Oct. 26, 2025

The Streets That Shaped Me - A Personal Story

The Streets That Shaped Me - A Personal Story
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The Streets That Shaped Me - A Personal Story
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In this special edition of Back to the 80s Radio, host Toscano steps out from behind the console and takes you on a deeply personal journey through the decade that defined him.

It’s the story of growing up in Southern California in the 1980s—the sounds, the streets, and the song that changed everything: U2’s “Where the Streets Have No Name.” More than a memory, it’s a look back at how music can shape a life, heal a heart, and ignite a purpose.

This is one man’s story of faith, family, and the soundtrack that made it all possible.

Become a supporter of this podcast: https://www.spreaker.com/podcast/back-to-the-80s-radio--5883226/support.

This episode of Back to the 80s Radio — The Streets That Shaped Me — was written, voiced, and produced by Toscano.

Inspired by true events and featured in the upcoming book Life Goes On: The Lessons We Learned from 80s Music. For more stories, music, and memories that shaped a generation, visit fm80s.com or follow @back2theeightiesradio.

WEBVTT

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Live from the heart of southern California to the world.

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This is Back to the Eighties Radio, the show that

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cranks up the past and makes it loud again. Hey,

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everybody's Tocotto here from Tuscono and Chang. Welcome to Back

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to the Eighties Radio. I'm glad that you joined me

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today because we are setting the dial back to two

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years nineteen eighty four and nineteen eighty seven, the year

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of course at Los Angeles became the center of the

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world the Summer Olympics MTV cassette decks. Every song had

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something to say, whether you're cruising down Imperial Highway or

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what are your boulevard, grabbing a slice of pizza man,

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or hanging out with friends in the glow of an

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arcade machine. Today, I'm taking you there to the streets

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where I grew up, listening to the music that saved

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me personally and to the one song that changed everything.

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If you want to find out what band and song

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it was, stick around here Back to.

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The Eighties Radio.

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Hey, this is Laurie Miller from the first and original

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Expose and you're listening to Back to the Eighties Radio.

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Join is a sound celebration and music Land and save

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on your favorite new release. Pick up the latest from

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Roger Daltrees to get Under a Raging Move, featuring the

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hit song after the Fight.

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On sale now just.

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LP a music line, Oh I.

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Under a Raging Move unmistakably Roger Daltrey, only five ninety

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nine to set LP on Atlanta.

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Save on items throughout the store during the Sound Celebration

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sale at music Landing.

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On sale now at all area of music Land locations.

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Won't you come to me of me?

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Hobby the dancer?

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You know it be? Tell me your trouble in our house,

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giving me everything inside and out love strange to really

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think of the tender thing, the news that when we're

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working on slow change before us apart one of life,

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get any harby.

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Anything, don't choose, don't get it out of me, don't

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do don't don't.

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Don't you can't about me?

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Will you stand above me?

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Up my way?

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You never love me?

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Rain keep started rain kisport down.

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We acorn me.

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Call my name by walk on by ray King start

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rain King started down down, down.

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Down, don't try.

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It's my fun.

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Will women and.

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Almost home or to yours?

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Then said find any insecurity?

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Don't you forget about me.

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I'll be in.

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That's what you do, go to food, take you apart,

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I'll go buy together.

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Don't shoot you forget up about me?

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Don't don't don't do don't.

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You forget about me?

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He spun about me?

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Get my way nether love me?

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Ready to keep starting.

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Down?

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Oh my ba?

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Who by.

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K s.

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K s down.

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Down?

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Who forget up about me? Don't don't don't don't don't.

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Forget about me?

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But you were going by?

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Will be come money?

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Ask you more?

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Come by?

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I want cary money.

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Where you wont go in?

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Uh?

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Who you would?

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Cooling with it?

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He will?

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You will come?

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I'll come on.

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You know you wanna come.

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You just heard Simple Minds with Don't you Forget about Me?

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Back to the eighties radio song. That a song that

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became the anthem from The Breakfast Club. You remember that

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movie that managed to tell all of our stories as

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high schoolers without ever leaving the high school library. It

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was a song that captured what the eighties were all about, longing, rebellion,

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and even the fear of being forgotten. And that was

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me in nineteen eighty four. So let's go back. A

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twelve year old kid grew up in Downy, California. We

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lived in a small two bedroom apartment complex off of

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Gardendale Street near I think the other cross street was Paramount.

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I might be off for a street or two, but

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I remember that it was my mom and dad, myself.

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It wasn't fancy, but it was it was what we had.

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I remember our neighbors had started with cable first when

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we got there, and I was so excited because they

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had on TV and Select TV, two channels of cable.

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And then of course it was our turn and we

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got cable and our cable had like tons of channels.

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We had Showtime and HBO and so exciting and MTV,

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and as a twelve year old, that was incredible. On

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summer afternoons, the smell of asphalt and cut grass mixed

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with barbecue smoke drifting from the balconies. Kids were riding

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their BMX bikes in the parking lot. We were playing

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cops and robbers with toy guns that looked real. And

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across the street from my apartment complex was a supermarket

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called super A Foods, and that's where we spent some

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of our time because our parents used to send us,

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or at least they used to send me to go

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get milk or eggs or whatever, and I'm jaywalking, of course.

