March 15, 2025
Perfect Forgery (Ep 3 of 4) - "Restoration"
After Marcus's arrest, Olivia and Alex discover they've been part of a larger manipulation orchestrated by Thomas, Marcus's original protégé. Between increasingly intimate encounters that deepen their trust, they learn the truth about a deadly...
After Marcus's arrest, Olivia and Alex discover they've been part of a larger manipulation orchestrated by Thomas, Marcus's original protégé. Between increasingly intimate encounters that deepen their trust, they learn the truth about a deadly incident in Berlin and Thomas's obsession with documenting their every move. Their investigation leads to passionate revelations and a violent confrontation that forces them to choose between preserving their past or protecting their future.
Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!
Subscribe now for exclusive shows like 'Palace Intrigue,' and get bonus content from Deep Crown (our exclusive Palace Insider!) Or get 'Daily Comedy News,' and '5 Good News Stories’ with no commercials! Plans start at $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show!
We now have Merch! FREE SHIPPING! Check out all the products like T-shirts, mugs, bags, jackets and more with logos and slogans from your favorite shows! Did we mention there’s free shipping? Get 10% off with code NewMerch10 Go to Caloroga.com
Get more info from Caloroga Shark Media and if you have any comments, suggestions, or just want to get in touch our email is info@caloroga.com
WEBVTT
1
00:00:03.160 --> 00:00:10.560
Calarogu Shark Media, Hello and welcome to Romance Weekly.
2
00:00:11.400 --> 00:00:17.760
This episode is titled The Forgery, Part three Restoration.
3
00:00:23.920 --> 00:00:29.920
Handcuffs, sleeve marks like brushstrokes, temporary evidence of surrender. Right now,
4
00:00:30.320 --> 00:00:33.840
watching Marcus being led away by the FBI, I'm thinking
5
00:00:33.920 --> 00:00:37.399
about different kinds of Mars. The ones Alex left on
6
00:00:37.439 --> 00:00:41.200
my skin in the restoration room, the one's paris left
7
00:00:41.200 --> 00:00:45.159
on our souls. It was too easy, Alex says, his
8
00:00:45.280 --> 00:00:47.799
hand possessive on my lower back as we watched the
9
00:00:47.799 --> 00:00:51.159
police cars pull away. Marcus never surrenders.
10
00:00:52.280 --> 00:00:52.359
No.
11
00:00:53.359 --> 00:00:58.200
I lean into his touch. He orchestrates my phone buzzes
12
00:00:58.200 --> 00:01:02.640
with a text from an unknown number. Beautiful performance. Now
13
00:01:02.679 --> 00:01:06.920
for act two. Check your private email for tonight's script.
14
00:01:08.040 --> 00:01:13.000
Alex reads over my shoulder, his body tensing another trap,
15
00:01:14.040 --> 00:01:19.000
another masterpiece. I turn in his arms, coming back to
16
00:01:19.040 --> 00:01:22.959
my studio to see what Marcus sent. His kiss is
17
00:01:23.000 --> 00:01:26.599
the answer, deep and demanding. Against the galley's glass doors.
18
00:01:27.519 --> 00:01:31.120
Anyone could see us, but that's rather the point. We're
19
00:01:31.159 --> 00:01:37.000
still performing, still being watched. The drive to my studio
20
00:01:37.120 --> 00:01:40.680
is charged with unfinished business, his hand on my thigh
21
00:01:40.760 --> 00:01:43.840
as he drives my fingers tracing patterns on his wrist.
22
00:01:44.760 --> 00:01:47.640
By the time we reach my private elevator, we're both
23
00:01:47.719 --> 00:01:52.359
burning the email. He reminds me, as ikey in my code.
24
00:01:53.000 --> 00:01:55.959
Can wait? I pull him into the elevator by his
25
00:01:56.079 --> 00:02:02.519
tie first. I want to examine your technique. His hands
26
00:02:02.560 --> 00:02:06.200
mapping my body as the elevator rises, my fingers working
27
00:02:06.239 --> 00:02:09.840
his belt. Before we reach my floor, we barely make
28
00:02:09.879 --> 00:02:14.159
it inside my studio before clothes start falling the security
29
00:02:14.199 --> 00:02:20.199
cameras he manages between kisses disabled, I push him toward
30
00:02:20.240 --> 00:02:24.479
my restoration table. I learned something about surveillance in Paris,
31
00:02:25.960 --> 00:02:30.240
did you His laugh turns to a groan as I
32
00:02:30.280 --> 00:02:35.879
sink to my knees. What else did you learn? Watch
33
00:02:35.919 --> 00:02:41.280
me demonstrate? I take him apart with expert precision, every
34
00:02:41.280 --> 00:02:44.400
stroke of my tongue a reminder of skills learned in Paris.
