Feb. 12, 2026

Why the 1980s Mattered

Why the 1980s Mattered
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Why the 1980s Mattered
Why the 1980s Mattered
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This week on Back to the 80s Radio, it’s just Mario — and a deep dive into what made the 80s more than just a decade. It was the experience. Walking into Blockbuster.
Spending an hour in the mall. Getting lost with a Thomas Guide on your lap.

Choosing a VHS tape and committing to the night. In a world built on convenience, we revisit a time built on participation. If you’ve ever missed the ritual, the anticipation, or the feeling of being fully present — this one’s for you.

Become a supporter of this podcast: https://www.spreaker.com/podcast/back-to-the-80s-radio--5883226/support.

WEBVTT

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I'm so scared.

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I wish I had a ham sandwich to call my nerves.

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We got to find a place to hide.

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00:00:09.119 --> 00:00:11.119
Where are you going, fuzzy face.

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That's what I was afraid of. Wait for me.

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00:00:42.119 --> 00:00:45.159
Hey, everybody, welcome into the Back to the Eighties radio show.

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00:00:45.200 --> 00:00:48.479
I'm Tuscano from Tuscano and Chang, and this is the

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00:00:48.520 --> 00:00:52.159
show where we don't just play the music, we remember

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the life around it. By the way, you can always

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right into the show at fm A D's radio at

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gmail dot com. We do read every message. Now, normally

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00:01:01.679 --> 00:01:04.760
Chang would be here with me, but apparently I was

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00:01:04.879 --> 00:01:09.799
just notifying he's somewhere in the woods hunting sasquatch, dressed

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in an eighties neon leotard and legwarmers with a shirt

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that says, I will always love Robert Smith from The Cure.

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I don't I don't know. I don't ask questions anymore.

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I just let him live his truth anyway. Tonight, it's

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just you and I and I've been thinking about something.

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I mean, why do you love the eighties so much?

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Why do I love the eighties so much? Why do

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the eighties mean so much to us? Not just the songs?

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But the experiences, because that is what made it stick.

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But first, let's go ahead and start here.

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Snatching, snatching, watching me.

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I'm just an average man with an average life from

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nine to five.

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Hey, hell, I pay the price.

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I want us to be left alone in my average

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But why do I always feel like twiming zoning? I

30
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always be somebody's fun to me and I love no prosy.

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I always been somebody is fine?

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Too many it's interest a treaty.

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Were now Colomas?

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No, I have to do a real time.

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People call me on the stone. I'm trying to avoid

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the people don't previously me. When I'm all, I just tyno.

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When I'm in the shower, I'm afraid to wash my.

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House because I'm over my eyes and find someone standing there.

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We will say I'm crazy, just an I'm judged. But

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this show is in mind me.

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I was psych That's why I always beer. So fight

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is wine.

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And I have no classy.

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Oh I always peer back.

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Some fide is won?

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Who's playing tricks on me?

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Jesus, I don't know anymore.

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I'm a man's watching it? Well is the man man

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watching me?

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Watch?

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And I know middle safe anymore?

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00:04:20.040 --> 00:04:22.920
But what a mess I wonder who's watching me now

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the irs. I always spell somebody as fine, and I

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have no privacy. I gotta spell no, somebody's fine.

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Tell me it's it just a tree. I got a spin.

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Somebody as fine, and perhaps.

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I always see it.

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Somebody's fine, who's plan trick something?

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Golways see it somebody as fine? I got said number

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so good as won to me. So I got a

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big sobod as bon to me.

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I got a beer.

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Somebody as fun to me, pantricks so many other thing

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I been some mid as.

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Listening.

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You're number one for classic whendio listening.

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If you're listening to back to the eighties.

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Nice.

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Now you're the street.

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There was violence and then a lot south working done

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no blister Hannah the washing, and then I can't they

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bother on the south?

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Oh No, we don a run down.

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To eli Shake Avenue and then.

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We'll take it higher. Oh we donna run down.

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To elien Scheke Avenue and then.

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We'll take it higher. Working so hard, I can old

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jaf can I put a thing at me deep in

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my heart?

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I a boyor can't get foot with the king? Good God?

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We don a run down to Elien Check Avenue and

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then we'll take it higher. Oh, we done a run

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down to elien Check Avenue and then we'll take it higher.

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Oh no, oh no, oh no, oh no, oh don't.

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We're gonna run down to either Shreck Avenue and then

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we take it higher.

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How we're gonna run down.

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To die Shreck Avenue and then.

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We'll take it higher. Who is to them in one country?

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Never can get to the one.

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Dealing and mandiflication and they still can't beat everyone.

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Oh no, we're gonna run down to elect Shreck Avenue

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and then we take it higher.

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Oh no, we're gonna run down to.

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Elect Shreck Avenue and then we take it higher.

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Home out in the street, out in the street, out

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in a dead time, out in the night.

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Oh, we gonna run down to elect Shreck Avenue and

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then we'll take it higher.

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Ho we're gonna run down to elect.

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Strack Avenue and then we'll take it higher.

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Out in the street, out in the street, out in

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the playground.

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Is that that side of town? Home, We're gonna run down.

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To elect Avenue and then we take it higher.

