 --> 00:29:17.960
I don't mean that it's that it's
a fake name. Ye. I mean

419
00:29:18.000 --> 00:29:21.039
he was asked like, so,
kurtwood is that like a family name?

420
00:29:21.079 --> 00:29:23.519
He was like, you know,
no joke, My parents made it up.

421
00:29:23.599 --> 00:29:27.680
Yeah, they just thought it sounded
like a good name, kurtwood I

422
00:29:27.759 --> 00:29:30.559
just think that's hilarious that that doesn't
have like it's it doesn't go back to

423
00:29:30.799 --> 00:29:33.359
it doesn't go back to Germany,
it doesn't go back to you know,

424
00:29:33.799 --> 00:29:37.400
Holland. No, no, no, it's just they just thought it sounded

425
00:29:37.680 --> 00:29:40.920
cool. So. She was also
in Lewis and Clark The Event of Superman

426
00:29:40.960 --> 00:29:42.480
in ninety three. You like Lesion
Clerk. I always liked it. Yeah,

427
00:29:42.519 --> 00:29:48.519
I like it, ninety six,
Civil Action, ninety eight, hollow

428
00:29:48.559 --> 00:29:52.160
Man in two thousand. Oh well, you can't beat the freaking hollow Man.

429
00:29:52.240 --> 00:29:55.960
You can't tell him you can't dance, and Desperate Housewise in twenty ten,

430
00:29:56.240 --> 00:30:00.000
she's approaching Alex commenting on a sketch, asking if he's sketching Fabian's body.

431
00:30:00.279 --> 00:30:03.160
He comments that no other woman on
the planet has such a perfect form

432
00:30:03.200 --> 00:30:06.359
as he looks over at Fabyan,
his wife, who was played by Fabiyon

433
00:30:06.480 --> 00:30:10.240
Induendo. She was in Summer School
in nineteen eighty seven. I know what

434
00:30:10.240 --> 00:30:14.839
you're gonna mention that you're excited dementia
cheers eighty nine, Bride of Reanimator in

435
00:30:14.960 --> 00:30:18.680
nineteen ninety. Immediately knew her from
that. Yeah, RoboCop two in nineteen

436
00:30:18.759 --> 00:30:22.680
ninety as well Baywatch in ninety three, NYPD Blue in ninety five, and

437
00:30:22.880 --> 00:30:26.079
actually what I knew are from immediately. She's a lot of vagina in Austin

438
00:30:26.119 --> 00:30:29.680
Powers in nineteen ninety who whoa,
whoa whoa whoa? Easy there, that

439
00:30:29.799 --> 00:30:33.799
was hers. And also she was
recently in Fubar. I did notice that

440
00:30:33.839 --> 00:30:37.839
when I was looking things up,
and it makes sense because I remember there

441
00:30:37.880 --> 00:30:41.400
was like an age appropriate female.
Can I only watch the first episode?

442
00:30:41.519 --> 00:30:42.920
Yeah, there was like an age
appropriate female character in it that I really

443
00:30:42.960 --> 00:30:48.240
like. Da So she is fragternizing
with party guests, including a gentleman named

444
00:30:48.359 --> 00:30:51.640
Art, who was played by Dean
Fortune Dado. He was in Bad Boys,

445
00:30:51.680 --> 00:30:53.400
the Sean Penn film in eighty three. He also appeared in the Twilight

446
00:30:53.480 --> 00:30:56.759
Zone in eighty six, China Beach
in eighty nine, Dougie Howser in eighty

447
00:30:56.839 --> 00:31:00.960
nine, and also in Seinfeld in
ninety six. Alex leaves the tub to

448
00:31:00.000 --> 00:31:03.359
go over to Fabian, asking who
she's talking to you we should mention,

449
00:31:04.079 --> 00:31:07.039
yes, he's in a bathtub that
has no water, no water, and

450
00:31:07.079 --> 00:31:11.400
he's fully closed. Yep, it's
just where he gets his best sketching bill

451
00:31:11.400 --> 00:31:12.880
Well, and we're and we're gonna
hang out with this bathtub a lot this

452
00:31:12.960 --> 00:31:18.519
episode. Truth so Fabian. He
asks Fabian who she's talking to, and

453
00:31:18.559 --> 00:31:22.319
she introduces Art to Alex. Alex
adds Fabion's husband, trying to make sure

454
00:31:22.359 --> 00:31:25.519
that he knows, and adding it's
nice to meet you, Arthur. Art

455
00:31:25.519 --> 00:31:27.880
interrupts that it's just Art, first, middle, and last name, motioning

456
00:31:27.880 --> 00:31:32.480
to the tattoo on his test that
reads what is Art? Which is an

457
00:31:32.480 --> 00:31:36.000
odd question when he just explained it's
his name that is true, but hey,

458
00:31:36.079 --> 00:31:38.119
you know, and stating that he's
the answer to this question. Alex

459
00:31:38.160 --> 00:31:42.000
clearly isn't impressed when Fabian tells him
that Art is getting quite the following stating

460
00:31:42.039 --> 00:31:45.039
what is Art really takes on a
whole new meeting, to which Art replies,

461
00:31:45.160 --> 00:31:48.279
that's the point. Alex continues that
no one really knows the answer to

462
00:31:48.319 --> 00:31:52.400
that question, and Art agree is
also showing a little attitude at Alex,

463
00:31:52.519 --> 00:31:55.160
who goes on to say that he
knows what is an art? You?

464
00:31:56.279 --> 00:32:00.519
Oh? So? Art states that
he has a say, need to use

465
00:32:00.519 --> 00:32:02.720
the bathroom, but Alex quickly fires
back with oh do you have a performance

466
00:32:02.759 --> 00:32:07.480
coming on? Art is quick to
tell Alex what he does is what he

467
00:32:07.519 --> 00:32:09.759
does is art, and Alex max
him telling him don't forget to flush,

468
00:32:09.759 --> 00:32:14.720
as Art walks off. I Yeah, that exchange was really fun. It's

469
00:32:14.720 --> 00:32:16.519
pretty great. Yeah. So we
cut to Molly, who approaches mister Marx

470
00:32:16.559 --> 00:32:20.559
observing one of Alex's pieces, asking
him if he thinks that it's a piece

471
00:32:20.599 --> 00:32:22.920
that she could sell. Mar's comments
it's a very disturbing piece of work,

472
00:32:22.920 --> 00:32:27.319
which Molly confirms, adding it makes
a powerful statement, and Mark's is quick

473
00:32:27.359 --> 00:32:30.640
to point out a powerful statement isn't
enough, catching the attention of Alex,

474
00:32:30.640 --> 00:32:32.400
who asked, what is enough?
Marx goes on to say that the work

475
00:32:32.440 --> 00:32:36.240
has some has to be beautiful and
moving, that you would so want it

476
00:32:36.240 --> 00:32:38.319
in your living room or valuable to
the point that it's a good investment.

477
00:32:38.839 --> 00:32:42.599
Alex asks his opinion of the statue, and Marx tells him that it is

478
00:32:42.759 --> 00:32:45.839
neither. Alex goes on to say
and harsh yeah. Alex goes on to

479
00:32:45.880 --> 00:32:50.920
ask if it's true that Mars paid
two million dollars for an ugly Lewinsky statue,

480
00:32:50.960 --> 00:32:53.279
to which Marx confirms he did,
stating it was a good investment because

481
00:32:53.319 --> 00:32:58.839
Andre Levinsky is dead, adding that
an artist value only skyrockets the moment he

482
00:32:58.960 --> 00:33:04.400
or she dies, joking that Elvis's
smartest career move was dying yeah, causing

483
00:33:04.480 --> 00:33:07.440
him to laugh at his own joke, which I did appreciate yea and frustrated,

484
00:33:07.480 --> 00:33:09.640
Alex backs away with the group,
saying well, maybe I should just

485
00:33:09.759 --> 00:33:15.759
kill myself. We immediately cut to
Freddy's domain. One of those parties.

486
00:33:15.839 --> 00:33:17.559
We cut to Freddy's domain, where
we see a painter's board with the van

487
00:33:17.640 --> 00:33:21.480
Go method written on it, and
off to the side, Freddie stands holding

488
00:33:21.519 --> 00:33:24.200
a paintbrush and wearing an artist cap
as he states, bonjour. We're here

489
00:33:24.240 --> 00:33:29.920
for the graduation ceremonies of the famous
Freddy Krueger School of art. Yes,

490
00:33:30.000 --> 00:33:34.680
the world renown for producing suffering artists. We exclusively use the van. He

491
00:33:34.720 --> 00:33:37.119
struggles before attempting again the van.
He points to the board and says,

492
00:33:37.160 --> 00:33:40.279
that guy's method. You guys have
no idea, how silly this is.

493
00:33:40.400 --> 00:33:45.680
Congratulations class, go forth and suffer. The camera pans back as we see

494
00:33:45.680 --> 00:33:47.880
several young adults all with bandages around
their heads and a young woman at the

495
00:33:47.960 --> 00:33:52.640
end who has her hands severed with
missing fingers in front of her. So

496
00:33:52.720 --> 00:33:55.599
to give you, to give you
perspective on that Freddie has most of the

497
00:33:55.720 --> 00:33:58.960
kids have cut their ears off because
the van go method, of course,

498
00:33:59.000 --> 00:34:00.160
of course, and then also the
chick at the end who's just got her

499
00:34:00.160 --> 00:34:04.960
hand completely slice and they're all just
banging on by a thread, like they're

500
00:34:04.960 --> 00:34:07.559
all just so miserable. Well,
and I just want to say that,

501
00:34:07.639 --> 00:34:14.639
I mean, as of the the
tail end of season two, Freddy has

502
00:34:14.639 --> 00:34:17.320
officially gone full stick. Oh yeah, Like before it was like there was

503
00:34:17.360 --> 00:34:22.280
a little shtikila here and there,
but it was a Now we are just

504
00:34:22.400 --> 00:34:24.880
it's crypt keeper time. I mean, well, this is the proto cry.

505
00:34:25.840 --> 00:34:29.679
So I'm just saying, like,
not not not hating, I'm just

506
00:34:29.679 --> 00:34:35.679
saying like Freddie literally goes the van
the van that guy, Yeah, I

507
00:34:35.679 --> 00:34:38.719
mean he's literally like try the be
a you know, it's children and that's

508
00:34:38.800 --> 00:34:44.920
and literally every every appearance of him
in this episode is just like what yes,

509
00:34:45.039 --> 00:34:46.960
you are correct. So back in
the lawt Alex comes out of his

510
00:34:46.960 --> 00:34:51.840
bedroom, asking Molly and Fabian if
the refuse has been removed, referring to

511
00:34:51.840 --> 00:34:54.199
the party guests. Fabian confirms everyone
is gone, and Alex comes to join

512
00:34:54.239 --> 00:34:58.719
them as Molly apologizes that they couldn't
sell anything, but adding they're not the

513
00:34:58.719 --> 00:35:01.760
most commercial things in the world.
Alex requests Molly explained what commercial art is

514
00:35:01.800 --> 00:35:06.440
to him, but Fabian interrupts to
let Molly go home. Molly thanks her

515
00:35:06.440 --> 00:35:08.480
and says good night as she goes
on to the elevator. Alex walks through

516
00:35:08.519 --> 00:35:12.400
the loft looking at his pieces as
Fabian asks if he's coming to bed.

