Feb. 16, 2025
The Perfect Match (Part 3 of 4) - "Last Match" - A Valentine's Special
Sophie and James deepen their dangerous alliance through staged therapy sessions and intimate encounters designed to draw out their hidden watchers. When a second client is found dead, arranged like a tableau from Sophie's past, James learns the truth...
Sophie and James deepen their dangerous alliance through staged therapy sessions and intimate encounters designed to draw out their hidden watchers. When a second client is found dead, arranged like a tableau from Sophie's past, James learns the truth about his former partner Sarah's disappearance in Paris. Their investigation leads to passionate revelations and deadly consequences, culminating in an armed confrontation that forces them to flee together, leaving questions about trust and betrayal in their wake.
Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!
Subscribe now for exclusive shows like 'Palace Intrigue,' and get bonus content from Deep Crown (our exclusive Palace Insider!) Or get 'Daily Comedy News,' and '5 Good News Stories’ with no commercials! Plans start at $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show!
We now have Merch! FREE SHIPPING! Check out all the products like T-shirts, mugs, bags, jackets and more with logos and slogans from your favorite shows! Did we mention there’s free shipping? Get 10% off with code NewMerch10 Go to Caloroga.com
Get more info from Caloroga Shark Media and if you have any comments, suggestions, or just want to get in touch our email is info@caloroga.com
WEBVTT
1
00:00:03.160 --> 00:00:12.080
Calarogu Shark Media, Hello and welcome to Romance Weekly. This
2
00:00:12.240 --> 00:00:17.039
episode is titled Perfect Match, Part three. Last Match.
3
00:00:25.000 --> 00:00:29.719
Intimacy reveals everything that's the first rule of matchmaking. Watch
4
00:00:29.800 --> 00:00:33.719
how someone undresses rushed or methodical, how they take their
5
00:00:33.759 --> 00:00:37.640
coffee sweet or bitter, how they lie by a mission
6
00:00:37.840 --> 00:00:42.920
or commission. Right now, watching James unbutton his shirt in
7
00:00:43.000 --> 00:00:48.240
my office, I'm learning all sorts of things. Couple's therapy
8
00:00:48.320 --> 00:00:54.200
requires couples, he says, hanging his jacket precisely, always the professional,
9
00:00:54.600 --> 00:00:59.560
even half dressed, and a therapist. I am a therapist.
10
00:01:00.840 --> 00:01:04.120
I cross my legs, letting my skirt ride up. Our
11
00:01:04.239 --> 00:01:10.200
unseen audience loves these little shows, among other things, licensed
12
00:01:11.560 --> 00:01:16.000
in several areas. I pat the couch beside me. Shall
13
00:01:16.000 --> 00:01:20.560
we begin? Tell me about trust issues? He sits close
14
00:01:20.640 --> 00:01:24.319
enough that our thighs touch, and why successful women have
15
00:01:24.359 --> 00:01:31.120
trouble maintaining relationships. Deflecting agent Bishop, my hand finds his knee.
16
00:01:31.239 --> 00:01:35.799
This session is about you, about us. There is no us,
17
00:01:36.680 --> 00:01:40.120
but his voice roughens as my hand slides higher. This
18
00:01:40.359 --> 00:01:46.120
is an operation, is it? I turned to face him.
19
00:01:46.400 --> 00:01:50.640
Is that what London was? What last night was? His kiss?
20
00:01:50.719 --> 00:01:54.079
Is the answer, hard and hungry and nothing like the
21
00:01:54.120 --> 00:01:57.400
show we're putting on for the cameras his hands find
22
00:01:57.480 --> 00:02:00.519
skin under my silk blouse as mine work on his
23
00:02:00.640 --> 00:02:05.120
remaining buttons. Tell me about your mother, I gasp as
24
00:02:05.120 --> 00:02:11.639
his mouth finds my throat. Really now, research shows childhood relationships.
25
00:02:12.080 --> 00:02:14.280
I lose my train of thought as his fingers find
26
00:02:14.360 --> 00:02:20.759
lace impact adult attachment patterns. Stop profiling me. He pushes
27
00:02:20.800 --> 00:02:23.080
me back on the couch, covering my body with his
28
00:02:24.439 --> 00:02:28.560
Unless you want me to profile you back profile me.
29
00:02:29.639 --> 00:02:33.919
I arch into his touch. Please share your professional insights,
30
00:02:35.599 --> 00:02:40.319
daddy issues. His teeth graze my collar bone. Hence the
31
00:02:40.360 --> 00:02:45.879
older clients the need to fix powerful men amateur analysis.