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Okay, we're gonna run down.

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That venue.

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Back in the eighties, radio with Eddie Granton Electric Avenue.

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Before that, you heard rock Well and a little bit

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of Michael Jackson doing the chorus with Somebody's Watching Me. Well,

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you remember, you remember, right? You remember the songs. They

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00:09:22.919 --> 00:09:25.879
were phenomenal when they came on the air. But even

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more than that, you remember the experiences. And that's what

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we're gonna be talking about today, the experiences. That's one

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of the reasons why the eighties mean so much to

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me and I know to you as well. Now, if

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you didn't grow up in the eighties, different story. Sit back, relax,

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grab something to drink, or you know, turn the lights

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off or whatever. But just get comfortable because we're going

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to fill you in on what the eighties life and

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experiences were kind of like with just a couple of things. Today,

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we're gonna be talking about why the eighties meant so

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much to us. And for me, I have two things

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that I always tell people about the eighties and what

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they mean so much to me. For me, it's number one, Well,

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the experiences, starting off with the video store experience. Now,

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you remember going to the video store, right, I mean,

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this is before Blockbuster and all the big boys going

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to that local mom and pop shop where they usually

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had one or two copies of the latest movie, and

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if you got there late when they had a new release,

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you were out of luck. If it was a big

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enough store. If it was a big enough store, you

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probably walk around there for thirty minutes, and then you

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really didn't find anything that you'd be interested in. Because

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it was a Friday, you really wanted to rent a movie.

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You were in the mood to watch a movie. You

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had just bought the popcorn, the candy. Maybe you had

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somebody over, maybe you did it, But the point is

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you were going to watch a movie that night. In

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a local mom and pop shop. It was much harder

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to get a new release. You remember, maybe you paid

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less than a dollar for the movie rental. Maybe you

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paid a dollar, remember paying a dollar for the movie Reynolds,

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And if you didn't rewind it when you returned it,

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they charged you like fifty cents or something like that.

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But then when the big boys came in, you know

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that blue and yellow blockbuster sign humming against the night sky. Wow,

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things changed traumatically because now you could see any movie

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you wanted, even though they had a lot of copies

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of the latest movie that you wanted to see. Sometimes

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you didn't even make it then, or maybe it wasn't

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Blockbuster for you. Maybe it was one of those independent shops,

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hand drawn movie posters taped inside the window, crooked new

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release sign that looked like somebody's uncle maated And during

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a lunch break you pulled into the lot. You killed

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the engine, or maybe your family did. They stopped the

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car and there was that little pause right before you

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opened the door that you were just giddy. You were

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excited because this wasn't streaming, folks, This was an important

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decision that we were about to pull off. And then

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you walked inside the store and inside, oh that smell,

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plastic VHS cases, the carpet that had seen a thousand

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Friday nights, the faint butter smell from a popcorn machine

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that probably hadn't been cleaned properly since eighty seven. Blockbuster

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probably felt organized then felt it felt corporate, or the

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bright lights, the blue shelving, and like it really mattered.

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It was organized. Then Hollywood Video, which was my favorite,

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came along, and it came in swinging, swinging, I mean,

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darker stores, more red tones, trying to feel a little

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bit cooler, catch your name with Hollywood more modern. They

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were going head to head for a while, and for

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a while it sort of worked in certain areas, and

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then the mum and pop stores, those were different handwritten

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staff picks. The horror section that genuinely scared you, just

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by the box art, the one section in the back

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with a curtain you pretended not to look at. You

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remember what that was. And you didn't just grab a movie.

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You wandered. If you didn't get the movie you wanted,

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you were stuck, probably choosing between something you've seen a

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million times or getting something you haven't seen, but that

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maybe it was a beat or even a C rated movie.

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You picked up the case, you read the back, you

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looked at it, you held on to it just in case,

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and you argued with your friends or with yourself, and

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then sometimes you change your mind. And if the movie

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you wanted was gone, well then that meant somebody else

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got there first, of course, and there was this anticipation

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because there was scarcity, and that made it awesome because

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you weren't clicking on a thumbnail. You were committing to

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the evening, to that night, and that's why that stuck

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out to us. You remember going into Blockbuster and just

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smelling that popcorn, looking at the shelves, looking at that

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enormous amount of movies that they had. And they had

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the horror, they had the Action, and they had the

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romance and the comedy, and there was just Rose and Rose,

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and then they had the children's section and then you

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had kids running around like chickens with their hands. Got

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out and everything was okay. And it was a Friday,

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and it was around seven pm and it was just

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packed and people walking in and out and you could

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hear the cash register going off. It was the experience

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of every Friday, and you loved it. This is one

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00:14:33.279 --> 00:14:35.519
and only back to the eighties. Radio today, we are

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talking about why the eighties meant so much to us.

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Stick around because we got Van Halen, Phil Collins and

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the police.

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She calls out to the man on the street, sir,

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can you have me? It's cold and on the way.

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Is there's somewhere you.

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Can tell me.

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He walks on, doesn't look back, He pretends he can't

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hear her, starts to whistle as he crosses the street.

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Seems embarrassed to be there.

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Think twice, because it's another If you mean baradise, think twice,

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because it's another.