517
00:35:12.800 --> 00:35:15.039
Alex states that in a little bit
he will, as he picks up his

518
00:35:15.039 --> 00:35:17.440
sketch pad and climbs back into the
bathtub. She goes into the bedroom and

519
00:35:17.440 --> 00:35:21.880
looks at him through the window before
calling to him asking if he'd rather see

520
00:35:21.920 --> 00:35:24.400
the original Flesh and Blood version of
the body as she begins to strip,

521
00:35:24.679 --> 00:35:28.559
but Alex pays no attention, again
stating he'll be there in a few minutes.

522
00:35:28.679 --> 00:35:31.079
That's right, King, do your
work. Fabian closes the blinds and

523
00:35:31.320 --> 00:35:35.039
Alex puts his head back on the
tub shuts his eyes, dozing off.

524
00:35:35.079 --> 00:35:37.360
Suddenly, a straight razor appears next
to Alex's wrists, slicing it. He

525
00:35:37.440 --> 00:35:43.079
comes to, seeing Fabian holding the
razor and asking her why. Fabian replies

526
00:35:43.119 --> 00:35:46.159
it makes a statement, a profit
statement. He breathes heavily, asking not

527
00:35:46.320 --> 00:35:50.599
you too, and Fabyon states everyone
heard him say at the party he was

528
00:35:50.639 --> 00:35:53.039
going to kill himself and now she's
going to be rich. She slices the

529
00:35:53.079 --> 00:35:57.760
other wrists as Alex holds up both
with blood pouring down from them. Suddenly

530
00:35:57.760 --> 00:36:00.440
he comes to in the tub,
revealing Henrik another nightmare. All I know

531
00:36:00.599 --> 00:36:06.360
is I was really excited to see
Fabian go u wealth. She did not,

532
00:36:06.719 --> 00:36:09.159
Fabian confirms. Fabianic confirms, asking
if he's okay, and he tells

533
00:36:09.199 --> 00:36:12.719
her he had a nightmare that she
was trying to kill him, and Fabiana

534
00:36:12.760 --> 00:36:16.239
smiles, stating that's silly, why
would she do that? Just wait,

535
00:36:16.760 --> 00:36:20.199
she tells him she loves him.
As she climbs into the tub with him,

536
00:36:20.280 --> 00:36:22.639
Alex asks if she wants someone younger
or who's stable, but Fabian is

537
00:36:22.719 --> 00:36:27.000
quickly to tell him that he's not
unstable. He's just full of passion and

538
00:36:27.039 --> 00:36:30.480
big energy, which is exactly what
she loves about him. Aw did you

539
00:36:30.679 --> 00:36:34.039
begin to make out as she climbs
onto him. The next day, we

540
00:36:34.079 --> 00:36:37.280
see Fabian and Alex working with a
man who's being cast for a new piece

541
00:36:37.280 --> 00:36:39.119
for Alex Otto. The man who's
covered in plaster her head to toe with

542
00:36:39.199 --> 00:36:42.920
just his mouth and eyes uncovered,
ask Alex why does he have to be

543
00:36:43.000 --> 00:36:45.159
nude for this? Alex states he
spent a year working on the right cement

544
00:36:45.239 --> 00:36:50.199
compound to form every detail, adding
there's a complex beauty to the human form.

545
00:36:51.400 --> 00:36:55.480
I you know, okay for real? This guy is a rat tail?

546
00:36:55.679 --> 00:36:59.639
Yeah? And I was struggling because
at first I was like, is

547
00:36:59.639 --> 00:37:00.599
that a poetail? Is that a
pony? Like? Does he have one

548
00:37:00.599 --> 00:37:05.440
of those weird eighties ponytails where it's
like you have totally normal hair, but

549
00:37:05.440 --> 00:37:07.480
then a ponytail in the back.
Yeah, that was a rat tail.

550
00:37:07.519 --> 00:37:09.320
That was a rat tail. Did
you have a rat tail when you were

551
00:37:09.320 --> 00:37:12.559
a little boy, you never had
a rat tail. You know why you

552
00:37:12.599 --> 00:37:15.880
didn't? Why? I can tell
you why? Well, I mean that's

553
00:37:15.960 --> 00:37:20.880
part of it and together. But
no, no, because you didn't grow

554
00:37:21.000 --> 00:37:24.000
up with white trash people in New
Hampshire like I did. I spent the

555
00:37:24.000 --> 00:37:29.519
summers in New Hampshire and all the
kids had rat tails. Uh, no

556
00:37:29.679 --> 00:37:32.039
joke. They had rat tails.
And then when they got you're gonna laugh,

557
00:37:32.480 --> 00:37:38.199
when they got old enough, they
were allowed to have mullets. Oh

558
00:37:38.239 --> 00:37:47.880
but this is this is way way, way before mullets became a meme basically,

559
00:37:50.559 --> 00:37:52.599
but they wouldn't let you have mullets
when you were too young. Can

560
00:37:52.639 --> 00:37:57.599
you guess why? Why? You
really can't guess why I can't. Is

561
00:37:57.639 --> 00:38:00.480
it because you're stupid brain? Because
I don't know. No, No,

562
00:38:01.480 --> 00:38:05.639
you had to get old enough that
you definitely didn't look like a little girl.

563
00:38:06.119 --> 00:38:07.760
Ah. That was the attitude was. It was like it was like,

564
00:38:07.800 --> 00:38:10.039
you don't They didn't want like a
six year old to have a mullet.

565
00:38:10.079 --> 00:38:15.079
That make sense, because you'd be
so feminine looking. I guess these

566
00:38:15.079 --> 00:38:16.920
were angry bikers. Write your letters
to them. I don't give a crap.

567
00:38:17.159 --> 00:38:21.159
So Fabiana adds another strip covering his
eyes. As the phone begins to

568
00:38:21.239 --> 00:38:23.159
ring, She goes to answer it
as Alex keeps working, picking it up

569
00:38:23.159 --> 00:38:27.400
to find Molly on the other end. Alex tells the model Auto he's going

570
00:38:27.440 --> 00:38:30.079
to cover his nose and mouth as
he puts the tube into the model's mouth,

571
00:38:30.119 --> 00:38:31.519
telling him to breathe through it and
they will cut him out as soon

572
00:38:31.519 --> 00:38:35.599
as all of it dries. Fabiana
caused Alex over to take the call,

573
00:38:35.639 --> 00:38:38.079
and Alex comes over, telling her
to apply the last piece over Autto's mouth.

574
00:38:38.320 --> 00:38:42.639
Fabiana tells Auto to relax as she
prepares the final strip, leveling with

575
00:38:42.719 --> 00:38:45.880
him about all the times that she's
been covered and adding she's never had her

576
00:38:45.920 --> 00:38:49.840
head covered though, she begins to
apply the last strip, unknowingly knocking the

577
00:38:49.840 --> 00:38:52.199
tube out of Auto's mouth. Alex
shouts on the call, in forming fabian

578
00:38:52.320 --> 00:38:55.599
in that Molly sold the statue for
one thousand dollars when it was worth ten

579
00:38:55.639 --> 00:39:00.119
grand at least. Behind them,
Auto struggles to breathe and move, but

580
00:39:00.159 --> 00:39:02.320
suddenly falls over, getting the attention
of the two. They rush over to

581
00:39:02.360 --> 00:39:07.000
find Otto's dead body inside the hardenshell. As he cuts his eyes free,

582
00:39:07.360 --> 00:39:09.679
Alex asked what Fabiana did, as
she tells he did exactly as he asks,

583
00:39:09.719 --> 00:39:13.440
but Alex fires back that she was
supposed to leave the tube in so

584
00:39:13.480 --> 00:39:16.039
that he could breathe. Well,
I guess models need air too, after

585
00:39:16.119 --> 00:39:20.639
all, I guess so shocked,
Fabiana rises and backs away, stating it

586
00:39:20.679 --> 00:39:23.079
was an accident and then asks Alex
what they're gonna do. Alex states they

587
00:39:23.079 --> 00:39:25.599
have to call the police, but
Fabiana ask what if they want to put

588
00:39:25.599 --> 00:39:30.079
her in jail. Alex thinks for
a second before rising up and stating that

589
00:39:30.079 --> 00:39:32.360
this could actually work in their favor, keeping her out of trouble and solving

590
00:39:32.400 --> 00:39:37.599
money problems out for all time sake. Fabiana asked what he's talking about,

591
00:39:37.599 --> 00:39:40.159
and Alex proposes that they cut auto
out, pour alcohol all over him,

592
00:39:40.199 --> 00:39:45.199
and put him into Alex's car,
sending it over a cliff. Fabiana is

593
00:39:45.239 --> 00:39:47.320
shocked by his words, but Alex
continues that in the eyes of the art

594
00:39:47.360 --> 00:39:51.239
world, he will be dead and
they can use the sympathy to skyrock at

595
00:39:51.239 --> 00:39:53.800
his works and they will be rich. As the critics eat it up fabulously

596
00:39:53.880 --> 00:39:58.760
wealthy, Fabiana cannot believe, but
Alex states that they can move to France

597
00:39:58.880 --> 00:40:01.440
open a little artist caf before asking
her what does she think? She thinks

598
00:40:01.440 --> 00:40:05.679
for a second before agreeing by asking
can they get a house in the Riviera,

599
00:40:06.960 --> 00:40:10.719
uh Heraldo or Vieira? We are
next out back outside the loft.

600
00:40:10.760 --> 00:40:15.239
As Fabiata's voice states I killed a
man today, Alex states that it was

601
00:40:15.239 --> 00:40:16.960
an accident and not to torture herself, adding in a couple of months,

602
00:40:17.000 --> 00:40:20.880
they'll be in France. Anyway,
in a couple of months, who's gonna

603
00:40:20.920 --> 00:40:25.000
care in France? I mean,
well, I'm see here's the thing,

604
00:40:25.280 --> 00:40:34.480
here's the flaw in this plan.
Okay, this artist accidentally causes the death

605
00:40:34.480 --> 00:40:37.639
of a man, so let's call
it criminally negligent homicide or manslaughter. That's

606
00:40:37.639 --> 00:40:40.639
fair, right, Yeah. So
he's like, I'll fake my death and

607
00:40:40.719 --> 00:40:43.960
run to France. And all I
can think is, listen, pal,

608
00:40:44.239 --> 00:40:45.840
you didn't rape a kid. You
can't just go to France and be okay,

609
00:40:46.519 --> 00:40:53.039
all right, what welcome to prime
time. We'll be right back.

