WEBVTT

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Jack's got a problem. Joe Man
busted out this morning. His father's paying

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a visit. Hey, you know
they never really got along. Why wouldn't

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think twice? I'm not telling you
Daddy's out of prison. But will Jack

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ever be free? He said it
breaking out his hard to do not for

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me and find out im. That's
Freddie's Nightmares. Hello, my friends,

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and welcome back to Springwood. Yes, we are your shoffers of the most

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deadly town in Ohio, the guides
of the demented and the deformed, and

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the all Freddy you know, ownership
of the city. That was a sentence.

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YEA, I try, I try. I'm your host and Enrique Kutu

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with my good friend and co host
David Louis Denoier. Hello, Hello,

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and we are thrilled to take you
back to Springwood because we we've had an

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interesting couple of weeks and the lot's
been going on. It's definitely been quite

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a summer. Yeah, And before
before we dive into stuff, I just

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want to remind you if you love
what we do here on the podcast and

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you want to support us in the
most direct way possible, you can go

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to Freddie's Nightmares dot com. And
just click on Patreon for three dollars or

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higher. In the tier, you
get to see us on video on the

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podcast and the video podcast. It's
nice too. It's a three camera shoot.

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I would know I paid for everything. But it looks great, it

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sounds great. Obviously you're hearing it. Whatever, shut up and U but

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no, no, So if you
want to support us and see every show

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not only in video form, but
a day early it releases on Mondays,

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yes it does. Check it out. And if the bonus episodes are also

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video as well, so you get
to see us react to Freddie's greatest hits,

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the Horror Hall of Fame, I
mean, god, we've done so

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much at dispoint, and the inevitable
return of your battle against Freddy on any

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yes, yes, which I which
I am vowing to beat at some point.

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So that may be another thing at
some point too. Oh, we'll

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be doing that soon without a doubt. And I also want to take a

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moment to say my other podcast,
my so called podcast day Job as you

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would call it, Weekly Spooky,
is celebrating its two hundredth episode this Wednesday.

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If you're listening to this on Monday
or Tuesday, it's that coming Wednesday,

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and it is a very special episode. But not like a very special

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episode, you know, about drug
addiction or eating disorders on an after school

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special. No, no, no
no. It is a very special episode

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because it is a audio drama.
Yes, written by myself and performed by

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myself and some other actors. Dave
you had a little voice cameo in it,

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along with a bunch of other great
buddies and collaborators. I'd really love

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everybody to check it out because I've
worked unbelievably hard on it, and my

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writing crew have worked unbelievably hard on
the last one hundred and ninety nine episodes.

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Absolutely, so I just want to
say thank you. If you have

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listener, if you're a Weekly Spooky
listeners, come over here and please check

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it out. It'd be a great
first episode if you've never heard Weekly Spooky

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listen if they enjoyed last week's episode
of Silence as golden. Because the radio

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thing may or may not play into
that, I'll tell them what it's about.

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Yeah. So the episode is called
on the Scare, Yeah, or

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over the Scare, Over the Scare, thank you. I wrote it over

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the Scare, and it is like
a found footage movie, except it's a

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found tape of an old radio show
from nineteen ninety nine. That so it's

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it's I'm happy with it. So
yeah, just make sure you check that

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out over at Weekly Spooky dot com
or wherever you get your podcasts. Absolutely,

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Dave, is any there anything you
want to talk about? No,

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I do just want to say real
quick that I've had a couple of people

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reach out to me with regards the
last week's episode of talking about Tito,

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and just get your turtle and my
pet turtle given me condolences and let me

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know you're here from me via messages, via comments on Facebook, and if

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you do follow me on Facebook,
which you know, hey you can't,

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Yeah you can, but you don't
have to. You did see that my

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partner surprised me with a wonderful,
wonderful blanket to commemorate Tito. That was

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super moving and you can see that
on there. But again, just thank

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you everybody for your support this last
couple of weeks. It's it's been it

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has not been missed, and I
have been very grateful. And for the

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record, she did not make a
blanket out of Tito. Should not that

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would be a little twisted also very
small. Well, I mean I'm not

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you know, I don't judge.
I just but no, so no I

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And I'm glad to hear that people
are reaching out. I got a few

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people who just said, like,
Wow, what an idiot. He's so

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stupid. I hate him. And
I was like, that's fair. All.

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I compiled them all together so I
could read them at the end of

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everything, so so I can put
I can listen to it at night,

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just when when I go to bed. Yeah, it actually get yourself in

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the right head space to never wake
up again. You know, it's important.

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It's important to you know, as
you know by the show. Yes,

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but speaking of we are on to
season two episode eight, correct blood

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Line, Yes, sir, and
oh please yeah, I mean it's a

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fun one, it really is.
Yeah, And I will say two in

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regards to season two, we only
have two more episodes after this, and

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we're already halfway through season two already. So it's it's coming time flies when

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you're having fun. I know,
I know, so he is right.

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Season two, episode eight, Bloodlines. The original air date was November twentieth

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or twenty sixth of nineteen eighty nine. This episode is directed by James Quinn.

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He was a director on niemey Vius
in nineteen eighty seven, Crime Story

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in eighty seven, as well the
Bronx Zoo. He did the Untouchables TV

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show in ninety three, SVU in
two thousand and one. But where I

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found a lot of interest in his
resume was his second unit stuff. He

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was second unit on Smokey and the
Bandit in nineteen seventy seven, Ah East

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band Down, Blowing out of Town, Empire of the Ants in nineteen seventy

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seven. Oh yeah, Well,
and before you finish your list, may

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I Yes, for those who don't
know what a second unit director is,

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I would love to tell you.
So. When you're making a big budget

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movie, or even a small budget
movie on a very tight schedule, there's

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a first unit, which is what
you would normally think of when you think

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of movies. Yes, it's a
camera director, photography, camera operator director,

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YadA, YadA, YadA, and
they're shooting you know, the lead

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actors, the dialogue scenes, what
you'd expect. But on a bigger movie

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or a movie with a really fast
schedule, the director, the actors,

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and the DP will all leave the
set and go prep the next thing,

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and while they were away, the
second unit person. The second unit usually

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there's a second director and a DP
will get things that are on the director's

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shot list that the director did not
get. Things like a hand grabbing a

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door knob, or like a close
up of a drawer opening hitting the floor.

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Yeah, yeah, a door knob
moving turning. They're all kinds of

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things, or it can be in
a bigger, more advanced way. Second

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unit is often also called pickup shooting. Yeah. Although they are technically different,

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they're also technically kind of alike.
So sometimes it will also be like

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the close ups for the special effects
would be done in the second unit because

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it allows things to move faster.
But when you get into things like and

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this is perfect for what we're talking
about, when you get into things like

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Nightmrandome Street five to say something,
Night Street five ran three units sometimes and

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they were all shooting real scene.
Yes, that's how tight their schedule was.

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So they would literally have five five
sets set standing and they'd have at

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least two units running at any given
time. And that is a crazy way

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to do it. I mean to
give context, Like when I make movies

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on the you know, the micro
budget, low budget space. When I

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direct a movie, usually the second
unit director is like my assistant director or

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the DP if I'm not the DP, which is and it's usually like,

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hey, you guys are gonna get
like three or four shots different angles of

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the outside of the house we're filming
in. Yeah, or you're gonna get

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like this shot of the swimming pool, or you're gonna do you know something

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where I don't want to say it
doesn't need creativity, but it doesn't need

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that, It doesn't need that level
of the director's time. Yeah, absolutely

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so, because I would never dismiss
second unit directors because I'm big movies.

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Second unit directors are what make it
all come together and work really well.

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Yeah. And but I just want
to say that because I felt like,

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as you were saying second unit,
I was like, well, I'm a

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big dork who's been, you know, engulfed in this business for forever,

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so of course I know what it
is. So what else has he done?

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Second unit? Second unit? He
was also in nineteen seventy eight The

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Last Waltz, the Martin Scorsese film
with the band Walts. I Love The

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Last Waltz and I love the band. Yes, and the piece of Resistance,

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uh Gremlins nineteen eighty four, so
that was his stuff. In regards

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to the writers, we are going
back to our good buddies, Gilbert Adler

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and now Katz. They of course
where the writer is on Bordello Blood along

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with director and producing. They also
wrote Children of the Corn two in nineteen

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ninety two. Yes they did.
They are the producers of Tales in the

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Crypts seasons three and one and are. They also did Freddie's Tricks and Treats

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in season one and Welcome to Springwood. Well, and Gil has been the

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producer, the production producer on every
episode of Freddy's Nightmares and will be the

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producer on every episode of Freddie's Nightmares. You are correct, and it's important

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to mention we had al Kats on
the Last Seat. Well, they're not

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last season. It feels like it's
our last season, but it was the

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last season, but a few like
maybe eight or nine, ten, fifteen

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weeks back. He was a guest
on A Great Guest by the White If.

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He and Gil have a podcast,
yes, which in many ways inspired

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us to do a podcast. Actually, the funny thing is it wasn't because

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because we don't do a show like
theirs at all. No, not at

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all. But what they did was
they inspired me to want to finally watch

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Freddie's Nightmares because they took they literally
took over Tales from the Crypt on season

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three and onward. There would be
no Tales if it were for gil Adler

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al Katz being the conchos. Yeah, Joel Silver was ready to pull the

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plug in season two, but you
know, we can't blame Joel Silver was

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so over Budge of it. And
when you watch those episodes which are great

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of season one two, you can
tell they went over especially season two.

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Oh well, I think especially season
one season to be honest, But but

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that was okay when it may have
only been one season. But so my

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point is they became the men of
Tales from the Crypt. Yea. They

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became a big deal. And they
met on Freddy's Nightmares. And when I

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heard the story of their career and
it referenced working on Freddy's so much.

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Yeah, I love how everyone who
I've talked to who worked on Freddie's Nightmares,

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by the way, refers to it
as Freddy's. Have you noticed that

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everybody frylick Cappy Alice. That's what
Blakey on literally the person we're talking about.

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That's the kind of week we're talking
about here, kids. I am

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dog sitting right now. I have
a dog with cancer who's doing fine,

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a dog who's getting a little older
and has trouble getting around, and a

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one and a half year old pit
puppy puppy, and oh my gosh,

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he is just all he wants to
do is be attached to my female dog

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animals who will kill him and wants
nothing to do with him. That's not

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true. She wants him to do
exactly what she say, and he wants

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to play and she does not.
No, no, no. My girlfriend

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put it very well. She said, he thinks he wants her to be

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a playing dog and she's a napping
dog. But no, so, but

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no. So they have an incredible
podcast to make a movie. And I

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was about to say, I want
to make sure I said the name,

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because I could see all listening to
this to be like really, And then

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they don't get to the they don't
even say the name of the show.

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No, it's called How Not to
Make a Movie Blood and the first season

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is an incredible depth like audio documentary
about the making of Bordello and Blood.

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And then the second season is just
an incredible dive into all of the contacts

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and fascinating Hollywood people. Yes,
that Gil and Al have have become friendly

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with over the years, so they're
actually like very different. They are,

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and in a good way because I
love hearing what they've you know, learned,

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and who they talk to, and
they talk to really interesting people,

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really do. Yeah, and they
and they've doubled the amount of episodes they

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did for season one. I think
it's more than I mean more than double

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at this point. I think they're
up to like fifty four or something.

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Yeah. Yeah, well the first
season being an audio being an audio documentary

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is a lot of editing and stuff, but doing more of a free form

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interview style. Yeah, I mean, it's a lot easier to crank out

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shows. And you got to throw
out a special thanks to to Dad's from

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the Cryp podcast because the reason that
they started their podcast, I think Al

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said on the show too, was
because they were doing They did a special

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on Demon Night. Of course,
if you haven't listened to as from the

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Cryp, it is a great podcast
where they go through the entire from the

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Crip run. They're super great,
super fun. But anyway, they they've

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gotten to Bordello Blood and Al basically
had been reached out to you by Jason

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to come back on the show and
talk about it. And Al was like

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that would basically be a podcast all
into itself and there we go, and

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then they were like done. Yeah, so no, it was. It's

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it's a really great podcast. Make
sure you guys check it out because if

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you're listening to this, you are
an uber nerd. Like you love what

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you love. You love your horror
movies, you love your TV, you

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love your nostalgia, and you love
it thick like a thick cut like a

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good piece of bacon, and you
will get it for real from them.

204
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So please check out Dad's from the
Crypt and How Not to Make a Movie.

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And I want to also mention Dad's
from the Crypt. They take a

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00:13:20.679 --> 00:13:24.879
more this sounds rude to me.
Look, they take a more creative approach

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00:13:24.919 --> 00:13:28.919
than we do. We're doing a
straight watch through. Dad's from the Crypt

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00:13:28.000 --> 00:13:33.240
does themed watches, yes, so
they come up with a specific theme and

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00:13:33.279 --> 00:13:35.919
then they go with an episode that
fits that theme really well. Yeah.

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00:13:37.000 --> 00:13:39.480
So it's a lot more thoughtful,
Yeah, in a lot of ways,

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00:13:39.480 --> 00:13:43.720
but more of a fun recap with
advice at the end of the show,

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00:13:43.720 --> 00:13:46.240
and I love that. Yeah,
it's about parenting and what I learned of

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00:13:46.320 --> 00:13:48.759
parenting from pil from the Crypt,
which if there isn't If there was a

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00:13:48.799 --> 00:13:52.799
better hook for a show, I
haven't heard it, but no, so

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uh so sorry we uh we just
are excited and yeah, and al we

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00:13:56.679 --> 00:13:58.360
consider Alan Gill a friend of the
show, even though David still hasn't gotten

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00:13:58.360 --> 00:14:01.480
Gil on will They will be coming
soon. I promise we will get this

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00:14:01.559 --> 00:14:03.919
taken care of. Oh no,
they're busy people, all right, So

219
00:14:03.960 --> 00:14:07.919
we are talking about season two,
episode eight, Bloodlines. We open with

220
00:14:07.960 --> 00:14:11.559
an evening shot of the streets to
Springwood as a man over the radio delivers

221
00:14:11.600 --> 00:14:16.000
news update that no indictments will be
handed out over the fiery death of child

222
00:14:16.039 --> 00:14:20.919
murderer Freddy Krueger. Who know,
look the fiery death, like they literally

223
00:14:20.120 --> 00:14:24.799
the fiery death. But yeah,
yeah, that was over the fiery death

224
00:14:24.799 --> 00:14:26.879
of Freddy Krueger. Yep, that
is exactly right. So we next see

225
00:14:26.919 --> 00:14:31.320
texts pop up that reads Springwood some
time ago, which I was very disappointed.