35
00:02:45.120 --> 00:02:47.759
His hands tangle in my hair as I drive him
36
00:02:47.759 --> 00:02:52.560
to the edge and back Olivia warning or plea, I'm
37
00:02:52.560 --> 00:02:57.800
not sure sh I stand? Letting him lift me onto
38
00:02:57.840 --> 00:03:02.960
the table. Let me show you my other talents. He
39
00:03:03.080 --> 00:03:06.680
enters me in one smooth stroke, both of us beyond teasing,
40
00:03:07.680 --> 00:03:12.159
beyond pretense, beyond everything except this moment of pure creation.
41
00:03:13.680 --> 00:03:17.479
Tell me about Marcus, he demands, setting a punishing rhythm,
42
00:03:17.960 --> 00:03:23.080
Tell me what he's really planning. Power i arch as
43
00:03:23.080 --> 00:03:27.919
his angle deepens. Control the perfect, Oh God, the perfect
44
00:03:27.960 --> 00:03:36.560
forgery of what of us? Later, catching our breath among
45
00:03:36.639 --> 00:03:41.479
scattered art supplies, my laptop chimes the email we've been avoiding.
46
00:03:42.759 --> 00:03:47.719
Alex reaches it first, still gloriously naked. His body tenses
47
00:03:48.000 --> 00:03:53.280
as he reads What is it? I move behind him,
48
00:03:53.360 --> 00:03:56.360
letting my breasts press against his back As I look
49
00:03:56.400 --> 00:04:02.240
over his shoulder, surveillance photos from birth Lynn. My blood
50
00:04:02.319 --> 00:04:08.240
runs cold. Berlin, the job that went wrong the night
51
00:04:08.360 --> 00:04:14.360
someone died. Marcus wasn't in Berlin, I say. But even
52
00:04:14.360 --> 00:04:16.759
as the words leave my mouth, I spot him in
53
00:04:16.800 --> 00:04:24.399
the background of one photo, watching, always watching. No. Alex
54
00:04:24.439 --> 00:04:28.959
turns to face me. But his protege was the one
55
00:04:28.959 --> 00:04:35.000
who took the fall. Thomas. The name tastes like old
56
00:04:35.040 --> 00:04:39.399
paint and older sins. They said he died in prison.
57
00:04:40.720 --> 00:04:45.839
They lied. Alex hands me his phone. A new message
58
00:04:45.879 --> 00:04:49.480
glows on the screen. Did you really think I'd leave
59
00:04:49.480 --> 00:04:54.519
loose ends? Tonight? The Thorn Gallery? Time to complete the
60
00:04:54.519 --> 00:05:00.959
Berlin masterpiece? Bring the girl tea it was all connected.
61
00:05:01.839 --> 00:05:08.519
I sink into my chair, Paris, Berlin, now Marcus's perfect forgery.
62
00:05:09.560 --> 00:05:13.399
Alex kneels before me, using us to create something bigger
63
00:05:13.439 --> 00:05:18.279
than art, using us to create the perfect crime. I
64
00:05:18.360 --> 00:05:21.319
meet his eyes, one that can never be traced back
65
00:05:21.360 --> 00:05:29.199
to him, because we'll take the fall, unless, unless, unless
66
00:05:29.199 --> 00:05:34.480
we create something he never expected. What's that the truth?
67
00:05:35.959 --> 00:05:43.399
His smile curves against my mouth. Dangerous, medium, the most dangerous.
68
00:05:44.480 --> 00:05:47.120
I stand, letting him watch as I begin to dress,
69
00:05:48.120 --> 00:05:52.680
ready to paint with fire. Instead of answering, he pulls
70
00:05:52.680 --> 00:05:57.240
me back for one more kiss, deep, desperate, full of
71
00:05:57.240 --> 00:06:02.360
everything we haven't said. The thought gallery awaits, Thomas awaits,
72
00:06:03.240 --> 00:06:08.360
and somewhere Marcus watches his masterpiece unfold. Let him watch.
