Dec. 8, 2022

The '80s Album of the Week: Madonna

The '80s Album of the Week: Madonna
The '80s Album of the Week: Madonna
Back to the 80s Radio
The '80s Album of the Week: Madonna

On Today's episode of, "The '80s Album of the Week," Madonna the Debut album. Tune in to https://khits925.com/ Friday, Saturday and Sunday at 6pm(pst)

Let us know which '80s album you'd like to hear covered here on the show. If selected, I'll send out a shoutout and play the album. Go to our Facebook fan page at: https://www.facebook.com/backtothe80sradio and send us a direct message to let us know what you choose.

--- Support this podcast: https://anchor.fm/backtothe80s/support
WEBVTT

1
00:00:02.640 --> 00:00:05.799
Welcome to the Eighties Album of the Week from the

2
00:00:05.919 --> 00:00:10.000
music capital of the world, Los Angeles, California. Each weekend

3
00:00:10.000 --> 00:00:12.560
on k hits ninety two to five dot com, We're

4
00:00:12.599 --> 00:00:15.000
going to be taking a trip back to the nineteen

5
00:00:15.000 --> 00:00:18.480
eighties and taking you with us, playing an entire album

6
00:00:18.480 --> 00:00:21.920
from an artist that you, the eighties fans, have selected.

7
00:00:22.519 --> 00:00:24.800
You two can drop us your selection for an eighties

8
00:00:24.839 --> 00:00:26.879
album you want to hear by going to our back

9
00:00:26.920 --> 00:00:29.600
to the Eighties Facebook page and dropping us a direct message.

10
00:00:29.719 --> 00:00:33.000
I'm your host, Mario Toscano, and this is the Eighties

11
00:00:33.119 --> 00:00:35.880
Album of the Week. Last week we heard the Band's

12
00:00:35.880 --> 00:00:38.759
Survivor with the album of Vital Signs and heard more

13
00:00:38.840 --> 00:00:48.200
than just movie soundtracks. Today we bring you a legend,

14
00:00:48.560 --> 00:00:52.280
an icon, and the artist known as the Queen of

15
00:00:52.399 --> 00:01:02.159
Pod Born Madonna Luis Chiconi on August sixteenth, nineteen fifty eight,

16
00:01:02.479 --> 00:01:04.760
and moving to New York in nineteen seventy eight to

17
00:01:04.799 --> 00:01:08.120
begin a career in modern dance, she found her calling

18
00:01:08.159 --> 00:01:11.280
shortly after in music by joining the Breakfast Club Band

19
00:01:11.519 --> 00:01:14.439
with her then boyfriend Stephen Bray, who was also the

20
00:01:14.519 --> 00:01:17.560
drummer in the band. Not long after, she decided to

21
00:01:17.599 --> 00:01:19.719
go on her own as a solo artist and had

22
00:01:19.719 --> 00:01:23.280
a short lived experience with Gotham Records. It was Sire

23
00:01:23.400 --> 00:01:26.519
Records and Warner Brothers who would introduce her to the world.

24
00:01:27.200 --> 00:01:31.519
Today's album is Madonna, the debut album. After being at

25
00:01:31.519 --> 00:01:34.120
Sigma Sound Studio in New York for almost a year

26
00:01:34.200 --> 00:01:36.879
from May of eighty two to May of eighty three,

27
00:01:37.120 --> 00:01:40.400
she released her album on July twenty seventh, nineteen eighty three.

28
00:01:40.879 --> 00:01:43.319
Madonna was being sued at the time and needed the money,

29
00:01:43.519 --> 00:01:46.920
so music executive Jeff Ayeroff told Madonna to release the

30
00:01:47.000 --> 00:01:50.040
song and he would guarantee that she would sell enough

31
00:01:50.079 --> 00:01:53.840
records to pay anything off. Lucky Star broke the first

32
00:01:53.879 --> 00:01:57.760
album wide open. So let's take a listen. This is

33
00:01:57.920 --> 00:01:58.519
Lucky Star.

34
00:02:36.240 --> 00:02:41.159
Don't want me my Lucky Star because he shine on me.

35
00:02:41.639 --> 00:02:46.840
We severn think you and I'm start to.

36
00:02:48.840 --> 00:02:55.120
Jo line and say, you know, starlight, star light is

37
00:02:55.240 --> 00:02:59.639
not a thing to starlight, make it a b.

38
00:03:00.039 --> 00:03:05.639
And all starlight start right start as they do the starlight.

39
00:03:08.000 --> 00:03:13.400
Yeah you must be Mony Star, come you make the

40
00:03:13.919 --> 00:03:16.280
darn must see so fall.

