Crossing The Angelic Defendant
Hosts Steve Hohman and Olivia Espinosa are joined by personal injury attorney Susie Injijian, as well as actor and writer Sara Taylor.
Watch as Susie cross-examines Sara, portraying a sympathetic kindergarten teacher whose vehicle struck a Guatemalan-born pedestrian.
Listen in as Susie challenges Sara, and we break down how to confront bias in the courtroom.
What’s covered in this episode:
- Talking ‘money grab’ and other biases in voir dire
- Who to call to the stand when the damages aren’t visible
- How to keep a crying witness from derailing your cross
- The tech savvy way to make sure your word choice sticks
- What you need to know to blow your witness’ testimony out of the water
Time Stamps
00:00 What’s Cross Lab?
4:38 The importance of being in a plaintiff friendly county—and how to figure that out
8:13 Broaching the “b-word” in voir dire
16:35 What to do when your client’s damages aren't visible
24:15 Mock Case Overview: Lopez vs Maddison
30:29 Susie’s Cross: Crossing an “angelic” defendant
49:02 How to handle (and stay in control of) when the water works start
1:19:52 The key touchstones that will help you flip your witness
1:27:18 Top takeaways if you had to cross a witness like this
To get free resources for your next trial go to TrialHaus.com
Key Insights:
How to Cross-Examine a Sympathetic Defendant Without Alienating the Jury
When the opposing party is likable — a kindergarten teacher, a young parent, a community volunteer — the instinct to soften your cross can cost your client the case. But attacking them head-on will cost you the jury. The answer is neither soft nor aggressive. It's factual.
In this episode, award-winning trial attorney Susie Injijian demonstrates how a calm, fact-based, step-by-step approach disarms a sympathetic defendant more effectively than confrontation ever could. By respecting the witness's humanity while methodically walking through undeniable facts, she removes the jury's impulse to protect the defendant — because there's nothing to protect her from. As guest witness Sara Taylor noted from the stand: "There wasn't really anything you were giving me that I felt like I had the right to fight you on."
The key: set an intention for how you want the jury to feel when you sit down. Not angry at the defendant. Not sorry for her. Just clear on what happened and what it cost your client.
Why Confirming the Defendant's Own Story Builds Trust — and Gets Better Admissions
Most attorneys avoid validating anything the defense has put forward. Injijian does the opposite. When she confirmed that the sun was in the defendant's eyes — a fact that could arguably help the defense — it had a surprising effect: the witness relaxed and became more cooperative.
Sara Taylor, playing the defendant, explained it this way: "She sees me. She's not trying to accuse me of using my phone. For you to confirm my story was actually really successful in getting me on your side." That comfort led to a witness who stopped guarding her answers and simply agreed with everything that followed — including the most damaging admissions.
This is the principle behind what Trial Haus calls a "Yes, And" cross: rather than fighting the witness's version of events, you build on it. You own their story, and in doing so, you control where it goes.
Using Sensory Details and Word Choice to Paint a Picture the Jury Can't Forget
Injijian didn't ask the defendant to summarize the accident. She reconstructed it sensation by sensation: the thud at the front of the car, the body becoming airborne, the impact against the windshield, the body flung to the ground. Then the tire rolling over something hard — "like you'd hit a rock or something." And then the reveal: that was the plaintiff's dog.
Every word was chosen to put the jury in the driver's seat. The witness couldn't deny any of it, and she didn't try. As Sara Taylor put it from an actor's perspective: "There was no way for me as the witness to not relive exactly what happened. It was completely laid out for me in every sense."
The lesson for attorneys: don't summarize. Reconstruct. One fact per question. One sensation at a time. Let the jury see it, hear it, and feel it through the defendant's own confirmation.
How a Dog Can Humanize Your Plaintiff and Cut Through Jury Bias
In a case where the plaintiff is an immigrant carpenter and the defendant is a beloved local kindergarten teacher, racial and socioeconomic bias can quietly tilt the jury. Injijian's strategy to level the playing field was unexpected: she focused on the plaintiff's dog.
By establishing that Mr. Lopez was cradling his injured, bleeding dog Tonki in his arms after the collision — and that this was why he waved off the ambulance and said "I'm okay" — she gave the jury a universal point of connection. As Injijian explained: "People understand the love of a dog. That puts us all on the same level. We see past ethnicity and demographics when we see a person holding his bleeding dog."
The dog detail also served a strategic purpose: it explained away a fact the defense would have used against the plaintiff — that he refused medical treatment at the scene. He wasn't minimizing his injuries. He was thinking about his dog first. Attorneys often hesitate to bring up details that aren't directly tied to damages, but the right humanizing detail can reshape how a jury sees everything else.
How to Keep a Crying Witness from Derailing Your Cross-Examination
A witness who breaks down in tears can shift the jury's sympathy instantly — and away from your client. The instinct is to either press harder (which makes you the villain) or back off entirely (which gives the witness control). Injijian found a third path: she maintained a consistent, factual pace that kept the witness just uncomfortable enough to stay engaged, but never attacked enough to justify tears.
Sara Taylor, who played the defendant and came close to crying several times, explained the dynamic from the witness chair: "I was way more comfortable than I was expecting to be. The way that you spoke to me was so kind that I was like, okay, I just have to listen and answer the questions and I can get through this." That calm pacing denied her the emotional trigger that would have allowed tears to take over.
Injijian's backup plan, had the witness started crying: jump to a different chapter of the cross entirely. Move away from the emotional moment — maybe pivot to a factual question about the father or the timeline — then circle back once the witness has regrouped. The goal isn't to prevent emotion. It's to prevent emotion from becoming the story.
The Power of What the Pastor Didn't Do — Exposing Character Through Inaction
One of the most devastating moments in the cross came not from what the defendant did, but from what her father — a well-known local pastor — didn't do. When he arrived at the scene, he spoke with police officers for an extended period. He never approached the injured Mr. Lopez. He never asked if the man his daughter had just hit with a car was okay. Then the family left together.
Injijian never accused the pastor of anything. She simply established the facts: he came, he talked to police, he didn't check on the injured man, they left. The jury draws its own conclusion. And in a case where the defendant's identity as the daughter of a prominent Christian leader could generate sympathy, that silent contrast — "love thy neighbor" values versus the reality of what happened — is more powerful than any argument an attorney could make.
From an acting and storytelling perspective, this is a classic example of showing rather than telling. The attorney doesn't need to editorialize. The facts, laid out in sequence, do the work.
And now that we have a jury, you accept that this accident and the damages caused were all
your fault.
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Yes, within the last couple of days, yes.
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Thank you, that's all I have.
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I don't know if I went long enough, did I go long enough?
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That was perfect.
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It was like just 14 minutes.
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dear.
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I don't think you could go any longer.
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It be a murder and then we'd have another case on our hands because of the murder that you
caused to this poor witness.
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We're not just trial consultants.
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been cross-examined over 1,500 times in cross simulations to help train and coach some of
the world's top trial attorneys.
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through live witness sparring, we'll test constructive cross techniques, share fresh
insights, and explore new strategies.
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And even though the testimony may be fake, the trial skills?
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Totally real.
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So let's experiment, discover what works, and have some fun in CrossLab.
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The show is brought to you by Trial House Consulting and powered by LawPods.
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Welcome to CrossLab.
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I'm Steve Holman.
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And I'm Olivia Espinosa.
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First off, we need to be honest.
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We're not lawyers and we're not going to talk about the law.
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Specifically, we are focused on storytelling and how you make your witness and jury feel
through what has been famously called constructive cross.
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We call it a yes and cross.
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Basically, it's the strategy of making the opposing witness a tool to tell your case
narrative.
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And if you've ever watched or listened to CrossLab before, you know that we designed a
test case that sparks ideas, word choice, and questions that you can use for your next
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deposition or trial.
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and I, in past episodes, also simulate the cross-examination witnesses.
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But for this episode, we've got a guest mock witness who will be sparring against our
attorney.
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So let's introduce them and get started.
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Okay, joining us today we have Suzy Njiji and she is here for a second time in the cross
lab.
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She's an award-winning trial attorney based in Berkeley in the San Francisco Bay area
representing plaintiffs exclusively in personal injury and wrongful death cases.
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You might've recently seen her on TLU's case analysis discussing her case that led to a
huge $25.5 million verdict.
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Welcome Suzy.
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Thank you, it's great to be here.
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So happy to have you back.
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also have Sarah.
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Sarah Taylor is here as our guest performer to play the part of our defendant in today's
test case.
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Sarah is an actor, a writer, and a stage manager based in Los Angeles.
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She's an acting graduate from Emerson College, and she loves all aspects of storytelling
and has actually been helping us in our cross-club classes recently, offering really great
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insight to our participants.
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We're so happy to have you here, Sarah.
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Happy to be here, thanks for having me.
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Well, welcome Susie and Sarah.
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Before we jump into our mock case, we wanna actually have a discussion about what this
case is kind of about today.
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Yeah, so this mock case we're tackling today involves a plaintiff who is an immigrant male
and a defendant who is a young white female.
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So in this case, there could be multiple biases that could be a factor.
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And so before we jump into that cross, we want to just have a conversation about facing
that head on, things that might come up, and building a strategy that can give your client
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the best chance to be seen and their story to be told clearly.
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And in general, what to do when you're asking for real damages against a sympathetic
defendant.
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So, Suzy, you just did a big trial in the Bay Area, a blue-collar worker.
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And did you find that bias played a role in any way in that particular trial?
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Well, I think it's always there and you have to deal with it uh right away in jury
selection.
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So the voir dire is really crafted to elicit any expressions of bias in your potential
jurors and to make sure that any who are likely to sort of discount
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the damages of your client because of his ethnicity or demographic place in society, that
those people are not on your jury.
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And Alameda County is a pretty good place for that.
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We have a diverse population and an increasingly uh technologically savvy population.
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We have Silicon Valley nearby and people who work there and in San Francisco really love
to live in the East Bay.
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in Berkeley where I am, and in other towns in the East Bay, it's just uh for lifestyle,
it's great.
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So we had a lot of intelligent people on our jury and it wasn't as big a problem in this
case as it would be in many other venues in the state or in the country.
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You know, when you're talking about obviously the geography of where you were, uh it makes
me want to ask you how drastically does your geographic location of a trial influence your
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expectations for personal injury verdict?
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does, I mean, you basically have to decide when you file your complaint what jurisdiction
you want to be in.
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And as a plaintiff's attorney, if you have a choice, then you're going to do that analysis
and you're going to pick the jurisdiction where you think the jury pool is going to be
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more favorable to plaintiffs.
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And sometimes there is a fight about that, where the defense will, if they can, put you in
federal court.
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And if they do that, then you've got
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the federal court jury being pulled from various counties within the district.
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So um if it's oh the Northern District of California, you don't just get the East Bay, you
also get San Francisco, and you get some conservative counties um that are also included
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in that district.
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So that's one example.
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And then another example is when the um plaintiff picks a favorable forum and then the
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the defense comes in and says, we belong in this other court where there more conservative
jurors.
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fact, I experienced that in an aviation case many years ago when McDonnell Douglas was
based in St.
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Louis.
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And apparently, there is one half of St.
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Louis is very working class and the other half
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is uh upper class and more affluent.
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And we had filed in the working class.
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And there was a big fight with all these aviation defense lawyers, a whole mob of them,
trying to get us in the other part of St.
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Louis.
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uh And not knowing anything about St.
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Louis, I sort of, I walked into that and had to make the argument to the court that we had
filed in the correct county.
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Or part of, uh I guess the county was divided.
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I still don't know how that worked, but.
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That's how important it is to be in a Plano-friendly county.
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Wow, so how did that end up working out for you?
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We won.
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was especially fun because I was just by myself and I basically had to, you know, ice
skate to court, which I'm a Californian and I don't know where I was in my pumps.
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And there were all these defense lawyers in the courtroom and the judge, you know,
listened to me.
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And so we prevailed and it was, that's why I remember it so well because it was a fun
appearance.
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Yes, wow.
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I mean, I was actually gonna, when I introduced you, I forgot to say, like, you're a
badass.
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You really, really are.
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Like, when I think of badass lawyer, I think of you because of just the...
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And you even said it in this particular case that you were talking about.
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um In that jurisdiction, like, you are up against multiple people.
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And in fact, with the recent case uh in Berkeley, you were up against multiple
corporations, right?
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Yeah, yeah, well there were three defense firms against me.
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And I did the whole case myself, em except for a very brief time I had recruited a friend
to co-counsel with me, but then she couldn't do the trial.
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And so I brought my son in to do the trial.
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And he was recently out of law school, but he was a great asset em and nobody knew we were
related.
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So that was awful fun.
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Yeah, we did a, we actually on our last CROSS Lab episode, we did an episode where we had
a couple of father son teams and they talked about sort of, you know, what it's like to do
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that too.
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So yes, absolutely.
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So when we go back to sort of that conversation about your jury members, how do you
approach that to kind of get those biases or potential biases out?
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How do you kind of broach those subjects?
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Well, there's kind of two things.
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The one is, has to do with the ethnicity.
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um And you, that's a tough one.
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I mean, I know that some people will get up there and they will talk about um how we all
harbor biases.
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You're not really going to get anybody to admit to um being biased against uh Latin
Americans or against people of color or women even.
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You're not going to get them to say that.
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So you really have to.
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Do your homework in terms of focus groups and get an idea of what interests oh people are
going to talk about if they are less likely to be biased and what they're going to talk
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about if they are more likely to be biased against your plaintiff.
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So it's become very refined.
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um We do a lot of data studying before we go to trial.
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So you come in with that knowledge um and you ask your questions accordingly.
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The other big bias is against lawyers asking for big numbers and um asking for big numbers
for people who earn a minimum wage or who aren't really rich.
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And there's some more dear, some jury selection lines of questioning where you can ask
people, do you think that, you know, Bill Gates' life um is worth more than, um you know,
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the guy who does your garden?
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um And so we can ask questions like that and get a lot of information.
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And also sort of let the jury understand that, if they really think that Bill Gates life
is worth more or someone else who's really rich, it makes them wonder, well, what is that
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based on and is that fair?
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So it's kind of a nice process.
