Nov. 1, 2024
Frankenstein and Politics
A look at the original Frankenstein novel and movie and what they teach us about Politics
A look at the original Frankenstein novel and movie and what they teach us about Politics
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Looking at our world from a theological perspective. This is
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the Theology Central podcast making Theology Central. Good morning everyone.
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It is Friday, November the first, twenty twenty four. It
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is currently ten thirty eight am Central Time, and I
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am coming to you live from the Theology Central studio
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located right here in Abilene, Texas. Now, yesterday was Halloween.
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I don't know what you were doing for Halloween. I
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don't know if you celebrated, if you don't celebrate it,
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if you think it's good, if you think it's bad,
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whatever your opinion is. I don't know what you were doing.
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But I'm going to open the door and let you
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know what was going on inside of my brain on
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Halloween twenty twenty four. Right because on Halloween twenty twenty four,
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my mind started thinking about three specific dates. Threat specific dates,
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two in the past, one in the future, three specific dates.
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The first one was January the first eighteen eighteen. January
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the first eighteen eighteen. My mind started thinking about, oh Man,
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January the first eighteen eighteen. I wonder how people first reacted, right,
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That's what I was thinking. Then I jumped from January
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the first eighteen eighteen to November the twenty first, nineteen
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thirty one. January the twenty first, nineteen thirty one. I
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don't know if any of those dates have any significance
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to you. The first one January the first, eighteen eighteen.
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The second one November the twenty first, nineteen thirty one.
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Obviously I wasn't alive for any of that, all right,
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but my mind was thinking about those dates, specifically what
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was released on those days. So what was released? What
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was published on January the first, eighteen eighteen, What was
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released to the public on November the twenty first, nineteen
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thirty one. Do you know? Now, if you've seen the
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title for this episode, you have an idea. If you're
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listening live, depending on which platform, you may not see
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the title, so you may not know for sure, but
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those two dates. Write those dates down. January the first,
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eighteen eighteen, November the twenty first, nineteen thirty one, and
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then the third date, November the fifth, twenty twenty four.
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Now you know, November the fifth, twenty twenty four. I'm
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pretty sure you know what that is referring to. But
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three dates came to my mind on Halloween twenty twenty four.
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October thirty first, twenty twenty four. My mind was thinking
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about January the first, eighteen eighteen, November the twenty first,
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nineteen thirty one, and November the fifth, twenty twenty four.
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So what what is significant about these dates. Well, on
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January the first, eighteen eighteen, Mary Shelley's Frankenstein was first published.
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This initial edition was published anonymously, right, so nobody knew
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who the author was. They definitely didn't know it was
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a woman. There was a preface to the original edition
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that was written by her husband, So there was a
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preface written by her husband, but the author was anonymous.
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It led some readers to assume that while her husband
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was the author. A revised and more widely read edition
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was later published in eighteen thirty one, with Mary Shelley's
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name on it, along with a new introduction in which
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she described the inspiration and process behind the novel. And
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remember when the novel was first written and people started
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reading it, there was some shock, There was some there
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was a little bit of controversy. Many people were felt
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very uncomfortable with many of its themes. They didn't necessarily
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like it. They felt it was a little sacrilegious. Maybe
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some felt it was a little blasphemous, but they basically
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handled it by publishing very negative reviews, very critical of it. Now,
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some people loved it and thought it was amazing and great, obviously,
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but there was obviously criticism of it now, which isn't
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surprising because it doesn't matter what you do. It doesn't
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matter if you're a musician. It doesn't matter if you're
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a podcast or it doesn't matter if you're a preacher,
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doesn't matter if you're an author. You do anything, there's
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always going to be someone like, it's no good, it's
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no good. There's always going to be critics, But there
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were critics. Now. What's interesting is on January the first,
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eighteen eighteen, when the book was published, there wasn't any
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major calls for banning the book, censoring the book, silencing
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the book, burning the book. There really wasn't anything like that.