73
00:06:09.319 --> 00:06:15.199
This time, we're painting with blood. The Thorn Gallery at
74
00:06:15.279 --> 00:06:20.560
night is all shadows and sharp edges, like memory, like regret.
75
00:06:22.199 --> 00:06:25.399
You wore the black dress, Alex says, as we enter
76
00:06:25.439 --> 00:06:29.759
through the service door. His fingers trace my spine through silk,
77
00:06:31.000 --> 00:06:35.160
not the red one. Red was for Marcus's show. I
78
00:06:35.279 --> 00:06:39.879
lean into his touch. Black is for revenge, and what
79
00:06:39.959 --> 00:06:44.759
you're wearing underneath? Why don't you verify the authenticity yourself?
80
00:06:45.839 --> 00:06:50.240
His hand slide lower, professional fingers finding the truth beneath
81
00:06:50.279 --> 00:06:54.959
fabric in the darkness of the closed gallery. Our breath
82
00:06:55.040 --> 00:06:58.920
mingles with the soft hum of climate control. A text
83
00:06:58.959 --> 00:07:07.040
illuminates the shadow third floor, Private collection. Come alone. Thomas
84
00:07:07.079 --> 00:07:09.920
always did have a flare for drama. I murmur against
85
00:07:09.920 --> 00:07:13.720
Alex's throat, says the woman who left a perfect forgery
86
00:07:13.759 --> 00:07:20.079
in the louver. Allegedly. I bite his earlobe gently, and
87
00:07:20.160 --> 00:07:22.759
as I recall you are the one who disabled their
88
00:07:22.800 --> 00:07:30.439
security system allegedly, his mouth finds mine, erasing professional distance.
89
00:07:31.360 --> 00:07:35.959
We shouldn't not here, not now. But his hands remember
90
00:07:36.040 --> 00:07:40.199
every curve, every secret, every way to make me surrender
91
00:07:40.240 --> 00:07:44.560
to his expertise. His fingers trace the path between my
92
00:07:44.600 --> 00:07:49.360
shoulder blades, mapping territory he'd claimed hours earlier in my studio.
93
00:07:49.879 --> 00:07:57.120
Each touch carries memory intention need third floor, I remind him,
94
00:07:57.399 --> 00:08:02.120
even as my hands find his tie. Five minutes he
95
00:08:02.160 --> 00:08:06.199
walks me backward until I hit a display pedestal. I
96
00:08:06.279 --> 00:08:09.879
need to examine the evidence thoroughly. The silk of my
97
00:08:09.959 --> 00:08:14.399
dress whispers against marble. As he lifts me. His mouth
98
00:08:14.439 --> 00:08:19.920
follows the neckline. Professional attention to every detail, tell me
99
00:08:19.959 --> 00:08:24.160
about Berlin. He murmurs against my skin about Thomas.
100
00:08:26.040 --> 00:08:26.399
He was.
101
00:08:27.480 --> 00:08:31.240
I lose focus as his fingers slide higher. He was
102
00:08:31.279 --> 00:08:37.559
Marcus's star, pupil before us, until until he fell in
103
00:08:37.559 --> 00:08:41.320
love with an authenticator. My hands grip his shoulders as
104
00:08:41.360 --> 00:08:46.360
pleasure builds. Until she discovered what he really was, what
105
00:08:46.519 --> 00:08:52.440
happened to her, she died. Truth spills out between soft gasps.
106
00:08:53.960 --> 00:08:57.159
The night of the heist, the night everything went wrong,
107
00:08:58.679 --> 00:09:02.200
his hands still on my thigh. That's why you ran
108
00:09:02.279 --> 00:09:06.840
in Paris. You knew what Marcus was capable of. I
109
00:09:06.879 --> 00:09:10.879
knew what love costs in his world. I pull him closer,
110
00:09:11.159 --> 00:09:14.879
needing his heat. What it would cost you if I stayed.
111
00:09:16.559 --> 00:09:20.000
Instead of responding, he shows me exactly what I'd missed
112
00:09:20.039 --> 00:09:24.960
in those ten years, apart his fingers, his mouth, his body,
113
00:09:25.200 --> 00:09:29.480
remembering every lesson we'd learned together. When I come apart
114
00:09:29.600 --> 00:09:50.200
in his arms, it's not just pleasure, its resurrection, recreation, restoration. Afterward,
115
00:09:50.679 --> 00:09:54.399
straightening my dress in the gallery's darkened windows, I catch
116
00:09:54.440 --> 00:09:59.879
Alex watching me. His reflection carries equal parts hunger and calculation.