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Do you find that even with all that research that there, and it goes into what you're
saying about is Bill Gates life more important than uh your landscaper or somebody doing a
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minimum wage job?
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Do you find that in our just overall, you're working with juries in any case that there is
a bit of a bias against blue collar or working class people versus
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a white collar profession, people with white collar professions.
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Is that something that you have to fight against?
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Well, I think because there is the money grab bias.
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There is that thought that, and this was really uh sort of promoted by so-called tort
reform in the 80s and the 90s.
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We heard a lot more about it then.
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It's more subtle now, but the idea is that personal injury lawsuits are a money grab and
they are people trying to get something for nothing, trying to get rich off of their
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misfortune.
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m you know, faking, exaggerating, because here's their, you know, here's their chance.
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So if you have a blue collar worker, um someone who has struggled financially, then you
know, there's that motive, right?
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They, it's sort of promoted by the defense that that motive exists more prominently in
someone like that than in somebody who is really wealthy.
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I was just going to say, kind of rolls into that idea of uh thinking about blue collar
people having more personal responsibility or less deserving uh because of where they are
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in earnings versus a white collar person and their level of deservingness or personal
responsibility that plays into the juror's mind.
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Well, I think you're right.
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uh And I also think that these biases can exist in people of all walks of life.
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um So you can have these biases among blue collar workers.
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In fact, it's quite common where you have in my recent trial, we had a self-employed
electrician who was injured on a job.
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His hands were on the tools when they exploded.
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so a big uh
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bias that we had to overcome was, well, he was the only electrician there and it must have
been his fault or some aspect of this must have been his fault.
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And in our jury research, we learned that self-employed people who were just scraping by
with their businesses were most critical of him.
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And part of that is because they don't want to believe that this could ever happen to
them.
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they believe that they're always safe and they take all the right precautions.
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And so if he got injured, he mustn't have been taking all the right precautions.
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And yet there were people who were working in big corporations earning sizable salaries
and their oh jury service was being paid for, or they weren't losing any money serving on
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the jury.
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They were more sympathetic because they were used to the idea that there are
organizational divisions that
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take care of safety and they rely on that and they want, they believe that people should
be able to rely on that.
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So those people ended up actually being better for us as jurors than people who were in
the same socioeconomic status as my client.
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We actually got to work with you a little bit on the prep for that case.
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And I remember when you first discussed that case with us and it was in a group setting
and we heard the basic facts of the case.
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I remember going, God, this is a really tough case.
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don't know how Susie's gonna get to where she wants to go.
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And I remember it was that same bias in me of that personal responsibility that's been
drilled into us.
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You mentioned it before, you know, it's the hot coffee in the lap thing from the eighties
that's been drilled into us systematically for the last three decades about personal
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responsibility.
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And like you said, the money grab.
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So I was even thinking about where, you know, where we were at that moment until we
learned more about the case and my thoughts evolved on it very quickly.
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And I understood where are you gonna go with that case?
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But it's amazing how you can even
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recognize those biases in yourself, even when you're open-minded and, you know, I was in
service of you, of course.
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So it's just interesting.
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I don't know if there was a question, but I just find it interesting that on even thinking
about the way I thought about that case in the beginning to where I evolved to, uh it's, I
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think, indicative of, you know, our society in America.
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Well, you make a very good point.
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In fact, there are lawyers who, when they're given the latitude in jury selection in voir
dire, they will actually be a little bit confessional like that and talk about how, well,
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when this first case first came to me, you know, these are the biases that I, I surprised
myself that I had them, that I entertained these thoughts.
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And it was only when I saw the facts that I overcame them.
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Now, you're not allowed to do that in jury selection, but you know, uh
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we push the envelope where we can.
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And I've never seen it done, but I've heard from lawyers who have done this.
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And they do it in order to get the jury members to feel comfortable to fess up themselves
to their own biases and to get that dialogue going.
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And it can be very effective.
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But you're right.
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We all have biases.
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And that's one thing that we try in various ways to communicate to the jury during voir
dire to make them
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feel comfortable to own up to theirs and then we're able to say to them, you know, so does
this mean that maybe another case would be better for you that you couldn't be entirely
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impartial in deciding this case?
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And that's okay if that's true.
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And if he says, yeah, I can't be entirely impartial, then under the code, he must be
dismissed for cause, he or she, or they.
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What about in terms of biases even potentially with, you know, injuries that are more
visible or invisible and subjective, like pain or trauma, MTBI's, especially when those
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injuries, you know, don't come with maybe dramatic imaging or overt symptoms.
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Have you ever tried a case with that or how would you approach that particular biases?
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Yeah, juries are very interested in evidence and documentary evidence.
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And so it's always better to have um radiographic imaging, medical imaging, particularly
the type that is widely accepted.
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That's the gold standard, CTs, MRIs.
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There's lots of other types of imaging available now that plaintiff's lawyers are using,
but they're also under attack by defendant doctors who say, that's just experimental and
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it's not dispositive.
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and so forth.
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um So it is always better to get the documentation.
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But bottom line, you really need to tell a story, whether the damages are visible or not.
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You need to tell a story of before and after.
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And you do that um through your client and through their treating physicians.
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uh Ideally, they're going to be very supportive and also um
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good at testifying and explaining the medicine.
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But you most importantly do it through other people, what we call before and after
witnesses.
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And it could be family members and even better if they are people, I mean, I've heard
people bringing in the Starbucks barista who saw the plaintiff every morning until the
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accident and then was able to testify to the change that
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he or she saw in them.
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I wanna go back to discussing the idea of deserving this, because I think there is a place
to that.
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I don't think it's all like just uh a bad thing, because it can help shape your story as
well when you're thinking about your client, your plaintiff, uh and their journey with
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this, whatever the terrible uh incident was.
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I think there's a place of showing that they are deserving this.
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I think if you ignore that, that seems like it would be a detriment as well.
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Susie, how do you go about thinking about your clients and not just the before and after,
but thinking of them.
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we talk, you hear this all the time about the hero's journey.
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It's been very popular, but I mean, geez, any superhero movie, any big blockbuster, it has
the hero's journey.
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It's ingrained in us.
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How do you go about making it so your client seems gets over that, deserving this
question, and uh you can win over the jury on that matter?
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That's such a great question and thank you for bringing up the hero's journey because you
talked about it in some of the workshops that we did together when I was working up this
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particular case.
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And I think about it now with every plaintiff.
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What is my client's journey that will inspire my jury to want to join and support?
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so that's really where the inspiration for the award comes from.
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And, you know, it's going to be different in every case.
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Sometimes it's just going to be as simple as your client did not deserve to have this
happen to them and that it's a tremendous injustice.
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And so what you inspire the jury to do is to support your clients through, you know, in a
supplementary way because you present your client as somebody who has really worked hard
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to overcome.
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this terrible misfortune that was so needlessly uh thrust upon him, her, or them.
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So um it could be that simple.
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um In our case, we were very fortunate to have a real hero.
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I mean, this man had a rough upbringing.
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um was a single, he grew up in a home of a single mom.
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uh He was the eldest boy.
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He assumed the role of dad to his younger siblings.
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He was, and they lived in the projects in San Francisco.
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And his, the best witness we had was someone he met through Big Brothers of America.
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And this man knew him when he was 13.
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This man had just come back from fighting in Vietnam, had just graduated from law school.
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They had been friends for 50 years.
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And he, and as he put it, brothers.
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And so through this man,
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who was incredibly eloquent, I was able to really tell the jury about my client's hero's
journey m and where he had reached um this hardworking person with a really noble uh
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calling to be an electrician, to support his family, and to provide illumination to
people.
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um And it was what a great service.
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And this man was able to really um
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bring that whole story out.
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So we were lucky, but I believe that story exists with everyone.
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And if it doesn't with a plaintiff, that's a case you want to think about whether you want
to bring it in front of a jury.
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I'm so glad that you said that.
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Yeah, I think that's, yeah, what is it that, there's also that idea that something has to
prompt you to like them, right?
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Even when we're playing villains, ah don't always want to necessarily identify with the
villain, but we have to find something in them that makes it worthwhile to play,
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worthwhile to create a three-dimensional character, someone that also potentially can have
some empathy because that is what makes a full...
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uh
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character that we want to continue to watch.
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oh
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if you really prepare your client to testify so that their real humanity comes to the
fore, you're going to inspire the jury to want to compensate them.
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lawyer has a role in that too.
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Yeah, it's like giving them the jury, the fuel to fight for your client, to take action
for them.
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You gotta inspire them.
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the way that, first of all, Mr.
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Perez is a fighter.
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He was a fighter.
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And so that helped so much in that particular case.
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But I love what you said, Susie.
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almost every plaintiff out there has that own version of it.
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It might be a slightly different or smaller or little smaller acts that they do to try and
live and overcome their circumstances.
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But you got to find it out.
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You got to be curious about your your client.
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It just seems like if I like what you said, if you can't if you can't connect with that
client in that way or find that that fight in them, uh it might be the
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It might not be them.
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It might be the lawyers vision of that that client.
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But if you can't find that then that's a that's a big problem because then you can't you
won't be inspired to fight for them.
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And if you can't be inspired to fight for them, how do you expect a jury to be inspired to
fight for them?
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Well, it's time to get into our case.
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So today's case is a plaintiff personal injury case, which is Susie's primary area of
focus in her practice.
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And since CrossLab is all about getting fresh points of view, we are so excited to hear
Sarah's thoughts on the cross examination as well.
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So let's get into the breakdown of today's test case.
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This is Lopez versus Madison.
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The case takes place in Bakersfield, California, a jurisdiction known for its more
conservative jury pools.
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The plaintiff, Gustavo Lopez, is a 43-year-old Guatemalan-born carpenter and father of
five.
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He was struck by a vehicle while walking his dog near a shopping center.
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The defendant, Hannah Madison, a local kindergarten teacher and daughter of a well-known
pastor in the area.
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turned into the parking lot entrance and collided with Gustavo.
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Gustavo suffered a head laceration, shoulder injury, and later received a diagnosis of a
mild traumatic brain injury.
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The defense initially denied liability but accepted full fault two days before trial.
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Vardir was limited by the judge, restricting attorney's ability to thoroughly screen the
jurors for potential bias.
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The jury consists of four Caucasian men,
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for Caucasian women, one Asian man, two Hispanic women, and one Hispanic man.
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The jury was instructed not to consider how any damages would be paid.
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you.
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Suzy is representing Mr.
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Lopez and will conduct a cross-examination of Hannah Madison, played by Sarah, with the
goal of minimizing the impact of potential jury bias on the verdict and damages award.
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But before we dive into the cross-examination, let's take a quick break.
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And we wanna talk about, really quickly, our partners at LawPods.
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Lawyers think that LawPods are just the company that produces the TLU and trial lawyer
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podcast, but actually they create a lot of podcasts with lawyers just like you to help
reach non lawyers aka your potential clients.
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That's right, podcasts let your audience get to know and trust you.
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00:27:04,585 --> 00:27:08,673
And Robert Ingalls and his team make podcasting easy.
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00:27:09,208 --> 00:27:13,524
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There's never been a better time to get this as a tool for getting your practice out there
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00:27:21,036 --> 00:27:26,238
And to get more info, visit LawPods, L-A-W-P-O-D-S.com.
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Tell them we sent you.
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00:27:28,809 --> 00:27:32,491
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We help attorneys in private sessions and in coaching to help you be a better advocate for
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We can help you in so many different ways from learning new trial skills or
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00:27:52,061 --> 00:27:58,910
be great advocates for themselves in depositions or in cross-examinations and trial.
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00:27:59,118 --> 00:28:04,078
The best way to reach out to us is to go to our website, trialhouse.com.
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00:28:04,078 --> 00:28:07,858
That's H-A-U-S, trialhouse.com.
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00:28:07,858 --> 00:28:11,538
And we've got two free resources for attorneys on there.
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00:28:11,538 --> 00:28:23,678
One to help you craft a compelling narrative for your jury and another to help you get
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00:28:23,678 --> 00:28:27,018
And you can schedule a 30 minute.
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storytelling consultation with us.
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And no strings attached, no pressure.
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00:28:32,293 --> 00:28:37,997
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00:28:37,997 --> 00:28:41,450
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00:28:41,450 --> 00:28:45,973
ah Once again, trialhouse.com, H-A-U-S.
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We hope to talk to you soon.
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Welcome back.
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We're about to get into this test case and Susie, just to let you know, I crafted this.
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So you had to deal with bias, that is something.
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that I made sure that you had no choice but to deal with this jury bias.
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So I'm excited.
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But Olivia, give us the ground rules.
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So we are gonna do about 15 minutes today.
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If it's getting juicy, might let you go a little bit longer since it's just you.
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But in the interest of time, you can confirm any potential admissions that you might've
already covered with this witness.
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So Susie, is there anything you want us to know ahead of time?
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The only thing I would say is that when we get these fact patterns, there may be little
gaps in really fine pieces of evidence.
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when we do the constructive cross, we want to make sure that we are speaking in specifics.
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So I may throw out some specifics that Sarah hasn't seen in the fact pattern, and she can
respond any way she wants.
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She can say, she can, you know, admit that that's what she said or that that was the case.
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Or she can tell me that
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You know, I'm all wet and I'll just handle it.
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Awesome.
335
00:29:57,118 --> 00:29:58,559
Yes, definitely.
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00:29:58,559 --> 00:30:05,903
And I think that's great too, because that's how we do it in uh cross club and any of the
other programs that we do.
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00:30:05,903 --> 00:30:13,877
We purposely don't give you all the information as the attorney, because yeah, there are
potentially some specifics, but there's also maybe some angles that you might not have
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00:30:13,877 --> 00:30:19,030
realized that you can take when you can be a little bit more creative with some of those
facts.
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00:30:19,544 --> 00:30:25,374
Sarah, without giving anything away about how you're gonna be playing the witness, what
stood out to you about this character?
340
00:30:26,028 --> 00:30:35,512
I think more than anything, I thought a lot about the way that I could connect to her,
which is through the fact that she is young.
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00:30:35,512 --> 00:30:41,264
She has likely never been in a courtroom or on a witness stand before, um which I have not
either.
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00:30:41,264 --> 00:30:43,956
um So definitely that.