226
00:14:31.360 --> 00:14:35.519
I was hoping it would say a
long time ago in a galaxy far

227
00:14:35.559 --> 00:14:39.279
far away, but I'll settle for
that. So we see a police officer

228
00:14:39.360 --> 00:14:41.360
named Officer Webb, who was played
by Walter Addison. He was also in

229
00:14:41.360 --> 00:14:45.720
the Bronx Zoo in nineteen eighty seven. He was in Zombie High in nineteen

230
00:14:45.759 --> 00:14:50.919
eighty seven, the Werewolf series in
nineteen eighty seven, THELF series. I

231
00:14:50.919 --> 00:14:54.480
wish it would get released. Ye
music rights on that one's in the mess.

232
00:14:54.919 --> 00:14:58.039
Oh it's a Werewolf series. It
should be unleashed, unleashed, There

233
00:14:58.120 --> 00:15:03.399
you go. Murphy Brown in nineteen
ninety Actually like Murphy Brown more than all

234
00:15:03.440 --> 00:15:05.759
of them. Hang On, hang
On, Rapid Fire in nineteen ninety two

235
00:15:05.799 --> 00:15:09.200
with Brandon Lee. Are you serious? Serious? I Love? I Love

236
00:15:09.279 --> 00:15:13.840
Rapid Fire. Ghosts in the Machine
in nineteen ninety three. Oh my god,

237
00:15:13.000 --> 00:15:16.440
Okay, this guy is one of
those guys that's been in every Yeah

238
00:15:16.879 --> 00:15:18.840
Drew Carey Show in ninety eight.
I Love the Drew Carey Show. Fun

239
00:15:18.840 --> 00:15:22.720
with Dick and Jane remake with Jim
Carrey in two thousand and five, Love,

240
00:15:22.120 --> 00:15:26.480
I Do Love Dick. Here's your
Favorite Watchman in two thousand and nine,

241
00:15:28.000 --> 00:15:31.240
and we closed with Justified in twenty
eleven. Who did he play?

242
00:15:31.279 --> 00:15:35.039
And Justified? Mister party. He
was in season four. I want to

243
00:15:35.080 --> 00:15:39.559
say when I locked it up,
I love justified. We dug cold together,

244
00:15:39.720 --> 00:15:43.399
Yes, we did so, Officer
Webb execting his car walking up to

245
00:15:43.440 --> 00:15:46.720
a residence. The radio voice continues
stating that a bank robber named Woody Burton

246
00:15:46.879 --> 00:15:50.519
escaped from prison two hundred miles from
spring Wood, but no leads to the

247
00:15:50.720 --> 00:15:54.600
to Burton's whereabouts. Officer Webb knocks
on the door and Joyce Burton, who

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00:15:54.759 --> 00:15:58.440
is played by Shari North. She
has one hundred and seventeen acting credits to

249
00:15:58.480 --> 00:16:02.799
her name, starting in nineteen fifty
one with a film called Excuse My Dust,

250
00:16:02.840 --> 00:16:04.799
which I love that title. Well, yeah, I've always heard pardon

251
00:16:04.879 --> 00:16:08.080
my du Yeah, okay, and
then we have gun Smoke in nineteen sixty

252
00:16:08.120 --> 00:16:11.559
three. She was on the Fugitive
series. In sixty five, then came

253
00:16:11.639 --> 00:16:17.600
Bronson, the famous I'm Blakes named
Michael Parks TV show, like one of

254
00:16:17.639 --> 00:16:19.840
the one that got his big start, Which is interesting because Charles Bronson started

255
00:16:19.840 --> 00:16:30.159
in the TV series Parks City.
That's what you're throwing me off, David.

256
00:16:30.279 --> 00:16:32.759
How many episodes have we done?
That is literally my only job.

257
00:16:33.919 --> 00:16:37.480
It's basically David analyzes while Enrique throws
him off. This is true. So

258
00:16:37.600 --> 00:16:41.639
then one of my favorite films nineteen
seventy one, the film law Man with

259
00:16:42.519 --> 00:16:47.440
Burton Burt Lancaster. She was also
in Kung Fu in nineteen seventy three,

260
00:16:47.559 --> 00:16:51.480
The Shootest in nineteen seventy six with
John Wayne Magnum, p I in eighty

261
00:16:51.519 --> 00:16:55.120
four. Here's the claim to fame
though she's in Maniac com Do you remember

262
00:16:55.159 --> 00:16:57.039
who she was? Wait? Wait
wait wait? Was she a psychic?

263
00:16:57.200 --> 00:17:02.480
No? I remember remember she the
second you said that, I could see

264
00:17:02.480 --> 00:17:04.799
her and she's communicating with Cordell.
She's the one that meets him in the

265
00:17:04.799 --> 00:17:10.559
warehouse. She is she a psychic
in that? No? No, but

266
00:17:10.640 --> 00:17:15.559
like but when I said psychic,
yeah, I meant my brain was saying,

267
00:17:15.599 --> 00:17:19.519
like she talked to the dead.
I actually did remember, but I

268
00:17:19.559 --> 00:17:25.359
didn't until you said yet. Yeah. The moment you said that, I

269
00:17:25.480 --> 00:17:26.720
was like, oh, man,
I remember her talking to the maniac top

270
00:17:26.759 --> 00:17:30.440
Cordell, And I want to also
mention that when you get to him.

271
00:17:30.440 --> 00:17:34.519
This show features one of my all
time favorite when an actor who played one

272
00:17:34.519 --> 00:17:37.319
of my all time favorite characters of
all time. Okay, that's two all

273
00:17:37.359 --> 00:17:41.480
times, and that was on purpose, not because I haven't slept fair enough,

274
00:17:41.799 --> 00:17:44.440
so Mania cop in nineteen eighty eight. She also was in Seinfeld in

275
00:17:44.559 --> 00:17:48.359
ninety five. She tells Webb she's
told Woody to stay out of trouble and

276
00:17:48.400 --> 00:17:51.039
has no idea where he is right
now, but he should be back soon

277
00:17:51.119 --> 00:17:53.400
because they're going to the Grand Canyon. Yeah, folks here, that in

278
00:17:53.519 --> 00:17:57.319
mine because that's a theme of this
story. Theme is a little bit of

279
00:17:57.319 --> 00:18:02.880
a light point. Yeah, it's
constantly referenced, but but her character is

280
00:18:02.880 --> 00:18:06.799
looney Tunes. Unfortunately, it's actually
very sad it is, so Webb questions

281
00:18:06.839 --> 00:18:10.720
Grand Canyon is where he's headed.
Joyce tells him know that he wouldn't leave

282
00:18:10.759 --> 00:18:14.039
without her, and she hasn't seen
him in years. Officer Webb tells her

283
00:18:14.039 --> 00:18:15.960
he was just stopping by to inform
her of Woody's escape and that they will

284
00:18:17.000 --> 00:18:19.680
have someone outside the house watching in
case he shows up. He also mentions

285
00:18:19.680 --> 00:18:22.559
to her that he knows in the
past wood he didn't treat Joyce the best

286
00:18:22.599 --> 00:18:26.839
and wants to reassure her, but
stop speaking when he sees that Joyce is

287
00:18:26.839 --> 00:18:30.920
staring blankly and sadly back at him. I mean, I can't tell you

288
00:18:30.920 --> 00:18:33.799
any conversations you and I have had
where I just stop when I see like

289
00:18:34.000 --> 00:18:37.559
a fly lands on your eye and
walks across it and you don't blink once.

290
00:18:38.000 --> 00:18:41.480
Webb wishes her a good night,
and she goes back to the car

291
00:18:41.519 --> 00:18:45.039
as Joyce shuts the door. We
cut to Freddie's domain, where we hear

292
00:18:45.079 --> 00:18:48.400
a clinking sound and see that Freddy
is behind bars, running a tin cup

293
00:18:48.480 --> 00:18:52.880
over them, shouting YadA YadA,
Yanna, Warden, hey, wardon,

294
00:18:53.319 --> 00:18:57.400
let me out of here. Come
on. Freddy is literally clanking the tin

295
00:18:57.559 --> 00:19:03.720
can right across the bars. Yes
he is, he continues, You promised

296
00:19:03.720 --> 00:19:06.799
me some good time if I behaved. He looks annoyed, then looks at

297
00:19:06.839 --> 00:19:10.400
the camera, continuing breaking out.
It's hard to do, but not for

298
00:19:10.480 --> 00:19:12.400
me. He leans his head over
to a section of the prison bars,

299
00:19:12.440 --> 00:19:15.440
taking a bite and removing the whole
bar, which he pursues to chew on

300
00:19:15.519 --> 00:19:18.480
before taking more bites. Yeah,
he just keeps biting chunk side of the

301
00:19:18.519 --> 00:19:22.079
bar. Yes, why wouldn't he? All I know? Is I really

302
00:19:22.119 --> 00:19:32.880
hope Freddie starts playing Harmonica? Nobody
knows the trouble, so we cut back

303
00:19:32.920 --> 00:19:36.839
to the Burton residence where we find
a satin Joyce laying on the bed sighing.

304
00:19:37.400 --> 00:19:40.279
Come on, Woody, please come
home, she says, looking at

305
00:19:40.279 --> 00:19:41.839
a portrait before we go into a
flashback with her. In Woody, we

306
00:19:41.880 --> 00:19:45.759
see a nice park and a young
version of Woody and Joyce on the ground

307
00:19:45.799 --> 00:19:48.000
together kissing. Young Woody is played
by Ed Latimer. He was in t

308
00:19:48.160 --> 00:19:52.160
J. Hooker in nineteen eighty three, The Lonely Guy, the Steve Martin

309
00:19:52.160 --> 00:19:56.079
film in eighty four, Breaking in
eighty four, Stripped to Kill Two Live

310
00:19:56.200 --> 00:20:04.480
Girls in eighty eight, Yes,
Sir, Stripped to Kill Two Yes,

311
00:20:06.000 --> 00:20:11.079
is one of those movies. I'm
pretty sure only I Love you have a

312
00:20:11.079 --> 00:20:14.079
poster literally in the hallway outside of
this room. No, David, I

313
00:20:14.119 --> 00:20:18.680
do not. I have an original
video store one sheet that is true.

314
00:20:18.759 --> 00:20:21.880
Yes, no, no, no, yeah, I didn't just like buy

315
00:20:21.960 --> 00:20:25.680
a reprint. No, no,
I found. Oh it wasn't hard to

316
00:20:25.720 --> 00:20:27.440
find because nobody else, nobody else
wants it. No, I only oddly

317
00:20:27.519 --> 00:20:30.680
enough, so I have a giant
poster collection were you were actually Whenever we're

318
00:20:30.680 --> 00:20:33.119
setting up at Dave's waiting on me
to finish something, he just sits in

319
00:20:33.160 --> 00:20:37.759
at Myers. My Extreme Justice poster
and because this room I mean unfortunately,

320
00:20:37.799 --> 00:20:41.680
but I mean it's it's sound treated. So there are only a few select

321
00:20:41.759 --> 00:20:45.680
posters that can be up, and
one of them is Extreme Justice. Then

322
00:20:45.720 --> 00:20:51.319
there's Evolver, Night of the Scarecrow
and an original and my super super old

323
00:20:51.400 --> 00:20:56.599
beat up original Slumber Part not just
an original, the first release run original,

324
00:20:56.960 --> 00:21:00.400
so it doesn't have any other company
names on it. It's earliest.

325
00:21:00.519 --> 00:21:02.680
The only reason I could afford it
was it was in such bad shape.

326
00:21:03.079 --> 00:21:06.720
But it's signed by all four of
the main cast, including Brings Stevens.

327
00:21:06.720 --> 00:21:10.319
But anyway, but my point is
almost all of the posters I collect nobody

328
00:21:10.319 --> 00:21:12.039
wants. Yeah, Like the only
ones people want are like that one the

329
00:21:12.039 --> 00:21:15.559
plane strays, an automobile's poster,
like my Not of This Earth poster,

330
00:21:15.960 --> 00:21:22.000
my chop chopping mall will tourist trap, which you guys all bandy together getting,

331
00:21:22.079 --> 00:21:25.079
which is super nice. But no, no, I have stripped to

332
00:21:25.160 --> 00:21:27.119
kill two live girls. I have
a poster that in the hallway of my

333
00:21:27.240 --> 00:21:32.160
home because well, first of all, that poster is amazing. Yes,

334
00:21:32.279 --> 00:21:34.559
the design that that poster is amazing. It is Maria Ford at the height

335
00:21:34.599 --> 00:21:40.680
of her popularity. White s porcelain
looking like oh no, wearing like eighties

336
00:21:40.759 --> 00:21:44.839
thong that goes past your belly button, and there are hands coming out of

337
00:21:44.880 --> 00:21:48.200
a like broken wall all around her. Think Day of the Dead. Yeah,

338
00:21:48.480 --> 00:21:53.039
but when you look closely at the
poster, Yeah, I've shown you

339
00:21:53.039 --> 00:21:56.599
this right. Yeah, I've noticed
a lot. Some of the hands are

340
00:21:57.039 --> 00:22:02.640
very clearly Manikin hands, and then
other hands are very clearly really And all

341
00:22:02.680 --> 00:22:07.359
I could imagine was Roger Corman like
walking into the marketing department and being like,

342
00:22:07.799 --> 00:22:11.799
all right, I'm going to need
you all to come into the photoshoot

343
00:22:11.799 --> 00:22:15.480
and please try not to molest Maria
four. But you won't be able to

344
00:22:15.480 --> 00:22:21.640
see where your hands are going.
So what happens happens. No, it's

345
00:22:21.680 --> 00:22:27.400
so it's so good, But no, I just love that throughout this program.

