WEBVTT

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Lisa's babysitting for the Burdens. They're
really nice folks, but kind of weird,

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and they only have two rules.
Make sure we're gonna in bed by

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ten o'clock under no circumstances that you'd
open this basement door. Lisa's got her

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work cut out for her. Baggy
Jake, Baggy Jake Baker's man, catch

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your baby sitter past as I can
on Friday's Nightmares, Saturday's at midnight on

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Elbasso's Fine nine. Well, hello
reading, and welcome back to Welcome to

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Primetime, a Freddy's Nightmares podcast,
where we delve deep into Springwood's most legendary

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piece of media. Yes, Freddy's
Nightmare all forty four episodes. We are

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halfway through the second season. Next
week is gonna say we're not halfway through

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yet? Well, no, no, no, that's not math, David.

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This is episode ten, Episode ten. I said, next week,

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we are going to be halfway through
season two already. Oh it's twenty two

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episodes. Yeah, okay, Well, you know you did go to college,

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so fair enough, I tell you. I'm, of course Enrique Kuto

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here with my co host Double d
Lewis Louie Denoy, Yes, making me

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mad. I'm sorry, and uh
what why why are you sorry? Why

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are you sorry? You're not somebody
who would hire Freddy Krueger to babysit their

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kids. I mean, but I
could have been if I hadn't seen this

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marvelous, marvelous episode. Oh I
thought you're gonna say if you were capable

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of heterosexual intercourse. All right,
that's that's weird. We're moving on.

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Oh but yeah, we're back here. And uh, we had a pretty

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good week, yeah, leading up
to this, and we have some exciting

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interviews coming up. Yes, we
do very soon. For those who are

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new to the show, we don't
just talk about Freddy's Nightmares. We've managed

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to get some people who work on
the program, yes, or worked obviously,

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I mean, you know. Actually, oh my god, I'm so

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sorry to have to tell you this, David. What they canceled Freddie's Nightmares?

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Did they cancel? Oh? My
god? But I know. We've

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had Jeff Freylich, who was the
showrunner of the first season and a consulting

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producer on the second season. We've
had James Cappy, who wrote two episodes

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as well. We've had Al katz
on and we are going to have even

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more direct Freddie's Nightmares connections. It's
gonna be pretty awesome. I'm very excited.

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I don't want to say it just
yet, but we have a very

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very special guests that we've been trying
to get for a while come into the

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show. Finally. Oh well,
now you're building enough. Way. No,

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but it's extra special because we've talked
a lot about the fact that this

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show exists, Yeah, because we
wanted to discuss Freddie's Nightmares and put information

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out there, Yeah, in one
place, because it's scattered and barely available,

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and I think, honestly, what
separates us from a couple other shows

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that we are aware of that have
done either Freddie's Nightmares or Freddy kh KHN.

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What's the word I want to use
con content condo. We try to

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go after people that can give us
insights that aren't available anywhere else. I

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mean, Jeff Frilet gave us two
and a half hours worth of information that

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you can only find on our podcast. Yeah, almost all of it is

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completely exclusive. Yeah, So we
try to make sure that our viewers and

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listeners get to have the most amount
of information that we can provide from Freddy's

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nightmares that isn't available anywhere else,
and we do it all for you and

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us, and it's all right here. Yeah. And the craziest thing is

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a lot of it is nobody asked
no, no, they don't so and

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honestly, like I think, my
my proudest moment as a movie fan,

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television fan podcaster was publishing the Jeff
Fryleck Interview. Oh yeah, well the

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two parter, because we got so
much information that no one would ever get

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anywhere and not and not all that
related to Freddy's Nightmares, but in a

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way it did because we got to
hear him coming into the and what he

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took on with Freddy's nightmares, what
it came after all that stuff, and

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that was just fascinating. So if
you haven't listened to an interview, highly

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highly recommended, absolutely so. And
on another note, I want to mention

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you cannot only listen to us,
you can watch us. Yeah, if

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you support us on Patreon, all
you have to do is go to Freddy's

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Nightmares dot com click on Patreon for
three dollars or higher. Every month you

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get four episodes on video of us
talking about Freddy's Nightmares. So on some

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bonus content, which we may or
may not have more of that coming.

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Oh gosh. Well the interviews are
bonus content too, we are, but

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yeah, but they but this is
more so the Freddy ephema that we step

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out of Freddy's Nightmares for. Well, yeah, yeah, I mean there's

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so much of it. Freddie was
such a phenomena. Yeah, you don't

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really think about it so much until
you see what the zeitgeist was like back

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then. Well, it's like even
just going on YouTube, just typing in

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Freddy's nineteen eighty and just looking around
at all the stuff that was out there,

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from promos they had to where they
actually had Robert or Robert look alikes

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and stuff like that one we found
for a nightmare NLM Street four that was

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the Freddy look alike. Oh yeah, or that weird that weird Japanese sitcom

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where he's like basically sexually assaulting a
woman and that that's a joke. Yeah,

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there's all kinds of weird stuff like
that out there. So yeah.

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If you want to support the show
directly and get exclusive video content, go

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to Freddy's Nightmares dot com click on
Patreon. We do appreciate the support very

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much and the video podcasts are kind
of fun to create, really, other

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than the fact that I have to
brush my hair. Well, that's the

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worst part. And well, do
you know hard it was to get a

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piece of plexiglass that the camera can't
see separate between us. Yeah, no,

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that's like legit. That's very you
magically reach through sometimes to hit me.

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Uh, it's not magic when it
needs that. It just needs to

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be done, you know. But
no, no, but it's been.

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It's been a really cool thing doing
the video version of the podcast. So

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anyway, with that all being said, David and I have indeed seen the

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Barbenheimer. Yes, we have.
Actually that's true. In fact, I

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saw Barbie this morning. You saw
this morning? Yeah, I saw it

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last Thursday. And then because you're
a sellout friend, and then we saw

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Oppenheimer on Tuesday together. Yeah,
yeah, sell out. Oh my gosh,

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you're still the shades darker darker,
Dave, No, listen to this.

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I want to put this out to
the audience. Okay, So David

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and I were tight buds, right, we go to the movies together,

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we hang out together. I hurt
his feelings. It's a very good friendship.

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I like the way it works.
And so we see fifty Shades of

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Great on Valentine's Day together? Yea. Then what happens some fly by Night

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chicksa becomes David's flavor of the week, you know, it becomes his girlfriend,

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my current girlfriend at the time.
I went to see fifty Shades Darker

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with your your current girl. I
guess that does with that girlfriend at the

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time. Yeah, it'd be weird. I feel like my past girlfriend at

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the time, my former girlfriend,
like the current girlfriend at that time.

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Yes, yes, of course sades
or together. Henrik has never let me

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forget it, even though we saw
Fifty Shades Freed together. Yeah, once

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you were single again. Well that
was almost a year or two later.

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I can't remember when. That's not
my fault that you're you're reckless. But

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I went to see with my current
wonderful partner. I went to see Barbie

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Onto on a Thursday last week with
her and we had a great time with

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it. But Henrik still has not
let me forget about it, even because

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you didn't even give me a heads
up. It just happened. You what,

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you slipped on a wet sidewalk and
bought two tickets for Barbie. I

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pre order Barbie and then posted on
Facebook, and then that's when you saw

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it. I was like, oh, thanks for the heads. Yeah,

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but let me point out, Dave
will be the one who will like message

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me and like, YO, save
this one. Don't go see this one

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without me. You do that all
the time. You didn't say that about

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Barbie. I didn't realize I had
to call DIBs on the biggest movie in

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America. Oh my god. I
would still go see Barbie again with you,

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for I would probably go see it
again, but not with you.

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That's fair, all right, Yeah, that's right, all right. So

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anyway, but no, of the
two, which one did you like more?

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Did you like Barbie Moore or did
you like Oppenheimer more? It's really

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hard, honestly for me to pick
one of them because I know that,

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like, on one hand, Margot
Robbie's brilliant and Greta Gerwick is a brilliant

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directory, but on the other hand, like you just hate Japan, it's

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not what it is at all.
Now. The one thing that you've taught

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you and I talked about off Mike
already after we saw Oppenheimer was what really

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really pulled me into that movie was
Nolan's use of the sound design and the

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end the way that that constructed points
of the story. But then also this

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is a spoiler, but not really. The first two hours of the movie

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is basically the building of the bomb
and the testing of the bomb, and

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the last hour is the court trial, which wasn't even a court trial that

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led up to that basic Yeah,
the searing. Yeah, no, it's

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it's much more a film, ironically, people. The thing people are surprised

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by is that it's a film about
Robert Oppenheimer. Yeah, when the movie's

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called Opeppenheimer. Yeah, but it's
like, even I did it too.

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I thought that the movie was just
about the bomb, yeah, but which

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it is, But it's about largely
it's about Robert Oppenheimer. Yeah, uh,

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and Robert Oppenheimer. Oppenheimer made,
but he also did a lot of

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other things. Absolutely, I would
have to say I like Barbie, but

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I liked Oppenheimer a little bit more, which is a shock simply because I'm

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not that big a Nolan fan.
I get that now, I totally get

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I like I I probably liked Barbie
a little bit more too, But I

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really enjoyed Oppenheimer more than I thought
I Wouldn't it was just because the way

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that story was constructed in the editing, in that and overall everyone that's fucking

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in it. My god. But
Barbie also the same way. But like

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Barbie, you kind of got a
tease with that. With Oppenheimer. Neither

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of them had Vin Diesel what fu. But Oppenheimer you'd literally be watching and

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they go to an ext and you're
like, oh my god, that's such

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and such. Oh my god,
that's such and such, like just in

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bit roles that maybe have a line
or two and then you maybe see them

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once or twice again. Well,
that was one of the best examples of

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Dave's like, uh oh, the
kind of thing that you do sometimes when

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you're like when you don't hear or
you're in a hurry. Because I literally

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leaned over to you at one point
when they were showing these two signs and

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said, hey, Ronny Malick,
and you really and then said another scene

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with him, because we're like,
oh man, Romney Malick, and I

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was like, I said that to
you. I felt bad because when I

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recognized when I recognized making Bair or
Blair, I thought for a second that

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he was, Oh my god,
what's that guy's name? Blair making Now

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I'm blanking. But anyway, I
thought he was a different actor. And

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then you're like, that's making Blair. I'm like, holy shit, that

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is making Blair. In my world, he will always be known for Murder

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Part, Party and Blue and Green
Room. Well, he was in Green

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Room, but like Blue Ruin,
he was the star. He was a

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star, and he was phenomenal.
And his first feature was Murder Party.

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Well, and Kurt me if I'm
wrong. In Murder Party, you really

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don't even see his face for like
most of the movie because he has that

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wearwolf mask on. Right. That's
only the third act is because that's when

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it melts on. Yeah, yeah, yeah, And people like, what

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the hell is this movie? Yeah? See Murder Party. So I just

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wanted to get all that out of
the way because I am an excited,

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happy movie nerd. I got to
go to the movies twice in a week

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and it was friggin passed and that
felt so awesome show and best yet,

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I knew that David forgot about me. I did not forget about you.

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But you know what I will never
forget about Freddy's Nightmares, Season two,

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episode ten, Do you know where
your kids are? Sir David, give

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us the deeds alright. Details we
have original air date of December fourth or

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tenth, nineteen eighty nine. This
episode is directed by Bill Frolick. He

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was the writer and director of Returned
to Horror High. I find out something

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new with him every time, and
I think I've already said this, but

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this time it caught my attention again. He is the co executive producer for

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all of season two of Freddy's Nightmares
as well. He stepped up quite a

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bit. He was also a writer
on Polter Gas Polter Guy's Legacy, a

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show that our friend James Cappy wrote
on, and that Jeff Frylick and mcgiver

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silk Stalkings. I think I'm mistaken. I don't think he did run that

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one think in the dark Justice Yeah
anyway, Yeah. Episode was also written

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by Wayne Allan Rice. He was
the writer of a film called on You

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in ninety two, Class Act with
Kidden Play. Was it called only in

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ninety two or only You two?
Okay? I wouldn't be surprised if that

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was the title, because it Ryan. Yeah. So Class Act with kid

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in play in nineteen ninety two as
well. He wrote Suicide Kings in nineteen

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ninety seven. He's the producer of
gunther in the Paper Brigade in nineteen ninety

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six, which is a call back
to mister Robert England because he is in

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that movie as well. Oh,
okay, Lost and Found with David Spade

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in ninety nine, producer of Dude, Where's My Car? Two thousand,

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Killer Pad, the Robert England film
in two thousand and eight, And what

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I found super interesting was he was
also the producer on Valentine's Day in two

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thousand and ten, New Year's Even
two thousand and eleven, and Mother's Day

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in twenty sixteen. Really, so
all three of those movies. Yeah,

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the Mother's Day remake then no,
no, no Mother's Day like the one,

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like like Valentine's Day, like New
Year's Eve, those those multi love

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stories. Not see the Mother's Day. We both miss Mother's Day. That

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was Jason ted Lasso. Jason ted
Lasso, that's what weird names that polish.

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00:12:56.080 --> 00:13:01.120
What is his name? Ja yea, So yeah, we both missed

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00:13:01.159 --> 00:13:05.840
that one from the people who brought
you Labor Day. I love that movie.