610
00:40:57.440 --> 00:41:04.760
A We're back now, bitch?
What too heavy? Maybe? Okay?

611
00:41:04.840 --> 00:41:07.320
Well back to you Dan. All
right, she has nothing to worry about,

612
00:41:07.360 --> 00:41:09.000
since she's the one that they will
since he's the one that will probably

613
00:41:09.039 --> 00:41:13.480
go stir crazy. Hiding inside for
the time, Fabiana thinks for a second

614
00:41:13.480 --> 00:41:15.440
before asking him why he wouldn't why
he couldn't do more art, and Alex

615
00:41:15.480 --> 00:41:19.199
reminds her what is it? What
good is it if he's dead, but

616
00:41:19.239 --> 00:41:22.280
Fabiana suggests it could be the lost
works that they find hey now, stating

617
00:41:22.320 --> 00:41:25.519
that she could say she found them
in storage somewhere and didn't know that they

618
00:41:25.559 --> 00:41:29.960
existed, and it could be a
whole series, which makes Alex quite happy.

619
00:41:30.360 --> 00:41:32.199
Sometime later, we see Alex hard
at work on more sculptures, checking

620
00:41:32.199 --> 00:41:36.920
his watch, acting aggravated. Fabiana
enters the home with shopping bags, fresh

621
00:41:36.960 --> 00:41:38.719
from a makeover, which angers Alex
as he shouts, you look great.

622
00:41:39.519 --> 00:41:44.039
Fabiana ask him not to start,
but Alex continues, sticking his sculptool into

623
00:41:44.039 --> 00:41:45.880
the statue with force. As he
continues, the full flush of the morning

624
00:41:45.960 --> 00:41:50.039
is on your face. I did
love that he like stabbed it like in

625
00:41:50.039 --> 00:41:52.239
the back. Excuse me if I
see him on edge, but I have

626
00:41:52.280 --> 00:41:57.159
been carrying on a conversation for four
hours with four headless freaks. Fabiana begins

627
00:41:57.199 --> 00:42:00.199
to remove groceries, adding that she
was out buying food and Alex asked for

628
00:42:00.199 --> 00:42:02.800
four hours fabby on the States.
She ran other erons too, prompting Alex

629
00:42:02.840 --> 00:42:07.159
to ask, what was Aaron's name? That performance guy from the show,

630
00:42:07.519 --> 00:42:09.280
what was his name? Oh?
Yeah, who can forget art? I

631
00:42:09.360 --> 00:42:13.559
love that he's so angry at this
part. Well, I mean, you

632
00:42:13.639 --> 00:42:17.679
gotta think about it. He the
man has committed to being dead. Yeah,

633
00:42:19.599 --> 00:42:22.679
so now he has to hide he
does. He has to worry about

634
00:42:22.679 --> 00:42:25.800
the fact that if his that if
his wife, who he clearly doesn't trust,

635
00:42:25.840 --> 00:42:30.079
wants to do anything, she can, like, she can just go

636
00:42:30.159 --> 00:42:34.360
out. What's he gonna do?
Go pick her up. Then on top

637
00:42:34.400 --> 00:42:38.280
of all of that, he's creating
more art at a fever's pace. Yes,

638
00:42:38.519 --> 00:42:43.519
in the second will reveal why oh
yeah. But so like when he

639
00:42:43.519 --> 00:42:45.519
says like, I've just been here
with these headless freaks, it's like,

640
00:42:45.719 --> 00:42:47.599
honestly, that sounds that kind of
reminded me of the few times when I've

641
00:42:47.599 --> 00:42:51.719
been stuck at home and all I
and like it's like, Okay, here's

642
00:42:51.760 --> 00:42:54.000
your Saturday, nine hours to get
all this crap done that you didn't get

643
00:42:54.039 --> 00:42:59.719
done during the weekend. I'm like, fine, Yeah, that can't be

644
00:42:59.719 --> 00:43:01.639
fun. Uh, it can be. But it mostly is not. Yes,

645
00:43:01.719 --> 00:43:07.679
that is crack. Welcome to prime
time. We'll be right back.

646
00:43:09.719 --> 00:43:16.480
Ah, we're back now, bitch. So Fabiana, visually upset with his

647
00:43:16.480 --> 00:43:20.360
berating, ask him what is he
talking about, adding that she hasn't seen

648
00:43:20.440 --> 00:43:23.440
art since the party. Alex continues
that she's clearly doing it with somebody because

649
00:43:23.480 --> 00:43:27.920
she's not doing it with him.
Fabiana tells him that for the last few

650
00:43:27.960 --> 00:43:30.280
hours she drove around trying to find
this magazine for him that Molly suggested.

651
00:43:30.320 --> 00:43:34.320
She hands him the magazine, stating
that besides stating he's a genius, it

652
00:43:34.360 --> 00:43:38.039
says that his art has skyrocketed in
value, marks himself buying over two million

653
00:43:38.079 --> 00:43:43.400
dollars worth. Alex apologizes to her, calling himself scum and adding that he's

654
00:43:43.400 --> 00:43:45.599
been locked up for months and seeing
her come and go is driving him nuts.

655
00:43:45.599 --> 00:43:49.519
Before apologizing, he states that he's
got to get out of here and

656
00:43:49.559 --> 00:43:52.920
maybe take a walk, but Fabiana
reminds him it's a small town and someone

657
00:43:52.039 --> 00:43:57.119
might see him and they need to
go to Paris rather than him go to

658
00:43:57.239 --> 00:44:00.679
jail. Yeah, it's a really
small town. It's Springwood, Like,

659
00:44:00.880 --> 00:44:05.159
you can't just pretend you're dead and
then walk around. So, I mean,

660
00:44:05.199 --> 00:44:07.000
you can kill a lot of people
and no one will even question it.

661
00:44:07.280 --> 00:44:09.880
Yeah, but it's Springwood, kid, It's Springwood. So she gives

662
00:44:09.920 --> 00:44:13.480
him a kiss and comforts him.
Later that night, we see Alex sitting

663
00:44:13.559 --> 00:44:15.000
up in bed next to Fabiana.
He gets out of the bed and goes

664
00:44:15.039 --> 00:44:19.480
to the elevator, stepping inside.
A voice behind him begins to laugh,

665
00:44:19.559 --> 00:44:22.440
stating I suspected you might try something
like this. Marx appears out of the

666
00:44:22.440 --> 00:44:25.760
shadows, surprising Alex. Alex begins
to try and explain to Marx, but

667
00:44:25.800 --> 00:44:29.639
Mark says, no need, you
faked your death to increase the value of

668
00:44:29.639 --> 00:44:31.920
your art, adding that it doesn't
bother him as he's acquired nearly all of

669
00:44:31.920 --> 00:44:36.159
his art. Alex tells him they
both can benefit from his little secret.

670
00:44:36.280 --> 00:44:38.440
Marx agrees, adding he won't tell
anyone, but adds his concern is how

671
00:44:38.480 --> 00:44:43.679
Alex won't do something stupid like go
out in public, adding the best insurance

672
00:44:43.679 --> 00:44:46.119
for his investment is to kill Alex
himself. He draws a knife from his

673
00:44:46.199 --> 00:44:51.239
cane, stating for real as he
drives the blade through Alex. Suddenly,

674
00:44:51.280 --> 00:44:53.960
Alex wakes up in his bed,
startling Fabiana revealing it to be another nightmare.

675
00:44:54.519 --> 00:44:58.760
She asks if he's okay, and
Alex states that they that he thinks

676
00:44:58.760 --> 00:45:01.880
it's time to sell the statue they
can leave town all right? That what

677
00:45:01.960 --> 00:45:06.480
could possibly go wrong at this point? So the next morning we find Molly

678
00:45:06.480 --> 00:45:09.480
in the laft looking over the remaining
statues. Fabiana are asking Fabiana how she

679
00:45:09.480 --> 00:45:14.320
didn't know about these pieces. Fabiana
lies, stating she found out about the

680
00:45:14.320 --> 00:45:16.079
warehouse when she got a notice that
they were evicting Alex for not paying the

681
00:45:16.119 --> 00:45:20.639
bill, which I thought was a
pretty solid That is a very solid cover.

682
00:45:20.760 --> 00:45:22.920
And why he had to make the
art so fast, not only so

683
00:45:22.960 --> 00:45:25.000
they could get out of town,
ye, but you had the alibi that,

684
00:45:25.119 --> 00:45:29.679
oh, well these were artworks that
were in a storage unit. Yeah.

685
00:45:29.679 --> 00:45:30.599
And it's like, well, why
are you finding him out? Well,

686
00:45:30.719 --> 00:45:34.320
it was when it was unpaid for
three months. They sent me a

687
00:45:34.400 --> 00:45:38.159
notice that makes like that all checks
out. It's actually really clever. Charlie

688
00:45:38.159 --> 00:45:39.960
Band does that all the time.
He's like, oh, yeah, we

689
00:45:39.960 --> 00:45:44.199
found a warehouse full of stuff that
we wizard videos that we made before.

690
00:45:44.440 --> 00:45:52.920
That was pathetic. I like Charlie
Band really managed to he really got out

691
00:45:52.920 --> 00:45:55.960
of that after people literally proved that
those were reproductions. Yeah, anyway,

692
00:45:57.119 --> 00:46:00.320
if you can google it, just
google Charlie Band Crook and then seven or

693
00:46:00.320 --> 00:46:04.440
eight hours you'll read it all.
So Molly asks if she knows how much

694
00:46:04.480 --> 00:46:07.480
these things are gonna be worth.
Fabiana says no, and Molly states,

695
00:46:07.559 --> 00:46:10.280
let's just say you never have to
work again. Fabiana asks if she can

696
00:46:10.320 --> 00:46:13.760
sell them, and Molly states that
they will be lining up at her door

697
00:46:13.760 --> 00:46:16.079
to buy them. Fabiana thanks Molly
as they share a kiss on each other's

698
00:46:16.119 --> 00:46:19.960
cheeks. As Molly states, poor
Alex, he didn't live long enough to

699
00:46:20.039 --> 00:46:22.639
enjoy this money, so I guess
you'll have to enjoy it for him.

700
00:46:23.760 --> 00:46:28.199
She leaves on the elevator as Fabiana
shuts the door. Alex, having heard

701
00:46:28.239 --> 00:46:30.800
the news, comes down from the
steps excited to talk about the money,

702
00:46:30.840 --> 00:46:32.559
and Fabiana tells them that she has
to go to the travel agency to pick

703
00:46:32.639 --> 00:46:36.800
up their tickets, causing Alex to
scream, you have to go right now.