117
00:10:01.759 --> 00:10:05.759
Thomas is waiting, he says, re buttoning his shirt. Let him.
118
00:10:06.159 --> 00:10:09.159
I turn running my fingers down his chest. He always
119
00:10:09.159 --> 00:10:13.279
did hate being the student rather than the master. Another
120
00:10:13.320 --> 00:10:17.919
text illuminates the darkness. Time's up, lovers, or should I
121
00:10:17.919 --> 00:10:22.480
release the Berlin surveillance footage? We take the private elevator
122
00:10:22.519 --> 00:10:26.679
to the third floor. Alex's hand rests on his concealed weapon,
123
00:10:27.080 --> 00:10:30.639
while mine finds the knife strapped to my thigh. Some
124
00:10:30.799 --> 00:10:37.480
habits never fade. The Private collection sits behind unmarked doors. Inside,
125
00:10:37.879 --> 00:10:41.279
Thomas stands at a restoration table, looking exactly as he
126
00:10:41.279 --> 00:10:48.919
did in Berlin. Dangerous, beautiful, broken, The prodigal pupils return.
127
00:10:49.919 --> 00:10:53.360
His smile doesn't reach his eyes. Though I hear you've
128
00:10:53.399 --> 00:10:58.039
graduated to teaching rather than learning. Some lessons stick with you.
129
00:10:58.919 --> 00:11:02.679
I move closer, letting him see what he lost, like
130
00:11:02.720 --> 00:11:08.000
how to spot a fake? Do they? He gestures to
131
00:11:08.039 --> 00:11:11.600
the painting on his table, Then tell me, Olivia, what
132
00:11:11.720 --> 00:11:16.840
do you see? I examine the canvas. My breath catches
133
00:11:17.519 --> 00:11:22.480
it's us that night in Berlin, the heist, the authenticator,
134
00:11:23.000 --> 00:11:28.480
the moment everything changed. You were there. Alex's voice carries
135
00:11:28.519 --> 00:11:34.279
realization the whole time I was everywhere. Thomas runs his
136
00:11:34.360 --> 00:11:39.399
fingers across the canvas, every city, every con every intimate moment,
137
00:11:39.840 --> 00:11:45.480
creating my own masterpiece using Marcus's techniques, I step closer,
138
00:11:46.279 --> 00:11:50.840
or did you teach him? His laugh fills the room. Finally,
139
00:11:51.399 --> 00:11:56.919
the star pupil sees the truth you created, Marcus. The
140
00:11:56.960 --> 00:12:02.840
truth unfolds like a forged masterpiece, the whole operation. I
141
00:12:02.919 --> 00:12:07.480
created everything. Thomas moves behind me, his breath stirring my hair.
142
00:12:08.000 --> 00:12:14.440
The perfect mentor the perfect students, the perfect passion. Alex tenses,
143
00:12:14.919 --> 00:12:18.159
But I hold up a hand. Let Thomas play his game,
144
00:12:19.200 --> 00:12:23.559
Let him think he still has control. Berlin wasn't an accident,
145
00:12:23.720 --> 00:12:30.039
I say, studying the painting the authenticator, her death a
146
00:12:30.120 --> 00:12:35.039
necessary addition to the composition. Thomas's fingers trace my bare shoulder,
147
00:12:36.240 --> 00:12:40.440
like Paris was meant to be. Until you two started improvising,
148
00:12:41.799 --> 00:12:47.519
We ruined your masterpiece. Alex's voice carries steel beneath silk. No.
149
00:12:48.639 --> 00:12:54.320
Thomas steps back, drawing a gun. You became it love, betrayal, redemption,
150
00:12:55.039 --> 00:13:00.360
ten years of perfect dramatic tension, and now turn to
151
00:13:00.360 --> 00:13:04.799
face him fully the grand finale. Now you're going to
152
00:13:04.840 --> 00:13:08.519
help me complete my collection. He gestures to a row
153
00:13:08.559 --> 00:13:13.360
of covered canvases, Every great crime preserved in oils, and passion,
154
00:13:14.000 --> 00:13:20.240
starting with tonight, What's tonight? Alex moves closer, positioning himself.