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00:30:43,956 --> 00:30:54,562
And I think also really focusing on what her life must be like outside of this and how
this has shifted her life and the way that she views.
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herself and her family as well.
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00:30:57,964 --> 00:30:58,955
Fantastic.
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Yes, absolutely.
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00:31:00,646 --> 00:31:03,157
So we are going to go ahead and get started.
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Steve is going to put some time on the clock.
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Suzy, the witness is yours.
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Thank you.
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00:31:09,288 --> 00:31:10,542
Thank you, Your Honor.
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00:31:10,542 --> 00:31:11,478
You're welcome.
353
00:31:12,802 --> 00:31:13,515
Good morning, Ms.
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Madison.
355
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May I call you Ms.
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Madison?
357
00:31:17,677 --> 00:31:18,432
Yes.
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So, Ms.
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Madison, my name is Suzy Njejian, and I represent Gustavo Lopez and his family in this
case.
360
00:31:27,290 --> 00:31:28,702
I understand that.
361
00:31:28,706 --> 00:31:29,531
Yes.
362
00:31:31,092 --> 00:31:42,020
We're going to talk a little bit about some of the testimony that we just heard you give
on direct examination.
363
00:31:42,161 --> 00:31:45,726
You were on your way to Redwood Commons Shopping Center.
364
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Yes.
365
00:31:48,532 --> 00:31:50,365
You were going to do some shopping?
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00:31:50,499 --> 00:31:51,309
Yes.
367
00:31:52,054 --> 00:31:54,731
You've been to Redwood Commons before.
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00:31:55,052 --> 00:31:55,887
Yes.
369
00:31:56,462 --> 00:31:58,888
In fact, you've been there many times before,
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00:31:59,213 --> 00:32:00,414
Yes, I have.
371
00:32:01,230 --> 00:32:02,290
you
372
00:32:02,290 --> 00:32:05,877
been to that shopping center in the late afternoon.
373
00:32:06,563 --> 00:32:07,373
Yes.
374
00:32:08,396 --> 00:32:14,368
So you're driving your Honda Civic patch back down Cypress Avenue.
375
00:32:14,658 --> 00:32:15,465
Yes.
376
00:32:16,172 --> 00:32:18,121
You're driving towards the sun.
377
00:32:18,658 --> 00:32:19,465
Yes.
378
00:32:20,199 --> 00:32:24,389
and the shopping mall parking entrance is over to your right.
379
00:32:26,836 --> 00:32:31,412
And you had entered through this entrance before, right?
380
00:32:31,565 --> 00:32:32,402
Yes.
381
00:32:33,036 --> 00:32:36,676
and you've made a right turn into this entrance before.
382
00:32:37,863 --> 00:32:39,346
Many times, in fact.
383
00:32:39,629 --> 00:32:40,429
Yes.
384
00:32:41,238 --> 00:32:46,363
And as you're going down Cypress Avenue, the sun is in your eyes.
385
00:32:47,384 --> 00:32:49,271
That's what you testify to.
386
00:32:49,271 --> 00:32:50,078
Yes.
387
00:32:50,926 --> 00:32:54,376
And your vision is impaired.
388
00:32:55,532 --> 00:32:56,667
A little yes.
389
00:32:57,612 --> 00:33:07,378
And you know, as you're going down Cyprus, that at this particular vehicle entrance,
there's pedestrians sometimes cross.
390
00:33:07,671 --> 00:33:08,478
Yes.
391
00:33:09,430 --> 00:33:15,668
Maybe you'd crossed that vehicle entrance yourself on foot at some point before.
392
00:33:16,419 --> 00:33:17,229
Yes.
393
00:33:18,155 --> 00:33:29,108
And you knew on the day of this incident as you're going down Cypress Avenue that the sun
was in your eyes as you making this right turn.
394
00:33:29,474 --> 00:33:30,281
Yes.
395
00:33:33,184 --> 00:33:36,980
You didn't stop your vehicle before turning right, did you?
396
00:33:39,434 --> 00:33:47,284
In fact, you were turning um into the pedestrian crossing at 10 to 15 miles per hour.
397
00:33:48,045 --> 00:33:48,845
Yes.
398
00:33:51,840 --> 00:33:53,670
We know of course what happened then.
399
00:33:57,538 --> 00:33:58,324
Yes.
400
00:33:59,672 --> 00:34:04,491
There was a thud at the right front of your car.
401
00:34:06,723 --> 00:34:07,533
Yes.
402
00:34:07,777 --> 00:34:08,937
You felt it.
403
00:34:10,871 --> 00:34:12,118
Yeah, I did.
404
00:34:12,118 --> 00:34:13,350
And you heard it.
405
00:34:14,933 --> 00:34:15,737
Yes.
406
00:34:16,192 --> 00:34:17,491
It startled you.
407
00:34:18,508 --> 00:34:19,321
Yes.
408
00:34:21,439 --> 00:34:25,704
You saw the body of Gustavo Lopez become airborne.
409
00:34:28,034 --> 00:34:28,837
Yes.
410
00:34:30,060 --> 00:34:33,896
you saw his body impact your windshield.
411
00:34:36,140 --> 00:34:37,204
Yes, I did.
412
00:34:38,146 --> 00:34:39,731
and the hood of your car.
413
00:34:42,093 --> 00:34:42,910
Yes.
414
00:34:44,267 --> 00:34:47,240
and you saw his body flung to the ground.
415
00:34:49,581 --> 00:34:50,942
Yes, I did.
416
00:34:53,836 --> 00:35:02,412
And as your car was moving, you actually felt the right front tire roll up and over
something hard.
417
00:35:03,186 --> 00:35:04,384
Do remember that?
418
00:35:06,060 --> 00:35:07,294
Yes, I do.
419
00:35:07,530 --> 00:35:08,430
Sorry.
420
00:35:09,406 --> 00:35:11,826
I'm sorry, I cut you off.
421
00:35:11,985 --> 00:35:13,821
It's just difficult to talk about.
422
00:35:14,786 --> 00:35:16,329
Yeah, I understand.
423
00:35:16,731 --> 00:35:22,826
But for purposes of the case, need to get your facts for the jury.
424
00:35:27,084 --> 00:35:29,161
Your car jerked up and down.
425
00:35:31,246 --> 00:35:31,439
Right?
426
00:35:31,439 --> 00:35:32,150
Yes.
427
00:35:33,740 --> 00:35:35,741
like you'd hit a rock or something.
428
00:35:37,986 --> 00:35:38,771
Yes.
429
00:35:39,768 --> 00:35:40,756
Turns out that was Mr.
430
00:35:40,756 --> 00:35:42,184
Lopez's dog.
431
00:35:44,684 --> 00:35:45,803
Yes, it was.
432
00:35:47,212 --> 00:35:48,165
you would run over Mr.
433
00:35:48,165 --> 00:35:49,415
Lopez's doll.
434
00:35:51,533 --> 00:35:52,329
Yes.
435
00:35:54,552 --> 00:35:56,195
So you stopped your car.
436
00:35:57,836 --> 00:35:58,708
Yes.
437
00:36:00,467 --> 00:36:01,348
Yes.
438
00:36:02,348 --> 00:36:02,961
You saw Mr.
439
00:36:02,961 --> 00:36:04,525
Lopez on the ground?
440
00:36:05,378 --> 00:36:06,181
Yes.
441
00:36:07,534 --> 00:36:09,597
He had a gash on his forehead.
442
00:36:11,510 --> 00:36:12,334
Yes.
443
00:36:13,762 --> 00:36:16,684
He was holding his dog, Tonky, in his arms.
444
00:36:17,805 --> 00:36:18,642
Yes.
445
00:36:20,642 --> 00:36:22,184
The dog wasn't moving.
446
00:36:27,768 --> 00:36:29,491
but it was making some sound.
447
00:36:33,495 --> 00:36:34,302
Yes.
448
00:36:36,620 --> 00:36:39,211
and you saw blood on the dog's fur.
449
00:36:41,346 --> 00:36:42,494
Yes, I did.
450
00:36:45,784 --> 00:36:49,215
So let's go to when the paramedics came.
451
00:36:50,880 --> 00:36:52,777
You saw the paramedics arrive?
452
00:36:53,634 --> 00:36:54,419
Yes.
453
00:36:55,916 --> 00:36:57,599
And they began tending to Mr.
454
00:36:57,599 --> 00:37:00,704
Lopez's forehead to the gash there.
455
00:37:01,324 --> 00:37:02,847
Yes, I believe so.
456
00:37:04,844 --> 00:37:05,297
and Mr.
457
00:37:05,297 --> 00:37:08,169
Lopez continued to cradle his dog.
458
00:37:10,317 --> 00:37:11,134
Yes.
459
00:37:13,218 --> 00:37:15,313
You testified that you heard Mr.
460
00:37:15,313 --> 00:37:19,673
Lopez say that he didn't need an ambulance.
461
00:37:21,228 --> 00:37:22,101
Yes.
462
00:37:23,378 --> 00:37:24,260
Yes.
463
00:37:26,431 --> 00:37:31,348
And you heard him say something like, I'm okay or something like that.
464
00:37:31,565 --> 00:37:32,382
Yes.
465
00:37:34,092 --> 00:37:34,474
and Mr.
466
00:37:34,474 --> 00:37:36,459
Lopez stayed at the scene.
467
00:37:37,516 --> 00:37:38,368
Yes.
468
00:37:39,886 --> 00:37:40,936
Yes.
469
00:37:42,700 --> 00:37:45,459
And then the family came and took Mr.
470
00:37:45,459 --> 00:37:48,136
Lopez and Tonke away from the scene.
471
00:37:48,867 --> 00:37:49,677
Yes.
472
00:37:52,896 --> 00:37:54,663
Now, you heard Mr.
473
00:37:54,663 --> 00:37:57,461
Lopez's testimony in this trial.
474
00:37:58,658 --> 00:37:59,828
Yes, I did.
475
00:38:01,430 --> 00:38:08,718
He's testified that he experienced disabilities since he was struck on that day.
476
00:38:10,092 --> 00:38:11,626
Yes, that's what he said.
477
00:38:13,206 --> 00:38:22,310
He testified that on the day he was struck at Redwood Commons, his family took him to the
ER, to the emergency room.
478
00:38:23,384 --> 00:38:24,823
That's why he said yes.
479
00:38:26,188 --> 00:38:30,913
and he testified over the care he received over the subsequent months.
480
00:38:31,821 --> 00:38:32,617
Yes.
481
00:38:32,661 --> 00:38:34,025
up until today.
482
00:38:35,053 --> 00:38:35,853
Yes.
483
00:38:37,139 --> 00:38:39,445
And he's seen orthopedists.
484
00:38:41,869 --> 00:38:42,686
Yes.
485
00:38:43,054 --> 00:38:44,426
chiropractor.
486
00:38:45,474 --> 00:38:46,281
Yes.
487
00:38:46,658 --> 00:38:48,214
pain management.
488
00:38:48,845 --> 00:38:49,662
Yes.
489
00:38:51,212 --> 00:38:56,476
He's been diagnosed with bulging discs in his neck and in his lower back.
490
00:38:57,666 --> 00:38:59,339
Yes, that's what he said.
491
00:39:01,696 --> 00:39:05,547
And he testified that he was offered a spinal fusion.
492
00:39:07,064 --> 00:39:07,878
Yes.
493
00:39:09,108 --> 00:39:13,996
and a surgery to repair his rotator cuff in his shoulder.
494
00:39:14,829 --> 00:39:15,646
Yes.
495
00:39:19,621 --> 00:39:22,228
and he had a severe sprain in his knee as well.
496
00:39:22,228 --> 00:39:23,369
Remember that?
497
00:39:24,064 --> 00:39:25,804
I remember him saying that, yes.
498
00:39:27,916 --> 00:39:28,973
And you know that Mr.
499
00:39:28,973 --> 00:39:31,475
Lopez is a carpenter, right?
500
00:39:31,981 --> 00:39:32,781
Yes.
501
00:39:33,634 --> 00:39:39,934
that he used to work 50 hour weeks before he was injured in this collision.
502
00:39:40,942 --> 00:39:42,351
That's what he said, yes.
503
00:39:44,128 --> 00:39:52,850
and he's testified that now he has to turn down jobs because oh his strength and abilities
haven't been restored.
504
00:39:54,306 --> 00:39:55,624
where he said yes.
505
00:39:58,082 --> 00:39:59,315
And you also heard Mr.
506
00:39:59,315 --> 00:40:06,924
Lopez talk about ah cognitive impairments that he's experienced.
507
00:40:06,924 --> 00:40:08,126
Do remember that?
508
00:40:08,620 --> 00:40:10,398
Yes, I remember him saying that.
509
00:40:12,130 --> 00:40:14,447
He can't remember things that he knows.
510
00:40:16,142 --> 00:40:17,760
That's why he said yes.
511
00:40:18,690 --> 00:40:20,991
like he's blanked on his own phone number.
512
00:40:22,488 --> 00:40:23,699
That's what he said.
513
00:40:25,098 --> 00:40:31,596
And we heard from his family that he's had these unpredictable changes in mood.
514
00:40:32,823 --> 00:40:33,672
Yes.
515
00:40:34,594 --> 00:40:39,930
He gets irritable over little things.
516
00:40:41,218 --> 00:40:41,524
Yes.
517
00:40:41,524 --> 00:40:42,662
oh
518
00:40:44,022 --> 00:40:56,196
Now you personally, just you, not your attorneys or the experts your attorneys have hired,
you personally do not have any evidence to contradict anything Mr.
519
00:40:56,196 --> 00:41:00,682
Lopez has said about his health since this accident.
520
00:41:00,682 --> 00:41:01,502
True?
521
00:41:02,008 --> 00:41:04,524
That's correct, I'm not a doctor, so.
522
00:41:05,974 --> 00:41:09,249
And obviously you haven't been to any of his medical appointments.
523
00:41:09,249 --> 00:41:10,083
No.
524
00:41:10,097 --> 00:41:10,878
No.
525
00:41:11,968 --> 00:41:18,803
In fact, except for seeing him at this trial, you've not seen him at all since the
collision.
526
00:41:18,803 --> 00:41:19,614
True.
527
00:41:19,650 --> 00:41:20,810
That is correct.