346
00:22:27.720 --> 00:22:33.400
Yeah, so many actors and directors
and crew people have not only worked

347
00:22:33.400 --> 00:22:37.079
in stuff we know, but in
some of because you and I have ridiculous

348
00:22:37.119 --> 00:22:41.640
deep cut loss we do. But
they've worked on some of the like most

349
00:22:41.119 --> 00:22:45.720
unassuming like why Like we've had We've
had people who worked on Meal in the

350
00:22:45.799 --> 00:22:48.720
landa Far Away. We've had people
who've worked on Stripped to Kill two We've

351
00:22:48.759 --> 00:22:52.920
had people who've worked on Hard to
Die and all these like all these movies

352
00:22:52.920 --> 00:22:56.000
that most people don't even know.
Ye, so that's why I'm just like,

353
00:22:56.079 --> 00:23:00.599
I'm extra tickled by that, David, I'm extra tickled. You're welcome.

354
00:23:00.680 --> 00:23:03.920
So strip to Kill two live girls
in eighty nine, Lords of the

355
00:23:03.960 --> 00:23:06.759
Deep in eighty nine, one another
Roger Corman, It keeps going, Henrick

356
00:23:07.000 --> 00:23:12.440
Blood Fist seven, Man Hunt in
nineteen ninety five, wants it is Termination

357
00:23:12.519 --> 00:23:18.720
Man in ninety eight, Friday Night
twenty eleven, and Cicario in twenty fifteen.

358
00:23:19.079 --> 00:23:25.920
C Hi ho, Cicario. Everyone's
dead, so he young Wood,

359
00:23:25.920 --> 00:23:27.759
He asked young Joyce, who's played
by Melanie Tomlin. She only had a

360
00:23:27.799 --> 00:23:32.039
couple of bites on her resume,
only I think about five, to stand

361
00:23:32.119 --> 00:23:34.400
up and model the dress she's wearing. Having her turn around, he comments

362
00:23:34.440 --> 00:23:38.400
he likes the dress these days a
chef fit check. Yes, He comments

363
00:23:38.400 --> 00:23:45.200
he likes the dress because he can
see almost everything and thought or thought everything.

364
00:23:45.279 --> 00:23:48.759
Three said, and then began to
begin to kiss again. He tells

365
00:23:48.839 --> 00:23:52.359
Joyce that he wants to be together
forever, asking how's that sound, missus

366
00:23:52.400 --> 00:23:56.119
Burton, and they embrace each other
once more, until Joyce has woken up

367
00:23:56.119 --> 00:23:59.960
from the dream to the sound of
someone calling mom to her, we need

368
00:24:00.160 --> 00:24:02.799
her son, Jack Burton, who
is played by Chris Nash. He was

369
00:24:02.839 --> 00:24:06.440
in Family Ties in nineteen eighty three, one of my favorite films, Mischief

370
00:24:06.440 --> 00:24:10.359
in nineteen eighty five. Have I
seen that that's a Porky's knockoff that Anchor

371
00:24:10.400 --> 00:24:12.039
Bay put out? I have not
seen it yet. I think I still

372
00:24:12.119 --> 00:24:17.000
hopefully still have my copy. You
got to bring it over the wraith in

373
00:24:17.079 --> 00:24:23.200
nineteen eighty six, The Amazing Stories
eighty seven Are You Free of the Dark?

374
00:24:23.200 --> 00:24:26.160
And Amazing Stories Movie No, the
TV the TV series. Oh but

375
00:24:26.200 --> 00:24:29.480
you don't know what episode? No, I didn't know. That's okay,

376
00:24:29.559 --> 00:24:30.680
there are a lot of them.
I just love Amazing Stories. And then

377
00:24:30.720 --> 00:24:34.079
are You Free of the Dark and
ninety two? I want to know what

378
00:24:34.079 --> 00:24:37.440
episode he was in? Aready afraid
of that? I dropped the ball?

379
00:24:37.480 --> 00:24:41.480
Now? So he wakes uh?
He wakes her up. Confused. Joyce

380
00:24:41.519 --> 00:24:44.640
calls him Woody upon waking up,
and Jack reminds her that he's Jack,

381
00:24:44.759 --> 00:24:47.880
her son. She tells him to
get ready because they're going to the Grand

382
00:24:47.880 --> 00:24:49.839
Canyon. But a Frustrated, Jack
tells her, not this again. We're

383
00:24:49.880 --> 00:24:52.799
not going anywhere. She tells him
what Wood he is coming home, and

384
00:24:52.880 --> 00:24:56.680
Jack reminds her that he is not
because he robbed a bank, but Joyce

385
00:24:56.720 --> 00:24:59.880
ignores him, continuing that she should
make him some beef stew and when he

386
00:25:00.039 --> 00:25:02.599
comes home, it's going to be
just like the way it was. Man,

387
00:25:02.640 --> 00:25:06.039
that sounds great, right, we'll
be still a little crime. Jack

388
00:25:06.079 --> 00:25:08.279
reminds her the way it was,
adding that they were never a family,

389
00:25:08.359 --> 00:25:11.599
and he leaves his mom to fall
back asleep on the bed downstairs. Jack

390
00:25:11.680 --> 00:25:15.359
enjoys a drink until a knock at
the door brings him face to face with

391
00:25:15.480 --> 00:25:18.640
Officer Webb. He opens the door, asking what he wants, as Webb

392
00:25:18.839 --> 00:25:22.720
enters the home without even asking,
well, I mean in Springwood, you

393
00:25:22.759 --> 00:25:30.079
know the constitution only benefits child killers
and no one else. So Jack adds

394
00:25:30.119 --> 00:25:32.519
that whatever it is, he didn't
do it, and Web tells him he

395
00:25:32.559 --> 00:25:36.039
sounds guilty as hell to him,
but probably because he knows him so well,

396
00:25:36.680 --> 00:25:40.279
which is just a delightful, delightful. Yes. Jack tells him he

397
00:25:40.359 --> 00:25:42.160
kept his nose clean, and Web
states, ah, guess reform school did

398
00:25:42.200 --> 00:25:47.480
something good. Jack asked him if
he has a warrant, and Web asks

399
00:25:47.519 --> 00:25:51.400
does he need a warrant to use
the bathroom? Jack tells yes, he

400
00:25:51.440 --> 00:25:53.440
does. Jack, I literally made
you show a warrant before you use the

401
00:25:53.440 --> 00:25:56.920
bathroom when you were already hanging out
at my house. Yes, that is

402
00:25:56.960 --> 00:26:00.319
true. Jack adds that whatever it
is actually Jack asked him if he has

403
00:26:00.599 --> 00:26:03.279
to warrant, and Web ass he
need warrant he use the bathroom. He

404
00:26:03.319 --> 00:26:07.680
tells him to go use the bushes, asking him what he's doing in here

405
00:26:07.720 --> 00:26:10.759
and if they think he's guilty,
why don't they just arrest him? Web

406
00:26:10.839 --> 00:26:14.680
last question, asking him you and
then he tells Jack they're not here for

407
00:26:14.799 --> 00:26:18.480
him. They're looking for Woody,
telling a shock Jack that Woody busted out

408
00:26:18.480 --> 00:26:21.839
and they suspected him to come here. Web ads they never found the money

409
00:26:21.880 --> 00:26:25.319
from the bank job and Jack tells
him probably because his dad stashed it so

410
00:26:25.359 --> 00:26:26.960
well, adding how long did you
look in to sell when he broke out?

411
00:26:29.200 --> 00:26:30.359
Little shit? Oh, yeah,
he's a well, no, he's

412
00:26:30.400 --> 00:26:33.359
a big shit. Yeah he's not
a he's not really a kid. He's

413
00:26:33.400 --> 00:26:37.480
a he's a full grown man,
grown ass man. Web thanks him for

414
00:26:37.480 --> 00:26:40.440
the option of the bathroom, telling
Jack he'll be outside if he needs anything

415
00:26:40.640 --> 00:26:45.160
or if he wants to turn himself
in for anything too. That's I'm gonna

416
00:26:45.160 --> 00:26:47.759
start going with that when I'm talking
to people. Hey, David, if

417
00:26:47.799 --> 00:26:51.039
you need to talk anytime, where
you want to turn yourself in? So

418
00:26:51.119 --> 00:26:53.160
Jack shuts the door and locks it. Goes to the closet, pulling down

419
00:26:53.160 --> 00:26:56.200
a red rag, unwrapping it to
reveal a loaded pistol, which he takes

420
00:26:56.200 --> 00:27:00.599
out. The phone begins to ring
and Jack answers, telling a woman named

421
00:27:00.640 --> 00:27:03.000
Maggie that he loved to stay the
night with her, but he can't and

422
00:27:03.000 --> 00:27:06.319
he will call her later to explain. Before hanging up, Jack goes back

423
00:27:06.319 --> 00:27:08.319
to the living room with his gun
to hear a news report that Woody robbed

424
00:27:08.319 --> 00:27:11.440
a gas station and stole a car, so far eluding all the police.

425
00:27:11.759 --> 00:27:15.880
He turns the TV off a bit
panic, noting that the robbery took place

426
00:27:15.960 --> 00:27:19.079
less than forty minutes away from Springwood. He sits back in his chair,

427
00:27:19.119 --> 00:27:22.160
clutching the pistol, showing some signs
of panic. We next see that he's

428
00:27:22.200 --> 00:27:26.319
fallen asleep with a gun on his
lap, as suddenly someone's hand comes into

429
00:27:26.400 --> 00:27:29.960
frame. For the record, Yeah, I mean that is like there is

430
00:27:30.000 --> 00:27:34.240
no better sleep than I know that
for a fact. Oh, I know.

431
00:27:34.759 --> 00:27:37.720
We next see he's fallen asleep with
a gun on his lap. As

432
00:27:37.759 --> 00:27:41.240
suddenly someone's hand comes into frame,
grabbing the gun and suddenly holding it on

433
00:27:41.319 --> 00:27:45.680
Jack as we meet Woody, who
was played by Mark Alamo, my favorite.

434
00:27:45.079 --> 00:27:51.240
Yes, David, I'm curious if
I have it on here. If

435
00:27:51.240 --> 00:27:55.000
you don't, I'll kill you.
I'm sorry, I we'll see he put

436
00:27:55.440 --> 00:27:56.640
go ahead. No, I'll let
you go. Okay, but I'm gonna

437
00:27:56.640 --> 00:28:02.680
interrupt you because I love this.
Okay, So Rockford Files in nineteen seventy

438
00:28:02.680 --> 00:28:04.799
four. He was also in Helder
Skelder in nineteen seventy six, The Six

439
00:28:04.839 --> 00:28:08.400
Million Dollar Man in seventy seven,
one of my favorite movies of all time,

440
00:28:08.440 --> 00:28:12.920
Hardcore in seventy nine with Georgie Scotty, Grizzly two and eighty three.

441
00:28:14.960 --> 00:28:18.240
For the record, I think I
was in Grizzly too, like everyone was

442
00:28:18.240 --> 00:28:22.359
in Grizzly two, Avenging Force,
the Dudakov film in eighty six, Arena

443
00:28:22.359 --> 00:28:27.400
in eighty nine, Tango and Cash
in eighty nine. You're gonna be really

444
00:28:27.400 --> 00:28:32.640
surprised why I love him so much. Total recall in ninety Star Trek Deep

445
00:28:32.680 --> 00:28:36.960
Space nine in ninety three, No, No, he was not in Star

446
00:28:37.480 --> 00:28:45.559
No. He played gold Ducott,
the most the most advanced and fascinating villain

447
00:28:45.559 --> 00:28:51.799
in all of Star Trek. Oh
okay. Gold Ducott had such a deep

448
00:28:52.200 --> 00:29:00.680
character arc. He he was a
genocidal, evil maniac who believed he was

449
00:29:00.759 --> 00:29:07.640
good, perfect character for him.
Wow. He was amazing in that role,

450
00:29:07.279 --> 00:29:11.359
and that character was a phenomenal.
I'm getting I'm a nerd about Star

451
00:29:11.400 --> 00:29:14.759
Trek because you have to be.
I mean, you can't. I'm a

452
00:29:14.839 --> 00:29:18.960
jock about Star Trek. No,
but he was amazing in that Goldcott's one

453
00:29:19.000 --> 00:29:22.279
of my all time favorite villains and
one of my all time favorite characters.

454
00:29:22.359 --> 00:29:26.799
Wow. And that's all there is
to it. And he and that actor

455
00:29:26.880 --> 00:29:32.839
and Jeff Combs were acting together a
ton in that documentary. They hung out

456
00:29:32.839 --> 00:29:36.920
a bunch in that documentary. But
Golducott one of the greatest ever. And

457
00:29:37.000 --> 00:29:40.000
my favorite thing about that was later
seeing him without makeup and going, oh,

458
00:29:40.000 --> 00:29:41.079
crap, he's been in like all
these B movies I like as well.

459
00:29:41.160 --> 00:29:45.119
Yeah, he's been in a ton
of great stuff. But he is

460
00:29:45.160 --> 00:29:49.799
a phenomenal actor. He elevated this
entire episode just by being damn good.