41
00:03:18.280 --> 00:03:20.280
Not be my gag.

42
00:03:20.560 --> 00:03:20.919
I just.

43
00:03:22.919 --> 00:03:26.879
The fire side starlight.

44
00:03:26.919 --> 00:03:34.319
Star burn, and they too nice starlight, maget a ting starlight,

45
00:03:35.080 --> 00:03:38.400
start right then, and they too, night starlight.

46
00:03:45.080 --> 00:03:56.000
Come on, shine your tail and fall. You're gonna make everything.

47
00:04:01.439 --> 00:04:05.360
Come on, shine your heavenly by to night.

48
00:04:09.479 --> 00:04:12.919
I know you come to make everything.

49
00:04:32.759 --> 00:04:41.000
Mynkey star, but I'm go love Bob. You maybe my

50
00:04:41.199 --> 00:04:44.600
monkey star, but I'm lucky.

51
00:04:45.040 --> 00:04:45.800
Yes, by.

52
00:04:47.279 --> 00:04:54.680
Start stop right stastick too, night starlight, make it everything

53
00:04:54.759 --> 00:04:59.519
on starlight, stop right stars stick too, night.

54
00:04:59.519 --> 00:05:00.360
Star all right.

55
00:05:02.639 --> 00:05:15.800
Yes, come on, shine your tellorly bald mad because hello,

56
00:05:16.240 --> 00:05:26.360
you're gonna make everything. Come out shine your tellorly bald

57
00:05:27.079 --> 00:05:34.279
mad because you're gonna make everything.

58
00:05:42.360 --> 00:06:11.000
Yes you maybe you only baby, you must starlight start,

59
00:06:11.720 --> 00:06:13.959
start a thick too, night starlight.

60
00:06:15.639 --> 00:06:20.319
Make it a thing starlight, sit all right, start a

61
00:06:20.480 --> 00:06:29.040
thing to night starlight star do all right and make it.

62
00:06:30.040 --> 00:06:38.759
Oh want your doodle me favor to steam do not.

63
00:06:46.639 --> 00:06:59.000
Fucking black staring starlight.

64
00:07:21.160 --> 00:07:24.160
Hi, Mario Tuscano, And this is the eighties album of

65
00:07:24.279 --> 00:07:28.800
the Week. Madonna pushed the boundaries of artistic expression, which

66
00:07:28.920 --> 00:07:33.560
incorporated social, political, sexual, and religious themes. She never shied

67
00:07:33.600 --> 00:07:37.199
away from controversy and critique. Next on the Path is

68
00:07:37.279 --> 00:07:40.279
a song that became Madonna's first top ten hit on

69
00:07:40.279 --> 00:07:43.360
the Billboard Hot one hundred and peeking in at number

70
00:07:43.480 --> 00:07:47.360
ten in June of nineteen eighty four. The song Borderline

71
00:07:47.439 --> 00:07:51.399
talks about the unrequited love and finds her using refined

72
00:07:51.439 --> 00:07:55.199
and expressive vocals. The video itself shows her as the

73
00:07:55.279 --> 00:07:58.480
girlfriend of a Hispanic man, to whom she returns after

74
00:07:58.639 --> 00:08:02.800
being enticed to that model for a white photographer. So

75
00:08:02.959 --> 00:08:06.560
join me in. Let's take a listen. This is Borderline

76
00:08:06.800 --> 00:08:08.279
from the Madonna album.

77
00:09:00.320 --> 00:09:11.000
Business Spend just sent me Stop. It's not just stop.

78
00:09:11.879 --> 00:09:13.399
I don't let my lot.

79
00:09:16.360 --> 00:09:16.720
Let me.

80
00:09:18.840 --> 00:09:19.159
Shoot.

81
00:09:20.399 --> 00:09:21.919
Don't you stop?

82
00:09:25.759 --> 00:09:33.519
John to Lund stand asking my case.

83
00:09:33.559 --> 00:09:35.320
He's got the best.

84
00:09:40.519 --> 00:09:40.799
Line.

85
00:09:43.039 --> 00:09:51.440
He's not component not in skiing off push mother over

86
00:09:51.679 --> 00:10:00.720
the mot line mon, he's not come on the wet

87
00:10:00.960 --> 00:10:08.679
new my mind in Bemut sin man love the Lord.

88
00:10:10.120 --> 00:10:14.600
God game Si naming.

89
00:10:15.559 --> 00:10:20.480
Don't you know the more you died craving in being

90
00:10:20.679 --> 00:10:25.240
most p s MA love over the border.