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If you you mean bad.

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She goes out to the man on the street. He

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00:16:22.799 --> 00:16:24.799
can see she's been crying.

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She's bumped the stools on the soles of the feet.

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She can't walk, but she's trying.

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Saint twice us. It's another if you need ever as

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sae twice.

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It's just another if you lloyd just a bog.

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Boh?

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Is it long?

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Anybody can do?

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Bo hold.

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00:17:27.599 --> 00:17:36.880
Must be something you can say. You can tell from

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00:17:37.000 --> 00:17:38.720
the lines on her face.

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You can see that she's been there, probably been moved

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on from everyplace.

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Now she didn't fit him there. Think twice, snolity me

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ba does.

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Wait twice.

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It's just another you me rous just about think about.

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It's just a no.

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Day wabby, It's just a no day way. You just

239
00:18:54.680 --> 00:18:55.759
think about.

240
00:19:18.200 --> 00:19:21.359
When the economy was good and the medal was heavy.

241
00:19:21.519 --> 00:19:22.960
Man, back to the eighties.

242
00:19:53.839 --> 00:19:54.839
Nobody else.

243
00:19:57.759 --> 00:19:58.359
You got it.

244
00:20:00.519 --> 00:20:08.599
I'll see the jump so loud, and I know, baby, just.

245
00:20:08.880 --> 00:20:13.160
How you feel. Baby, you got.

246
00:20:14.880 --> 00:20:20.920
The budgets and get the water till you see you

247
00:20:21.039 --> 00:20:23.799
staying here. I get my mind to get some get

248
00:20:23.920 --> 00:20:30.319
that she I eat the ones that you see. I

249
00:20:30.480 --> 00:20:38.519
can't just see what I will jump job.

250
00:20:40.319 --> 00:20:48.839
My jump jo Jo Jo?

251
00:20:51.880 --> 00:20:54.000
Who said that?

252
00:20:54.559 --> 00:20:54.839
Baby?

253
00:20:54.960 --> 00:21:01.599
How you been you say it? No? Wll no.

254
00:21:06.599 --> 00:21:17.039
Didn't you say this thing? Most like you say? Didn't

255
00:21:17.079 --> 00:21:17.880
you see one of.

256
00:21:23.680 --> 00:22:59.839
Jojo Joel chop Jo jown Jock.

257
00:23:08.359 --> 00:23:10.880
Back to the eighties radio, that was Van Halen would jump,

258
00:23:10.960 --> 00:23:13.319
And prior to that, you heard Phil Collins. All right,

259
00:23:13.359 --> 00:23:16.200
we've been talking about the reasons why the eighties meant

260
00:23:16.279 --> 00:23:18.960
so much to us. I'm your host, Mario Toilscano, and

261
00:23:19.160 --> 00:23:21.079
today we are changless.

262
00:23:21.240 --> 00:23:21.680
That's right.

263
00:23:22.000 --> 00:23:25.000
Reminder that if you want to hear chang he will

264
00:23:25.039 --> 00:23:29.400
be eventually with us after he captures Safsquatch, which is

265
00:23:29.519 --> 00:23:32.640
what I'm told he is doing right now. If you

266
00:23:32.680 --> 00:23:34.680
want to write into the show and send us a

267
00:23:34.720 --> 00:23:38.079
little note and let us know maybe a topic idea,

268
00:23:38.440 --> 00:23:41.359
or hey, maybe you want some merch that says back

269
00:23:41.440 --> 00:23:44.039
to the eighties radio or FM eighties Radio.

270
00:23:43.839 --> 00:23:44.319
Whatever it is.

271
00:23:44.880 --> 00:23:46.599
If you want to tell me how your Friday night

272
00:23:46.759 --> 00:23:49.960
is or what your Friday night ritual used to be,

273
00:23:50.640 --> 00:23:54.000
send me an email at FM Eighties Radio at gmail

274
00:23:54.079 --> 00:23:58.559
dot com. So we're talking about experiences, because that's why

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00:23:58.680 --> 00:24:02.000
the eighties meant something to us. And if the video

276
00:24:02.079 --> 00:24:07.000
store was the ritual. Well, the mall, the mall was

277
00:24:07.079 --> 00:24:09.960
the destination. And if you grew up where I grew

278
00:24:10.039 --> 00:24:14.079
up in southern California and La County, more towards closer

279
00:24:14.200 --> 00:24:18.279
to the border of La with Orange County, we had

280
00:24:18.440 --> 00:24:21.440
Plenty Hills Mall. We had Santa Fe Springs Mall. We

281
00:24:21.559 --> 00:24:25.880
had the Witwood Mall, we had Lakewood and Cerrito's Mall,

282
00:24:25.960 --> 00:24:29.119
which was my personal favorite. Wherever you were there was

283
00:24:29.160 --> 00:24:31.559
a mall. That's where you met your friends. And sometimes

284
00:24:31.640 --> 00:24:34.079
you'd ride your bike there, you'd walk there, you'd ride

285
00:24:34.119 --> 00:24:36.599
a bus, maybe a free tram. If you lived in

286
00:24:36.680 --> 00:24:39.160
Santa Fe Springs like I did, you'd meet your friends