461
00:29:49.880 --> 00:29:53.480
Yeah, I know, he's awesome. So he laughs at Jack's stating that

462
00:29:53.519 --> 00:29:56.799
if he ever wants to get a
drop on him, he'll at least need

463
00:29:56.839 --> 00:29:59.759
to stay awake, then asking where
is the money because it's not where he

464
00:29:59.839 --> 00:30:03.359
left. Jack asked how should he
know, which angers Woody as he points

465
00:30:03.359 --> 00:30:04.960
the pistol right at Jack's face,
asking if he thinks that this is a

466
00:30:06.000 --> 00:30:08.799
game. Suddenly Joyce enters, happy
that Woody's home, and ask her about

467
00:30:08.799 --> 00:30:11.599
the money, but Jack tells him
she doesn't know either and to leave her

468
00:30:11.640 --> 00:30:15.240
alone. Joyce continues that it's so
great to have him back and home,

469
00:30:15.319 --> 00:30:18.559
and Woody stands up, stating it's
great to be back, babe, before

470
00:30:18.640 --> 00:30:23.119
raising the pistol and shooting Joyce dead. What was like quite a startled yeah.

471
00:30:23.160 --> 00:30:26.720
Suddenly Jack shakes away in the chair
in the living room, revealing it

472
00:30:26.759 --> 00:30:30.960
all to be a nightmare. I've
been helping. I've been no joke.

473
00:30:32.000 --> 00:30:34.279
I've been teaching David's posture to work
on his posture. As he wears a

474
00:30:34.319 --> 00:30:38.200
back brace while reading this, I'm
trying to hell, he looks around cautiously

475
00:30:38.240 --> 00:30:41.039
picking up the gun, breathing heavy, and then begins to ask aloud the

476
00:30:41.079 --> 00:30:45.400
money. Where did he put the
money? Suddenly we hear Woody's voice began

477
00:30:45.440 --> 00:30:48.720
to shout where is he? As
we see Jack now looking at a younger

478
00:30:48.839 --> 00:30:52.039
version of himself at the bottom of
the steps. We see a flashback start

479
00:30:52.079 --> 00:30:53.599
as Joyce and Woody come around the
corner from the top of the steps.

480
00:30:53.799 --> 00:30:57.039
Wood he asked about his watch and
Joyce tells him that Jack didn't take it,

481
00:30:57.119 --> 00:31:00.400
she gave it to him before an
angered Woody delivers a hard slapped Joyce,

482
00:31:00.519 --> 00:31:03.519
sending her rolling down the steps to
the bottom of the stairs. What

483
00:31:03.680 --> 00:31:07.640
he comes down, stating that now
he has to fix the step. Walking

484
00:31:07.640 --> 00:31:10.720
over the bloody Joyce, Jack hears
what he repeat, now I got to

485
00:31:10.759 --> 00:31:12.680
fix the step again, and begins
to take a crowbar, popping the top

486
00:31:12.720 --> 00:31:17.200
of them off until he finds a
bag of money stashed under them, the

487
00:31:17.240 --> 00:31:21.880
money from the robbery. Yes,
and I gotta say two things about that.

488
00:31:22.039 --> 00:31:27.440
Yeah, numero un, I'm trying
to think of how to put this.

489
00:31:29.640 --> 00:31:32.720
So when he slapped his mom and
she fell down the stairs, Yeah,

490
00:31:33.519 --> 00:31:36.599
that stunt really convinced me, like, I actually for a second thought

491
00:31:36.640 --> 00:31:38.279
that lady took that fall. Yeah, I don't know why. There was

492
00:31:38.279 --> 00:31:41.640
just something about the cut, the
way it cut together, anything, It

493
00:31:41.680 --> 00:31:45.720
just worked really well. Yeah,
I actually like when when she fell down

494
00:31:45.759 --> 00:31:49.839
the stairs. But what a great
what a great storytelling mechanism. And you're

495
00:31:49.839 --> 00:31:55.160
gonna, unfortunately, or fortunately,
I'm gonna mostly be praising this episode.

496
00:31:55.160 --> 00:31:56.559
I have to be. When I'm
honest, I don't have as much to

497
00:31:56.640 --> 00:32:00.480
laugh at in the show this one, I get it. But what a

498
00:32:00.559 --> 00:32:02.519
great storytelling method to be like where
do you hide the money? And then

499
00:32:02.519 --> 00:32:06.920
he remembers a moment of abuse,
but the moment of abuse gives him a

500
00:32:06.920 --> 00:32:09.279
moment of clarity where he's like,
the step was broken, Like, wait

501
00:32:09.319 --> 00:32:15.039
a second, the step was broken, and I just thought that was phenomenal.

502
00:32:15.079 --> 00:32:16.720
No, it's fantastic. So we
next see Jack at the front door

503
00:32:17.039 --> 00:32:21.720
looking through as he sees Webb's hat
through the window of the door. He

504
00:32:21.759 --> 00:32:23.960
opens the door after stashing the pistol
into sock, and a figure walks in

505
00:32:24.000 --> 00:32:28.119
with his head down as Woody suddenly
brings his head up, revealing that he's

506
00:32:28.200 --> 00:32:30.839
dressed in Webb's clothes Daddy's home,
he says to Jack, who begins to

507
00:32:30.839 --> 00:32:34.599
try and run, but wood he
catches him, throwing him to the ground,

508
00:32:34.640 --> 00:32:37.720
asking him where's he going? And
don't you have a kiss for your

509
00:32:37.759 --> 00:32:39.519
old man after all this time?
I mean I said that to you every

510
00:32:39.519 --> 00:32:44.079
time I see you. What are
he pointing Webb's gun at Jack tells him

511
00:32:44.079 --> 00:32:46.400
he's gonna do whatever he asks and
he won't think twice about blowing him away.

512
00:32:46.960 --> 00:32:50.920
You said away, right, I
said away? He also asked about

513
00:32:51.000 --> 00:32:53.880
Joyce and Woody points yes. He
also asked about Joyce and wood He points

514
00:32:53.960 --> 00:32:57.720
up the stairs, signaling that she's
asleep, and wood he tells him good

515
00:32:57.759 --> 00:33:00.480
before telling Jack to get him a
screwdriver now. Jack walks over to the

516
00:33:00.519 --> 00:33:04.920
closet under the steps and hands what
he a screwdriver what. He tells him

517
00:33:04.960 --> 00:33:07.720
that there's some home improvements he's been
needing to take care of for the last

518
00:33:07.720 --> 00:33:09.680
ten years. He orders Jack to
sit in a chair and begins to make

519
00:33:09.680 --> 00:33:13.559
his way to the steps, stating
he knows that he never got along and

520
00:33:13.599 --> 00:33:16.000
it's nothing personal. He just never
really wanted him. He just doesn't like

521
00:33:16.119 --> 00:33:19.799
kids. I like that. It's
nothing personal. I just didn't want you

522
00:33:19.880 --> 00:33:22.680
to exist. Yeah, don't like
kids. No, And I want to

523
00:33:22.720 --> 00:33:30.400
say the interactions between this dad and
his son are phenomenal. Talk about a

524
00:33:30.599 --> 00:33:38.480
really believably bad, cruel father character
who's constantly, constantly not only hurting his

525
00:33:38.599 --> 00:33:44.319
feelings and insulting him, but gaslighting
him, making him doubt himself, and

526
00:33:44.480 --> 00:33:51.880
and and soaking in the joy of
ruining his mother. It's really heavy.

527
00:33:52.000 --> 00:33:53.160
Yeah, No, it really is. Yeah, because that was one of

528
00:33:53.160 --> 00:33:57.799
the things that we shared a good
laugh about because you message me when you

529
00:33:57.799 --> 00:34:00.759
were you rested me that you were
like, this is a good episode,

530
00:34:00.799 --> 00:34:02.519
and I was like, yeah,
it's a fun one. And then you

531
00:34:02.799 --> 00:34:06.480
literally sectually back and he's like,
he just knocked his mom down the steps.

532
00:34:06.680 --> 00:34:07.199
You were like, yeah, it's
a fun one. And I was

533
00:34:07.239 --> 00:34:10.079
like, he just slapped his wife
and she found down the stairs. When

534
00:34:10.119 --> 00:34:15.559
you said that, Dave as some
people have a funny idea entertainment. I

535
00:34:15.599 --> 00:34:17.320
have a good time at timing too. Yah, you've got you've got a

536
00:34:17.360 --> 00:34:22.039
hell of a timing thing. Yeah, he just doesn't like kids, even

537
00:34:22.039 --> 00:34:23.199
his own. What are he against? The pull up the steps looking for

538
00:34:23.199 --> 00:34:27.679
the money. As he continues that
Jack never liked him anyway too. Suddenly

539
00:34:27.760 --> 00:34:30.840
Joyce comes from the side, asking
Jack if they have company, only to

540
00:34:30.880 --> 00:34:34.360
look up and see Woody, who
she immediately embraces, stating she knew he

541
00:34:34.400 --> 00:34:37.159
would come home. She meets him
on the steps, hugging him, and

542
00:34:37.159 --> 00:34:39.239
Woody states he didn't know that she'd
be so happy to see him after all

543
00:34:39.280 --> 00:34:43.320
this time. She tells him that
she's missed him, before adding that if

544
00:34:43.320 --> 00:34:45.599
he gives her a few minutes,
she can be ready for them to leave

545
00:34:45.639 --> 00:34:50.559
for the Grand Canyon runs all about
the rabbits too. She runs off,

546
00:34:50.559 --> 00:34:52.320
and a puzzled wood He looks at
Jack, asking what the hell is wrong

547
00:34:52.360 --> 00:34:55.000
with her, and Jack fires back
with he should know, as he's the

548
00:34:55.000 --> 00:34:58.800
one who threw her down the steps. And this is where he gets like

549
00:34:59.000 --> 00:35:00.920
really evil, because he starts making
it clear. One of the things,

550
00:35:00.960 --> 00:35:05.280
if I remember correctly, that he
says is he's like, yeah while talking

551
00:35:05.320 --> 00:35:08.719
about you, and I was like, damn, this is like the writing

552
00:35:08.800 --> 00:35:12.960
is tack sharp. What he fires
back with he didn't throw her. It

553
00:35:13.039 --> 00:35:15.719
was actually Jack's fault since they were
arguing about him. He opens the step

554
00:35:15.760 --> 00:35:19.920
with the money, only to find
the empty money bands and He begins to

555
00:35:19.960 --> 00:35:22.480
interrogate Jack with the gun right under
his chin, asking where is it and

556
00:35:22.519 --> 00:35:25.000
to answer quick, which was a
great touch, that they were just the

557
00:35:25.079 --> 00:35:30.559
bank money bands in them. Yeah, so he tells him to answer quick,

558
00:35:32.559 --> 00:35:37.960
damn it before he loses his patience
with him. Upstairs, Joyce is

559
00:35:37.000 --> 00:35:40.360
putting on perfume and doing her hair
when she suddenly flashes back to wood He

560
00:35:40.440 --> 00:35:44.599
yelling at her in the park,
stating he doesn't want kids. Joyce,

561
00:35:44.639 --> 00:35:46.840
trying to comfort him, rushes to
his side, apologizing for bringing it up,

562
00:35:46.840 --> 00:35:51.119
stating she doesn't want them either.
What he takes her in, telling

563
00:35:51.119 --> 00:35:52.639
her as long as he has her, that's all he needs and he doesn't

564
00:35:52.639 --> 00:35:55.360
want to share her, especially not
with a kid. Well, no,

565
00:35:55.639 --> 00:35:59.719
no, no, of course that
we cut back to reality as Joyce continues

566
00:35:59.760 --> 00:36:02.320
get ready and brings out a hat
box. Back downstairs, wood he tells

567
00:36:02.400 --> 00:36:07.199
Jack times up, and Jack questions
who's time, asking Woody if he thinks

568
00:36:07.239 --> 00:36:10.239
the cops of Springwood will miss Officer
web. Joyce enters the room again,

569
00:36:10.360 --> 00:36:14.639
dalled up in a nice dress,
asking him how she looks. She tells

570
00:36:14.679 --> 00:36:16.280
him she bought the outfit for the
trip, adding that they don't have any

571
00:36:16.360 --> 00:36:20.719
kids holding them back, so they
can just go, adding she found a

572
00:36:20.719 --> 00:36:24.159
wonderful hotel for them, holding up
for a Grand Canyon brochure, and also

573
00:36:24.320 --> 00:36:28.079
bringing up the hat box, stating
she had got a new one, which

574
00:36:28.079 --> 00:36:30.079
panics Jack as he tells her to
go back to her bed. But what

575
00:36:30.280 --> 00:36:35.079
he catches on looking in the hat
box to find that Jack stashed the money

576
00:36:35.119 --> 00:36:37.159
as he takes up a huge wad
of cash in his hand, stroking Joyce's

577
00:36:37.199 --> 00:36:40.239
face, telling her she never looked
better. And I gotta say, I

578
00:36:40.280 --> 00:36:45.840
mean her his mom. She's cuckoo
bananas. And it's so sad because when

579
00:36:45.960 --> 00:36:49.880
she says that she holds up for
sure, it's clear that she's been like

580
00:36:49.920 --> 00:36:52.199
studying about the Grand Canyon for like
ten years, long time, waiting for

581
00:36:52.280 --> 00:36:55.039
him to come back so they can
go on this trip that they were planning,

582
00:36:55.079 --> 00:37:00.000
like their kid, their son,
Like if they're trying to use television

583
00:37:00.039 --> 00:37:02.039
and magic, then he's supposed to
be sixteen or seventeen, yeah, but

584
00:37:02.079 --> 00:37:05.679
he looks like he's eighteen or twenty. Yeah, I would say so,

585
00:37:05.880 --> 00:37:12.679
and so like he The amount of
time this woman has kept a flame for

586
00:37:12.719 --> 00:37:17.159
this terrible human being is really really
heartwrenching. It's really sad. But I

587
00:37:17.199 --> 00:37:20.480
want to say something, David,
No, no, no, David,

588
00:37:20.920 --> 00:37:27.079
please if you would just let me
speak for once. This is This is

589
00:37:27.239 --> 00:37:30.400
This episode of Freddie's Nightmares is the
kind of stuff I live for when it