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That is a that is quite a
film to watch. Man. So

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our episode opens with a shot of
exterior home in Springwood. We then see

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a bon Jovi poster as we hear
Heidi, who was played by Julie Saint

208
00:13:18.279 --> 00:13:20.000
Clair. She was in The Young
and the Restless in nineteen seventy three,

209
00:13:20.320 --> 00:13:24.600
Sid and Nancy and eighty six start
on the show Santa Barbara and eighty eight

210
00:13:24.919 --> 00:13:28.039
also appeared on Saved by the Bell
in ninety one, Sliders in nineteen ninety

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00:13:28.080 --> 00:13:31.840
seven. I love those burgers.
I love Sliders. That was a good

212
00:13:31.840 --> 00:13:35.799
show. Beverly Hills nine O two
one oh and ninety nine and to put

213
00:13:35.879 --> 00:13:39.000
a Cherry on top VIP The Pamela
Anderson Show two thousand oh. I didn't

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00:13:39.039 --> 00:13:43.960
realize that she'd done some classy work
too. So Heidi is sitting on the

215
00:13:43.000 --> 00:13:46.919
bed with her friend Lisa, who
was played by Suzanne Tara. She was

216
00:13:46.960 --> 00:13:50.200
in a movie called danger Zone in
nineteen eighty seven, Deadly Prey and eighty

217
00:13:50.200 --> 00:13:52.879
seven as well Deadly Prey. It
was I think it's the I don't think

218
00:13:52.879 --> 00:13:56.000
it's the Deadly Prey. We're thinking
of the prior movie, the David Pryor

219
00:13:56.000 --> 00:13:58.679
movie. No, no, no, this is the action film with the

220
00:13:58.840 --> 00:14:01.320
with the soldier. That's is that
the same one. Okay, that's yeah,

221
00:14:01.519 --> 00:14:05.159
yeah, okay, my bad.
No, what did you know?

222
00:14:05.000 --> 00:14:07.879
Did you thinking of? Are you
thinking of? Deadly? Uh? Deadly

223
00:14:09.279 --> 00:14:13.200
something? There's so many movies and
deadly and it's like Game thirty seven.

224
00:14:13.240 --> 00:14:16.679
Am I thinking a killer workout?
Killer workout? And Deadly? Frank came

225
00:14:16.679 --> 00:14:20.759
out around the same time from Olive. I think, uh yeah, it

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00:14:20.799 --> 00:14:24.799
could be anyway, let's keep going. I'm I'm tangent, I'm maggoty with

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00:14:24.879 --> 00:14:28.639
tangents today. So she was also
in the Fairrest Bueller series in nineteen ninety,

228
00:14:28.799 --> 00:14:33.240
dream On Bueller series that ran one
season, dream On in ninety one

229
00:14:33.360 --> 00:14:37.320
and again nine two one ninety five. She's finding out that Heidi asked one

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00:14:37.320 --> 00:14:41.399
of the hottest guys out in school, Kurt Walmart, and since Lisa's mom

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00:14:41.480 --> 00:14:43.799
is playing Bridge tonight, she was
hoping that she could bring him over to

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00:14:43.879 --> 00:14:46.639
Lisa's. How is his name?
Kurt Walmart? Walmart? Is what it

233
00:14:46.720 --> 00:14:50.279
said on? Is what it said
on the captions? Why trust caption because

234
00:14:50.320 --> 00:14:52.960
they're made by our good buddy who
gave us the set, So I trust

235
00:14:54.039 --> 00:14:54.600
him. You don't know that he
made them. We don't know where he

236
00:14:54.679 --> 00:15:01.120
got those didn't even wash them first
find out. So Kurt is one of

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00:15:01.159 --> 00:15:03.519
the hottest guys in school and Lisa
is finding out that Heidi asked him out,

238
00:15:03.639 --> 00:15:07.799
and Heidi adds that there's another small
problem. She promised or she me

239
00:15:07.480 --> 00:15:11.960
no way at first is what Heidi
says when Lisa or I'm almost wow,

240
00:15:13.559 --> 00:15:16.279
this is my laptop. You take
I like it's like it's harder because I'm

241
00:15:16.360 --> 00:15:20.759
using a computer and shut up a
piece of paper. Listen to old man

242
00:15:20.879 --> 00:15:24.120
Denoyer over here. Since Lisa's mom's
Langridge tonight, she was hoping that she

243
00:15:24.240 --> 00:15:28.320
could bring him over to Lisa's house. Lisa states no way at first,

244
00:15:28.360 --> 00:15:31.440
but Heidi tells her that she's her
best and closest friend and eventually wins Lisa

245
00:15:31.519 --> 00:15:35.639
over to get permission. But Heidi
adds another small problem. She promised the

246
00:15:35.759 --> 00:15:39.360
Burtons that she'd babysit for them tonight, asking Lisa to take over the gig.

247
00:15:39.519 --> 00:15:46.200
And I want to say, yeah, that I was so amped about

248
00:15:46.279 --> 00:15:50.360
the fact that we're getting a high
school drama type episode. Yeah, and

249
00:15:50.159 --> 00:15:56.840
babysitters Yeah. I mean, you
can't get much more like classic eighties horror

250
00:15:56.200 --> 00:15:58.799
concepts than that. Well, and
we did not mention that this is a

251
00:16:00.200 --> 00:16:03.399
direct sequel to the episode Bloodlines as
well, which we'll get to in a

252
00:16:03.440 --> 00:16:06.720
second. Oh oh, yeah it
is, Yes, it is. So

253
00:16:07.279 --> 00:16:10.480
she promised the Burtons she'd babysit for
them tonight. Asking to take over the

254
00:16:10.519 --> 00:16:12.039
gig, Lisa tells her nose,
stating that she has to study, but

255
00:16:12.159 --> 00:16:15.960
Heidi says that she can study over
there. Heidi begs Lisa, stating she's

256
00:16:15.960 --> 00:16:19.360
her only hope and she's begging her. So Lisa deviously ask what is she

257
00:16:19.519 --> 00:16:22.559
going to do for her in return, and Heidi tells her that she'll set

258
00:16:22.600 --> 00:16:26.440
her up with one of Kurt's friends. Lisa agrees to babysit, and Heidi

259
00:16:26.519 --> 00:16:30.399
hands her the paper with the address, stating she already phoned the Burtons,

260
00:16:30.440 --> 00:16:33.480
telling them ahead of time that she'd
be filling in. This causes Lisa to

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00:16:33.519 --> 00:16:36.960
look at Heidi with disbelief, before
Heidi proudly states that she has faith in

262
00:16:37.000 --> 00:16:41.840
their friendship and she needs to get
started on her hair. Huh. Yeah,

263
00:16:44.480 --> 00:16:47.720
so I was trying to quietly signal
David that his microphones pointed at his

264
00:16:47.799 --> 00:16:52.320
nose. Thank you, No,
it still is now your nose is up

265
00:16:52.360 --> 00:16:56.559
there. You got it, got
it, It's okay. I just should

266
00:16:56.559 --> 00:17:00.480
have said I tried. I tried
to not say anything because I don't want

267
00:17:00.480 --> 00:17:02.639
to turn into a big thing,
and now it is a way bigger thing.

268
00:17:02.879 --> 00:17:08.240
No, but what I wanted to
say was nothing beats pawning off a

269
00:17:08.400 --> 00:17:12.480
dangerous babysitting job on your friend yea, which reminds me, David, I

270
00:17:12.559 --> 00:17:17.480
have a pit bull whose name is
Foemy. No, well, they'll hear

271
00:17:17.559 --> 00:17:23.000
me out. We named him Foamy
because he has rabies. No because he

272
00:17:23.119 --> 00:17:29.160
bit the janitor. Ah, David, you have so much prejudice, So

273
00:17:29.599 --> 00:17:33.079
continue. Lisa tells her to wait, stating she doesn't even know how many

274
00:17:33.160 --> 00:17:34.759
kids the Burtons have, but Heidi
tells her don't worry about it, it's

275
00:17:34.759 --> 00:17:37.440
a piece of cake, before running
off to the other room. We next

276
00:17:37.480 --> 00:17:41.960
see Lisa approaching the Burtons residence.
She knocks, but no one answers,

277
00:17:41.079 --> 00:17:45.440
so she enters and is immediately attacked
at the legs by one of the Burton's

278
00:17:45.519 --> 00:17:48.960
children, Will, who is played
by Christopher Finfrock. He was in the

279
00:17:48.000 --> 00:17:52.200
TV series Fresno in nineteen eighty six. The James Wood film in Love and

280
00:17:52.279 --> 00:17:56.519
War and eighty seven, Day by
Day in eighty eight, and he also

281
00:17:56.599 --> 00:18:00.200
appeared in a homie The Clown Sketch
or No Fire Marshal Bill in Living Color

282
00:18:00.359 --> 00:18:03.000
in nineteen ninety two. I love
in Living Color too. Did you remember

283
00:18:03.319 --> 00:18:07.000
you're too young? Do you remember
a Roundhouse on Nickelodeon? No, you

284
00:18:07.079 --> 00:18:10.240
might have seen. I know about
it. Yeah, oh so that was

285
00:18:10.319 --> 00:18:17.640
the original variety show like snl okay, same creator is in Living Color anyway.

286
00:18:17.759 --> 00:18:19.720
I just so excited when I found
that out. That show predated all

287
00:18:19.759 --> 00:18:22.119
that by like what three four years? Oh yeah, yeah, yeah,

288
00:18:22.200 --> 00:18:26.720
oh yeah. So we've got the
little brass. Yeah. So he latches

289
00:18:26.759 --> 00:18:30.720
onto her leg, telling her she's
dead jokingly. Lisa introduces herself as the

290
00:18:30.759 --> 00:18:33.480
sitter, and Will tells her his
name and that he's six, holding up

291
00:18:33.519 --> 00:18:37.240
his fingers to signify that age.
Lisa asked Will where his parents are,

292
00:18:37.319 --> 00:18:41.400
when suddenly we hear some on screen
moaning as Lisa looks over to the basement

293
00:18:41.440 --> 00:18:45.079
door rattling and shaking outside of the
wall. By itself, it sounds like

294
00:18:45.200 --> 00:18:48.000
someone is having a really bad time
that it does or a really good time.

295
00:18:48.160 --> 00:18:52.920
So the moaning continues as Lisa asked, what is that, Will nonchalantly

296
00:18:52.960 --> 00:18:56.559
answers, Oh, that's my sister
Patty, before getting on his tricycle,

297
00:18:56.640 --> 00:19:00.400
leaving Lisa to stare in horror as
he rides off. We cut to Freddie's

298
00:19:00.440 --> 00:19:03.160
domain, where we see children's toys
in a line and hear Freddie's state Patty

299
00:19:03.720 --> 00:19:08.200
Patty patty cake. Yeah, Pattycake, pattycake. Baker's man. Catch a

300
00:19:08.319 --> 00:19:11.880
babysitter as fast as I can.
So you want to be a babysitter?

301
00:19:12.160 --> 00:19:15.680
Want to get paid? Rule number
one, don't die on the job,

302
00:19:15.920 --> 00:19:19.480
which, for the is a good
rule in every profession. If one of

303
00:19:19.519 --> 00:19:22.160
your paid, you don't die on
the job, that's a very doesn't work

304
00:19:22.200 --> 00:19:25.640
out so well, no, it
does not. If you die on the

305
00:19:25.759 --> 00:19:27.400
job. Like, isn't that why
you had to quit working at that shoe

306
00:19:27.440 --> 00:19:30.960
store? It could be like they
literally they were like they were like,

307
00:19:32.200 --> 00:19:37.039
David, we gotta clean your corpse
up again. Chris just isn't working out.

308
00:19:37.559 --> 00:19:41.440
We're gonna reanimate your body and we're
gonna send you home. But I

309
00:19:41.480 --> 00:19:44.319
think I would rather have my my
corpse clean than my clock clean. For

310
00:19:44.400 --> 00:19:48.160
that matter. Oh I'll clean your
clock. So we got back to Lisa

311
00:19:48.240 --> 00:19:52.000
as mister Jack Burton played by Chris
Nash, reprising his role from Bloodlines.

312
00:19:52.240 --> 00:19:55.400
The man was in Family Ties in
nineteen eighty three, The RAF in nineteen

313
00:19:55.440 --> 00:19:57.960
eighty six, Amazing Stories in eighty
seven. He comes down the stairs,

314
00:19:57.960 --> 00:20:02.319
introducing himself, and Lisa tries to
ask him about the noise in the basement,

315
00:20:02.440 --> 00:20:04.359
but Jack calls to his wife,
Jill, stating if they are already

316
00:20:04.440 --> 00:20:10.920
late? Jack's wife Jill, Yeah, Jack and Jill yeah. What Hesa

317
00:20:11.119 --> 00:20:14.559
tries to ask him again, but
Jack ignores her, posing a rhetorical question

318
00:20:14.640 --> 00:20:18.160
of why wives always make it so
their husbands can never get anywhere on time.

319
00:20:18.559 --> 00:20:21.440
He calls to Jill again and finds
here in the kitchen sending food down

320
00:20:21.480 --> 00:20:23.720
a dumb waiter. Lisa tries to
ask Jill, who was played by Janine

321
00:20:23.799 --> 00:20:27.279
Lewis, who was in Nash Bridges
in two thousand and thirteen, reasons why

322
00:20:27.359 --> 00:20:30.880
in twenty nineteen those are the only
two things on her resume besides Freddy's nightmares?

323
00:20:32.000 --> 00:20:33.480
Huh did she have like another job? Was she like a producer or

324
00:20:33.519 --> 00:20:36.920
something? And nothing else was on
there so it may have been another name

325
00:20:37.000 --> 00:20:38.720
she was under. I'm not sure, and I will say, and I

326
00:20:38.720 --> 00:20:41.319
don't mean to be rude. Yeah, she did seem to be kind of

327
00:20:41.319 --> 00:20:44.599
a weak actress in this. Yeah, I will say that too, which

328
00:20:44.680 --> 00:20:47.440
made me wonder if maybe she was
like a friend of a friend or like,

329
00:20:47.599 --> 00:20:49.200
you know, filling in, or
if she was a producer, production

330
00:20:49.799 --> 00:20:53.480
designer or something something else, But
I don't know. So Lisa asked Jill

331
00:20:53.480 --> 00:20:56.000
about the noise and she responds with, oh, Heidi didn't tell you.