91
00:11:32.960 --> 00:11:40.639
Some in your up. It's such a pula. Were you

92
00:11:40.840 --> 00:11:42.559
holding your doms?

93
00:11:43.879 --> 00:11:50.559
I just kiss me. You must then let me dance.

94
00:11:50.919 --> 00:11:58.480
When you spend, just get the found, don't drive away.

95
00:11:58.960 --> 00:12:03.240
I just not mistakes. So I just got to say

96
00:12:05.519 --> 00:12:09.360
I'm let me time to go to the stairs.

97
00:12:10.039 --> 00:12:24.799
Sat making a care excuse you got the best Fundy's that.

98
00:12:24.960 --> 00:12:29.960
Not going with You's not Mike, You're just keeping all

99
00:12:30.080 --> 00:12:31.519
support ship man.

100
00:12:32.519 --> 00:12:33.120
Oh the.

101
00:12:37.639 --> 00:12:45.080
Little little little lie you've got not going to You're

102
00:12:45.159 --> 00:13:12.080
just keeping off five. Oh, keep on pushing the baby.

103
00:13:13.120 --> 00:13:20.200
Don't know you that mabbees, mabbeyes, keep on push mano

104
00:13:20.960 --> 00:13:22.799
over the baton mine?

105
00:13:26.960 --> 00:13:33.600
But has don't some of babies send breed in the

106
00:13:33.759 --> 00:13:34.600
beating off.

107
00:13:34.799 --> 00:13:45.440
Push man It coming so much pain. Think of them?

108
00:13:45.840 --> 00:13:51.279
Say what does it take? Maybe just seeking off? Push

109
00:13:52.000 --> 00:14:00.039
mana over the ball, keep pushing.

110
00:13:59.720 --> 00:14:01.960
Me, give person.

111
00:14:21.720 --> 00:14:22.440
He just gave.

112
00:14:52.120 --> 00:14:55.360
After recording Borderline in February of nineteen eighty three, she

113
00:14:55.519 --> 00:14:58.200
was unhappy with the final version. She felt that too

114
00:14:58.279 --> 00:15:01.360
many instruments were used and parted ways with the producer,

115
00:15:01.519 --> 00:15:06.519
Reggie Lucas. She asks Funhouse DJ John Jellyban Benitez to

116
00:15:06.720 --> 00:15:10.360
remix Borderline and, along with Madonna's vocal change, to present

117
00:15:10.399 --> 00:15:14.159
a more sentimental track. The song displays an emotional depth

118
00:15:14.480 --> 00:15:17.559
that hadn't been heard before. You are listening to the

119
00:15:17.720 --> 00:15:21.159
eighties album of the week. This is Mario Toscano reminding

120
00:15:21.240 --> 00:15:23.679
you that you can send your request for an eighties

121
00:15:23.799 --> 00:15:26.200
album that you want us to cover here and help

122
00:15:26.360 --> 00:15:29.480
introduce to a whole new generation. Just go to our

123
00:15:29.519 --> 00:15:32.840
Facebook page, send us a direct message, and if your

124
00:15:32.879 --> 00:15:35.320
album is chosen, we'll send you a shout out on

125
00:15:35.440 --> 00:15:39.080
the air. Today, we're listening to the beautiful Madonna with

126
00:15:39.240 --> 00:15:43.559
her first album titled Madonna, now falling into number three

127
00:15:43.600 --> 00:15:48.120
on the album, we have a song that incorporates bass, guitars, synthesizers,

128
00:15:48.159 --> 00:15:50.960
and drums, with the lyrics talking to her lack of

129
00:15:51.080 --> 00:15:55.120
shame and declaring her passion for her lover. This is

130
00:15:55.360 --> 00:15:55.960
burning up.

131
00:16:13.200 --> 00:16:16.759
Don't put me off because I won't tell you and

132
00:16:16.960 --> 00:16:21.519
I can't clenched mine, sire. Don't you know that come

133
00:16:22.720 --> 00:16:26.840
for your love? You're not convinced that that is enough.

134
00:16:27.080 --> 00:16:33.919
I put myself in this position and that amposition, but you.

135
00:16:34.039 --> 00:16:39.960
Don't even know. And there's something in my heart just

136
00:16:40.120 --> 00:17:00.720
won't die. Im. Oh you always who sing the door

137
00:17:03.279 --> 00:17:08.079
makes me want you more? Aeen night for you.

138
00:17:09.519 --> 00:17:14.079
You're not convinced that is enough to just tme. I

139
00:17:14.359 --> 00:17:18.279
go to you, not tell me what you want me

140
00:17:18.440 --> 00:17:24.799
to do. I'm you want to want me, but you

141
00:17:24.960 --> 00:17:26.240
can come on.