155
00:13:21.080 --> 00:13:27.519
Thomas's smile widens your last performance. The gun swings toward Alex.
156
00:13:28.039 --> 00:13:32.399
I move without thinking, years of training taking over. My
157
00:13:32.480 --> 00:13:36.159
knife finds Thomas's wrist. As Alex's fist connects with his jaw,
158
00:13:36.799 --> 00:13:42.200
the gun fires, pain blossoms across my shoulder, and somewhere
159
00:13:42.200 --> 00:13:46.559
in the darkness, a camera clicks. Everything happens in heartbeats,
160
00:13:46.840 --> 00:13:50.759
in brushstrokes. Alex catches me before I hit the floor.
161
00:13:51.399 --> 00:13:55.639
Thomas sprawls across his restoration table, blood mixing with oils,
162
00:13:56.159 --> 00:14:01.840
and through the gallery windows. Camera flashes pierce the darkness. Isabella,
163
00:14:02.639 --> 00:14:07.879
I manage through the pain. She's been documenting everything, more
164
00:14:07.919 --> 00:14:13.000
than documenting. Thomas laughs, clutching his wrist where my knife struck.
165
00:14:14.039 --> 00:14:19.399
She's been my finest curator, collecting every moment, every touch,
166
00:14:20.000 --> 00:14:25.519
every secret. The FBI agent Alex's hands press against my
167
00:14:25.600 --> 00:14:32.919
wound was never really FBI, The perfect forger. Thomas stands,
168
00:14:33.159 --> 00:14:41.759
unsteady of identities rather than art. My phone buzzes. A
169
00:14:41.840 --> 00:14:45.600
photo appears Alex and me in the gallery earlier, creating
170
00:14:45.600 --> 00:14:51.039
our own masterpiece. Beneath it a message. The gallery surrounded.
171
00:14:51.679 --> 00:14:56.840
Time to sign your work, Artists. You never wanted the paintings.
172
00:14:57.559 --> 00:15:00.600
The room spins as I fight to stay conscious. You
173
00:15:00.679 --> 00:15:06.960
wanted us our final performance, the ultimate piece. Thomas retrieves
174
00:15:07.000 --> 00:15:12.399
his gun, star crossed lovers dying among priceless art poetry. Really,
175
00:15:13.480 --> 00:15:17.639
but Alex is smiling that same smile from Paris when
176
00:15:17.679 --> 00:15:20.759
he taught me about light and shadow, about seeing what
177
00:15:20.799 --> 00:15:25.720
others miss. You forgot something, he says, pulling me closer.
178
00:15:26.679 --> 00:15:31.679
Did I? We learned from the best. My fingers find
179
00:15:31.720 --> 00:15:35.919
the knife at my thigh how to create the perfect forgery?
180
00:15:37.639 --> 00:15:43.799
Of what of this? The lights explode as real FBI
181
00:15:43.919 --> 00:15:47.399
agents burst through the doors. In the chaos, I see
182
00:15:47.440 --> 00:15:52.080
Isabella's camera flash one last time, capturing the moment Thomas
183
00:15:52.120 --> 00:15:59.240
realizes his masterpiece has become someone else's forgery. Hours later,
184
00:15:59.440 --> 00:16:03.720
in the hospital, Alex's fingers trace patterns around my Bandaed's shoulder.
185
00:16:04.679 --> 00:16:11.279
You knew. His voice carries exhaustion and admiration about Isabella,
186
00:16:12.000 --> 00:16:18.799
about Thomas, I suspected. I shift against the starched sheets,
187
00:16:19.440 --> 00:16:24.240
letting him support my weight. Since the money the brushwork
188
00:16:24.360 --> 00:16:28.679
was his, not Marcus's, and you didn't tell me, because
189
00:16:30.440 --> 00:16:34.840
because you're terrible at faking surprise. I turn my head
190
00:16:34.840 --> 00:16:38.559
to find his mouth, and we needed his ego, his
191
00:16:38.639 --> 00:16:45.360
obsession with documenting everything, evidence, his lips brush mine of
192
00:16:45.440 --> 00:16:50.360
his entire operation. Hm, I let him take more of
193
00:16:50.399 --> 00:16:55.399
my weight. Ten years of surveillance, every crime, every player,
194
00:16:56.399 --> 00:17:02.159
every intimate moment. Those two. My good hand finds his tie,
195
00:17:02.240 --> 00:17:08.960
pulling him closer, though some moments weren't documented. No, his
196
00:17:09.079 --> 00:17:13.480
mouth traces a path down my neck like what like this?