332
00:20:56.279 --> 00:20:59.880
Jack motions her to the door,
and Jill tells her that everything will be

333
00:21:00.079 --> 00:21:03.519
fine as long as she doesn't open
the basement door under any circumstance, which

334
00:21:03.599 --> 00:21:07.720
is always a good sign. Yes
it is. Jack and Jill leave as

335
00:21:07.799 --> 00:21:11.559
Lisa stands faking a smile in the
kitchen at Will, who asked what Heidi

336
00:21:11.680 --> 00:21:15.240
was supposed to tell her. Will
tells Lisa about Patty, who's locked in

337
00:21:15.279 --> 00:21:17.960
the basement because he was young.
When he was younger, she tried to

338
00:21:18.039 --> 00:21:19.759
hurt him a lot, and the
doctors wanted her to live in the hospital,

339
00:21:19.880 --> 00:21:23.480
but Jack wouldn't let them take her
because he's cheap. That is true.

340
00:21:25.319 --> 00:21:26.680
Oh sorry, go ahead, Oh
it's gonna say real quick, Dave,

341
00:21:27.519 --> 00:21:32.920
do you want to help our audience
understand why this episode is a sequel

342
00:21:33.160 --> 00:21:37.519
absolutely two Bloodlines, because you always
make me explain a story and B story

343
00:21:37.519 --> 00:21:40.440
I would be happy, so I
think it's only fair that you explain.

344
00:21:40.640 --> 00:21:44.960
So this, mister Jack Burton,
is our sequel cap along with Patty in

345
00:21:45.000 --> 00:21:48.000
this episode because in Bloodlines B story, you got the story of Jack and

346
00:21:48.160 --> 00:21:52.319
his wife at the time adopting a
kid, but they didn't know where she

347
00:21:52.440 --> 00:21:55.079
came from. The wife was trying
to figure out who it was. They

348
00:21:55.160 --> 00:21:57.319
find out this whole story that's actually
repeated in this episode as well, that

349
00:21:57.440 --> 00:22:03.640
Patty was the daughter of a inmate
and a nurse relationship that happened at the

350
00:22:03.680 --> 00:22:07.720
asylum. The mother, that's an
interesting way to put it. In relationship,

351
00:22:07.119 --> 00:22:11.519
the mother tried to basically abort the
child, but it didn't happen.

352
00:22:11.680 --> 00:22:15.119
When the child got born, her
mother like leapt out of an eight story

353
00:22:15.200 --> 00:22:19.759
window and died, unfortunately because would
be way too high. So then at

354
00:22:19.799 --> 00:22:25.000
the end of Bloodlines you found out
that Patty supposedly killed her mother, which

355
00:22:25.000 --> 00:22:27.400
we saw on screen, and then
Jack basically was left to raise her.

356
00:22:27.519 --> 00:22:32.000
So in this story, what we're
finding out is Jack got remarried and Patty

357
00:22:32.039 --> 00:22:34.200
has been locked in the cellar for
the last three years. Yeah, and

358
00:22:34.319 --> 00:22:38.480
and before that, like because the
kids like, what five or something?

359
00:22:38.680 --> 00:22:44.200
Yeah, or eight six six six
six, So so she's so it's been

360
00:22:44.240 --> 00:22:49.000
six years since the original show.
Yeah. Clearly that timing doesn't work though,

361
00:22:49.079 --> 00:22:52.599
because like when we see Patty later
in the episode, she's clearly the

362
00:22:52.640 --> 00:23:00.519
same age at Lisa and Lisa's like
sixteen at least, David, what never

363
00:23:00.799 --> 00:23:06.079
in the Nightmare on Elm Streets series
as a whole, let alone on its

364
00:23:06.240 --> 00:23:10.960
perfect Freddy's Nightmares, has there ever
been a timeline discrepancy? No? No,

365
00:23:11.079 --> 00:23:15.359
not at all, nothing, nothing
regards of that. David, I'm

366
00:23:15.400 --> 00:23:21.680
gonna I'm gonna need you to apologize, So Lisa asked him if he ever

367
00:23:21.799 --> 00:23:25.519
goes down there, and Will states
that nobody does as the dumb waiter returns

368
00:23:25.519 --> 00:23:30.680
with food eating and growling sounds coming
from the shaft to the basement. But

369
00:23:30.799 --> 00:23:36.160
you did? You did? I
apologize to this, but I meant why

370
00:23:36.680 --> 00:23:38.799
did they do sequel episodes? Oh? Oh, I don't want me to

371
00:23:40.400 --> 00:23:45.160
explain a story and b story?
No? No, but literally, David's

372
00:23:45.279 --> 00:23:48.720
jerk. So I'll explain it real
quick. So the reason the A and

373
00:23:48.799 --> 00:23:52.519
B stories are the way they are
will explain later. And we've explained every

374
00:23:52.559 --> 00:23:56.240
episode. But in the second season, they started selling some of the episodes

375
00:23:56.319 --> 00:24:02.240
of Freddy's Nightmares not a sequels as
feature your movies. So overseas, New

376
00:24:02.319 --> 00:24:06.359
Line Cinema would have trouble selling the
episode, so they would cut them together

377
00:24:06.640 --> 00:24:10.799
and make them ninety minute stories.
So that would require them to combine roughly

378
00:24:10.960 --> 00:24:14.359
two episodes, a forty four minute
episode and another forty four minutepisode, and

379
00:24:14.400 --> 00:24:15.359
you end up with an eighty eight
minute show. There you go. So

380
00:24:15.599 --> 00:24:21.640
that's how they did it, and
that's why they made these episodes be thinly

381
00:24:21.799 --> 00:24:26.279
veiled sequels. Yeah, so now
you have a series. Freddie's Nightmares is

382
00:24:26.519 --> 00:24:32.400
truly like talk about like you want
to see a television show that made the

383
00:24:32.480 --> 00:24:37.119
writers earn their money. It's like, Okay, you can't use our ip

384
00:24:37.359 --> 00:24:41.039
too much. We don't want you
to overexpose Freddie. Yes, I know,

385
00:24:41.160 --> 00:24:44.039
he's why everyone's watching. Don't do
them too much. Okay, that's

386
00:24:44.079 --> 00:24:45.640
one number two. Okay, the
show needs to work as a twenty two

387
00:24:45.640 --> 00:24:48.240
minute episode, but it also needs
to work as a forty four minute episode,

388
00:24:48.319 --> 00:24:52.240
but it also needs to combine with
another episode to be a forty to

389
00:24:52.279 --> 00:24:56.079
be an eighty eight minute episode,
that episode also has to work as a

390
00:24:56.160 --> 00:25:00.480
twenty two and a forty four minute
episode. When you look at it like

391
00:25:00.680 --> 00:25:06.519
that, Yeah, it's amazing the
show got done. That's so complicated.

392
00:25:06.640 --> 00:25:10.799
Yeah, and Frilick touched on that
quite a bit, and al Katz touched

393
00:25:10.839 --> 00:25:12.160
on that quite a bit as well. Even Cappy talked in a little bit.

394
00:25:12.200 --> 00:25:15.440
Yeah. Yeah, it's a fascinating
move. It does make it fun

395
00:25:15.519 --> 00:25:18.200
because it makes the shows more of
a grab bag. Yeah, you really

396
00:25:18.279 --> 00:25:22.160
don't know what you're gonna get until
you're getting it. And this episode there's

397
00:25:22.200 --> 00:25:26.039
really no exception. So it's not
thank you for for you know, very

398
00:25:26.160 --> 00:25:30.599
much more complicated. But well,
no, you were just thinking from a

399
00:25:30.680 --> 00:25:33.599
story perspective, you know, I'm
kidding. You weren't thinking. So Lisa

400
00:25:33.640 --> 00:25:37.559
tells Will it's bedtime, but We'll
argues it's not even ten o'clock, but

401
00:25:37.640 --> 00:25:40.920
Lisa picks him up off the tricycle
and takes him to his room. In

402
00:25:41.079 --> 00:25:45.599
Will's room, we see a poster
for Texas Chainsaw Massacre, various monster figures

403
00:25:45.640 --> 00:25:48.640
in masks and in Bill Will is
tucked in as Lisa sits on the bed

404
00:25:48.720 --> 00:25:51.400
next to him, telling her that
she has to read hit to him before

405
00:25:51.440 --> 00:25:55.039
he goes to sleep. He hands
her a book entitled I Was a Grade

406
00:25:55.079 --> 00:25:59.240
School Zombie by our Dog Thomas,
which, by the way, a classic.

407
00:25:59.319 --> 00:26:02.480
Oh Yeah. She questions if his
parents let him read this stuff,

408
00:26:02.519 --> 00:26:04.680
and Will tells her they bought it
for me. Lisa asked if he'd rather

409
00:26:04.759 --> 00:26:08.119
hear fairy tales like Sleeping Beauty or
Peter Pan, but Will tells her that

410
00:26:08.200 --> 00:26:11.839
he likes these. We see Lisa
has finished the books sometime later and Will

411
00:26:11.960 --> 00:26:15.920
is asleep. She returns to the
kitchen to get some food and finds that

412
00:26:15.000 --> 00:26:18.880
the basement door knob is rattling,
like someone's trying to get in or out.

413
00:26:19.680 --> 00:26:22.720
I would bet on out. She
grabs the door knob and it stops

414
00:26:22.759 --> 00:26:26.119
as she slowly backs away. Suddenly, a monstrous hand comes from a corridor,

415
00:26:26.279 --> 00:26:30.200
grabbing her and pulling her down,
but we see Will trying to shake

416
00:26:30.240 --> 00:26:33.640
her awake, showing that a sleeping
Lisa in reality fell asleep while reading to

417
00:26:33.799 --> 00:26:37.240
him, and Lisa wakes up and
looks horrified as she takes some deep breaths.

418
00:26:37.799 --> 00:26:41.799
The next scene, we see Lisa
on the phone calling her house trying

419
00:26:41.799 --> 00:26:44.400
to get ahold of Heidi, who
doesn't respond as she is shown to be

420
00:26:44.480 --> 00:26:48.279
on Lisa's bed in deep makeout with
Kurt, who is played by Brad Hunt.

421
00:26:48.440 --> 00:26:51.559
He was in The Wonder Years in
nineteen ninety one, se Quest in

422
00:26:51.640 --> 00:26:56.319
nineteen ninety three, The Mahaland Falls
movie in nineteen ninety six, Fire Down

423
00:26:56.359 --> 00:27:02.759
Below with Steven Sagale on ninety Sevennolia
in nineteen ninety nine, Blow in two

424
00:27:02.799 --> 00:27:06.319
thousand and one, NYPD Blue in
nineteen ninety three, and one of my

425
00:27:06.440 --> 00:27:11.079
favorites, The Tripper in two thousand
and six, The Ronald. That is

426
00:27:11.079 --> 00:27:14.880
correct, So real, quick question
for you, yea, how do you

427
00:27:15.079 --> 00:27:18.839
define make out? Yeah? I
don't know how else to describe it,

428
00:27:18.920 --> 00:27:21.880
To be honest, it was more
so they were making out and really not

429
00:27:22.039 --> 00:27:26.720
distracted by the phone at all.
What could you describe it? Slower?

430
00:27:26.920 --> 00:27:33.599
No, damn. So Lisa isn't
having it as she tells Heidi how upset

431
00:27:33.680 --> 00:27:36.559
she is that she didn't mention the
crazy daughter in the basement, nor the

432
00:27:36.599 --> 00:27:38.799
fact that the Burtons are not a
normal family. She gets even more upset,

433
00:27:38.880 --> 00:27:42.240
realizing that she's leaving this message on
her own machine. Before hanging up,

434
00:27:42.839 --> 00:27:45.960
Lisa begins to look around the living
room at the various items, including

435
00:27:47.000 --> 00:27:49.720
photo albums, before Patty starts to
moan and shake the house again. Lisa

436
00:27:49.799 --> 00:27:52.640
goes to the basement door in the
kitchen, opening it and making her way

437
00:27:52.680 --> 00:27:56.039
down the steps as we hear Patty's
cries get louder. At the bottom of

438
00:27:56.039 --> 00:27:59.640
the steps, she finds a steel
door with scratch marks on it, so

439
00:27:59.720 --> 00:28:03.480
she turns to the living room reading
a school book. Time passes as we

440
00:28:03.519 --> 00:28:07.640
see Lisa wake up, just wake
up, just as a creepy, shadowy

441
00:28:07.680 --> 00:28:10.799
figure passes behind her in the glass
doors in the living room. And I

442
00:28:10.880 --> 00:28:12.160
don't know if you were watching this
on Daily Emotion or no, no,

443
00:28:12.240 --> 00:28:15.240
I was watching. But he had
horns, Yeah, had horns. Looked

444
00:28:15.279 --> 00:28:19.480
like a little no spratto hands.
Oh yeah yeah, yeah, like like

445
00:28:19.599 --> 00:28:23.480
the before thrillers started dancing. Yeah, it was. It was super creepy,

446
00:28:23.599 --> 00:28:26.400
really cool. But you know what, at that moment I noticed two

447
00:28:26.440 --> 00:28:30.599
things. Yeah, number one episodes
a lot of fun, it really is.

448
00:28:30.799 --> 00:28:33.240
And number two, well, this
segment of it is. And number

449
00:28:33.319 --> 00:28:38.440
two it gave me like, massive, massive are you afraid of the Dark?

