Contemporary Fiction Episodes

Kristan and I discuss Pack Up the Moon, how reading books about other people’s grief provides a safe way to cry over the things in your own life, why she chose to incorporate letters into her book, providing a story for a group of people who don’t often get their own story, the origin of her title, her own experience with a medium and much more.

Jeff and I discuss Attachments, crafting a story about relationships, his personal connection to the novel, how watching soap operas helped him write this novel, creating Sleepless in Seattle and behind-the-scenes details about its development, and much more.

Laura and I discuss A Special Place for Women, how she loves the fake dating trope, exploring what happens when activism becomes performative instead of genuine, what her writing process look like, her COVID-19 book release video, and much more.

Steven and I discuss his new book The Guncle, including humor in his stories, how Auntie Mame and other magical caregivers inspired this story, the special message in his Acknowledgments, how The Editor came about, and much more.

Emiko and I discuss her latest book Tokyo Ever After, how drafting this book helped her reconcile her own identity, her writing process and how it has evolved, why it took her a while to write this book, what a privilege it is to blend in, how her stunning cover came about, viewing stories as “windows and mirrors,” and much more.

Katherine and I discuss her new book The Siren, using three points of view to slowly disseminate information to the reader, how she enjoys writing about the messiness of life, taking unexpected life paths, how lives are lived in chapters, and much more.

Georgia and I discuss her new rom-com It Had to Be You, why she switched to the rom-com genre, how her own wedding inspired her to write this story, her fascination with weddings, teasing out a balance between tradition versus modernity, and much more.

Sanjena and I discuss her debut novel Gold Diggers, the responsibilities that come with assimilation, conceptual orphans, writing the research problem she encountered into Gold Diggers, her background as a journalist, Mindy Kaling optioning her story for a TV series, and much more.

Kathleen and I discuss Are We There Yet?, how social media and cell phones play such major roles in teens’ lives today, parents who believe their self-worth and social standing are tied to their children’s, parenting in 2021, balancing oversight and privacy as a parent, and more.

Bianca and I discuss If You Want to Make God Laugh, creating cultural context and awareness in her writing, her podcast and why she launched it, how to become a more responsible traveler, the importance of Own Voices stories, the advent of writing partnerships, and more.

Kim and I discuss The Memory Collectors, the way inanimate objects hold power over us because of the memories tied to them, her favorite character to create in this book, her fascination with witches and magic, connecting with readers, and more.

Jill and I discuss Everything After, how a Counting Crows song helped spark the title of this book, encouraging open conversations about miscarriage, maintaining individuality and identity after getting married, the one thing that Jill wanted for her recent birthday and more.

Hala and I discuss The Arsonists’ City, the character she enjoyed writing the most, wanting to provide a deeper understanding of Lebanon to her readers, how and why intergenerational conflict and secrets provide great fodder for writers, and more.

Jennifer and I discuss her debut The Little French Bridal Shop, the inspiration for both her story and the bridal shop in the book, how small falsehoods can easily turn into a web of lies, how she balances her day job and writing, reading recommendations, and more.

Madeleine and I discuss her latest novel The Love Proof, what inspired her to write this book, her love of yoga, her writing process, what she likes to do in her free time, and more.The Love Proof can be purchased at Murder by the Book.Madeleine’s 2 re...

Te-Ping and I discuss her short story collection Land of Big Numbers, how the people she met as a journalist in Beijing inspired some of these stories, what it is like for people who live in a society where many circumstances are outside their control, the universality of intergenerational family stories, and more.

Nancy and I discuss her debut novel The Kindest Lie, the issue of identity in the United States today, her title’s dual meaning, how important it is for aspiring authors to write the story they want to write versus following publishing trends, her own publishing journey and more.

Liese discusses her new book What Could Be Saved, writing about Bangkok in both the 1970s and present day, pulling from her experiences as an expat, how her writing process has evolved over time, pandemic reading recommendations, and much more.

Mateo discusses Black Buck, using a creative format to tell the story, fiction’s incredible power to teach empathy and understanding, his unique (and very cool) cover and the story behind it, having his novel chosen for the Read with Jenna book club.

Julie discusses her debut Waiting for the Night Song, why she loosely based the plot line on a cherished children’s book, choosing New Hampshire for the book’s setting, the importance and urgency of climate fiction, and much more.

Lainey discusses her debut novel The Exit Strategy, working in the tech industry as a one of the only women in the boardroom, her desire to inspire and empower women with this story, the importance of titles and covers, and publishing during the pandemic.

Sharon speaks about her debut novel Half, writing about twin sisters who speak in one voice, publishing during the pandemic, the inspiration for her story, and much more.

Denise discusses her debut novel How to Fail at Flirting, tackling a tough subject matter in her novel, how comparing oneself to others is a “thief of joy”, the struggle to find the perfect title for her book, serving as a mentor in Pitch Wars, and more.

Ehsaneh discusses her debut novel A Door Between Us, her desire to portray all sides of a conflict, writing about an event that is not frequently covered in literature, growing up in a Muslim/Mormon home, and what she hopes readers take away from her book.