March 8, 2025
Perfect Forgery (Ep 2 of 4) - "The Master's Touch"
During an intimate examination of a suspicious Degas, Olivia and Alex's professional facade crumbles as more of their shared past comes to light. Their passionate encounters in the gallery's private spaces reveal a deeper conspiracy involving their...
During an intimate examination of a suspicious Degas, Olivia and Alex's professional facade crumbles as more of their shared past comes to light. Their passionate encounters in the gallery's private spaces reveal a deeper conspiracy involving their former mentor Marcus and gallery owner Isabella Thorne. When evidence suggests they're being watched, Olivia and Alex must work together to uncover who's really orchestrating their reunion. The episode culminates in a dangerous sting operation where personal and professional boundaries blur completely.
Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!
Subscribe now for exclusive shows like 'Palace Intrigue,' and get bonus content from Deep Crown (our exclusive Palace Insider!) Or get 'Daily Comedy News,' and '5 Good News Stories’ with no commercials! Plans start at $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show!
We now have Merch! FREE SHIPPING! Check out all the products like T-shirts, mugs, bags, jackets and more with logos and slogans from your favorite shows! Did we mention there’s free shipping? Get 10% off with code NewMerch10 Go to Caloroga.com
Get more info from Caloroga Shark Media and if you have any comments, suggestions, or just want to get in touch our email is info@caloroga.com
WEBVTT
1
00:00:03.160 --> 00:00:08.279
Caloroga Shark Media.
2
00:00:08.839 --> 00:00:13.439
Hello and Welcome to Romance Weekly. This episode is titled
3
00:00:13.720 --> 00:00:17.600
The Forgery, Part two. The Master's Touch.
4
00:00:24.480 --> 00:00:28.800
Every brushstroke tells a story, the pressure of the artist's hand,
5
00:00:29.600 --> 00:00:34.799
the hesitation, the surrender to passion. Right now, in the
6
00:00:34.799 --> 00:00:39.119
private restoration room of the Thorn Gallery, Alex's hands are
7
00:00:39.159 --> 00:00:42.280
telling a story I haven't heard in ten years. The
8
00:00:42.399 --> 00:00:46.200
light has to fall just so, he murmurs. Standing behind
9
00:00:46.240 --> 00:00:49.759
me as we examine the dagga. His chest brushes my
10
00:00:49.840 --> 00:00:54.640
back with each breath, his hands ghosting over mine. As
11
00:00:54.640 --> 00:00:58.840
I hold the ultraviolet light. See how the pigments react.
12
00:01:00.000 --> 00:01:02.960
But I'm reacting more than the paint. Every point of
13
00:01:03.000 --> 00:01:07.040
contact sends electricity through my skin. The heat of his body,
14
00:01:07.439 --> 00:01:10.280
the brush of his fingers, the way his breath stirs
15
00:01:10.319 --> 00:01:13.400
the hair at my nape. It's Paris all over again.
16
00:01:14.920 --> 00:01:20.359
Show me, I say, letting myself lean back slightly, professional necessary,
17
00:01:20.840 --> 00:01:25.159
a student learning from a master. His hands slide down
18
00:01:25.159 --> 00:01:29.280
my arms, adjusting my grip on the light. Here his
19
00:01:29.400 --> 00:01:32.159
mouth is at my ear now where the dancer's dress
20
00:01:32.200 --> 00:01:39.079
meets shadow. The technique is familiar. The double meaning hangs
21
00:01:39.120 --> 00:01:44.799
between us like expensive perfume. Another forgery, another trap, another
22
00:01:44.879 --> 00:01:47.239
excuse for his hands to map my body under the
23
00:01:47.280 --> 00:01:53.640
guise of investigation. Familiar. How I turn my head slightly,
24
00:01:54.239 --> 00:01:59.840
letting my lips brush his jaw like Paris, familiar, like you,
25
00:02:00.040 --> 00:02:04.519
your work, familiar. His fingers trace patterns on my silk sleeve.
26
00:02:05.760 --> 00:02:08.599
No one else blends light and shadow quite like you, Olivia.
27
00:02:09.919 --> 00:02:12.639
His words send a shiver down my spine that has
28
00:02:12.680 --> 00:02:16.639
nothing to do with the galley's climate control. My body
29
00:02:16.680 --> 00:02:21.240
remembers this, the careful dance of professional and personal, The
30
00:02:21.280 --> 00:02:24.240
way his touch could shift from instructive to intimate in
31
00:02:24.280 --> 00:02:28.840
a heartbeat. No one else had your teaching methods, I murmur,
32
00:02:29.599 --> 00:02:32.800
arching back as his hand slide to my waist. The
33
00:02:32.879 --> 00:02:35.159
thin silk of my blouse does nothing to dull the
34
00:02:35.199 --> 00:02:38.840
heat of his fingers. Is that what you call it?
