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Calarogu Shark Media, Hello and Welcome to Echoes of the Void,
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Episode three, Artifacts, Part one.
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Prague in winter feels like a city suspended between worlds.
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Gothic spires pierce a pearl, gray sky, Snow muffles footsteps
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on ancient cobblestones. Time moves differently here, the medieval and
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modern coexisting in a dream like state. Perhaps that's why
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Margaret suggested I come, a city famous for its ghosts
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and alchemists, might be the perfect place to find what
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we need. It's been two weeks since the solstice, since
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Alexander and I created the third Anchor, two weeks of preparation,
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of studying the ancient text of Margaret, calling in favors
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from colleagues across the occult academic world, all leading me
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here to the narrow, winding streets of Prague's old town,
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searching for a man who might possess the final artifact
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we need for the triangulation. I clutch the crystal anchor
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in my coat pocket, its warmth a constant reminder of
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Alexander's presence across the Void. The ceremonial knife and the
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text remain at Blackwood Estate with Margaret too dangerous to
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travel with all three anchor points together. But I keep
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the key around my neck always, its metal warm against
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my skin, no matter how bitter the check winter becomes
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Dragomere Novak. That's the name Margaret's contacts provided. A collector
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of occult artifacts, a scholar of liminal spaces, A man
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who supposedly possesses the one object that can protect me
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during the full triangulation, a specialized crystal that can stabilize
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human consciousness during dimensional transitions. Without it, Margaret had warned,
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your mind could be torn apart when you attempt to
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bring Alexander back. Every step of the way, you need protection.
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Finding Novak has proven challenging. His address is an ancient
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building tucked into a crooked alley off the Old Town Square.
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I've knocked three times over two days, with no answer,
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no name on the door, no indication anyone has lived
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here recently. Today, on my third attempt, I noticed something different.
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A small symbol etched into the doorframe that wasn't there before,
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Or perhaps it was and I simply didn't see it.
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A triangle with an eye at its center, the same
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symbol that appears repeatedly in the ancient text Alexander found
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in France. I trace the symbol with my fingertip, and
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immediately the crystal anchor in my pocket pulses with heat.
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The key around my neck seems to vibrate in response.
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Something within me, that part of me that can reach
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across the void to Alexander, recognizes this place, this symbol,
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as if responding to my touch. The door swings open silently.
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No one stands in the doorway, just a dimly lit
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corridor beyond. Every instinct should be screaming danger, but instead
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I feel a pull, a recognition, the same feeling I
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had when I first set foot in Blackwood Estate. I
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step inside and the door closes behind me of its
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own accord. Mister Novak, I call, my voice, swallowed by
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the silence of the old building. No answer comes, but
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lights flicker to life along the corridor, guiding me deeper
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into the house. I follow, one hand on the crystal anchor,
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the other ready to grab the small vial of protective
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liquid Margaret insisted I carry. The corridor opens into a
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circular room lined with bookshelves. A fireplace flares to life
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as I enter, illuminating a space that feels more like
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a small museum than a living area. Display Cases hold
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objects of obvious antiquity and power, amulets, manuscripts, ritual tools.
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The wall walls are covered with maps marked with complex symbols,
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diagrams of cosmic alignments, illustrations of what appear to be
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dimensional gateways. But what draws my attention is the painting
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above the fireplace, a portrait of a man in early
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twentieth century formal attire. His gaze intense and familiar. Though
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the style and setting are different from the portrait I
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found at Blackwood Estate, there's no mistaking Alexander's face. He
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was remarkable, wasn't he? A voice says from behind me,
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even before his transformation. I turned to find an elderly
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man standing in a doorway I hadn't noticed before, Tall
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and thin, with silver hair, and eyes so dark they
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appear almost black. He wears a well tailored suit that
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seems neither modern nor antique, but somehow timeless. Dragomir Novak,
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I ask, though I already know the answer. He inclines
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his head slightly, and you are Alice Morgan, the woman
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who shares consciousness resonance with Alexander Blackwood. His English is perfect,
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accented only slightly. I've been expecting you. The crystal anchor
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pulses in my pocket, neither warning nor welcome, simply recognition.
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You have a portrait of Alexander, I say, nodding toward
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the fireplace. Did you know him? Novak moves further into
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the room, his movements graceful despite his apparent age. Not personally, no,
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but I've studied him for decades, his work with liminal spaces,
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with cross dimensional communication. He was ahead of his time.
