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Ah calorogu Shark Media. Hello and welcome to Palace Intrigue Game.
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Your host Mark Ranswis. There are certain events on the
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British calendar that make perfect sense to people who grew
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up around them, and absolutely no sense whatsoever to everyone else.
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Welcome to the Royal Ascot. For five days every June,
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enormous crowds gather at a racecourse in Berkshire to watch
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horses run in circles while members of the Royal family
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arrive in carriages. Television presenters discuss hats with the seriousness
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of military analysts, and large quantities of champagne are consumed
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before lunch by people dressed as though they are attending
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a garden party hosted by Edward the seventh, and somehow,
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against all modern logic, it remains one of the most
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important social events in Britain. Part sporting event, part royal ritual,
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part networking summit for the British upper classes. Royal Ascot
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occupies a very unusual position in national life because it
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manages to combine adition, celebrity, gambling, fashion and monarchy into
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a single spectacle without ever appearing entirely certain which of
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those things it wish is to be that uncertainty is
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probably part of its charm. The event traces back its
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origins to seventeen eleven, when Queen Anne reportedly identified an
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open stretch of land near Windsor Castle as ideal for
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horse racing. Ascot Racecourse was established soon afterwards, and over
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the following centuries the meeting gradually involved into something much
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larger than sport. Horse racing became deeply woven into aristocratic
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life in Britain. Landowners bred horses, waged fortunes and built
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entirely social calendars around the racing season. The monarchy naturally
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sat at the center of that world. By the Victorian era,
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Ascot had become as much a royal and social occasion
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as an athletic competition. To be seen there matted to
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be invited into the right enclosures matted even more, And
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unlike many old British institutions that now survives largely as
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tourist tractions, Royal Ascot still functions as a genuine part
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of elite British social life. That is one of the
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things outsiders sometimes misunderstand about it. Ascot is not historical
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re enactment. The people attending and not pretending to participate
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in an old tradition. For a surprising number of those involved,
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this actually is the tradition families have been attending for generations.
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Business relationships are maintained there, political conversations happen quietly over drinks.
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Social hierarchies are reinforced with astonishing efficiency by seating plans, invitations,
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and enclosure access. The entire thing operates according to a
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set of rules that are rarely explained openly because everybody
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involved is assumed to understand them already. The most famous
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of those rules involve clothing. Every year International Courage Royal
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Ascot focuses heavily on fashion, particularly increasingly elaborate hats worn
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by attendees in the Royal enclosure, and yet some of
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the outfits genuinely appear to have been assembled during a
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nervous breakdown inside of florist's shop. But the dress codes
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are not really about fashion in the modern sense. They're
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about ritual discipline and social signaling. Mourning suits remain compulsory
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for men in certain areas. Tires must be worn properly,
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Shoes are expected to look polished enough to perform surgery upon.
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Women are expected to wear formal day wear with hats
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rather than fascinators in some sections, although one suspects only
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Britain could produce a national debate over the constitutional difference
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between a hat and a fascinator. These rules matter because
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ascot still presents itself as an occasion rather than merely
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an event. Modern public life has become increasingly casual. Ascot
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resists that trend almost aggressively. It insists upon effort. It
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demands that people arrive prepared for ceremony, and ceremony really
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sits at the heart of the entire thing. The centerpiece
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of each day remains the royal procession, during which members
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of the royal family arrived by horse drawn carriage before
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the racing begins. The procession was introduced during the reign
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of George the Fourth in the early nineteenth century remained
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one of the defining images of royal ascot ever since.
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Crowds line in the route, television cameras track every movement.
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Commentators immediately begin speculating about carriage pairings, body language, and
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which members of the family appear to be getting along
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particularly well this year. Because in modern royal coverage, no
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public appearance has ever simply a public appearance, Ascott has
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become one of the major annual opportunities to observe the
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royal family in a setting that feels more social than
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constitutional trooping. The colour carries military formality, state occasions carry
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political weight. Ascott allows the monarchy to appear relaxed, elegant,
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and rooted in tradition, without the burden of delivering speeches
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or performing constitutional duties. That softer atmosphere probably explains why
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Queen Elizabeth I love the event so much more palacing
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just a moment. The late Queen's affection for horse raising
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was entirely genuine and considerably deeper than many people realized.