142
00:17:26.440 --> 00:17:26.839
Let go.

143
00:17:31.279 --> 00:17:31.519
For you.

144
00:17:32.960 --> 00:17:46.000
I'm do you want to see it down?

145
00:17:46.440 --> 00:17:48.160
Me? Sand and over?

146
00:17:48.400 --> 00:17:52.599
That was not who want to be past? Because to

147
00:17:52.759 --> 00:17:58.920
get it and I'm not persons.

148
00:17:59.839 --> 00:18:34.119
And come on, let go? Do you want to see

149
00:18:34.240 --> 00:18:35.319
it down on your knees?

150
00:18:36.119 --> 00:18:36.319
Sun?

151
00:18:37.039 --> 00:18:42.119
That was not what you paise because I got to anything.

152
00:18:43.279 --> 00:18:46.680
I'm not same. No shame as.

153
00:18:46.559 --> 00:19:31.079
Fire burning up from the nineteen eighty three album titled

154
00:19:31.119 --> 00:19:34.920
Madonna received positive reviews from critics for the lyrics, but

155
00:19:35.079 --> 00:19:38.559
they really praise her for the darker composition and dance beats.

156
00:19:39.079 --> 00:19:41.279
Now it didn't make its way into any charts, but

157
00:19:41.440 --> 00:19:43.559
it did make its way to dance clubs all over

158
00:19:43.599 --> 00:19:46.480
the world, where youth and older adults raved about it,

159
00:19:47.160 --> 00:19:50.119
some people even calling it one of the sexiest songs

160
00:19:50.200 --> 00:19:50.799
of the eighties.

161
00:19:52.400 --> 00:19:56.519
Ladies and gentlemen, I'm Shadow Stevens and you must listen

162
00:19:56.680 --> 00:19:58.440
to back to the eighties radio.

163
00:19:59.119 --> 00:19:59.799
It's the law.

164
00:20:06.480 --> 00:20:09.119
The eighties Album of the Week continues with Madonna's first

165
00:20:09.160 --> 00:20:11.920
release to the world. Reggie Lucas, who was the first

166
00:20:12.000 --> 00:20:15.160
producer of Madonna's first album, has often felt like credit

167
00:20:15.319 --> 00:20:18.960
was usually given to John Jellybean Benitas for launching Madonna's career.

168
00:20:19.279 --> 00:20:23.599
When in fact, Jellybean only remixed her work. Reggie stated

169
00:20:23.640 --> 00:20:26.519
in an interview that he got tired of everyone taking

170
00:20:26.599 --> 00:20:29.200
credit for her launch when it was he who produced

171
00:20:29.240 --> 00:20:31.680
the album. Don't you hate it when someone else tries

172
00:20:31.720 --> 00:20:34.960
to take the credit for something you've worked so hard for? However,

173
00:20:35.079 --> 00:20:38.000
sometimes it's best to know that those people taking the

174
00:20:38.039 --> 00:20:42.440
credit also know the truth, and that can sometimes even

175
00:20:42.519 --> 00:20:46.240
be sweeter. Now buckle up, because this is I Know

176
00:20:46.400 --> 00:20:49.279
it by Madonna falling into song number four?

177
00:21:00.119 --> 00:21:04.720
Know why I thought that you could make me happy?

178
00:21:06.759 --> 00:21:14.839
These tears are crabbed for. You're so pumpless. I don't

179
00:21:14.960 --> 00:21:22.400
know why I thought you wi going somewhere to grab

180
00:21:22.519 --> 00:21:28.119
jall come and you have now. I know you don't ca.

181
00:21:29.200 --> 00:21:33.640
I know you're gonna take y'all love. I know you

182
00:21:34.039 --> 00:21:38.880
think the Polish. I know you're gonna turn around and

183
00:21:39.000 --> 00:22:01.839
say you still think you will my pretty angel coming.

184
00:22:02.160 --> 00:22:06.160
Don't now you just proving me wrong?

185
00:22:10.039 --> 00:22:15.880
He brought about that, just recovered all those things we

186
00:22:16.319 --> 00:22:17.400
said and done.

187
00:22:18.240 --> 00:22:21.359
I'll just tell you bout your scum.

188
00:22:21.559 --> 00:22:26.880
The battle glory you're gonna take.

189
00:22:27.119 --> 00:22:38.680
Yo think I'm I'm gonna down around to take, But

190
00:22:38.880 --> 00:22:44.680
I'm not gonna cry for you. That's what you want

191
00:22:44.759 --> 00:22:45.200
to take you.