32
00:02:46.879 --> 00:02:49.080
But my nails dig into his shoulders as his hand
33
00:02:49.120 --> 00:02:55.360
slides under my skirt. What else control freak? His fingers
34
00:02:55.439 --> 00:02:58.680
find the edge of my stockings. Everything in your life
35
00:02:58.719 --> 00:03:05.520
precisely arranged? Accept, accept, except when you let go. He
36
00:03:05.599 --> 00:03:09.560
pins my wrists above my head with one hand, Like now,
37
00:03:10.560 --> 00:03:14.960
very good. I wrap my legs around his waist. Now
38
00:03:15.000 --> 00:03:18.319
tell me about your savior complex, your need to rescue
39
00:03:18.319 --> 00:03:23.879
pretty criminals. His laugh vibrates against my skin. Is that
40
00:03:23.919 --> 00:03:29.159
what this is a rescue. No, I use my thighs
41
00:03:29.159 --> 00:03:32.680
to flip our position, straddling him on the couch. This
42
00:03:32.719 --> 00:03:36.960
is a consultation about I roll my hips, making him
43
00:03:37.000 --> 00:03:40.400
groan about why the great agent Bishop can't stop thinking
44
00:03:40.400 --> 00:03:44.879
about the one that got away? Can't I his hands
45
00:03:44.919 --> 00:03:49.759
find my zipper. Maybe I just like the chase. Chase
46
00:03:49.800 --> 00:03:54.000
implies pursuit. I let my dress fall. Yet here you
47
00:03:54.080 --> 00:04:00.000
are lying back, letting me. A knock at the door
48
00:04:00.080 --> 00:04:06.000
freezes us both. Sophie. Elena's voice carries urgency. We have
49
00:04:06.039 --> 00:04:10.680
a problem, a big one. James and I exchange looks.
50
00:04:11.319 --> 00:04:14.919
The session isn't just interrupted, it's about to change completely.
51
00:04:16.279 --> 00:04:21.279
Two minutes, I call out, already moving, James's shirt lands
52
00:04:21.279 --> 00:04:24.360
on my desk as I retrieve my dress. One minute,
53
00:04:24.560 --> 00:04:29.199
Elena counters they found another body. James catches my wrist
54
00:04:29.279 --> 00:04:32.199
as I pass pulls me in for one more searing kiss.
55
00:04:33.120 --> 00:04:39.279
To be continued. Promises, promises, But I'm already back in
56
00:04:39.319 --> 00:04:44.800
professional mode. Dress zipped, hair smoothed. Only my swollen lips
57
00:04:44.800 --> 00:04:49.519
betray what almost happened. Elena doesn't blink at our dishevelment
58
00:04:49.560 --> 00:04:54.279
when she enters. She's seen worse this week Rebecca Windsor
59
00:04:54.720 --> 00:04:58.839
found in her Central Park penthouse thirty minutes ago. My
60
00:04:58.920 --> 00:05:03.920
blood runs cold. Rebecca was here yesterday for a match meeting.
61
00:05:05.319 --> 00:05:09.399
I know. Elena hands me her tablet, but that's not
62
00:05:09.480 --> 00:05:15.079
the worst part. The crime scene photos show Rebecca pose
63
00:05:15.240 --> 00:05:20.439
like Victoria, too perfect, too arranged. But this time there's
64
00:05:20.480 --> 00:05:24.639
a new detail. A jewelry box on her nightstand open
65
00:05:24.720 --> 00:05:30.000
to reveal a diamond choker. Is that James moves behind me,
66
00:05:30.399 --> 00:05:35.240
his chest pressed against my back. The Dorchester diamonds. I
67
00:05:35.319 --> 00:05:39.360
zoom in on the distinctive setting, the ones that disappeared
68
00:05:39.360 --> 00:05:43.279
the night we the night you stole them. He finishes
69
00:05:44.240 --> 00:05:47.839
his hands settle on my hips, possessive rather than threatening,
70
00:05:48.839 --> 00:05:54.120
along with the Rembrandt. Allegedly, I lean back into him.
71
00:05:54.399 --> 00:05:57.800
Professional distance forgotten in the face of this new threat.
72
00:05:59.040 --> 00:06:02.279
But those diamonds were secured in a Swiss vault, one
73
00:06:02.279 --> 00:06:07.720
that hasn't been opened since since last week. Elena pulls
74
00:06:07.759 --> 00:06:13.279
up another screen. Someone accessed it using your biometrics. James
75
00:06:13.279 --> 00:06:20.000
tenses against me. Impossible, not impossible. I turn in his arms.
76
00:06:20.839 --> 00:06:24.680
Just expensive, and it explains how they got into my office,
77
00:06:25.279 --> 00:06:30.000
my hotel room. They have your DNA. His eyes darken
78
00:06:30.079 --> 00:06:36.279
with understanding from London. From the shower. I remember leaving
79
00:06:36.279 --> 00:06:40.839
evidence deliberately, a hair, a fingerprint, proof i'd been there.
80
00:06:41.800 --> 00:06:43.839
I wanted you to be able to confirm who you'd
81
00:06:43.839 --> 00:06:47.199
slept with, and now someone's using it to frame you.