197
00:17:14.920 --> 00:17:18.039
I guide his hand beneath the hospital gown, showing him
198
00:17:18.119 --> 00:17:22.480
exactly what the camera's missed, what they'll always miss, the
199
00:17:22.480 --> 00:17:28.559
real masterpiece we're creating. His phone buzzes the bureau, wanting statements,
200
00:17:29.039 --> 00:17:33.480
needing signatures. Let them wait, he murmurs against my skin.
201
00:17:34.240 --> 00:17:39.039
I'm conducting a thorough investigation of what of how many
202
00:17:39.079 --> 00:17:42.160
ways I can make you come apart without disturbing your shoulder?
203
00:17:43.839 --> 00:17:47.279
Outside the city sparkles like fresh varnish on a masterpiece.
204
00:17:48.119 --> 00:17:54.079
Tomorrow will bring questions, paperwork, explanations, But tonight belongs to us,
205
00:17:55.079 --> 00:17:58.880
to this, to everything. We're finally ready to create together.
206
00:17:59.839 --> 00:18:04.519
No forgeries, no performances, just pure, perfect truth.
207
00:18:18.839 --> 00:18:23.000
Romance Weekly is a production of Calaroga Shark Media executive
208
00:18:23.039 --> 00:18:27.039
producers Mark Francis and John McDermott. Portions of this podcast
209
00:18:27.119 --> 00:18:29.400
may have been created with the assistance of AI
210
00:18:36.559 --> 00:18:37.839
Calaroga Shark Media
1
00:00:03.160 --> 00:00:10.560
2
00:00:11.400 --> 00:00:17.760
3
00:00:23.920 --> 00:00:29.920
4
00:00:30.320 --> 00:00:33.840
5
00:00:33.920 --> 00:00:37.399
6
00:00:37.439 --> 00:00:41.200
7
00:00:41.200 --> 00:00:45.159
8
00:00:45.280 --> 00:00:47.799
9
00:00:47.799 --> 00:00:51.159
10
00:00:52.280 --> 00:00:52.359
11
00:00:53.359 --> 00:00:58.200
12
00:00:58.200 --> 00:01:02.640
13
00:01:02.679 --> 00:01:06.920
14
00:01:08.040 --> 00:01:13.000
15
00:01:14.040 --> 00:01:19.000
16
00:01:19.040 --> 00:01:22.959
17
00:01:23.000 --> 00:01:26.599
18
00:01:27.519 --> 00:01:31.120
19
00:01:31.159 --> 00:01:37.000
20
00:01:37.120 --> 00:01:40.680
21
00:01:40.760 --> 00:01:43.840
22
00:01:44.760 --> 00:01:47.640
23
00:01:47.719 --> 00:01:52.359
24
00:01:53.000 --> 00:01:55.959
25
00:01:56.079 --> 00:02:02.519
26
00:02:02.560 --> 00:02:06.200
27
00:02:06.239 --> 00:02:09.840
28
00:02:09.879 --> 00:02:14.159
29
00:02:14.199 --> 00:02:20.199
30
00:02:20.240 --> 00:02:24.479
31
00:02:25.960 --> 00:02:30.240
32
00:02:30.280 --> 00:02:35.879
33
00:02:35.919 --> 00:02:41.280
34
00:02:41.280 --> 00:02:44.400
35
00:02:45.120 --> 00:02:47.759
36
00:02:47.759 --> 00:02:52.560
37
00:02:52.560 --> 00:02:57.800
38
00:02:57.840 --> 00:03:02.960
39
00:03:03.080 --> 00:03:06.680
40
00:03:07.680 --> 00:03:12.159
41
00:03:13.680 --> 00:03:17.479
42
00:03:17.960 --> 00:03:23.080
43
00:03:23.080 --> 00:03:27.919
44
00:03:27.960 --> 00:03:36.560
45