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How do you know about me? About my connection to Alexander?
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He smiles, an express that doesn't quite reach those dark eyes.
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The void speaks to those who know how to listen,
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and what happened at the winter solstice that created ripples
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felt by many who study such phenomena. I touched the
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crystal anchor in my pocket, suddenly protective of it. Margaret
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Holloway suggested, you might have something. I need, a crystal
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that can protect my consciousness during dimensional transition. Ah Margaret
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from the Holloway lineage. Her grandmother was quite formidable. Novak
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gestures to a pair of chairs near the fire. Please sit.
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This conversation requires comfort and perhaps tea I remain standing.
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I'd prefer to complete my business and go. I don't
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have much time. The smile fades from his face. No,
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I suppose you don't. Entity grows stronger with each passing day,
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feeding on what remains of Alexander's consciousness. Soon there may
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be nothing left of him to save. A chill runs
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through me at his words, you know about the entity,
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of course. He moves to one of the display cases,
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opening it with a small key he produces from his pocket.
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I've spent my life studying entities from the void, fragments
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of the ancient one that was shattered eons ago. Fragments,
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I repeat, So there are more than what's bound with Alexander.
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Novak removes something from the case, a crystal similar in
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size to the anchor Alexander and I created, but different
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in composition. Where our anchor shifts with colors that reflect
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our joined consciousness, this crystal is midnight blue, with pin
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points of light suspended within, like a captured piece of
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night sky. Many fragments, he confirms, turning the crystal in
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his hands, scattered across dimensions, some bound by ancient rituals,
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some still roaming free in the spaces between worlds. He
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looks up at me. The one bound with Alexander is
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particularly old and particularly dangerous. Why because it has learned patience.
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Most fragments are hungry, impulsive, seeking immediate gratification. This one planned,
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it waited, It orchestrated events across a century to find
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the perfect vessel. His dark gaze settles on me. You.
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I take an involuntary step back. I'm not its vessel.
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I refused its offer for now. He sets the Midnight
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Crystal on a small table between us. But your repeated
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journeys to the threshold of the void have marked you,
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changed you. Have you noticed how much easier it becomes
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each time, How the boundaries between worlds seem to thin
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around you. I have noticed, though I haven't admitted it
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to anyone, not even Margaret, how ordinary reality sometimes seems
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less substantial than it once did. How I can feel
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the void pulsing just beyond the visible world, even when
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I'm not actively seeking contact with Alexander. That's why you
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need this, Novak continues, gesturing to the crystal, not just
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to protect your consciousness during triangulation, but to ensure you
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remain yourself afterward, to prevent the slow transformation. The entity
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has already begun within you. Fear and anger rise in
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equal measure. I'm not being transformed an Alexand would have
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warned me if that were happening, would he? Novak ask softly,
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if he believed it was the only way to free
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himself to be with you. I reach for the crystal anchor,
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drawing strength from its warmth, from the distant sense of
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Alexander's presence, it provides. You don't know him or me,
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perhaps not. Novak picks up the Midnight crystal again. But
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I know entities from the void. I know how they manipulate,
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how they seduce with exactly what we most desire. He
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holds the crystal out to me. Take it. Whether I'm
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right or wrong, you'll need its protection. I eye the
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crystal warily. What's your price? A fair question? He places
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the crystal back on the table between us. I want
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access to your memories of the void, your direct experiences
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with the entity, knowledge that cannot be gained from books
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or secondhand accounts. How would you access my memories through
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a simple ritual, painless, non invasive. I would observe only
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what you choose to share. Something tells me it wouldn't
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be that simple, that benign. But I need what he has.
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I'll consider it first. I want to know more about
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this crystal. What exactly does it do? Novak nods, seemingly
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pleased by my caution. It's called a stabilizer, created centuries
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ago by an order of Czech alchemists who specialized in
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dimensional travel. It anchors human consciousness to physical reality while
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allowing the mind to traverse the void. And it would
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protect me from the entity's influence to an extent. No
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protection is absolute, but it would prevent the kind of
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gradual transformation I believe has begun. He studies me carefully.