450
00:28:40.680 --> 00:28:42.079
And I know, I mean that
was later, yeah, but it

451
00:28:42.200 --> 00:28:45.079
just gave me that sense of like
this felt almost like it was a kid's

452
00:28:45.240 --> 00:28:48.759
well horror thing. Even the music
cues and the way that the effects are

453
00:28:48.920 --> 00:28:52.839
and like anytime she's grabbed in the
way the camera just like falls it like

454
00:28:52.960 --> 00:28:55.279
that all reminds me of are you
afraid of the Dark? Yeah? Yeah,

455
00:28:55.319 --> 00:28:56.680
no, I totally agree. So
Lisa makes her way up the stairs

456
00:28:56.720 --> 00:29:00.720
to check on Will, who she
finds sleep in peace in his bed.

457
00:29:00.920 --> 00:29:03.720
She returns to the kitchen and back
down to the basement steps, where she

458
00:29:03.799 --> 00:29:07.279
finds the basement door with a giant
hole in the center. She panics and

459
00:29:07.400 --> 00:29:10.160
races up the steps again to find
that Will is not in his bed and

460
00:29:10.240 --> 00:29:12.759
now his bedroom window is open.
She races outside, calling to Will,

461
00:29:12.839 --> 00:29:15.920
but finds nothing. Looking back up
at his bedroom window, we then see

462
00:29:15.960 --> 00:29:21.079
the shadowy devil figure rise up,
creepy like posing in the window before the

463
00:29:21.200 --> 00:29:25.440
room goes completely dark before Lisa.
She calls his name again, racing back

464
00:29:25.480 --> 00:29:26.839
to the house, but now the
front door is locked, so she runs

465
00:29:26.839 --> 00:29:30.000
to the side of the window and
sees the creature. Taking a pleading Will

466
00:29:30.119 --> 00:29:33.200
up the steps of the home,
but suddenly we see Lisa back in the

467
00:29:33.240 --> 00:29:37.799
living room as her head goes forward, revealing again this to be a nightmare

468
00:29:37.880 --> 00:29:42.480
as she falling asleep while studying crazy
right, Oh so crazy? So somebody

469
00:29:42.519 --> 00:29:47.559
actually was dreaming. I know,
I'm a white Christmas. Indeed, she

470
00:29:47.799 --> 00:29:49.759
races up the steps to check on
Will again, and this time finds that

471
00:29:49.920 --> 00:29:52.759
the bed is empty. She runs
back to the kitchen, finding the basement

472
00:29:52.759 --> 00:29:56.440
door jar, but Will and Will
on the front steps of the steel door.

473
00:29:56.720 --> 00:30:00.319
She joins him at the steps,
asking what he's doing dow on here,

474
00:30:00.400 --> 00:30:03.359
and Will tells her he does this. Uh, he couldn't sleep,

475
00:30:03.400 --> 00:30:04.559
so he comes down to listen to
her as he likes No, no,

476
00:30:06.200 --> 00:30:08.160
as he likes you. Say.
His line was, I like to listen

477
00:30:08.599 --> 00:30:14.240
and I want to point out my
note literally says the quote I like to

478
00:30:14.319 --> 00:30:15.880
listen, and then all I all
I wrote next I was what a little

479
00:30:15.920 --> 00:30:22.200
freak. Sometimes my notes make me
laughing. Sometimes I'm doing them when I'm

480
00:30:22.200 --> 00:30:26.359
really tired, like like today's episode, I was running around. I hung

481
00:30:26.400 --> 00:30:30.839
up with my mom. My mother's
been going through knee surgery thing so it's

482
00:30:30.960 --> 00:30:34.519
been stressful whatever, but like she's
doing fine. But like, yeah,

483
00:30:34.599 --> 00:30:37.440
so I get home, I scarf
down lunch as fast as I can.

484
00:30:37.480 --> 00:30:40.960
I felt bad because I kind of
snapped at you because you must have you

485
00:30:41.000 --> 00:30:42.319
watched her episode. I'm like,
dude, I just got home and I'm

486
00:30:42.440 --> 00:30:45.960
literally inhaling my lunch so I can
start working on it. Like, why

487
00:30:47.000 --> 00:30:48.880
are you harshing me? People don't
realize, well, I think they do.

488
00:30:49.039 --> 00:30:52.039
I think that they realize by hearing
us talk clearly the bully of this

489
00:30:52.079 --> 00:31:00.480
French ner ho whoa, whoa whoa. But no, but at all things

490
00:31:00.559 --> 00:31:02.960
said. Sometimes I was very tired. I was like, as soon as

491
00:31:02.960 --> 00:31:04.119
I write this episode, I'm gonna
take a nap till Dave gets over.

492
00:31:04.519 --> 00:31:07.000
And yeah, so sometimes the notes
make me laughing. That one what a

493
00:31:07.039 --> 00:31:10.920
little free Oh yeah. Well then
he also says that Patty misses him,

494
00:31:11.440 --> 00:31:14.759
so Lisa tells Will to go back
up the steps. Oh yeah, and

495
00:31:15.160 --> 00:31:18.400
he does. Lisa approaches the door, calling to Patty, asking her if

496
00:31:18.440 --> 00:31:22.400
she's really in there, and introducing
herself as Lisa the babysitter. Patty goes

497
00:31:22.519 --> 00:31:25.720
silent as Lisa approaches the door,
but suddenly A bang rings out from the

498
00:31:25.759 --> 00:31:27.880
door, starting with Lisa, who
returns up the steps as Patty begins to

499
00:31:29.000 --> 00:31:33.240
laugh maniacally. Yeah she's good at
that. Yeah. Lisa returns to the

500
00:31:33.319 --> 00:31:36.680
kitchen and we cut back to Heidi
and Kurt still making out on Lisa's bed,

501
00:31:36.759 --> 00:31:40.039
but Lisa, once again not having
it, threatens over the answering machine

502
00:31:40.039 --> 00:31:41.920
that if Heidi doesn't pick up,
not only will she never talk to her

503
00:31:41.960 --> 00:31:47.000
again, but she's going to start
a rumor that Heidi gave Kurt her herpes.

504
00:31:49.000 --> 00:31:53.519
I love it hearing this. Hold
on so but they so they reacted

505
00:31:53.599 --> 00:31:56.200
to this, yes time? Oh
yeah, so this was, by your

506
00:31:56.200 --> 00:31:59.680
account, not a deep makes a
deep makeout? No, no, no,

507
00:31:59.839 --> 00:32:02.160
okay, I just wanted to make
that clear. I'm trying. We're

508
00:32:02.240 --> 00:32:07.359
creating like a you know, like
a what do you call it, Like

509
00:32:07.440 --> 00:32:09.759
a like the thing you have for
maps. Oh yeah, yeah, we're

510
00:32:09.799 --> 00:32:14.359
creating a key, yeah, for
for how you talk. So, hearing

511
00:32:14.400 --> 00:32:16.359
this, Kurt immediately stops kissing on
Heidi and moves to the side of the

512
00:32:16.400 --> 00:32:20.519
bed, staring at her. Heidi
tells him she's just kidding. As she

513
00:32:20.599 --> 00:32:22.920
goes to the phone. Heidi asked
Lisa is that you? And Lisa asked

514
00:32:22.960 --> 00:32:27.839
why Heidi didn't mention anything about Patti, but Heidi asked if they can discuss

515
00:32:27.880 --> 00:32:30.440
this in the morning, but Lisa
says they're going to discuss this now.

516
00:32:30.960 --> 00:32:34.279
Heidi tells her that Patti is a
little crazy, which makes Lisa almost laugh

517
00:32:34.359 --> 00:32:38.400
and repeat a little crazy. Heidi
then tells her that, oh my God,

518
00:32:39.440 --> 00:32:43.759
tells Lisa that Patty isn't even their
real daughter, adding that her real

519
00:32:43.880 --> 00:32:46.440
father is said to be a patient
at Springwood Asylum for the Criminally Insane.

520
00:32:46.480 --> 00:32:52.319
So now we have the Springwood Insane
Asylum of course, yeah, because why

521
00:32:52.400 --> 00:32:55.240
not? And her mother was a
nurse that had committed suicide. Lisa asked

522
00:32:55.279 --> 00:33:00.440
if they adopted Lisa asked her they
adopted her, and Heidi explains technically it

523
00:33:00.480 --> 00:33:04.079
was mister Burton who adopted her and
the original missus Burton died, adding they

524
00:33:04.119 --> 00:33:07.559
say that Patty killed her, but
it could have been an accident. Could

525
00:33:07.839 --> 00:33:09.359
yeah, could have It was not, but it could I mean no,

526
00:33:09.480 --> 00:33:12.759
but there are lots of things like
that, you know, like I could

527
00:33:12.799 --> 00:33:15.799
have had filet mignon for lunch,
but I had hearties exactly. You know.

528
00:33:15.079 --> 00:33:19.640
It's just but I could have.
Lisa isn't advigate and tells Heidi she

529
00:33:19.720 --> 00:33:22.319
has twenty minutes to get to the
Burton's house because she's leaving. Heidi tries

530
00:33:22.359 --> 00:33:25.160
to reason with Lisa, but Lisa
says she'll leave in twenty even if she

531
00:33:25.240 --> 00:33:29.720
doesn't show up. Heidi agrees and
hangs up before going back and kissing on

532
00:33:29.839 --> 00:33:31.759
Kurt. Lisa sits in the living
room, reading and waiting for Heidi.

533
00:33:32.000 --> 00:33:36.319
She goes to the kitchen, grabbing
a drumstick and some string as she drops

534
00:33:36.359 --> 00:33:37.759
it down the shaft of the dumb
waiter. Well, for the record,

535
00:33:37.839 --> 00:33:40.039
a drumstick on string, I mean, that's how I caught you to host

536
00:33:40.119 --> 00:33:44.480
the show. Of this is true, it's very effective. Patty growls and

537
00:33:44.640 --> 00:33:47.279
latches onto the drumstick, pulling it
down quickly and the string out of Lisa's

538
00:33:47.319 --> 00:33:51.920
hand. Suddenly, Lisa gets dragged
to the ground as the string wraps around

539
00:33:51.920 --> 00:33:53.680
her leg and begins pulling her towards
the shaft of the dumb waiter. She

540
00:33:53.759 --> 00:33:57.599
gets her leg loose and scoots back
across the floor to the back door.

541
00:33:57.680 --> 00:34:00.200
Which that must be some very strong
string to pull or hey, here's my

542
00:34:00.319 --> 00:34:07.039
note, that's some Hella strong string
because we're talking like yarn, like we're

543
00:34:07.079 --> 00:34:09.920
talking like it was yarn twine.
Yeah, yeah, yeah, for sure,

544
00:34:10.000 --> 00:34:13.360
for sure. So we next see
that Lisa is back in the living

545
00:34:13.440 --> 00:34:15.119
room, expecting the cut on her
hand from when Patty tugged the string out

546
00:34:15.159 --> 00:34:19.039
of her hand. Suddenly, Heidi
sneaks up, speaking to Lisa, but

547
00:34:19.159 --> 00:34:22.159
Lisa isn't or Belisa is relieved to
see her. Lisa says she's ready to

548
00:34:22.280 --> 00:34:24.840
leave as this place is giving her
the creeps, but Heidi asked her to

549
00:34:24.880 --> 00:34:28.679
stay for just a few minutes while
she goes upstairs to check on Will.

550
00:34:29.760 --> 00:34:32.039
And I gotta say, you know, for a reluctant babysitter, she really

551
00:34:32.079 --> 00:34:35.719
doesn't want that little shit to die. No, she doesn't, which I

552
00:34:35.800 --> 00:34:38.679
guess, you know, go her. So Lisa agrees, and Heidi makes

553
00:34:38.679 --> 00:34:42.840
her way up. The phone rings
and Lisa answers it. Hearing Heidi state

554
00:34:42.920 --> 00:34:45.639
that she's leaving now and she'll be
there soon. Lisa laughs, stating it's

555
00:34:45.639 --> 00:34:49.639
not funny to call her from the
upstairs, but Heidi ask what she's talking

556
00:34:49.719 --> 00:34:52.280
about. Lisa states that she just
went upstairs and to quit messing around,

557
00:34:52.320 --> 00:34:57.280
but Heidi tells Lisa that she's at
her house and proves it by playing Lisa's

558
00:34:57.320 --> 00:35:00.480
message greeting on her machine. Lisa
suddenly gets very scared, questioning if she's

559
00:35:00.519 --> 00:35:04.800
not upstairs, who is. But
Heidi wastes no time telling Lisa to get

560
00:35:04.840 --> 00:35:07.920
out of the house. But we
suddenly hear a distress Will calling from the

561
00:35:07.000 --> 00:35:10.000
kitchen, as Lisa enters to find
him being pulled down the dumb waiter.

562
00:35:10.400 --> 00:35:14.079
She tries to grab him, but
it's no use as Will is pulled down.

563
00:35:14.320 --> 00:35:16.320
Suddenly Lisa comes to sitting in the
living room with the phone off the

564
00:35:16.360 --> 00:35:22.679
hook beeping, revealing it all to
be Henrick. Another nightmare I know.

565
00:35:22.400 --> 00:35:25.039
She puts the phone back and goes
upstairs to find Will, who is not

566
00:35:25.199 --> 00:35:29.199
in his bed again, and she
races back downstairs, but we cut back

567
00:35:29.239 --> 00:35:31.119
to Will's bedroom to see that he
was just coming out of the bathroom in

568
00:35:31.199 --> 00:35:35.039
his bedroom and gets back into bed, which that little shit has a bathroom

569
00:35:35.079 --> 00:35:39.000
in his room. Yeah, he
is unlike you, He's valuable, Lisa,

570
00:35:39.199 --> 00:35:45.239
unaware ghost to the kitchen on that
da Well, I've said all kinds

571
00:35:45.280 --> 00:35:47.199
of mean. I literally said,
you're not capable of heterosexual intercourse? But

572
00:35:47.320 --> 00:35:52.199
man, the fact that that little
fictional shit has a bathroom in his bedroom

573
00:35:52.599 --> 00:35:55.159
really got to I got really jealous
of those, like in the nineties movies

574
00:35:55.199 --> 00:35:59.079
like The Kid, the Kids movies
like Problem Child has his own bathroom and

575
00:35:59.559 --> 00:36:02.920
has an I don't know what it
is. Yeah, oh yeah, his

576
00:36:04.039 --> 00:36:07.039
name is just Junior. So Lisa, unaware, goes to the kitchen,

577
00:36:07.119 --> 00:36:12.519
where we see Will's stuffed plush on
the dumb waiter and giving the impression that

578
00:36:12.559 --> 00:36:15.079
he was pulled down. Lisa races
down the basement steps, telling Will that

579
00:36:15.159 --> 00:36:19.360
she's coming to save him, begins
to undo the lashes on the steel door.