287
00:24:39.240 --> 00:24:42.039
at a certain entrance, or maybe you went together. Because

288
00:24:42.160 --> 00:24:45.240
there was no texting where you could say, hey, where

289
00:24:45.279 --> 00:24:48.799
are you. You walked through those glass doors and it

290
00:24:49.039 --> 00:24:53.039
was its own universe. You remember the sounds of going

291
00:24:53.079 --> 00:24:56.880
to the mall. There was music echoing from Sam Goodie

292
00:24:57.039 --> 00:25:00.480
or music. Plus you could hear people talk talking and

293
00:25:00.680 --> 00:25:06.680
chatting and window shopping and browsing. The smell of I

294
00:25:06.720 --> 00:25:10.759
don't know, churos or a corn dog, a sparrow and

295
00:25:10.960 --> 00:25:13.839
Orange Julius mixing in the air as you passed by

296
00:25:14.319 --> 00:25:16.960
the food court. You know, you'd go to the stores

297
00:25:17.039 --> 00:25:19.640
and try it, try it out jackets that you couldn't afford.

298
00:25:20.160 --> 00:25:22.680
Maybe you went to the to the music store and

299
00:25:22.759 --> 00:25:25.960
you flipped through cassette singles. You spent forty five minutes

300
00:25:26.000 --> 00:25:28.160
deciding whether to spend your last five bucks on a

301
00:25:28.240 --> 00:25:31.160
slice of pizza or save it for the arcade. If

302
00:25:31.200 --> 00:25:34.000
you had a timeout arcade or whatever arcade you had.

303
00:25:34.319 --> 00:25:38.640
Every mall had them, and it was an incredible feeling.

304
00:25:39.319 --> 00:25:42.039
You made eye contact with someone across the food court

305
00:25:42.240 --> 00:25:45.359
or as you're walking one side of the mall, and

306
00:25:45.480 --> 00:25:47.759
that was the whole event. Or you'd hang around a

307
00:25:47.839 --> 00:25:51.240
certain area by by whether there was running water or

308
00:25:51.400 --> 00:25:54.839
some seats, and you met a girl or you met

309
00:25:54.880 --> 00:25:58.079
a guy. The mall wasn't there to just to be convenient.

310
00:25:58.759 --> 00:26:01.480
It was independent for you. If you were a team

311
00:26:01.640 --> 00:26:04.559
growing up in those times, it was a rehearsal for

312
00:26:04.680 --> 00:26:07.279
your adulthood, and you kind of felt like the world

313
00:26:07.440 --> 00:26:11.519
was bigger than your neighborhood. That kind of experience brands

314
00:26:11.559 --> 00:26:14.759
itself intou and what was your favorite mall?

315
00:26:15.359 --> 00:26:15.799
Let me know?

316
00:26:16.279 --> 00:26:19.039
Send me an email. Right into FM eighties radio at

317
00:26:19.039 --> 00:26:21.720
gmail dot com and let us know what was the

318
00:26:21.839 --> 00:26:25.079
mall that gave you those experiences when you were growing

319
00:26:25.119 --> 00:26:28.640
up in the nineteen eighties. In the meantime, two bars

320
00:26:28.680 --> 00:26:31.119
that probably played while you were driving home from that

321
00:26:31.559 --> 00:26:34.200
mall parking lot. Who's going to drive you home with

322
00:26:34.359 --> 00:26:37.160
the cars and a little bit of right? Said Fred

323
00:26:37.640 --> 00:26:40.279
on the one and only Back to the eighties radio.

324
00:26:50.799 --> 00:26:52.400
Who's going to very well?

325
00:26:54.920 --> 00:27:08.359
It's too who's going to tell you things? I'm so great?

326
00:27:14.200 --> 00:27:14.880
You can't go.

327
00:27:20.200 --> 00:27:21.160
No things wrong?

328
00:27:25.279 --> 00:27:38.119
Who's going to drive home? Who's going to big thing.

329
00:27:40.720 --> 00:27:41.039
Waiting?

330
00:27:48.279 --> 00:27:50.039
Who's going had it up.

331
00:27:52.279 --> 00:27:52.880
Waiting you?

332
00:27:59.680 --> 00:28:02.119
Who's going to be attention.

333
00:28:03.680 --> 00:28:04.000
To you?

334
00:28:04.839 --> 00:28:12.480
To me? Who's going to block the.

335
00:28:15.160 --> 00:28:17.599
When you scream.

336
00:28:23.200 --> 00:28:34.759
You can't go around thing? No thing's wrong? Who's going

337
00:28:34.799 --> 00:28:35.480
on a job.

338
00:28:38.319 --> 00:28:38.720
Today?

339
00:29:02.960 --> 00:29:04.079
Who's going on the hold?

340
00:29:06.880 --> 00:29:07.279
Quit me?

341
00:29:14.480 --> 00:29:16.200
Who's gonna come around?

342
00:29:18.519 --> 00:29:20.559
While right?

343
00:29:26.440 --> 00:29:37.720
You can't go on the road again, don't trouble? Who's

344
00:29:37.759 --> 00:29:38.480
going to guy?