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And on the way back, I had to spend that

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change on the arcade machines by the front doors, playing

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either Galago or misspac Man Defender. And I believe they

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had another game called USA Olympics. You might remember that

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one if you lived through the time. If we weren't there.

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We were down at Imperial Highway in Lakewood Boulevard. But

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there was a tiny shopping center. A few of the

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places there, Pizzaman pizzeria, a laundromat, a real state office

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tucked between them, and of course the best place in

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that locale the arcade. It was dimly lit, walls were

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plastered with posters of bands and pinball tournaments. I mean,

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you could walk in and hear the electronic symphony of

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eighties gaming. The high pitched beeps, the joystick clicks, people

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pounding on the machines to give them their quarterback, and

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sometimes guys hitting that pinball machine too hard where he

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made it tilt. It wasn't just fun, it was freedom,

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and that was our world. If you grew up in

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the eighties, wherever you were, you know what I'm talking

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about the tight streets, the familiar phases that the songs

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echoing from car stereos up and down the block, people

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blasting from their cars, Michael Jackson, Van Halen, the police, Duran, Duran,

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and run DMC. It was the soundtrack of growing up

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in the mid eighties. And then, of course life changed

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for me. My parents divorced that year. And before you

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start feeling sorry, of course I wasn't one of the

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kids who, at least I don't think I was. I

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used to ask myself and wonder why all the kids

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that parents get a divorce are so sad. I was

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so happy when they got a divorce. My parents used

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to fight all the time, and it was just madness

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at my house, and as an only child with nobody

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else to talk to but just maybe friends for a

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certain amount of time outside, it wasn't enough. So I

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was really happy when they divorced, maybe deep down inside.

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Of course, like any child, we really hope that they

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stay together and things are good. But it wasn't. And

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I didn't understand all of it. I mean, what kid does.

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But I remember the silence, the kind that lingers after

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the yelling stops, the kind where even the TV sounds

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too loud, And I remember Mom packed what we had

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into boxes and we moved to Santa Fe Springs, pretty

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much a city or two over, and she had bought

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her first real home together, three bedrooms, two and a

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half bath, new carpet smell. It was the kind of

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house that felt bigger than it was, just because it

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was ours. And why Mom? What can I say about

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my mom? Ah, She's stronger than any hero I'd seen

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on TV. She was a tough cookie, still is. She

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worked long hours and still found the time to make dinner,

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helped me with homework at times, unless it was math,

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and she wouldn't help me at all. And she kept

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me in line. As a matter of fact, she kept

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me in line so hard that I used to call

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her sergeants slaughter.

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Well, let me tell you, how does the slaughter?

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Can it?

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South?

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Sanose? Where the men or men? So are the women?

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She used to think it was the funniest thing in

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the world. But trust me, she earned that title. And

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at night, when the house went quiet and the street

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lights outside turned on, I turned my radio on. I

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had a record player, but I also had a boombox,

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one of those lasonic boomboxes. You'll remember those. They're huge.

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They were just great sounding and listened to Kiss FM.

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I used to listen to Karoq and k Loos. Those

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stations became my family. Those jocks, those DJs, those on

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air personalities became my friends.

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After seven, seven t five now on Paro one oh six, Monica,

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I can't believe you didn't report this.

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This is absolutely true.

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I've been reading this in a bunch of newspapers that

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a doctor at Harvard Medical School has been telling women

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that if they have infections of any type and they're

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worried about it. You mentioned this to me the other day, Yes,

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And I had to look at um finally, and I

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did see it the other day. I think in the

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Herald that they're supposed to put their underwear in the

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microwave often. Though, now I'm gonna say that, I'm going

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to say something. I don't know what I'm talking about now,

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but the thing was called a yeast infection. Is that

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a bad thing? Does it hurt? Does it itch? What

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does it do? It's when you have a problem baking bread. No, no, no,

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come on, I'm no.

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It's a female pro problem.

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So if you have this problem you have, well, you

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put your underwear in the microwave of it and it

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kills the germs. I just read that the other day.

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But the US isn't, gosh, this is gross on your underwear.

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It's don't don't mention it. I don't know what else

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it does. So, ladies, if you're having trouble, and the

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doctor said, there's gonna be a lot of jokes made

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about this. I heard this guy talking the other day

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on one of those consumer networks and stuff, so I

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just wanted to bring it to you. I mean, it's

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just another wonderful use that And of course, you know,

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putting toy poodles in there, which was another.

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One more like music became my counselor. It was the

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one thing that didn't change addresses when everything else in

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my life did. And somewhere in those nights prior to

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eighty four, I'm talking maybe eighty two eighty three, as

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I listened to kr OQ with my cousin and I'll

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get into that in a little bit, I discovered the

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band of my life.

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You too.

