Episodes

This week we’re digging into the skills that used to define the studio, back when audio wasn’t just about tools and tech but the craft behind the session itself. Punch-ins, drop-ins, reading along with yourself, directing talent, matching pitch on the fly, using feel instead of formulas… so much of this has disappeared from the modern workflow. Robbo, AP, George and Robert swap stories from the tape era, pick apart why many of these skills are fading, and talk about what VO talent and engineers...

Breaths — they’re natural, emotional, and sometimes downright necessary. But should they always stay in your voice tracks? This week, the crew dives into the great de-breathing debate, inspired by a post from voice actor Toby Ricketts on how breaths act as “unseen punctuation.” Robbo, AP, George the Tech, and Robert Marshall discuss when removing them improves clarity and when it strips away the performance. Along the way, they touch on AI voices, happy accidents, and the fine art of keeping t...

Finally! Apple’s latest iOS 26 update gives users control over which mic their iPhone or iPad apps use. Whether you’re recording with AirPods, a PASport VO, or your favourite external mic, you can now select your input per app — a massive leap for voice actors, podcasters, and mobile content creators. The team also unpacks the new AirPods Pro 3 and their surprisingly usable mic quality, adaptive noise reduction, and hearing-aid features. As always, the conversation goes off the rails (in the be...

This week, the crew takes a hard look at reflection filters — those curved bits of foam and metal you often see sitting behind microphones. Do they really make your recordings sound better, or are they just clever marketing? George “The Tech” Whittam, Robbo, Robert Marshall, and Andrew Peters break down what reflection filters actually do (and don’t do), why they often make voiceovers sound worse, and what to invest in instead if you want to improve your room sound. From the SE Electronics RF...

Ever wondered what those strange wooden grids on studio walls actually do? In this week’s episode, the guys dive into diffusers — how they work, when to use them, and why your small booth might not be the best place for one. We also chat about the brand-new Austrian Audio CC8 Supercardioid — the latest addition to their small-diaphragm condenser range — and how it performs in real-world sessions. From quadratic and skyline diffusers to the mysterious Fresnel-style designs, we break down what e...

Levels mysteriously rising and falling with no changes in your setup? In this episode of The Pro Audio Suite, we go hunting for those dreaded signal-chain gremlins. From flaky TRS connections that drop a balanced leg and cause sudden 6 dB losses, to patchbay switches that “moved themselves,” to the quirks of send/return jacks on interfaces like the Audient iD series—we unpack the common culprits behind random level swings. We also share a practical, step-by-step troubleshooting method called b...

This week the guys take a quick dive into one of the biggest factors that can make or break your booth sound: the room itself. From walk-in wardrobes to DIY blanket forts and even apartments in Rome, we talk about what really matters when it comes to room size, shape, reflections, and treatment. Spoiler alert: bigger isn’t always better, but dead is definitely good. Thanks to our sponsors TriBooth (use code TRIPAP200 for $200 off) and Austrian Audio – making passion heard. Edited by Andrew Pe...

This week on The Pro Audio Suite, the team dives into a question every engineer, producer, and voice actor has wrestled with: is outboard gear still worth the space and the spend? From vintage LA-2As and Neve compressors to Avalons, VariMus, and the rise of clones and plug-ins, we break down: Whether classic hardware really goes up in value Why collectors, commercial studios, and voice actors see things differently The surprising role of AI in modeling old gear When plug-ins are “close enoug...

We’re busting some of the biggest myths still floating around VO and podcast studios. From noise gates that wreck your takes to USB mics that promise “pro quality” but rarely deliver, we cut through the nonsense and share what actually works. In this episode: Noise gates: why they usually cause more harm than good Noise reduction: AI vs old-school fingerprint NR USB mics: when they fail and why they’re limiting Expensive mics: shiny gear doesn’t fix a bad room Coaching: how much do you real...

George heads out on a time-sensitive PSA to capture wild VO lines at an actor’s house — and rebuilds a lean, one-case kit on the fly. We dig into what made the rig work, why he chose an onboard recorder for redundancy, mic choices (NTG-4 vs NTG-5), and a stack of road-tested tips from our early days hauling DA-88s, DATs and Franken-booms. What we cover: Packing everything into a Pelican 1510 (laptop, interface, mic, stand, boom) Primary vs backup: PortCaster with onboard record + laptop DAW W...

Ever been caught in a panic when Source-Connect 3 won’t talk to Source-Connect 4? You’re not alone. In this week’s Pro Audio Suite, the team dives into the Source-Connect Bridge—what it is, why it exists, and how it can save your session. Robbo shares a real-world case of a talent stuck between versions, Robert explains how the Bridge works behind the scenes, and George breaks down when it’s the best option (hint: travelling VO talent on Windows, we’re looking at you). We also get sidetracked ...

This week on The Pro Audio Suite, the team open up their plug-in folders and share their favourites — from free finds to trusty old processors and some surprising new AI tools. Robbo kicks things off with TDR Nova, a free dynamic EQ/multiband compressor that’s perfect for VO artists working in home studios. Robert digs back into his bag of tricks with Waves C4/C6, still unbeatable for multiband control after all these years. George brings Acon Extract Dialog to the table, showing how modern AI ...