590
00:37:30.440 --> 00:37:32.480
comes to anthology series. Yeah.
And what I mean by that is I

591
00:37:32.559 --> 00:37:37.519
love that we are getting a story
that is dead serious. And the reason

592
00:37:37.639 --> 00:37:42.559
I love that we're getting one that's
dead serious is because the series is often

593
00:37:43.320 --> 00:37:50.119
campy, it's often gross, it's
often sometimes intentionally goofy. But when you

594
00:37:50.159 --> 00:37:55.159
get an anthology series, you never
know what you're going to get. You

595
00:37:55.480 --> 00:38:00.480
don't. So I being a person
who is dedicated my time and energy to

596
00:38:00.519 --> 00:38:05.519
watching this program whether I feel like
it or not, because I'm doing the

597
00:38:05.519 --> 00:38:07.800
show with you. Yeah, and
and having a hard time finding the time

598
00:38:07.880 --> 00:38:12.800
lately, you know. Just full
disclosure, I have to say, my

599
00:38:12.920 --> 00:38:16.800
goodness, when I saw how this
episode just just at least the a story

600
00:38:16.920 --> 00:38:22.360
just held that pitch black mentality.
Honestly, I was thrilled. I was

601
00:38:22.400 --> 00:38:24.880
just like, this is awesome.
This has got that, it's got a

602
00:38:24.960 --> 00:38:30.079
vibe that I'm really digging. Yeah, I really enjoyed it. So I

603
00:38:30.400 --> 00:38:32.559
don't know if you feel similarly about
anthologies, and we could talk more about

604
00:38:32.559 --> 00:38:36.719
it at the end we go over
our ratings. But especially with Gil and

605
00:38:37.119 --> 00:38:40.760
Al's writing styles, I love the
fact that they don't focus on a horror

606
00:38:40.840 --> 00:38:45.760
level that is monsters and stuff like
that. It's it's true people, because

607
00:38:45.760 --> 00:38:49.159
if you go back to Welcome to
Springwood, you had a woman who didn't

608
00:38:49.159 --> 00:38:52.400
know her husband was a serial killer, and then you had the letters in

609
00:38:52.440 --> 00:38:55.239
the wall where the affair had basically
made the chick merker. Yes, yes,

610
00:38:55.280 --> 00:38:59.519
yes, yeah, So it's like
I love that they have that mentality

611
00:38:59.599 --> 00:39:02.559
of the horrors human beings. Well. And I have to say that this

612
00:39:02.639 --> 00:39:07.679
kind of stuff really this episode is
a really great example of why Tales from

613
00:39:07.679 --> 00:39:12.360
the Crypt became legendary. Yeah,
because it wasn't afraid to go literallymight not

614
00:39:12.400 --> 00:39:16.159
say to go real and macab Yes. And I think that that is a

615
00:39:16.199 --> 00:39:20.239
phenomenal example of how they were able
to keep the show fresh, keep it

616
00:39:20.320 --> 00:39:22.119
scary, not let it get too
silly, but not let it get too

617
00:39:22.280 --> 00:39:28.719
dour. Yes, if it hit
that perfect stride. And I really adored

618
00:39:29.280 --> 00:39:32.239
this episode because of that, because
I was watching it and I was hating

619
00:39:32.280 --> 00:39:36.320
the dad, and I was feeling
for the mom, and I wanted the

620
00:39:36.360 --> 00:39:37.360
son to get, you know,
to get some kind of come up.

621
00:39:37.360 --> 00:39:42.599
And and that's a that's a lot
a tall order when you're literally watching a

622
00:39:42.639 --> 00:39:45.000
show most people have dismissed as being
too stupid, too stupid, too hokey,

623
00:39:45.039 --> 00:39:49.920
too weird. Yet and and and
it's not. It's really freaking good.

624
00:39:50.000 --> 00:39:52.920
Yeah. And it's like even going
back to their first season episode Freddy's

625
00:39:52.920 --> 00:39:54.320
Stricks and Treats, Yeah, that
was a hokey episode because you had the

626
00:39:54.360 --> 00:39:59.440
Halloween, but you had the trauma
with her grandmother you Oh yeah, yeah,

627
00:39:59.519 --> 00:40:01.880
So I mean you had all that
stuff. So Joyce excuses herself for

628
00:40:01.920 --> 00:40:05.920
two minutes, and wood he asked
Jack how exactly does he think the money

629
00:40:05.920 --> 00:40:07.920
got from the steps to the hat
box. Jack tells him he's smart,

630
00:40:07.960 --> 00:40:10.320
so he can get it over with, but wood he tells him he's not

631
00:40:10.360 --> 00:40:16.880
worth a bullet. But before Jack, Rice I've literally before. Jack rises

632
00:40:16.960 --> 00:40:20.360
up quick out of the chair,
striking Woody, but he quickly gets the

633
00:40:20.440 --> 00:40:22.480
upper hand, knocking Jack out with
the butt of the pistol. As Joyce

634
00:40:22.639 --> 00:40:27.320
enters, stating she's ready to go. We next see Woody's speeding through some

635
00:40:27.360 --> 00:40:30.079
green space near the woods and parking. Joyce is going on about the Grand

636
00:40:30.119 --> 00:40:32.920
Canyon and their trip as wood he
tells her to shut up, adding maybe

637
00:40:32.960 --> 00:40:36.440
another smack in the head is what
she needs to be set right. I

638
00:40:36.480 --> 00:40:44.039
mean, oh god, wow,
I was going with it's like a fairy

639
00:40:44.039 --> 00:40:45.039
tale, and then you were like, no, I'm going dark, bro

640
00:40:45.719 --> 00:40:50.800
I'm inspired. Joyce sits in silence, and Woody begins to contemplate what a

641
00:40:50.800 --> 00:40:52.519
good cover she is as they're not
going to look for him traveling with a

642
00:40:52.599 --> 00:40:55.679
woman. She tries to show him
the brochure, but what He plucks it

643
00:40:55.719 --> 00:40:58.760
from her hands, throwing it to
the back of the car, where we

644
00:40:58.760 --> 00:41:02.519
see Jack's hands slowly twitching from under
a black sheet wood. He pops the

645
00:41:02.639 --> 00:41:07.039
trunk and exposing the dead body of
Officer Webb. As he removes a shovel,

646
00:41:07.400 --> 00:41:09.719
making his way to a dirt plot
and beginning to dig, time passes

647
00:41:09.719 --> 00:41:13.320
and wood. He has dug a
grave to dump the bodies into. He

648
00:41:13.400 --> 00:41:15.920
drags Web over first, throwing him, followed by Jack, who calls he

649
00:41:15.960 --> 00:41:20.039
calls stupid for making a move on
him, before he begins to throw dirt

650
00:41:20.079 --> 00:41:22.320
on him, adding that it was
right here in this field that she promised

651
00:41:22.360 --> 00:41:25.719
him no kids and he should have
done this a long time ago, which

652
00:41:25.800 --> 00:41:30.800
I mean, talk about a heavy
concept. He's literally burying his son,

653
00:41:31.000 --> 00:41:35.760
yeah and saying I should have done
this a long time ago. Hey,

654
00:41:35.840 --> 00:41:38.039
David, what's it like not having
dad issues? By the way, BT

655
00:41:38.239 --> 00:41:43.960
dubs, raise your hand if you
call your dad right now, Oh my

656
00:41:44.039 --> 00:41:46.239
God, raise your head if you
know what's sitting your dad lives in Jesus,

657
00:41:46.280 --> 00:41:50.719
why aren't you raise your hand?
You know where he is. We

658
00:41:50.920 --> 00:41:54.039
see Jack come to and grab the
pistol from his sock, aiming at Woody

659
00:41:54.119 --> 00:41:58.440
and firing, missing the first shot
as he hits the shovel. Wood He

660
00:41:58.519 --> 00:42:00.480
raises the shovel to deliver a blow
on Jack, but Jack gets the upper

661
00:42:00.519 --> 00:42:04.639
hand and another shot off, and
we only hear the shot. As we

662
00:42:04.639 --> 00:42:07.800
cut back to Joyce in the car. She is still gloating over the brochure

663
00:42:07.840 --> 00:42:10.280
and the restaurants near the Grand Canyon. We hear the trunk slam shut as

664
00:42:10.320 --> 00:42:15.000
someone gets into the car as Joyce
asked, what do you think Wood?

665
00:42:15.280 --> 00:42:16.960
Would you like that? We pan
into the car to see Jack in the

666
00:42:17.039 --> 00:42:21.119
driver's seat, who tells her,
why don't we just go home mom.

667
00:42:21.239 --> 00:42:23.280
Joyce continues that she hopes he won't
be mad with her, adding they're gonna

668
00:42:23.320 --> 00:42:27.599
have a baby, but they can
still go on their trip. Jack assures

669
00:42:27.639 --> 00:42:30.000
her it's fine and they're going home. Joyce continues, I hope it's a

670
00:42:30.000 --> 00:42:34.039
boy. I wonder what he's gonna
be like. They drive away as we

671
00:42:34.079 --> 00:42:37.199
see the corpse of Woody laying on
the ground as the news starts up stating

672
00:42:37.199 --> 00:42:39.559
that Jack was exonerated from the shooting
of his father, who killed Officer Webb,

673
00:42:39.559 --> 00:42:45.599
and the money from the robbery is
still unaccounted for and that ending,

674
00:42:45.719 --> 00:42:49.800
yeah, was what really gave me
Tales of the Crypt vive Yeah, the

675
00:42:49.840 --> 00:42:52.000
whole twist, would like because a
lot of Tales of the Crypt's episodes,

676
00:42:52.000 --> 00:42:57.360
in my opinion, the best ones
had a moment where you realize, like,

677
00:42:57.440 --> 00:43:00.400
WHOA, this person is really as
bad as I was afraid they were,

678
00:43:00.960 --> 00:43:04.199
but then they get their come upans. Yes, So I felt like

679
00:43:04.239 --> 00:43:07.159
that scene felt almost like it was
torn right out of Tails from the crypts

680
00:43:07.480 --> 00:43:09.719
where he's laying in the grave and
he's getting the dirt throw him and then

681
00:43:09.679 --> 00:43:13.440
he pulls the pistol up and the
first shot you know, not getting him,

682
00:43:13.440 --> 00:43:15.840
but then the second one making you
know, making the hit and not

683
00:43:15.920 --> 00:43:17.119
telling you if he got him or
not. Oh yeah, yeah, no,

684
00:43:17.480 --> 00:43:20.880
I thought it was great. So
the A story ends as we cut

685
00:43:20.880 --> 00:43:22.800
back to Freddie and his domain,
who walks up, stating, yeah,

686
00:43:22.840 --> 00:43:27.559
that would He had the right idea
about kids, just didn't go far enough.

687
00:43:28.159 --> 00:43:30.639
Hey, kids, I've got the
perfect form of birth control. He

688
00:43:30.800 --> 00:43:35.480
strokes the top of an Anville,
stating, one tablet just takes a whole

689
00:43:35.519 --> 00:43:37.679
lifetime. It wasn't it was it
was I watched this on her I didn't

690
00:43:37.679 --> 00:43:40.519
watch this on our clear copy.
I've watched this on Dailymotion. So it

691
00:43:40.599 --> 00:43:44.320
was a tombstone or was it a
tomb study? Look like at Anville.

692
00:43:44.440 --> 00:43:49.079
That's why he said tablet bablet?
That makes sense. So college he went

693
00:43:49.119 --> 00:43:52.519
to, I can't see on a
crappy VHS rip on daily Motion. Whose

694
00:43:52.519 --> 00:43:55.480
fault is that mine? Yeah?
Okay? Actually, well for once I

695
00:43:55.519 --> 00:44:00.480
said that, and it actually was
your fault. Ye wow, I almost

696
00:44:00.480 --> 00:44:05.239
in a decade of gas lighting finally
pays off Dave. So that is the

697
00:44:05.320 --> 00:44:07.920
end of the A story. Hendrick, would you like to explain the difference

698
00:44:07.920 --> 00:44:10.360
of the A story and B story, and that too, mad No.

699
00:44:10.760 --> 00:44:14.840
So on Freddy's Nightmares, there's an
A story and a B story, and

700
00:44:14.880 --> 00:44:16.400
lots of television shows, the movies
how A stories and B stories, but

701
00:44:16.559 --> 00:44:21.480
the big differences on Freddy's Nightmares.
It's right down the middle. The first

702
00:44:21.480 --> 00:44:22.880
half of the show is an A
story, second half the shows B story,

703
00:44:22.920 --> 00:44:27.400
and usually there's a very small bit
of connective tissue. In this case,

704
00:44:27.440 --> 00:44:30.559
the main character somewhat main character because
Woody and him kind of shared it

705
00:44:30.599 --> 00:44:34.639
in the first time. He comes
back and is the main character. And

706
00:44:34.639 --> 00:44:37.440
the reason for this is very simple. The show was syndicated. They didn't

707
00:44:37.440 --> 00:44:39.519
know where that where it was gonna
air at what time and what time slot,

708
00:44:39.679 --> 00:44:43.000
so they wanted to be able to
have a half an hour time slot

709
00:44:43.039 --> 00:44:47.920
and an hour time slot in order
to maximize the profits. I'm just waiting

710
00:44:47.920 --> 00:44:51.320
for you gonna talk boys, so
you can just click it next, dude.

711
00:44:51.360 --> 00:44:52.960
I've thought about it. I want
to get it. I want to

712
00:44:52.960 --> 00:44:57.440
get my Freddie Doll re qui so
that when I pulled the story and gets

713
00:44:57.440 --> 00:45:00.880
does that yes, So yeah,
it's time for the meat story. Base

714
00:45:01.039 --> 00:45:05.639
story. Begins with exterior shot of
a home in Springwood with a pleasant,

715
00:45:05.719 --> 00:45:08.679
musing track music track playing in the
background. Inside, we meet Maggie Burton,

716
00:45:08.719 --> 00:45:12.480
who is played by Ruth Dessa.
She was in Planes, Trains and

717
00:45:12.480 --> 00:45:15.880
Automobiles in nineteen eighty seven. She
was a New York City ticket agent.