192
00:22:46.079 --> 00:22:46.680
No, I'm.

193
00:22:48.680 --> 00:22:50.160
For you and.

194
00:22:51.720 --> 00:22:58.519
The lay you're gonna take Yallo, the poneus.

195
00:23:00.039 --> 00:23:19.960
On the down around take go love and run from me,

196
00:23:20.640 --> 00:23:27.599
He says, No, suppose down the things that I can't see.

197
00:23:29.079 --> 00:23:35.960
You can't pull me because I'm the cone crash. That's

198
00:23:36.160 --> 00:23:39.440
what you want me to do. No, I'm a cone

199
00:23:39.519 --> 00:23:59.880
cry gonna taken down around Think done.

200
00:24:18.680 --> 00:24:21.240
After not having enough songs on the Future debut album,

201
00:24:21.559 --> 00:24:24.119
Reggie Lucas brought her two new songs for the project,

202
00:24:24.519 --> 00:24:26.359
one of them being the hit You're About to Hear.

203
00:24:26.839 --> 00:24:30.720
Receiving her first mainstream hit single and rave reviews came

204
00:24:30.759 --> 00:24:33.200
a song that peeked in at number sixteen on the

205
00:24:33.279 --> 00:24:36.759
Billboard Top one hundred and number one in the Dance

206
00:24:36.799 --> 00:24:39.799
Club Songs chart. Get Ready to Dance along with the

207
00:24:39.920 --> 00:24:43.480
millions that got down to the groove of holiday.

208
00:25:02.480 --> 00:25:19.720
Tuesday Sunday, Monday.

209
00:25:22.799 --> 00:25:28.799
Sunday. If we took the holiday.

210
00:25:31.160 --> 00:25:39.359
Sometime to celebray just one day out of that, use.

211
00:25:41.359 --> 00:25:44.720
Would be all day. Three said both.

212
00:25:47.480 --> 00:25:56.720
We're gonna have the fel abras, Oh God for you,

213
00:25:56.960 --> 00:26:01.160
never mad, It's.

214
00:26:01.079 --> 00:26:07.039
Time up, good time forget about the bad time. Oh

215
00:26:07.119 --> 00:26:11.519
here one day you come together with these tele pressure.

216
00:26:13.000 --> 00:26:14.480
We need a holiday.

217
00:26:15.799 --> 00:26:20.039
If we talk the holiday, if you didn't you put.

218
00:26:20.160 --> 00:26:24.680
Some time to celebrate, come God to celebrate one day.

219
00:26:24.720 --> 00:26:25.640
It's kind of life.

220
00:26:28.119 --> 00:26:49.119
It would be. It would be don you can turn

221
00:26:49.200 --> 00:26:54.640
this where we're them and bring back all of the

222
00:26:54.920 --> 00:27:04.319
happy day. Would your tub down? You turn set right

223
00:27:06.400 --> 00:27:07.960
level shine.

224
00:27:10.200 --> 00:27:15.240
And we will find a way to come together and

225
00:27:15.519 --> 00:27:16.960
make things better up.

226
00:27:18.319 --> 00:27:19.759
We need a holiday.

227
00:27:21.359 --> 00:27:24.559
We talk the holiday you found out.

228
00:27:24.480 --> 00:27:30.759
There sometimes Thursday, say one day out.

229
00:27:30.559 --> 00:27:32.799
Of that, that's Monday.

230
00:27:33.400 --> 00:27:49.400
It would be it would be all night, true true.

231
00:27:53.759 --> 00:27:54.359
Holiday.

232
00:27:57.920 --> 00:28:16.359
Say celebrate.

233
00:28:24.920 --> 00:28:28.000
Hi Mario Tascana And this is the eighties album of

234
00:28:28.079 --> 00:28:30.599
the week. Join us every week as we listened through

235
00:28:30.720 --> 00:28:34.799
the entire album as the artist originally intended, and how

236
00:28:34.880 --> 00:28:37.359
we that grew up in that era of vinyl cassettes

237
00:28:37.400 --> 00:28:40.480
and CDs used to listen as well. Remember what it

238
00:28:40.599 --> 00:28:43.200
was like to save your money for that long awaited album,

239
00:28:43.839 --> 00:28:46.559
going to the music store, taking in the sounds as

240
00:28:46.559 --> 00:28:49.200
you walked in through the door, listening to what was

241
00:28:49.279 --> 00:28:52.079
being played through the speakers in that shop, making your

242
00:28:52.119 --> 00:28:55.000
way through the aisles of people browsing through rows and

243
00:28:55.160 --> 00:28:58.039
stacks of music from wall to wall. Well, we want

244
00:28:58.079 --> 00:29:01.200
to introduce the eighties to a new generation that's never

245
00:29:01.400 --> 00:29:04.960
experienced that to hear more than just a background playlist.