345
00:29:38.640 --> 00:29:46.559
Get you know?

346
00:29:46.720 --> 00:29:47.359
You can't go.

347
00:29:51.599 --> 00:29:51.640
No?

348
00:29:52.720 --> 00:29:53.440
Who's got.

349
00:29:57.559 --> 00:29:59.519
Who's going to drive before.

350
00:30:13.000 --> 00:30:13.759
River Phoenix?

351
00:30:13.839 --> 00:30:14.720
Is Jimmy Reardon.

352
00:30:14.920 --> 00:30:15.480
I'm desperate.

353
00:30:15.720 --> 00:30:18.200
He's got twenty four hours to convince the one girl

354
00:30:18.279 --> 00:30:21.599
he loves that he's honest, faithful, and fully committed.

355
00:30:21.640 --> 00:30:22.160
Do you love me?

356
00:30:22.400 --> 00:30:23.559
You make me want of vomit?

357
00:30:23.720 --> 00:30:24.960
A you canna think that of me for the rest

358
00:30:25.000 --> 00:30:25.559
of our lives.

359
00:30:25.839 --> 00:30:27.519
It's gonna be a long night.

360
00:30:29.440 --> 00:30:32.039
A night in the life of Jimmy Reardon from twentieth

361
00:30:32.039 --> 00:30:34.039
Century Fox readed r under seventeen.

362
00:30:34.079 --> 00:30:35.079
Not admitted without parent.

363
00:30:35.240 --> 00:30:38.720
It starts Friday, February twenty six at theaters everywhere.

364
00:30:39.480 --> 00:30:42.920
To sixty four, My Love to sixty four, My love,

365
00:30:43.119 --> 00:31:04.519
Love's going to leave. I'm too sexy for my shirt,

366
00:31:04.920 --> 00:31:10.079
too sexy for my shirt, so sexy it hurts. And

367
00:31:10.240 --> 00:31:14.279
I am too sexy for Milan, too sexy for Milan,

368
00:31:15.039 --> 00:31:28.680
your cat Japan. I'm too sexy for your party, too

369
00:31:28.799 --> 00:31:30.160
sexy for your party.

370
00:31:30.559 --> 00:31:32.319
The way I'm just going dancing.

371
00:31:33.680 --> 00:31:36.559
I'm a mom, you know what I mean.

372
00:31:36.920 --> 00:31:40.160
And I do my little turn on the catwalk.

373
00:31:40.880 --> 00:31:45.240
Yeah, on the catwalk, on the catwalk, Yeah, I do

374
00:31:45.519 --> 00:31:48.079
do my little turn on the catwalk.

375
00:32:05.279 --> 00:32:09.279
I'm too sexy for my car, too sexy for my car,

376
00:32:09.519 --> 00:32:15.279
too sexy by far. I'm too sexy for my hat,

377
00:32:15.680 --> 00:32:17.279
too sexy for my hand.

378
00:32:17.440 --> 00:32:18.359
But think.

379
00:32:20.960 --> 00:32:23.759
I'm a mob, you know what I mean.

380
00:32:24.079 --> 00:32:27.279
And I do my little t and on the catboard.

381
00:32:28.039 --> 00:32:32.720
Yeah, on the catwalk, on the catbalk, Yeah, I shame

382
00:32:32.920 --> 00:32:35.839
my little touch on the catboard.

383
00:32:45.200 --> 00:32:49.920
To sexty for my six, my hand to sixty for

384
00:32:50.160 --> 00:32:50.599
my hand.

385
00:32:52.359 --> 00:32:55.200
I'm the mob, you know what I mean.

386
00:32:55.559 --> 00:33:01.599
And I do my little turn on the catwalk yeah, catwall, Yeah,

387
00:33:01.720 --> 00:33:02.759
on the catwall.

388
00:33:03.000 --> 00:33:06.640
Yeah, I shake my little on the catwall.

389
00:33:10.160 --> 00:33:11.359
I'm to sixty.

390
00:33:11.559 --> 00:33:17.240
Well, my cat to sixty, my cat as ball, pussy cat,

391
00:33:17.960 --> 00:33:19.240
I am to sixty.

392
00:33:19.400 --> 00:33:23.160
Oh my love to sixty, Oh my love loves going

393
00:33:23.319 --> 00:33:24.160
to leave me.

394
00:33:26.720 --> 00:33:27.920
Sixty song.

395
00:33:27.960 --> 00:33:30.920
All right, back to the eighties radio, you're back or

396
00:33:31.000 --> 00:33:34.200
listening to the reasons why the eighties mattered so much

397
00:33:34.279 --> 00:33:37.119
to us? Hey, you know what, the eighties were great? No,

398
00:33:37.400 --> 00:33:40.160
but there was an inconvenience part of it too. And

399
00:33:40.279 --> 00:33:44.839
here's the part people push back on, Well it's easier now, right, Well,

400
00:33:44.880 --> 00:33:47.319
of course it is. You don't get lost anymore, at

401
00:33:47.440 --> 00:33:50.799
least not if you have a phone. You don't unfold

402
00:33:50.839 --> 00:33:53.680
the Thomas Guide across your steering wheel at a red light,

403
00:33:54.039 --> 00:33:56.359
and you don't have to find a payphone and and

404
00:33:56.519 --> 00:33:59.720
hope you have change if you get lost or if

405
00:33:59.759 --> 00:34:02.759
you have to tell somebody you're running late, and if

406
00:34:02.759 --> 00:34:05.799
you're not in a good neighborhood. Maybe those payphones didn't

407
00:34:05.799 --> 00:34:08.280
even have the receiver end to them. You remember that,

408
00:34:09.199 --> 00:34:11.519
you don't roll down your window and ask a stranger, Hey,

409
00:34:11.920 --> 00:34:14.800
how do I get to so and so. It was inconvenient.