35
00:02:39.759 --> 00:02:42.400
His mouth finds that spot below my ear that makes
36
00:02:42.439 --> 00:02:48.120
my knees weak. Teaching. The memory floods back, hot as
37
00:02:48.159 --> 00:02:56.240
oil paint in summer Paris ten years ago. The secret,
38
00:02:56.680 --> 00:03:00.800
he'd whispered, guiding my hands on the canvas is to
39
00:03:00.879 --> 00:03:05.840
let your body feel the movement, like dance, like desire.
40
00:03:07.520 --> 00:03:10.560
I'd been aware of everything. The heat of his chest
41
00:03:10.599 --> 00:03:14.319
against my back, the way his fingers interlaced with mine
42
00:03:14.360 --> 00:03:18.159
on the brush, The subtle cologne that mixed with turpentine
43
00:03:18.199 --> 00:03:23.520
and passion. Like this, I'd turned my head, letting my
44
00:03:23.560 --> 00:03:27.439
lips graze his throat, the brush forgotten as his hands
45
00:03:27.479 --> 00:03:33.319
found my hips perfect, his voice had roughened. Now show
46
00:03:33.360 --> 00:03:37.840
me what else you've learned. What followed was our first masterpiece.
47
00:03:38.479 --> 00:03:41.599
Not the painting, but the way he'd laid me back
48
00:03:41.639 --> 00:03:45.599
on that paint splattered drop cloth, The way his hands
49
00:03:45.599 --> 00:03:49.120
had mapped every inch of my skin, learning my body
50
00:03:49.199 --> 00:03:52.680
like he'd learned the masters. The way I'd arched into
51
00:03:52.759 --> 00:04:04.080
every touch, every kiss, every moment of exquisite torture. Present day,
52
00:04:05.319 --> 00:04:09.120
you're thinking about Paris. His voice pulls me back, his
53
00:04:09.280 --> 00:04:13.199
hands sliding higher under my blouse, about that first night
54
00:04:13.240 --> 00:04:17.360
in the studio. You can't know that, but my body
55
00:04:17.360 --> 00:04:21.439
betrays me, pressing back against him. I know how you
56
00:04:21.560 --> 00:04:25.439
feel when you remember his teeth graze my ear lobe,
57
00:04:26.199 --> 00:04:30.959
how your breath catches, how your pulse races, how your
58
00:04:30.959 --> 00:04:37.600
skin flushes. Just hear his fingers trace the blush spreading
59
00:04:37.600 --> 00:04:43.839
across my chest, dipping beneath black lace. Alex warning or invitation.
60
00:04:44.120 --> 00:04:49.399
I'm not sure. Show me what else you remember? He
61
00:04:49.480 --> 00:04:52.759
turns me to face him, lifting me onto the restoration table.
62
00:04:53.800 --> 00:04:58.560
Show me what else I taught you. His kiss tastes
63
00:04:58.680 --> 00:05:02.360
like memory and danger. My legs wrap around his waist
64
00:05:02.600 --> 00:05:05.160
as his hands make quick work of my blouse buttons.
65
00:05:06.120 --> 00:05:09.839
Each touch awakens nerve, endings I thought I'd forgotten, like
66
00:05:09.920 --> 00:05:14.000
paint bringing a canvas to life. Tell me about the dagga,
67
00:05:14.360 --> 00:05:19.439
he demands between kisses, which one? I gasp as his
68
00:05:19.519 --> 00:05:23.120
mouth finds my collarbone, the fake on the wall or
69
00:05:23.160 --> 00:05:26.600
the real one hidden in the vault. His hands still
70
00:05:26.600 --> 00:05:30.560
on my skin, You know where it is. I know.