82
00:06:48.120 --> 00:06:54.040
His grip tightens. The diamonds, the murders, the matchmaking, It's
83
00:06:54.079 --> 00:06:59.040
all connected. Elena interrupts our moment, and it gets worse.
84
00:07:00.000 --> 00:07:03.439
Becka's last match request was for a Valentine's Day dinner
85
00:07:04.199 --> 00:07:10.839
with you, James with me. James's hands slide from my hips,
86
00:07:11.199 --> 00:07:16.920
professional masks slipping back into place. When request came in yesterday,
87
00:07:17.920 --> 00:07:21.800
I moved to my desk, pulling up Rebecca's file after hours.
88
00:07:22.519 --> 00:07:27.079
I hadn't processed it yet. Show me the request form
89
00:07:27.120 --> 00:07:30.040
is standard, but the notes section makes my skin crawl.
90
00:07:30.680 --> 00:07:37.079
Seeking FBI agent James Bishop preference classic romance location, the
91
00:07:37.120 --> 00:07:42.399
Dorchester Hotel, London. They're not just watching us. I look
92
00:07:42.480 --> 00:07:46.199
up at James. They're orchestrating us, leading us back to
93
00:07:48.160 --> 00:07:51.800
where it started. He runs a hand through his hair,
94
00:07:52.360 --> 00:07:58.920
already disheveled from our earlier activities. The question is why money?
95
00:08:00.480 --> 00:08:04.720
Elena pulls up more records each victim transferred funds to
96
00:08:04.759 --> 00:08:08.160
the same offshore account before they died. But it's not
97
00:08:08.279 --> 00:08:13.399
just the match guarantee. They're moving millions the trafficking operation,
98
00:08:14.079 --> 00:08:17.120
James says, coming to look over my shoulder at the screen.
99
00:08:18.199 --> 00:08:22.000
His proximity sends heat down my spine despite the gravity
100
00:08:22.040 --> 00:08:27.560
of the situation. No, I shake my head. This is personal.
101
00:08:28.319 --> 00:08:34.559
The diamonds, London, the specific poses. Someone's recreating my greatest hits,
102
00:08:35.240 --> 00:08:40.600
my perfect matches, perfect crimes, you mean. But his hand
103
00:08:40.679 --> 00:08:45.080
finds the small of my back, grounding me. Same thing
104
00:08:45.360 --> 00:08:48.559
in my line of work. I lean into his touch.
105
00:08:49.639 --> 00:08:53.639
Every match is a perfect crime, two people perfectly suited
106
00:08:54.240 --> 00:08:58.679
coming together at exactly the right moment to steal exactly
107
00:08:58.720 --> 00:09:04.480
the right things. His mouth brushes my ear, among other activities.
108
00:09:04.840 --> 00:09:08.440
I turn to face him. The problem is someone knows
109
00:09:08.480 --> 00:09:12.720
my methods too well, knows how I think, how I work,
110
00:09:13.279 --> 00:09:20.799
how you seduce His eyes darken like you seduced me
111
00:09:20.840 --> 00:09:27.480
in London. Please I press closer, professional boundaries crumbling again,
112
00:09:28.679 --> 00:09:34.480
you weren't exactly resistant. Neither were you. His hand slides
113
00:09:34.480 --> 00:09:40.080
into my hair. Still aren't Ellena clears her throat as
114
00:09:40.120 --> 00:09:43.519
fascinating as your foreplay is, we have another problem. The
115
00:09:43.600 --> 00:09:46.840
Valentine's de gala at the Carlisle. Rebecca was on the
116
00:09:46.879 --> 00:09:49.799
guest list, so are three more of your active clients.
117
00:09:50.799 --> 00:09:55.519
Perfect hunting ground. James doesn't let me go. Public enough
118
00:09:55.559 --> 00:10:00.519
for cover, private enough for murder, perfect match opportunity. I
119
00:10:00.559 --> 00:10:04.120
correct him. Everyone there will be looking for love, looking
120
00:10:04.200 --> 00:10:08.720
to be matched, looking to die. If we don't stop it.
121
00:10:09.960 --> 00:10:14.519
His grip tightens. We need to be there, We need
122
00:10:14.559 --> 00:10:19.360
to be matched there. I smile against his mouth, publicly
123
00:10:19.919 --> 00:10:25.600
officially give our audience what they want, a Valentine's date.
124
00:10:26.159 --> 00:10:29.279
His laugh is dark, bit on the nose. Don't you
125
00:10:29.360 --> 00:10:33.120
think sometimes the best cover is no cover at all.