718
00:45:16.760 --> 00:45:23.400
Oh and it sounds like very likely
a fellow Portuguese. We also have her

719
00:45:23.400 --> 00:45:30.519
in The Presidio in nineteen eighty eight
Monsters in eighty eight as well. In

720
00:45:30.599 --> 00:45:35.039
nineteen ninety she was in the episode
Three's a Crowd, which is the spoilers,

721
00:45:35.079 --> 00:45:37.679
the one where the guy goes out
to the retreat with his wife and

722
00:45:37.760 --> 00:45:40.280
she thinks that she's having an affair
when it turns out she's actually got a

723
00:45:40.280 --> 00:45:46.360
pregnancy announcement. Yeah, it's a
good one. She's this, So she

724
00:45:46.480 --> 00:45:51.719
was in that hook in ninety one. Er in ninety six, Maggie is

725
00:45:51.760 --> 00:45:54.039
tidying up her home as Jack enters
with a baby, stating to meet their

726
00:45:54.079 --> 00:45:58.599
new daughter. Patty and Man talk
about a heavy way to go. So

727
00:45:59.239 --> 00:46:07.519
now he's becoming a father himself.
What could go wrong? So Jack hands

728
00:46:07.519 --> 00:46:09.800
her off as Maggie comments that she's
tiny, but Jack tells her not for

729
00:46:09.920 --> 00:46:14.559
long, and that they look beautiful
together. She asked Jack who the parents

730
00:46:14.559 --> 00:46:16.199
were, but Jack tells her it's
none of their business, as the deal

731
00:46:16.400 --> 00:46:20.480
was they take the baby, no
questions asked, which and that giving me

732
00:46:20.559 --> 00:46:25.800
the vibes, that sounds completely legitimate. I in my opinion, I'm pretty

733
00:46:25.840 --> 00:46:30.840
sure that it is a completely normal
thing when you adopt a child to get

734
00:46:30.960 --> 00:46:36.800
no information at all, especially not
a social Security number or anything like that.

735
00:46:36.840 --> 00:46:39.280
I think that you pretty much like
honestly, if you adopt, I'm

736
00:46:39.320 --> 00:46:45.320
the lifestyle. If you adopt a
child from anywhere other than a Benigan's parking

737
00:46:45.360 --> 00:46:52.039
lot, you're committing a crime.
Probably it was probably a Beefy Boy parking

738
00:46:52.039 --> 00:46:53.199
lot in this case. Well,
but this is in Springwood. They didn't

739
00:46:53.199 --> 00:46:59.280
have a Benigans until nineteen ninety four, and unfortunately Rosanne and Tom Arnold worked

740
00:46:59.320 --> 00:47:02.320
there, so nobody went so.
Maggie questions the ethics, stating it's wrong

741
00:47:02.360 --> 00:47:06.400
to spend the money on a baby, especially that money, revealing that Jack

742
00:47:06.440 --> 00:47:09.639
took the robbery money and bought Patty
with it. What happened. Jack states

743
00:47:09.760 --> 00:47:13.800
that the money was only good thing
to come out of his father's rotten life.

744
00:47:13.880 --> 00:47:16.480
And since Maggie can't conceive a baby
and they cannot legitimately adopt, what

745
00:47:16.559 --> 00:47:20.199
choice did they have? Wait,
why did they ever explain why they couldn't

746
00:47:20.239 --> 00:47:23.639
legitimately adopt something in regards the criminal
past? Because because remember Jack had the

747
00:47:23.800 --> 00:47:30.239
history with Webb. Oh yeah,
yeah, yeah, Now they have their

748
00:47:30.239 --> 00:47:32.320
own family. But Maggie insists that
she needs to know more about Patty,

749
00:47:32.400 --> 00:47:37.119
specifically who the parents were, in
any health issues. Jack tells her that

750
00:47:37.360 --> 00:47:39.079
none of that matters, and even
if they did legally adopt, they still

751
00:47:39.079 --> 00:47:43.679
wouldn't know that information, adding the
only history the matter is right now from

752
00:47:43.679 --> 00:47:46.760
this point on, stating they're a
family now. Maggie holds Patty, agreeing

753
00:47:46.760 --> 00:47:50.679
with him, but asking what kind
of a family are they. We then

754
00:47:50.719 --> 00:47:52.639
see Maggie in bed, waking up, revealing that she was having a dream

755
00:47:52.760 --> 00:47:55.519
as she looks over to the pictures
on her nightstand, which shows that Patty

756
00:47:55.599 --> 00:48:00.360
is no longer a baby and has
grown up six years later since that memory.

757
00:48:00.440 --> 00:48:02.119
Yeah, we jumped forward in time
a little bit, which I like.

758
00:48:02.760 --> 00:48:06.280
I like that quite a bit.
So and now where we got to

759
00:48:06.320 --> 00:48:08.840
head to Freddy's Doom? We are? We cut to Freddy in his domain,

760
00:48:08.920 --> 00:48:12.920
who's wearing a chef apron and list
the lid off a boiling pot,

761
00:48:12.960 --> 00:48:17.000
stating, let me see recipe for
a little girl, some sugar, some

762
00:48:17.119 --> 00:48:21.800
spice, and his bottles. He
has bottles labeled sugar, spice and everything

763
00:48:21.840 --> 00:48:25.039
everything nice, he says as he
dumps various powders into the boiling pot.

764
00:48:25.199 --> 00:48:29.239
He then sniffs the pod goes,
but, Dave, since you watched on

765
00:48:29.320 --> 00:48:31.920
Dailymo show, Yeah, uh no, the the everything nice was money?

766
00:48:32.239 --> 00:48:35.440
Oh was it? Yeah? I
didn't even see that. Yeah it was

767
00:48:35.480 --> 00:48:38.440
bills. Oh god, I didn't
notice that. He then goes wearing glasses

768
00:48:38.440 --> 00:48:43.519
and shot out okay. He then
goes, this could get interesting. So

769
00:48:43.960 --> 00:48:45.840
you've forgotten something very important? Oh
I did. He was saying. He

770
00:48:45.920 --> 00:48:49.440
was doing that scene with a French
accent. Oh he was. He was

771
00:48:49.480 --> 00:48:53.960
talking and okay, so he was
like, you know, uh, sugar,

772
00:48:54.400 --> 00:48:59.960
spuzz everything nice. Now hear me
out, hear me out. Okay,

773
00:49:00.480 --> 00:49:06.800
just hearing you only fans, But
it's Freddy Krueger talking in a French

774
00:49:06.840 --> 00:49:08.320
accent. I can do that.
I am. I would take all my

775
00:49:08.360 --> 00:49:13.239
money. Yeah, like to shut
up and take my money, kill you

776
00:49:13.280 --> 00:49:17.159
and your dream. So we cut
back to the Burton's residence as older Patty

777
00:49:17.239 --> 00:49:21.199
runs into the house and up the
stairs, being chased by Maggie and Jack.

778
00:49:21.559 --> 00:49:27.400
Jack asked Maggie what's the big deal, and Maggie playfully chase. Maggie

779
00:49:27.480 --> 00:49:30.239
inforced him she doesn't like that their
daughter broke another kid's arm, nor that

780
00:49:30.280 --> 00:49:32.599
the principal looked at her like she
did it. Well, hold on,

781
00:49:32.639 --> 00:49:36.920
I mean, what's she supposed to
do break her own arm? Jack tells

782
00:49:36.920 --> 00:49:38.960
her it was an accident by the
way that Patty told it, and Maggie

783
00:49:39.000 --> 00:49:43.440
says she isn't convinced, adding that
she doesn't know who she is or how

784
00:49:43.440 --> 00:49:45.960
to feel about it. Joyce comes
into the room as Jack offers to help

785
00:49:45.960 --> 00:49:50.039
her. She tells him that she
went skiing the other day, before sitting

786
00:49:50.079 --> 00:49:53.880
down on the couch, calling Jack
Woody, stating that it was so beautiful,

787
00:49:53.920 --> 00:49:59.960
and Woody reminds her she mean Jack's
Jack, Yeah, which is hard

788
00:50:00.079 --> 00:50:02.519
for years? Heartbreaking? Yeah,
I mean, sincerely heartbreaking. He tells

789
00:50:02.559 --> 00:50:07.039
Maggie to keep her cat off the
couch as Maggie tells him she thinks Joyce

790
00:50:07.039 --> 00:50:09.320
should go back to the home,
adding a technic enough with one child,

791
00:50:09.400 --> 00:50:17.679
which is really harsh. Yeah,
because it's no that sorry that like that

792
00:50:17.800 --> 00:50:21.920
I remember watching that actually upset me
quite a big because it's like his mother

793
00:50:22.719 --> 00:50:25.400
wiped his ass, yeah, and
kept a roof over his head. Yeah,

794
00:50:25.480 --> 00:50:29.079
she was a dumb ass when it
came to her father to the choice

795
00:50:29.079 --> 00:50:32.639
of his father. But she's been
there, she and she needs him.

796
00:50:32.760 --> 00:50:37.760
Yeah. And but that's kind of
feeding into the theme, which is that

797
00:50:37.800 --> 00:50:40.239
she's not much of a mother,
she's not much of a nurturer. No,

798
00:50:40.400 --> 00:50:44.360
she's not unlike I mean, like
if she had a pet turtle.

799
00:50:45.880 --> 00:50:47.920
Uh huh. I don't have a
joke. I just want to say that.

800
00:50:47.920 --> 00:50:51.000
I don't actually want to tease you
about it, but but I just

801
00:50:51.000 --> 00:50:57.199
want to make you laugh. So
Maggie tells him Jack Anger Eric she meet.

802
00:50:57.199 --> 00:51:00.519
Maggie tells him a technic enough one
child. Jack Angered tells her that

803
00:51:00.559 --> 00:51:04.159
she wasn't happy there, and Maggie
asks how could she know taking a shot

804
00:51:04.159 --> 00:51:07.159
at Joyce in the mental state.
Jack tells her that he could tell and

805
00:51:07.199 --> 00:51:09.599
ask if they could not have this
conversation in front of her as an excited

806
00:51:09.639 --> 00:51:14.280
Patty Enters and ghost of Joyce shouting
Grandma, Grandma. She sits on the

807
00:51:14.320 --> 00:51:16.360
couch next to Joyce as she begins
to tell Patty a very mixed up version

808
00:51:16.400 --> 00:51:21.039
of Goldilocks, adding in red,
riding hood and a store. Patty asked

809
00:51:21.039 --> 00:51:22.719
her to tell her about the Grand
Canyon, as Joyce tells her was the

810
00:51:22.719 --> 00:51:27.400
most beautiful trip and tells more lies
about the trip, frustrating Maggie, who

811
00:51:27.400 --> 00:51:30.239
tells Jack this is nuts. She's
never even been to the Grand Canyon.

812
00:51:30.679 --> 00:51:34.320
Suddenly, Patty, hearing this,
turns to glare right at Maggie. We

813
00:51:34.440 --> 00:51:37.760
next see Maggie laying on the couch
as she awakens to Patty's laugh. She

814
00:51:37.920 --> 00:51:40.199
enters the kitchen to find Joyce and
Patty trying to cook a recipe and chopping

815
00:51:40.280 --> 00:51:45.239
various vegetables. The two giggle as
Joyce continues chopping, and it gets faster

816
00:51:45.320 --> 00:51:47.800
and faster with each chop. Maggie
makes her way over to a boiling pot,

817
00:51:47.840 --> 00:51:51.679
lifting the lid to find her cat
boiling inside it. As she lifts

818
00:51:51.679 --> 00:51:53.880
it out and screams, suddenly waking
up in the bed, revealing it to

819
00:51:53.880 --> 00:51:59.000
be another nightmare. And that's I
mean, believe it or not. A

820
00:51:59.079 --> 00:52:01.280
running theme as nightmare. That's a
running thing too, Is that Like,

821
00:52:02.559 --> 00:52:07.639
it's it's not that the mom is
really doing bad thing. Yeah, it's

822
00:52:07.719 --> 00:52:10.760
that she just keeps believing it,
Yeah, in her dreams, which is

823
00:52:10.840 --> 00:52:16.079
just it's crazy. What a jerk
I mean? Sorry, So she leaves

824
00:52:16.079 --> 00:52:19.679
her bed, wandering out into the
hall and into Patty's room, where she

825
00:52:19.760 --> 00:52:22.360
finds her asleep, but Joyce is
in the rocking chairs sitting by her bed.

826
00:52:22.719 --> 00:52:25.480
The next morning, Maggie tells Jack
she wants Joyce to go back to

827
00:52:25.519 --> 00:52:29.440
the room, adding that she found
her sleeping in Patty's room and doesn't want

828
00:52:29.480 --> 00:52:31.519
her anywhere near her. She also
tells him she wants to go to the

829
00:52:31.559 --> 00:52:36.679
lawyer and find out more about Patty's
parents. Jack questions why she has to

830
00:52:36.719 --> 00:52:38.760
know, now that it's been six
years with no issues. She tells him

831
00:52:38.800 --> 00:52:42.920
that she's having dreams and her behaviors
are getting stranger and stranger, and she

832
00:52:42.960 --> 00:52:45.760
doesn't feel comfortable unless she knows.
Jack makes a deal that he will find

833
00:52:45.800 --> 00:52:49.880
out what he can, but in
return, she leaves Joyce out of any

834
00:52:49.880 --> 00:52:53.119
further discussion. They both agree,
and Jack tells her that he's taking Patty

835
00:52:53.199 --> 00:52:58.280
shopping before asking if Maggie has seen
the cat. This morning, Maggie notices

836
00:52:58.320 --> 00:53:00.280
a boiling pot in the stove and
approaches it, lifting the pot to reveal

837
00:53:00.360 --> 00:53:05.440
boiling water. Only suddenly Joyce startles
her, stating that she can't find Woody

838
00:53:05.480 --> 00:53:08.639
anywhere. He's not in the drawers
or the cupboards. He's nowhere. Maggie

839
00:53:08.679 --> 00:53:12.519
states under her breast she doesn't know
how much more this she can take,

840
00:53:12.559 --> 00:53:15.800
as Joyce calls to her, startling
her again, and walks up whispering,

841
00:53:15.159 --> 00:53:20.000
I know who Patty's parents are.
Later, Jack enters with a piece of

842
00:53:20.039 --> 00:53:22.880
paper, stating he has the name
of Patty's parents and where to find them.