71
00:05:32.279 --> 00:05:34.519
I lose my train of thought as his fingers trace
72
00:05:34.560 --> 00:05:38.199
the edge of my bra I know the technique, the artist,
73
00:05:38.560 --> 00:05:46.120
the oh God. Tell me. His touch grows, demanding professional fingers,
74
00:05:46.480 --> 00:05:49.600
knowing exactly how to make me talk, how to make
75
00:05:49.639 --> 00:05:55.439
me arch, how to make me surrender private collector. My
76
00:05:55.560 --> 00:05:59.360
nails dig into his shoulders as pleasure builds. Waiting to
77
00:05:59.399 --> 00:06:03.279
make the switch. During tonight's showing, give me a Name,
78
00:06:04.360 --> 00:06:09.839
He unzips my skirt, hands sliding higher, make me. What
79
00:06:09.920 --> 00:06:14.399
follows is pure artistry. His mouth painting desire across my skin,
80
00:06:14.920 --> 00:06:18.560
my body his willing canvas. He takes me apart, stroke
81
00:06:18.639 --> 00:06:22.199
by stroke, touch by touch, until I'm gasping His name
82
00:06:22.279 --> 00:06:27.079
like a prayer, The name Olivia, his voice rough against
83
00:06:27.079 --> 00:06:30.439
my throat as he moves inside me. Give me the
84
00:06:30.560 --> 00:06:40.000
name Isabella. Truth spills like expensive wine. Isabella Thorn. She
85
00:06:40.040 --> 00:06:46.839
commissioned both forgeries Paris, and now his rhythm falters. She's
86
00:06:46.879 --> 00:06:51.439
behind all of this, not alone. I pull him deeper,
87
00:06:51.639 --> 00:06:56.759
needing more. She's working with the restoration room. Door clicks,
88
00:06:57.360 --> 00:07:01.600
footsteps in the gallery beyond. Don't stop. I breathe against
89
00:07:01.680 --> 00:07:05.759
his mouth, even as the footsteps grow closer. The danger
90
00:07:05.839 --> 00:07:10.079
only heightens every sensation, his hands on my skin, his
91
00:07:10.199 --> 00:07:13.720
body moving with mine, the way pleasure builds like paint
92
00:07:13.800 --> 00:07:19.560
layers toward a masterpiece. They'll hear us, but his thrust deepens,
93
00:07:20.120 --> 00:07:24.600
his control slipping. Let them. I bite his shoulder to
94
00:07:24.680 --> 00:07:27.720
keep from crying out. Let them see what a real
95
00:07:27.800 --> 00:07:32.839
masterpiece looks like. He takes me harder then, one hand
96
00:07:32.879 --> 00:07:36.000
covering my mouth as I come apart beneath him. My
97
00:07:36.040 --> 00:07:39.279
body arches like a dancer in a daga, every nerve
98
00:07:39.399 --> 00:07:51.279
ending on fire, every touch electric. The footsteps pause outside
99
00:07:51.279 --> 00:07:56.839
our door. A shadow crosses the frosted glass Isabella. A
100
00:07:56.879 --> 00:08:01.759
man's voice one I recognize the switch happens at midnight,
101
00:08:02.079 --> 00:08:06.480
make sure they're both there. Alex's body tenses against mine,
102
00:08:06.959 --> 00:08:13.439
inside mine, we both recognize that voice. Marcus Blackwood, the
103
00:08:13.480 --> 00:08:17.199
collector who'd introduced us in Paris, who first suggested I
104
00:08:17.279 --> 00:08:20.959
learn the art of forgery, who disappeared the night everything
105
00:08:21.000 --> 00:08:26.160
fell apart. The shadow moves away in the aftermath of
106
00:08:26.160 --> 00:08:31.199
pleasure and revelation. Alex's hands cut my face. You knew
107
00:08:31.199 --> 00:08:37.279
he was involved, suspected. I kiss him, tasting truth and
108
00:08:37.399 --> 00:08:43.480
danger since I saw the money, his style, his preferred artists,
109
00:08:44.559 --> 00:08:48.799
his obsession with you, his fingers tightened possessively on my
110
00:08:48.919 --> 00:08:53.759
hips with us. I meet his eyes with what we
111
00:08:53.840 --> 00:09:00.759
created together, the paintings, the perfect partnership. I slide off
112
00:09:00.799 --> 00:09:06.159
the table, letting my body drag against his art and authenticity,
113
00:09:06.759 --> 00:09:14.080
creation and security, light and shadow. Midnight. I smooth my
114
00:09:14.120 --> 00:09:18.360
skirt as Alex rebuttons his shirt. His eyes follow my
115
00:09:18.440 --> 00:09:23.080
movements in the restoration room's mirrors. That gives us six hours,
116
00:09:24.399 --> 00:09:27.120
six hours to figure out where they're keeping the real dagga.
117
00:09:28.360 --> 00:09:31.320
His hands find my waist from behind, helping with my
118
00:09:31.360 --> 00:09:36.200
blouse buttons. And why Marcus is really here? I know
119
00:09:36.240 --> 00:09:40.279
where the painting is. I lean back against his chest,
120
00:09:40.600 --> 00:09:44.279
watching our reflection, the same place he kept the real
121
00:09:44.360 --> 00:09:50.519
money in Paris, his private vault at the hotel. No.
122
00:09:51.840 --> 00:09:55.679
I turn in his arms in the gallery behind the renoir,
123
00:09:55.840 --> 00:10:00.399
in his private viewing room. His fingers trace my colar bone,
124
00:10:00.919 --> 00:10:07.679
straightening my pearls. Professional intimate. You're sure I designed the
125
00:10:07.759 --> 00:10:11.000
hiding spot. I let my hands slide up his chest.
126
00:10:12.120 --> 00:10:15.919
Back when he was teaching us both about alternative art acquisition.