126
00:10:34.240 --> 00:10:38.399
I kiss him quick and fierce. Besides, you still owe
127
00:10:38.399 --> 00:10:42.279
me a proper date after London, If I remember correctly,
128
00:10:42.519 --> 00:10:45.519
his teeth grazed my bottom lip. Our date in London
129
00:10:45.639 --> 00:10:51.440
was very proper until it wasn't children please. Elena starts
130
00:10:51.440 --> 00:10:55.440
gathering her tablets, save something for the cameras, speaking of
131
00:10:55.480 --> 00:10:59.919
which she points to the painting concealing our latest discovered device.
132
00:11:00.919 --> 00:11:02.639
Want to give them a good show before we go.
133
00:11:03.639 --> 00:11:11.759
James's smile turns dangerous always once Elena leaves. James stalks
134
00:11:11.799 --> 00:11:15.159
toward me like a predator for the camera's benefit, of course,
135
00:11:16.039 --> 00:11:20.320
mostly where were we? His hands find my zipper again.
136
00:11:21.360 --> 00:11:26.559
Something about trust issues, commitment issues. I let my dress
137
00:11:26.600 --> 00:11:31.840
fall for the second time. Your inability to maintain lasting relationships,
138
00:11:33.159 --> 00:11:36.559
says the woman who left me handcuffed in London. He
139
00:11:36.639 --> 00:11:40.600
backs me against my desk. Tell me, doctor, what does
140
00:11:40.639 --> 00:11:44.879
that say about your attachment style? That I have excellent
141
00:11:44.919 --> 00:11:49.600
survival instincts. I start on his shirt buttons and questionable
142
00:11:49.679 --> 00:11:54.200
judgment when it comes to federal agents. Your judgment seems
143
00:11:54.200 --> 00:11:58.720
perfectly sound to me. His mouth finds my throat as
144
00:11:58.759 --> 00:12:03.360
his hands slide under black place, especially your choice in lingerie,
145
00:12:04.919 --> 00:12:09.799
professional necessity. I arch into his touch. Never know when
146
00:12:09.799 --> 00:12:14.720
you'll need to seduce a mark? Is that what I am?
147
00:12:14.799 --> 00:12:17.679
His fingers find exactly the right spot to make me gasp?
148
00:12:18.679 --> 00:12:24.519
A mark? You tell me? I work his belt free?
149
00:12:24.679 --> 00:12:28.720
Am I a suspect or a partner? Right now? He
150
00:12:28.799 --> 00:12:29.840
lifts me onto the desk.
151
00:12:30.399 --> 00:12:30.799
Right now?
152
00:12:30.879 --> 00:12:34.759
You're whatever I need you to be. What follows is
153
00:12:34.840 --> 00:12:38.399
pure performance art, a show for our unseen audience that
154
00:12:38.480 --> 00:12:45.799
quickly becomes something else, entirely something real, raw, dangerous. He
155
00:12:45.879 --> 00:12:48.759
takes me on my desk, then against my office windows.
156
00:12:49.559 --> 00:12:53.759
Each touch a question, each kiss an answer, each moment
157
00:12:53.799 --> 00:13:12.879
of pleasure a truth we can't take back. Later, catching
158
00:13:12.879 --> 00:13:18.200
our breath, I check my phone. A new message. Excellent rehearsal.
159
00:13:19.039 --> 00:13:24.519
Can't wait for the Valentine's performance. They're getting bolder, James says,
160
00:13:24.919 --> 00:13:29.360
reading over my shoulder. Good. I start gathering my clothes.
161
00:13:30.200 --> 00:13:33.559
Let them the closer they get, the closer we get.
162
00:13:34.639 --> 00:13:37.279
He catches my hand. You know this is a trap.
163
00:13:38.480 --> 00:13:43.320
Of course it is. I kiss him, tasting possibility and danger.
164
00:13:44.240 --> 00:13:48.720
That's what makes it fun fun. His laugh is dark
165
00:13:48.759 --> 00:13:52.840
against my mouth. Is that what we're calling this? What
166
00:13:52.879 --> 00:13:57.200
would you call it? His answer is interrupted by another text.
167
00:13:57.600 --> 00:14:02.639
This one makes us both freeze. Roses are red, violets
168
00:14:02.639 --> 00:14:06.639
are blue. The Dorchester diamonds look lovely on you. But
169
00:14:06.679 --> 00:14:09.919
will they still shine when your blood turns cold, when
170
00:14:09.960 --> 00:14:14.759
your perfect match learns what you haven't told. Attached is
171
00:14:14.759 --> 00:14:19.759
a photo me in the Dorchester shower with James. But
172
00:14:19.840 --> 00:14:23.200
there's something else in the frame, something we didn't notice
173
00:14:23.240 --> 00:14:27.879
that night. The mirror. James takes my phone zooms in
174
00:14:27.919 --> 00:14:35.039
on the reflection behind us in the steamy glass, barely visible.
175
00:14:35.440 --> 00:14:39.320
A figure watches from the bathroom doorway. The angle is perfect,
176
00:14:39.759 --> 00:14:44.240
capturing both the passion of the moment and the safe.