246
00:29:05.480 --> 00:29:08.519
So now this next song is a song where Madonna

247
00:29:08.599 --> 00:29:11.519
warns her lover that he should pay attention or else

248
00:29:11.559 --> 00:29:14.799
she's gonna take off. You're gonna love the cool saxophone

249
00:29:14.799 --> 00:29:18.440
interlude as you think of her, here's think of me.

250
00:29:43.440 --> 00:29:49.720
I'm always trying.

251
00:29:52.079 --> 00:29:57.640
The you.

252
00:30:00.000 --> 00:30:10.480
I know you're going to say belong and say let's do.

253
00:30:11.079 --> 00:30:12.079
Then you'll think up me.

254
00:30:12.839 --> 00:30:19.880
Oh you walk in than see me crying? You father,

255
00:30:20.519 --> 00:30:27.000
just say you NaSTA time. I'm don't cry anymore. You

256
00:30:27.240 --> 00:30:30.079
don't me two if you don't know.

257
00:30:30.480 --> 00:30:36.039
What don't you say? I know you want to thank

258
00:30:36.160 --> 00:30:43.519
not me, belong to make up. Let's have done and

259
00:30:43.720 --> 00:30:53.359
you'll make me so you want to you so way

260
00:30:53.759 --> 00:31:00.920
to miss brand. You want to see me? Don't want

261
00:31:00.960 --> 00:31:06.880
to save it now?

262
00:31:06.960 --> 00:31:07.839
I to be.

263
00:31:11.799 --> 00:31:26.000
No thank me? Oh yeah, you know thank you know

264
00:31:26.240 --> 00:31:28.000
your time by.

265
00:31:29.720 --> 00:31:31.799
You? You do you?

266
00:31:33.880 --> 00:31:56.519
Oh yeah, stop wasting omad.

267
00:31:58.119 --> 00:32:03.519
You know I've been so she got a WoT on

268
00:32:03.720 --> 00:32:07.599
a side that you know that someone else time I

269
00:32:08.000 --> 00:32:09.160
tell you, I.

270
00:32:10.839 --> 00:32:12.319
Know you want to ray.

271
00:32:14.319 --> 00:32:17.359
You know your family crazy.

272
00:32:20.720 --> 00:32:25.880
Me, you have me.

273
00:32:31.319 --> 00:32:38.160
Very home of time. You know it ter you better,

274
00:32:38.680 --> 00:33:33.240
you better, you will do it.

275
00:33:35.440 --> 00:33:36.039
You know you.

276
00:33:44.559 --> 00:33:52.000
You you know.

277
00:33:55.480 --> 00:33:58.200
Even though she went on to record stronger, more varied,

278
00:33:58.279 --> 00:34:01.720
personal and acclaimed albums, this album showed the world her

279
00:34:01.799 --> 00:34:05.319
developing voice and creative instincts that she would be a

280
00:34:05.480 --> 00:34:09.119
force to hit the musical stage harder than anyone would

281
00:34:09.239 --> 00:34:14.159
ever imagine. It was her professionalism, ingenuity, her musical feel,

282
00:34:14.320 --> 00:34:17.840
and her physical attraction that made Madonna into the pop

283
00:34:17.920 --> 00:34:21.920
sensation that she would become. So let's continue listening to

284
00:34:22.119 --> 00:35:00.760
song number seven on the album Physical Attraction, and you

285
00:35:01.000 --> 00:35:02.519
want nobody.

286
00:35:03.039 --> 00:35:04.360
I don't mind.

287
00:35:05.960 --> 00:35:11.199
I've got this time and I wait to make your mind.

288
00:35:12.679 --> 00:35:18.480
I say you won't say the man, but leave me tomorrow.

289
00:35:19.000 --> 00:35:27.519
I don't care. We can take it the deeper.

290
00:35:29.119 --> 00:35:32.679
Tection. Kilm go.

291
00:35:36.119 --> 00:35:48.639
There's a girl Chakil'll go to get away, but I

292
00:35:48.800 --> 00:35:51.280
can't leave the way.

293
00:35:53.360 --> 00:35:54.360
The go.

294
00:35:56.320 --> 00:36:04.639
You're touching, diving me crazy when you smile, it's just

295
00:36:04.880 --> 00:36:07.320
may here know what you moll.