127
00:10:17.240 --> 00:10:19.080
You mean, when he was grooming us to be his
128
00:10:19.200 --> 00:10:25.679
perfect forgers, his perfect team. I correct him, remembering you
129
00:10:25.759 --> 00:10:29.639
with your security expertise, me with my eye for detail,
130
00:10:30.240 --> 00:10:35.799
both of us young, talented, hungry, beautiful. His mouth finds
131
00:10:35.840 --> 00:10:39.679
my throat, the way you looked in that Paris studio
132
00:10:40.360 --> 00:10:44.159
covered in paint and moonlight, The way you looked teaching
133
00:10:44.200 --> 00:10:47.879
me about light and shadow. My fingers find his tie,
134
00:10:47.919 --> 00:10:53.200
straightening it. We were his masterpiece until we fell in love.
135
00:10:55.840 --> 00:11:00.519
The words hang between us, dangerous as wet paint, His
136
00:11:00.639 --> 00:11:04.600
hands still on my skin. That wasn't part of his plan.
137
00:11:05.399 --> 00:11:08.639
I whisper against his mouth. We were supposed to be
138
00:11:08.679 --> 00:11:15.480
his instruments, not each other's muses, his instruments. Alex's laugh
139
00:11:15.559 --> 00:11:20.840
is dark against my skin, his perfect forgery team, until
140
00:11:20.879 --> 00:11:26.039
we started creating something he couldn't control, our own masterpieces.
141
00:11:27.200 --> 00:11:30.720
I arch as his hands slide lower, our own passion.
142
00:11:32.159 --> 00:11:35.519
Is that why you ran his fingers find bare skin
143
00:11:35.639 --> 00:11:40.720
under silk that last morning in Paris? I ran because
144
00:11:40.720 --> 00:11:45.399
he threatened you. The truth spills out between kisses, said
145
00:11:45.399 --> 00:11:49.000
he'd expose your role in the forgeries, destroy your career
146
00:11:50.600 --> 00:11:55.919
unless you disappeared. His grip tightens with the money, with
147
00:11:56.039 --> 00:11:59.159
the evidence of what we'd done. I pull back enough
148
00:11:59.200 --> 00:12:03.360
to meet his eyes what he'd made us do, And
149
00:12:03.440 --> 00:12:08.840
now now he's putting his masterpiece back together. I press closer,
150
00:12:08.919 --> 00:12:14.320
feeling him respond instantly, using Isabella, using the gallery, using us.
151
00:12:15.519 --> 00:12:19.360
The question is why his mouth traces fire down my throat?
152
00:12:20.240 --> 00:12:29.919
Why now before I can answer my phone buzzes a
153
00:12:30.000 --> 00:12:35.000
text from Isabella private viewing of the Dagga midnight Wear,
154
00:12:35.039 --> 00:12:39.159
the red dress from Paris. You remember the one, don't you, Olivia,
155
00:12:39.840 --> 00:12:42.399
The one with the paint stains that never quite came out.
156
00:12:44.080 --> 00:12:49.480
Attached is a photo Paris that last night, Me in
157
00:12:49.519 --> 00:12:53.639
the red dress, stretched on the chaise lounge, Alex teaching
158
00:12:53.679 --> 00:12:57.320
me about light and form, both of us unaware we
159
00:12:57.320 --> 00:13:04.679
were being watched. They documented everything. Alex's voice roughens every lesson,
160
00:13:05.320 --> 00:13:09.720
every touch, every moment we thought was just ours, and
161
00:13:09.759 --> 00:13:13.440
now they're recreating it. I show him the next text.
162
00:13:13.879 --> 00:13:19.120
Time to complete the masterpiece, both of you. Tonight or
163
00:13:19.159 --> 00:13:22.960
every gallery in Europe learns exactly how you perfected your techniques.
164
00:13:25.200 --> 00:13:31.240
Let them expose us. His hands frame my face, Let
165
00:13:31.279 --> 00:13:38.639
them try. No, I kiss him deep and sure, let's
166
00:13:38.639 --> 00:13:44.200
give them what they want, one last performance, the students
167
00:13:44.240 --> 00:13:49.759
becoming the masters. My smile is sharp against his mouth exactly.
168
00:13:50.519 --> 00:13:57.399
But first, first, I push him back against the restoration table. First,
169
00:13:57.879 --> 00:14:02.080
let's practice our technique. His laugh turns to a groan
170
00:14:02.440 --> 00:14:07.080
as my hands find his belt. After all, every masterpiece
171
00:14:07.120 --> 00:14:12.720
needs proper preparation, and this time we're creating something entirely new.