410
00:34:14.920 --> 00:34:19.920
It was slower. But here's what it was because all

411
00:34:20.079 --> 00:34:22.920
that had a little bit of drama to it. You'll

412
00:34:22.960 --> 00:34:27.719
remember it was participatory. That means you were involved, and

413
00:34:27.840 --> 00:34:31.079
you had to plan, and you had to try. You

414
00:34:31.199 --> 00:34:35.440
had to interact. We're so afraid of interaction now we

415
00:34:35.599 --> 00:34:39.920
only interact with the screen. That's crazy what we've become.

416
00:34:41.440 --> 00:34:46.000
You see, Convenience removed that friction, but you got to

417
00:34:46.119 --> 00:34:50.639
understand that friction sometimes created the memory. And when you

418
00:34:50.760 --> 00:34:54.519
finally found that place after getting lost, you felt like

419
00:34:54.679 --> 00:34:57.239
you earned it. I bet you didn't get lost that

420
00:34:57.360 --> 00:34:59.840
second time, or maybe a second time, but not at

421
00:34:59.840 --> 00:35:04.000
the time. When you figured out the map, you felt, wow,

422
00:35:04.599 --> 00:35:09.000
I can go anywhere. I'm capable. And when you had

423
00:35:09.039 --> 00:35:12.400
to talk to someone for directions, you had that light,

424
00:35:13.599 --> 00:35:19.840
little moment of human contact, not polished, you know, nothing fancy.

425
00:35:19.960 --> 00:35:22.559
It was just real and in the moment, and it

426
00:35:22.679 --> 00:35:27.880
was transparent. And it left a mark, a very important one,

427
00:35:28.039 --> 00:35:33.400
and that was social interacting with another human, something that

428
00:35:33.440 --> 00:35:36.559
we've lost now. In twenty twenty six, Well promised a

429
00:35:36.559 --> 00:35:39.079
little bit of George Michael and I promised a little

430
00:35:39.079 --> 00:35:41.920
bit of Bilton John here on the one and only

431
00:35:42.079 --> 00:35:43.320
Back to the eighties radio.

432
00:35:43.360 --> 00:35:44.199
We're gonna be right back.

433
00:36:01.320 --> 00:36:04.440
I kill my hard away and I know all the

434
00:36:04.559 --> 00:36:08.559
games you play, you gotta pay them to all the

435
00:36:09.519 --> 00:36:10.679
sun time.

436
00:36:10.719 --> 00:36:16.079
Off from back in the sun time. My heart up

437
00:36:16.199 --> 00:36:16.559
the door.

438
00:36:18.199 --> 00:36:20.800
Oh I'll come son with.

439
00:36:23.159 --> 00:36:28.000
Son, want to take something, baby, But I've shown the door.

440
00:36:28.039 --> 00:36:29.280
Because I gotta have fai.

441
00:36:30.760 --> 00:36:35.960
I gotta have a d because I get to I've

442
00:36:36.039 --> 00:36:37.559
got to help you fend.

443
00:36:38.840 --> 00:36:39.199
Baby.

444
00:36:40.719 --> 00:36:44.440
I know you're asking me today, say please, please please,

445
00:36:44.480 --> 00:36:48.199
don't go away, say don't g you the brules may

446
00:36:48.800 --> 00:36:53.920
there you ever we were to say, can help, But

447
00:36:54.199 --> 00:36:55.239
think of yesterday.

448
00:36:55.559 --> 00:37:00.400
I'm trying another whole time me down to the boy ship.

449
00:37:01.400 --> 00:37:06.320
You come, Shome A void from my heart on the.

450
00:37:07.719 --> 00:37:13.159
Ocause my foes motion.

451
00:37:13.840 --> 00:37:17.599
But I mean sing to hold me something.

452
00:37:18.239 --> 00:37:19.320
Yes, I gotta have me.

453
00:37:20.840 --> 00:37:23.519
I didn't have a thing because I.

454
00:37:26.079 --> 00:37:26.800
Gotta have that.

455
00:37:37.199 --> 00:37:58.599
Said wait helping.

456
00:37:51.519 --> 00:37:55.639
You come Shome I'm avoid from my heart.

457
00:37:56.079 --> 00:38:00.760
Oh my lord, I see.

458
00:38:01.559 --> 00:38:05.840
My voice, so let me song to hold me.

459
00:38:06.199 --> 00:38:08.079
But something.

460
00:38:10.840 --> 00:38:11.639
Because I gotta have.

461
00:38:13.440 --> 00:38:14.119
I gonna have.