704
00:46:36.960 --> 00:46:42.400
He's so mad, like mad.
Fabiana, not phased by a shouting,

705
00:46:42.400 --> 00:46:45.159
confirmed she told them she was coming
by this morning. As Alex asked

706
00:46:45.199 --> 00:46:47.880
how long it'll take, Fabiana states
fifteen minutes. Both ways, and Alex

707
00:46:47.920 --> 00:46:52.000
states, so that means she'll be
back within a half hour, and Fabiana

708
00:46:52.000 --> 00:46:55.119
tells him give her take before asking
why. Alex states that that way he'll

709
00:46:55.159 --> 00:46:59.920
know she's at his place, insinuating
another man, and Fabiana ask why she

710
00:47:00.000 --> 00:47:01.719
would agree to run away with him
if she's having an affair back here.

711
00:47:02.880 --> 00:47:06.920
Alex watches her leave and then goes
to the bathtub, where he begins another

712
00:47:06.960 --> 00:47:08.800
sketch. We see the clock show
eleven oh five as he lets out a

713
00:47:08.800 --> 00:47:13.159
deep breath. I just love that
he gets his best sketching done in the

714
00:47:13.199 --> 00:47:16.159
bathtub in the living room, fully
clothed. Well, let's not forget in

715
00:47:16.239 --> 00:47:21.719
the next story how the bathtub is
also used as a sleeping arrangement. We'll

716
00:47:21.719 --> 00:47:23.599
talk about that, so we will. So time passes and we now see

717
00:47:23.599 --> 00:47:28.239
that it's eleven thirty five as we
hear the elevator kickover and Fabiana laughing.

718
00:47:28.519 --> 00:47:30.440
Alex opens the lift door to find
her hot and heavy with Art on the

719
00:47:30.440 --> 00:47:35.159
elevator as the two laugh at him. Frustrated, Alex pulls the lift doors

720
00:47:35.159 --> 00:47:37.719
aside, grabbing Art and throwing him
to the laft floor. Alex gets up,

721
00:47:37.840 --> 00:47:40.519
or Art gets up grabbing a fire
axe off the wall as he comes

722
00:47:40.519 --> 00:47:44.599
at Alex. Alex tells him to
think about what he's doing as art quickly

723
00:47:44.719 --> 00:47:47.119
yeah as art, exclaims that moment
is happening, adding that it's performance piece

724
00:47:47.159 --> 00:47:52.519
of art imitating death. I get
it. Wait, no, I don't.

725
00:47:52.639 --> 00:47:54.599
He swings the axe as we hear
a squishy impact sound. As Alex

726
00:47:54.639 --> 00:47:59.400
comes to sitting in the bathtub being
pushed by Fabiana. He asks what she's

727
00:47:59.440 --> 00:48:02.719
doing in Fabiana responds cleaning up honey. Suddenly Molly enters, stating, Hi,

728
00:48:02.840 --> 00:48:07.440
Alex, how's the water. Alex
greets her, then states that that

729
00:48:07.519 --> 00:48:09.719
she doesn't seem surprised to see him
still alive, and Molly tells him that

730
00:48:09.760 --> 00:48:14.360
she knew he was alive all along, which shocks Alex. She continues that

731
00:48:14.400 --> 00:48:16.559
it's been the happiest time for her
selling the works of the late Alex mcphain

732
00:48:16.639 --> 00:48:20.360
and collecting the money, but then
goes to ask if he knows why she's

733
00:48:20.440 --> 00:48:23.719
really happy. Alex states know why, and Molly holds up her hand as

734
00:48:23.719 --> 00:48:29.760
Fabiana, Uh, excuse me?
As Fabiana at Fabiana, stating because I

735
00:48:29.800 --> 00:48:32.519
got to keep the original. Fabiana
gets up and moves closer to Molly as

736
00:48:32.760 --> 00:48:37.599
as Alex ask what does this mean, Fabiana confirms that she was having an

737
00:48:37.639 --> 00:48:39.679
affair and he was right, as
Molly holds up her hand together, stating

738
00:48:39.760 --> 00:48:52.760
they're in love before sharing a kiss. WHOA what a thing cherry spring?

739
00:48:55.000 --> 00:48:59.119
I was so excited because I timed
that up and then it was wrong,

740
00:48:59.400 --> 00:49:04.320
So Molly's repeating history. Molly goes
over to the wall, rechieving the fire

741
00:49:04.360 --> 00:49:07.000
acts as Alex states asks what she's
doing. Molly states, repeating history.

742
00:49:07.039 --> 00:49:10.440
You're about to die again. Alex
mocks her, stating she has a real

743
00:49:10.480 --> 00:49:14.400
sense of humor and asking why she
didn't kill him the first time for real,

744
00:49:14.639 --> 00:49:17.159
and Molly states that they wouldn't have
had the lost works of Alex mcphain,

745
00:49:17.239 --> 00:49:22.719
which will now net them alone five
million dollars. Fabian adds they had

746
00:49:22.719 --> 00:49:24.199
to wait for the smoke to clear
for the first death, and Alex goes

747
00:49:24.239 --> 00:49:27.960
to get out of the tub,
but Famiyeeda tells him to look up as

748
00:49:28.000 --> 00:49:31.119
we see a large sword dangling right
over him. Meet your maker, she

749
00:49:31.199 --> 00:49:34.920
says, as Molly cuts the rope, dropping the sword into Alex, who

750
00:49:34.960 --> 00:49:38.360
screams no, and that sword is
going right to his dick. It's like

751
00:49:38.400 --> 00:49:42.440
an Excalibur sword going It's going straight
to his dick. It is not going

752
00:49:42.480 --> 00:49:45.639
toward his chest or his stomach.
It is going right to this ring dang

753
00:49:45.719 --> 00:49:47.760
do. And naturally Freddy has something
to say as we immediately cut to his

754
00:49:47.880 --> 00:49:52.400
domain where we find him as he
says, hey, you come into my

755
00:49:52.440 --> 00:49:55.079
boudoir. I want to show you
some etchings. The camera moves into his

756
00:49:55.159 --> 00:49:59.920
domain with crumpled papers as we suddenly
come to a naked body with Freddie etched

757
00:50:00.079 --> 00:50:02.719
in blood on the back. Probably
a real good investment too, I mean,

758
00:50:02.760 --> 00:50:07.719
after all, I'm dead, he
laughs, and that is the end

759
00:50:07.800 --> 00:50:10.159
of the A story. It is
like to explain the difference between the A

760
00:50:10.239 --> 00:50:14.360
and B story of Freddy's Nightmares.
You know what, No, Well,

761
00:50:14.519 --> 00:50:19.199
too bad, okay, So on
Freddy's Nightmares you have an A story and

762
00:50:19.199 --> 00:50:22.280
a B story. Now, lots
of shows have A stories and B stories,

763
00:50:22.280 --> 00:50:24.679
but Freddy's Nightmares does it a little
bit differently. In Freddy's Nightmares,

764
00:50:24.719 --> 00:50:28.239
the A story is the first half
of the show and the B story is

765
00:50:28.280 --> 00:50:31.440
the second half, so they're not
intertwined necessarily at all, and they generally

766
00:50:31.519 --> 00:50:37.320
only share, maybe a couple of
side characters, and usually a common location.

767
00:50:37.559 --> 00:50:40.480
Yes, this episode is no different. This episode still has the loft,

768
00:50:40.559 --> 00:50:45.280
and of course, don't worry,
you haven't seen the last of art.

769
00:50:45.440 --> 00:50:50.559
But the reason for this was it
was in syndication and in some areas

770
00:50:50.599 --> 00:50:52.440
Freddy's Nightmares could only be a half
an hour long. In in other areas

771
00:50:52.440 --> 00:50:57.440
it could be a full hour.
So the halves of the show had to

772
00:50:57.480 --> 00:51:01.519
be self contained, and also,
to add pain to the misery of the

773
00:51:01.559 --> 00:51:06.480
writing room, some of the episodes
had to continue off of each other to

774
00:51:06.480 --> 00:51:08.800
the point where you could edit them
together into one eighty minute feature film.

775
00:51:08.840 --> 00:51:13.639
This is also true, which is
why you have Interior Loft and Interior Loft

776
00:51:13.760 --> 00:51:16.039
Later. So the v story begins
back in the loft, where we hear

777
00:51:16.079 --> 00:51:20.440
some jazz playing on a stereo as
a young woman walks around with a copy

778
00:51:20.480 --> 00:51:22.320
of Killer Sex. I know,
I was so excited when I saw it.

779
00:51:22.320 --> 00:51:24.920
So that's the book that was in
Interior Loft that she was writing.

780
00:51:25.119 --> 00:51:28.960
I was so amped to see that. I love that she got it published

781
00:51:29.000 --> 00:51:31.559
even after all that. Oh well, and that somebody's reading it and just

782
00:51:31.599 --> 00:51:35.800
eating an apple in the middle of
their living room, so she's reading.

783
00:51:36.000 --> 00:51:37.880
We meet Stacy, who was played
by Leslie Begas. She was in Breaking,

784
00:51:38.519 --> 00:51:42.320
Breaking to You, Electric Vooloo in
nineteen eighty four, Tough Turf in

785
00:51:42.360 --> 00:51:45.719
nineteen eighty five, Twilight Zone Series
in eighty five, Head of the Class

786
00:51:45.719 --> 00:51:49.639
in eighty six, Nine two one
Oho and ninety Mobsters in nineteen ninety one,

787
00:51:50.000 --> 00:51:52.159
Get Shorty in nineteen ninety five,
The Sopranos in ninety nine, and

788
00:51:52.239 --> 00:51:55.199
she also appeared on Nick Tuck in
two thousand and seven. Did we also

789
00:51:55.239 --> 00:51:58.880
meet Gina, her roommate, who
was played by Tory Poland. She was

790
00:51:58.920 --> 00:52:00.760
in Beauty in the B series eighty
nine, Who's the Boss in eighty nine,

791
00:52:00.800 --> 00:52:04.800
and also appeared on Seinfeld in ninety
one. They are roommates in the

792
00:52:04.800 --> 00:52:07.360
loft and Gina is vacuuming, telling
Stacy she's spilling crumbs from the cupcakes she's

793
00:52:07.400 --> 00:52:12.559
eating while commenting on killer sex being
so hot. Gina reminds her that the

794
00:52:12.559 --> 00:52:15.960
potential roommates are coming over and who
would want to live with slobs? Stacy

795
00:52:15.960 --> 00:52:20.199
states, I don't know another slob. The doorbell chimes as Gina stops vacuuming,

796
00:52:20.320 --> 00:52:22.199
going over to answer the door.
She asks Stacy not to act like

797
00:52:22.239 --> 00:52:25.000
a wild woman, which prompts Stacy
to tell her not to act like she

798
00:52:25.039 --> 00:52:30.920
has a stick uper butt, I
also touche. The elevator opens and Art

799
00:52:30.920 --> 00:52:32.599
steps off the lift, looking at
the two, commenting it looks like he

800
00:52:32.639 --> 00:52:37.559
took the express elevator straight to heaven. Gina asks who he is as he

801
00:52:37.559 --> 00:52:40.079
tells her he's Art, asking if
fab Jana is around. Gina tells him

802
00:52:40.079 --> 00:52:43.679
there's no one here by that name, and Art comments, he just got

803
00:52:43.679 --> 00:52:47.199
back into town and she's not even
here. Ah, what a story to

804
00:52:47.280 --> 00:52:52.159
tell you? Peaceful likeily, He's
just like anyway, two new vaginas,

805
00:52:52.360 --> 00:52:54.400
Gina confirms, and ask him to
leave as they have someone coming up.