580
00:36:19.639 --> 00:36:22.800
She opens the door and calls to
Will, but is immediately pulled inside

581
00:36:22.840 --> 00:36:24.800
by Patty. We hear some struggles
and some grounds, but then see the

582
00:36:24.840 --> 00:36:30.239
door open back up as someone dressed
in Lisa's clothes emerges, revealing that Patty,

583
00:36:30.280 --> 00:36:32.440
who was played by Courtney Gebhart.
She was in Summer School in nineteen

584
00:36:32.480 --> 00:36:37.239
eighty seven, Mama's Family in nineteen
eighty eight, Charles and Charge in eighty

585
00:36:37.280 --> 00:36:39.440
eight, a movie called Ghetto Blaster
in nineteen eighty nine. You've never set

586
00:36:39.679 --> 00:36:45.159
I've not It looked really good,
well looked fine. Oh Wow, Dave,

587
00:36:45.360 --> 00:36:49.480
It's fun Salty Dave Folks, Rush
Week in nineteen eighty nine, The

588
00:36:49.559 --> 00:36:53.760
Vinegar Syndrome, Flick thirty something in
nineteen ninety and Spin City in nineteen ninety

589
00:36:53.760 --> 00:36:59.559
six. She has escaped in Lisa's
clothes, leaving Lisa trapped in the basement.

590
00:36:59.639 --> 00:37:02.079
Patty looks back with a sinister grin
and laugh before she goes upstairs to

591
00:37:02.159 --> 00:37:07.039
the house, and her hair looked
phenomenal. She's lived in a basement for

592
00:37:07.119 --> 00:37:09.599
like three years or something. We
hear Lisa pounding on the doors, screaming,

593
00:37:09.719 --> 00:37:13.480
let me out. We next see
Heidi and Kurt are at the Burton's

594
00:37:13.519 --> 00:37:15.639
house, stating Lisa isn't here and
that it had to be Lisa that whiz

595
00:37:15.800 --> 00:37:19.199
by them on the way over because
it looked like her and it was in

596
00:37:19.360 --> 00:37:22.679
Lisa's car. Yeah, because they're
both blonde, blonde girls. Yeah.

597
00:37:22.039 --> 00:37:25.840
Heidi says she can't believe her as
she left a six year old alone all

598
00:37:25.880 --> 00:37:30.159
by himself. She kisses Kurt as
we hear the Burton's pull up. They

599
00:37:30.360 --> 00:37:32.320
enter, asking what Heidi is doing
there, and Heidi lies, stating that

600
00:37:32.400 --> 00:37:36.159
Lisa had to get up early tomorrow, so she came over to relieve her,

601
00:37:36.239 --> 00:37:38.920
before introducing Kurt, which I thought
was really weird, was super awkward.

602
00:37:39.119 --> 00:37:42.480
Yeah, hi, because he's not
supposed to be there. No.

603
00:37:43.320 --> 00:37:45.519
Jill goes upstairs to check on Will, while Jack goes into his pocket for

604
00:37:45.559 --> 00:37:49.880
payment. He pays Heidi as Lisa's
suddenly moans and shakes the house from the

605
00:37:49.920 --> 00:37:52.960
basement, which all three ignore.
Before Heidi and Kurt leave. Jill returns

606
00:37:53.000 --> 00:37:57.679
downstairs as Jack states that it's been
almost three years since they've seen Patty,

607
00:37:57.760 --> 00:38:00.760
but Jill reminds him it's dangerous to
go down there. Jack states she's still

608
00:38:00.800 --> 00:38:05.519
their daughter, but Jill reminds him
it was the daughter he and Maggie adopted,

609
00:38:05.599 --> 00:38:07.119
and look what happened to her,
pointing out the room it happened in

610
00:38:07.199 --> 00:38:10.760
where they're standing, and talks about
how they couldn't get the bloodstained out so

611
00:38:10.800 --> 00:38:14.280
they had to put carpet down over
it. I just want to say,

612
00:38:14.480 --> 00:38:19.119
did the girl that's now living in
the basement, did she ever consider maybe

613
00:38:19.239 --> 00:38:24.880
not screaming incoherently, maybe instead calmly
yelling her name That might help, or

614
00:38:25.079 --> 00:38:29.679
you don't know, it sounds lame, though, Jack states that he wishes

615
00:38:29.760 --> 00:38:32.239
he had another choice, but Jill
reminds him that she worked in an asylum

616
00:38:32.320 --> 00:38:37.079
for seven years and the inmates are
treated way worse there, adding even in

617
00:38:37.119 --> 00:38:39.760
the asylum, patients are kept in
isolation with no contact, and it's just

618
00:38:39.960 --> 00:38:44.159
not smart to go down in the
basement and they never get chicken fingers.

619
00:38:44.239 --> 00:38:46.519
They never get chicken fingies. Indeed, Jack agrees with Jill, stating at

620
00:38:46.559 --> 00:38:50.639
least she's still at home and they're
a family. Before they both go upstairs,

621
00:38:50.760 --> 00:38:52.880
we hear Lisa call from the basement
again, rattling the walls as we

622
00:38:52.960 --> 00:38:57.280
cut to Patty and Lisa's car,
murmuring to herself as she drives. We

623
00:38:57.400 --> 00:39:00.559
cut back to the Burton's house as
Jill sends more food down the dumb waiter,

624
00:39:00.719 --> 00:39:04.239
stating goodnight, Patty, we love
you. She turns off the lights

625
00:39:04.280 --> 00:39:07.440
and we hear more please from Lisa
as the camera pulls back with only the

626
00:39:07.519 --> 00:39:10.280
dumb waiter lit up. The a
story ends as we now see Freddy sitting

627
00:39:10.320 --> 00:39:14.199
at his own dumb waiter with candles
on the sides of it, reading a

628
00:39:14.280 --> 00:39:17.400
book. He puts the book down, stating when will they learn? When

629
00:39:17.559 --> 00:39:22.679
will they learn? You never ever
send a girl to do a man's job.

630
00:39:22.079 --> 00:39:27.679
Besides, I've got evenings free.
Check my record. You'll find that

631
00:39:27.760 --> 00:39:31.000
I'm great with kids. He laughs
and flips his claws, and that is

632
00:39:31.039 --> 00:39:34.760
the end of the A story.
Henrick, would you like to explain the

633
00:39:34.840 --> 00:39:38.000
A story and B story? I
would not too bad. This is when

634
00:39:38.079 --> 00:39:40.639
Dave drinks his water. By the
way, the show, just so you

635
00:39:40.719 --> 00:39:44.280
know, now, on Freddie's Nightmares, there's an A story and a B

636
00:39:44.480 --> 00:39:46.320
story. And I'm sure you've heard
the concept many times. You know,

637
00:39:46.400 --> 00:39:50.199
there's an A story and there's a
B story, two stories that usually intermingle

638
00:39:50.239 --> 00:39:52.400
a little bit. Well, on
Freddy's Nightmares it's a bit different. The

639
00:39:52.480 --> 00:39:53.840
first half of the show is the
A story, in the second half is

640
00:39:53.880 --> 00:39:58.079
the B story, and often they
don't commingle very much, that's true,

641
00:39:58.199 --> 00:40:01.920
but in this episode they do.
Oh boy, dude, pretty much an

642
00:40:01.920 --> 00:40:07.480
immediate continuation. Yeah, which is
not normal. So which made me laugh

643
00:40:07.559 --> 00:40:12.840
again because it's like going back,
Oh God, what episode was that it

644
00:40:12.960 --> 00:40:15.480
dream come true? Christmas episode?
No, No, I think it was

645
00:40:15.599 --> 00:40:16.760
dream come true? Well maybe it
maybe it was. There's a lot of

646
00:40:16.760 --> 00:40:19.920
episodes to do this. Anyway,
it's just funny because like, if you

647
00:40:20.000 --> 00:40:22.039
only get the A story, this
is a really sad story, but the

648
00:40:22.119 --> 00:40:28.920
B story is even sadder. Yeah, So the B story begins back at

649
00:40:28.960 --> 00:40:31.719
the Burton's residence as we meet Lisa's
mom, who's missus Wax played by Sharon

650
00:40:31.800 --> 00:40:37.440
Farrell. This woman is a four
star actress one hundred and one credits on

651
00:40:37.480 --> 00:40:40.599
her resume, starting in nineteen fifty
nine with a film called Kiss Her Goodbye.

652
00:40:40.960 --> 00:40:45.559
She was an Alfred Hitchcock Presents in
nineteen sixty two, Gun Smoke in

653
00:40:45.639 --> 00:40:50.119
nineteen sixty three, I Dream of
Genie, Uh takes a takes a little

654
00:40:50.119 --> 00:40:52.840
bit of a detour in seventy four
with It's Alive. Oh Man, Yeah

655
00:40:53.519 --> 00:40:57.880
no, and I love I just
quick side note, I love when we

656
00:40:57.960 --> 00:41:01.159
get an Alfred Hitchcock Presents person on
Freddie's namares But continue, please Coltchack in

657
00:41:01.280 --> 00:41:06.039
nineteen seventy five, The Stuntman in
nineteen eighty, Out of the Blue,

658
00:41:06.079 --> 00:41:09.079
the Dennis Hopper Flick in nineteen eighty
as well, Sweet Sixteen with Bo Hopkins

659
00:41:09.079 --> 00:41:14.119
in nineteen eighty three, Lone Wolf
McQuaid in nineteen eighty three. Okay,

660
00:41:14.400 --> 00:41:16.920
you might recognize her though from the
night of the comet in nineteen eighty four.

661
00:41:17.559 --> 00:41:22.119
She's the mom. I totally recognized
her the moment. You see.

662
00:41:22.199 --> 00:41:25.400
Yeah, that I gotta say,
you know that woman. She knows how

663
00:41:25.440 --> 00:41:30.440
to hit Kelly Moroney. She does
so No, I hopefully she doesn't go

664
00:41:30.480 --> 00:41:32.480
to pieces, you know when that
comet comes, because it's dust. She

665
00:41:32.559 --> 00:41:38.639
gets turned to dust. Spoilers for
in nineteen eighty four movie. I was

666
00:41:38.719 --> 00:41:40.920
trying to think of a better I
was trying to think of a better Uh,

667
00:41:42.119 --> 00:41:44.360
you know what, I'm not going
to catch the tail of that joke.

668
00:41:44.519 --> 00:41:49.360
Oh god, no comment, no
comment, that's solid. Oh hold

669
00:41:49.400 --> 00:41:52.519
on, oh oh oh, I
get to celebrate that one I was not

670
00:41:52.599 --> 00:41:54.719
written down. So missus Wax is
telling the Burtons they were the last to

671
00:41:54.760 --> 00:41:59.000
see Lisa the night she babysat.
Jill states that they were shocked to hear

672
00:41:59.039 --> 00:42:01.480
about the accident the next morning,
and missus Wax states that that was one

673
00:42:01.559 --> 00:42:06.800
month ago today and she kept Lisa's
room exactly the way it was for when

674
00:42:06.920 --> 00:42:09.559
she comes home. Jill states the
police said that Lisa died in the accident,

675
00:42:09.639 --> 00:42:14.239
but missus Wax says the police are
lying since a body was never recovered.

676
00:42:14.760 --> 00:42:16.639
Jack adds the car was incinerated and
no one could have survived that.

677
00:42:16.760 --> 00:42:21.320
But we suddenly hear Lisa scream and
moan from the basement, but neither of

678
00:42:21.360 --> 00:42:24.239
the three pay any mind to it, as missus Wax continues that Lisa graduates

679
00:42:24.320 --> 00:42:29.239
next month and they designed her prom
dress together and she's going to look beautiful.

680
00:42:29.320 --> 00:42:30.320
Well, in their defense, you
get used to it. It's kind

681
00:42:30.320 --> 00:42:32.840
of like your smell. Yeah right, we're all we're all nose blinds at

682
00:42:32.840 --> 00:42:36.519
the first point. I mean,
you see, it's not that bad.

683
00:42:36.639 --> 00:42:37.960
You just cry it out at night
and then you're fine. To see you

684
00:42:38.039 --> 00:42:42.079
the next day. She hands flyers
to the Burtons, asking them to hand

685
00:42:42.119 --> 00:42:45.039
them out before leaving, and we
cut to a frenzy Lisa in the basement

686
00:42:45.119 --> 00:42:47.159
with a cup to the wall as
she hears her mother leave and screams no,

687
00:42:47.840 --> 00:42:51.760
calling out to her mom that she's
down there. We see the Burtons

688
00:42:51.800 --> 00:42:54.920
watch missus Wax leave as Jill comments
that poor woman cannot accept that Lisa is

689
00:42:55.000 --> 00:42:59.239
gone. As Jack hears her call
out again and ask Jill if she fed

690
00:42:59.320 --> 00:43:02.840
Patty this morning, did which Jill
responds her favorite bacon and eggs. I

691
00:43:04.000 --> 00:43:09.039
just want to say, the family
that keeps a daughter locked in the basement,

692
00:43:09.239 --> 00:43:13.480
feeding her with a dumb waiter so
that she never sees the sun or

693
00:43:13.559 --> 00:43:16.679
another human being, yep, is
like I just wish she would be a

694
00:43:16.760 --> 00:43:21.960
better parent, you know, like
she just needs to let go of those

695
00:43:22.079 --> 00:43:24.679
problems. Like my gosh, people, I've ever heard the saying it's in

696
00:43:24.760 --> 00:43:29.280
the Bible. He who has a
glasshouse should not jerk off while they take

697
00:43:29.280 --> 00:43:30.519
a ship. That's a no kidding, I know it was in the Bible.