528
00:41:25,570 --> 00:41:32,102
back to the scene at some point at the scene you called your dad or texted him
529
00:41:32,589 --> 00:41:33,929
Yeah, I called him.
530
00:41:35,628 --> 00:41:39,324
And you called him because, well, something bad had happened.
531
00:41:40,118 --> 00:41:42,079
Yeah, he's the first person I call.
532
00:41:43,766 --> 00:41:45,341
and you needed his help.
533
00:41:45,890 --> 00:41:46,698
Yes.
534
00:41:48,110 --> 00:41:49,662
because you'd hit a person.
535
00:41:51,118 --> 00:41:51,928
Yes.
536
00:41:52,898 --> 00:41:55,332
you'd hit a person's dog.
537
00:41:57,261 --> 00:41:58,078
Yes.
538
00:42:00,502 --> 00:42:07,336
And the impact had been hard enough to damage the windshield and hood of your Honda.
539
00:42:08,270 --> 00:42:09,159
Correct.
540
00:42:11,408 --> 00:42:14,454
So your dad is a pastor, isn't he?
541
00:42:14,988 --> 00:42:16,504
Yes, he is.
542
00:42:17,332 --> 00:42:20,958
at one of the largest congregations in Bakersfield.
543
00:42:21,378 --> 00:42:22,207
Yes.
544
00:42:24,295 --> 00:42:28,426
You are active in your dad's church as well, right?
545
00:42:28,620 --> 00:42:30,187
Yeah, very much so.
546
00:42:30,818 --> 00:42:32,423
We teach kindergarten there.
547
00:42:32,450 --> 00:42:33,274
Yes.
548
00:42:35,320 --> 00:42:38,197
So you think a lot of your dad?
549
00:42:38,892 --> 00:42:39,659
Yeah, I do.
550
00:42:39,659 --> 00:42:41,845
He's the best man I know.
551
00:42:43,318 --> 00:42:45,151
and he must think a lot of you.
552
00:42:46,477 --> 00:42:47,461
I hope so.
553
00:42:49,614 --> 00:42:53,940
So when your father arrived at the scene, the paramedics were still there?
554
00:42:54,983 --> 00:42:55,484
And Mr.
555
00:42:55,484 --> 00:42:57,066
Lopez was still there?
556
00:42:57,517 --> 00:42:58,334
Yes.
557
00:42:59,848 --> 00:43:04,700
And you saw your father speak with the police officers.
558
00:43:06,198 --> 00:43:07,062
Yes.
559
00:43:08,236 --> 00:43:11,878
He talked to them for about half an hour to 45 minutes.
560
00:43:13,620 --> 00:43:18,721
I can't tell you exactly how long it was, but he talked to them for a little bit, yes.
561
00:43:20,204 --> 00:43:23,027
And you didn't see him ever approach Mr.
562
00:43:23,027 --> 00:43:24,177
Lopez?
563
00:43:24,298 --> 00:43:28,071
Did You didn't ask him to speak to Mr.
564
00:43:28,071 --> 00:43:29,102
Lopez?
565
00:43:32,130 --> 00:43:34,579
and then you and your family left the scene together.
566
00:43:34,818 --> 00:43:35,624
Yes.
567
00:43:40,428 --> 00:43:40,679
Ms.
568
00:43:40,679 --> 00:43:45,354
Madison, you've accepted responsibility for this collision, true?
569
00:43:46,008 --> 00:43:48,863
Yes, and I'm very, very sorry that it happened.
570
00:43:50,030 --> 00:43:56,800
I'm sure you are and you know that it's the right thing to accept responsibility for this
collision.
571
00:43:57,080 --> 00:43:57,880
Yes.
572
00:43:59,318 --> 00:44:03,530
And this collision happened on September 23rd, 2023.
573
00:44:04,141 --> 00:44:04,941
Yes.
574
00:44:05,570 --> 00:44:06,962
two and a half years ago.
575
00:44:07,542 --> 00:44:08,346
Yes.
576
00:44:10,412 --> 00:44:15,708
And you decided to admit fault only two days before this trial began.
577
00:44:15,708 --> 00:44:17,502
Isn't that right?
578
00:44:18,637 --> 00:44:19,437
Yes.
579
00:44:21,192 --> 00:44:28,574
Before that, you denied any responsibility for this accident.
580
00:44:30,573 --> 00:44:31,395
Yes.
581
00:44:33,186 --> 00:44:42,300
And now that we have a jury, you accept that this accident and the damages caused were all
your fault.
582
00:44:45,098 --> 00:44:47,696
Yes, within the last couple of days, yes.
583
00:44:48,663 --> 00:44:50,356
Thank you, that's all I have.
584
00:44:53,326 --> 00:44:54,477
I don't know if I went long enough.
585
00:44:54,477 --> 00:44:55,746
Did I go long enough?
586
00:44:55,746 --> 00:44:56,647
That was perfect.
587
00:44:56,647 --> 00:44:59,008
It was like just 14 minutes.
588
00:44:59,169 --> 00:44:59,666
dear.
589
00:44:59,666 --> 00:45:01,390
I don't think you could go any longer.
590
00:45:01,390 --> 00:45:11,817
It be a murder and then we'd have another case on our hands because of the murder that you
caused to this poor witness.
591
00:45:12,920 --> 00:45:16,317
You got a lot accomplished in 14 minutes.
592
00:45:16,317 --> 00:45:19,343
was a little bit of everything.
593
00:45:19,343 --> 00:45:21,206
How did that feel though to you?
594
00:45:21,206 --> 00:45:22,970
We'll go to you first, Suzy.
595
00:45:22,970 --> 00:45:25,513
Did you accomplish what you wanted to accomplish?
596
00:45:25,922 --> 00:45:34,527
Well, I did, but what was scaring me was, she's angelic and sympathetic and the jury's
gonna be feeling sorry for her.
597
00:45:34,527 --> 00:45:47,474
And so I had to show her, you know, that I respected her humanity, m that she, I think
she's a good person and her dad's a good person and they love each other very much.
598
00:45:47,474 --> 00:45:51,516
I wanted to get that in there um to humanize myself.
599
00:45:51,516 --> 00:45:55,412
um I think if I did it again,
600
00:45:55,412 --> 00:46:08,416
I might have, I don't know, this is tough because, you know, there are lawyers who would
um be, uh you know, more, I don't know, I guess.
601
00:46:10,070 --> 00:46:11,911
Let me think about this a minute.
602
00:46:12,471 --> 00:46:17,853
I've heard lawyers talk about the witness gets up and he looks like my teenage son.
603
00:46:17,953 --> 00:46:27,797
And I was all ready to get him to admit all this stuff, but then that's not what I ended
up doing because I didn't think it was going to help me.
604
00:46:28,838 --> 00:46:38,764
But even before I knew what kind of a witness Sarah would be, whether she would be a
crying witness or you know, or
605
00:46:38,764 --> 00:46:47,541
a real docile witness as she was, I decided that I was going to focus on um humanizing Mr.
606
00:46:47,541 --> 00:46:49,483
Lopez as much as possible.
607
00:46:49,703 --> 00:46:52,766
And the best way to do that was to really talk about his dog.
608
00:46:52,766 --> 00:46:59,211
um Because people understand the love of a dog.
609
00:46:59,492 --> 00:47:03,434
And that just puts us all on the same level.
610
00:47:03,855 --> 00:47:07,318
We see past ethnicity and demographics
611
00:47:07,318 --> 00:47:12,164
when we see a person holding his dog, his bleeding dog.
612
00:47:12,205 --> 00:47:16,024
So that's the approach that I took.
613
00:47:16,024 --> 00:47:16,736
Yeah.
614
00:47:16,736 --> 00:47:24,291
Did you have any expectation that she might be something other than Angelic, ah what
potentially is on the page?
615
00:47:24,291 --> 00:47:27,998
Like, did you have any suspicion that she might be other than that?
616
00:47:28,430 --> 00:47:38,694
um Well, she could have been really sort of um assertive um and defensive.
617
00:47:39,675 --> 00:47:45,437
She could have betrayed um maybe some bias against Mr.
618
00:47:45,437 --> 00:47:50,839
Lopez that he's not a member of their church um and therefore he is not going to heaven.
619
00:47:50,839 --> 00:47:56,481
um You know, sometimes you will get somebody like that who betrays that a little bit.
620
00:47:56,481 --> 00:47:58,342
um
621
00:47:58,450 --> 00:48:06,173
know, kindergarten teacher, was actually expecting her to be as um she did portray
herself.
622
00:48:06,173 --> 00:48:21,628
Just really likable, really cute, um really remorseful, and following her lawyer's advice
not to get defensive, not to argue with me, which is what her lawyer would have told her
623
00:48:21,628 --> 00:48:22,378
to do.
624
00:48:22,666 --> 00:48:34,470
Here's what I noticed though that you did do, and I don't know if this was purposeful or
not, but I could, in your first few questions, um I did notice the, uh well, I would say
625
00:48:34,470 --> 00:48:44,623
in the acting world was your intention was to dip your toe in the water to see how is this
witness going to react and how do I adjust?
626
00:48:44,623 --> 00:48:48,376
And I noticed you take that approach with your first.
627
00:48:48,376 --> 00:48:49,497
couple of questions.
628
00:48:49,497 --> 00:48:59,653
And what I saw then in that case that it buys you a little bit of time, gives you a moment
for both of you even, because she's never been on the stand, to acclimate to whatever
629
00:48:59,653 --> 00:49:01,714
water you are stepping into.
630
00:49:01,714 --> 00:49:03,095
And that's what I saw.
631
00:49:03,095 --> 00:49:11,360
I don't know if it was purposeful in that way, but that's what I could see you doing to
kind of have this moment of adjustment for yourself to do that.
632
00:49:11,360 --> 00:49:15,222
Is that something that you intended or just something that I saw, Suzy?
633
00:49:16,494 --> 00:49:18,656
unconscious, I certainly was sizing her up.
634
00:49:18,656 --> 00:49:26,683
um I wanted to get an answer from her so that I could see where she, you know, basically,
what is her tone?
635
00:49:26,683 --> 00:49:28,825
What is her approach going to be in this?
636
00:49:28,825 --> 00:49:32,508
So yeah, but that doesn't mean that I knew where she was going to go.
637
00:49:32,508 --> 00:49:40,434
There were several times where I thought she might start crying and I'm going to have to
do something about that.
638
00:49:40,722 --> 00:49:46,267
into the crying part because I saw there was real emotion there and Sarah did a great job
with that.
639
00:49:46,267 --> 00:49:49,449
um And I can't wait to get your thoughts on that.
640
00:49:49,690 --> 00:50:06,264
But for me, what I was seeing is because of the tone that you held, it was tough for her
to cry because you were so smooth and you weren't attacking.
641
00:50:06,264 --> 00:50:09,210
There was no attacking in your tone.
642
00:50:09,210 --> 00:50:21,851
it was just so factual ah that even when uh and I'd love to I want to kick it to Sarah
next but it seemed like even when you went by that step by step when you're painting the
643
00:50:21,851 --> 00:50:26,905
picture so effectively about the scene of the accident and you went back again.
644
00:50:26,905 --> 00:50:37,474
ah It was hard for her to you know because I don't you know I don't think she was being
attacked so it's hard to.
645
00:50:37,602 --> 00:50:49,536
get to that crying place if you're not, you know, if somebody's not going after you and
accusing you and, uh you know, there was, sometimes when we're playing these parts.
646
00:50:51,106 --> 00:50:56,633
Tears can help us escape somewhere that's uncomfortable and doesn't, where we don't wanna
be.
647
00:50:56,633 --> 00:51:03,232
But I think you kept it just uncomfortable enough, uncomfortable enough to where she
couldn't go to that place.
648
00:51:03,232 --> 00:51:04,934
But Sarah, what did you feel?
649
00:51:04,934 --> 00:51:06,966
How did you feel about the cross?
650
00:51:08,970 --> 00:51:10,051
It was wild.
651
00:51:10,051 --> 00:51:14,693
think I that's the perfect way to describe it, Steve.
652
00:51:14,693 --> 00:51:19,495
I feel like I was way more comfortable than I was expecting to be.
653
00:51:19,710 --> 00:51:32,750
And Susie, the way that you spoke to me was so kind that I was like, okay, I just have to
listen to her and answer her questions and I can get through this and then it'll be done.
654
00:51:32,750 --> 00:51:35,322
And that was very much.
655
00:51:36,000 --> 00:51:45,513
what I was feeling and there wasn't really anything that you were giving me that I felt
like I had the right to fight you on.
656
00:51:45,513 --> 00:51:50,644
I'm so glad that you said that because that's what we tell attorneys all the time and what
we work with our clients on.
657
00:51:50,644 --> 00:51:59,016
When you are doing it, doing it fact by fact like that takes so much of the fear off of us
that it does put us at ease.
658
00:51:59,016 --> 00:52:05,318
And so that is to your advantage, Suzy, and any attorney's advantage to really take it
factually, take all of the
659
00:52:05,398 --> 00:52:07,950
conclusions out of it and do it step by step.
660
00:52:07,950 --> 00:52:17,909
That's another thing where if things are so step by step like you did it, Suzy, even
starting off with the fact that she's done this before, she's gone down that street
661
00:52:17,909 --> 00:52:20,872
before, she's made a right turn there before.
662
00:52:20,872 --> 00:52:25,926
All of those things, fact by fact doesn't also allow your witness to feel like, gosh, I
got to fill in a gap.
663
00:52:25,926 --> 00:52:30,890
Because you were doing it so incrementally that you were missing nothing in each of your
questions.
664
00:52:30,890 --> 00:52:32,844
So that also doing it
665
00:52:32,844 --> 00:52:37,098
That way also takes a load off of us to feel like, my gosh, I gotta, she's missing
something.
666
00:52:37,098 --> 00:52:39,600
I gotta say something more than a yes or no.
667
00:52:39,600 --> 00:52:48,047
So I loved that chapter, by the way, all the things that she has done before making this a
normal situation.
668
00:52:48,047 --> 00:52:48,717
you know what I mean?
669
00:52:48,717 --> 00:52:57,094
Like, like she would have known she's done this many times before and not being afraid to
say the sun was in your eyes.
670
00:52:57,815 --> 00:53:00,185
Like that for me, your vision was impaired.