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I don't remember the exact moment, but I do remember

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the feeling and their sound hit different. It wasn't just

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catchy to me. It was honest. It was it was

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hope and heartbreak all tangled up in reverb. I'm gonna

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take a little break when we come back. There's a

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lot more of this story. Ever, wish you could go

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back to the eighties with the crazy clothes.

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And those wacky hairdoes well, Let Tescano and Chang transport

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you back in time, back to the eighties.

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It certainly is a big bun to get a very

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big fun, big luffy bun.

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It's a very big, fluffy fun.

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Where's the beef?

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Some hamburger places give you a lot less beef on

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a lot of bun.

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Where's the bee?

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Ad Wendy's we save a hamburger We modestly called a single.

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And Wendy's single has more beef than the wholper all

238
00:16:53.039 --> 00:16:54.159
big Mac Wendy's.

239
00:16:54.200 --> 00:16:55.679
You get more bean and less bun.

240
00:16:56.000 --> 00:16:58.559
Hey, I don't think there's a.

241
00:16:59.440 --> 00:17:00.480
You want some think better?

242
00:17:00.759 --> 00:17:02.480
Your wind is kind of people.

243
00:17:10.079 --> 00:17:15.119
All around me, of a million faces, one hearth places,

244
00:17:15.680 --> 00:17:23.160
one earth faces writing deliver for the daily races, going nowhere,

245
00:17:23.759 --> 00:17:25.200
going nowhere.

246
00:17:26.519 --> 00:17:31.880
That is a ring up their glasses. No expression, no

247
00:17:32.240 --> 00:17:37.160
expression of my head. I want to drown my sorrow,

248
00:17:37.920 --> 00:17:41.279
not to morrow, not to narrow.

249
00:17:42.440 --> 00:17:44.319
And I find a kind of funny.

250
00:17:44.680 --> 00:17:45.839
I find a kind of.

251
00:17:45.960 --> 00:17:49.200
Sad that dreams in which I'm tying of the best

252
00:17:49.319 --> 00:17:50.200
home of the head.

253
00:17:50.759 --> 00:17:53.279
I find it how to tell you because I find

254
00:17:53.359 --> 00:17:56.559
it not to take when people run in circles.

255
00:17:56.640 --> 00:17:59.559
It's a very very man.

256
00:18:03.200 --> 00:18:12.599
Mad mad mad would.

257
00:18:14.680 --> 00:18:19.640
Children waiting for the take days, feel good, happy birthday,

258
00:18:20.279 --> 00:18:25.480
Happy birthdays to fill the way the temporary church.

259
00:18:26.319 --> 00:18:31.039
Citend listen, citandlessa.

260
00:18:30.839 --> 00:18:34.920
Went to school and I was spelling loveus, the one

261
00:18:35.160 --> 00:18:37.599
new me, the one new.

262
00:18:39.000 --> 00:18:43.079
And little teacher tell me what's my lesson? The Christ

263
00:18:43.240 --> 00:18:45.759
through me, the Christ from me?

264
00:18:47.119 --> 00:18:48.920
And I find it kind of funny.

265
00:18:49.319 --> 00:18:52.319
I find it, kind of said, the dreams in which

266
00:18:52.359 --> 00:18:54.880
I'm dying of the establiable head.

267
00:18:55.400 --> 00:18:57.400
I find it how to tell you dings.

268
00:18:57.440 --> 00:18:58.480
I find it how to.

269
00:18:58.599 --> 00:19:01.160
Take when caper running cycles.

270
00:19:01.240 --> 00:19:04.839
It's a very very mad was.

271
00:19:07.839 --> 00:19:08.839
Mad, was.

272
00:19:11.920 --> 00:19:16.240
Mad mad?

273
00:19:16.880 --> 00:19:16.920
Was?

274
00:19:39.839 --> 00:19:42.799
I think it's a private.

275
00:19:42.599 --> 00:19:46.400
Kind of funny, a fine kind of sidles it dreams

276
00:19:46.440 --> 00:19:49.359
in which I'm dying all the best out of the head,

277
00:19:49.920 --> 00:19:52.799
of finding how to tell you, because I finding how

278
00:19:52.960 --> 00:19:54.279
to take it when.

279
00:19:54.200 --> 00:19:58.640
People run in cycles, it's soil there mad.

280
00:20:18.759 --> 00:20:21.079
Back to the eighties radio that was tears for fears

281
00:20:21.160 --> 00:20:25.599
in the mad, mad world, just like today. Right, Hey,

282
00:20:25.680 --> 00:20:28.119
I just want to take a little pause before I

283
00:20:28.240 --> 00:20:31.079
continue with my story and just thank you from wherever

284
00:20:31.160 --> 00:20:35.680
you're listening to us from. If you're from the United States, hey,

285
00:20:36.160 --> 00:20:39.359
thank you. Thank you guys for the support. If you're

286
00:20:39.400 --> 00:20:42.920
listening to us from Canada or Mexico, Central America, South America,

287
00:20:43.440 --> 00:20:45.880
thank you, guys. And if you're listening to us from

288
00:20:46.079 --> 00:20:50.920
Europe or the Caribbean, or Australia or somewhere in Africa,

289
00:20:51.279 --> 00:20:55.039
or you know, Croatia or Ukraine or Russia, I mean,

290
00:20:55.119 --> 00:20:58.519
who knows, somewhere in Asia. Thank you guys for listening.

