Movies Episodes

Questlove sat down with director and composer John Carpenter in Hollywood to discuss Cathedral, a graphic novel and heavy metal album inspired by a single dream. Carpenter tells how a bongo lesson from his father led to the iconic Halloween theme. He also talks about casting Kurt Russell after their Elvis TV movie, why The Thing was his hardest shoot, and says The Exorcist remains the scariest movie ever made. Along the way, Carpenter turns the tables and interviews Questlove, sparking a lively debate about The Beatles and whether music has reached “creative diminished returns.” It’s a funny, engaging conversation between two directors who work in different worlds but share a love of making music.

Baz Luhrmann joins Questlove to trace his journey from a rural Australian kid running a roadside radio station to the visionary behind Romeo + Juliet, Moulin Rouge!, and The Great Gatsby. He breaks down his signature style of fusing modern music with classic stories, the chaos and cultural impact of Romeo + Juliet, and collaborations with artists like Radiohead, Elton John, David Bowie, JAY-Z, and Missy Elliott. Baz also discusses the new concert film EPIC (Elvis Presley In Concert), built from newly uncovered rehearsal and performance footage from a pivotal moment in Elvis Presley’s career. Along the way, he reflects on his approach to building immersive creative worlds—and why Elvis’s life and music now sit at the center of two of his most ambitious projects.

Here is part 2 from one of the greatest Questlove Supreme conversations ever. Robert Townsend speaks about the passion and purpose that went into making The Five Heartbeats. He details directing Eddie Murphy Raw and nearly getting an X-rating. Robert also discusses why the world needed Meteor Man and recalls coaching a shy Beyoncé for Carmen: A Hip Hop Opera. This interview runs deep with love, wisdom, and comedy.

In the first of a two-part interview taped live in Atlanta, producer and songwriter Dallas Austin speaks about his incredible life journey. He recalls growing up around music greats, earning his first credits in the 1980s, and eventually producing hit songs and albums for TLC and Boyz II Men. Dallas also recalls the challenges of producing films, including Drumline and ATL.