698
00:43:31.880 --> 00:43:36.199
Hey, Bible, Hey, Bible. So Chill looks down at Lisa's

699
00:43:36.239 --> 00:43:38.920
missing poster, commenting, poor child, it was the poster was missing.

700
00:43:39.719 --> 00:43:45.199
Lisa's missing poster, missing flyer.
I don't know wait waituh sorry, just

701
00:43:47.079 --> 00:43:52.239
the whole thing, commenting poor child. We then see the basement door as

702
00:43:52.280 --> 00:43:57.079
we hear lisa weekly weekly plead please. We cut to Freddy's domain, where

703
00:43:57.079 --> 00:44:00.159
we see Lisa's missing poster on the
wall, but the camera pulls back to

704
00:44:00.199 --> 00:44:04.400
reveal that Lisa's poster is all over
his domain. As he states, oh,

705
00:44:04.679 --> 00:44:07.880
that's music to my ears. Looks
like Lisa got herself a new mailing

706
00:44:07.920 --> 00:44:12.559
address. He runs his claw over
one of the posters, adding, think

707
00:44:12.679 --> 00:44:16.079
maybe she wants out of here.
Maybe she's a looking for some room surface,

708
00:44:16.360 --> 00:44:19.960
you know what I mean. No, we don't know, Freddy.

709
00:44:20.239 --> 00:44:22.840
He laughs and flips his claws.
We don't know what you mean, Freddie,

710
00:44:23.159 --> 00:44:28.079
We do not know. That was
that's my note. It just says,

711
00:44:28.079 --> 00:44:30.320
I don't think I know what you
mean. I do. Like when

712
00:44:30.440 --> 00:44:31.599
when when I watched that for the
second time today, I was like,

713
00:44:31.800 --> 00:44:38.079
what the hell is he even saying
he's mad? Oh yeah, because he

714
00:44:38.119 --> 00:44:43.039
because he was already so sane before. So we see that missus Wax is

715
00:44:43.039 --> 00:44:45.719
stapling missing posters of Lisa all over
Springwood. She returns to her car to

716
00:44:45.760 --> 00:44:50.719
find Patty inside going through her purse, who gets startled by missus Wax's return,

717
00:44:51.119 --> 00:44:53.159
who tells her, I'm afraid you're
not going to find very much in

718
00:44:53.199 --> 00:44:57.239
there. Patty goes to run from
the car, but missus Wax pleads for

719
00:44:57.280 --> 00:45:00.559
her to not run away, stating
she won't hurt her. She asked Patty

720
00:45:00.559 --> 00:45:02.559
if she lives around here or has
a place to sleep, asking about her

721
00:45:02.599 --> 00:45:07.199
parents, Patty says nothing and keeps
her head down. She then asked Patty

722
00:45:07.199 --> 00:45:08.639
if she'd like to come to her
home and she'll make her something hot to

723
00:45:08.679 --> 00:45:13.079
eat, which causes Patty to raise
her head look at missus Wax. She

724
00:45:13.199 --> 00:45:15.039
pleads with Patty to come home with
her, even saying come here, baby

725
00:45:15.119 --> 00:45:22.480
in a motherly way, then come
here, baby in a way only suited

726
00:45:22.559 --> 00:45:28.119
for a funk album. We see
missus Wax fixing her soup for Patty at

727
00:45:28.159 --> 00:45:30.480
her home, while Patty sits at
the breakfast bar, toying with a very

728
00:45:30.920 --> 00:45:36.320
large butcher knife and grinning as she
spends it. Missus Wax comments that her

729
00:45:36.360 --> 00:45:39.280
and Lisa that her Lisa loves to
eat and her favorite is the blueberry walnut

730
00:45:39.400 --> 00:45:43.960
cake that she makes. Missus Wax
decides that she's going to bake one today

731
00:45:44.119 --> 00:45:46.480
and tells her tells Patty to go
upstairs and shower because it will take a

732
00:45:46.559 --> 00:45:51.400
while. Patty, still grinning with
the knife, picks it up and begins

733
00:45:51.440 --> 00:45:53.519
to move towards missus Wax, but
suddenly brings it down onto a wheel of

734
00:45:53.599 --> 00:45:57.920
cheese instead of her head, which
is always nice. You know, I

735
00:45:58.039 --> 00:46:00.840
appreciate that that was a nice looking
wheel of cheese. Their team, what

736
00:46:00.000 --> 00:46:05.480
you're hungry too? She showered and
go. She showered and goes to Lisa's

737
00:46:05.559 --> 00:46:07.320
room, where she becomes very happy, catching a glimpse of herself in the

738
00:46:07.360 --> 00:46:10.519
mirror, and she begins to try
on Lisa's jewelry and perfume, having a

739
00:46:10.599 --> 00:46:15.079
good time, but she picks up
a local paper article about Lisa's accident and

740
00:46:15.199 --> 00:46:19.800
grins, thinking to the scene from
the A story where we see Lisa get

741
00:46:19.840 --> 00:46:22.440
trapped by Patty. We see Patty
now pull her in, looking crazy as

742
00:46:22.519 --> 00:46:28.519
Lisa pleads with her. Yeah,
this time we see we see Patty Yaddy

743
00:46:28.599 --> 00:46:31.480
interior, and then watch Patty re
emerge dresses Lisa again. We cut back

744
00:46:31.519 --> 00:46:35.719
to Patty and Lisa's room, who
laughs a bit more and grins, folding

745
00:46:35.760 --> 00:46:38.199
up the newspaper article. We return
to the kitchen where missus Wax is put

746
00:46:38.280 --> 00:46:42.320
together a nice lunch for Patty,
which she takes up to Lisa's room.

747
00:46:42.440 --> 00:46:46.159
And I like this because you know
Freddy's nightmares featuring a wise, cracking child

748
00:46:46.320 --> 00:46:52.119
killer and also an unrelentingly sad mother
grieving for the loss of her only child,

749
00:46:52.199 --> 00:46:57.039
And this is where it gets even
sadder note at all. She enters

750
00:46:57.119 --> 00:47:00.440
to find Lisa, who spins around
and ask her if she's seen her makeup

751
00:47:00.559 --> 00:47:04.840
kid missus Wax and shock asks Lisa, you're back. What's going on?

752
00:47:05.239 --> 00:47:07.239
Lisa states that she's got to go
because she's changing and she can't let her

753
00:47:07.280 --> 00:47:10.480
see her face without her makeup.
Suddenly, Lisa looks back about her mother

754
00:47:10.559 --> 00:47:14.239
to reveal the sight of her face
is now burned pretty much like Freddy.

755
00:47:14.320 --> 00:47:15.840
Yeah, it's pretty much just a
Freddy Krueger on the side of her face,

756
00:47:16.000 --> 00:47:20.079
which sounds like a euphemism I never
want to use again, especially after

757
00:47:20.119 --> 00:47:25.159
the room's surface comets. Did you
take that as sexual, David, I'm

758
00:47:25.199 --> 00:47:29.280
worried about you, missus Wax.
I mean, she's not his age type,

759
00:47:29.320 --> 00:47:32.800
but it's fine ow calling her old
looking. I think she could pass

760
00:47:32.880 --> 00:47:37.320
for fifteen. Oh my god.
Missus Wax looks in horror, but suddenly

761
00:47:37.400 --> 00:47:40.119
she comes back to reality as Patty
turns around taking the tray from missus Wax,

762
00:47:40.159 --> 00:47:44.079
who's still in shock from her daymare, and watches Patty sit on the

763
00:47:44.119 --> 00:47:46.599
bed and begin to eat the lunch. Well not just any lunch. She

764
00:47:46.760 --> 00:47:52.559
got bread, bread and crackers with
her soup and bread and crackers. Yeah,

765
00:47:53.119 --> 00:47:57.880
someone lives in the Pinky's Up part
of town if you ask me,

766
00:47:58.199 --> 00:48:00.320
She tells her there's more if she's
still hungry as Patty. As she takes

767
00:48:00.360 --> 00:48:05.079
Patty's dirty clothes off the bed,
brushing them to reveal Lisa's name on her

768
00:48:05.159 --> 00:48:07.880
varsity jacket. She looks back at
Patty and tells her that she's come home.

769
00:48:08.199 --> 00:48:13.039
And then then she oh my god, this is this the type on

770
00:48:13.119 --> 00:48:15.760
man? Yeah, you're bad at
stuff, and then she closes, promising

771
00:48:15.840 --> 00:48:19.719
that she'll never be apart from her
again. We cut back to the real

772
00:48:19.800 --> 00:48:22.920
Lisa back in the Burton's basements,
who's found makeshift tools, which is a

773
00:48:22.960 --> 00:48:25.039
butter knife and some other things,
and it is chiseling away at the wall

774
00:48:25.159 --> 00:48:30.719
for escape. Yeah, which I
appreciated that she doesn't just like sit still.

775
00:48:30.159 --> 00:48:34.239
But I also think when I when
I see that she's gonna try to

776
00:48:34.360 --> 00:48:37.119
escape, I'm like, huh,
so, psychopath Patty didn't try scraping the

777
00:48:37.199 --> 00:48:42.079
walls open. She's just lazy.
She's too busy keeping her hair perfectly curled.

778
00:48:43.440 --> 00:48:45.800
Back at the Wax's residence, Missus
Wax sits in Lisa's room as Lisa

779
00:48:45.840 --> 00:48:50.079
walks in, commenting that they're all
out of blueberry walnut cake. And she

780
00:48:50.199 --> 00:48:53.559
has nothing to wear. Missus Wax
looks at Lisa who asking who she is,

781
00:48:53.679 --> 00:48:58.079
and Lisa states that she's Lisa,
her daughter. She fires back that

782
00:48:58.199 --> 00:49:00.840
Lisa's downstairs getting a glass of mill
and Lisa comments back, Yeah, I've

783
00:49:00.880 --> 00:49:04.280
been meaning to talk to you about
that. You know, I don't like

784
00:49:04.400 --> 00:49:07.639
other people sleeping in my bed,
but apparently fucking on it's completely fine.

785
00:49:07.719 --> 00:49:10.960
Well, yeah, it's a friend. Hey, whoa, whoa, David,

786
00:49:12.320 --> 00:49:15.960
you're making things too cheap and gross
that if they were deep making itep

787
00:49:16.039 --> 00:49:20.239
making a deep makeout, not deep
deep deep and make out it was a

788
00:49:20.320 --> 00:49:24.400
deep makeout, I would appreciate it
if you'd get your own nomenclatures right.

789
00:49:24.880 --> 00:49:30.000
Because we're getting we're getting messages from
the irs. I don't know why,

790
00:49:30.079 --> 00:49:34.599
but it's scared see their names.
If they're not through email, we're fine.

791
00:49:34.639 --> 00:49:36.800
If it's letters, then we're screwed. Well, they said I had

792
00:49:36.800 --> 00:49:38.679
to pay them an Amazon gift cards? Is it? Is it an Albanian

793
00:49:38.719 --> 00:49:46.599
prince? Again? Albanian? It
is. Missus Wax tells her she shouldn't

794
00:49:46.639 --> 00:49:50.719
be here and she should leave,
but Lisa comments, remember mother, if

795
00:49:50.760 --> 00:49:53.519
you don't get rid of her,
I Will. Suddenly, missus Wax comes

796
00:49:53.559 --> 00:49:57.159
to in the kitchen table with a
glass of milk on the table, revealing

797
00:49:57.199 --> 00:50:00.360
another nightmare. She runs upstairs and
finds Patty look at pictures. She calls

798
00:50:00.400 --> 00:50:05.559
her Lisa and tells Patty she forgot
to put the milk away. Patty apologizes,

799
00:50:05.639 --> 00:50:07.679
calling her mother before wishing her a
good night. She goes to shut

800
00:50:07.760 --> 00:50:12.360
the door, but Patty screams don't, telling her she never wants the door

801
00:50:12.440 --> 00:50:15.000
shut all. She wants it all
the way open because she doesn't like to

802
00:50:15.039 --> 00:50:20.039
be closed in. Missus Wax asked
her, are you my Lisa, as

803
00:50:20.079 --> 00:50:22.679
Patti steers back with a sinister grin. We next see Heidi at the Burton's

804
00:50:22.719 --> 00:50:27.039
residence. As Jill thanks Heidi for
picking Will up from school. She asked

805
00:50:27.079 --> 00:50:30.400
her if she would mind dropping off
something to the Wax residence, and Heidi

806
00:50:30.440 --> 00:50:34.599
agrees, even though she's clearly uncomfortable
by the thought. Jill comments that she's

807
00:50:34.639 --> 00:50:37.760
concerned about missus Wax, especially since
Lisa's accident, commenting that she's been acting

808
00:50:37.920 --> 00:50:42.639
very strangely. How hard it is
on Heidi. Okay, I think that's

809
00:50:42.679 --> 00:50:45.559
a little overreacting. Yeah right,
Heidi tears up, commenting that Lisa was

810
00:50:45.639 --> 00:50:50.000
her best friend and she still can't
believe that she's gone. Jill comments,

811
00:50:50.159 --> 00:50:52.920
sometimes things just happen for a reason, before handing over what she calls her

812
00:50:53.000 --> 00:51:00.679
famous nutcake. That's all I describe
you to friends. I'm like, hello,

813
00:51:00.800 --> 00:51:02.519
Hello, good to see everybody.
This is my famous nut case.

