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Calarugus Shark Media. Welcome back to TV in the Basement,
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where we dive deep into the hottest shows on television.
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I'm your host, Journey Joe Mitchell, and today, folks, we're
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heading back to Montana for Yellowstone season two. And let
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me tell you, if you thought season one was intense,
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this season's got more heat than a branding iron in July. Now,
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if season one was about establishing the Duttons empire, season
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two is about watching them try to hold onto it
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with both hands while wearing brass knuckles. The big bad
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this time around the Beck brothers, Malcolm and Teal, And Folks,
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these guys make the season one villains look like kindergarten
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bullies at a petting zoo. They're the kind of villains
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who don't just want to take your lunch money. They
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want to burn down the whole cafeteria and salt the
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earth it was built on. Let's talk about these Beck
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brothers for a minute. These guys are like if you
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took every sleazy business tycoon from an eighties movie, gave
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them a Montana makeover and cranked up the evil to eleven.
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Malcolm Beck, played by Neil McDonough brings the kind of
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menace that makes you want to check under your bed
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at night, and that signature McDonough intensity. It's like watching
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a rattlesnake in a three piece suit. But here's where
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things get interesting. The Becks forced the Duttons to do
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something we didn't see much in season one, play defense,
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and folks, watching John Dutton play defense is like watching
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a grizzly bear back into a corner. You know something
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explosive is coming and it ain't gonna be pretty. Kevin
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Costner continues to prove why he's worth every penny of
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that movie star paycheck. There's this scene where he's facing
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down Malcolm Beck that's got more tension than a guitar
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string in a tornado. Two alphas nose to nose, each
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promising the other's destruction. It's the kind of scene that
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reminds you why people still make Westerns. But the real
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MVP this season Beth Dutton. Kelly Riley takes Beth to
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new heights or depths, depending on how you look at it.
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She's still throwing around insults that could strip pain off
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a barn, but now we're seeing more of what makes
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Beth tick and folks. That clock is wound tighter than
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a rodeo bull's temper. Her confrontations with the Becks are
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like watching someone play chicken with a freight train while
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drinking tea. The Beth and Rip romance it continues to
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be hotter than a jalapino dipped in ghost pepper sauce.
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Coolhauser and Kelly Riley have the kind of chemistry that
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should come with a warning label. There's this one scene.
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No spoilers, but let's just say it involves a moonlit
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horse ride that'll have you believing in love again, even
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if that love comes with enough baggage to fill a
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cargo train. Meanwhile, Case Dutton's journey from reluctant son to
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ranch enforcer is like watching a wolf trying to remember
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how to run with the pack. Luke Grimes plays this
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transformation like a slow burn fuse. You know the explosions coming,
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but the anticipation might just kill you first. Speaking of transformations,
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Jamie Dutton's arc this season is darker than a mountain
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cave at midnight. Wes Bentley takes us on a journey
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that'll have you questioning every everything you thought you knew
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about the character. There's a scene with Beth that's so
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brutal it makes their previous confrontations look like friendly game
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of cards. But it's not all family drama and death threats,
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though lord knows there's plenty of both. Season two also
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gives us some of the most spectacular ranch sequences yet.
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There's a cattle drive through a mountain pass that's shot
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so beautifully it belongs in a museum, and the action
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sequences they're like John Wick went country, traded his suit
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for wranglers, and decided to solve his problems Montana style.
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The show continues to tackle big themes the changing West,
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the price of progress, the cost of power, but now
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it's personal, really personal. When the Becks decide to hit
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the Duttons where it hurts, it sets up a finale
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that's more explosive than a dynamite fishing expedition. The last
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few episodes are like watching a runaway train loaded with
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nitroglycerin heading straight for a gasoline factory. You know it's
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going to be bad, but you can't look away. And
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can we talk about that finale, folks. I've seen a
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lot of TV in my day, but this, this is
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something else. It's the kind of episode that reminds you
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why we all fell in love with television in the
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first place. Without spoiling anything, let's just say it involves
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a rescue mission that makes Taken look like a game
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of hide and seek. The best part about season two
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it takes everything that worked in season one and turns
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it up to eleven. The stakes are higher, the villains
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are batter, the family drama is more intense, and, somehow impossibly,
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the Montana scenery is even more gorgeous. It's like the
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show looked at season one and said, hold my beer. Now.
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Some folks might say the show is getting too dark.
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To them, I say, have you met the Duttons. These
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people don't solve problems with strongly worded letters and group hugs.
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They're more the meet me at dawn with your lawyer
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and your gun type. And that's what makes Yellowstone work.
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It's a modern Western that's not afraid to get its
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hands dirty. So what's the verdict on season two? Well,
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if season one was the appetizer, this is the main course,
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served rare with a side of revenge. It's bigger, badder,
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and more addictive than a pile of Beth's favorite whiskey.
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The show has found its stride, and it's galloping full
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speed toward greatness.