May 18, 2025
Echoes of the Void (Ep4) - "Artifacts, Part 2" A Supernatural Love Story Continued
Elise discovers the shocking truth—Dragomir Novak is actually James Sullivan, Alexander's murderer, possessed for a century by a splinter of the same entity bound with Alexander. Sullivan reveals that freeing Alexander risks releasing the entity's primary fragment, potentially causing dimensional collapse if the fragments reunite. Despite her distrust, Elise takes the Stabilizer crystal and returns to her hotel, where she reconnects with Alexander to warn him. That night, she experiences their most profound connection yet—a dream encounter where they practice the consciousness exchange needed for triangulation, merging their essences completely in an intimacy that transcends physical boundaries.
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Caloroga Shark Media.
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Hello and welcome to Echoes of the Void, Episode four, Artifacts,
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Part two.
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I feel exposed, vulnerable, these intimate moments displayed for Novak's observation.
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But I can't seem to stop the flow of memories,
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can't close the channel that has opened. Yes, Novak says again,
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his voice lower, almost reverent. The resonance between you is phenomenal,
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a perfect harmonic alignment of consciousness, so rare. The memories shift,
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moving to my confrontations with the entity, the darkness pressing
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against our connection, the whispers designed to create doubt, the
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false images it tried to force into my mind. I relive,
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the fear, the determination to resist its influence. And then
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something unexpected, a memory I don't recognize, A room I've
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never seen, with symbols drawn on the floor, a man
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who resembles Novak, but younger, standing before an altar. Alexander
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there too, looking wary, suspicious. I don't know what you
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expect to find in my family's grimoires, Sullivan, Alexander says,
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in this strange not memory, I've told you the key
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to binding the entity isn't there, Sullivan. The man isn't
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Novak but Sullivan, Alexander's colleague, his betrayer. Yet the resemblance
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is uncanny, impossible to dismiss. The memory shifts again, becoming
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something darker. Sullivan Novak standing over Alexander's body, the ceremonial
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knife in his hand, blood spreading across Alexander's chest, the
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entity swirling around them, both a darkness with burning eyes.
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It's done, Sullivan says to the entity. Now, fulfill your
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part of our bargain, immortality, knowledge beyond human limitation. The
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entity's laughter fills the memory space, cruel and ancient, Poor human,
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Did you think I would be bound by promises? You
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are mine now as he was meant to be. The
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darkness engulfs Sullivan, entering him through every orifice, every pore.
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His scream cuts off abruptly as his eyes turn black,
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then burn with the same fire as the entities. This
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isn't my memory. It can't be. I wasn't there when
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Alexander died, when Sullivan was possessed. Yet I'm experiencing it
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as if I were, as if someone is feeding these
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images directly into my consciousness. Elise Alexander's voice breaks through
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the false memory. It's not real. He's implanting these visions.
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Break the connection with tremendous effort. I force my eyes open.
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The room spins around me, the candles leaving trails of
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light across my vision. Across the table, Novak watches me intently,
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the small crystal pendant in his hand glowing with an
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inner light. Who are you? I demand my voice, Horse,
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You're not Dragomeir Novak. His smile doesn't waver. I am now,
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have been for many decades. The original Dragomea was a
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convenient identity to assume after my own became complicated. Understanding
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crashes through me. Sullivan, you're James Sullivan? What remains of him?
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He sets the pendant down carefully, though Sullivan is as
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much as simplification as Novak. Names mean little after a
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century of existence. I push back from the table, my
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hand closing around the anchor crystal in my pocket. How
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is this possible? You died? Margaret found records of your
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body washing up on the shore months after Alexander's death.
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A body washed up, he corrects, wearing my clothes, carrying
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my identification. The entity required a vessel, and I required
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a disappearance. His dark eyes gleam with something that isn't
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entirely human. We've had a mutually benefici arrangement ever since.
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Fear coils in my stomach. I'm alone in a strange city,
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in the home of the man who murdered Alexander, who
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is apparently possessed by some aspect of the same entity
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that's bound with Alexander in the void. But that doesn't
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make sense. The entity is bound with Alexander, I've encountered
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it in the void. How can it also be here
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with you? Sullivan Novak picks up the Midnight Crystal from
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where I've set it on the table. What you've encountered
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is the primary fragment. Yes, bound by Alexander's ritual, though
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not as completely as he intended. He holds the crystal
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up to the candlelight. But entities from the void are
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not singular consciousnesses as you understand them. They can extend
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portions of themselves like tendrils across dimensional boundaries. Inhabits. Me
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is connected to what's bound with Alexander, but distinct, a
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splinter of the greater fragment. My mind races trying to
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process this revelation. You're the human ally, the one helping
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the entity fight against our attempts to free Alexander. I
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prefer to think of myself as an independent agent with
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aligned interests. He sets the crystal back down. The entity
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wishes to remain unbound. I wish to continue my extended
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existence and my studies of dimensional phenomena. To achieve both,
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Alexander must remain in the void. Why show yourself to me?