671
00:53:00,185 --> 00:53:02,038
I don't know that every...
672
00:53:02,478 --> 00:53:09,278
From my opinion, I don't know that every attorney would own that and take that on.
673
00:53:09,278 --> 00:53:11,011
Steve's shaking his head too.
674
00:53:11,011 --> 00:53:18,762
I think that takes a lot of courage um to take that angle.
675
00:53:19,212 --> 00:53:27,082
Well, and she gave you like a great answer for you because she said a little and I was
like, I was like, is she gonna loop that?
676
00:53:27,082 --> 00:53:28,407
Is she gonna hammer her with that?
677
00:53:28,407 --> 00:53:29,765
And you're like, No, that's good.
678
00:53:29,765 --> 00:53:30,776
I'm just gonna move on.
679
00:53:30,776 --> 00:53:35,511
ah So Suzy, was that a moment where you were considering what to do with that answer?
680
00:53:35,511 --> 00:53:37,445
Or did that just kind of?
681
00:53:37,445 --> 00:53:38,744
Where were you with that?
682
00:53:38,744 --> 00:53:43,577
So I actually assumed that that was her defense, that the sun was in her eyes.
683
00:53:43,577 --> 00:53:45,358
So I thought that that was a given.
684
00:53:45,358 --> 00:53:53,543
um And so when I asked her, I really thought I was going over old ground and didn't think
I was, you know, grabbing a new admission.
685
00:53:53,543 --> 00:53:57,698
And I didn't think to loop it at all because I thought it was already part of the record.
686
00:53:57,698 --> 00:54:03,325
Yeah, I guess it's the idea of you owning her story by saying it and confirming it.
687
00:54:03,325 --> 00:54:06,118
Confirming the fact that the sun was in her eyes.
688
00:54:06,118 --> 00:54:07,160
I guess that's how I felt.
689
00:54:07,160 --> 00:54:13,157
Like that I don't know that every attorney would put that as far as owning it in that way.
690
00:54:13,157 --> 00:54:14,368
Does that make sense?
691
00:54:14,368 --> 00:54:23,443
Yeah, I will add that in an admitted liability case, I don't know that a judge would have
allowed those questions.
692
00:54:23,443 --> 00:54:24,484
It's a fine line.
693
00:54:24,484 --> 00:54:29,286
You are not allowed to ask about what they did wrong or what they failed to do.
694
00:54:29,286 --> 00:54:31,408
And I did go there with her.
695
00:54:31,408 --> 00:54:34,879
I did expose things in terms of the right turn lane.
696
00:54:34,879 --> 00:54:38,291
She didn't stop first, and then she was 10 to 15 miles an hour.
697
00:54:38,431 --> 00:54:43,274
I think there would have been objections, and um I would have argued that, well,
698
00:54:43,274 --> 00:54:44,895
I am allowed to set the scene.
699
00:54:44,895 --> 00:54:52,360
m And so it would have depended on what the judge wanted to do with that and how much the
judge wanted me to be able to say about the scene.
700
00:54:52,360 --> 00:55:02,386
But we can certainly talk about the scene in order to establish damages and what she saw
and what happened um after the collision and all of that.
701
00:55:02,386 --> 00:55:08,360
But that particular piece with the collision, the sun in her eyes, I don't even know if I
would have been allowed to say that.
702
00:55:08,364 --> 00:55:11,175
I like that you're not afraid to go there though.
703
00:55:11,476 --> 00:55:16,998
it's that whole thing of it's better to be uh forgiven than to ask permission.
704
00:55:18,459 --> 00:55:28,444
With that kind of an ethos, is that what you bring to any cross examination when you're in
trial?
705
00:55:28,444 --> 00:55:32,884
Or is it you have to be really calculating because there might be some danger in that?
706
00:55:32,884 --> 00:55:36,876
I think some lawyers push the envelope way more than I do.
707
00:55:36,916 --> 00:55:38,477
don't like objections.
708
00:55:38,477 --> 00:55:46,681
uh And so I'm not going to, you know, because it just interrupts the flow and it
interrupts the story that I'm eliciting.
709
00:55:46,702 --> 00:55:53,605
But some lawyers, just, uh they'll just bulldoze beyond the judge sustaining objections.
710
00:55:53,806 --> 00:55:55,547
And they're comfortable doing that.
711
00:55:55,547 --> 00:56:02,123
Me, if there had been an objection sustained, I would have, you know, pivoted.
712
00:56:02,123 --> 00:56:05,634
And I'm happy that the question got out there because the jury heard it and they know.
713
00:56:05,634 --> 00:56:08,215
To add something about the Sun fact.
714
00:56:08,215 --> 00:56:09,075
Yeah.
715
00:56:09,075 --> 00:56:14,036
I think that was part of what made me comfortable as well because I was like, she sees me.
716
00:56:14,036 --> 00:56:17,317
She's not trying to accuse me of using my phone.
717
00:56:17,317 --> 00:56:34,482
em So for you to confirm my story and something that was part of my defense em was
actually really successful in getting me on your side, I think.
718
00:56:34,540 --> 00:56:43,446
because that made me more comfortable because you were agreeing with what I said happened
in that way.
719
00:56:43,446 --> 00:56:46,757
I wanna go to the next part of the cross where we get in.
720
00:56:46,757 --> 00:56:52,110
We kind of talked about it already about setting the, you know, that moment of the impact.
721
00:56:52,110 --> 00:56:58,572
But what you did was so, ignited all the senses so much.
722
00:56:58,572 --> 00:57:05,415
was, uh we had, we could feel it, we could hear it.
723
00:57:05,415 --> 00:57:13,074
ah There was so much, and then it was like the bump, like you hit, uh like you rolled a,
724
00:57:13,074 --> 00:57:25,474
rolled over a rock and that was, and then we find out that's the dog, you know, that's
you, you took her step by step through that and we could all see and feel that before I
725
00:57:25,474 --> 00:57:32,289
get your feedback into it, uh Suzy, Sarah, how did that feel as the witness?
726
00:57:32,350 --> 00:57:32,994
it
727
00:57:32,994 --> 00:57:33,875
It was horrible.
728
00:57:33,875 --> 00:57:41,240
think, I mean, from an acting perspective, it was great because I didn't have to do any
work because it was all being relayed to me.
729
00:57:41,240 --> 00:57:50,827
um And as an actor, that's obviously something that I had thought about, but it was
completely laid out for me in every sense.
730
00:57:50,827 --> 00:57:58,152
There was no way for me as the witness to not relive exactly what happened.
731
00:57:58,232 --> 00:58:01,074
And even that detail, like you said, of...
732
00:58:01,632 --> 00:58:06,365
like going over a rock, that must have been exactly what it felt like.
733
00:58:06,365 --> 00:58:12,338
And then to realize that the rock that you went over was actually a dog is horrifying.
734
00:58:12,338 --> 00:58:16,861
Yeah, it was laid out.
735
00:58:16,861 --> 00:58:17,902
Yeah, there were no gaps.
736
00:58:17,902 --> 00:58:25,426
Yeah, your word choice, thud, is just one of those words that like you say, but it's also
like, I don't know, is it automatopoeia?
737
00:58:25,426 --> 00:58:26,429
Is that the right way saying it?
738
00:58:26,429 --> 00:58:27,962
It sounds like it, yeah.
739
00:58:28,812 --> 00:58:30,563
body became airborne.
740
00:58:30,563 --> 00:58:32,083
Like, how is she gonna deny that?
741
00:58:32,083 --> 00:58:34,174
Of course she freaking saw that, right?
742
00:58:34,174 --> 00:58:44,249
But that is also when you could see her kind of go internal and feel, I could see at least
from you, Sarah, like starting to get emotional because you were walking her through it.
743
00:58:44,249 --> 00:58:50,211
But again, so fact-based flung and blood on the dog's fur.
744
00:58:50,211 --> 00:58:57,724
uh Just images that we can see here and then to reduce the dog to a rock.
745
00:58:57,838 --> 00:59:04,133
ah I just thought was really that the word choice of rock was really um important.
746
00:59:04,133 --> 00:59:04,894
Yeah.
747
00:59:05,066 --> 00:59:16,695
I want to say something about the dog questions because that, mean, we've already talked
about how that's such a great uh part of, and I don't mean great because it's awful what
748
00:59:16,695 --> 00:59:21,078
happens to the dog, but that was such an impactful moment.
749
00:59:21,078 --> 00:59:27,923
going back to people, like you said, Susie, people care about animals more than humans
half the time.
750
00:59:27,923 --> 00:59:29,984
And so you really use that.
751
00:59:30,485 --> 00:59:31,916
We've worked with
752
00:59:31,960 --> 00:59:39,835
cases where there was reluctance to talk about the dog uh or a dog involved in whatever
the accident was.
753
00:59:39,835 --> 00:59:46,252
But in this particular case, because this is based on a real case, right, Steve, that
we've kind of altered a little bit, and there was a dog involved.
754
00:59:46,252 --> 00:59:54,965
Yeah, and there was a reluctance to talk about it because there's, can't, you know, it's
not part of the injuries that were sustained.
755
00:59:54,965 --> 01:00:02,307
ah And so it's like, well, we can't go after that, but it's not about the injuries.
756
01:00:02,466 --> 01:00:08,299
It's about igniting the jury's, their anger about this.
757
01:00:08,299 --> 01:00:11,390
They're getting them sucked into this story.
758
01:00:12,074 --> 01:00:13,635
Is there any danger to that?
759
01:00:13,635 --> 01:00:17,997
Susie has someone who is not a lawyer and we just think about story elements.
760
01:00:18,057 --> 01:00:21,839
Is there any danger to to bringing that dog in there?
761
01:00:21,839 --> 01:00:27,482
Are you worried about there being some kind of objections or anything to to that dog?
762
01:00:27,482 --> 01:00:28,278
Well,
763
01:00:28,278 --> 01:00:35,298
if the dog is really unrelated to what's going on, which is hard to imagine.
764
01:00:35,298 --> 01:00:44,107
I mean, if you're walking your dog and you're hit and you're stunned, you're going to
think about your child and whether they're okay.
765
01:00:44,107 --> 01:00:45,739
And so I sort of added that.
766
01:00:45,739 --> 01:00:50,111
I embellished that fact that he was actually cradling Tonki.
767
01:00:50,592 --> 01:00:54,722
And that allowed me to explain why
768
01:00:54,722 --> 01:01:00,126
he waved off the ambulance and said, I'm okay, because all he could think about was his
dog.
769
01:01:00,126 --> 01:01:02,509
I mean, and I think everyone can relate to that.
770
01:01:02,509 --> 01:01:06,572
So that was the narrative I was going with.
771
01:01:06,572 --> 01:01:13,568
they're, you know, if he had been walking, I don't know, I can't imagine a scenario where
he wouldn't care about the dog.
772
01:01:13,568 --> 01:01:18,652
mean, even if it's somebody else's dog, it's like the responsibility you feel somebody
else's child.
773
01:01:18,652 --> 01:01:21,003
I mean, really, our dogs are our children.
774
01:01:21,004 --> 01:01:23,852
So that to me was the, m
775
01:01:23,852 --> 01:01:28,091
you know, a real gift in this fact pattern against the defendant.
776
01:01:28,091 --> 01:01:31,630
However cute she is, she ran over a dog.
777
01:01:31,630 --> 01:01:43,253
You also went into the play-by-play of the medical and, you know, assuming that she was
there in the courtroom while your client was testifying, I don't see any other way, and I
778
01:01:43,253 --> 01:01:54,317
want to ask you, Sarah, that she denies that because she could potentially come off as
insensitive, uh you know, denying any of those claims that she heard him testify to in
779
01:01:54,317 --> 01:01:54,647
court.
780
01:01:54,647 --> 01:01:57,417
Sarah, how did you feel during that section?
781
01:01:58,138 --> 01:01:59,358
I think...
782
01:01:59,478 --> 01:02:05,423
I was definitely, I got a little uncomfortable toward the end just because there was so
much.
783
01:02:05,423 --> 01:02:22,257
um And it didn't feel like I, there wasn't anything I could add or say to any of that
other than agree that that's what he said because as Susie said, I wasn't in all of those
784
01:02:22,257 --> 01:02:23,238
doctor's appointments.
785
01:02:23,238 --> 01:02:28,386
um So I was toward the end,
786
01:02:28,386 --> 01:02:33,771
just getting a little, okay, what's the point here on my end?
787
01:02:33,771 --> 01:02:47,112
Because to her, I think it feels a little irrelevant to go over each of those em injuries
because she can't say anything to that.
788
01:02:47,594 --> 01:02:53,668
And that's a good point because, um you know, I was taking a risk that I might anger the
jury.
789
01:02:53,668 --> 01:02:58,682
The jury might resent that I'm taking her through all that because she doesn't know.
790
01:02:58,822 --> 01:02:59,843
And it's unfair.
791
01:02:59,843 --> 01:03:06,568
uh But it was an opportunity to get those facts out there through the named defendant.
792
01:03:06,568 --> 01:03:15,822
um And so that the jury understands what I'm trying to tell the jury is she doesn't
personally doubt any of this is true.
793
01:03:15,822 --> 01:03:26,208
um It's her lawyer and these experts, paid experts that they brought in, they paraded in
to undermine the claims of the plaintiff.
794
01:03:26,208 --> 01:03:38,615
But she did really well in um making sure the jury knew that she's not agreeing that those
are his damages, but she's agreeing that that's what he said in this courtroom.
795
01:03:38,615 --> 01:03:39,996
Yeah, she heard that.
796
01:03:39,996 --> 01:03:42,057
He testified to that.
797
01:03:42,057 --> 01:03:43,610
So she held her own.
798
01:03:43,610 --> 01:03:57,376
I was gonna say that that that strategy of taking the focus off of Hannah, Sarah's
character Hannah, and putting it on the lawyers, we actually are working on uh a uh with
799
01:03:57,376 --> 01:04:02,598
an attorney on a case where there is a sympathetic uh defendant.
800
01:04:02,618 --> 01:04:06,690
And that was that was what we talked about.
801
01:04:06,690 --> 01:04:12,822
Let's put the focus on this big law firm, you know, and you can I just kind of, hey, this
this
802
01:04:12,822 --> 01:04:15,843
defendant you can see doesn't have a whole lot of money.