806
00:52:54.480 --> 00:52:58.639
Art apologizes, but Stacey tells him
no harm done with a big grin on

807
00:52:58.679 --> 00:53:01.519
her face. Another woman enter,
stating she's here about the female roommate wanted

808
00:53:01.519 --> 00:53:06.239
to add as Gina and Stacey introduce
themselves to her, and Art introduces himself

809
00:53:06.280 --> 00:53:12.519
to as Gina and Stacy's lover,
adding that they share everything I already got

810
00:53:12.599 --> 00:53:16.280
rid of the Jerry Springer. The
woman, looking shocked, suddenly states that

811
00:53:16.320 --> 00:53:20.280
she was looking for a bigger place
and thanks anyway, before exiting through the

812
00:53:20.320 --> 00:53:22.559
door. Gina confronts Art, asking
why did he do that, and Art

813
00:53:22.559 --> 00:53:25.519
states that if he can chase off
one potential roommate, then his odds are

814
00:53:25.599 --> 00:53:30.239
getting better, prompting Gina to ask
what odds, and Art smiles and states,

815
00:53:30.360 --> 00:53:36.719
moving in with you girls, he's
smooth as sandpaper. Yeah my god.

816
00:53:36.920 --> 00:53:38.679
Gina fires back with not a chance, and Art states that they said

817
00:53:38.679 --> 00:53:43.320
they needed a roommate, and Gina
reminds him a female roommate. Art asked

818
00:53:43.360 --> 00:53:46.760
what's the difference, and Stacy turns
asking as well, stating Art seems kind

819
00:53:46.760 --> 00:53:50.639
of fun. Gina reminds her that
if they get a male roommate, they

820
00:53:50.639 --> 00:53:52.679
will lose their privacy and have to
put on clothes before using the bathroom.

821
00:53:52.840 --> 00:53:55.079
Art tells them no, they won't. In fact, he can hang a

822
00:53:55.119 --> 00:53:59.119
sheet and use that space as his
bedroom, before telling them he really needs

823
00:53:59.119 --> 00:54:00.599
a place to live as he just
got kicked out of his apartment. So

824
00:54:00.639 --> 00:54:07.480
were they planning on getting a third
roommate but with no room payment? Well,

825
00:54:07.519 --> 00:54:10.639
no, no, because he's like, I'll put up a sheet so

826
00:54:10.679 --> 00:54:15.119
that you have privacy and that'll be
my room. So was everybody else who's

827
00:54:15.119 --> 00:54:17.000
gonna move in. They're supposed to
literally have no door. Yeah, no

828
00:54:17.079 --> 00:54:21.599
privacy whatsoever. It doesn't sound like
a very good deal. I mean,

829
00:54:21.639 --> 00:54:24.320
I know, high end real estate
is at a premium in Springwood due to

830
00:54:24.360 --> 00:54:29.800
its bustling economy. Come on,
so just got kicked out of his old

831
00:54:29.840 --> 00:54:32.079
apartment. Gina states, Oh great, so you're a trouble maker. Art

832
00:54:32.119 --> 00:54:36.679
goes to explain, but then notices
a poster of three lab puppies on the

833
00:54:36.679 --> 00:54:39.199
wall before changing a story, stating
he rescued a stray dog, took it

834
00:54:39.239 --> 00:54:43.320
back home, and nursed it back
to health. Then the landlord found out

835
00:54:43.360 --> 00:54:45.920
and kicked him out since they don't
allow pets, and he's been sleeping in

836
00:54:45.920 --> 00:54:49.440
his car ever since. Gina asked
where is the dog and Art lies,

837
00:54:49.480 --> 00:54:52.519
continuing, stating he gave it to
a family so that I could have kids

838
00:54:52.519 --> 00:54:54.320
to love it in a yard to
play in, which wins Stacy over with

839
00:54:54.360 --> 00:54:59.360
a big grin. Art asked them
once more and Gina tells him they don't

840
00:54:59.360 --> 00:55:01.400
have a bed for him, and
Art states that he can sleep in the

841
00:55:01.559 --> 00:55:07.079
bathtub. Waw wa while wee wah
now and I'm just gonna say, Art

842
00:55:07.800 --> 00:55:15.239
a liar. Now, I've seen
everything. A trustworthy young man like that,

843
00:55:15.599 --> 00:55:17.840
come on. So Gina agrees on
one condition that they can kick him

844
00:55:17.880 --> 00:55:22.800
out anytime if it's not working.
Art confirmed, stating you got yourself a

845
00:55:22.880 --> 00:55:25.039
deal. We immediately cut to Freddy's
domain as he leaves against a wall,

846
00:55:25.119 --> 00:55:30.079
stating deal, ha, that guy's
out a bad deal. Has he never

847
00:55:30.119 --> 00:55:35.159
heard the old saying women can't live
with him? Can't live with him?

848
00:55:35.440 --> 00:55:40.280
And then he laughs that is that
is Freddie's cutaway yep, which isn't even

849
00:55:40.320 --> 00:55:43.840
as great as the ending cut away, which we'll get to. Oh boy,

850
00:55:43.920 --> 00:55:45.199
howdy. We cut back to the
loft, where we find Gina in

851
00:55:45.239 --> 00:55:49.440
her room studying and knock echoes on
the door as she invites the person in

852
00:55:49.599 --> 00:55:52.480
Art comes back in and goes to
back out, realizing she's studying, and

853
00:55:52.519 --> 00:55:54.760
apologizes. She asks him what does
he want, and Art approaches the bed,

854
00:55:54.800 --> 00:55:59.280
stating he realizes she doesn't like him
very much and states maybe they should

855
00:55:59.280 --> 00:56:00.800
talk a little bit befo. We're
adding he's not a very bad guy once

856
00:56:00.840 --> 00:56:05.320
she gets to know him. Two
seconds. Oh now, oh, I

857
00:56:05.400 --> 00:56:07.800
see you get to cough. I
don't get to cough. Oh my gosh.

858
00:56:07.960 --> 00:56:12.639
Art approaches the bad stating he realizes, thank god. Uh huh,

859
00:56:12.679 --> 00:56:15.159
take a second. Oh yeah,
yeah, drink your little boozy drink.

860
00:56:15.400 --> 00:56:19.280
He pretends that he's drinking water,
but he's a drum though. That's coffee,

861
00:56:20.000 --> 00:56:22.639
Irish coffee. That's not Irish coffee. I wish it was. Gina

862
00:56:22.679 --> 00:56:25.199
agrees, as Art moves closer to
the bed, sitting down. He states

863
00:56:25.199 --> 00:56:29.599
that he thinks he sees that she's
into ecology, as Gina confirms, adding

864
00:56:29.639 --> 00:56:31.800
it's important, and Art agrees,
asking her to tell him more about what

865
00:56:31.800 --> 00:56:36.280
she's into and maybe he can get
involved again. Gina laughs, stating that

866
00:56:36.320 --> 00:56:39.480
she doubts he was ever involved in
ecological causes, also causing Art to laugh

867
00:56:39.519 --> 00:56:44.199
before he tells her that she's wrong, adding that he spent all of eighty

868
00:56:44.239 --> 00:56:47.639
eight on his friend's boat cutting tuna
nets to help save dolphins. Aw,

869
00:56:47.760 --> 00:56:52.679
he's such a lying sack this.
Gina isn't buying it and saying I'm sure

870
00:56:52.800 --> 00:56:55.880
Art, But Art states scouts on
her, stating the only reason they quit

871
00:56:57.000 --> 00:57:00.280
was because one of the tuna companies
put a price on their heads. Stands

872
00:57:00.360 --> 00:57:02.760
up, lifting his shirt to reveal
a nasty scar near his hip, adding

873
00:57:02.760 --> 00:57:06.840
that it came from a harpoon,
stating a fisherman shot him when he was

874
00:57:06.840 --> 00:57:08.639
trying to cut one of the nets. My first thought when I saw that

875
00:57:08.679 --> 00:57:15.519
scar was appendix, probably honestly.
Gina asked, how does she know that

876
00:57:15.599 --> 00:57:17.679
it isn't from a motorcycle accident or
something else? And Art ask her why

877
00:57:17.719 --> 00:57:22.119
would he lie? Gina states,
to make me like you and Art and

878
00:57:22.159 --> 00:57:23.440
see at that moment she's still smart. Yeah, make me like you.

879
00:57:23.559 --> 00:57:27.119
They're both really smart. Like that's
the one thing I loved about this is

880
00:57:27.159 --> 00:57:30.639
like anytime he starts these lies,
they don't buy him until we'll get there,

881
00:57:30.760 --> 00:57:32.519
until he makes them stupider. Yeah, no, no, it's not

882
00:57:32.639 --> 00:57:37.119
great. Art asked her why would
he lie in Gena states and make me

883
00:57:37.239 --> 00:57:38.719
like you? Art states's a good
reason, but swears it's the truth,

884
00:57:38.719 --> 00:57:43.760
adding that that's why he's in Springwood, figured that the fisherman wouldn't find him

885
00:57:43.800 --> 00:57:45.760
here. Gina tells him that she
has to study, but ask if they

886
00:57:45.760 --> 00:57:50.280
can continue this conversation later. Art
gets off the bed, stating sure with

887
00:57:50.320 --> 00:57:52.639
the grin before leaving her room.
Gina watches him leave, and then later

888
00:57:52.679 --> 00:57:55.199
that night, the bell rings.
As Gina goes to ask who is it.

889
00:57:55.440 --> 00:57:59.199
We hear a man state Troy Richardson, a friend of Arts, before

890
00:57:59.239 --> 00:58:01.079
asking if he's up there. Art
peeks out of his bedroom, telling her

891
00:58:01.079 --> 00:58:04.760
to let him up, and Gina
ask if this friend's always visiting late,

892
00:58:04.800 --> 00:58:07.039
but Art says no, something must
be wrong. They buzz him up as

893
00:58:07.079 --> 00:58:10.320
a knock echoes before opening the lift
to reveal Troy, who's got a bloody

894
00:58:10.320 --> 00:58:14.719
shoulder and a slumped in the elevator. Gina and Art rushed to his aid

895
00:58:14.760 --> 00:58:17.039
as Troy exclaims they found him,
he barely got away and they're trying to

896
00:58:17.119 --> 00:58:21.440
kill him. Art asked him who
did this as he states the fisherman.