172
00:14:14.039 --> 00:14:16.399
My hands make quick work of his belt as his
173
00:14:16.480 --> 00:14:21.360
fingers tangle in my hair. This time is different, slower,
174
00:14:21.759 --> 00:14:26.000
more deliberate, like adding layers to a painting, Each touch
175
00:14:26.120 --> 00:14:30.240
building on the last, tell me the plan he demands,
176
00:14:30.279 --> 00:14:34.440
as I sink to my knees. Isabella opens the private
177
00:14:34.519 --> 00:14:37.679
viewing room at eleven. I look up at him through
178
00:14:37.679 --> 00:14:42.399
my lashes, fingers working his zipper. Marcus arrives at eleven thirty,
179
00:14:43.759 --> 00:14:48.679
and his breath catches as my mouth find skin, and
180
00:14:48.759 --> 00:14:52.039
they'll expect us to play our parts. I trace my
181
00:14:52.120 --> 00:14:58.120
tongue along sensitive flesh, the students, the lovers, the perfect forgers,
182
00:14:59.279 --> 00:15:04.240
like Paris. His hands tighten in my hair better than Paris.
183
00:15:05.600 --> 00:15:09.600
I take him deeper, feeling his control slip. This time,
184
00:15:09.639 --> 00:15:13.519
we know we're being watched, my mouth and hands creating
185
00:15:13.559 --> 00:15:18.080
pleasure like brushstrokes on canvas. His body responds to every touch,
186
00:15:18.320 --> 00:15:23.919
every tease, every moment of exquisite torture. The dress he
187
00:15:24.039 --> 00:15:30.120
manages between ragged breaths, the red one. Hmm. I pull
188
00:15:30.200 --> 00:15:34.919
back just enough to speak, what about it? Wear it tonight?
189
00:15:36.240 --> 00:15:43.440
His voice is strained as I resume my attention. But underneath, yes, underneath,
190
00:15:43.679 --> 00:15:47.879
wear what you wore in Paris. He pulls me up, suddenly,
191
00:15:48.440 --> 00:15:53.240
spinning us so I'm pressed against the table nothing. His
192
00:15:53.360 --> 00:15:56.279
kiss tastes like desire and danger as his hands push
193
00:15:56.360 --> 00:15:59.639
up my skirt. Your turn to tell me the rest
194
00:15:59.639 --> 00:16:04.679
of the place, the rest of the plan. I gasp
195
00:16:05.039 --> 00:16:08.919
as his fingers trace the edge of my stockings or
196
00:16:08.960 --> 00:16:13.399
the rest of me both. His mouth follows the path
197
00:16:13.440 --> 00:16:17.240
of his hands, making my head fall back. Tell me
198
00:16:17.240 --> 00:16:22.639
what happens at midnight? Marcus will I lose my train
199
00:16:22.720 --> 00:16:26.559
of thought as his tongue finds sensitive flesh. Marcus will
200
00:16:26.639 --> 00:16:32.720
open the vault behind the renoirs, and then his fingers
201
00:16:32.759 --> 00:16:37.600
slide higher as his mouth works magic. Then we my
202
00:16:37.720 --> 00:16:41.320
hands grip the table edge as pleasure builds. We play
203
00:16:41.320 --> 00:16:45.399
our parts. Let them think they're controlling us. Let them think,
204
00:16:45.919 --> 00:16:51.879
oh God, think what. He increases his pace, demanding answers
205
00:16:51.919 --> 00:16:56.679
with each stroke of his tongue. Think they've won. The
206
00:16:56.720 --> 00:17:01.120
words tumble out between moans. Think we're still their perfect creation,
207
00:17:02.000 --> 00:17:09.480
their masterpiece of manipulation. Until until we My body arches
208
00:17:09.519 --> 00:17:12.680
as I get close, until we show them what real
209
00:17:12.799 --> 00:17:16.519
artists can do. He takes me over the edge with
210
00:17:16.599 --> 00:17:20.960
expert precision, my cry of pleasure echoing in the small room.
211
00:17:21.480 --> 00:17:25.240
Before I can recover, he's standing, lifting me onto the table.
212
00:17:26.440 --> 00:17:30.359
Show me now, he enters me in one smooth stroke,
213
00:17:31.440 --> 00:17:35.799
Show me what real artists do. What follows is our
214
00:17:35.799 --> 00:17:40.160
finest work yet, bodies moving together like brush on canvas,
215
00:17:40.319 --> 00:17:44.960
creating something beautiful and dangerous and real. Each thrust draws
216
00:17:45.000 --> 00:17:48.240
out more of the plan, more of the truth, more
217
00:17:48.279 --> 00:17:54.200
of us, the FBI team, he demands. Driving deeper in
218
00:17:54.240 --> 00:17:59.640
position at eleven, I match his rhythm, waiting for my signal,
219
00:18:00.599 --> 00:18:06.799
which is me removing my mask. I clench around him
220
00:18:06.839 --> 00:18:13.039
at exactly midnight and me you'll know. I pull him
221
00:18:13.039 --> 00:18:16.839
down for a kiss that tastes like victory. Trust me.