803
01:04:15,843 --> 01:04:17,303
It's this big law firm.
804
01:04:17,303 --> 01:04:19,314
Well, how does the big law firm come to be?
805
01:04:19,314 --> 01:04:21,395
You know, you can add that together.
806
01:04:21,395 --> 01:04:22,325
That's a whole different thing.
807
01:04:22,325 --> 01:04:24,716
But really putting the focus on the attorneys.
808
01:04:24,716 --> 01:04:27,747
Do you do you try to do that often?
809
01:04:27,747 --> 01:04:31,658
uh Unless it's egregious, and the defendant is worthy of that.
810
01:04:31,658 --> 01:04:37,450
But you try to put the focus on the attorneys and the experts as much as possible, Susie.
811
01:04:37,550 --> 01:04:38,350
Actually not.
812
01:04:38,350 --> 01:04:42,731
I try to ignore the attorneys and act like they don't matter.
813
01:04:42,731 --> 01:04:43,762
They're irrelevant.
814
01:04:43,762 --> 01:04:45,872
I don't let them trigger me.
815
01:04:45,872 --> 01:04:53,375
um And I notice that they like to pile on me and they like to complain about me to the
jury.
816
01:04:53,375 --> 01:04:55,575
And I don't think the jury likes that.
817
01:04:55,955 --> 01:05:03,337
So what I did here was because she is so likeable and because she's a Christian.
818
01:05:03,337 --> 01:05:05,440
She and her father
819
01:05:05,440 --> 01:05:08,632
are very active in a church, love thy neighbor.
820
01:05:08,632 --> 01:05:12,415
And I want the jury to know that that's who she is.
821
01:05:12,415 --> 01:05:20,140
And she's gonna agree with me that Lopez uh is entitled to be compensated for what
happened to him.
822
01:05:20,140 --> 01:05:23,642
And quite apart from what her lawyers are saying.
823
01:05:23,642 --> 01:05:35,064
So it was really not, um it really wasn't demonizing the defense team as much as it was
making them irrelevant, getting them out of the way.
824
01:05:35,064 --> 01:05:42,418
so that the jury will understand the human um decision they need to make here between
human beings.
825
01:05:42,418 --> 01:05:50,683
You know, here's this nice girl, she made a mistake, she regrets it, and here's this nice
man who's gonna live the rest of his life with these damages.
826
01:05:50,683 --> 01:05:55,436
And, you know, he needs to be compensated and she wouldn't disagree.
827
01:05:55,446 --> 01:06:05,810
I think the one part and we're going to that last part where once again, no attacking
tone, no, you were consistent all the way through.
828
01:06:05,810 --> 01:06:20,206
But when you bring up that and she has to own it because even though it was likely not her
decision to do this, but to say that you only accepted responsibility two days ago, it's
829
01:06:20,206 --> 01:06:22,017
like, what do you say to that?
830
01:06:22,017 --> 01:06:24,468
It's such a, like,
831
01:06:24,610 --> 01:06:26,351
those facts are harsh.
832
01:06:26,491 --> 01:06:32,256
And like for me, I was like, here, here comes the the the finishing touch.
833
01:06:32,256 --> 01:06:41,794
Like, what a way to finish that cross by going into that whole scenario that for me, I was
just like, Oh, devastating.
834
01:06:41,794 --> 01:06:45,557
Would you have ended there, Suzie, in a trial as well?
835
01:06:45,557 --> 01:06:53,452
Like if you potentially had more time, you know, even outside of this, you know, your 15
minutes, is that a good place that you might've ended anyways?
836
01:06:53,610 --> 01:06:55,151
shorter the better.
837
01:06:55,151 --> 01:06:59,973
with this witness, got everything that I needed and I don't want her on the stand too long
because she's so nice.
838
01:06:59,973 --> 01:07:11,177
um a lot of times with admissions of fault, they stipulate that you can't mention that it
was only two days ago.
839
01:07:11,218 --> 01:07:15,219
So the defendants have done away with that because it is very effective.
840
01:07:15,219 --> 01:07:17,980
um But maybe they don't do that all the time.
841
01:07:17,980 --> 01:07:22,002
uh I know that in the trials that I've been in,
842
01:07:22,063 --> 01:07:24,543
The judge tells us you can't tell them.
843
01:07:24,543 --> 01:07:26,942
You can't let the jury know.
844
01:07:26,996 --> 01:07:39,395
If that was the case in this cross, is there another way that you would have tried to uh
not bring that up, but is there a different way that you would strategically try to finish
845
01:07:39,395 --> 01:07:51,845
uh this cross to kind of maybe not get that same effect, like exactly that same effect,
but try to finish on that, that like nail in the coffin kind of uh way, like you were able
846
01:07:51,845 --> 01:07:53,896
to in this simulation.
847
01:07:54,114 --> 01:07:57,296
Well, I think I wouldn't have talked about how it's two and a half years later.
848
01:07:57,296 --> 01:08:04,680
I wouldn't have talked about time, but I would have said to her, you admit fault and you
acknowledge that as the right thing to do.
849
01:08:05,181 --> 01:08:13,486
And um I might've had a few more questions about that, about what is the right thing to
do.
850
01:08:13,486 --> 01:08:20,650
When you cause harm, you understand that under the law, that harm needs to be compensated.
851
01:08:20,735 --> 01:08:24,099
and that it's the jury's role to determine what that compensation is.
852
01:08:24,099 --> 01:08:24,990
You understand that?
853
01:08:24,990 --> 01:08:26,411
I mean, something like that.
854
01:08:26,411 --> 01:08:32,978
So I would still um make sure, I would still ask her, you admit this was your fault.
855
01:08:32,978 --> 01:08:40,622
oh Assuming I'm allowed to, and I think I would be, you just can't say when in a lot of
courts with a lot of judges.
856
01:08:40,622 --> 01:08:45,802
I want to go back because before, because you actually did something right at the end.
857
01:08:45,802 --> 01:08:51,662
We were just talking about painting the picture of these, you know, love thy neighbor
people.
858
01:08:51,862 --> 01:09:00,942
And you brought, before you closed, you brought her dad into the scene of the accident and
going through that.
859
01:09:00,942 --> 01:09:10,326
And when he arrived, you know, making sure, you know, to go over to to Hannah and that her
dad, a pastor.
860
01:09:10,326 --> 01:09:14,447
a well-known pastor, did not go over to make sure Mr.
861
01:09:14,447 --> 01:09:16,427
Lopez was okay.
862
01:09:16,567 --> 01:09:32,651
That was such a huge admission, but just uh another picture in our head of these people
and their self-preservation versus making sure that somebody who is hurt, dog, and or
863
01:09:32,651 --> 01:09:35,072
human are okay.
864
01:09:35,072 --> 01:09:36,582
How did that feel, Sarah, to you?
865
01:09:36,582 --> 01:09:37,572
I want to go to you first.
866
01:09:37,572 --> 01:09:40,543
How did that feel kind of going through that particular portion?
867
01:09:40,927 --> 01:10:02,324
Yeah, I think more than anything, think I was thinking about, I think Hannah was worried
that her dad would become this figure to be used in my story that would go against me.
868
01:10:02,324 --> 01:10:11,046
And so I think I was trying to really be like, okay, he wasn't involved.
869
01:10:11,214 --> 01:10:22,554
And I think I didn't even realize in the moment until after that fact pattern that that's
what that would mean.
870
01:10:22,554 --> 01:10:26,014
Like I was so in it that I was like, oh yeah, yeah, yeah.
871
01:10:26,014 --> 01:10:28,754
No, no, no, I didn't ask him to go over.
872
01:10:28,814 --> 01:10:32,694
And then I was like, oh, well, yeah, yeah.
873
01:10:34,414 --> 01:10:36,014
Not great.
874
01:10:36,876 --> 01:10:42,129
It so makes sense for this character who feels extreme guilt about so many things.
875
01:10:42,129 --> 01:10:53,645
And then I love that you went, you know, really took an emphasis on that relationship
between her and her father and trying to protect him and his name.
876
01:10:53,765 --> 01:10:59,969
And then it leads to kind of like, uh like a bad, a bad picture.
877
01:10:59,969 --> 01:11:02,764
But that's once again, Suzy, you were
878
01:11:02,764 --> 01:11:12,038
delivering these questions without any any extra uh any extra vigor or it was just
consistent.
879
01:11:13,338 --> 01:11:25,453
I think that's what allows you to get away with so much stuff and we try to we try to
teach that all the time is just like detaching from um the the emotions of it a little bit
880
01:11:25,453 --> 01:11:32,086
when you're the lawyer delivering these cross examinations and realize that you're doing
so much damage.
881
01:11:32,204 --> 01:11:36,098
without needing to get angry and without needing to get fired up.
882
01:11:36,098 --> 01:11:50,972
uh So, I mean, we know that's your delivery, Suzy, but what do you think about that as far
as like not getting into uh those like fired up angry emotions when you're going through a
883
01:11:50,972 --> 01:11:53,433
cross like this or any cross?
884
01:11:54,136 --> 01:12:05,299
So I think, I mean, I learned this from you and I even said it on the webinar last Friday
was about when you are going to approach a witness, you set an intention about what
885
01:12:05,299 --> 01:12:12,331
feeling you want the jury to have by the time you sit down from after your examination.
886
01:12:12,331 --> 01:12:17,532
And so I didn't want the jury to feel like I was beating up on this nice girl.
887
01:12:17,532 --> 01:12:24,012
And I wanted the jury to feel that I am bringing out the facts.
888
01:12:24,012 --> 01:12:36,565
And they may be tough facts for her to own, but I'm going to acknowledge her humanity and
separate that, not personalize them, not blame her for these facts.
889
01:12:36,565 --> 01:12:41,187
These facts have happened, and we can all agree that they happened, and this is how they
happened.
890
01:12:41,187 --> 01:12:48,649
But I did, um for example, shift my tone when I said, think a lot of your dad, don't you?
891
01:12:48,649 --> 01:12:52,950
You know, like, I'm a daughter, too, and I know what it's like to feel.
892
01:12:52,950 --> 01:12:55,371
you know, really good about a good dad.
893
01:12:55,371 --> 01:12:57,312
And he loves you too.
894
01:12:57,312 --> 01:13:01,354
And she says, I hope so, because she's feeling terrible about herself.
895
01:13:01,354 --> 01:13:09,877
But there is a moment of, I get it, you know, and the jury sees that I get it, that, you
know, she's a loving daughter and she's a loved daughter.
896
01:13:09,877 --> 01:13:11,418
And that's a good thing.
897
01:13:11,418 --> 01:13:15,520
And then we move right into, and then you guys are circling the wagons, right?
898
01:13:15,520 --> 01:13:16,620
You know?
899
01:13:17,481 --> 01:13:20,682
And nobody notices that except that,
900
01:13:21,535 --> 01:13:23,281
That's the fact, you know?
901
01:13:23,281 --> 01:13:27,978
ah Yeah, the pastor didn't go up to the injured man to say, you okay?
902
01:13:28,474 --> 01:13:37,917
I want to ask you, and this was not a question um that we had prepped you for, but I know
that you've done this before because we talked about it in the case that you did with the
903
01:13:37,917 --> 01:13:39,157
electrician.
904
01:13:39,314 --> 01:13:50,791
To get that word choice, to get that word choice of how they're going to potentially frame
your client, how the defense is going to frame your client, you kind of took a step back,
905
01:13:50,791 --> 01:13:56,296
right, Suzie, to kind of think about it in that way to ultimately help you come up with
the word choice that you
906
01:13:56,296 --> 01:13:58,543
used um that would boost your client.
907
01:13:58,543 --> 01:14:00,590
Can you talk about that process a little bit?
908
01:14:00,590 --> 01:14:06,614
Well, it's a very high tech process these days because we do big data studies and we get
word clouds.
909
01:14:06,614 --> 01:14:23,523
So word clouds are oh little collages of words and they are uh color coded according to
whether these words were spoken by uh favorable jurors and uh jurors who were unfavorable
910
01:14:23,523 --> 01:14:24,644
to your case.
911
01:14:24,824 --> 01:14:28,302
it's red if they're more pro-defense and it's blue if they're more
912
01:14:28,302 --> 01:14:33,444
pro-plenif and it's black if you hear this, you know, equally from both sides.
913
01:14:33,444 --> 01:14:36,785
And then the more frequently you hear the word, the bigger it is.
914
01:14:36,785 --> 01:14:43,888
um that less frequency, frequently you hear the word, um of course, the smaller it is.
915
01:14:43,888 --> 01:14:48,951
And so these, there's a word cloud for every witness, including the plaintiff.
916
01:14:48,951 --> 01:14:53,252
And for example, in the case that we did, hardworking was huge.
917
01:14:53,252 --> 01:14:57,734
um And it was mostly blue, but it came from both sides.
918
01:14:57,838 --> 01:15:04,502
um And so we select words from those word clouds based upon this research that we do.
919
01:15:04,502 --> 01:15:07,104
And so it is pretty sophisticated.
920
01:15:07,104 --> 01:15:10,406
um So we focus everything.
921
01:15:10,478 --> 01:15:21,198
come a long way since, uh, since you first started, uh, uh, uh, trying cases, uh, so many
years ago, it's, it's gotta be amazing.
922
01:15:21,198 --> 01:15:27,538
The tools that are available now versus when you first started as a, as a, uh, a brand new
lawyer.
923
01:15:27,690 --> 01:15:39,677
But then, you know, um we are still reliant on our own imagination and ingenuity because
by the time the evidence is all out there and you're going into closing, most people don't
924
01:15:39,677 --> 01:15:43,139
have the opportunity to do a focus group or to do big data.
925
01:15:43,139 --> 01:15:53,905
And so you've got to read your own jury and you've got to the evidence that came out and
em use uh themes that uh are going to resonate the most in your closing argument.
926
01:15:53,905 --> 01:15:55,478
uh
927
01:15:55,478 --> 01:15:57,804
you know, it's not all taken over by tech.
928
01:15:57,804 --> 01:16:03,588
Yeah, I remember you had to do that because weren't two witnesses at the last minute, at
least two kind of thrown at you.