00:03:36.639 --> 00:03:41.479
46
00:03:42.759 --> 00:03:47.719
47
00:03:48.000 --> 00:03:53.280
48
00:03:53.360 --> 00:03:56.360
49
00:03:56.400 --> 00:04:02.240
50
00:04:02.319 --> 00:04:08.240
51
00:04:08.360 --> 00:04:14.360
52
00:04:14.360 --> 00:04:16.759
53
00:04:16.800 --> 00:04:24.399
54
00:04:24.439 --> 00:04:28.959
55
00:04:28.959 --> 00:04:35.000
56
00:04:35.040 --> 00:04:39.399
57
00:04:40.720 --> 00:04:45.839
58
00:04:45.879 --> 00:04:49.480
59
00:04:49.480 --> 00:04:54.519
60
00:04:54.519 --> 00:05:00.959
61
00:05:01.839 --> 00:05:08.519
62
00:05:09.560 --> 00:05:13.399
63
00:05:13.439 --> 00:05:18.279
64
00:05:18.360 --> 00:05:21.319
65
00:05:21.360 --> 00:05:29.199
66
00:05:29.199 --> 00:05:34.480
67
00:05:35.959 --> 00:05:43.399
68
00:05:44.480 --> 00:05:47.120
69
00:05:48.120 --> 00:05:52.680
70
00:05:52.680 --> 00:05:57.240
71
00:05:57.240 --> 00:06:02.360
72
00:06:03.240 --> 00:06:08.360
73
00:06:09.319 --> 00:06:15.199
74
00:06:15.279 --> 00:06:20.560
75
00:06:22.199 --> 00:06:25.399
76
00:06:25.439 --> 00:06:29.759
77
00:06:31.000 --> 00:06:35.160
78
00:06:35.279 --> 00:06:39.879
79
00:06:39.959 --> 00:06:44.759
80
00:06:45.839 --> 00:06:50.240
81
00:06:50.279 --> 00:06:54.959
82
00:06:55.040 --> 00:06:58.920
83
00:06:58.959 --> 00:07:07.040
84
00:07:07.079 --> 00:07:09.920
85
00:07:09.920 --> 00:07:13.720
86
00:07:13.759 --> 00:07:20.079
87
00:07:20.160 --> 00:07:22.759
88
00:07:22.800 --> 00:07:30.439
89
00:07:31.360 --> 00:07:35.959
90
00:07:36.040 --> 00:07:40.199
91
00:07:40.240 --> 00:07:44.560
92
00:07:44.600 --> 00:07:49.360
93
00:07:49.879 --> 00:07:57.120
94
00:07:57.399 --> 00:08:02.120
95
00:08:02.160 --> 00:08:06.199
96
00:08:06.279 --> 00:08:09.879
97
00:08:09.959 --> 00:08:14.399
98
00:08:14.439 --> 00:08:19.920
99
00:08:19.959 --> 00:08:24.160
100
00:08:26.040 --> 00:08:26.399
101
00:08:27.480 --> 00:08:31.240
102
00:08:31.279 --> 00:08:37.559
103
00:08:37.559 --> 00:08:41.320
104
00:08:41.360 --> 00:08:46.360
105
00:08:46.519 --> 00:08:52.440
106
00:08:53.960 --> 00:08:57.159
107
00:08:58.679 --> 00:09:02.200
108
00:09:02.279 --> 00:09:06.840
109
00:09:06.879 --> 00:09:10.879
110
00:09:11.159 --> 00:09:14.879
111
00:09:16.559 --> 00:09:20.000
112
00:09:20.039 --> 00:09:24.960
113
00:09:25.200 --> 00:09:29.480
114
00:09:29.600 --> 00:09:50.200
115
00:09:50.679 --> 00:09:54.399
116
00:09:54.440 --> 00:09:59.879
117
00:10:01.759 --> 00:10:05.759
118
00:10:06.159 --> 00:10:09.159
119
00:10:09.159 --> 00:10:13.279
120
00:10:13.320 --> 00:10:17.919
121
00:10:17.919 --> 00:10:22.480
122
00:10:22.519 --> 00:10:26.679
123
00:10:27.080 --> 00:10:30.639
124
00:10:30.799 --> 00:10:37.480
125
00:10:37.879 --> 00:10:41.279
126
00:10:41.279 --> 00:10:48.919
127
00:10:49.919 --> 00:10:53.360
128
00:10:53.399 --> 00:10:58.039