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So there was some criticism of it, but most people
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found it somewhat fascinat intriguing because of its its of
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its great philosophical questions that were being asked in it
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a whole. But things would change because when you go
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from January the first to eighteen eighteen and we go
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to November the twenty first, nineteen thirty one. Oh boy,
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things were going to change because it was on that date,
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November the twenty first, nineteen thirty one, that the original
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Frankenstein Frankenstein movie that was released to the public January
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the first, nineteen thirty one. I was going to go
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into the name of the director and the main actors,
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but I'm not going to go into all of that.
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You get the idea. November the twenty first, nineteen thirty
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one and movie theaters, the original Frankenstein movie was released
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in the United States. This film adaptation became a landmark
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in horror cinema and helped establish Frankenstein as an enduring
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cultural icon. But the movie sparked some very strong reactions.
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Many and the audience got up and walked out. There
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was even reports of some fainting. There was like there
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was there was, I mean, the response was strong, and
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many conservatives and religious leaders said it was blasphemous and
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they wanted parts of it censored, and they didn't want
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it distributed, and it was like, we have to stop this,
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it's horrible. So we go from the novel, which sparked
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much more debate and conversation. We go to the movie,
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and immediately some people wanted it silence and wanted it
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to be like just wiped off the face of the earth.
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And that leads us to November the fifth, twenty twenty four,
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which is election day in the United States of America. So,
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how did my brain and on Halloween twenty twenty four,
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how did it go to January one, eighteen eight, November
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the twenty first, nineteen thirty one, all the way to
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November the fifth, twenty twenty four, an election day. What
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was the correlation? What is wrong with my brain? Well,
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I think my brain was doing this. I started thinking
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because it was Halloween. I just started thinking about some
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of the classic, you know, horror movies, and just started
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thinking around those things. In my mind was just kind
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of wandering, and I was thinking about the original Frankenstein novel,
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which I've always found greatly profound and that everyone should
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read it. And I started thinking about some of the
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themes within the movie and the book, and I was like, man,
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some of this really reminds me of politics in the
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United States in twenty twenty four. In fact, I feel
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like I feel like in some ways the Frankenstein novel
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and movie was kind of a symbol, a symbolic foretelling
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of what politics would look like in the United States
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of America, at least for the you know, for a
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very long time, for a very long time we could
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figure out where in it all started. But in fact,
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maybe maybe much longer than I would even care to guess.
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It's just I think it's what politics is. Politics is
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a lot like things that are put forth in the
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novel and the movie Frankenstein. So what we're going to
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do is we're going to take a little journey through
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the novel, through the movie, and then we're going to
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connect it all to politics, and then we're going to
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step back and see how theology should be. Let me
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stress this, theology and the Bible and Christianity should be
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a counterpoint to American politics, politics, which is very much
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like what we see in the book and the movie Frankenstein.
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Now here's what I would challenge you to do. If
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you've never done this, Please find a good edition of
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the original Frankenstein novel. You should read it. You really should.
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It's themes, philosophies, there's so many layers to it. It's
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very much worth your time. Right, just dedicate yourself to
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reading the original Frankenstein novel and then watch the nineteen
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thirty one movie. If you have a subscription to the
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Peacock streaming service, or get a subscription to the Peacock
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streaming service, it's not that much. You can watch the
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original Frankenstein movie. It's right there. You can watch it.
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You will note, obviously, the ending to the movie and
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the book. I won't give any spoilers. Let's just say
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they're very different. They're very, very, very different. So you
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definitely you'll be able to compare you and you'll see
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that the movie obviously doesn't go into the same depth,
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the philosophical depth. Even though you can see the hints
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of the themes, there's no real expounding upon them. And
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the movie's relatively short. I think it's just maybe I'm
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just going from memory. I think it's just a little
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over an hour. You can look a little over an hour.
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I don't even think it's a full hour and thirty minutes.