814
00:51:02.559 --> 00:51:08.880
I thought it was Case nut case. He's also a jerk. He states,

815
00:51:09.480 --> 00:51:13.440
she'll make sure she gets it.
Before leaving. We see the real

816
00:51:13.519 --> 00:51:15.719
Lisa still working away at the wall
in the Burton's basement, chipping away with

817
00:51:15.760 --> 00:51:20.320
a butter knife, making progress.
But back at the Wax's residence, Heidi

818
00:51:20.400 --> 00:51:22.400
hands the cake over to missus Wax
and ask Heidi if she's going to say

819
00:51:22.440 --> 00:51:25.920
bye to Lisa before she goes.
Heidi comments she knows that it's hard for

820
00:51:27.000 --> 00:51:30.639
her to accept, but reminds her
that Lisa's dead. Missus Wax comments,

821
00:51:30.679 --> 00:51:34.159
don't be silly, she's upstairs.
Heidi tries to reason with her, stating

822
00:51:34.199 --> 00:51:37.119
that she should probably talk to a
specialist, but as she goes to continue

823
00:51:37.199 --> 00:51:40.599
Patty's voice as Lisa calls to missus
Wax from upstairs. Heidi's surprised by this.

824
00:51:40.880 --> 00:51:44.679
Stands for a second before missus Wax
hands her a pair of scissors,

825
00:51:44.760 --> 00:51:50.280
commenting that Lisa wants those because they're
excuse me, wants those. It's okay,

826
00:51:50.360 --> 00:51:53.800
Dave's still learning how to read the
doggies because they're working on her prom

827
00:51:53.960 --> 00:51:57.559
dress, and ask Heidi to give
them to her as she has to run

828
00:51:57.599 --> 00:52:00.599
to the store. Heidi holds the
scissors caution, approaches the stairs and goes

829
00:52:00.679 --> 00:52:05.119
up. We see Patty in the
room as Heidi approaches, calling to Lisa.

830
00:52:05.480 --> 00:52:07.960
Patty quickly runs to the other side
of the room, hiding behind the

831
00:52:07.000 --> 00:52:10.840
door, and confirms vocally that she
is Lisa as Heidi enters. Suddenly,

832
00:52:10.920 --> 00:52:15.960
the door slams shut with Patty's push, and we hear Heidi scream from downstairs.

833
00:52:15.000 --> 00:52:19.679
As missus scream downstairs, missus Wax
comments to have a good time,

834
00:52:19.760 --> 00:52:22.840
girls, and don't play too rough. We see upstairs as Patty opens the

835
00:52:22.920 --> 00:52:27.679
door, dragging Heidi's dead body out
with the scissors stabbed into her. She

836
00:52:27.880 --> 00:52:30.679
drags the body from down the hallway. Later that night, we see Lisa

837
00:52:30.840 --> 00:52:35.159
entered the home. As missus Wax
enters the kitchens. Lisa grabs the huge

838
00:52:35.199 --> 00:52:37.760
butcher knife as her mother asks her
what she's doing. Lisa comments that she

839
00:52:37.880 --> 00:52:42.000
told her that if she didn't get
rid of her, she would She walks

840
00:52:42.079 --> 00:52:45.280
off with the knife as missus Wax
follows her into Lisa's room, where Lisa

841
00:52:45.320 --> 00:52:49.119
approaches Patty sleeping in the bed,
bringing the knife down on her as missus

842
00:52:49.159 --> 00:52:52.559
Wax screams in terror, but wakes
up holding Lisa's photo and showing another nightmare.

843
00:52:52.599 --> 00:52:57.119
As she's just sitting in Lisa's room. Patty tries to comfort her,

844
00:52:57.239 --> 00:53:00.320
telling her that she was having a
nightmare. Missus Wax tells her that the

845
00:53:00.400 --> 00:53:02.639
girl in the dream is telling her
that Patty is not her daughter and wants

846
00:53:02.679 --> 00:53:06.639
her to kill her. Patty comments, we can't allow that, now,

847
00:53:06.760 --> 00:53:09.320
can we. Missus Wax comments that
she doesn't want to dream that again,

848
00:53:09.440 --> 00:53:13.880
so Patty tells her the next time
she appears in the dream to kill her.

849
00:53:14.199 --> 00:53:17.519
That way she won't bother her again. Checks out, and missus Wax

850
00:53:17.719 --> 00:53:22.239
questions killing her in the dream,
but Patty tells her it's the only way.

851
00:53:22.320 --> 00:53:24.599
Mother. We cut back to the
Burton residence in the basement, where

852
00:53:24.639 --> 00:53:28.719
we see the real Lisa has made
serious progress on the wall and is now

853
00:53:28.800 --> 00:53:31.480
shown removing cinder blocks to create an
opening. She pulls another block away,

854
00:53:31.559 --> 00:53:35.760
revealing the stairs for a way out
as she goes through the hole and emerges

855
00:53:35.840 --> 00:53:39.679
outside through cellar doors. We then
see the real Lisa run into the Wax's

856
00:53:39.719 --> 00:53:43.800
home, calling to her mother as
she enters the kitchen. Suddenly, missus

857
00:53:43.840 --> 00:53:46.119
Wax raises a pistol at Lisa,
telling her to stop or she'll shoot.

858
00:53:46.519 --> 00:53:51.000
Lisa questions what she's doing, and
missus Wax tells her that she doesn't belong

859
00:53:51.079 --> 00:53:53.840
here. She's trying to hurt Lisa. Lisa pleads that she is Lisa and

860
00:53:53.920 --> 00:53:57.840
explains that she was trapped in the
basement and had to dig her way out,

861
00:53:57.920 --> 00:54:00.840
but missus Wax continues that this has
to stop, while keeping the gun

862
00:54:00.960 --> 00:54:05.440
pointed on her. She tells her
that she's not Lisa and she's lying,

863
00:54:05.639 --> 00:54:08.360
but the real Lisa pleads, asking
her doesn't she recognize her own daughter.

864
00:54:08.840 --> 00:54:13.480
Missus Wax lowers the pistol, but
Patty enters, stating no, she's not

865
00:54:13.920 --> 00:54:17.000
approaching missus Wax, who raises the
pistol again as Patty tells her I'm Lisa.

866
00:54:17.559 --> 00:54:22.159
Lisa asked what's going on and who
Patty is As Patty comments that she's

867
00:54:22.239 --> 00:54:25.119
Lisa Wax. Lisa asked who is
the person and what is she doing in

868
00:54:25.199 --> 00:54:29.679
their house. Patty ignores her,
telling missus Wax to remember this is just

869
00:54:29.880 --> 00:54:32.239
her dream and kill her now so
she'll never bother her again. Yeah,

870
00:54:34.159 --> 00:54:38.840
this is some blood rage vibes.
The real Lisa, realizing who Patty is,

871
00:54:38.960 --> 00:54:43.599
tells her and knows her that she's
the Burton Girls, causing Patty to

872
00:54:43.639 --> 00:54:46.199
look at her sinister Lee, telling
missus Wax to kill her now because she's

873
00:54:46.239 --> 00:54:50.760
a nightmare. Lisa pleads with her
mother, telling her that it's Patty Burton

874
00:54:50.880 --> 00:54:53.760
and she should remember because she went
to their home to babysit before she went

875
00:54:53.880 --> 00:54:59.480
missing. We then see missus Wax
struggling with distinguishing the truth as Lisa continues

876
00:54:59.559 --> 00:55:02.000
telling her about why Patty was locked
in the basement and how she got pulled

877
00:55:02.039 --> 00:55:06.800
in and locked up by her when
she was babysitting. Missus Wax audibly states

878
00:55:06.840 --> 00:55:14.519
that she doesn't knowpe Oh God.
As Patty tries to take control again,

879
00:55:14.599 --> 00:55:17.039
stating that she's the real Lisa and
Lisa is not, and how she tried

880
00:55:17.079 --> 00:55:21.360
to kill her in her dream.
Patty then reminds her that she promised to

881
00:55:21.400 --> 00:55:23.840
make her blueberry walnut cake and help
her with her prom dress, which distresses

882
00:55:23.880 --> 00:55:29.199
the real Lisa as she questions how
could she know. Patty grabs missus Wax's

883
00:55:29.239 --> 00:55:31.920
hand, continuing to remind her that
Lisa keeps at her remind her. As

884
00:55:31.960 --> 00:55:37.239
Lisa keeps pleading, missus Wax embraces
Patty as Lisa begins to charge her,

885
00:55:37.320 --> 00:55:40.239
calling her a lying bitch and says
that she'll kill her. Missus Wax turns

886
00:55:40.239 --> 00:55:45.000
to the charging Lisa and fires two
shots, dropping Lisa dead to the floor.

887
00:55:45.440 --> 00:55:47.679
We next see the police escorting missus
Wax out from the home. On

888
00:55:47.760 --> 00:55:52.000
the side of the house, we
see that Patty has escaped again and returns

889
00:55:52.039 --> 00:55:55.159
to the Burton's residence with a wheelbarrow
full of cinder blocks and ceiling plus a

890
00:55:55.280 --> 00:56:01.039
padlock. And I'm sure for very
good reasons. She's My parents took such

891
00:56:01.119 --> 00:56:05.599
good care of me. I want
to help them bring up their property values.

892
00:56:06.559 --> 00:56:09.119
Inside, the Burtons sit on the
couch reading newspapers. We then begin

893
00:56:09.199 --> 00:56:13.719
to hear clanking from the basement.
Jack calls to Will asking him what he's

894
00:56:13.760 --> 00:56:15.960
doing. As Will pops up behind
the couch, causing them to ask who's

895
00:56:16.000 --> 00:56:20.039
in the kitchen. The Burtons go
into the kitchen, finding the basement door

896
00:56:20.079 --> 00:56:22.239
ajar as they make their way down
the steps to find the door wide open.

897
00:56:22.559 --> 00:56:25.119
The two of them enter the room, calling to Patty as they look

898
00:56:25.199 --> 00:56:29.599
around when Patty comes from behind the
door, locking them both in. As

899
00:56:29.639 --> 00:56:31.760
she runs out, The Burtons call
to Patty, telling her that they love

900
00:56:31.840 --> 00:56:35.480
her and to open the door,
but Patty is gone from the stairs.

901
00:56:35.840 --> 00:56:37.519
We cut to Will, who is
on his tricycle in the house, riding

902
00:56:37.559 --> 00:56:40.400
around, but he stops as he
comes to a giggling Patty, who looks

903
00:56:40.440 --> 00:56:44.800
at him, stating hi, Will, with a smile that turns sinister as

904
00:56:44.840 --> 00:56:49.199
she continues I'm home. Will backs
his trike up as Patty approaches him,

905
00:56:49.239 --> 00:56:52.400
shutting the glass doors of the living
room. We then exit the Burtons home

906
00:56:52.519 --> 00:56:55.679
as the doors slam shut. The
episode ends as we cut back to Freddie

907
00:56:55.679 --> 00:57:00.039
in his domain, opening his front
door. As he calls out Wall beave

908
00:57:00.679 --> 00:57:06.239
Ward, June, I'm home.
Oh, nothing breaks me up like these

909
00:57:06.280 --> 00:57:09.239
holiday reunions. He begins to tear
up as we see an unseen figure hand

910
00:57:09.320 --> 00:57:13.719
him a hanky. Why thanks,
he says, taking it, blowing his

911
00:57:13.800 --> 00:57:16.559
nose and then thrusting his claw into
their gut, stabbing them. As we

912
00:57:16.599 --> 00:57:22.159
see the handfall back. He kills
like an offscreen person. But I gotta

913
00:57:22.199 --> 00:57:24.320
say, nothing was quite like watching
Freddie blow his nose again. And yeah,

914
00:57:24.679 --> 00:57:28.519
he laughs. Well, I guess
I'll just be heading home for the

915
00:57:28.599 --> 00:57:31.880
holidays. Mom could probably use some
help carving the turkey. That's what we

916
00:57:32.000 --> 00:57:36.920
call paul back home turkey. Get
it. He blows his nose again,

917
00:57:37.079 --> 00:57:39.880
and that is the end of Season
two, episode ten. Where are your

918
00:57:40.039 --> 00:57:43.559
ch or do you know where your
chill? Where your kids are? Kids?

919
00:57:43.679 --> 00:57:46.719
Yeah? Now, boy, you
know, I thought it was already

920
00:57:46.840 --> 00:57:51.480
pretty twisted and dark with a child
being locked in the basement, and then

921
00:57:52.400 --> 00:57:55.440
the parents get locked in the basement, and now we're almost certain a small

922
00:57:55.559 --> 00:58:00.519
child is going to be tortured and
maybe murder, probably murder. Probably Well

923
00:58:00.559 --> 00:58:02.000
you always hope that though. The
one thing I will say, though,

924
00:58:02.039 --> 00:58:07.599
is that missus Wax never found Heidi's
body. And that's one thing. Like

925
00:58:07.679 --> 00:58:09.039
the cops weren't talking when they took
her out of the house, so I

926
00:58:09.119 --> 00:58:13.679
was curious if she was just getting
arrested for shooting Lisa or if they also

927
00:58:13.800 --> 00:58:16.519
found the other body. Oh,
they probably got her for They probably found

928
00:58:16.559 --> 00:58:19.960
her shooting. Yeah, they probably
got her for both. Yeah, that

929
00:58:20.000 --> 00:58:22.519
would explain why they were taking her
away. Yeah. I did want to

930
00:58:22.559 --> 00:58:27.880
mention earlier there was a line where
somebody had said things like this happened with

931
00:58:27.960 --> 00:58:30.880
no explanation, and I and I
wrote it here, especially in Springwood to

932
00:58:31.000 --> 00:58:37.599
Teenagers to teenagers. So but no, a dark be story second in a

933
00:58:37.719 --> 00:58:42.559
row. Yeah, because last week's
Monkey Dreams was got a really sad ending.