291
00:20:59.359 --> 00:21:03.000
You make this all possible, and you mean the world

292
00:21:03.039 --> 00:21:05.720
to me and to Chang as well. But all right,

293
00:21:06.519 --> 00:21:11.839
let's go to nineteen eighty five, because by nineteen eighty five,

294
00:21:11.960 --> 00:21:14.960
radio wasn't just my personal escape, it was my own dream.

295
00:21:15.880 --> 00:21:18.480
Every summer before that, like let's say, from eighty one

296
00:21:18.559 --> 00:21:22.160
to eighty three, eighty four, somewhere like that, I'd stay

297
00:21:22.200 --> 00:21:25.839
with my cousin Ralph. Now Ralph was the kind of

298
00:21:25.960 --> 00:21:27.799
cousin that he should have been my brother, and I

299
00:21:27.839 --> 00:21:30.480
always felt he was my brother, still do till today.

300
00:21:30.880 --> 00:21:33.640
He lived in Highland Park in southern California, right off

301
00:21:33.640 --> 00:21:36.680
the seven to ten near forty third Street, I believe,

302
00:21:36.759 --> 00:21:39.200
or forty eighth Street, one of those. He was five

303
00:21:39.279 --> 00:21:42.559
years older. He was much cooler than I could have

304
00:21:42.599 --> 00:21:45.559
ever thought I was at his age. He just embodied

305
00:21:45.680 --> 00:21:48.640
everything that I wanted to follow. What a role model.

306
00:21:48.680 --> 00:21:53.200
He was confident, He was sort of hero for me.

307
00:21:53.920 --> 00:21:57.200
He had this silver top loading tape recorder you'll remember,

308
00:21:57.599 --> 00:22:01.559
like they kind of used in office buildings or medical offices,

309
00:22:01.680 --> 00:22:04.160
the kind that made the loud clack or click when

310
00:22:04.200 --> 00:22:07.799
you hit the record. And we'd sid cross legged on

311
00:22:07.880 --> 00:22:11.480
the carpet pretending to be DJ's from KROQ one O

312
00:22:11.599 --> 00:22:15.319
six point seven, the rock of the eighties, and we'd

313
00:22:15.359 --> 00:22:19.799
intro songs by in Excess to Cure Duran Durand, and

314
00:22:19.960 --> 00:22:23.920
we'd throw in fake commercials, crank calls, and announce our

315
00:22:23.960 --> 00:22:28.079
own top five countdown, and we had fake personalities. I mean,

316
00:22:28.559 --> 00:22:31.839
we were awful, probably, but we thought we were legends.

317
00:22:32.599 --> 00:22:36.079
And looking back, that's where it all began. That's where

318
00:22:36.160 --> 00:22:39.160
I learned that radio wasn't just about playing songs. It

319
00:22:39.359 --> 00:22:43.359
was about connection, the kind that reaches through static and

320
00:22:43.480 --> 00:22:48.000
somehow touches our souls. Now fast forward to nineteen eighty seven,

321
00:22:48.440 --> 00:22:52.799
in particular March twenty seven, when that day came. Rick

322
00:22:52.920 --> 00:22:56.359
Dees announced it on KSFM on one oh two point

323
00:22:56.480 --> 00:22:58.640
seven that year. Yes, there is an in case you're

324
00:22:58.680 --> 00:23:01.119
just joining us, I'm not making this. Three thirty today

325
00:23:01.519 --> 00:23:02.839
at seventh and Maine.

326
00:23:03.200 --> 00:23:05.759
Re announced first here in southern California that they were

327
00:23:05.960 --> 00:23:08.680
being not going to be shooting their video here in

328
00:23:08.839 --> 00:23:10.200
La at seventh and Main Street.

329
00:23:10.559 --> 00:23:12.119
I'm going to be there. I turned on the TV

330
00:23:12.319 --> 00:23:14.599
later and saw the Chaos motto on the roof the

331
00:23:14.680 --> 00:23:18.279
band blasting through the desert like intro. People were just

332
00:23:18.519 --> 00:23:21.200
flooding the streets. Police were trying to shut it down.

333
00:23:21.240 --> 00:23:24.799
They got the mayor involved. He was a pretty pissed.

334
00:23:24.559 --> 00:23:28.160
Major thoroughfare at three thirty in the afternoon. Okay, what

335
00:23:28.240 --> 00:23:30.640
I was explained to Ben there is we would have

336
00:23:30.759 --> 00:23:32.519
to go on what's called attack alert to get this

337
00:23:32.680 --> 00:23:34.799
problem solved, and we're not going to do. They've got

338
00:23:34.839 --> 00:23:38.000
a responsibility to the citizens of this city. You're drawn

339
00:23:38.039 --> 00:23:40.519
people in Ericam, Orange County and all over the goddamn place.

