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Ah Calorogus Shark Media, Hi and welcome to Palace Intrigue
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ga am your host Mark Francis.
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For Sky News. Tessa Dunlop explains Christmas is always frantic,
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but as the crowning glory for everything festive and affirming,
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it is especially busy for Old King Charles. The Monarch's
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seasonal schedule has been relentless, including an advent service at
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Westminster Abbey, meetings with heads of state, a family meal
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at Buckingham Pallace. In a pre recorded message, when the
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Monarch taught us his cancer treatment will be significantly reduced
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in the new year. And then there was King charles
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announcement in the wake of the devastating anti Semitic attack
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on Australia's Bonde Beach last weekend. A man of considerable empathy,
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when Charles says he is appalled and sad, and you
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know he means it. His Majesty got straight to the
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point and condemned the heroics of police, emergency services and
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members of the public. A quiet reminder that we have
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stronger together and humanity will ultimately outshine hate. But such
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was the scale of the horror in Sydney last Sunday,
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with at least fifteen innocent people dead and many more injured.
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One short thought piece for Australians from their head of
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state on the other side of the world feels insufficient.
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Fortunate then that Charles has a second chance to reflect
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on the fallout from the attack in his Christmas Day message,
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but will he. Buckingham Palace has decline to say whether
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King Charles has already recorded his Christmas broadcast, refusing to
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confirm its contents or whether it has been filmed, and
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firmly pushing back against speculation. The Royal Christmas Message began
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in nineteen thirty two as a live radio broadcast intended
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to bring the monarch closer to people across the nation
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and the Commonwealth. It was first televised in nineteen fifty seven,
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and by nineteen sixty the message was usually pre recorded,
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allowing it to be aired at suitable times around the world,
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particularly in countries such as Australia. Since becoming King, Charles
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has tended to record this Christmas Message in early December
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at locations outside Buckingham, making it likely that this year's
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broadcast was already completed before the fatal attack at Bundai
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Beach in Australia that has raised questions about how responsive
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the message can be to major events and folding close
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to Christmas. A Palace source played down suggestions that Christmas
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broadcast should directly address breaking news, despite the tradition of
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the message reflecting on the year's hardships as well as
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its hopes. In nineteen ninety six, Queen Elizabeth the Second
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referred with sadness and bewilderment to the mass shootings at
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Dunblane in Scotland and Port Arthur in Australia. More recently,
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in this twenty twenty three message, King Charles reflected on
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shared values during the Israeli Garza conflict, speaking of what
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brings together our Abrahamic family of religions. While King Charles
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has chosen carefully staged locations for previous broadcasts, including Saint
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George's Chapel and the Fitzrovia Chapel, critics say relevance matters
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more than setting. They point out that Queen Elizabeth often
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delivered her message from a simple room in Buckingham Palace,
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relying on words rather than spectacle. As king of multiple
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nations in an increasingly unpredictable world, Charles faces a difficult balance.
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Supporters argue that if his message needs to be re
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recorded to address recent events, then it should be generic
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sentiments they say are not enough. There is also a
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renewed discussion about royal visibility in Australia. While a return
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visit by the King before Christmas is seen as unlikely,
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attention has turned to whether Prince William might visit in
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the new year. Prime Minister Anthony Aubanese has already extended
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an invitation. The late Queen famously said she has to
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be seen to be believed, making sixteen trips to Australia
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during her reign. Those calling for action argue that honoring
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the legacy means showing up, especially in moments of collective grief,
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when the monarchy can act as a unifying force. The
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Royal family once again will have their traditional Christmas Day
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at Sandringham, a custom that has been firmly in place
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since the late nineteen eighties. While the public will see
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the familiar walk to church on Christmas morning, much of
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the festive routine unfolds well out of sight. Former Royal
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Chef Darren McGrady, who oversaw many of these holidays, has
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described the extraordinary level of planning required behind the scenes.
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Speaking on behalf of Smooth Spins Casino, McGrady said that
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there was never room for error during the festive period.
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Nothing was allowed to go wrong, he shared. He explained
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that the Palace kitchens relied on a set menu that
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remained unchanged each year, down to the precise recipes. The
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consistency meant preparations could begin far in advance. All the
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food came in way ahead of time, even down to
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the fruit bowls on the tables. He said. We would
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pick the perfect pairs that would just ripen, perfect, just beautiful.
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Nothing at all went wrong. Everything was perfectly planned and
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laid out. It was business as usual. McGrady added that
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the transfer of provisions to Sandringham was as meticulous as
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the cooking itself, noting that one particular Royal film portrayed
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the process accurately. If you've seen the movie Spencer, you'll
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see the army deliver all the food in boxes and hampers,
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which is what happened, he said. Several days before Christmas,
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we'd send in an advanced team to Standringham. They would
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open up the kitchen and clean it so it was spotless.