934
00:58:43.559 --> 00:58:46.880
But it makes me happy because it
makes me think that if you were

935
00:58:46.960 --> 00:58:52.159
watching this when it aired, Yeah, it'd be almost one in the morning

936
00:58:52.239 --> 00:58:54.519
by the time you're handed like like
that. It's like and there you go.

937
00:58:54.880 --> 00:59:00.360
Yeah, I have a good sleep. There's a story. So I

938
00:59:00.440 --> 00:59:02.480
don't know, I really enjoyed it. You you dug it right? Yeah,

939
00:59:02.760 --> 00:59:07.519
I feel like if I had to
rat it, of course he gets

940
00:59:07.599 --> 00:59:15.039
us before the rating. Bitch.
Hey Freddy, how's it going? Oh,

941
00:59:15.119 --> 00:59:19.280
you know pretty good? How about
you? Do you actually talk about

942
00:59:19.320 --> 00:59:23.199
her? How do you feel?
I got that from the rock? Oh

943
00:59:23.480 --> 00:59:27.760
you know, there's a part where
I have to say, missus Wax really

944
00:59:27.920 --> 00:59:31.679
showed that she cared about finding her
daughter because you know, she had her

945
00:59:31.760 --> 00:59:35.639
picture on the back of a milk
curtain. Yeah, yeah, we saw

946
00:59:35.719 --> 00:59:37.840
that. Yeah, that's that was
the thing. Well, you have to

947
00:59:37.960 --> 00:59:40.960
understand that in Springwood, I'm advertising
or missing child on the back of a

948
00:59:42.039 --> 00:59:46.960
milk curtain is as competitive as buying
a commercial of the Super Bowl spared no

949
00:59:47.079 --> 00:59:50.880
expense. Yeah, I can see
that. Yeah, I definitely say,

950
00:59:51.039 --> 00:59:52.440
I guess. So, you know, though, I have to say,

951
00:59:52.639 --> 00:59:55.679
uh, I guess. At the
end of the day, those parents were

952
00:59:55.800 --> 01:00:07.960
right. The danger of their daughter
was very a parent, I'm proud of

953
01:00:07.039 --> 01:00:13.079
everything. Yeah, I know,
especially oh God, please Freddy, please

954
01:00:13.079 --> 01:00:16.400
put your pants back on. No, I would appreciate it if you would,

955
01:00:16.480 --> 01:00:22.320
Freddie. At least now she can
spend plenty of time working on her

956
01:00:22.400 --> 01:00:27.440
performance, because you see, she
does have a captive audience. Now,

957
01:00:29.400 --> 01:00:34.960
okay, one, you know,
actually, in all seriousness, Patty should

958
01:00:35.000 --> 01:00:39.039
write a book about dealing with difficult
parents and mental health issues. Honestly,

959
01:00:39.159 --> 01:00:47.639
I think it would be a best
seller, like a Thanks all right,

960
01:00:47.639 --> 01:00:52.239
I gotta get out of here because
you guys are losers and it's Sunday.

961
01:00:52.320 --> 01:00:54.920
So I gotta go back to church
fair enough. Wait what what, Freddy?

962
01:00:55.599 --> 01:01:01.039
What you know there's lots of kids
at the church carmatally No though,

963
01:01:01.480 --> 01:01:08.840
wait for it. Uh huh Freddy. Oh he loves to do that.

964
01:01:09.000 --> 01:01:14.519
Thanks much, Freddy. We appreciate
it, do we. No. I

965
01:01:14.639 --> 01:01:17.840
just that's just I'm from Ohio.
That's just the thing I said. But

966
01:01:17.960 --> 01:01:22.239
but what about what about ratings?
What do you think I'm gonna give this?

967
01:01:22.280 --> 01:01:24.800
Don't give it mine. No,
honestly, I'm gonna give this a

968
01:01:24.880 --> 01:01:29.000
solid B minus. I think I
think a B minus is is pretty.

969
01:01:29.360 --> 01:01:31.480
I really enjoyed this one. It
was wild. The only thing I'll detract

970
01:01:31.599 --> 01:01:36.760
from it is is it just it
kind of sped up towards the end of

971
01:01:36.800 --> 01:01:39.039
it. I felt like, you
mean like it got better. I mean

972
01:01:40.039 --> 01:01:43.440
you mean it got more intense.
They got more intense. Yeah, it's

973
01:01:43.480 --> 01:01:45.079
good, but no, it's not
bad. It's more so just if it

974
01:01:45.239 --> 01:01:49.800
felt like we went from like literally
of her saying like the next time you

975
01:01:49.800 --> 01:01:51.679
see her, you got a kill
her, and then the next scene literally

976
01:01:51.719 --> 01:01:54.000
she kills her. Yeah, it's
only a forty four minute episode, you

977
01:01:54.079 --> 01:01:57.039
know, I just I just it
just fell a little fast. But No,

978
01:01:57.159 --> 01:01:58.960
I really, I really did enjoy
this. I was telling you,

979
01:01:59.079 --> 01:02:02.400
this is a wild one, and
it reminded me a lot of missing persons,

980
01:02:02.639 --> 01:02:07.599
not not because of the babysitter obviously, but just the way that the

981
01:02:07.719 --> 01:02:12.159
storyline had the family home and just
there was chaos in that family home that

982
01:02:12.320 --> 01:02:15.400
was just of the same caliber.
Sure, sure, sure, yeah,

983
01:02:15.280 --> 01:02:17.840
the same calib What are you,
Freddie? Yeah, you've got way too

984
01:02:17.880 --> 01:02:22.199
much time around him. Also,
I wish that he had thought about Joe

985
01:02:23.960 --> 01:02:29.960
Man caliber of parents. All right, now, you made me mad.

986
01:02:30.039 --> 01:02:34.159
Well, I would have to give
it. I feel like you're being pretty

987
01:02:34.199 --> 01:02:37.400
harsh on this episode. I would
give it a solid be solid B.

988
01:02:37.679 --> 01:02:39.719
It's actually I had that idea before
you even said yours. I'd give it

989
01:02:39.760 --> 01:02:45.559
a solid BA. I think that
it is a fun one, silly one.

990
01:02:45.840 --> 01:02:47.840
There's just enough Freddie, but not
that much. But also it was

991
01:02:49.079 --> 01:02:52.920
really fun to kind of vaguely revisit
those characters. Yeah, and I'm kind

992
01:02:52.960 --> 01:02:58.639
of digging this, Like first episode
is somewhat lighthearted compared to the second one,

993
01:02:58.679 --> 01:03:00.000
and the second one is just devastated. Yeah, kind of liking that

994
01:03:00.119 --> 01:03:05.559
methodology though it's it's definitely it's definitely
something that you don't get a lot.

995
01:03:06.360 --> 01:03:08.440
In regards to a lot of the
A story and B stories, you have

996
01:03:08.639 --> 01:03:13.280
a lot that are kind of the
same caliber, but they go a little

997
01:03:13.280 --> 01:03:15.840
bit more zany ending with the darkness. It's just kind of like, oh,

998
01:03:15.920 --> 01:03:19.320
yeah, this is a horror show. Yeah it's a child Okay,

999
01:03:19.440 --> 01:03:23.920
well low Yeah, but no that
I really I enjoyed it definitely. But

1000
01:03:24.000 --> 01:03:27.199
yeah, that that would be the
only really critique I have is that I

1001
01:03:27.280 --> 01:03:28.960
just kind of felt like it got
a little quick at the end, but

1002
01:03:29.079 --> 01:03:31.519
felt like it was rushed. Yeah, I think it might be a better

1003
01:03:31.599 --> 01:03:36.360
term us rush is probably the term. But no, I I definitely enjoyed

1004
01:03:36.440 --> 01:03:42.719
this one, and it's it's really
really fun with Freddy's cutaways. I still

1005
01:03:42.760 --> 01:03:45.440
don't know what Freddie meant. I
don't either, my room service. But

1006
01:03:46.000 --> 01:03:51.599
in regards to next week's episode,
we are going back to Springwood with season

1007
01:03:51.760 --> 01:03:55.400
two episode eleven, Dreams That Killed, directed by Tom de Simone, who

1008
01:03:55.440 --> 01:04:00.159
did Judy Miller Come on Down and
photo Finished. And this is one of

1009
01:04:00.239 --> 01:04:04.280
the ones that was on a VHS
I bought at Value City. Yeah,

1010
01:04:04.360 --> 01:04:06.679
I've seen this one, but it
was a long time ago. Yeah,

1011
01:04:06.679 --> 01:04:10.679
and it's written by Tom Blomquist,
who did Dream Come True, which this

1012
01:04:10.840 --> 01:04:13.679
is actually a direct sequel to as
well. So we are going back to

1013
01:04:13.760 --> 01:04:16.400
the very first episode of season two
with the talk show host. This is

1014
01:04:16.440 --> 01:04:18.639
a direct sequel to that. We're
going back to the talk show. Oh

1015
01:04:18.719 --> 01:04:21.480
wow, And I've previewed it a
little bit, and there is a lot

1016
01:04:21.559 --> 01:04:25.840
of Freddy and including Freddy having his
own talk show for a little bit.

1017
01:04:25.960 --> 01:04:30.199
If I remember, that episode was
really sleazy. Oh yeah, yeah,

1018
01:04:30.360 --> 01:04:32.239
yeah, yeah, yeah. There's
a hospital scene that's super sleazy. It

1019
01:04:32.360 --> 01:04:36.000
was the first time I'd ever seen
Freddy's nightmares. Because I know I've told

1020
01:04:36.000 --> 01:04:39.239
the story at the beginning, but
yeah, I literally was at Value City

1021
01:04:39.320 --> 01:04:45.119
department store with my mom buying a
suit, not because we were cheap,

1022
01:04:45.519 --> 01:04:48.880
although we were, but because Value
City Department store had the most I know

1023
01:04:49.000 --> 01:04:51.960
that when you think of me,
Dave, and when they think of like

1024
01:04:53.039 --> 01:04:56.480
a classy man who knows how to
have subtle style. When I was younger,

1025
01:04:56.559 --> 01:05:00.159
I really was wild dresser. Yeah. So the reason I I went

1026
01:05:00.199 --> 01:05:03.119
there was because I wanted a blue
pinstripe jacket with royal blue pants and I

1027
01:05:03.360 --> 01:05:06.199
got it. I know you did
I know you were that to a junior

1028
01:05:06.239 --> 01:05:10.320
prom of course you did well.
I mean I had already dropped out or

1029
01:05:10.320 --> 01:05:14.199
whatever. So no, but I'm
really looking forward to revisiting that one in

1030
01:05:14.320 --> 01:05:15.719
a lot. Actually, I'm very
excited about that. And it's got a

1031
01:05:15.760 --> 01:05:18.159
lot of that field of Judy Miller
come on down from what I've seen so

1032
01:05:18.280 --> 01:05:21.800
far, So it totally makes sense
that he's the writer and director. No,

1033
01:05:23.000 --> 01:05:26.199
it does. So it's gonna be
a fun one. Okay, fine,

1034
01:05:26.400 --> 01:05:29.679
So anything else you need to say, David, Not that I can

1035
01:05:29.719 --> 01:05:31.079
think of. The Only thing that
I would throw out if you would like

1036
01:05:31.440 --> 01:05:34.760
is we are trying to put together
a mail back episode, so we would

1037
01:05:34.800 --> 01:05:39.199
love to get your questions, so
you can reach out to us at Freddy's

1038
01:05:39.280 --> 01:05:42.760
Nightmares Pod at gmail dot com.
Please send us an email, especially if

1039
01:05:42.760 --> 01:05:47.559
you'd like to get questions thrown to
some of our wonderful guests who were on

1040
01:05:47.880 --> 01:05:53.639
set on Freddy's Nightmares. If you
have questions, comments, anything, we

1041
01:05:53.719 --> 01:05:56.079
would love to have you guys be
a part of it. You can go

1042
01:05:56.079 --> 01:05:59.119
to Freddie's Nightmares dot com to find
all the information and send us an email.

1043
01:05:59.280 --> 01:06:01.079
Like you said, at freddy Nightmares
Pod, at gmail dot com.

1044
01:06:01.239 --> 01:06:04.960
Absolutely, so, I guess that
is it for this week. But don't

1045
01:06:05.039 --> 01:06:11.000
you kids worry, because we'll be
back next week to take you back to

1046
01:06:11.119 --> 01:06:13.519
Springwood. But for now we're gonna
get out of here. Thank you so

1047
01:06:13.639 --> 01:06:15.440
much for listening to Welcome to Pride
Time on Freddy's Nightmers podcast. If you

1048
01:06:15.519 --> 01:06:18.719
want to email us, as we
just mentioned you reach out and cut someone

1049
01:06:19.159 --> 01:06:23.800
by emailing us at Freddie Nightmares Pod
at gmail dot com. We have an

1050
01:06:23.800 --> 01:06:29.199
episode every single Tuesday, and if
you join our patreon at Freddie Nightmares dot

1051
01:06:29.239 --> 01:06:33.239
com you can get a video version
every Monday early, a day early and

1052
01:06:33.400 --> 01:06:38.239
still a dollar short. And I
just want to mention that David did not

1053
01:06:38.360 --> 01:06:41.719
thank me for upgrading his microphone set
up. It's wonderful. Thank you Hen

1054
01:06:41.880 --> 01:06:45.679
for the new marks. So welcome. I guess so we'll see you all

1055
01:06:45.760 --> 01:06:48.559
next week. We love you guys. Be careful out there because Freddie is

1056
01:06:48.639 --> 01:06:51.519
waiting for your kids. Let's see
you guys next time.