340
00:23:40.599 --> 00:23:43.359
We're shutting the location down. There is no vote. It

341
00:23:43.440 --> 00:23:44.000
happens now.

342
00:23:44.279 --> 00:23:45.279
They wanted to play bay.

343
00:23:45.480 --> 00:23:48.000
It was the most rebellious act of beauty I had

344
00:23:48.079 --> 00:23:52.200
ever seen, a band taking faith, aren't in passion and

345
00:23:52.319 --> 00:23:56.400
giving it to the streets. And I thought, Wow, that's it.

346
00:23:57.799 --> 00:24:00.720
That's what I want to do. Not be a musician

347
00:24:00.880 --> 00:24:04.519
like them, but to stand on a rooftop of sound

348
00:24:04.640 --> 00:24:08.640
and give people something to believe in again. And with that,

349
00:24:09.720 --> 00:24:13.079
let's take a little break, a break to experience more

350
00:24:13.359 --> 00:24:14.359
of the nineteen eighties.

351
00:24:33.119 --> 00:24:38.440
See the stone set in your eyes, see the thorn

352
00:24:38.839 --> 00:24:43.160
twist in your side. Ah ways.

353
00:24:44.359 --> 00:24:44.759
For you.

354
00:24:50.519 --> 00:24:55.559
Slive hand and to still face on a bed of me.

355
00:24:56.279 --> 00:24:58.000
She makes me ways.

356
00:24:59.359 --> 00:25:00.079
And we.

357
00:25:02.119 --> 00:25:07.079
Found you, were fully found you.

358
00:25:09.960 --> 00:25:12.480
We fall, We found you.

359
00:25:16.680 --> 00:25:19.759
Through the storm, rich less shot.

360
00:25:20.599 --> 00:25:26.000
You give it all, but I want more and I'm

361
00:25:26.079 --> 00:25:33.200
waits to be four year were fully thought you.

362
00:25:35.759 --> 00:25:37.079
Who we love.

363
00:25:40.519 --> 00:25:41.559
I can't leave?

364
00:25:44.799 --> 00:25:45.640
Were goll We.

365
00:26:00.079 --> 00:26:01.279
Said, where.

366
00:26:02.559 --> 00:26:04.720
Any yourself?

367
00:26:06.799 --> 00:26:09.440
Alf an you.

368
00:26:11.240 --> 00:26:13.440
An yourself?

369
00:26:13.880 --> 00:26:18.759
Where to turn.

370
00:26:21.519 --> 00:26:22.839
The body reach?

371
00:26:23.359 --> 00:26:30.519
She got me with nothing to win and nothing live

372
00:26:31.039 --> 00:26:51.480
to anything, So yourself edit yourself where we don't gotch?

373
00:26:54.160 --> 00:26:56.400
Who goes gotch?

374
00:26:58.640 --> 00:27:26.440
Goda we go, we go to.

375
00:27:29.279 --> 00:28:50.359
We go wee, I thay we Where are you holding

376
00:28:50.440 --> 00:28:50.920
my hand?

377
00:28:53.359 --> 00:28:56.640
There's your brother hand between two pillows.

378
00:28:58.279 --> 00:29:10.599
Those aren't killows. Oh see that.

379
00:29:10.640 --> 00:29:11.559
Bears game last week?

380
00:29:11.799 --> 00:29:12.839
Hello game, Hello game.

381
00:29:13.799 --> 00:29:15.759
Team This year, they're gonna go all the way.

382
00:29:16.920 --> 00:29:19.319
That was you too, singing with or Without You from

383
00:29:19.359 --> 00:29:22.000
the Joshua Tree album, where Bono once said that that

384
00:29:22.119 --> 00:29:25.000
song was about the tension between family, faith, and calling

385
00:29:25.440 --> 00:29:27.880
and man, and that's exactly what it felt like to

386
00:29:27.960 --> 00:29:30.200
grow up in those years. Thank you for joining me

387
00:29:30.319 --> 00:29:33.440
on this intentional time machine where I'm talking to you

388
00:29:33.519 --> 00:29:37.400
about my personal story where I turned fifteen in nineteen

389
00:29:37.440 --> 00:29:41.279
eighty seven going to Santa Fe Springs High School, and

390
00:29:41.400 --> 00:29:44.799
Santa Fe Springs had become my home, where my collection

391
00:29:45.000 --> 00:29:49.240
of vinyl and the collection of cassettes grew large with

392
00:29:49.480 --> 00:29:55.559
music from Journey You to Genesis, Van Halen Queen, and

393
00:29:55.680 --> 00:29:59.880
a stack of blank tdks and memorys and Maxel Ta

394
00:30:00.000 --> 00:30:04.640
apes and an incredible looking Losonic boombox that my dad

395
00:30:04.720 --> 00:30:07.480
had given to me. Yeah, well, what can you say?