897
00:58:21.719 --> 00:58:23.440
Gina tells him he needs to go
to the hospital as Art puts pressure on

898
00:58:23.440 --> 00:58:27.119
his wound, introducing Troy to her, stating that he was the friend on

899
00:58:27.159 --> 00:58:29.519
the boat, and then tells her
that he's taking him to the hospital.

900
00:58:29.960 --> 00:58:32.320
He apologizes. As Gina asks if
there's anything she can do, Art tells

901
00:58:32.320 --> 00:58:36.559
her no and he'll be back later. Later that night, the elevator dings

902
00:58:36.559 --> 00:58:38.199
as Gina goes to the door,
asking who is it. She hears Art's

903
00:58:38.280 --> 00:58:42.880
voice and buzzes him up. Art
suddenly emerges from the room, surprising her

904
00:58:42.960 --> 00:58:45.840
as she asks how long has he
been home, and Art states an hour

905
00:58:45.920 --> 00:58:50.760
before asking why. Suddenly, two
fishermen break into the apartment. One grabs

906
00:58:50.760 --> 00:58:52.719
Gina by the throat as the other
drops down with a spear gun, shooting

907
00:58:52.760 --> 00:58:58.119
it directly at Art, pinning him
to the wall. Dead and how and

908
00:58:58.280 --> 00:59:00.599
how to the wall? Like I
want to see he's like three feet off

909
00:59:00.599 --> 00:59:04.639
the ground. Yes, yeah,
that was a good shot. Gina screams,

910
00:59:04.639 --> 00:59:07.159
but suddenly comes to in her bed, revealing the whole thing Henrik to

911
00:59:07.519 --> 00:59:10.440
be another nightmare what. She gets
out of bed and looks out into the

912
00:59:10.440 --> 00:59:14.480
loft as we see Art returning home
and going into his room. She goes

913
00:59:14.480 --> 00:59:16.079
to his room, asking him if
he was afraid out at sea. Art

914
00:59:16.079 --> 00:59:20.519
confirms he was scared, but he
begins as he begins to strip his shirt

915
00:59:20.519 --> 00:59:22.960
off, adding that one hundreds of
dolphins' lives were worth risking one life for

916
00:59:23.000 --> 00:59:28.840
the his Art sits into the tub, preparing to excuse me. Art sits

917
00:59:28.840 --> 00:59:31.320
into the tub preparing to bed as
Gina wishes him a good night, leaving,

918
00:59:31.599 --> 00:59:35.920
but then returns asking him if he
finds her attractive. Art states he

919
00:59:35.920 --> 00:59:38.440
thinks she's the most attractive woman he's
ever met. Gina moves in closer,

920
00:59:38.480 --> 00:59:43.000
stating he's suddenly the most attractive man
she's ever met, before moving into the

921
00:59:43.320 --> 00:59:46.159
ladies before not smart people moving into
the tub with them as they both go

922
00:59:46.239 --> 00:59:50.559
in for a kiss, beginning to
make out. The next day, Art

923
00:59:50.639 --> 00:59:52.960
enters Stacey's room as she's listening to
a walkman in sweatpants and a brawl.

924
00:59:53.199 --> 00:59:57.400
He apologizes that he didn't know she
wasn't dressed, but Stacey doesn't hear him

925
00:59:57.400 --> 01:00:00.440
as she has her back turn listening
to the music Art Creepy. He stands

926
01:00:00.480 --> 01:00:02.559
in the doorway, realizing she doesn't
know he's there as she begins to dance.

927
01:00:02.719 --> 01:00:07.000
She suddenly sees him and apologizes again, but Stacy asks him what's up.

928
01:00:07.440 --> 01:00:09.000
Art goes on to say that since
they're gonna be roommates, he thought

929
01:00:09.039 --> 01:00:13.079
that they should get to know each
other, and Stacy confirms, inviting him

930
01:00:13.079 --> 01:00:15.559
to sit on the bed and talk. Art noticing the bon Jovi posters all

931
01:00:15.599 --> 01:00:19.199
over the room, and when we
say all over the room, like what

932
01:00:19.440 --> 01:00:22.400
six posters? It's nothing but bonjob
I think some of those were load bearing

933
01:00:22.440 --> 01:00:28.000
Bonjovie posters, like they hold the
walls up so that the ceiling doesn't cave

934
01:00:28.039 --> 01:00:30.320
in. So ask you about her
fandom, Stacy confirms, stating it's all

935
01:00:30.360 --> 01:00:34.719
she listens to before asking Art if
he's a bon Jovi fan. Art says

936
01:00:34.719 --> 01:00:37.599
he's gotten tired of them after hearing
them live every night for a year.

937
01:00:38.119 --> 01:00:42.199
Stacey asked if he's one of those
groupies that follows them around, but Art

938
01:00:42.199 --> 01:00:45.599
tells her no. Instead, he
works security for the Brotherhood tour, catching

939
01:00:45.639 --> 01:00:49.679
Stacy's interest, Art continues that it
wasn't for the whole tour, just until

940
01:00:49.719 --> 01:00:52.800
he was injured, and Stacy asked
he was injured, and Art goes into

941
01:00:52.880 --> 01:00:54.920
another lie, stating there was a
big guy, a groupie who followed them

942
01:00:54.920 --> 01:00:59.960
everywhere and then went trying to get
backstage every night, continuing that one night

943
01:01:00.159 --> 01:01:01.679
he got a little too close,
so we had to deck him. Art

944
01:01:01.719 --> 01:01:05.320
lifts up his shirt, revealing the
scar, again, stating that's how he

945
01:01:05.360 --> 01:01:07.679
got this, adding that the guy
was the son of a mobster named Tony

946
01:01:07.679 --> 01:01:12.519
Pucelli. Stacy asked him that's a
very tells him that's a very nice fairy

947
01:01:12.519 --> 01:01:15.559
tale and to tell her another one. Art tells her it's the truth and

948
01:01:15.599 --> 01:01:20.320
that's why he's in Springwood to hide
from his goons. Is it skepticism if

949
01:01:20.360 --> 01:01:25.039
somebody tells you a lie and you
go, I think that's a lie and

950
01:01:25.079 --> 01:01:30.079
they go, no, it's not, and then you go, oh,

951
01:01:30.199 --> 01:01:32.360
okay, I believe you, like? Is that skepticism? I don't know

952
01:01:32.400 --> 01:01:37.360
if it is. I'm just saying. Stacy, still not believing him,

953
01:01:37.440 --> 01:01:38.960
asked does he have a contract out
to kill him? And Art lies,

954
01:01:39.039 --> 01:01:43.320
stating not to kill, just break
both of his knees. Stacy, still

955
01:01:43.320 --> 01:01:45.239
not believing him, tells him she
needs to study, excusing him. Art

956
01:01:45.320 --> 01:01:49.440
leaves, stating he's hurt that she
doesn't believe him, but Stacy says okay

957
01:01:49.519 --> 01:01:52.559
before cracking open a book. That
night, the elevator bell chimes as Stacy

958
01:01:52.599 --> 01:01:55.199
goes over to the box. A
man voice says Pete's delivery. As she

959
01:01:55.239 --> 01:01:58.920
buzzes him in. Art appears out
of the room, telling her it's his

960
01:01:59.000 --> 01:02:01.400
delivery, and Stacy ask if he's
planning on sharing the pizza. Art mocks

961
01:02:01.400 --> 01:02:05.239
her, stating, with a girl
who thinks I'm a liar. Stacy states

962
01:02:05.280 --> 01:02:07.760
she didn't meet it that way as
the door opened and Tony or excuse me,

963
01:02:07.800 --> 01:02:12.079
Troy, now dressed as a mobster, enters a stating artie, how

964
01:02:12.159 --> 01:02:15.599
are we Art? Playing along State's
Guido? How did you find me?

965
01:02:15.960 --> 01:02:17.559
And Troy tells him he can run, but he can't hide, adding that

966
01:02:17.559 --> 01:02:22.519
Poucelli wants both his knees broken and
that's what he's here to do. Stacey

967
01:02:22.599 --> 01:02:24.519
tells him to beat it, as
Troy sets his sights on Stacy, asking

968
01:02:24.639 --> 01:02:28.519
Art if it's his girlfriend. Art
tells him to leave her alone, before

969
01:02:28.559 --> 01:02:31.800
Troy asks Stacy if she's ever done
it in an elevator before Art suddenly grabs

970
01:02:31.840 --> 01:02:35.480
Troy, kicking him in the ass
and sending him back into the elevator.

971
01:02:35.519 --> 01:02:37.239
He states there's a cop who hangs
out downstairs who might want to meet him,

972
01:02:37.239 --> 01:02:40.800
before telling Stacy he'll be right back. Stacy, shocked, looks around

973
01:02:40.840 --> 01:02:44.480
the apartment as we cut into the
elevator, where Art and Troy share a

974
01:02:44.559 --> 01:02:46.280
laugh, revealing the whole thing to
be a plan to win over Stacy.

975
01:02:46.320 --> 01:02:50.480
With his lie back in the loft, Stacy hear's the lyft coming back up

976
01:02:50.480 --> 01:02:52.840
and here's her and he leaves her
bed, looking out the window to see

977
01:02:52.840 --> 01:02:57.559
Troy back in the mobster attire,
now dragging Gina into Art's room, once

978
01:02:57.559 --> 01:03:00.320
again playing up the Pucelly bit.
Stacy watched as Troy tells Art again that

979
01:03:00.360 --> 01:03:04.400
he wants to break his knees and
that he's gonna get that, before swinging

980
01:03:04.400 --> 01:03:07.960
a tire iron down onto his knees, shattering them. Art screams out in

981
01:03:07.000 --> 01:03:12.199
pain while Gina watches in horror,
before Stacey rises up from the bed screaming,

982
01:03:12.239 --> 01:03:15.880
revealing it to be another nightmare.
I you know, I have to

983
01:03:15.920 --> 01:03:22.239
say this guy's quite a liar,
but I'm impressed that his friend is just

984
01:03:22.280 --> 01:03:25.400
willing to do this for no gain
of his own or has all the wardrobe.