462
00:38:16.559 --> 00:38:16.800
Ep.

463
00:38:18.440 --> 00:38:19.400
I gotta have that.

464
00:38:41.800 --> 00:38:44.599
I'll build a wall in China.

465
00:38:45.719 --> 00:38:48.440
Changa ooh, sh line up.

466
00:38:49.239 --> 00:38:52.519
I'm ane, I'm throne.

467
00:38:52.679 --> 00:38:59.119
Jess and the Crown. I'm a ball in your face.

468
00:39:00.280 --> 00:39:02.920
I sent flee in the streets.

469
00:39:03.960 --> 00:39:12.039
I'm fresh contands, chasing the brown, chase having a brown.

470
00:39:12.119 --> 00:39:12.719
I'm telling it.

471
00:39:12.840 --> 00:39:17.400
I see I'm looking a leaf, feel the sun come down.

472
00:39:18.039 --> 00:39:21.119
I'm chasing the brown brown.

473
00:39:21.679 --> 00:39:28.039
I'm chasing the crown. I'm taking the in the right eye.

474
00:39:27.840 --> 00:39:31.920
Direction, leaving stall and I lost and found.

475
00:39:32.480 --> 00:39:33.800
I'm chase having a brown.

476
00:39:36.119 --> 00:39:37.440
I'm checking the crown.

477
00:39:40.320 --> 00:39:43.079
I'm tea food and bosta.

478
00:39:43.960 --> 00:39:49.599
I saw the light, white shock. I'm in the brood there,

479
00:39:49.880 --> 00:39:51.960
brown chase at the brown.

480
00:39:54.880 --> 00:39:57.679
I leaves a stand.

481
00:39:58.960 --> 00:40:01.079
The boul love cats.

482
00:40:01.960 --> 00:40:04.719
We'll say right out, and I'm not shout hey.

483
00:40:05.159 --> 00:40:06.400
I'm chasing a brown.

484
00:40:08.800 --> 00:40:10.000
I'm Jason Brown.

485
00:40:10.199 --> 00:40:12.360
I'm telling if I see eyapple, I.

486
00:40:12.519 --> 00:40:14.679
Was licking my man, laying the suck.

487
00:40:14.760 --> 00:40:19.079
Come down, Jason a brown Brown.

488
00:40:19.599 --> 00:40:20.920
I'm changed out the ground.

489
00:40:23.159 --> 00:40:23.920
I'm checking out.

490
00:40:25.000 --> 00:40:28.440
I'm right down, that's something. I'm bound the soul and

491
00:40:28.599 --> 00:40:29.840
I left half bound.

492
00:40:30.400 --> 00:40:35.320
I changed out the brown, checking the grown.

493
00:41:06.400 --> 00:41:09.280
I'm taking let my feet up.

494
00:41:09.880 --> 00:41:13.000
I was waking at my leave and the stuck us down.

495
00:41:13.559 --> 00:41:16.679
I'm chey that I'm brown Brown.

496
00:41:17.199 --> 00:41:21.960
I'm changing out a brown. I'm taking out a jail

497
00:41:22.360 --> 00:41:23.679
in a dig.

498
00:41:24.360 --> 00:41:25.519
Don't keep out the soul.

499
00:41:26.199 --> 00:41:26.719
I love that.

500
00:41:27.920 --> 00:41:29.199
I'm cheering out a brass.

501
00:41:31.559 --> 00:41:32.360
I'm checking out the.

502
00:42:06.000 --> 00:42:16.079
Old China. Shut light up at Brown, don't Jason Brown.

503
00:42:18.960 --> 00:42:21.360
I'm all staying, y'all faith.

504
00:42:22.480 --> 00:42:25.039
I've been flag again bus stakes.

505
00:42:26.039 --> 00:42:28.760
I got grass from the fads.

506
00:42:29.360 --> 00:42:29.920
JASONA.

507
00:42:30.039 --> 00:42:35.920
Brown, I thought fou and Boka.

508
00:42:37.639 --> 00:42:42.079
I saw the love by Jock make a roof. Then

509
00:42:42.199 --> 00:42:44.960
that Brown, Jason A Brown.

510
00:42:52.840 --> 00:42:53.639
L GI.

511
00:43:33.480 --> 00:43:36.280
Back to the eighties radio. You got to remember that

512
00:43:36.519 --> 00:43:40.679
during the nineteen eighties, Madonna was topping the charts, the

513
00:43:40.800 --> 00:43:44.960
Breakfast Club was packing theaters, Blockbuster was expanding like crazy

514
00:43:45.000 --> 00:43:47.760
across the country, and you would go in and out

515
00:43:47.800 --> 00:43:51.000
of the house like a maniac, and life mattered to

516
00:43:51.079 --> 00:43:55.119
you and nothing was impossible. So let me ask you this,

517
00:43:56.159 --> 00:43:59.599
Why do the eighties still matter to you? Why do

518
00:43:59.679 --> 00:44:02.480
they why do they matter so much to all of us?

519
00:44:03.199 --> 00:44:04.760
Because they certainly weren't perfect.

520
00:44:05.519 --> 00:44:05.719
Well.