396
00:30:07.519 --> 00:30:10.079
It was one of the perks of the divorce, and

397
00:30:10.200 --> 00:30:13.559
I'd sit there every Friday night after coming home from

398
00:30:13.920 --> 00:30:15.720
hanging out with my best friend in the world, Mark

399
00:30:15.759 --> 00:30:18.200
Hernandez at that time, which, by the way, as a

400
00:30:18.279 --> 00:30:21.599
side note, thanks brother, thanks for being the brother I've

401
00:30:21.720 --> 00:30:24.279
never had. And so I'd sit there trying to catch

402
00:30:24.359 --> 00:30:27.279
the start of a song, trying to record without the

403
00:30:27.400 --> 00:30:30.400
DJ talking over it. You'll remember every time we'd hit record,

404
00:30:30.920 --> 00:30:33.319
we probably had that song that we wanted to record

405
00:30:33.480 --> 00:30:35.680
for a long time, and we finally caught it, and

406
00:30:35.759 --> 00:30:38.799
what happens the DJ would talk right over the music.

407
00:30:38.920 --> 00:30:39.960
Don't you hate that?

408
00:30:41.119 --> 00:30:41.519
This was it?

409
00:30:41.799 --> 00:30:45.279
At the beginning of your party music marathon with money

410
00:30:45.720 --> 00:30:49.480
in the music Friday, My attitude is showing Jojo cooking

411
00:30:49.519 --> 00:30:55.319
here on C one six, write the song down word this.

412
00:30:55.359 --> 00:30:57.279
Will get you one hundred and six dollars if.

413
00:30:57.160 --> 00:30:59.640
You count to win. Who were like.

414
00:31:01.359 --> 00:31:04.720
And thinking back today, those DJs were right on point,

415
00:31:05.200 --> 00:31:09.599
you know the struggle. Those cassettes were my journal. Each

416
00:31:09.680 --> 00:31:13.759
one told a story about where I'd been, who I was,

417
00:31:13.839 --> 00:31:17.480
and who I wanted to be. Then one day my

418
00:31:17.599 --> 00:31:20.599
cousin Ralph called and he said, hey, hey, cousin, I

419
00:31:20.680 --> 00:31:24.000
got us some tickets to see you too. I thought,

420
00:31:24.039 --> 00:31:27.759
of course he was kidding, but he wasn't. It was

421
00:31:27.880 --> 00:31:31.680
the Joshua Tree Tour November eleventh, nineteen eighty seven, at

422
00:31:31.720 --> 00:31:35.359
the La Coliseum. I remember going to get the tickets

423
00:31:35.920 --> 00:31:38.440
somewhere close to where he lived. It was either Pasadena

424
00:31:38.640 --> 00:31:41.599
or Eagle Rock, or just somewhere. It was at a

425
00:31:42.119 --> 00:31:44.880
ticket Master. We waited from three in the morning until

426
00:31:44.960 --> 00:31:48.200
they opened. We just hung out with people of like

427
00:31:48.359 --> 00:31:50.839
mind and even got a chance to flirt with a

428
00:31:50.920 --> 00:31:53.359
girl at that hour. But as the day of the

429
00:31:53.799 --> 00:31:58.000
concert arrived, I remember waiting in line with the fans

430
00:31:58.079 --> 00:32:00.880
and denim jackets and their shirts that said you two.

431
00:32:01.519 --> 00:32:03.759
I had smelled like hot dogs and beer and the

432
00:32:04.440 --> 00:32:09.119
echo everywhere of laughter and strangers singing together. Man, when

433
00:32:09.200 --> 00:32:12.880
those lights went out and that ethereal organ intro started,

434
00:32:13.559 --> 00:32:15.799
you could feel the vibration of how loud the music

435
00:32:16.000 --> 00:32:18.839
was on your feet. When the edge struck that first

436
00:32:18.920 --> 00:32:22.599
note and Bono stepped into that light, eighty to ninety

437
00:32:22.839 --> 00:32:26.440
thousand people just stood up and sang as one. And

438
00:32:26.519 --> 00:32:29.240
when he's saying I want to run, I want to hide,

439
00:32:39.240 --> 00:32:44.240
something inside me broke and something else was born. And

440
00:32:44.359 --> 00:32:48.519
for the first time in my life, I felt seen.

441
00:32:49.880 --> 00:32:53.160
I didn't feel alone. He's saying what I couldn't say,

442
00:32:54.559 --> 00:32:57.799
And in that moment, I realized that music was never

443
00:32:58.079 --> 00:33:02.640
just sound. I like today it's just background noise. It's

444
00:33:02.720 --> 00:33:07.400
white noise. It's something that the younger generation just not

445
00:33:07.559 --> 00:33:10.079
all I know. I know there's a few that enjoy

446
00:33:10.240 --> 00:33:12.160
music for what it is, but for the most part,

447
00:33:12.680 --> 00:33:16.599
people today just use music as a background. It's just

448
00:33:16.640 --> 00:33:20.000
a playlist that you don't really pay attention to. But

449
00:33:20.119 --> 00:33:25.559
at that moment, back then, music wasn't just sound. We

450
00:33:25.720 --> 00:33:30.440
left a concert in Awe. I had my brand new

451
00:33:30.519 --> 00:33:33.160
YouTube concert shirt with all the dates in the back.