222
00:18:18.680 --> 00:18:22.319
His laugh vibrates through both our bodies, like I trusted
223
00:18:22.319 --> 00:18:27.680
you in Paris. Better. I flip us, suddenly taking control
224
00:18:28.359 --> 00:18:32.000
this time. I'm not leaving without you. We come apart
225
00:18:32.039 --> 00:18:36.759
together like paint and canvas, surrendering to flame. His hands
226
00:18:36.759 --> 00:18:39.039
grip my hips hard enough to leave marks as my
227
00:18:39.079 --> 00:18:57.319
body arches, pleasure crashing through me in waves. After still
228
00:18:57.359 --> 00:19:01.279
tangle together on the restoration table, reality begins to seep
229
00:19:01.359 --> 00:19:05.640
back in. You never told me, he says, tracing patterns
230
00:19:05.680 --> 00:19:08.599
on my bare back. What really happened that last morning
231
00:19:08.640 --> 00:19:13.200
in Paris? You mean, after Marcus showed me the photos.
232
00:19:14.079 --> 00:19:19.160
I pressed closer, kneading his heat, after he explained exactly
233
00:19:19.200 --> 00:19:23.359
how he'd destroy you if I didn't disappear. After you
234
00:19:23.440 --> 00:19:27.519
left me sleeping in that paint splattered studio, I went
235
00:19:27.559 --> 00:19:31.240
to his hotel first. I kissed the scar on his chest,
236
00:19:31.640 --> 00:19:35.279
the one from a gallery robbery gone wrong two years ago,
237
00:19:35.559 --> 00:19:39.839
planted evidence linking him to three major forgery rings, the
238
00:19:39.880 --> 00:19:43.720
same evidence that forced him underground, the same evidence he
239
00:19:43.759 --> 00:19:46.960
thinks I still have. I prop myself up to look
240
00:19:47.000 --> 00:19:51.960
at him, the real reason for tonight's little performance. His
241
00:19:52.079 --> 00:19:56.880
hands slide into my hair, and do you have it better?
242
00:19:58.039 --> 00:20:01.319
I smile against his mouth. I have proof he's been
1
00:00:03.160 --> 00:00:08.279
2
00:00:08.839 --> 00:00:13.439
3
00:00:13.720 --> 00:00:17.600
4
00:00:24.480 --> 00:00:28.800
5
00:00:29.600 --> 00:00:34.799
6
00:00:34.799 --> 00:00:39.119
7
00:00:39.159 --> 00:00:42.280
8
00:00:42.399 --> 00:00:46.200
9
00:00:46.240 --> 00:00:49.759
10
00:00:49.840 --> 00:00:54.640
11
00:00:54.640 --> 00:00:58.840
12
00:01:00.000 --> 00:01:02.960
13
00:01:03.000 --> 00:01:07.040
14
00:01:07.439 --> 00:01:10.280
15
00:01:10.319 --> 00:01:13.400
16
00:01:14.920 --> 00:01:20.359
17
00:01:20.840 --> 00:01:25.159
18
00:01:25.159 --> 00:01:29.280
19
00:01:29.400 --> 00:01:32.159
20
00:01:32.200 --> 00:01:39.079
21
00:01:39.120 --> 00:01:44.799
22
00:01:44.879 --> 00:01:47.239
23
00:01:47.280 --> 00:01:53.640
24
00:01:54.239 --> 00:01:59.840
25
00:02:00.040 --> 00:02:04.519
26
00:02:05.760 --> 00:02:08.599
27
00:02:09.919 --> 00:02:12.639
28
00:02:12.680 --> 00:02:16.639
29
00:02:16.680 --> 00:02:21.240
30
00:02:21.280 --> 00:02:24.240
31
00:02:24.280 --> 00:02:28.840
32
00:02:29.599 --> 00:02:32.800
33
00:02:32.879 --> 00:02:35.159
34
00:02:35.199 --> 00:02:38.840
35
00:02:39.759 --> 00:02:42.400
36
00:02:42.439 --> 00:02:48.120
37
00:02:48.159 --> 00:02:56.240
38
00:02:56.680 --> 00:03:00.800
39
00:03:00.879 --> 00:03:05.840
40
00:03:07.520 --> 00:03:10.560
41
00:03:10.599 --> 00:03:14.319
42
00:03:14.360 --> 00:03:18.159
43
00:03:18.199 --> 00:03:23.520
44
00:03:23.560 --> 00:03:27.439