177
00:14:44.320 --> 00:14:47.840
My blood runs cold. They saw me crack the safe
178
00:14:47.840 --> 00:14:52.320
while you were sleeping, not quite sleeping. His hand finds
179
00:14:52.320 --> 00:14:55.240
my lower back, not after what you gave me in
180
00:14:55.279 --> 00:15:02.000
that champagne light sedative. I lean into his touch. Courtesy
181
00:15:02.039 --> 00:15:05.440
of the CIA's own cookbook. I found your credentials while
182
00:15:05.480 --> 00:15:09.320
you were in the shower. Of course you did. His
183
00:15:09.399 --> 00:15:13.039
fingers trace patterns on my skin, just like I found
184
00:15:13.039 --> 00:15:17.639
your lock picks in your garter belt. You knew. I
185
00:15:17.720 --> 00:15:22.639
knew everything. He turns me to face him, except why
186
00:15:22.679 --> 00:15:28.200
you left the trace evidence, the hair, the fingerprints, insurance.
187
00:15:28.919 --> 00:15:32.080
I meet his eyes in case you caught me later,
188
00:15:32.960 --> 00:15:36.759
proof that whatever else I was, whatever else I did
189
00:15:37.360 --> 00:15:42.320
that night, was real. His mouth finds mine, gentle this time,
190
00:15:43.279 --> 00:15:44.120
like this is real?
191
00:15:45.399 --> 00:15:45.679
Is it?
192
00:15:46.720 --> 00:15:51.320
I pull back slightly? Or are we still performing? He
193
00:15:51.440 --> 00:15:54.480
gestures to the hidden camera. They can't see us now
194
00:15:54.840 --> 00:15:59.320
wrong angle. Then tell me the truth. I press closer.
195
00:16:00.600 --> 00:16:03.840
Why did you really let me go in London? His
196
00:16:04.000 --> 00:16:09.480
silence speaks volumes. Finally, because you weren't just stealing diamonds.
197
00:16:09.519 --> 00:16:13.200
That night you were collecting evidence on the trafficking ring,
198
00:16:13.639 --> 00:16:18.399
on the corrupt agents involved, on on you. I traced
199
00:16:18.399 --> 00:16:21.039
the scar on his chest. Is that why you were
200
00:16:21.039 --> 00:16:26.440
really there? Undercover? Deep cover? His hands slide into my
201
00:16:26.519 --> 00:16:31.000
hair until I met you, until I watched you systematically
202
00:16:31.039 --> 00:16:36.360
dismantle their operation while making me fall. He stops. My
203
00:16:36.440 --> 00:16:41.799
heart stutters while making you what. Instead of answering, he
204
00:16:41.879 --> 00:16:46.360
kisses me deep, desperate, full of things we can't say
205
00:16:46.360 --> 00:16:51.159
with cameras watching and killers waiting. My phone buzz is
206
00:16:51.200 --> 00:16:57.799
again another message, sweet scene, But does he know about Paris?
207
00:16:58.639 --> 00:17:03.000
About what really happened to Agent Sarah Collins? This time
208
00:17:03.120 --> 00:17:09.680
James goes completely still, Sophie. His voice is dangerous. What
209
00:17:09.759 --> 00:17:15.079
did you do in Paris? Sarah Collins? I stepped back,
210
00:17:15.519 --> 00:17:20.359
feeling the desk behind me. Your partner in Paris, the
211
00:17:20.359 --> 00:17:26.160
one who disappeared investigating the trafficking ring. My partner. His
212
00:17:26.240 --> 00:17:29.359
eyes are unreadable now, the one who got too close,
213
00:17:30.240 --> 00:17:34.119
who found evidence linking certain matchmaking services to missing women.
214
00:17:35.240 --> 00:17:40.279
She didn't disappear. I hold his gaze. She's alive in Geneva.
215
00:17:41.039 --> 00:17:47.880
What I got her out? The truth spills like expensive wine, rich, dark, dangerous.
216
00:17:48.839 --> 00:17:51.440
When they discovered she was FBI, when they sent a
217
00:17:51.480 --> 00:17:55.640
cleaner to handle her. You, His hands gripped the desk
218
00:17:55.720 --> 00:17:58.799
on either side of me, caging me in. You were
219
00:17:58.799 --> 00:18:03.519
in Paris that night. I was the cleaner. I press
220
00:18:03.599 --> 00:18:07.799
my palms against his chest, feeling his heart race until
221
00:18:07.839 --> 00:18:10.799
I saw her evidence, until I realized she was right
222
00:18:11.720 --> 00:18:17.880
about everything. So you helped her. His voice Roughens then
223
00:18:17.960 --> 00:18:22.400
came to London to to find you, to get close
224
00:18:22.480 --> 00:18:25.880
enough to pass you her evidence. I curl my fingers
225
00:18:25.920 --> 00:18:30.039
into his shirt. The diamonds were just a bonus, And
226
00:18:30.119 --> 00:18:34.880
now his mouth hovers over mine. Is this just another
227
00:18:34.920 --> 00:18:39.680
way to get close to work, another angle? No, I
228
00:18:39.799 --> 00:18:43.039
slide my hands up to his face. This is something else,
229
00:18:43.400 --> 00:18:48.640
something real, something. The office lights cut out, suddenly, plunging
230
00:18:48.720 --> 00:18:54.920
us into darkness. Emergency systems kick in, bathing everything in red.