Latency, it’s that tiny, annoying delay between what you say and what you hear back. In the studio, online, or even in your own headphones, it can trip you up, wreck your timing, and make you feel like you’re talking to yourself in slow motion. In this episode of The Pro Audio Suite, Robbo, AP, George, and Robert dig into: What latency really is (and why it’s not just a tech buzzword) How it sneaks into your recording chain The difference between “good” latency and “bad” latency Fixes you c...

This week on The Pro Audio Suite, Robbo and AP pull apart one of the most alarming AI voice contracts we’ve ever seen. An offer of $2,500 USD for perpetual, irrevocable rights to your voice? Sounds tempting… but here’s why this could destroy your career. We dig into: The fine print that locks your voice away forever How AI voice deals strip away future earnings Why SAG-AFTRA and other bodies are pushing back The long-term cost of a short-term payday Before you sign anything, listen to this...

AI voices are popping up everywhere , from audiobooks to YouTube explainer videos, but SAG-AFTRA has just drawn a line in the sand. In this episode, the team dives into the union’s new “no contract, no work” order against companies using AI voice replicas without being signatories. We unpack: What the new SAG-AFTRA policy means for voice actors. Why YouTube is demonetizing AI-driven “headless” channels. The growing issue of AI-generated bands and synthetic music on Spotify. The human factor...

This week on The Pro Audio Suite, we pit two Austrian Audio mics head-to-head: the compact CC8 pencil mic versus the classic OC18 large diaphragm condenser — both run through the PASport VO interface. The results? Surprisingly close. AP takes the CC8 for a spin in his booth and on the road, while George and Robert weigh in on specs, noise floors, travel setups, shotgun myths, and why mic placement matters more than mic price in many situations. We also dig into the legacy of the Sennheiser 41...

When Should You Process Your Audio—and When Should You Leave It Clean? Description: This week on The Pro Audio Suite, we’re tackling a topic that trips up a lot of voice talent: processed voice over. What does “processing” really mean when a client asks for it? Should you send your files squeaky clean, lightly polished, or fully mastered? And how do you avoid overcooking your audio before it even hits the mix? George Whittam, Robert Marshall, Andrew Peters, and Robbo break it all down, includi...

This week, the team tackles the most common myths about the Tri-Booth – the portable recording solution trusted by countless voice actors and audio pros. From misconceptions about its sound isolation, to confusion about setup and portability, we dig into what’s real and what’s just internet chatter. Andrew shares his first-hand experience using a Tri-Booth on the road, Robbo explains how it compares to permanent studio spaces, and George breaks down the physics of why it works (or doesn’t) in c...

Ever watched Spider-Man swinging across the city and heard crowds gasping, yelling, or whispering in the background? Those voices don’t record themselves—loopers do that. In this episode, we meet voice actors who specialize in looping and learn how they bring background scenes to life. They share stories from the studio, tips for aspiring loopers, and insights into why this small community is so important to every production. 🎤 In This Episode: What is looping, and why does Hollywood rely on it...

This week on The Pro Audio Suite, we're diving deep into a topic that sparks endless debate (and confusion) in VO forums everywhere: the noise floor. What does "-74 dB" even mean if you don't know how it was measured? And why are voice actors obsessing over numbers that might not matter? Join AP, Robbo, George The Tech, and Robert Marshall as they break down: What noise floor really is (and what it isn't) Why context, weighting, and window size matter RMS vs Peak vs LUFS – and why it all dep...

This week, it's all about the front end — microphones for voiceover. George recently ran a live webinar comparing a wide range of mics from the Audio-Technica AT875R to the mighty Austrian Audio OC818, and we’re diving deep into the results. From self-noise to low-end roll-off, polar patterns to punchy midrange, we break down what makes a great mic for VO, including: 🎧 Why the AT875R punches above its weight 🎙️ The OC818 and CC8 — why Robbo and AP love them 💡 What makes the Mojave M50 a hidden...

Lab-tested. Pro-approved. And unless you speak up… gone for good.

This week on The Pro Audio Suite, we dig into the lab-tested results of our very own PASport VO, the portable audio interface designed for voice talent and podcasters. George took it to a respected LA repair shop for an independent bench test, and the results? Minus 89 dB of self-noise. Translation: it's dead quiet. The Jasmine™ preamps inside impressed the pros, even when compared to far more expensive gear. And the design? Tough, tiny, and travel-ready. But here's the kicker: unless there's e...

This week, it’s just AP and Robbo flying the plane—and they’re kicking around an idea that’s been brewing for a while: 👉 Should we launch a voiceover conference right here in Australia? We know there are VO events in the US and UK, but barely anything for Aussie or Kiwi talent. So… what would it look like if we ran one? Who would show up? What would we cover? We chat about: The gap in the local VO scene Robbo’s Home Studio Rehab webinar (coming up June 12th — $30, and 5 attendees get their au...