45
00:03:27.479 --> 00:03:33.319
46
00:03:33.360 --> 00:03:37.840
47
00:03:38.479 --> 00:03:41.599
48
00:03:41.639 --> 00:03:45.599
49
00:03:45.599 --> 00:03:49.120
50
00:03:49.199 --> 00:03:52.680
51
00:03:52.759 --> 00:04:04.080
52
00:04:05.319 --> 00:04:09.120
53
00:04:09.280 --> 00:04:13.199
54
00:04:13.240 --> 00:04:17.360
55
00:04:17.360 --> 00:04:21.439
56
00:04:21.560 --> 00:04:25.439
57
00:04:26.199 --> 00:04:30.959
58
00:04:30.959 --> 00:04:37.600
59
00:04:37.600 --> 00:04:43.839
60
00:04:44.120 --> 00:04:49.399
61
00:04:49.480 --> 00:04:52.759
62
00:04:53.800 --> 00:04:58.560
63
00:04:58.680 --> 00:05:02.360
64
00:05:02.600 --> 00:05:05.160
65
00:05:06.120 --> 00:05:09.839
66
00:05:09.920 --> 00:05:14.000
67
00:05:14.360 --> 00:05:19.439
68
00:05:19.519 --> 00:05:23.120
69
00:05:23.160 --> 00:05:26.600
70
00:05:26.600 --> 00:05:30.560
71
00:05:32.279 --> 00:05:34.519
72
00:05:34.560 --> 00:05:38.199
73
00:05:38.560 --> 00:05:46.120
74
00:05:46.480 --> 00:05:49.600
75
00:05:49.639 --> 00:05:55.439
76
00:05:55.560 --> 00:05:59.360
77
00:05:59.399 --> 00:06:03.279
78
00:06:04.360 --> 00:06:09.839
79
00:06:09.920 --> 00:06:14.399
80
00:06:14.920 --> 00:06:18.560
81
00:06:18.639 --> 00:06:22.199
82
00:06:22.279 --> 00:06:27.079
83
00:06:27.079 --> 00:06:30.439
84
00:06:30.560 --> 00:06:40.000
85
00:06:40.040 --> 00:06:46.839
86
00:06:46.879 --> 00:06:51.439
87
00:06:51.639 --> 00:06:56.759
88
00:06:57.360 --> 00:07:01.600
89
00:07:01.680 --> 00:07:05.759
90
00:07:05.839 --> 00:07:10.079
91
00:07:10.199 --> 00:07:13.720
92
00:07:13.800 --> 00:07:19.560
93
00:07:20.120 --> 00:07:24.600
94
00:07:24.680 --> 00:07:27.720
95
00:07:27.800 --> 00:07:32.839
96
00:07:32.879 --> 00:07:36.000
97
00:07:36.040 --> 00:07:39.279
98
00:07:39.399 --> 00:07:51.279
99
00:07:51.279 --> 00:07:56.839
100
00:07:56.879 --> 00:08:01.759
101
00:08:02.079 --> 00:08:06.480
102
00:08:06.959 --> 00:08:13.439
103
00:08:13.480 --> 00:08:17.199
104
00:08:17.279 --> 00:08:20.959
105
00:08:21.000 --> 00:08:26.160
106
00:08:26.160 --> 00:08:31.199
107
00:08:31.199 --> 00:08:37.279
108
00:08:37.399 --> 00:08:43.480
109
00:08:44.559 --> 00:08:48.799
110
00:08:48.919 --> 00:08:53.759
111
00:08:53.840 --> 00:09:00.759
112
00:09:00.799 --> 00:09:06.159
113
00:09:06.759 --> 00:09:14.080
114
00:09:14.120 --> 00:09:18.360
115
00:09:18.440 --> 00:09:23.080
116
00:09:24.399 --> 00:09:27.120
117
00:09:28.360 --> 00:09:31.320
118
00:09:31.360 --> 00:09:36.200
119
00:09:36.240 --> 00:09:40.279
120
00:09:40.600 --> 00:09:44.279
121
00:09:44.360 --> 00:09:50.519
122
00:09:51.840 --> 00:09:55.679
123
00:09:55.840 --> 00:10:00.399
124
00:10:00.919 --> 00:10:07.679
125
00:10:07.759 --> 00:10:11.000
126
00:10:12.120 --> 00:10:15.919
127
00:10:17.240 --> 00:10:19.080
128
00:10:19.200 --> 00:10:25.679
129
00:10:25.759 --> 00:10:29.639
130
00:10:30.240 --> 00:10:35.799
131
00:10:35.840 --> 00:10:39.679
132
00:10:40.360 --> 00:10:44.159
133
00:10:44.200 --> 00:10:47.879
134
00:10:47.919 --> 00:10:53.200
135
00:10:55.840 --> 00:11:00.519
136
00:11:00.639 --> 00:11:04.600
137
00:11:05.399 --> 00:11:08.639
138
00:11:08.679 --> 00:11:15.480
139
00:11:15.559 --> 00:11:20.840
140
00:11:20.879 --> 00:11:26.039
141
00:11:27.200 --> 00:11:30.720
142
00:11:32.159 --> 00:11:35.519
143
00:11:35.639 --> 00:11:40.720
144
00:11:40.720 --> 00:11:45.399