452
00:33:33.880 --> 00:33:36.559
It was a white shirt and I had the Joshua

453
00:33:36.599 --> 00:33:39.400
Tree logo all over the front. In the back, all

454
00:33:39.480 --> 00:33:43.279
the dates, the hum of the traffic as we went home,

455
00:33:43.359 --> 00:33:46.839
the cool night air, and a thousand thoughts in my head.

456
00:33:48.079 --> 00:33:51.119
That night, I knew who I wanted to be. I

457
00:33:51.279 --> 00:33:54.440
just wanted to be someone who could make people feel

458
00:33:54.720 --> 00:34:00.119
something like I felt again. We'll be right back. This

459
00:34:00.279 --> 00:34:01.400
is back to the eighties radio.

460
00:34:01.519 --> 00:34:04.640
When you put Select TV and on TV side by side,

461
00:34:04.720 --> 00:34:08.320
the difference is clear. On TV has some sports, some movies,

462
00:34:08.400 --> 00:34:11.800
and some special events, but when on TV quits, Select

463
00:34:11.880 --> 00:34:14.760
TV keeps going strong with about twenty one more hours

464
00:34:14.800 --> 00:34:17.880
per week. The new improved Select TV programming is ten

465
00:34:18.039 --> 00:34:20.519
great theaters for the price of one, so you get

466
00:34:20.599 --> 00:34:24.679
more entertainment variety for your money. Select TV ten great

467
00:34:24.719 --> 00:34:27.079
theaters for the price of one. All now and watch

468
00:34:27.159 --> 00:34:30.880
the World Heavyweight Championship live on Select TV Special Events Theater.

469
00:35:19.360 --> 00:35:30.719
I can feel come the night, Bullo, not anyway for

470
00:35:31.239 --> 00:35:43.880
someone ronge Bollo canning feel calm in the night?

471
00:35:45.880 --> 00:35:48.840
Oulo Bollo.

472
00:35:58.599 --> 00:36:02.599
Well, so me drowning.

473
00:36:04.039 --> 00:36:06.719
Out and hand.

474
00:36:09.000 --> 00:36:12.119
I'm seeing your face four hundred.

475
00:36:14.039 --> 00:36:14.920
I'm no week.

476
00:36:15.039 --> 00:36:16.599
You know who I am?

477
00:36:19.440 --> 00:36:27.400
Love, so watch it so in mind twice.

478
00:36:28.679 --> 00:36:35.280
Seek white my bedroom No way then saw me a

479
00:36:35.559 --> 00:36:51.400
back lies nine coming me night? Oh Lord, I waiting

480
00:36:51.679 --> 00:36:54.159
for solon rong.

481
00:36:56.719 --> 00:37:03.000
Oh No, I can be calm.

482
00:37:04.719 --> 00:37:14.079
Night Hollo when I'm be awaiting for the stormer long

483
00:37:16.960 --> 00:37:34.400
Bolo Bulo. Right, I remember, Lord of worry.

484
00:37:36.880 --> 00:37:39.880
How could Lie gains.

485
00:37:40.119 --> 00:37:41.199
The first time?

486
00:37:43.159 --> 00:37:44.400
The last time?

487
00:37:45.000 --> 00:37:45.679
We ever?

488
00:37:49.840 --> 00:37:54.920
But I know the reason why you get the silence of.

489
00:37:57.000 --> 00:38:04.800
The weird thing for me doesn't show but haze rose.

490
00:38:05.199 --> 00:38:13.599
So strangeousy you me call me.

491
00:38:17.920 --> 00:38:21.599
Ll blow.

492
00:38:21.960 --> 00:38:25.079
Name the song row.

493
00:38:28.039 --> 00:38:36.039
L love.

494
00:38:41.400 --> 00:38:56.440
B name of the song rang my l Lie.

495
00:38:58.000 --> 00:38:58.400
You know.

496
00:39:39.760 --> 00:39:45.800
Commercials bad music good now with zero commercials.

497
00:39:45.920 --> 00:39:48.639
Please help support us in your donation. Today we are

498
00:39:48.760 --> 00:39:53.079
going back to the eighties. I was Phil Collins in

499
00:39:53.159 --> 00:39:55.920
the Air tonight, a song that still hits like thunder

500
00:39:56.000 --> 00:39:58.880
no matter how many times you've heard it. Ah for

501
00:39:58.920 --> 00:40:00.719
those of you who don't know, Phil Collins wrote that

502
00:40:01.039 --> 00:40:05.519
in pain actually, and somehow it became healing for everyone else.

503
00:40:05.679 --> 00:40:09.719
And that's the power of music. That's the power of honesty,

504
00:40:10.719 --> 00:40:13.360
and that's the power and beauty of the nineteen eighties.