843
00:53:22.079 --> 00:53:25.760
The two leave to go speak with
them and find themselves in a cemetery.

844
00:53:27.320 --> 00:53:30.320
Oh and so real quick, I
think you might have went over one

845
00:53:30.400 --> 00:53:35.000
thing I loved. I think have
you gotten to the part about the radio

846
00:53:35.960 --> 00:53:37.639
or do you not remember it at
all? If you don't know literally when

847
00:53:37.639 --> 00:53:42.360
they were in the kitchen at one
point, Yeah, the radio was literally

848
00:53:42.800 --> 00:53:46.920
basically like it was basically. And
a young young woman going to the Springwood

849
00:53:46.960 --> 00:53:50.920
High died in her sleep last night
at her mysterious circumstances, which was odd,

850
00:53:51.079 --> 00:53:54.480
but in other news, good news
for Springwood. The economy is economically

851
00:53:54.599 --> 00:53:59.440
Springwood is rebounding phenomenally with a third
mortuary opening up, and the blah blah

852
00:53:59.440 --> 00:54:01.559
blah, like they actually hear that
at all. They actually added like a

853
00:54:01.599 --> 00:54:05.320
little no, And I loved it
because they actually added like a little bit

854
00:54:05.320 --> 00:54:07.360
of Gallows humor to this episode,
which is good because we really needed a

855
00:54:07.360 --> 00:54:10.960
break yea from from the super duper
heavy, although we're about to get some

856
00:54:12.000 --> 00:54:15.880
more. But I thought that was
a great little bit of macab Gallows humor.

857
00:54:15.920 --> 00:54:19.519
It literally said that Springwood was gonna
have a third giant mortuary, and

858
00:54:19.559 --> 00:54:22.519
it mentioned it mentioned a co ed
dying in her dream in her sleep,

859
00:54:22.559 --> 00:54:25.079
and was just kind of like,
huh, that's just I just I caught

860
00:54:25.079 --> 00:54:27.679
that, and I was like,
oh, that's too good. That's good.

861
00:54:27.920 --> 00:54:30.639
So the two leave to go speak
with them and find themselves in a

862
00:54:30.639 --> 00:54:34.039
cemetery. Maggie asked if this is
the right place, as Jack tells her,

863
00:54:34.119 --> 00:54:37.719
let's go meet the Thorns. They
find a grave with thorn on it,

864
00:54:37.760 --> 00:54:40.559
and Jack asked if this answers her
questions, but Maggie isn't satisfied.

865
00:54:40.639 --> 00:54:45.440
Having Jack helped her push aside the
stone, opening the coffin inside to reveal

866
00:54:45.480 --> 00:54:49.119
a dead animal, the skeleton of
a jackal. She asked, what is

867
00:54:49.159 --> 00:54:52.559
it, and we hear Jack state
a jackal. Suddenly, she realizes Jack

868
00:54:52.599 --> 00:54:55.119
has disappeared and starts panicking, calling
to him, and all I could think

869
00:54:55.400 --> 00:55:00.280
when I saw a jackal in there
was an omen non elm stream like.

870
00:55:00.840 --> 00:55:04.920
Immediately, I was like, oh
man, this is like going omen territory.

871
00:55:05.039 --> 00:55:07.840
I love as so. At the
other end of the cemetery, she

872
00:55:07.920 --> 00:55:10.840
sees Joyce, now dressed in all
black, with a doverman who viciously barks

873
00:55:12.440 --> 00:55:16.960
at this It was it was rott
Wylder. I said, they look a

874
00:55:17.000 --> 00:55:21.239
lot David. Yeah, but I
also just watched Band's Best Friends, so

875
00:55:21.280 --> 00:55:23.760
I shouldn't know that. But I
also watched it more recently than you,

876
00:55:23.800 --> 00:55:28.000
and I'm just like, it happens. Sometimes you get the dog. They're

877
00:55:28.039 --> 00:55:30.559
dogs. Yeah, they're doing you
know, so doverman who rott Wyler,

878
00:55:30.559 --> 00:55:35.239
who viciously barks at Maggie before racing
at her barking. Maggie wakes up at

879
00:55:35.239 --> 00:55:37.480
the kitchen table, revealing it to
be another dream as Jack voice calls to

880
00:55:37.519 --> 00:55:40.880
her to come see the pet that
Patty picked out. Joyce enters the living

881
00:55:40.960 --> 00:55:44.599
room to find the rott Wyler,
just like in her dream, seated with

882
00:55:44.679 --> 00:55:46.079
Jack and Patty on the couch.
I want to say, I think that

883
00:55:46.159 --> 00:55:50.719
you gave me a new vocal exercise
before I do weekly Spooky's find out the

884
00:55:50.719 --> 00:55:52.119
pet that Patty pot What was it? What was it? How was it?

885
00:55:52.159 --> 00:55:59.159
Reading again to pet? See the
pet, Patty pot see the just

886
00:55:59.239 --> 00:56:01.800
like in her dreams Patty on the
couch, let me see here. So

887
00:56:01.920 --> 00:56:05.800
come to see the pet that Patty
picked out. Come see the pet that

888
00:56:05.800 --> 00:56:08.079
Patty picked out. But you said
it flawlessly, so you should feel good.

889
00:56:08.159 --> 00:56:10.000
But no, like when I heard
that, I was like, Okay,

890
00:56:10.000 --> 00:56:15.119
that replaces my Mommy makes me Yeah. So Maggie enters shooting the dog.

891
00:56:19.599 --> 00:56:21.920
Later at the night, Joyce and
the dogs sit in Patty's room,

892
00:56:22.039 --> 00:56:24.840
keeping watch over her. Maggie enters
shooting the dog away and demands that Joyce

893
00:56:24.880 --> 00:56:30.199
tell her who the parents of Patty
are. Joyce sits quietly as Patty approaches

894
00:56:30.239 --> 00:56:31.960
and begins to shake Joyce, demanding
that she tell her who they are.

895
00:56:32.239 --> 00:56:36.480
A panic, Joyce suddenly begins to
shake and have a seizure. Rocking violently

896
00:56:36.519 --> 00:56:39.079
before passing from what appears to be
a heart attack right before Maggie's eyes.

897
00:56:39.360 --> 00:56:45.639
Maggie turns around to see that Patty
has witnessed the whole thing. Later,

898
00:56:45.760 --> 00:56:49.400
Maggie tries to comfort Patty, explaining
what happens when people die, adding that's

899
00:56:49.400 --> 00:56:52.079
what happened to Grandma and asking if
she understands. Patty shakes her head yes,

900
00:56:52.159 --> 00:56:54.760
and Maggie kisses her, turning off
the light, getting ready to leave

901
00:56:54.800 --> 00:57:00.480
the room, but is stopped as
Patty states, you killed Grandma. Maggie

902
00:57:00.519 --> 00:57:02.360
tries to explain that she didn't and
she tried to help her, but Patty

903
00:57:02.480 --> 00:57:06.519
argues that what she saw that's a
little bit of a stretch. I tried

904
00:57:06.519 --> 00:57:10.280
to help her, did you she
saw her kill? Maggie joins Jack in

905
00:57:10.280 --> 00:57:13.880
the bedroom as he sits on the
bed, flipping through a magazine as he

906
00:57:13.920 --> 00:57:15.840
tries to tell him and she tries
to tell him she tried to help Joyce.

907
00:57:16.199 --> 00:57:20.199
Jack reassures her that it's not her
fault, and Maggie asked him if

908
00:57:20.199 --> 00:57:22.480
he's contacted the lawyer yet. Jack
tells her not to worry about its,

909
00:57:22.480 --> 00:57:25.239
stating she doesn't want to know,
and Maggie begs him to tell her.

910
00:57:25.719 --> 00:57:29.920
Jack tells Maggie that Patty's mother was
a nurse at a home for the criminally

911
00:57:29.960 --> 00:57:32.679
insane. Her father was an inmate
who convinced Patty's mother to have an affair

912
00:57:32.760 --> 00:57:37.440
and then they got then got her
pregnant. She then tried several times to

913
00:57:37.480 --> 00:57:39.440
end the pregnancy to the point they
had to restrain her, and that when

914
00:57:39.480 --> 00:57:43.800
Patty was born and shown to her
mother, she ran down the hall screaming

915
00:57:43.840 --> 00:57:46.559
it's a monster, before throwing herself
out the eighth floor window. Which you

916
00:57:46.559 --> 00:57:50.199
know, and somebody who was in
a psych award would never do that,

917
00:57:50.320 --> 00:57:52.480
right, No, no, no, I mean, so that must be

918
00:57:52.519 --> 00:57:54.480
just that the baby's evil, right. Jack notices that Patty has been in

919
00:57:54.480 --> 00:57:58.400
the doorway and heard the whole exchange. As she runs off, he tells

920
00:57:58.440 --> 00:58:01.000
Maggie, see what you've done,
and after her Patty gets to her room

921
00:58:01.000 --> 00:58:05.360
with the dog guarding and shuts the
door, Jack tells her they'll talk in

922
00:58:05.400 --> 00:58:07.920
the morning and then they go to
bed. Later that night, Maggie wakes

923
00:58:08.000 --> 00:58:10.480
up to find the dog in the
bed with her and begins to bark and

924
00:58:10.480 --> 00:58:14.800
growl at her before charging her.
She makes her way into the hallway and

925
00:58:14.800 --> 00:58:17.000
the dog still in pursuit. As
she slowly walks back down the hall,

926
00:58:17.320 --> 00:58:22.039
she comes into Patty's room as Patty
tells the dog, good boy, good

927
00:58:22.159 --> 00:58:25.360
job stay. Maggie tells Patty to
have the dog leave, but Patty repeats

928
00:58:25.440 --> 00:58:30.119
good dog stay. Patty accuses Maggie
again of killing Joyce, and Maggie tries

929
00:58:30.159 --> 00:58:32.920
to tell her it was an accident, but Patty fires up with You're not

930
00:58:34.039 --> 00:58:37.039
my mommy. I hate you.
As a wind suddenly begins to surge through

931
00:58:37.039 --> 00:58:40.920
the room, Maggie Panics's objects begin
to fly around the room and at Maggie,

932
00:58:42.079 --> 00:58:45.280
as Patty lasts devilishly grinning before sending
Maggie out through the bedroom window to

933
00:58:45.320 --> 00:58:52.519
the grounds. YEA, at this
point I think that the gag they were

934
00:58:52.519 --> 00:58:54.079
going for, or the point they
were going for, was not to be

935
00:58:54.119 --> 00:58:59.559
an OMEN rip off. It was
that her fear of the childs was like

936
00:58:59.679 --> 00:59:04.239
play off of her awareness of Omen. Because like, the dog is way

937
00:59:04.320 --> 00:59:09.760
too on the nose, and this
is also so Maggie panics his objects begin

938
00:59:09.760 --> 00:59:13.400
to fly, sitting her out the
window. Maggie suddenly wakes up from another

939
00:59:13.480 --> 00:59:15.639
nightmare in bed with Jack. Jack
tries to comfort her, but we see

940
00:59:15.679 --> 00:59:20.239
Patty roll a roller skate into the
hall, telling the dog to fetch.

941
00:59:20.280 --> 00:59:22.320
As it begins to roll through the
hall, Maggie leaps from the bed,

942
00:59:22.400 --> 00:59:25.880
running to the hall, accidentally stepping
on the roller skate, taking her across

943
00:59:25.920 --> 00:59:30.639
the hall and through the railing to
the first floor, killing her. Jack

944
00:59:30.679 --> 00:59:32.800
looks down shocked it in horror,
before returning to Patty's room, where he

945
00:59:32.840 --> 00:59:37.719
finds her in the rocking chair joyce
sat in, stating I'm ready for that

946
00:59:37.800 --> 00:59:40.599
trip to the Grand Canyon, Daddy. She rocks, staring right back at

947
00:59:40.679 --> 00:59:45.159
him as he looks in horror.
The episode ends as the roller skate goes

948
00:59:45.199 --> 00:59:47.360
into Freddie's domain, hitting his foot. He picks it up, stating,

949
00:59:47.639 --> 00:59:52.119
I guess Jack was right. Maggie's
on a roll. It's after midnight.

950
00:59:52.440 --> 00:59:57.119
Do you know where your children or
who your children are? He flicks his

951
00:59:57.159 --> 01:00:00.599
blades, adding trust me, you
haven't on a clue. And that,

952
01:00:00.760 --> 01:00:07.280
my friends, is season two,
episode eight, blood Lines and easily easily

953
01:00:07.400 --> 01:00:10.039
one of my favorites. And I'll
tell you I have a lot of good

954
01:00:10.039 --> 01:00:14.679
things to say about it, because
I bet he might have some things to

955
01:00:14.719 --> 01:00:22.480
say whether they're not. Hey Freddy, hey bitch, Hey Freddy, how

956
01:00:22.480 --> 01:00:25.679
are you doing pow? You know
this episode, I don't think you gave

957
01:00:25.760 --> 01:00:30.840
enough respect to you know, I
was an orphan. Okay, I want

958
01:00:30.960 --> 01:00:34.760
Jesus, did you watch the movies
or what? I mean? You were

959
01:00:34.800 --> 01:00:39.440
the son of a bastard hunter maniacs. You need to check your privilege,

960
01:00:39.719 --> 01:00:44.519
Roger that. But yeah, I
was adopted. And I have to say

961
01:00:44.559 --> 01:00:46.679
though, this woman, you know, she thought she was ready to be

962
01:00:46.719 --> 01:00:50.159
a parent, but I think she
really learned that at the end of the

963
01:00:50.239 --> 01:00:52.480
day, if you want to be
a mother, you can't just skate by

964
01:00:52.639 --> 01:00:59.840
on good intentions. Really, yeah, I mean, what are you new?