145
00:11:45.399 --> 00:11:49.000
146
00:11:50.600 --> 00:11:55.919
147
00:11:56.039 --> 00:11:59.159
148
00:11:59.200 --> 00:12:03.360
149
00:12:03.440 --> 00:12:08.840
150
00:12:08.919 --> 00:12:14.320
151
00:12:15.519 --> 00:12:19.360
152
00:12:20.240 --> 00:12:29.919
153
00:12:30.000 --> 00:12:35.000
154
00:12:35.039 --> 00:12:39.159
155
00:12:39.840 --> 00:12:42.399
156
00:12:44.080 --> 00:12:49.480
157
00:12:49.519 --> 00:12:53.639
158
00:12:53.679 --> 00:12:57.320
159
00:12:57.320 --> 00:13:04.679
160
00:13:05.320 --> 00:13:09.720
161
00:13:09.759 --> 00:13:13.440
162
00:13:13.879 --> 00:13:19.120
163
00:13:19.159 --> 00:13:22.960
164
00:13:25.200 --> 00:13:31.240
165
00:13:31.279 --> 00:13:38.639
166
00:13:38.639 --> 00:13:44.200
167
00:13:44.240 --> 00:13:49.759
168
00:13:50.519 --> 00:13:57.399
169
00:13:57.879 --> 00:14:02.080
170
00:14:02.440 --> 00:14:07.080
171
00:14:07.120 --> 00:14:12.720
172
00:14:14.039 --> 00:14:16.399
173
00:14:16.480 --> 00:14:21.360
174
00:14:21.759 --> 00:14:26.000
175
00:14:26.120 --> 00:14:30.240
176
00:14:30.279 --> 00:14:34.440
177
00:14:34.519 --> 00:14:37.679
178
00:14:37.679 --> 00:14:42.399
179
00:14:43.759 --> 00:14:48.679
180
00:14:48.759 --> 00:14:52.039
181
00:14:52.120 --> 00:14:58.120
182
00:14:59.279 --> 00:15:04.240
183
00:15:05.600 --> 00:15:09.600
184
00:15:09.639 --> 00:15:13.519
185
00:15:13.559 --> 00:15:18.080
186
00:15:18.320 --> 00:15:23.919
187
00:15:24.039 --> 00:15:30.120
188
00:15:30.200 --> 00:15:34.919
189
00:15:36.240 --> 00:15:43.440
190
00:15:43.679 --> 00:15:47.879
191
00:15:48.440 --> 00:15:53.240
192
00:15:53.360 --> 00:15:56.279
193
00:15:56.360 --> 00:15:59.639
194
00:15:59.639 --> 00:16:04.679
195
00:16:05.039 --> 00:16:08.919
196
00:16:08.960 --> 00:16:13.399
197
00:16:13.440 --> 00:16:17.240
198
00:16:17.240 --> 00:16:22.639
199
00:16:22.720 --> 00:16:26.559
200
00:16:26.639 --> 00:16:32.720
201
00:16:32.759 --> 00:16:37.600
202
00:16:37.720 --> 00:16:41.320
203
00:16:41.320 --> 00:16:45.399
204
00:16:45.919 --> 00:16:51.879
205
00:16:51.919 --> 00:16:56.679
206
00:16:56.720 --> 00:17:01.120
207
00:17:02.000 --> 00:17:09.480
208
00:17:09.519 --> 00:17:12.680
209
00:17:12.799 --> 00:17:16.519
210
00:17:16.599 --> 00:17:20.960
211
00:17:21.480 --> 00:17:25.240
212
00:17:26.440 --> 00:17:30.359
213
00:17:31.440 --> 00:17:35.799
214
00:17:35.799 --> 00:17:40.160
215
00:17:40.319 --> 00:17:44.960
216
00:17:45.000 --> 00:17:48.240
217
00:17:48.279 --> 00:17:54.200
218
00:17:54.240 --> 00:17:59.640
219
00:18:00.599 --> 00:18:06.799
220
00:18:06.839 --> 00:18:13.039
221
00:18:13.039 --> 00:18:16.839
222
00:18:18.680 --> 00:18:22.319
223
00:18:22.319 --> 00:18:27.680
224
00:18:28.359 --> 00:18:32.000
225
00:18:32.039 --> 00:18:36.759
226
00:18:36.759 --> 00:18:39.039
227
00:18:39.079 --> 00:18:57.319
228
00:18:57.359 --> 00:19:01.279
229
00:19:01.359 --> 00:19:05.640
230
00:19:05.680 --> 00:19:08.599
231
00:19:08.640 --> 00:19:13.200
232
00:19:14.079 --> 00:19:19.160
233
00:19:19.200 --> 00:19:23.359
234
00:19:23.440 --> 00:19:27.519
235
00:19:27.559 --> 00:19:31.240
236
00:19:31.640 --> 00:19:35.279
237
00:19:35.559 --> 00:19:39.839
238
00:19:39.880 --> 00:19:43.720
239
00:19:43.759 --> 00:19:46.960
240
00:19:47.000 --> 00:19:51.960
241
00:19:52.079 --> 00:19:56.880
242
00:19:58.039 --> 00:20:01.319