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I think it's maybe an hour, five hour, ten. It's
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not very long. But you should read the book, you
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should watch the movie, and then you should well consider
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maybe what it teaches us about American politics. So are
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you ready to kind of look at kind of what
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some of these themes that are in the book and
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in the movie. Here we go. If we consider both
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Mary Shelley's novel Frankenstein and the nineteen thirty one film,
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you will see that it addresses society, mob mentality, and fear,
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though they do so in distinct ways and they offer
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a slightly different emphasis. All right, So I just want
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you to when you consider the movie and you consider
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the novel, they address society, how society is, It makes,
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it gives you, It tries to capture certain elements of society,
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tries to put a mirror up to our face so
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that we see society, maybe in a way we don't
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want to see. Sometimes we don't want to look in
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the mirror, right, And it shows this idea of mob mentality,
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which has always fascinated me and frightened me in some ways.
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And then the idea of fear itself and what people
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can do with fear. Right fear. Look, you put you
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hand the right people fear they can utilize it and
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manipulate you by it. And we will talk more about
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that as we move forward. So let's kind of outline
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the messages and how each version conveys certain themes. All right,
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so let's start with the novel, all right, Frankenstein by
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Mary Shelley. The novel critiques society's treatment of those who
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are different and explores how fear and prejudice leads to rejection, violence,
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and tragedy. I want you to hear that again. The
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novel critiques society's treatment of those who are different. So
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within the novel itself, she's critiquing society in many ways. Right.
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You may say, oh, it's about the monster, right, or
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it's about doctor Frankenstein and his creation of this monster,
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or it's something much deeper than that. And so many
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times people are very bad about doing this. They can
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do it with books, they can do it with movies.
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They sometimes miss the entire point. They just see the surface,
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and there's always so much beyond it. But the novel
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critiques society's treatment of those who are different and explores
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how fear and prejudice leads to rejection, violence, and tragedy.
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Shelley's monster and the novel is deeply sympathetic character who
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suffers not because he is in inherently evil, but because
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society rejects him based on appearance and fear. See, he's
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rejected not because of an inherent evil, but because of
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society rejects him out of there, because of an appearance
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and because of fear. Just think of that fear concept,
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fear fear. Now, if you watch the movie, there is
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a kind of a well, when I get to the movie,
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I'll mention it. I'll mention it there. I don't want
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to jump ahead. So in the book, the monster is
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deeply sympathetic, a sympathetic character, I guess would be the
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right way to state that. And he suffers not because
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of any inherent evil, but because society rejects him based
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simply on an appearance and because of their own fear
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and their own fear leads to well, some things. The
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novel suggests that society creates monsters by failing to show
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compassion and understanding. So the novel seems to say, society
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creates the monsters because we show that we show no compassion,
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we show no understanding, we allow our fear to just
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take control, which leads to a mob mentality. Within the book,
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societies will will Will break it down into really three
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parts within the book, within the novel, and there's far
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more to the novel than what I'm breaking down here,
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I'm I'm limiting my focus on things that obviously are
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going to relate to politics. All right, there, There's much
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more in it, and I could probably even expand the themes,
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but but I'm just trying, you know, I don't want
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to turn this into, you know, a six month series.
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So let's consider society's judgment. Society within the novel is
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betrayed as an unforgiving and quick to judge the monster
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that they are. The society has seen as being very
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unforgiven and very quick to judge the monster, whom they
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view as a threat solely because of his appearance. This
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judgment isolates the monster and leads him towards violence out
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of pain and desperation. So within the novel, here's society,
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and it's unforgiving, it's judgmental, it's condemning, it's hateful, and
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well this then has well very horrible, unintended consequences. So
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society is seen as being judgmental, unforgiving in the novel.
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The mob mentality in the novel, although there isn't a
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literal mob scene like we see in the nineteen thirty
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one film, right, but there are multiple instances of collective hostility,
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such as villagers attacking the monster with stones. They show
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how groups can act violently and irrationally when influenced by fear.
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All you got to do is you give them a
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little bit of fear. They lose their rationality, they lose
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they become violent. That you people will think and say
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and do some of the most crazy things. All you
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got to do is give them a little bit of fear,
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