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Now?
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Why reveal who you are? Sullivan's smile widens. Because you
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needed the stabilizer crystal, and I needed access to your
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memories of the void. A fair exchange, He pushes the
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crystal toward me. And because knowing who I am doesn't
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change your situation, you still need what I possess. I
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stare at the Midnight Crystal, now understanding why it responded
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to my touch. If it's connected to Sullivan, to his
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splinter of the entity, it would recognize me through my
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connection to Alexander and the primary fragment. Is it even real?
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I ask?
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Does it do what you claimed? Oh? Yes, the stabilizer
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is genuine, as are its protective properties. Sullivan leans back
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in his chair. I have no interest in your destruction, Eleise.
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Quite the opposite. I find your resonance with Alexander fascinating
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a phenomenon I've sought to understand for decades. Then why
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fight against freeing him? Because the full triangulation won't just
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free Alexander, it will release the primary fragment as well.
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His expression turns serious. The binding is imperfect but stable.
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Disrupt it, and both consciousnesses currently trapped in the void
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may escape Alexander to your world. Yes, but the entity
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to mine reuniting with the splinter that inhabits me, and
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that would be bad for you. Catastrophic. Sullivan touches the
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pendant at his neck. This splinter and I have reached
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an accommodation over the decades. I retain my autonomy, my identity,
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in exchange for the extended lifespan and knowledge the splinter provides.
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If the primary fragment were to reunite with this splinter,
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he shakes his head, I would be consumed entirely, and
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the fully reformed fragment would be powerful enough to breach
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dimensional boundaries at will. I try to process what he's saying.
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So you're helping the entity fight me, to protect yourself,
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to protect us all. Sullivan stands, moving to a bookshelf
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where he selects an ancient looking volume. A fully reformed
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void fragment with access to multiple dimensions would be a
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catastrophe beyond imagining. He turns back to me. That's why
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I gave you the stabilizer, not just to protect your
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consciousness during triangulation, but to give you the means to
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capture the primary fragment separately. When you free Alexander to
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prevent reunification. I stare at him, trying to determine if
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there's any truth in what he's saying, or if this
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is another manipulation. Why would you help me do that?
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If I succeed, you'd still have the splinter inside you,
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but not the primary fragment, because the alternative is worse.
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Sullivan opens the book, turning it to show me an
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illustration of what appears to be a cosmic disaster. Dimensions
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collapsing realities bleeding into each other. This is what happens
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when void fragments reunite. The resulting entity becomes powerful enough
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to begin the process of dimensional collapse, returning all realities
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to the primordial void from which they emerged. And you
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think I can prevent this by using the stabilizer to
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capture the primary fragments separately. Sullivan nods, it's designed for
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exactly that purpose. The original check alchemists created it to
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trap and study void energies safely. He closes the book.
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I believe you can free Alexander without releasing the entity,
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but it will require perfect timing, perfect focus. I touched
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the anchor crystal in my pocket, seeking that distant connection
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to Alexander, needing his guidance. But the connection feels muted,
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now interfered with by whatever Sullivan did during the ritual.
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I don't trust you, I say, Finally, I would be
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concerned if you did. Sullivan picks up the Midnight crystal,
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holding it out to me once more. But consider this,
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I've had a century to study the void, to understand
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these entities. I've maintained my bargain with this splinter while
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containing its influence. That requires knowledge you need. Reluctantly, I
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take the crystal. How exactly do I use this to
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trap the primary fragment? When you perform the triangulation, hold
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the stabilizer in your left hand the anchor crystal in
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your right as the bridge between world's forms. Focus your
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intention on separating the two consciousnesses bound together in the void.
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The stabilizer will naturally attract void energy. It will draw
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the entity into itself, while allowing Alexander's consciousness to follow
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your own back across the bridge. It sounds too simple,
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too convenient, but I have nothing else to go on,
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no other protection against what the entity might do during triangulation.
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And if I succeed, what then Sullivan's dark eyes hold mine?
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Return here with the stabilizer containing the fragment. Together, we
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can ensure it remains safely contained, unable to reunite with
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the splinter I harbor, or I could destroy it, end
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this permanently, he laughs softly. Void fragments cannot be destroyed
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by any means available to humans. They can only be bound, contained, redirected.