929
01:16:03,588 --> 01:16:06,319
How did you, and there's no, you you just got to do it.
930
01:16:06,319 --> 01:16:08,901
There's no like AI even quickly to help you do that.
931
01:16:08,901 --> 01:16:14,575
So what did you, what were some of those things that you pulled in to help you on the spot
kind of create those crosses?
932
01:16:14,575 --> 01:16:16,822
And by the way, kill them both, those experts.
933
01:16:16,822 --> 01:16:20,734
Yeah, they were both defense witnesses and I'd never met them before.
934
01:16:20,734 --> 01:16:25,067
I'd never taken their depositions before and they were very high risk witnesses.
935
01:16:25,067 --> 01:16:38,534
But I would say that the thing that was the saving grace for me was knowing the case so
well and knowing what the defense was going to use these witnesses to prove so that I knew
936
01:16:38,534 --> 01:16:41,156
what they were not prepared to testify about.
937
01:16:41,156 --> 01:16:46,028
And then when I asked them questions about what they weren't prepared to testify about, I
got
938
01:16:46,028 --> 01:16:51,960
honest answers that I expected to get because I knew the industry so well.
939
01:16:51,960 --> 01:16:59,984
knew the particular, oh you know, oh what my client had been doing as an electrician.
940
01:16:59,984 --> 01:17:01,334
one of them was an electrician.
941
01:17:01,334 --> 01:17:05,776
So I asked him, well, what does your employer require you to do under these circumstances?
942
01:17:05,776 --> 01:17:11,028
And I got exactly the answers that we had been saying all along, our client did.
943
01:17:11,028 --> 01:17:15,850
And in doing so, know, METR exceeded the standard of care.
944
01:17:15,970 --> 01:17:23,616
that we got gold from that guy and it ended up being something we used prominently in our
closing argument.
945
01:17:24,017 --> 01:17:31,092
And the other one was just so poorly prepared and such a, just he was so flipped that that
one was a lot easier to do.
946
01:17:31,092 --> 01:17:33,944
But just being prepared, you know.
947
01:17:35,006 --> 01:17:42,232
I prepare to help me cope with the anxiety and the stress of getting up on game day.
948
01:17:42,232 --> 01:17:45,612
So I over prepare and you know.
949
01:17:45,612 --> 01:17:56,299
You can't get away with doing trials without preparing, but the greatest benefit to
preparing is having that mental agility and the ability to deal with the unexpected as
950
01:17:56,299 --> 01:17:57,686
it's being thrown at you.
951
01:17:57,686 --> 01:18:04,512
With that being said, I do want to go back to what we were talking about as far as the
closing argument.
952
01:18:05,113 --> 01:18:15,562
when you're approaching that closing argument and you have a case like this where the
defendant is extremely sympathetic, how do you go about asking the jury to assign
953
01:18:15,562 --> 01:18:16,733
significant damages?
954
01:18:16,733 --> 01:18:24,810
What are some of the strategies that you would use going into that closing argument where
it's really important?
955
01:18:24,810 --> 01:18:38,105
I mean, the whole purpose is to get an award that provides for your client, that really,
really provides for them, not just getting against the defendant, but really getting that
956
01:18:38,105 --> 01:18:43,316
life-changing uh award, that verdict award.
957
01:18:43,316 --> 01:18:48,318
What are some of the things that you try to do to make that happen?
958
01:18:48,730 --> 01:19:00,860
So with a very sympathetic defendant like Hannah Madison, I'm going to definitely let the
jury know that there is, you know, we're not blaming her personally for this.
959
01:19:00,860 --> 01:19:04,523
This is, you know, this is a damages trial.
960
01:19:04,523 --> 01:19:08,957
And in fact, I don't have to prove that she's liable because she's admitted it.
961
01:19:08,957 --> 01:19:17,394
In fact, in some ways, it would be harder if they had denied liability because then I
would still have to make the jury point the finger at her.
962
01:19:17,812 --> 01:19:22,064
it's easier to do it here when it's, you know, admitted liability.
963
01:19:22,064 --> 01:19:23,695
We're just going to focus on the damages.
964
01:19:23,695 --> 01:19:26,806
And this has nothing to do with Hannah Madison personally.
965
01:19:26,806 --> 01:19:30,337
She's a lovely person, but you know, this, is what it is.
966
01:19:30,337 --> 01:19:31,858
And you have to evaluate damages.
967
01:19:31,858 --> 01:19:33,229
That's one thing I would do.
968
01:19:33,229 --> 01:19:39,141
And then the other thing I would do is go back to what we've clearly talked about in jury
selection.
969
01:19:39,141 --> 01:19:45,024
If not me, then the defense, which is you can't make your decisions based on sympathy.
970
01:19:45,024 --> 01:19:45,922
All right.
971
01:19:45,922 --> 01:19:46,882
sympathy for the plaintiff.
972
01:19:46,882 --> 01:19:57,385
And I would say, and you know, you can't base your decisions based on sympathy for
anybody, either party, the defendant, the plaintiff or the defendant.
973
01:19:57,385 --> 01:19:59,076
And she's very sympathetic.
974
01:19:59,076 --> 01:20:06,908
And I would take that head off and then just tell them, you know, it's the same rule
applies on both sides.
975
01:20:07,008 --> 01:20:14,530
And then really spend a lot of time on damages and as little time as possible on her.
976
01:20:14,968 --> 01:20:16,138
That's great.
977
01:20:16,339 --> 01:20:18,239
I do want to switch it to Sarah really quick.
978
01:20:18,239 --> 01:20:22,731
ah You had such great insights as far as your journey through that cross.
979
01:20:22,731 --> 01:20:23,902
And I really appreciate that.
980
01:20:23,902 --> 01:20:27,803
And I appreciate the uh preparation that you did.
981
01:20:27,803 --> 01:20:36,347
And with that in mind, one of the things that we always do when we're working with our
clients and we're approaching a deposition or cross is we're doing it.
982
01:20:36,347 --> 01:20:39,708
We do a basically a character study.
983
01:20:39,708 --> 01:20:45,100
uh When you were taking on a role, and I think this could be helpful to uh
984
01:20:45,100 --> 01:20:55,046
The people who are listening to us as trial lawyers, when you're taking on a role, what
are the first things that you do to study that character, to really try to understand that
985
01:20:55,046 --> 01:20:58,126
character from beyond the words on the page?
986
01:20:58,126 --> 01:20:59,187
What a great question.
987
01:20:59,187 --> 01:21:12,456
think a lot about what their life is like and how I can relate to it em and maybe what's
different from myself or what's similar to other people that I know.
988
01:21:12,456 --> 01:21:21,423
em I think looking beyond the page to who they are, what their personality is like.
989
01:21:21,423 --> 01:21:26,726
You can't really tell what someone's personality is like by reading words that they've
said or...
990
01:21:26,976 --> 01:21:28,747
necessarily a description about them.
991
01:21:28,747 --> 01:21:41,875
em So I think looking at that and thinking about what's important to them, who's important
in their life, what are the important things in their life, what are their touchstones, em
992
01:21:41,875 --> 01:21:43,274
how do they live their life.
993
01:21:43,274 --> 01:21:55,482
em Really going into those details, I think can very quickly make someone more human and
more alive.
994
01:21:55,690 --> 01:22:05,434
And those are the specific, the specifics that really make a person a person and not just
a description or words on a page.
995
01:22:05,434 --> 01:22:13,688
I'm thinking of like texting, even like, you know, just writing a text and it's like,
gosh, I hope that comes off okay, because it's just, you know, you don't know context or,
996
01:22:13,688 --> 01:22:21,301
you know, how somebody's actually saying something if, you know, it could sound angry to
you in a text, but that's not really maybe how it might come off if they were to literally
997
01:22:21,301 --> 01:22:21,631
say it.
998
01:22:21,631 --> 01:22:23,810
And then knowing like some attorneys can...
999
01:22:23,810 --> 01:22:27,111
you know, get away with different things uh than others.
Speaker:
01:22:27,111 --> 01:22:27,882
It just depends.
Speaker:
01:22:27,882 --> 01:22:31,113
You can't base it off of, you know, what you read on a page.
Speaker:
01:22:31,113 --> 01:22:31,894
Absolutely.
Speaker:
01:22:31,894 --> 01:22:43,674
And I think also thinking specifically with Hannah, thinking about how she would react to
different types of people, because that's the unknown here, right?
Speaker:
01:22:43,674 --> 01:22:45,239
It's just like being in a scene.
Speaker:
01:22:45,239 --> 01:22:51,942
You can have a goal and have what you want to get across and what you want to say.
Speaker:
01:22:52,344 --> 01:22:54,235
but you might not get to do that.
Speaker:
01:22:54,335 --> 01:23:06,174
And it might be separate or different from what you were expecting because you don't know
who the lawyer is or how they're gonna treat you or what angle they're going to take.
Speaker:
01:23:06,174 --> 01:23:15,610
So both as the actor and the witness, it's like you have to be agile to whatever you
receive from the other end.
Speaker:
01:23:15,610 --> 01:23:21,594
I think a really important thing that you said about when you're thinking about this
character is what's important to them.
Speaker:
01:23:21,594 --> 01:23:34,481
And I think when we're thinking about and we're looking into, uh you know, an upcoming uh
witness that is going to be deposed or, or cross examined for by one of our clients.
Speaker:
01:23:34,481 --> 01:23:42,626
I think that's one of the things that we always think about is, is what's important to
them, because it can tell you so much about what they're going to say.
Speaker:
01:23:42,738 --> 01:23:47,189
when we're trying to, you know, take on that witness, like, how would they react?
Speaker:
01:23:47,189 --> 01:23:48,500
What are they going to say?
Speaker:
01:23:48,500 --> 01:24:04,214
And you know, one of the things that that that I think it showed in this particular cross
was your um devotion and um you know, the way that you look at your father and him as
Speaker:
01:24:04,214 --> 01:24:12,756
somebody that's prominent in the community, he'd really tell and it it showed it's it's,
you know, it came out.
Speaker:
01:24:12,994 --> 01:24:18,926
there was you know, they had that moment where we talked about it and it came out so
naturally, how that that worked out.
Speaker:
01:24:18,926 --> 01:24:24,337
But I think that's such an important thing is take an empathetic look at who you're going
to cross or depose.
Speaker:
01:24:24,337 --> 01:24:28,778
And I want to bring it to Suzy and really quick and I know we're we're getting towards the
end.
Speaker:
01:24:28,778 --> 01:24:39,461
But Suzy, when you're thinking about that witness or or or that you're going to depose or
you're going to cross, do you take that same approach of thinking about what's important
Speaker:
01:24:39,461 --> 01:24:42,136
to them and how that might
Speaker:
01:24:42,136 --> 01:24:43,711
get them to react?
Speaker:
01:24:44,234 --> 01:24:48,194
You know, I like that particular phrasing.
Speaker:
01:24:48,194 --> 01:24:50,039
I think what I think about are their interest.
Speaker:
01:24:50,039 --> 01:24:52,581
What is their interest here?
Speaker:
01:24:52,581 --> 01:25:02,150
And what are they um going to want me to elicit and what and and what are they going to
want to conceal?
Speaker:
01:25:02,150 --> 01:25:12,002
And so I look at their motives um and then come up, you know, with a cross based upon my
need that my needs for the case.
Speaker:
01:25:12,002 --> 01:25:25,248
think in this case, really appreciated that Sarah did, you know, thought about Hannah um
and what kind of person, how Hannah lives her life, what her life is like, you know, going
Speaker:
01:25:25,248 --> 01:25:36,963
to the mall, teaching kindergarten, you know, remaining really close to her family, the
family that she grew up in, you know, this Christian household that has some celebrity
Speaker:
01:25:36,963 --> 01:25:38,423
status in the neighborhood.
Speaker:
01:25:38,423 --> 01:25:40,396
So she actually likes that.
Speaker:
01:25:40,396 --> 01:25:41,617
She didn't rebel against it.
Speaker:
01:25:41,617 --> 01:25:42,948
She didn't leave it.
Speaker:
01:25:42,948 --> 01:25:48,911
And so those facts communicated the same thing to me, that that's who I'm dealing with.
Speaker:
01:25:49,091 --> 01:25:50,582
And she's also a good girl.
Speaker:
01:25:50,582 --> 01:25:53,274
She's going to do what she's been told to do.
Speaker:
01:25:53,274 --> 01:26:00,418
And that is m not argue with me and be sort of an easy witness and just get through it.
Speaker:
01:26:00,418 --> 01:26:08,098
um And I liked what she said that, you know, that was her mindset as Hannah was.
Speaker:
01:26:08,098 --> 01:26:12,021
I just have to listen and answer the questions and it'll be over soon.
Speaker:
01:26:12,762 --> 01:26:19,027
And so that made her, you know, that made my approach uh a good one for her.
Speaker:
01:26:19,287 --> 01:26:24,532
So if she had said, that's not true, my dad did go and talk to Mr.
Speaker:
01:26:24,532 --> 01:26:26,253
Lopez, for example.
Speaker:
01:26:26,578 --> 01:26:37,422
I can't say in a vacuum now what I would have done, but um if we were to rewind and she
had done that, um I might have, you know, looped what she said.
Speaker:
01:26:37,634 --> 01:26:46,062
because the particular words she chose might have been uh revealing of something and I
could have gone someplace with that.
Speaker:
01:26:46,062 --> 01:26:54,668
um But no, it's frankly much more realistic that the pastor didn't go and talk to them.
Speaker:
01:26:54,668 --> 01:27:01,088
I wonder if it would play into like you, in terms of damages, like he went over to make
sure he was okay.
Speaker:
01:27:01,088 --> 01:27:02,611
And you wanna make sure he's okay.
Speaker:
01:27:02,611 --> 01:27:10,176
what, know, however it would actually be able to do it in court, that you wanna make sure
that he, you know, um remains okay.
Speaker:
01:27:10,176 --> 01:27:16,608
I would not have taken that risk unless I knew that there was established evidence that he
did not go up there.
Speaker:
01:27:16,608 --> 01:27:20,779
Now, if I knew that he had gone up there ah and asked Mr.
Speaker:
01:27:20,779 --> 01:27:26,191
Lopez how he was, um I don't know that I would have touched it.