231
00:18:56.279 --> 00:19:01.319
Sophie Elena's voice comes through the intercom. We've got company
232
00:19:01.519 --> 00:19:05.720
armed coming up the elevator. James moves instantly, reaching for
233
00:19:05.759 --> 00:19:11.680
his weapon. How many four? No five? The sound of
234
00:19:11.759 --> 00:19:18.000
rapid typing. They've cut external communications, disabled security protocols, not
235
00:19:18.119 --> 00:19:21.160
all of them. I press the hidden panel under my desk,
236
00:19:21.839 --> 00:19:26.640
A section of wall slides open, ready for another escape route.
237
00:19:26.839 --> 00:19:29.359
His laugh is dark as he follows me into the passage,
238
00:19:30.200 --> 00:19:36.480
running again strategic retreat. I pull him into a fierce kiss. Besides,
239
00:19:36.720 --> 00:19:40.519
we've got a Valentine's gale a to plan behind us.
240
00:19:40.680 --> 00:19:44.720
The office door bursts open ahead. The passage leads to
241
00:19:44.839 --> 00:19:48.640
questions we still haven't answered. But his hand finds mine
242
00:19:48.640 --> 00:19:53.079
in the darkness, and for now that's enough. The game
1
00:00:03.160 --> 00:00:12.080
2
00:00:12.240 --> 00:00:17.039
3
00:00:25.000 --> 00:00:29.719
4
00:00:29.800 --> 00:00:33.719
5
00:00:33.759 --> 00:00:37.640
6
00:00:37.840 --> 00:00:42.920
7
00:00:43.000 --> 00:00:48.240
8
00:00:48.320 --> 00:00:54.200
9
00:00:54.600 --> 00:00:59.560
10
00:01:00.840 --> 00:01:04.120
11
00:01:04.239 --> 00:01:10.200
12
00:01:11.560 --> 00:01:16.000
13
00:01:16.000 --> 00:01:20.560
14
00:01:20.640 --> 00:01:24.319
15
00:01:24.359 --> 00:01:31.120
16
00:01:31.239 --> 00:01:35.799
17
00:01:36.680 --> 00:01:40.120
18
00:01:40.359 --> 00:01:46.120
19
00:01:46.400 --> 00:01:50.640
20
00:01:50.719 --> 00:01:54.079
21
00:01:54.120 --> 00:01:57.400
22
00:01:57.480 --> 00:02:00.519
23
00:02:00.640 --> 00:02:05.120
24
00:02:05.120 --> 00:02:11.639
25
00:02:12.080 --> 00:02:14.280
26
00:02:14.360 --> 00:02:20.759
27
00:02:20.800 --> 00:02:23.080
28
00:02:24.439 --> 00:02:28.560
29
00:02:29.639 --> 00:02:33.919
30
00:02:35.599 --> 00:02:40.319
31
00:02:40.360 --> 00:02:45.879
32
00:02:46.879 --> 00:02:49.080
33
00:02:49.120 --> 00:02:55.360
34
00:02:55.439 --> 00:02:58.680
35
00:02:58.719 --> 00:03:05.520
36
00:03:05.599 --> 00:03:09.560
37
00:03:10.560 --> 00:03:14.960
38
00:03:15.000 --> 00:03:18.319
39
00:03:18.319 --> 00:03:23.879
40
00:03:23.919 --> 00:03:29.159
41
00:03:29.159 --> 00:03:32.680
42
00:03:32.719 --> 00:03:36.960
43
00:03:37.000 --> 00:03:40.400
44
00:03:40.400 --> 00:03:44.879
45
00:03:44.919 --> 00:03:49.759
46
00:03:49.800 --> 00:03:54.000
47
00:03:54.080 --> 00:04:00.000
48
00:04:00.080 --> 00:04:06.000
49
00:04:06.039 --> 00:04:10.680
50
00:04:11.319 --> 00:04:14.919
51
00:04:16.279 --> 00:04:21.279
52
00:04:21.279 --> 00:04:24.360
53
00:04:24.560 --> 00:04:29.199
54
00:04:29.279 --> 00:04:32.199
55
00:04:33.120 --> 00:04:39.279
56
00:04:39.319 --> 00:04:44.800
57
00:04:44.800 --> 00:04:49.519
58
00:04:49.560 --> 00:04:54.279
59
00:04:54.720 --> 00:04:58.839
60