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They would be there for the arriv to check all
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of the food. The Norfolk turkeys would come in from
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the local butcher, all the local fish would come in.
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Describing the preparations as a military operation was not an
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exaggeration when it came to the equipment and Christmas puddings,
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cakes and all of that that was packed carefully and
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driven up in army transportation. He explained. The soldiers would
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bring it all into the kitchens, so we were all
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prepared for it. Every year. It was like a military operation,
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so nothing went wrong. Before the fire at Windsor Castle
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in nineteen ninety two, the guest list for Christmas lunch
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was considerably larger and often included members of the extended family.
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Back then we would have about thirty people at the
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royal table. The Grady recalled, that's because the Gloucesters kent
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and everyone was invited. After the fire, it was a
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great excuse to cut that down and move into the
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Sandringham dining Room, which was much smaller than We only
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had sixteen for lunch plus one hundred staff. For more
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than a century, British Royal Christmas cards have shared a
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furious and consistent detail instead of snowy scenes, winter coats,
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or traditional festive backdrops. They almost always feed to the
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Royals in bright weather, often photographed months earlier in spring
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or summer. According to royal expert Richard Fitzwilliams, the choice
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is deliberate. He said the Royal Christmas card is an
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important public relations statement, explaining that a warm, sunny image
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is intended to project optimism and strength heading into the
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new year. He added that if the Royals appeared dressed
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for harsh weather, it could be interpreted symbolically, particularly after
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a difficult year, and that the message conveyed must be positive.
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This week, the Prince and Princess of Wales unveiled their
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festive card, showing Prince William and Cape Middleton seated on
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grass among daffodils with their three children. The image, taken
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in Norfolk by photographer Josh Schinner and believed to date
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from April, was shared with the caption wishing everyone a
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very Happy Christmas. Fitzwilliams described it as a perfect example
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of a Christmas card, saying it uses a rural setting
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to convey warmth and goodwill. He noted that while it
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is not overly festive, the daffodil filled countryside suggests renewal
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and healing, particularly significant given Catherine's public focus on out
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a life for children and her emission from cancer. The
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same approach appears across the wider royal family. King Charles
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and Queen Camella's Christmas card this year features a photograph
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taken in April at Villa Wolkonski in Rome during their
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state visit to Italy, coinciding with their twenty fifth wedding anniversary.
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Fitz Williams said the image echoed the warmth scene in
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the Waleses card and was naturally taken in fine weather.
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He also suggested that avoiding traditional snowy scenes helps the
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royal steer clear of Christmas cliches, creating images that feel
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more timeless. Christmas cards are a tradition, and traditions should
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periodically be altered if they can become stale. During Queen
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Elizabeth the Second's reign, her Christmas cards followed a similar pattern.
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Fitz Williams described them as a kaleidoscope of a unique rain,
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blending formal and informal moments, almost always photographed in good weather.
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He noted one recurring feature across decades bad weather was
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absent more Palace in just a Moment. Veteran broadcast to
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David Dimmi will be is examining the purpose and power
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of the British monarchy in a new three part bb
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series titled What's the Monarchy for a project he has
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spent the past two years developing. Timblebee, best known for
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hosting Question Time, acknowledges that the BBC itself has long
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acted as what he calls a royal ringmaster, helping the
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monarchy present itself as it wishes to be seen. He
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says his fascination lies in the mysticism about monarchy, something
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he argues draws in most royal watches. At the heart
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of the series is a blunt question what role is
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there for our unelected head of state? Or more bluntly,
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what is the point of the monarchy? What does the
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monarchy serve for? Timblebee even likens the sovereign to the
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Wizard and the Wizard of Ours, a figure who appears
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powerful but may in reality be hiding behind illusion. He
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anchors the series in the late Queen Elizabeth the Second's
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own words, no institution should expect to be free from
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the scrutiny of those who give it their loyalty and support,
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not to mention those who don't. One focus is the
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long runn question of royal influence on government. Dimbleby revisits
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the release of Charles private letters to ministers, often referred
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to as the Black Spider Memos, concluding that while the
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then Prince of Wales was not proven to have influenced policy,
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he was clearly determined to try. He also challenges the
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idea that weekly audiences between the monarch and Prime Minister
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are politically meaningless, arguing it would be naive to assume
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they have no influence at all. The series also gives
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space to Republican arguments, while Republicanism remains a minority view,
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Dimblebee notes it is growing and there you have it.
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If you'd like to email us addresses the Palace Intrigue
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at gmail dot com. You can follow us on Spotify, Apple, Instagram, Facebook,
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We're all over the place. I'm Mark Francis my thanks
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to John McDermott. This is Palace Intrigue and good times