Speaker:
01:27:26,191 --> 01:27:39,074
If there was some other aspect to that conversation that I felt I wanted the jury to hear,
maybe I would have, but um I was secure that it's in the record.
Speaker:
01:27:39,074 --> 01:27:46,583
you know, let's say the pastor testified and he, you know, he testified only to
conversations with the police and his daughter and then he left.
Speaker:
01:27:46,583 --> 01:27:53,001
um Then it would have been beautiful to bring it up because then nobody had asked him
before, well, did you talk to Mr.
Speaker:
01:27:53,001 --> 01:27:53,492
Lopez?
Speaker:
01:27:53,492 --> 01:27:55,384
And I could have done it through his daughter.
Speaker:
01:27:55,384 --> 01:28:00,344
Well, Suzy, any other takeaways from today if you had to cross this witness tomorrow?
Speaker:
01:28:00,344 --> 01:28:07,437
Well, I would have been, uh yeah, was definitely tuned in to see if she's going to start
crying.
Speaker:
01:28:07,637 --> 01:28:12,159
And because then you do need to uh deal with that.
Speaker:
01:28:12,159 --> 01:28:21,663
And the way you deal with it is to remove her from the scene and get her to focus on other
facts.
Speaker:
01:28:21,663 --> 01:28:25,004
So I might have jumped around with my chapters.
Speaker:
01:28:25,004 --> 01:28:29,804
So if she started crying at the point where she hit the dog, um I would have
Speaker:
01:28:29,804 --> 01:28:37,543
jumped to something else about her dad, the pastor or something like that.
Speaker:
01:28:37,543 --> 01:28:39,826
But I didn't have to do that.
Speaker:
01:28:39,826 --> 01:28:50,828
She was on the verge of tears, but I was able to continue with the chronology that I
wanted to follow and it was okay.
Speaker:
01:28:50,828 --> 01:28:55,581
Yeah, I think it was because you were going so fact-based.
Speaker:
01:28:55,581 --> 01:28:58,883
You didn't kind of let her sit in any of those too long.
Speaker:
01:28:58,883 --> 01:29:11,082
um You kept your pace and something that uh even as a crying witness that we've played, uh
you know, we can definitely milk it, but it's because, you know, like, I feel like it's
Speaker:
01:29:11,082 --> 01:29:19,898
because they're really trying, the attorney's really trying to draw it out in us, but you
just went, you just kept going on what you needed to do and didn't, fazed by that in that
Speaker:
01:29:19,898 --> 01:29:20,778
respect.
Speaker:
01:29:20,854 --> 01:29:27,098
Yeah, Sarah, you're an artist who doesn't necessarily work in the legal field, but you've
been with us a few times now.
Speaker:
01:29:27,098 --> 01:29:28,940
What stood out to you today?
Speaker:
01:29:28,940 --> 01:29:40,338
I think really just thinking about, and I touch on it a little bit at the end of the last
thing that I said, but thinking about how cross-examining someone is not a singular
Speaker:
01:29:40,338 --> 01:29:40,998
experience.
Speaker:
01:29:40,998 --> 01:29:48,053
can't decide or figure out exactly how it's going to go, even if you've planned it.
Speaker:
01:29:48,053 --> 01:29:49,914
And I think that's where
Speaker:
01:29:50,318 --> 01:30:03,402
em a lawyer's experience and an actor's experience really overlap because you can have a
goal going into a scene or as a character and you truly might not get what you want.
Speaker:
01:30:03,402 --> 01:30:05,522
Most of the times you might not.
Speaker:
01:30:05,522 --> 01:30:12,924
em And I think that's kind of what's fun to me about being an actor is you don't know
what's on the other side.
Speaker:
01:30:12,924 --> 01:30:15,565
You don't know how you're going to come out of it.
Speaker:
01:30:15,565 --> 01:30:19,526
em You have this other person to play with.
Speaker:
01:30:19,791 --> 01:30:24,385
and something comes out of it and you don't know what it's gonna be.
Speaker:
01:30:24,620 --> 01:30:37,179
I think that attitude is such a great way to look at even cross-examination and
depositions that there's something exciting there, that it's not necessarily like this, um
Speaker:
01:30:37,179 --> 01:30:48,867
know, where, God, I hope it goes exactly the way I want it, but having some excitement
about there's some unexpected stuff that's gonna happen, but if I'm dialed in and I'm
Speaker:
01:30:48,867 --> 01:30:53,950
prepared for things to not go the way I want them to,
Speaker:
01:30:54,324 --> 01:30:58,215
And especially if have the skill set and the tools to deal with that.
Speaker:
01:30:58,536 --> 01:30:59,796
Gosh, could.
Speaker:
01:30:59,956 --> 01:31:04,818
It's it could be an amazing experience or a much more positive going into it.
Speaker:
01:31:04,818 --> 01:31:06,939
A much more positive experience.
Speaker:
01:31:06,939 --> 01:31:15,894
Susie, I know you have all the tools, so uh is that kind of how you feel about uh going
into those depositions and crosses like that?
Speaker:
01:31:15,894 --> 01:31:25,647
Yeah, I mean, there's so much preparation and really scripting uh because you're designing
your examination, but the unexpected, you have to expect the unexpected.
Speaker:
01:31:25,647 --> 01:31:40,301
And I love Olivia's story about the scene where the potted plant lands in the actor's
hands, and he reacts by handing it over to the woman that he's wooing uh because he just
Speaker:
01:31:40,301 --> 01:31:41,852
like made it a part of the scene.
Speaker:
01:31:41,852 --> 01:31:43,562
I just love that story.
Speaker:
01:31:43,594 --> 01:31:46,014
it's really emblematic of what we do.
Speaker:
01:31:46,014 --> 01:31:54,741
Yes, and you can find that in our Acting for Trial Lawyers 100 on-demand course on our
website, because that's part of it.
Speaker:
01:31:54,741 --> 01:32:06,109
It's how do you deal with something that's scripted, but still stay nimble about it, still
adjust to your audience or your witness, um and that's what we study, that's what we do in
Speaker:
01:32:06,109 --> 01:32:06,619
the theater.
Speaker:
01:32:06,619 --> 01:32:10,132
So it kind of is that balance, that delicate balance.
Speaker:
01:32:10,232 --> 01:32:12,994
Steve, should we do our three favorite things today?
Speaker:
01:32:13,132 --> 01:32:19,180
I'll tell you one of my favorite things was cradling the dog in his arms.
Speaker:
01:32:19,180 --> 01:32:21,388
Oh my goodness.
Speaker:
01:32:21,388 --> 01:32:22,040
You took mine.
Speaker:
01:32:22,040 --> 01:32:23,558
I had cradling Tonki.
Speaker:
01:32:23,558 --> 01:32:25,012
I added the word, just a name Tonki.
Speaker:
01:32:25,012 --> 01:32:27,942
uh
Speaker:
01:32:28,038 --> 01:32:29,331
I'm very proud of the names.
Speaker:
01:32:29,331 --> 01:32:35,089
I'm very proud of the it was like Hannah Madison is like a double like who she is.
Speaker:
01:32:35,089 --> 01:32:42,339
uh But yeah, Tonki when I saw that name that that's a common Guatemalan name for a dog.
Speaker:
01:32:42,339 --> 01:32:43,540
I was like, yeah.
Speaker:
01:32:45,095 --> 01:32:46,716
Look at that.
Speaker:
01:32:47,037 --> 01:32:55,330
The image uh of the pastor not going over to make sure that one of the people in his
community was okay.
Speaker:
01:32:55,846 --> 01:32:58,050
And it felt like a rock.
Speaker:
01:32:58,050 --> 01:33:00,282
It felt like you were rolling over a rock.
Speaker:
01:33:00,282 --> 01:33:01,394
My goodness.
Speaker:
01:33:01,394 --> 01:33:03,897
That was uh so strong.
Speaker:
01:33:03,897 --> 01:33:07,022
That was such a strong uh leading question right there.
Speaker:
01:33:07,022 --> 01:33:09,755
I'm gonna add a fourth thing real quick.
Speaker:
01:33:09,755 --> 01:33:10,586
Sarah's cross.
Speaker:
01:33:10,586 --> 01:33:11,527
She wore a cross today.
Speaker:
01:33:11,527 --> 01:33:18,092
If you're just listening to this, just in complete character today, that's one of my
favorite things.
Speaker:
01:33:18,092 --> 01:33:19,905
Yes, absolutely.
Speaker:
01:33:20,127 --> 01:33:26,581
So Susie, where can people find you and can people book you to speak at events?
Speaker:
01:33:27,944 --> 01:33:29,395
I've at events.
Speaker:
01:33:29,395 --> 01:33:31,816
I'm a very low key attorney.
Speaker:
01:33:32,056 --> 01:33:40,440
I've been around for a long time, but I've done some big cases, including a Supreme Court
victory, US Supreme Court victory in an aviation case.
Speaker:
01:33:40,440 --> 01:33:45,402
And I am in Berkeley, California.
Speaker:
01:33:45,402 --> 01:33:49,514
And if you have the spelling of my name, you can find me online.
Speaker:
01:33:49,514 --> 01:33:50,124
So.
Speaker:
01:33:50,146 --> 01:33:53,977
We are gonna link it too, uh as well, so people can find you.
Speaker:
01:33:53,977 --> 01:33:54,938
Sarah, how about you?
Speaker:
01:33:54,938 --> 01:33:58,158
How can we keep up on what you're up to?
Speaker:
01:33:58,158 --> 01:34:06,801
Yeah, if anyone is in the LA area in June, I am performing at the Hollywood Fringe
Festival in my friend's show.
Speaker:
01:34:06,801 --> 01:34:08,792
It's called All Cats Go to Hell.
Speaker:
01:34:08,792 --> 01:34:10,772
Not sure how Hannah Madison would feel about that.
Speaker:
01:34:10,772 --> 01:34:17,514
ah But it's about a group of kids who accidentally blow up their neighbor's cat.
Speaker:
01:34:18,102 --> 01:34:19,442
which would be an interesting case.
Speaker:
01:34:19,442 --> 01:34:22,603
um So that's kind of fun.
Speaker:
01:34:22,764 --> 01:34:27,005
And I am on Instagram, saradottaylor13.
Speaker:
01:34:27,005 --> 01:34:27,965
Fantastic.
Speaker:
01:34:27,965 --> 01:34:29,086
Most of my antics.
Speaker:
01:34:29,086 --> 01:34:34,587
Yes, we will definitely connect into the show notes here.
Speaker:
01:34:34,587 --> 01:34:39,669
Well, if you are enjoying what we're cooking up on our podcast, make sure to follow us.
Speaker:
01:34:39,669 --> 01:34:43,158
Tell your colleagues about everything going on here in the Cross Lab.
Speaker:
01:34:43,158 --> 01:34:45,641
and uh give us a five-star review.
Speaker:
01:34:45,641 --> 01:34:48,795
ah Those things really help us get the word out.
Speaker:
01:34:48,795 --> 01:34:54,832
We think that what we're doing here is really important to make you a better advocate for
your clients.
Speaker:
01:34:54,832 --> 01:34:57,068
So don't be afraid to get the word out.
Speaker:
01:34:57,068 --> 01:35:00,390
Yes, Sarah and Suzie, thank you so much for joining us.
Speaker:
01:35:00,390 --> 01:35:08,204
Thank you, Sarah, for your insight into storytelling and into Hannah Madison and Suzie, uh
badass attorney.
Speaker:
01:35:08,204 --> 01:35:10,065
We so appreciate your time.
Speaker:
01:35:10,065 --> 01:35:13,035
Your clients are so, so lucky to have you.
Speaker:
01:35:13,035 --> 01:35:14,867
Thank you for joining us both.
Speaker:
01:35:15,018 --> 01:35:15,938
Thank you.
Speaker:
01:35:15,938 --> 01:35:16,848
Yeah.
Speaker:
01:35:16,848 --> 01:35:20,290
And we hope you take the best of today with you to court.
Speaker:
01:35:20,812 --> 01:35:22,465
Well, that's the end of our experiment.
Speaker:
01:35:22,465 --> 01:35:25,790
So we'll see you next time on CrossLab.
Speaker:
01:35:28,366 --> 01:35:34,168
Please like and subscribe to CrossLab wherever you get your podcasts or webcasts.
Speaker:
01:35:34,168 --> 01:35:37,570
If you really liked this podcast, please write a review.
Speaker:
01:35:37,570 --> 01:35:42,352
If you didn't, this podcast has been Paul Hollywood's Baker's Podcast.
Speaker:
01:35:42,352 --> 01:35:47,854
Thank you for listening to CrossLab, a trial house consulting production powered by
LawPods.
Speaker:
01:35:47,854 --> 01:35:55,837
To get free resources for your next trial, go to houseimprov.com, H-A-U-S improv.com.
Speaker:
01:35:55,837 --> 01:35:58,146
This program is written and produced
Speaker:
01:35:58,146 --> 01:36:02,414
by Steve Homan and Olivia Espinosa and edited by Mark Crespo.
Speaker:
01:36:02,414 --> 01:36:02,914
you
Speaker:
01:36:02,914 --> 01:36:08,977
The discussions and content presented in this podcast are for educational and
informational purposes only.
Speaker:
01:36:08,977 --> 01:36:13,719
They are not a substitute for professional legal advice, guidance or representation.
Speaker:
01:36:13,719 --> 01:36:22,423
Participation in this podcast, including cross examinations and feedback, takes place in a
simulated training environment with fictional witnesses and scenarios.
Speaker:
01:36:22,423 --> 01:36:26,505
Any resemblance to real persons, cases or events is purely coincidental.
Speaker:
01:36:26,505 --> 01:36:32,848
The views expressed by the hosts and guests are their own and do not necessarily reflect
the opinions of any organization
Speaker:
01:36:32,848 --> 01:36:35,231
or entities they may be affiliated with.
Speaker:
01:36:35,231 --> 01:36:43,779
House Team Productions and Law Pods are not responsible for the accuracy, outcomes, or
application of any content or strategies discussed during the podcast.
Speaker:
01:36:43,779 --> 01:36:50,075
If you have any specific legal questions or concerns, we encourage you to consult with a
licensed attorney in your jurisdiction.