521
00:44:05.920 --> 00:44:09.039
One of the reasons, at least for today, the reason

522
00:44:09.119 --> 00:44:15.639
that we talked about is because they were experienced. Because

523
00:44:15.679 --> 00:44:21.519
you went to places, you interacted with people, you searched

524
00:44:21.679 --> 00:44:27.400
for things, you waited. Remember waiting and remember being bored

525
00:44:27.760 --> 00:44:31.480
out of your mind sometimes. Remember those times that you

526
00:44:31.559 --> 00:44:34.280
had to a company, an adult somewhere to pay a bill,

527
00:44:35.159 --> 00:44:38.400
or to go to a government office or somewhere where

528
00:44:38.480 --> 00:44:40.519
you had to wait and be bored as a kid,

529
00:44:41.480 --> 00:44:47.000
it was horrible. But those moments, those moments shaped you,

530
00:44:47.519 --> 00:44:51.599
and they shaped me. Sure, convenience makes life a lot smoother,

531
00:44:52.480 --> 00:44:57.840
but those experiences made in life a lot deeper. And

532
00:44:57.920 --> 00:45:00.679
when those songs come back around, they don't just remind

533
00:45:00.800 --> 00:45:03.280
you of just music in the background. They remind you

534
00:45:03.360 --> 00:45:06.920
of who you were becoming. And that's why it still

535
00:45:07.079 --> 00:45:11.079
hits at least me. You've been listening to back to

536
00:45:11.159 --> 00:45:14.760
the eighties radio. I'm Tuscano from the Dynamic Duel of

537
00:45:14.960 --> 00:45:19.039
nineteen eighties Radio Tuscano and chang right to us. Tell

538
00:45:19.159 --> 00:45:21.880
us what your ritual was at FMADS radio at gmail

539
00:45:21.960 --> 00:45:24.719
dot com. We're gonna do this again real soon, and

540
00:45:24.920 --> 00:45:28.559
wherever you are today, crank it loud because we're leaving

541
00:45:28.639 --> 00:45:31.280
you with the King of Pop. This is Michael Jackson

542
00:45:31.960 --> 00:45:32.800
and Billy.

543
00:45:32.599 --> 00:46:01.599
Jeans move so shit do me none who danced.

544
00:46:02.960 --> 00:46:03.199
Round?

545
00:46:05.400 --> 00:46:07.719
She said, I am a wild.

546
00:46:08.719 --> 00:46:11.440
Who danced around.

547
00:46:15.679 --> 00:46:18.159
She saw me running being genius.

548
00:46:18.400 --> 00:46:22.400
She goes to see the heavy hitom ice dream.

549
00:46:22.199 --> 00:46:23.880
To be in the one.

550
00:46:25.159 --> 00:46:26.159
Who danced.

551
00:46:27.559 --> 00:46:36.480
Round him alsow me became with you. Don't go around

552
00:46:36.599 --> 00:46:38.000
breaking young girl's hearts.

553
00:46:40.079 --> 00:46:43.000
Mom ansow me, I begam who love?

554
00:46:44.199 --> 00:46:44.920
Can you.

555
00:46:50.599 --> 00:46:53.400
My Jesus.

556
00:46:56.239 --> 00:46:59.000
World chance?

557
00:47:01.360 --> 00:47:03.559
Oh she said.

558
00:47:08.480 --> 00:47:16.760
So for a reason Befotnight was on the side.

559
00:47:17.360 --> 00:47:21.920
Would stand when he's in the manners, he's the lands.

560
00:47:22.599 --> 00:47:25.199
To dance crown.

561
00:47:27.440 --> 00:47:34.039
Just bring my strong advice. Just remember you always say twice.

562
00:47:35.400 --> 00:47:36.360
So dance.

563
00:47:37.639 --> 00:47:40.320
She told my baby to dance a three.

564
00:47:41.800 --> 00:47:44.960
And she would a pot over the baby crying five.

565
00:47:44.840 --> 00:47:46.000
Food like mine.

566
00:47:47.159 --> 00:47:50.480
You would dance, Oh lord, bellow loud baby.

567
00:47:53.840 --> 00:47:58.760
People alsold me be want to don't around.

568
00:47:58.599 --> 00:47:59.840
Breaking young girls out?

569
00:48:02.039 --> 00:48:29.079
Change as well as we the ul James j j Mons, James.

570
00:48:30.960 --> 00:49:11.440
Jesus, she said, dot ja so.

571
00:49:16.559 --> 00:49:18.159
And change and my.

572
00:49:20.039 --> 00:49:21.360
She just gap.

573
00:49:26.039 --> 00:49:34.400
Cha cha.

574
00:49:40.440 --> 00:49:49.880
You know what you did, plainly the clean and change

575
00:49:50.840 --> 00:50:04.039
my jean and my play my john.

576
00:50:05.880 --> 00:50:13.880
Ja take me back to the cold in day, Andreez

577
00:50:14.920 --> 00:50:23.239
take me back, Arease, take me back until nine. Mothers

578
00:50:23.320 --> 00:50:29.159
alwayside WHOA the eight hundred fold at

579
00:50:33.000 --> 00:50:33.239
Sh