00:04:58.920 --> 00:05:03.920
61
00:05:05.319 --> 00:05:09.399
62
00:05:09.480 --> 00:05:15.079
63
00:05:15.240 --> 00:05:20.439
64
00:05:20.480 --> 00:05:24.639
65
00:05:24.720 --> 00:05:30.000
66
00:05:30.399 --> 00:05:35.240
67
00:05:35.319 --> 00:05:39.360
68
00:05:39.360 --> 00:05:43.279
69
00:05:44.240 --> 00:05:47.839
70
00:05:48.839 --> 00:05:54.120
71
00:05:54.399 --> 00:05:57.800
72
00:05:59.040 --> 00:06:02.279
73
00:06:02.279 --> 00:06:07.720
74
00:06:07.759 --> 00:06:13.279
75
00:06:13.279 --> 00:06:20.000
76
00:06:20.839 --> 00:06:24.680
77
00:06:25.279 --> 00:06:30.000
78
00:06:30.079 --> 00:06:36.279
79
00:06:36.279 --> 00:06:40.839
80
00:06:41.800 --> 00:06:43.839
81
00:06:43.839 --> 00:06:47.199
82
00:06:48.120 --> 00:06:54.040
83
00:06:54.079 --> 00:06:59.040
84
00:07:00.000 --> 00:07:03.439
85
00:07:04.199 --> 00:07:10.839
86
00:07:11.199 --> 00:07:16.920
87
00:07:17.920 --> 00:07:21.800
88
00:07:22.519 --> 00:07:27.079
89
00:07:27.120 --> 00:07:30.040
90
00:07:30.680 --> 00:07:37.079
91
00:07:37.120 --> 00:07:42.399
92
00:07:42.480 --> 00:07:46.199
93
00:07:48.160 --> 00:07:51.800
94
00:07:52.360 --> 00:07:58.920
95
00:08:00.480 --> 00:08:04.720
96
00:08:04.759 --> 00:08:08.160
97
00:08:08.279 --> 00:08:13.399
98
00:08:14.079 --> 00:08:17.120
99
00:08:18.199 --> 00:08:22.000
100
00:08:22.040 --> 00:08:27.560
101
00:08:28.319 --> 00:08:34.559
102
00:08:35.240 --> 00:08:40.600
103
00:08:40.679 --> 00:08:45.080
104
00:08:45.360 --> 00:08:48.559
105
00:08:49.639 --> 00:08:53.639
106
00:08:54.240 --> 00:08:58.679
107
00:08:58.720 --> 00:09:04.480
108
00:09:04.840 --> 00:09:08.440
109
00:09:08.480 --> 00:09:12.720
110
00:09:13.279 --> 00:09:20.799
111
00:09:20.840 --> 00:09:27.480
112
00:09:28.679 --> 00:09:34.480
113
00:09:34.480 --> 00:09:40.080
114
00:09:40.120 --> 00:09:43.519
115
00:09:43.600 --> 00:09:46.840
116
00:09:46.879 --> 00:09:49.799
117
00:09:50.799 --> 00:09:55.519
118
00:09:55.559 --> 00:10:00.519
119
00:10:00.559 --> 00:10:04.120
120
00:10:04.200 --> 00:10:08.720
121
00:10:09.960 --> 00:10:14.519
122
00:10:14.559 --> 00:10:19.360
123
00:10:19.919 --> 00:10:25.600
124
00:10:26.159 --> 00:10:29.279
125
00:10:29.360 --> 00:10:33.120
126
00:10:34.240 --> 00:10:38.399
127
00:10:38.399 --> 00:10:42.279
128
00:10:42.519 --> 00:10:45.519
129
00:10:45.639 --> 00:10:51.440
130
00:10:51.440 --> 00:10:55.440
131
00:10:55.480 --> 00:10:59.919
132
00:11:00.919 --> 00:11:02.639
133
00:11:03.639 --> 00:11:11.759
134
00:11:11.799 --> 00:11:15.159
135
00:11:16.039 --> 00:11:20.320
136
00:11:21.360 --> 00:11:26.559
137
00:11:26.600 --> 00:11:31.840
138
00:11:33.159 --> 00:11:36.559
139
00:11:36.639 --> 00:11:40.600
140
00:11:40.639 --> 00:11:44.879
141
00:11:44.919 --> 00:11:49.600
142
00:11:49.679 --> 00:11:54.200
143
00:11:54.200 --> 00:11:58.720
144
00:11:58.759 --> 00:12:03.360
145
00:12:04.919 --> 00:12:09.799
146
00:12:09.799 --> 00:12:14.720
147
00:12:14.799 --> 00:12:17.679
148
00:12:18.679 --> 00:12:24.519
149
00:12:24.679 --> 00:12:28.720
150
00:12:28.799 --> 00:12:29.840
151
00:12:30.399 --> 00:12:30.799
152