965
01:01:00.280 --> 01:01:02.079
That's fair, that's fair. You
know. I'm actually really good with

966
01:01:02.159 --> 01:01:06.559
kids. I spent a lot of
time with him obviously. In fact,

967
01:01:06.719 --> 01:01:08.480
just the other day I was talking
to this kid and the kid was like,

968
01:01:08.920 --> 01:01:15.440
I'm scared, and I said,
high scared, I'm Freddy. Wow.

969
01:01:16.360 --> 01:01:19.679
Then I killed him in his dreams
and he died for real. Yeah

970
01:01:19.719 --> 01:01:23.280
that sounds about right. That's yourmo
oh. This one time this kid was

971
01:01:23.360 --> 01:01:27.880
like, hey, get to the
point, and I said, I've got

972
01:01:28.039 --> 01:01:31.800
four of them. Really, Freddy, and then I killed him in his

973
01:01:31.880 --> 01:01:35.679
dreams and he died for real.
That's the only logical conclusion of that story.

974
01:01:35.760 --> 01:01:38.880
Yes, so yeah, just enjoy
your stupid little like who I have

975
01:01:38.920 --> 01:01:44.159
a mom and her dad. I'm
David. Oh Freddy, even I think

976
01:01:44.199 --> 01:01:45.119
that was a little harsh. I
think so, I mean, like,

977
01:01:45.199 --> 01:01:50.320
go easy on him. Why oh
whoa, whoa? How hard was your

978
01:01:50.320 --> 01:01:52.280
life? Like did one time your
dad took me too busy buying a hot

979
01:01:52.320 --> 01:01:55.079
time to take care? Freddy,
you're getting a little out of line,

980
01:01:57.960 --> 01:02:00.199
Like, Freddy, you're going off
script, almost like there wasn't enough time

981
01:02:00.199 --> 01:02:04.920
to write enough material for you.
So now there's improv that is that wouldn't

982
01:02:04.920 --> 01:02:07.920
make any sense that I wouldn't make
any sense at all. Okay, before

983
01:02:07.920 --> 01:02:14.119
I go, joy Roderick, I
do. Here's a bird. Okay,

984
01:02:14.119 --> 01:02:16.039
Okay, bye, Freddy, Thanks
fddy, thanks so much, Freddy.

985
01:02:16.239 --> 01:02:24.239
Word for it, weird for it? Oh god, oh bye Freddy.

986
01:02:24.480 --> 01:02:31.800
Yeah, thanks for whatever that was
for visiting insulting. Thank you. Jeez,

987
01:02:31.880 --> 01:02:37.480
man, I'm Freddy has it out
for you. But you know you

988
01:02:37.559 --> 01:02:38.840
did that was kind of a dick
move. How you just acted like you

989
01:02:38.840 --> 01:02:42.760
didn't know he was an orphan.
He was clearly an orphan. I didn't

990
01:02:42.760 --> 01:02:44.519
want to bring up a tough subject. What I mean, if he was

991
01:02:44.639 --> 01:02:46.639
talking about it, if he approached
it, I get that. I mean,

992
01:02:46.639 --> 01:02:50.599
he was the one who said it. But I guess, I guess

993
01:02:50.679 --> 01:02:52.079
fine. You know you you're You're
fine. No, Dave, You're never

994
01:02:52.159 --> 01:02:57.199
mean to anybody. I've never killed
any children, well as many as he

995
01:02:57.280 --> 01:02:59.480
has. I was not saying.
I mean, like, I don't feel

996
01:02:59.480 --> 01:03:02.519
like you could confidentely say that.
But so, David, I want to

997
01:03:02.559 --> 01:03:07.199
hear. I want to hear your
opinions on this episode first and foremost.

998
01:03:07.440 --> 01:03:12.000
I think we've we've hit it already
pretty early on with this. I love

999
01:03:12.039 --> 01:03:15.559
this show. I'm becoming a very
big too. Yeah. But it has

1000
01:03:15.679 --> 01:03:19.960
so many different elements to it.
When it comes to the horror, when

1001
01:03:20.039 --> 01:03:24.400
you have reality and you have you
know, supernatural elements, this to me

1002
01:03:24.679 --> 01:03:30.840
was just real horror of like having
a fucked up family, having the fear

1003
01:03:30.000 --> 01:03:32.960
of having a child that you don't
know where they came from. Just that,

1004
01:03:34.559 --> 01:03:37.559
and that's a common fear of people
who adopt because they're like, well,

1005
01:03:37.559 --> 01:03:38.960
where does it come from? What
if their genes are bad? Yeah?

1006
01:03:39.039 --> 01:03:43.079
There are lots of horror movies made, not just like The Orphan,

1007
01:03:43.360 --> 01:03:45.079
No, I mean there, but
there are a lot of movies about the

1008
01:03:45.119 --> 01:03:50.320
fear of like where are you coming
from? Even Night Might Now Street seven.

1009
01:03:50.400 --> 01:03:52.199
Yeah, there's the whole element where
it's like, well, my family's

1010
01:03:52.199 --> 01:03:57.280
always been fine except for one family
member who died in an asylum, and

1011
01:03:57.320 --> 01:04:00.119
it's like, well, maybe that's
in your son. Like that stuff is

1012
01:04:00.199 --> 01:04:03.519
legitimately scary. It really is.
And I imagine if you had a son,

1013
01:04:03.719 --> 01:04:10.880
a child and it was yours.
Yeah, that's terrifying. Excuse me,

1014
01:04:11.280 --> 01:04:15.079
I need a second. But no, it's just I am a big

1015
01:04:15.119 --> 01:04:18.000
fan of horror that makes you think, not like somebody chasing you with a

1016
01:04:18.079 --> 01:04:21.840
knife, not like you know having
the reason you die all the time is

1017
01:04:21.840 --> 01:04:28.440
because you don't think I'm just gonna
check out now brou But no, I

1018
01:04:28.519 --> 01:04:31.079
love I love reality horror. I
love that the things that really can happen.

1019
01:04:31.199 --> 01:04:35.239
So I am I have no choice
but to give this episode an A

1020
01:04:35.760 --> 01:04:41.360
because I really think that it is. Have you given an A before on

1021
01:04:41.400 --> 01:04:43.840
season one? I don't think I've
done season two yet or actually no,

1022
01:04:43.960 --> 01:04:45.519
I may have done one for season
two. I can't remember which one though

1023
01:04:46.480 --> 01:04:49.119
we've only done you know, seven
so far. But I mean this is

1024
01:04:49.159 --> 01:04:53.000
just you had one job, It's
yeah, but no, it's just the

1025
01:04:53.039 --> 01:04:56.280
writing is so top notch, and
like I said earlier, like Gill and

1026
01:04:56.559 --> 01:05:00.719
Gill and al just have a way
of going about a horse to worry and

1027
01:05:00.960 --> 01:05:03.960
using tropes that we're all used to, but like they bring it home to

1028
01:05:04.000 --> 01:05:08.320
where it can really become a fear
in reality. Yeah, I mean I

1029
01:05:08.400 --> 01:05:12.119
found myself like really connecting with it. Yeah, especially trauma, Like they're

1030
01:05:12.199 --> 01:05:14.639
they're so good at writing trauma.
No, they are, they are.

1031
01:05:15.159 --> 01:05:17.960
Well I know for a fact.
This is the first A I believe I've

1032
01:05:18.000 --> 01:05:21.000
given. So I'm not gonna give
it a plus because I don't know if

1033
01:05:21.000 --> 01:05:24.800
I ever will. Yeah, but
I'm gonna give this an A. I

1034
01:05:24.840 --> 01:05:29.400
thought that Freddie was not wasted,
even though he was spottily around. The

1035
01:05:30.039 --> 01:05:33.280
characters. The actors phenomenal. Yeah. I thought that the first story dead

1036
01:05:33.360 --> 01:05:38.440
serious, really scary. Second story
was creepy but had a little bit more

1037
01:05:38.480 --> 01:05:41.800
of a light edge, which would
honestly be such a relief after And it

1038
01:05:41.920 --> 01:05:44.840
was such a relief after watching that
first one. So I'm gonna give it

1039
01:05:44.840 --> 01:05:51.519
an a right. I think that
this is optimal Freddie's Nightmares style to get

1040
01:05:51.559 --> 01:05:55.159
something really scary. And I want
to say I mean, I really mean

1041
01:05:55.199 --> 01:05:57.440
it. The idea of not knowing
what you're going to get is one of

1042
01:05:57.480 --> 01:05:59.880
the things I love about anthology so
much. That's one of the reasons I

1043
01:06:00.079 --> 01:06:01.760
Amazing stories so much was because it
was even more because they were like,

1044
01:06:01.800 --> 01:06:06.760
you didn't even know what genre that
show. But that's and and honestly not

1045
01:06:06.800 --> 01:06:10.480
to do a cheap plug again,
but that's why I do weekly Spooky.

1046
01:06:10.840 --> 01:06:16.039
I've done We've done two hundred episodes
of different horror stories every week, every

1047
01:06:16.079 --> 01:06:18.760
every subgenre of horror. But that's
why I love it. Because somebody might

1048
01:06:18.760 --> 01:06:20.000
be like, I didn't really like
that one. I'm like, well,

1049
01:06:20.000 --> 01:06:23.519
next week's nothing like it. Yeah, so give it a shot. And

1050
01:06:23.960 --> 01:06:27.559
I think it goes without saying that
with Freddy's Nightmares, you you have the

1051
01:06:27.599 --> 01:06:30.320
concept of like, it's it's a
Freddie Anthology show, so it's gonna be

1052
01:06:30.360 --> 01:06:32.800
goofy, it's gonna be it's gonna
be you know, fun. This wasn't

1053
01:06:32.800 --> 01:06:35.800
a fun episode, but it was
a very good appell. Yeah, no,

1054
01:06:35.800 --> 01:06:39.239
no, it was not fun at
all and that was kind of the

1055
01:06:39.280 --> 01:06:42.000
point. Yeah, exactly. Yeah, yeah, so no, so we

1056
01:06:42.079 --> 01:06:46.119
both so two as it makes me
feel like we should stop drinking next you

1057
01:06:46.119 --> 01:06:49.639
know, because we got an AA. And speaking of next, next week,

1058
01:06:49.800 --> 01:06:55.280
Season two, episode nine, Monkey
Dreams, written by Michael kirshenbaumb he

1059
01:06:55.320 --> 01:07:00.960
did dream come true memory Overload,
but it's the second in the last episode,

1060
01:07:00.960 --> 01:07:04.360
directed by Freddy himself, mister Robert
England. And it's a sequel episode,

1061
01:07:04.400 --> 01:07:08.000
right, Yes, it's a sequel
directly to Memory Overloads. So we

1062
01:07:08.079 --> 01:07:11.400
have some returning characters. So if
you need some refresh, we definitely have

1063
01:07:11.440 --> 01:07:14.360
that episode for you that you can
go back and listen to it. Yeah,

1064
01:07:14.400 --> 01:07:16.360
so we'll be doing that next week. And before we go, I

1065
01:07:16.400 --> 01:07:21.400
do want to mention if you we
don't encourage piracy. We've talked about that

1066
01:07:21.440 --> 01:07:25.119
before. This is true, but
if the show is not going to be

1067
01:07:25.159 --> 01:07:28.639
available in any form legally, I
mean we literally can't pay any price to

1068
01:07:28.679 --> 01:07:32.880
get it, yeah, then fuck
them. Yeah. So Dave has taken

1069
01:07:32.920 --> 01:07:38.840
it upon himself to create a playlist
from daily Motion of the episodes. If

1070
01:07:38.880 --> 01:07:41.440
you want to check them out.
I'm only going to mention it here on

1071
01:07:41.480 --> 01:07:44.960
the show, but you can go
to Welcome to Primetime Freddy's Nightmares podcast on

1072
01:07:44.960 --> 01:07:47.639
Facebook and you can find it,
or you can email us at Freddy's Nightmares

1073
01:07:47.639 --> 01:07:53.119
Pod at gmail dot com and I
will get you the information. And speaking

1074
01:07:53.199 --> 01:07:56.679
of it's time for us to get
out of it. It is so thank

1075
01:07:56.719 --> 01:07:59.960
you all so much for listening to
Welcome to Primetime, a Freddy's Nightmorer's podcast

1076
01:08:00.199 --> 01:08:01.519
Again. If you wanted to email
us, you just have to contact us

1077
01:08:01.519 --> 01:08:06.400
at Freddie Janmer's Pod Freddy's Nightmares Pod. I'm talking very fast at gmail dot

1078
01:08:06.400 --> 01:08:10.360
com. We'd love to hear from
you. Go to Freddy Zantmers dot com,

1079
01:08:10.440 --> 01:08:14.880
join our Patreon, get yourself an
exclusive video podcast, or go to

1080
01:08:14.920 --> 01:08:17.319
Freddie Zanmers to com and get yourself
your very own Beefy Boy T shirt,

1081
01:08:17.760 --> 01:08:24.520
get yourself some merchandise support our program, but most importantly, join us every

1082
01:08:24.640 --> 01:08:28.439
Tuesday and have a great time with
us. We love hearing from you,

1083
01:08:28.840 --> 01:08:33.119
and we hope you all have a
phenomenal week and don't get buried alive by

1084
01:08:33.119 --> 01:08:36.239
your strange father. We'll see you
next week. It's Springwood. Faddis