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Trust me, I've spent a century investigating every possibility. I
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slip the Midnight Crystal into my pocket, keeping it separate
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from the anchor crystal. I'll consider what you've told me,
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but I make no promises about returning here. Of course,
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he gestures toward the door. You're free to leave. Take
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the stabilizer with my blessing. Whether you believe my motivations
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or not, we both want Alexander freed without the entity. Escaping.
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Our interests are lined that far, at least. As I
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move toward the door, a thought occurs to me. The
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night of the break in at Blackwood Estate, the intruder
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with the ceremonial knife, was that your doing? Sullivan's expression
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reveals nothing. I have associates who share my concerns about
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dimensional stability. They may have acted over zealously in attempting
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to secure the knife, an unfortunate miscalculation. They tried to
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kill me. They tried to prevent the triangulation by removing
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one of the required anchors. Your death was never the objective,
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he shrugged slightly. Though I understand why you might be
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skeptical of that claim. I reached the door, eager now
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to be away from this place, from this man who
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murdered Alexander and has spent a century sharing consciousness with
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a splinter of the entity. One last thing, I say,
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my hand on the doorknob, the portrait of Alexander. Why
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do you keep it? Something passes across Sullivan's face, an
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emotion I can't quite identify. Regret, longing reminder, he says, Finally,
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of choices made, paths not taken. He meets my gaze
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despite what you may think, Elise, I cared for Alexander.
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We were colleagues, friends before the entity came between us.
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What happened that night, he looks away. The entity's influence
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was stronger than I anticipated. By the time I realized
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what I'd done, it was too late. I don't know
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if I believe him, if any trace of the original
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James Sullivan remains in this hybrid consciousness that calls itself Novak.
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But I recognize the look in his eyes when he
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speaks of Alexander, a complex mix of admiration, jealousy, and
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something deeper. Goodbye, mister Sullivan, I say, deliberately, using his
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original name. I doubt we'll meet again. His smile is
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knowing we will. When you return with the stabilizer, as
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you promised, I promise to consider it. Nothing more. We
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shall see. I leave without another word, stepping back into
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the narrow alley, the heavy door closing behind me with
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a sound of finality. Snow has begun to fall again,
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soft flakes drifting down from a darkening sky. I hurry
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back toward the old town square, pulling my coat tighter
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against the cold. As I walk, I try repeatedly to
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reach Alexander through our connection, focusing on the anchor crystal
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on the key around my neck, but the link remains muted, distant,
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as if Sullivan's ritual has temporarily dampened our resonance. In
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my hotel room, overlooking the Vltava River, I call Margaret, immediately,
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relaying everything that happened with Sullivan Novak. Her silence as
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I speak tells me how serious the situation is. This
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changes everything, she says when I finish. If Sullivan has
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been working with a splinter of the entity all this time,
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if he's the one behind the attempts to stop us,
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do you think he was telling the truth about the
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risk of dimensional collapse? If the fragments reunite, Margaret sighs heavily.
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It's consistent with certain theories about void entities. The ancient
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text mentions a great sundering that scattered the original consciousness
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across multiple dimensions. I hear pages turning on her end
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of the line, and the stabilizer crystal is real. My
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grandmother's journals mention them created by Czech alchemists who called
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themselves the Order of the Cosmic Key. So Sullivan might
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actually be helping us helping himself more likely, but his
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information about using the stabilizer to trap the primary fragment separately,
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it could work, She pauses. The question is whether we
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can trust anything that comes from him, given his connection
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to the entity. I look out at the snow falling
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over Prague, at the ancient spires and towers emerging from
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the twilight Mist. I don't think we have a choice.
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The triangulation is in three days at the dark Moon.
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We need every advantage, every protection we can get. Agreed,
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But Elise, be careful with that crystal. Keep it separate
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from the anchor crystal and the key until the moment
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of triangulation. If Sullivan was able to interfere with your
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connection to Alexander during that ritual, the stabilizer might have
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properties we don't fully understand. I already have the Midnight
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Crystal wrapped in a silk scarf, stored in a different
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pocket from the anchor crystal. I will I'm leaving Prague tomorrow,
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heading back to Blackwood Estate. We'll have time to examine
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the stabilizer before the triangulation. Good. Margaret hesitates, and Elise
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try to reach Alexander again tonight. If Sullivan's ritual created interference.
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It should fade with distance and time. We need to
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warn Alexander about what we've learned. After we end the call.
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I sit on the edge of the hotel bed, holding
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the anchor crystal in one hand, the key in the other.
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