985
01:03:25.119 --> 01:03:28.400
A that's not that hard. I'm
sure you could go to one of

986
01:03:28.440 --> 01:03:31.280
the dozen Springwood costume shops. Yeah. She goes to Art's room, finding

987
01:03:31.320 --> 01:03:34.840
him asleep in the tub. She
leans down next to him, startling him

988
01:03:34.840 --> 01:03:37.159
awake, and Stacy asked him if
he really worked for bon Jovi. Art

989
01:03:37.159 --> 01:03:40.480
confirms for a year, and Stacy
states he probably met a lot of cute

990
01:03:40.480 --> 01:03:44.280
girls, but Art confirms while he
did, none of them were as pretty

991
01:03:44.280 --> 01:03:46.400
as her. Stacey tells him he
doesn't have to say that, but Art

992
01:03:46.440 --> 01:03:49.880
states that he means it as he
goes in for a kiss. I feel

993
01:03:49.920 --> 01:03:51.800
like she's been like, you don't
have to say it, like, well

994
01:03:51.880 --> 01:03:54.719
I do if I want to sleep
with you, like you're right. Stacy

995
01:03:54.719 --> 01:03:58.480
states he's not so bad himself.
As the two begin to make out,

996
01:03:58.679 --> 01:04:00.679
she undresses and climbs into a tub
on top of him as he states,

997
01:04:00.760 --> 01:04:04.559
let's or she states, let's get
naked, which I thought was interesting for

998
01:04:05.800 --> 01:04:11.320
uh, well, yeah, and
you know, the funniest thing about them

999
01:04:11.519 --> 01:04:14.880
is, you know, he probably
could have just gotten them to like him

1000
01:04:14.880 --> 01:04:18.719
if he was funny and polite like
this, like what or an artist?

1001
01:04:19.800 --> 01:04:24.519
And no, but but no,
it's just like it's funny he goes to

1002
01:04:24.559 --> 01:04:30.000
like these massive, massive things.
But also I also want to point out

1003
01:04:30.840 --> 01:04:33.639
did you notice his chest hair?
His chest hair was shaved into like an

1004
01:04:33.800 --> 01:04:42.119
arrow pointing up. I have a
theory. I think that they shaved it

1005
01:04:42.159 --> 01:04:46.320
that way because they needed to be
able to see the what his art?

1006
01:04:46.480 --> 01:04:50.119
Yeah, and then I think they
just shaved it down on both sides to

1007
01:04:50.159 --> 01:04:56.679
make it symmetry. But it looks
like an arrow pointing out that funny.

1008
01:04:56.880 --> 01:05:00.679
The other thing worth, pointing out
both of these women and have beds.

1009
01:05:00.760 --> 01:05:04.599
Yes, at this and everyone bangs
in this hot in this it's just which

1010
01:05:04.599 --> 01:05:10.159
it was hot tub? Yeah,
empty tub, So that's gonna feel amazing.

1011
01:05:10.280 --> 01:05:13.440
I mean I would I imagine that
even on a bed of feathers,

1012
01:05:13.440 --> 01:05:16.159
it would not feel great in the
morning when you realize who you were just

1013
01:05:16.239 --> 01:05:19.480
with. So the next morning,
Stacy watches Art from her bedroom window as

1014
01:05:19.519 --> 01:05:23.920
Gina joins her, commenting how he's
pretty cute. Stacy states, the poor

1015
01:05:23.960 --> 01:05:26.599
boy is in so much danger,
as Gina asked if he told her about

1016
01:05:26.639 --> 01:05:29.320
that too. Stacy states, for
his sake, they should have the locks

1017
01:05:29.400 --> 01:05:30.840
change, but Gina states, with
the guys that are after him, he

1018
01:05:30.960 --> 01:05:34.360
probably won't help, as they can
get through anything. Stacy agrees, stating

1019
01:05:34.400 --> 01:05:39.239
that the mob guy is pretty tough, causing Gina to ask mob guy adding,

1020
01:05:39.320 --> 01:05:42.519
I didn't know tuna fishermen are tied
to organized crime, which is probably

1021
01:05:42.559 --> 01:05:45.280
my favorite line for this episode.
Well, that and the fact that this

1022
01:05:45.320 --> 01:05:49.519
guy seriously thought that these women would
not talk about him between themselves. Yeah,

1023
01:05:49.599 --> 01:05:53.719
did he really think that they wouldn't, Because that's like the first thing

1024
01:05:53.760 --> 01:05:57.280
I would assume that women would would
do so, Stacy, Uh, excuse

1025
01:05:57.280 --> 01:06:00.119
me? Telling her go yes.
Stacy asked tuna fish ture and Gina confirms

1026
01:06:00.119 --> 01:06:03.039
that's who's after Art, telling her
that he cut tune and nets to save

1027
01:06:03.119 --> 01:06:06.480
dolphins. Stacy asked if that's what
he told her, and Gina asked,

1028
01:06:06.480 --> 01:06:10.440
Stacy, what did he tell you? We next see Art tied up in

1029
01:06:10.480 --> 01:06:13.280
the bathtub as the two call his
name, waking him up. He comes

1030
01:06:13.320 --> 01:06:16.119
to realizing he's tied down and sees
Gena and Stacy before him, sporting welding

1031
01:06:16.119 --> 01:06:20.239
gloves as they dawn blow torches.
Stacy tells him that they've been comparing notes,

1032
01:06:20.239 --> 01:06:25.039
and Gina adds that he's one hot
lover. They continue that they thought

1033
01:06:25.079 --> 01:06:27.920
he could be just a little hotter
as they light the torches, moving in

1034
01:06:27.960 --> 01:06:30.840
on him. Art screams out in
terror, but suddenly comes to in the

1035
01:06:30.880 --> 01:06:33.440
tub with no ropes on him,
revealing another nightmare. He checks his wrists

1036
01:06:33.440 --> 01:06:36.519
and is relieved to see Or.
He's relieved, but sees Gena and Stacy

1037
01:06:36.639 --> 01:06:40.559
angrily staring at him, telling him
that they want him out by nightfall.

1038
01:06:41.039 --> 01:06:43.920
Art asks why, and Stacy tells
him he knows why, calling him a

1039
01:06:43.960 --> 01:06:46.199
son of a bitch. Art tries
to reason, stating the two beautiful girls

1040
01:06:46.199 --> 01:06:49.440
shouldn't be alone and need someone to
protect them, but Gina fires back with

1041
01:06:49.559 --> 01:06:57.199
who who's gonna protect us from you? Pretty solid? Stacey adds get lost

1042
01:06:57.239 --> 01:07:00.639
dirt bag before the two walk off. Art prepares to leave with this packed.

1043
01:07:00.679 --> 01:07:02.000
As the two weight by the door, Art asked if they are sure,

1044
01:07:02.000 --> 01:07:04.119
but Gina's quick to tell him to
get the hell out of here.

1045
01:07:04.440 --> 01:07:08.800
Suddenly, the door swings open as
a masked gunman enters, grabbing Art and

1046
01:07:08.840 --> 01:07:12.159
telling everyone to be cool and no
one gets hurt. Gina states, well,

1047
01:07:12.239 --> 01:07:15.400
if it isn't Art's friend, what's
your name, Troy? Stacey pipes

1048
01:07:15.480 --> 01:07:17.280
up that she knows him as Guido, and Art tries to tell them that

1049
01:07:17.280 --> 01:07:20.119
this isn't who they think it is, but the gunman interrupts that he's already

1050
01:07:20.159 --> 01:07:25.519
killed four people and three more ain't
gonna make a difference to him. Yeah,

1051
01:07:25.519 --> 01:07:28.599
it's just a random hockey mess guy. Although they did he did make

1052
01:07:28.599 --> 01:07:30.719
a reference to the neighborhood's good or
something, but yeah, the two still

1053
01:07:30.719 --> 01:07:33.440
aren't convinced, even when the gunman
asks if he wants them to kill Art

1054
01:07:33.480 --> 01:07:36.920
They both excitedly respond sure, adding
we don't even like him much anyway.

1055
01:07:38.239 --> 01:07:43.119
The boy who cried murderer, Art
breaks the gunman's grip, knocking the pistol

1056
01:07:43.119 --> 01:07:45.639
of the floor as he tells the
girls to pick up the gun. Still

1057
01:07:45.679 --> 01:07:47.880
not believing him, they comment on
a very good performance. Art yells for

1058
01:07:47.880 --> 01:07:50.760
them to pick up the gun,
and Gina reluctantly bends down, retreating it.

1059
01:07:51.039 --> 01:07:54.599
Art tells her to keep it pointed
on him while he calls the cops.

1060
01:07:54.880 --> 01:07:58.880
Gina tells Gina keeps the gun on
both of them. Still looking unimpressed

1061
01:07:58.920 --> 01:08:00.519
with the stunt stace, he comments
that he could have at least used a

1062
01:08:00.559 --> 01:08:03.920
real looking gun, as it looks
so fake. Art tries to argue that

1063
01:08:03.960 --> 01:08:06.280
it is real, but Gina is
quick to show how fake it is,

1064
01:08:06.320 --> 01:08:10.800
pointing it at Art, who screams
no. She fires two quick shots,

1065
01:08:10.840 --> 01:08:14.039
one into Art and one into the
other gentleman, who drops to the floor

1066
01:08:14.119 --> 01:08:16.479
dead. That she does look at
each other, commenting on the death scene

1067
01:08:16.520 --> 01:08:19.439
and the fake blood. Annoyed with
no movement, they tell them the show's

1068
01:08:19.479 --> 01:08:23.359
over and that they're not falling for
her. She's shot twice. Yeah,

1069
01:08:23.399 --> 01:08:26.880
like I just that's worth mentioning she's
shot two times, yes, both of

1070
01:08:26.920 --> 01:08:29.680
them. She was like, how
fake is this gun? Bang? Bang?

1071
01:08:29.960 --> 01:08:32.479
Ha ha ha. Stacy effects were
great. Stacy and Gina walk over

1072
01:08:32.600 --> 01:08:35.239
unmasking the man to reveal it not
to be Troy. The two come to

1073
01:08:35.279 --> 01:08:40.159
the realization and look at one another
in horror. The episode ends as we

1074
01:08:40.199 --> 01:08:43.159
cut to Freddy's domain, where we
see a man and a woman against each

1075
01:08:43.159 --> 01:08:46.039
other hitting it off as Freddie pops
in stating people will say anything to get

1076
01:08:46.039 --> 01:08:48.800
what they want from a chick.
This guy said he was a friend of

1077
01:08:48.800 --> 01:08:54.199
mine. Liar, liar, pants
on fire. Ah. He holds up

1078
01:08:54.199 --> 01:08:57.079
a blow towards to the man's pants
as he runs off. Freddie then moves

1079
01:08:57.079 --> 01:08:59.600
in next to the woman, stating, hey babe as he puts his arm

1080
01:08:59.640 --> 01:09:02.399
around her, and that my friends, you're missing something and what am I

1081
01:09:02.439 --> 01:09:05.800
missing? He literally puts his arm
a rounder and goes hey babe, and

1082
01:09:05.800 --> 01:09:11.239
it just fades black immediately, It
doesn't ends, And all I could think

1083
01:09:11.479 --> 01:09:14.920
was I want to hear the finishing
line of that whole thing, like,

1084
01:09:15.239 --> 01:09:17.880
you know, hey babe, want
to see something burnt? You know,

1085
01:09:18.000 --> 01:09:27.479
it's just like anyway, and that
is the end season in later Wow this

1086
01:09:27.560 --> 01:09:32.000
one fun Yeah, fun is the
operative word. The last episode, the

1087
01:09:32.000 --> 01:09:38.039
Interior Loft episode. Uh, it
had like a little bit of a sleazier

1088
01:09:38.159 --> 01:09:41.079
edge ironically, because this one was
actually had a lot about to do about

1089
01:09:41.079 --> 01:09:44.119
sex, but it didn't come off
as sleezy to me as much. But

1090
01:09:44.279 --> 01:09:47.800
it just had a lot of just
absurdist stuff going on. I really these

1091
01:09:47.920 --> 01:09:54.920
last few episodes really do feel like
like Gil and Al Giladler and Al Katz

1092
01:09:54.920 --> 01:10:00.319
are unknowingly preparing themselves to take over
Tales from the Crip because they're getting like

1093
01:10:00.359 --> 01:10:02.800
to a point where like some of
these episodes feel like they're audition films.