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You don't trust me, I don't know you wise, He
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gestures toward the painting of Alexander. He trusted too easily
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believed Sullivan was merely a colleague, a friend sharing his
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intellectual pursuits. Never saw the jealousy, the hunger for power
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that made him susceptible to the entity's influence. I moved
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toward the painting, studying Alexander's face, so familiar yet somehow
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different from the man I know. You seem to know
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a great deal about what happened. I've studied the case extensively.
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The Blackwood binding, as it's known in certain circles, was
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a remarkable feat. Flawed, but remarkable, Novak joins me. By
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the painting, few have ever managed to partially bind a
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void fragment without complete destruction of their own consciousness. Alexander
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was special. The way he says special makes me turn
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to look at him more closely. Special. How Novak's dark
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eyes gleam in the firelight, like you. He had a
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natural affinity for liminal spaces, a consciousness that could perceive
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beyond ordinary reality. That's why the entity chose him. Whyat
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arranged for him to find the text in France, arranged
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you make it sound like nothing was coincidental, Novak interrupts,
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Not Alexander finding the text, not Sullivan's betrayal, not your
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inheritance of Blackwood estate a century later. He turns back
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to the crystal on the table. The entity has been
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orchestrating this scenario for longer than you can imagine. I
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want to dismiss his words as paranoia, as the conspiracy
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theories of an isolated occultist. But something rings true in
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what he's saying, resonates with doubts. I've tried to suppress.
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If what you're saying is true, I say slowly, then
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my connection with Alexander is genuine, Novak says, surprising me.
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The entity didn't create your resonance. It simply recognized its
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potential and positioned you both to activate it. He picks
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up the Midnight Crystal again. Some connections exist beyond the
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entity's manipulation, beyond even the void itself. What you humans
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sometimes call soulmates is actually a quantum entanglement of consciousness
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that transcends dimensional boundaries. The key at my throat warms
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at his words, as if responding to this truth. Then
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helping me free Alexander would disrupt the entity's plans. Yes,
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which is why it will fight you with everything it possesses.
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He holds out the crystal once more. Now do you
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understand why you need this? I do, But something still
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holds me back. You still haven't told me your real price.
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Knowledge of the void isn't all you want. A smile
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slowly spreads across Novak's face, genuine, this time, reaching those
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dark eyes. You are perceptive, Elise Morgan, very well, My
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full price is this knowledge of your experienceiances in the
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void and you'll promise to return here after the triangulation,
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to tell me what you learned, what you saw, and
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to bring me a sample of the entity's essence, if possible,
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a sample. How would I even do that? The stabilizer
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crystal can capture and contain small amounts of void energy.
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If you succeed in freeing Alexander while keeping the entity bound,
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a trace of its essence will transfer to the crystal.
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He shrugs slightly. Think of it as a scientific sample
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for study only. Every instinct tells me this is dangerous,
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that Novak's interest in the entity goes beyond academic curiosity.
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But I need the stabilizer crystal. Without it, According to
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both him and Margaret, I risk losing myself in the
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triangulation attempt. I'll agree to share my experience speriences, I say, carefully,
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and to return hereafter if I can, But I make
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no promises about bringing you a sample of the entity.
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That decision will depend on what happens during the triangulation.
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Novak considers this for a long moment, those dark eyes unreadable. Finally,
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he nods, acceptable, though, I think you'll find that once
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you've used the stabilizer, you'll want to return it to
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me personally. He holds out the crystal. Do we have
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an agreement? I hesitate only briefly before taking the midnight
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crystal from his hand. The moment my fingers close around it,
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a shock runs through me, not painful, but intense. The
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crystal seems to pulse in response to my touch, the
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pinpoints of light within it swirling like tiny stars. At
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the same time time, the anchor crystal in my pocket
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and the key around my neck both grow warmer, as
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if recognizing a new component in our dimensional equation. It
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responds to you, Novak observes, as I thought it would.
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Your consciousness is already partially attuned to the void. I
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slip the stabilizer crystal into my other pocket, keeping the
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anchor crystal separate. What now, How do I fulfill my
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end of the bargain? Novak gestures toward the doorway he
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entered from my workroom. Is through here the ritual to
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share your void experiences will take perhaps an hour comfortable,
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as I promised, though you may find it intimate. Something
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in the way, he says intimate makes me uneasy. But
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I've come too far to turn back now. I follow
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him through the doorway into a smaller room dominated by
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a circular table. The surface of the table is inscribed