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You're listening to the Weird Reader Podcast, an extension of
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Jason's Weird Reads found on YouTube. Welcome, Welcome to the
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Weird Reads podcast, episode forty two. This week, I sat
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down with Ian Rodgers and we talked about his book Sycamore.
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It's a fun read. It's so fun.
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If you like occult detective books, then this book is
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right up your alley. I can't recommend it enough. I
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think it's one of my favorites. One reason for that
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is that it is it takes place in my backyard basically,
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so I recognized all the places that are mentioned in
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the book, and I absolutely love it when that happens.
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But there's so much more to this book. It's funny,
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it's got some maybe light spooky stuff, and it's just
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it's just fun. I can't recommend it, recommend it enough.
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And Ian and I, I dare say, we became friends
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on this podcast. I think stay tuned for that, because
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that's interesting, isn't it When you make a friend. I
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think it's it's interesting. Anyways, without further ado, here is
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my conversation with Ian Rodgers and his book Sycamore.
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If you like what I'm.
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Doing here and want to support the channel without involving
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any money on your part.
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You can do so by.
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Sharing the podcast on social media. You can also write
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a review on Apple Podcasts or rate the show on Spotify.
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I can't stress enough to you how much I would
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appreciate that alone. Please please, I don't want to bag here,
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but please leave a review on Apple Podcasts or rate
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the show on Spotify. As I just said, each and
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every way you can help out the channel and podcast
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grow would be greatly appreciated.
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Thank you so much.
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Today I am joined by yet another author that's somewhat
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new to me, but not all that new to me.
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I was introduced to Ian Rodgers' work through Daniel Brahm
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and if Daniel, if you're watching it all, I just
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want to say thank you for suggesting that I not
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only read Ian rodgers work, but also that I invite
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him on the show. Welcome to the show, Ian.
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Thank you very much for having me.
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Can you give yourself an introduction?
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Well, I am I'm a writer of supernatural horror and
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some detective fiction. I've gone into mixing the two of
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them together into what I call supernatural noir or super supernatural.
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It takes a long time to figure out how to
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say that word properly.
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You know, we're kind of joking around about that before, so.
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Holdly against anyone that that can't say it. But yeah,
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I've I guess most people have probably known me from
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my debut collection Every House is Haunted, probably because it's
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been adapted or it's been optioned by Sam Raimie and
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he's in the process of producing an adaptation of one
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of the stories in the book. And then I had
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a I would say there was a good almost ten
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year gap where I was still doing stuff, but for
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various reasons, I hadn't really had a lot out other
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than some short stories and some stuff at tour dot com.
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And then in the past year I've kind of been
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making up for lost time or lost books rather than
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I've been publishing quite steadily this past year.
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Yeah, I noticed there was a huge gap in publication,
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especially like where it's just your name attached, like discounting,
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like anthologies or magazines. There was like you had that
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collection out and then it was like what twenty thirteen,
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twenty twelve.
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Yeah, they were both out. Every House of Honey came
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twenty twelve, and the original edition of supernarent Real Tales
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came out like shortly thereafter, and then yeah, it was
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again it would seem like I had just sort of
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had gone away or went to law school for ten
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years or something, real life work. But it was just
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your your classic case of trying to find the right agent.
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I was shopping stuff. I was still doing it, but
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wasn't really getting a lot of headway that way. And
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just you find the right agent, you find the right people,
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and it's almost like the stars align. And again it's like,
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it's weird. Nothing's really different that I was doing. I've
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always been there, but now it's sort of as you said,
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there's been a lot of people who are sort of like,
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who who is Ian Rodgers? Where has he been? Which
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is great, you know, it's always nice when people are excited,
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but yeah, it's it's kind of wild even for me
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to say that it's been ten years since Every House
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Is Haunted, because there's been a whole new crop of
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readers and writers who don't know that book and are like,
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who is this guy? It's like rebooting my career in
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a way.
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Your book Every House Has Haunted has has warmed its
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way into other forms of media. I read A Head
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Full of Ghosts for the first time this year, and
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and your name. I was like, I wasn't astonished, but
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I was surprised that your name appears as a movie
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director and you're you're the director in this.
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Book Head full of Ghosts, Right, You're the director of
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Every House is Haunted.
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But I didn't get too big ahead in that. He
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made sure that wasn't just a filmmaker. I was a
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hack filmmaker, yeah.
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But you you were an Oscar Award winning filmmaker as well.
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So that's so he's kind of he's kind of complimenting
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you well at the same time taking a small dig
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by calling you a hack.
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I love it. I'm part of the culture now. It's
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a there's a whole bunch of people in there. There's
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that book is Rife with Easter egg. It's actually funny.
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I paid Paul back on that one in a book
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that I wrote several years ago that's now finally coming
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out next year. It hasn't been announced yet, so I
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can't talk too much about it. But I pay him
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back in kind in that book. And it's funny. There's
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a there's a priest in my book. They're very minor
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character named Father Gavin, who is named after Richard Gavin,
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a friend of mine. But there's a Father Gavin and
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Head full of Ghosts as well. It's like the books
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are even more connected than I thought. And it was
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funny because I didn't do that on purpose. It was
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only when I had reread Head full of Ghosts a
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few years later because I'm a big fan of Paul's
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work and I want to go back and reread that one.