1094
01:10:02.800 --> 01:10:05.239
Like it's like, we don't have
enough money to make a full Tales from

1095
01:10:05.239 --> 01:10:09.920
the Crypt episode, so we got
this, you know, we have Tales

1096
01:10:09.960 --> 01:10:14.520
from the Crypt at Home, Tails
from at Home? But so what in

1097
01:10:14.560 --> 01:10:17.399
your opinion, what's the rating situation
on the show with this one? We're

1098
01:10:17.399 --> 01:10:25.039
gonna wait, of course we are, Hi, Freddy, Hey bitch,

1099
01:10:25.319 --> 01:10:28.479
how's it going, Freddy? Oh? You know, pretty good? How

1100
01:10:28.479 --> 01:10:34.159
about you? Figure? You know, I really kind of feel bad for

1101
01:10:34.239 --> 01:10:39.680
that poor model in the first segment, Okay, I mean in a lot

1102
01:10:39.720 --> 01:10:46.279
of ways. His death really was
the last straw. I'll give him that

1103
01:10:46.279 --> 01:10:49.399
one. That was Actually that was
pretty good. Yeah, but you know

1104
01:10:49.920 --> 01:10:55.760
that art guy, he seemed pretty
cool, a solid liar to boot.

1105
01:10:56.279 --> 01:11:02.039
But I don't want to paint him
in a broad brush. But you know,

1106
01:11:02.159 --> 01:11:05.159
I've actually been a fine artist most
of my life. Is that true?

1107
01:11:05.199 --> 01:11:09.520
I had no idea. Oh yeah, I worked on a painting once,

1108
01:11:09.800 --> 01:11:14.560
spent weeks and weeks on it,
had it just right, but then

1109
01:11:14.880 --> 01:11:17.920
I accidentally knocked it over and it
was wrecked. You know what they say,

1110
01:11:18.439 --> 01:11:25.800
Easel today, gone tomorrow, Freddy. I feel like that's the title

1111
01:11:25.840 --> 01:11:28.560
of a Tales for Crep episode that
you kind of stole. Actually, I

1112
01:11:28.600 --> 01:11:30.920
meant to say easel come easy go. Oh okay, Well that's a little

1113
01:11:30.920 --> 01:11:35.439
bit better. That was slightly better. The writing is really deteriorated. All

1114
01:11:35.520 --> 01:11:41.000
right, Oh well, I gotta
go do anything other than the show.

1115
01:11:41.079 --> 01:11:45.000
All right, Freddy, that sounds
awesome. Hey guess what what, Freddy?

1116
01:11:47.439 --> 01:11:54.000
Bye Freddy, Yeah bye, fred
Thanks for stopping by. So rating

1117
01:11:54.039 --> 01:11:58.000
wise, I really had fun with
this one. I enjoyed watching it a

1118
01:11:58.000 --> 01:12:00.079
second time. To do the notes, I'm gonna give this a so you're

1119
01:12:00.119 --> 01:12:02.119
gonna give it a You're gonna give
it a B. Yeah, I'm gonna

1120
01:12:02.119 --> 01:12:06.640
give it be. I'm gonna be
a little bit crueler. I'm gonna give

1121
01:12:06.640 --> 01:12:10.680
it only a little bit. I'm
gonna give it a B minus. I

1122
01:12:10.960 --> 01:12:14.840
did like it. The ridiculousness of
his lies was my favorite part. The

1123
01:12:14.840 --> 01:12:17.640
first segment was was like I would
call serviceable. Yeah, it was.

1124
01:12:18.079 --> 01:12:23.479
I think it was. It was
fine. The second time watching you can

1125
01:12:23.560 --> 01:12:26.760
kind of see Fabiana and Molly hitting
it off a little more once you kind

1126
01:12:26.760 --> 01:12:30.600
of know that's going on in the
background, but or you're just perverted.

1127
01:12:31.159 --> 01:12:34.600
But no, I thought the second
story definitely beat the first one. A

1128
01:12:34.640 --> 01:12:38.880
good chunk, but no, a
pretty a pretty fun episode and also just

1129
01:12:39.000 --> 01:12:43.640
it does absolutely what you expect from
Freddy's nightmares with the Absurdist. Oh yeah,

1130
01:12:43.680 --> 01:12:47.159
the absurdity is is well in play. And that's why I feel like

1131
01:12:47.199 --> 01:12:53.199
I'll probably have more memories of the
episode the second act. Yeah, the

1132
01:12:53.239 --> 01:12:56.600
second part the B story, because
I feel like that one it's gonna stick

1133
01:12:56.640 --> 01:12:59.640
out as like remember the guy who
was just like flirting it up in spring

1134
01:12:59.720 --> 01:13:03.119
Wood, just like lying like a
total idiot, like lying like an idiot

1135
01:13:03.159 --> 01:13:08.840
who had never heard a live before. He was so stupid, so in

1136
01:13:09.560 --> 01:13:13.399
going with a very fun episode.
Next week's episode of season two, episode

1137
01:13:13.399 --> 01:13:16.399
eighteen, Funhouse, which I have
previewed, directed by Gil Adler, is

1138
01:13:16.479 --> 01:13:20.119
this he did you do one before
this? Or I think this might be

1139
01:13:20.119 --> 01:13:24.479
the first one? Ought to check
it again. But not only does does

1140
01:13:24.520 --> 01:13:27.600
Gil direct it, but we may
or may not see a very young al

1141
01:13:27.680 --> 01:13:32.239
Katz up here in a cameo.
And it has a direct sequel to Welcome

1142
01:13:32.239 --> 01:13:38.439
to Springwood Turk the moving guy from
Springwood Moving and Storages back. Oh you

1143
01:13:38.439 --> 01:13:41.800
mean Springwood Moving stage and moving storage. Yeh yeah, the storage that's always

1144
01:13:41.800 --> 01:13:45.479
moving. And it deals with a
spooky house. It is a perfect October

1145
01:13:45.479 --> 01:13:46.960
episode. Okay, I'm gonna say, well, I'm looking forward to that.

1146
01:13:47.000 --> 01:13:49.760
I do want to mention before we
get out of here, to those

1147
01:13:49.800 --> 01:13:55.600
who are faithful listeners, we are
trying to make a like before the show

1148
01:13:55.720 --> 01:13:59.319
wraps up. We're trying to make
a dream episode happen where we would have

1149
01:14:00.079 --> 01:14:05.159
four guests yes on together and some
of them haven't spoken in twenty years.

1150
01:14:05.239 --> 01:14:09.439
Yeah, and I think it'll be
really exciting. It won't spoil anything.

1151
01:14:09.479 --> 01:14:11.840
But we're working on it. I
think we're going to get it to happen.

1152
01:14:11.840 --> 01:14:14.760
I think we are so. And
we have a special guest coming up

1153
01:14:14.800 --> 01:14:16.800
for Halloween. Yes, we do
so. Also, I would like to

1154
01:14:16.960 --> 01:14:21.760
mention that Henrick and I have recently
appeared on our buddy Birdman's podcast Yeah this

1155
01:14:21.800 --> 01:14:27.000
week in Geek, we me and
hen appeared for an episode with a Birdmand

1156
01:14:27.000 --> 01:14:30.039
discussing the Slimmer Party Massacre series,
which was a lot of fun. And

1157
01:14:30.079 --> 01:14:33.079
then this past Friday, we dropped
a Friday thirteenth episode with me and Birdman

1158
01:14:33.159 --> 01:14:38.279
discussing three horror underrated horror anthologies of
Tales from the Dark Side of the movie,

1159
01:14:38.359 --> 01:14:41.159
Twilight Zone the movie, and Tales
from the Hood, which was a

1160
01:14:41.159 --> 01:14:44.000
lot of fun too. It was
and you guys went an hour over the

1161
01:14:44.000 --> 01:14:45.199
time You told me at what when
I was helping record it. Yes,

1162
01:14:45.239 --> 01:14:49.439
we did, but that's okay fun
check that out this weekend Geek. The

1163
01:14:49.520 --> 01:14:54.399
fastest and easiest way to find it
is type it into your favorite podcasting apps.

1164
01:14:54.479 --> 01:14:57.720
All one word, yep, this
week in Geek, All one word.

1165
01:14:58.159 --> 01:15:00.840
You'll know it right away. But
I thought Dave did a really nice

1166
01:15:00.880 --> 01:15:03.039
job. But if I wasn't there
to keep him under control. And also

1167
01:15:03.079 --> 01:15:05.880
we may have another episode. Actually, no, we do have another episode.

1168
01:15:06.000 --> 01:15:09.960
We'll be coming up with Mike and
I are going to discuss tales from

1169
01:15:10.000 --> 01:15:14.479
the Crypt movies for Blood and Demon
Night. You got to talk Richel.

1170
01:15:15.119 --> 01:15:16.800
Yeah, they like to do them
in threes. Yeah, so all right,

1171
01:15:16.840 --> 01:15:20.279
Well anything else daviy it brother,
Well, this was a hell of

1172
01:15:20.319 --> 01:15:25.359
an episode of Welcome to Prime TOI
haveing Freddy's Namer's podcast. Some feelings got

1173
01:15:25.479 --> 01:15:27.760
xcize, but we want to remind
you if you want to email us reach

1174
01:15:27.760 --> 01:15:31.119
out and cut someone, just go
to Freddie's Nightmares dot com or send us

1175
01:15:31.119 --> 01:15:35.880
an email Freddie's Nightmares pod at gmail
dot com. We really do appreciate it.

1176
01:15:35.920 --> 01:15:39.520
If you want to support us on
Patreon, just go to Freddy's Nightmares

1177
01:15:39.560 --> 01:15:43.000
dot com. You can get the
episode every week a day early with no

1178
01:15:43.199 --> 01:15:46.800
ads and in video form. So
other than that, we'll see you guys

1179
01:15:46.880 --> 01:15:51.840
next week right here in spring Wood. So make sure you don't sleep less

1180
01:15:51.880 --> 01:16:03.159
and dreams count