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She was not merely a ceremonial owner, smiling politely bes
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side winning horses. She understood breeding lines, racing strategy, and
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bloodstock with the seriousness of someone who had spent decades
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immersed in the sport. People within racing circles frequently remarked
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upon her astonishing memory for horses and pedigrees. Trainers and
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jockeys often spoke about conversations with the Queen in tones
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suggesting mild disbelief that the monarch had followed their horses
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so closely. One also suspects racing provided her with a
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rare escape from constitutional life. At race meetings, the Queen
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can engage enthusiastically with a world governed by competition, expertise,
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and tradition rather than politics and diplomacy. Winning clearly delighted
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her in a way few public moments ever visibly did.
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Some of the warmest photographs of Elizabeth during her later
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years came at Ascot, usually moments after one of her
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horses had performed unexpectedly well. King Charles has inherited the
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Royal racing stable alongside the broader responsibilities of monarchy. Although
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his public passions have always appeared somewhat different from his mother's.
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Charles tends to speak more naturally about architecture and viral
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and mentalism, and agricultural and racing form. Even so, he
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understands Ascot's importance perfectly well, because the event remains one
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of the monarchy's most effective exercises in soft power. Royal
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Ascot projects a particular image of Britain to the world,
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historic but glamorous, traditional but socially lively, aristocratic but faintly accessible.
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Whether that image entirely reflects modern Britain is another question altogether,
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but it remains commercially and culturally powerful. And yet there
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is also something slightly amusing about the entire enterprise, even
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to many of the people participating in it. Ascot exists
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in that very British space where sincerity and self awareness
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somehow coexist comfortably. People understand that the hats are excessive,
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They understand that the rituals can appear absurd from the outside.
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They simply do not regard absurdity as sufficient reason to
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abandon the tradition. In fact, the eccentricity may strengthen the
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appeal at a time when so much a modern life
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feels temporary, algorithmic, and interchangeable. Royal Ascot remains stubbornly itself.
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The same race, courts the same precession, the same carefully
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maintained codes of behavior, the same endless national conversation about
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weather forecasts and unsuitable footwear. Even the social contradictions surrounding
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Ascot have become part of the tradition, the event still
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reflects Britain's class system quite openly. Although modern celebrity culture
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now sits alongside aristocratic society in fascinating ways. Actors, footballers,
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influences and television personalities now mingle with hereditary peers and
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landed families who would once have regarded such company with
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visible alarm. Ascot has adapted without entirely changing its identity.
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That balancing act mirrors the monarchy itself. The Royal family
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survives partly because it has learned to modernize selectively while
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preserving enough ritual to remain distinctive. Remove too much tradition
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and the institution loses its mystique. Preserve too much, and
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at risks appearing trapped in another century. Royal Ascot demonstrates
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how carefully that balance is now managed. The event remains
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lavish without because I mean entirely inaccessible, historic, without becoming static, exclusive,
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without fully shutting out the modern celebrity culture that now
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drives so much public attention, and perhaps that explains why
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it continues attracting enormous audiences every June. People do not
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watch Royal Ascot simply for horse racing. Most viewers could
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not tell you which horse won the Gold Cup three
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years ago. They watch because Ascot offers a glimpse into
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a world that still operates according to ritual, hierarchy, and ceremony.
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In a moment when very few public institutions continue to
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do so with complete confidence. For five days each summer,
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Britain Stage is one of its oldest surviving performances of itself.
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The monarchy arrives in carriages, the crowds applaud, the champagne flows,
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the bookmakers panic, the hats become increasingly unmanageable by late afternoon,
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and for a little while at least, the country once
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again behaves as though this wonderfully strange mixture of royalty
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racing and social theater is the most natural thing in
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the world, and they d all this month, we're encouraging
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listeners of Palace Intrigue to help spread the word. If
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better yet, share an episode with someone who loves following
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And we'd love to hear your thoughts on today's stories.
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You can leave comments for us on Spotify. I'm Mark
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Francis my thanks to John McDermott. This is Pallace Intrigue
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and good terms