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I was sort of reminded that and said, oh, that
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is this book that I've got where I'm paying back
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Paul for the reference actually has a second connection to
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Paul's books. So him reading that.
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That was quite the pleasant surprise though, because I wasn't
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expecting that. But Paul Tremblay, he also wrote the ForWord
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for the Semi Cemetery Dance re release.
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Of He actually for the original, but yeah in the
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it's in the re release, but yeah, he's Paul was
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obviously very generous and he was just the perfect person.
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I like to think of him as he's my my
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American doppelganger in that sense. Yeah, we have a lot
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of the same sensibilities. And even when he was doing
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his detective books. We both are big fans of detective
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fiction as well. Yeah, just super nice guy, extremely talented writer,
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can be happier for all of his success much much deserved,
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as they say.
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Yeah, from my understanding, you alluded to his detective work.
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He's he's written a lot more than I think what
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most average readers know about, and that has like either
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gone unpublished or or has been in print but then
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gone out of print, and that that's pretty interesting, I think.
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And another thing I think that's interesting is that.
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You and I we could have crossed paths here and
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there and not even known it because we live in
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within the same sort of area I'm in, like I'm
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close to Barry right, and that that actually makes a small,
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very small appearance in Sycamore, which we'll get to.
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But I didn't know that until I think we became
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Facebook friends, and I was like, I was just actually
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just saying that to my wife earlier that I was
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telling her with the podcast night and I I had forgotten.
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And then when I looked at it again, I was like, oh, right,
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he's uh, he's a fill all Canadian. And then yeah,
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when I saw where you were, it was like, I
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wonder if that'll come up, because yes, Sycamore takes place
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in my fictional version of six is a fictional town.
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But where I've stuck it, I mean, if.
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You know, you know, yeah, yeah, absolutely.
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Uh.
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We'll get to that in a minute. So I actually
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have a question or at least a statement about that.
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But I want to go back a little bit too.
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Uh uh. Every house is haunted.
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I mentioned to you before I hit the live button
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that my book club actually nominated that book for I
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think it was May, but I could be wrong. It
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could have been June or even April. I don't know,
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but it was around that area and and it won
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the It won the voting, so we read it and
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that was that was a lot of fun, and I
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wanted to ask.
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You about the actually before let me back up just
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a little bit.
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When we were talking about it before I hit the
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live stream, you said that some people are like, oh,
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I thought it was like a collection about haunted house stories,
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and that's not what surprised me. What surprised me was
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how it kind of ranged in its genres, because it
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doesn't just focus on horror. There's different genres involved.
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Yeah, you know, I was haunted at such a loaded word,
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and I really just wanted to explore the word in
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home and house, it's its own thing. I mean, people,
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you don't have to live in a house to have
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a home, So I really just wanted to explore that.
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I mean, the book really represents my first five years
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as a published author, which was of course short fiction.
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So I think there's a lot of reasons why that
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collection is a bit I would like to say scattered
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in the best way, hopefully if people enjoy it, that
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there's a little bit of everything. My very first story
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that I got paid money for was a story called
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The Tattletale and it's I mean, you could say it's
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kind of middle grade or young adults because it deals
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with children and sort of a debonic talent show for
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lack of a better term. But I still think of it
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as being quite dark. I'd say he was closer to say,
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Stephen King is The Body, which again it's about children,
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but I don't think anyone would call The Body a
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children's story. It's quite quite dark in its own way.
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But yeah, I mean I think for me that's the
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fun of a collection like that. You can you get
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a little bit of everything. So yeah, when when I
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when I did see the one or two reviews that
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were surprised that it wasn't twenty two Haunt the Stories,
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I never really felt bad about it, not for any
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real length of time, because when I read a collection
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from us from someone else, I'm kind of just expecting that.
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It's like it's like Stu, you know, like you're getting
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a little bit of everything in the pot, you know.
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I like that.
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Though there's other writers like Danielle Brohm. He likes to
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play with genre, and I really enjoy it when.
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I come across that.
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But it it's for some reason always surprises me because
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when I first heard of you and I was looking
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at your I was like, oh, this is this is
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a horror writer, like you know, period horror writer, period.
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And then you find like other genres and you're like,
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oh well.
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And one thing.
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One reason why I like that is because I think
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it comes across that you like to read more than
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just one genre. And I'm assuming that you do as well.
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I read everything, and you know, it's it's funny for
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me because you're You're exactly right, and thank you. I'm
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glad to appreciate that because some people would read that
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and they would see a story that there's one called
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The Riffs between Us in that story, and it's sort
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of sci fi horror. It's definitely still a horse story.
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It's dealing with death, but from a science fiction angle,
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and it's not like Spaceships until inpretation, but it's still
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still a science fiction story. And I could see some
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readers walking at that who just think they're getting pure horror,
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and there's nothing wrong with that, but I have to
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I can only be myself. I can only write the
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things that I want to write, and you just hope
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that people are going to come with you on the ride.
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So I would never apologize for what I'm doing, much
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less including say a story like that in the election.