296
00:36:09.039 --> 00:36:10.199
We don't want to say.

297
00:36:10.360 --> 00:36:17.559
Oh it could be still a girl of six.

298
00:36:20.000 --> 00:36:25.639
Yelm age shade. Oh there's a girl of six shot.

299
00:36:27.960 --> 00:36:52.960
Wee that shine. Maybe we will men to be tgether

300
00:36:57.480 --> 00:36:59.639
people known.

301
00:37:05.719 --> 00:37:07.199
The movie all.

302
00:37:08.719 --> 00:37:21.280
Ri you will welcome slowly bursdo from.

303
00:37:26.840 --> 00:37:55.559
Bom boom boom boom stop.

304
00:37:58.000 --> 00:38:10.079
You're confusing if you want me, but I know that

305
00:38:10.199 --> 00:38:15.239
I won't be. That's happened to be ashamed.

306
00:38:24.039 --> 00:38:28.880
Well, you say letting me mind love and you want

307
00:38:29.039 --> 00:38:30.039
in my body.

308
00:38:30.639 --> 00:38:33.079
I don't mind, baby.

309
00:38:33.280 --> 00:38:37.159
All I've got is time and I want you till

310
00:38:37.440 --> 00:38:44.000
to make your mind. Say you honestly the night, but

311
00:38:44.519 --> 00:38:46.079
leave me tomorrow.

312
00:38:46.559 --> 00:38:50.320
I don't care, or you'll move out.

313
00:38:52.000 --> 00:38:57.119
We can take it and they aware pays the attraction

314
00:38:59.480 --> 00:39:01.840
to him. I'll cover it and shine.

315
00:39:03.719 --> 00:39:09.480
Physical tection, sweet sad shine.

316
00:39:10.519 --> 00:39:33.440
Yeah, maybe we will be twogether.

317
00:39:37.199 --> 00:39:45.880
Even movie now bo met beef. We got to move

318
00:39:45.960 --> 00:39:54.920
it for the fun inside a little bit, walking slowly

319
00:39:55.440 --> 00:39:56.000
a f.

320
00:39:59.559 --> 00:40:01.639
There's a gallo je shot.

321
00:40:03.559 --> 00:40:05.840
Camera go it and shine.

322
00:40:07.599 --> 00:40:09.280
Bathing attack.

323
00:40:11.599 --> 00:40:28.320
Camera go shine. Yeah, so much sad fashion jack, Oh

324
00:40:28.559 --> 00:40:29.880
so much sad.

325
00:40:30.320 --> 00:40:30.559
Fact.

326
00:40:31.320 --> 00:40:39.119
The basic avant go a bad attack, show Scama, go Agama, go.

327
00:40:39.320 --> 00:40:42.320
It a shina.

328
00:40:43.320 --> 00:40:54.840
Attack, show Agama, go Agama going a shine attack.

329
00:40:52.599 --> 00:40:55.519
Incorporating R and B infused beats. There was a lot

330
00:40:55.639 --> 00:40:57.719
more that Madonna brought to the table than just being

331
00:40:57.760 --> 00:41:00.480
a pretty girl that could dance. The final song on

332
00:41:00.599 --> 00:41:03.960
the album charted on the Billboard Hot Dance Club Songs

333
00:41:04.079 --> 00:41:06.519
and helped her achieve her first appearance on a chart

334
00:41:06.880 --> 00:41:10.280
and sold over two hundred and fifty thousand copies after release.

335
00:41:10.880 --> 00:41:13.280
So let's listen to this song that puts the stamp

336
00:41:13.320 --> 00:41:16.199
of approval on an artist that would change the world

337
00:41:16.280 --> 00:42:01.320
of music from her debut album, This is Everybody, Superbody.

338
00:42:02.280 --> 00:42:09.480
Someone saying Superbody, get a full, do your fans, let

339
00:42:09.559 --> 00:42:15.880
the news take control, and a girl, let yourself go.

340
00:42:17.320 --> 00:42:25.119
The room begins to sways, no bos, try to say gold,

341
00:42:25.320 --> 00:42:27.199
take chest, get up.

342
00:42:27.239 --> 00:42:31.639
Step tails, let the ga shake you, let the music

343
00:42:31.840 --> 00:42:32.360
taste it.

344
00:42:34.320 --> 00:42:40.440
Silver Money, someone saying Superbody.

345
00:42:40.039 --> 00:42:41.960
Get a full, do your thanks.

346
00:42:42.280 --> 00:42:47.840
Seven Body, someone you saying super money.