00:12:30.879 --> 00:12:34.759
153
00:12:34.840 --> 00:12:38.399
154
00:12:38.480 --> 00:12:45.799
155
00:12:45.879 --> 00:12:48.759
156
00:12:49.559 --> 00:12:53.759
157
00:12:53.799 --> 00:13:12.879
158
00:13:12.879 --> 00:13:18.200
159
00:13:19.039 --> 00:13:24.519
160
00:13:24.919 --> 00:13:29.360
161
00:13:30.200 --> 00:13:33.559
162
00:13:34.639 --> 00:13:37.279
163
00:13:38.480 --> 00:13:43.320
164
00:13:44.240 --> 00:13:48.720
165
00:13:48.759 --> 00:13:52.840
166
00:13:52.879 --> 00:13:57.200
167
00:13:57.600 --> 00:14:02.639
168
00:14:02.639 --> 00:14:06.639
169
00:14:06.679 --> 00:14:09.919
170
00:14:09.960 --> 00:14:14.759
171
00:14:14.759 --> 00:14:19.759
172
00:14:19.840 --> 00:14:23.200
173
00:14:23.240 --> 00:14:27.879
174
00:14:27.919 --> 00:14:35.039
175
00:14:35.440 --> 00:14:39.320
176
00:14:39.759 --> 00:14:44.240
177
00:14:44.320 --> 00:14:47.840
178
00:14:47.840 --> 00:14:52.320
179
00:14:52.320 --> 00:14:55.240
180
00:14:55.279 --> 00:15:02.000
181
00:15:02.039 --> 00:15:05.440
182
00:15:05.480 --> 00:15:09.320
183
00:15:09.399 --> 00:15:13.039
184
00:15:13.039 --> 00:15:17.639
185
00:15:17.720 --> 00:15:22.639
186
00:15:22.679 --> 00:15:28.200
187
00:15:28.919 --> 00:15:32.080
188
00:15:32.960 --> 00:15:36.759
189
00:15:37.360 --> 00:15:42.320
190
00:15:43.279 --> 00:15:44.120
191
00:15:45.399 --> 00:15:45.679
192
00:15:46.720 --> 00:15:51.320
193
00:15:51.440 --> 00:15:54.480
194
00:15:54.840 --> 00:15:59.320
195
00:16:00.600 --> 00:16:03.840
196
00:16:04.000 --> 00:16:09.480
197
00:16:09.519 --> 00:16:13.200
198
00:16:13.639 --> 00:16:18.399
199
00:16:18.399 --> 00:16:21.039
200
00:16:21.039 --> 00:16:26.440
201
00:16:26.519 --> 00:16:31.000
202
00:16:31.039 --> 00:16:36.360
203
00:16:36.440 --> 00:16:41.799
204
00:16:41.879 --> 00:16:46.360
205
00:16:46.360 --> 00:16:51.159
206
00:16:51.200 --> 00:16:57.799
207
00:16:58.639 --> 00:17:03.000
208
00:17:03.120 --> 00:17:09.680
209
00:17:09.759 --> 00:17:15.079
210
00:17:15.519 --> 00:17:20.359
211
00:17:20.359 --> 00:17:26.160
212
00:17:26.240 --> 00:17:29.359
213
00:17:30.240 --> 00:17:34.119
214
00:17:35.240 --> 00:17:40.279
215
00:17:41.039 --> 00:17:47.880
216
00:17:48.839 --> 00:17:51.440
217
00:17:51.480 --> 00:17:55.640
218
00:17:55.720 --> 00:17:58.799
219
00:17:58.799 --> 00:18:03.519
220
00:18:03.599 --> 00:18:07.799
221
00:18:07.839 --> 00:18:10.799
222
00:18:11.720 --> 00:18:17.880
223
00:18:17.960 --> 00:18:22.400
224
00:18:22.480 --> 00:18:25.880
225
00:18:25.920 --> 00:18:30.039
226
00:18:30.119 --> 00:18:34.880
227
00:18:34.920 --> 00:18:39.680
228
00:18:39.799 --> 00:18:43.039
229
00:18:43.400 --> 00:18:48.640
230
00:18:48.720 --> 00:18:54.920
231
00:18:56.279 --> 00:19:01.319
232
00:19:01.519 --> 00:19:05.720
233
00:19:05.759 --> 00:19:11.680
234
00:19:11.759 --> 00:19:18.000
235
00:19:18.119 --> 00:19:21.160
236
00:19:21.839 --> 00:19:26.640
237
00:19:26.839 --> 00:19:29.359
238
00:19:30.200 --> 00:19:36.480
239
00:19:36.720 --> 00:19:40.519
240
00:19:40.680 --> 00:19:44.720
241
00:19:44.839 --> 00:19:48.640
242
00:19:48.640 --> 00:19:53.079