505
00:40:14.119 --> 00:40:17.639
You know what, those years they taught me that vulnerability

506
00:40:17.760 --> 00:40:22.079
wasn't weakness, it was connection. And the eighties didn't hide emotion,

507
00:40:22.920 --> 00:40:27.719
they amplified it. Heartbreaks were loud and hard, the love

508
00:40:27.800 --> 00:40:32.480
songs just the same. Love songs were desperate, and the faith, well,

509
00:40:33.440 --> 00:40:36.320
sometimes it showed up between the lines. And as I

510
00:40:36.400 --> 00:40:39.280
look back now and I realize every move, every song,

511
00:40:39.880 --> 00:40:43.440
every lonely night, had a purpose. The city of Downy

512
00:40:43.519 --> 00:40:47.519
taught me roots, The city of Santa Fe Springs taught

513
00:40:47.559 --> 00:40:50.519
me strength. With my cousin where he lived. In the

514
00:40:50.559 --> 00:40:53.280
city of Highland Park it taught me passion, and my

515
00:40:53.400 --> 00:40:56.880
band You Too taught me faith. It all led here

516
00:40:57.440 --> 00:41:00.599
to this show, back to the eighties radio. Somehow, the

517
00:41:00.679 --> 00:41:03.400
music that saved me back then is the same music

518
00:41:03.519 --> 00:41:06.960
that connects us now. The same melodies that carried me

519
00:41:07.079 --> 00:41:10.760
through confusion and pain are the same ones that still

520
00:41:10.920 --> 00:41:14.719
remind us that hope never really left. You know, the

521
00:41:14.840 --> 00:41:18.199
eighties weren't just a decade. They were a heartbeat. There

522
00:41:18.239 --> 00:41:22.079
were the sound of a generation that dared to feel everything, joy,

523
00:41:22.239 --> 00:41:26.079
the pain, the hope, the heartbreaks, and turn it into

524
00:41:26.239 --> 00:41:29.400
music that still echoes today. And all of us you

525
00:41:29.639 --> 00:41:32.639
me listening, that went through that. We didn't just listen

526
00:41:32.679 --> 00:41:36.199
to the songs, we lived them. Every melody was a

527
00:41:36.239 --> 00:41:39.559
piece of who we were, and somehow, through the static

528
00:41:39.639 --> 00:41:44.800
of life, that music taught us to believe again. Wherever

529
00:41:44.840 --> 00:41:48.880
you are today, maybe sitting in traffic, maybe at home,

530
00:41:49.000 --> 00:41:52.440
maybe you're just walking and listening to the program, maybe

531
00:41:52.480 --> 00:41:56.480
looking at old pictures, maybe just thinking wondering where the

532
00:41:56.559 --> 00:42:01.960
time went. Remember this, I never really left us. They

533
00:42:02.119 --> 00:42:04.840
live in the way we love and the songs that

534
00:42:05.000 --> 00:42:08.800
still make us cry, in the laughter that comes when

535
00:42:08.880 --> 00:42:11.800
we remember who we used to be. And that's what

536
00:42:12.000 --> 00:42:14.599
my story is all about. And if you ever felt

537
00:42:14.599 --> 00:42:18.159
that same connection, if those songs carried you through tough

538
00:42:18.239 --> 00:42:20.880
times too. Then I want to encourage you guys to

539
00:42:21.000 --> 00:42:24.760
read the whole journey in the upcoming book from author

540
00:42:25.119 --> 00:42:28.760
Eric Shores. The book is called Life Goes On the

541
00:42:28.960 --> 00:42:32.360
Lessons We Learned from Eighties Music, and you can get

542
00:42:32.400 --> 00:42:37.159
it here actually, so write to me at FM Eighties

543
00:42:37.280 --> 00:42:40.639
Radio at gmail dot com to get more info on

544
00:42:40.840 --> 00:42:43.639
how to get this book. It's going to blow you away.

545
00:42:43.719 --> 00:42:45.880
It's filled with stories from people like you and me,

546
00:42:46.360 --> 00:42:50.519
people who were shaped, healed and inspired by the music

547
00:42:50.599 --> 00:42:54.199
of the greatest decade on Earth. And yeah, you'll find

548
00:42:54.280 --> 00:42:56.719
my story there too. It's a lot more than what

549
00:42:56.840 --> 00:43:00.760
I just gave you today. How one song where the

550
00:43:00.840 --> 00:43:04.039
Streets have No Name changed everything for me. So if

551
00:43:04.039 --> 00:43:05.920
you want more information on the book and when it's

552
00:43:06.000 --> 00:43:07.880
released and how you can get your hands on it,

553
00:43:08.320 --> 00:43:11.800
send me a message at FM Eighties Radio at gmail

554
00:43:11.880 --> 00:43:15.000
dot com and let those memories remind you who you

555
00:43:15.159 --> 00:43:18.800
were and who you still are. This is Tuscano and

556
00:43:18.920 --> 00:43:22.159
you've been listening to Back to the Eighties Radio. We're

557
00:43:22.199 --> 00:43:25.000
here introducing the eighties to a whole new generation.