347
00:42:48.079 --> 00:42:53.880
Get a fel do your fangs. Shall not take a ride,

348
00:42:55.280 --> 00:42:59.079
feel the beasts and stemside.

349
00:42:59.480 --> 00:43:05.800
Sink n you won't go round your job upside down.

350
00:43:06.760 --> 00:43:08.039
Gonna have to change my mind.

351
00:43:08.280 --> 00:43:13.199
She's gonna leave your joys. You are and beg and

352
00:43:13.320 --> 00:43:23.880
make no motion. Superb. Somehow super Mony can do your face.

353
00:43:24.280 --> 00:43:34.760
Seven Body, Somehow super Mony can do your thanks. Somehow

354
00:43:35.559 --> 00:43:46.280
superbody can do your thanks, super money, somehow superbody can

355
00:43:47.039 --> 00:44:11.119
do your face sick, dances and your things, dances and

356
00:44:11.559 --> 00:44:12.400
your things.

357
00:44:12.840 --> 00:44:17.840
Dance sim saying, list and your thing, d you sing

358
00:44:19.079 --> 00:44:20.119
and your thing.

359
00:44:53.920 --> 00:44:54.280
You s.

360
00:44:55.760 --> 00:45:09.400
Yes, watched myself, Yeah, come on, come on, separate body.

361
00:45:10.320 --> 00:45:15.960
Somehow to say seven mony, get an, do your thanks,

362
00:45:16.320 --> 00:45:17.440
separate money.

363
00:45:18.320 --> 00:45:24.239
Somehow does thanks super modey getting fun, do your face.

364
00:45:25.360 --> 00:45:33.679
Little news to control fn goose, let yourself come, no

365
00:45:33.920 --> 00:45:38.119
room begins to swarves, no one.

366
00:45:38.320 --> 00:45:41.440
I'm trying to say severer money.

367
00:45:42.360 --> 00:45:49.440
Somehow to say super money, get about, do your face, superbody,

368
00:45:50.360 --> 00:45:57.400
somehow say super money, get an, do your thanks, separate money,

369
00:45:58.320 --> 00:46:06.800
somehow doesn't fine, superbod doll your p super bow, somehow

370
00:46:07.119 --> 00:46:19.280
that superbad still your superbaying out coming, superb out, tell

371
00:46:19.360 --> 00:46:26.880
your God, Superboud some out dandy time, superboud, get out,

372
00:46:27.079 --> 00:46:41.199
tell your set. Summer sevenbody sent to sevenbody, summer severybody,

373
00:46:42.360 --> 00:46:54.000
center your things seven by Monday, ser saw you going saberbe.

374
00:46:54.400 --> 00:46:58.400
Some sebody s.

375
00:47:10.639 --> 00:47:13.519
That was Madonna from her debut album titled with the

376
00:47:13.639 --> 00:47:16.320
same name, A name that will go down in history

377
00:47:16.519 --> 00:47:19.559
and in the record books as the best selling female

378
00:47:19.719 --> 00:47:23.159
artist of all time, having generated over one point five

379
00:47:23.360 --> 00:47:26.840
billion dollars from ticket sales from her concerts and grossing

380
00:47:27.000 --> 00:47:30.599
over one point four between nineteen ninety and twenty twenty.

381
00:47:31.039 --> 00:47:34.400
She remains the only woman in history to ever sell

382
00:47:34.440 --> 00:47:37.440
out two solo concerts with over one hundred thousand sold

383
00:47:37.480 --> 00:47:41.079
tickets and audiences of over one hundred and thirty thousand

384
00:47:41.159 --> 00:47:44.800
people at one time. So when someone asks you who's

385
00:47:44.840 --> 00:47:49.480
that girl, just tell them it's Madonna. Look her up. Well,

386
00:47:49.639 --> 00:47:52.639
that's it for today's Eighties Album of the Week. If

387
00:47:52.679 --> 00:47:55.280
you enjoyed the show, drop us a note, please give

388
00:47:55.360 --> 00:47:58.079
us a review and thumbs up, Tell your friends and

389
00:47:58.239 --> 00:47:59.920
let us know what album you want to hear.

390
00:48:00.000 --> 00:48:00.880
You're next on the show.

391
00:48:01.199 --> 00:48:01.960
Until next time.

392
00:48:02.079 --> 00:48:05.400
This is Mario Soscano and this has been the Eighties

393
00:48:05.559 --> 00:48:08.519
Album of the Week on Back to the Eighties Radio Network.

394
00:48:08.840 --> 00:48:12.519
Be safe, be well, and go out there and introduce

395
00:48:12.559 --> 00:48:14.840
the eighties to a whole new generation.