129
00:10:58.919 --> 00:11:02.679
130
00:11:02.720 --> 00:11:08.000
131
00:11:08.039 --> 00:11:11.600
132
00:11:11.720 --> 00:11:16.840
133
00:11:17.519 --> 00:11:22.480
134
00:11:23.000 --> 00:11:28.480
135
00:11:28.519 --> 00:11:34.279
136
00:11:34.360 --> 00:11:39.399
137
00:11:39.840 --> 00:11:45.480
138
00:11:46.279 --> 00:11:50.840
139
00:11:51.399 --> 00:11:56.919
140
00:11:56.960 --> 00:12:02.840
141
00:12:02.919 --> 00:12:07.480
142
00:12:08.000 --> 00:12:14.440
143
00:12:14.919 --> 00:12:18.159
144
00:12:19.200 --> 00:12:23.559
145
00:12:23.720 --> 00:12:30.039
146
00:12:30.120 --> 00:12:35.039
147
00:12:36.240 --> 00:12:40.440
148
00:12:41.799 --> 00:12:47.519
149
00:12:48.639 --> 00:12:54.320
150
00:12:55.039 --> 00:13:00.360
151
00:13:00.360 --> 00:13:04.799
152
00:13:04.840 --> 00:13:08.519
153
00:13:08.559 --> 00:13:13.360
154
00:13:14.000 --> 00:13:20.240
155
00:13:21.080 --> 00:13:27.519
156
00:13:28.039 --> 00:13:32.399
157
00:13:32.480 --> 00:13:36.159
158
00:13:36.799 --> 00:13:42.200
159
00:13:42.200 --> 00:13:46.559
160
00:13:46.840 --> 00:13:50.759
161
00:13:51.399 --> 00:13:55.639
162
00:13:56.159 --> 00:14:01.840
163
00:14:02.639 --> 00:14:07.879
164
00:14:07.919 --> 00:14:13.000
165
00:14:14.039 --> 00:14:19.399
166
00:14:20.000 --> 00:14:25.519
167
00:14:25.600 --> 00:14:32.919
168
00:14:33.159 --> 00:14:41.759
169
00:14:41.840 --> 00:14:45.600
170
00:14:45.600 --> 00:14:51.039
171
00:14:51.679 --> 00:14:56.840
172
00:14:57.559 --> 00:15:00.600
173
00:15:00.679 --> 00:15:06.960
174
00:15:07.000 --> 00:15:12.399
175
00:15:13.480 --> 00:15:17.639
176
00:15:17.679 --> 00:15:20.759
177
00:15:20.799 --> 00:15:25.720
178
00:15:26.679 --> 00:15:31.679
179
00:15:31.720 --> 00:15:35.919
180
00:15:37.639 --> 00:15:43.799
181
00:15:43.919 --> 00:15:47.399
182
00:15:47.440 --> 00:15:52.080
183
00:15:52.120 --> 00:15:59.240
184
00:15:59.440 --> 00:16:03.720
185
00:16:04.679 --> 00:16:11.279
186
00:16:12.000 --> 00:16:18.799
187
00:16:19.440 --> 00:16:24.240
188
00:16:24.360 --> 00:16:28.679
189
00:16:30.440 --> 00:16:34.840
190
00:16:34.840 --> 00:16:38.559
191
00:16:38.639 --> 00:16:45.360
192
00:16:45.440 --> 00:16:50.360
193
00:16:50.399 --> 00:16:55.399
194
00:16:56.399 --> 00:17:02.159
195
00:17:02.240 --> 00:17:08.960
196
00:17:09.079 --> 00:17:13.480
197
00:17:14.920 --> 00:17:18.039
198
00:17:18.119 --> 00:17:22.480
199
00:17:22.480 --> 00:17:28.559
200
00:17:29.039 --> 00:17:33.480
201
00:17:34.240 --> 00:17:39.039
202
00:17:39.079 --> 00:17:42.160
203
00:17:43.839 --> 00:17:47.279
204
00:17:48.119 --> 00:17:54.079
205
00:17:55.079 --> 00:17:58.880
206
00:17:59.839 --> 00:18:04.519
207
00:18:18.839 --> 00:18:23.000
208
00:18:23.039 --> 00:18:27.039
209
00:18:27.119 --> 00:18:29.400
210
00:18:36.559 --> 00:18:37.839
