Planet of the Apes (1968)
Fifty years after its release, the original Planet of the Apes film remains a landmark achievement in moviemaking - due in no small part to its jaw-droppingly realistic depiction of an intelligent ape society. On this episode, we go behind the scenes...
Fifty years after its release, the original Planet of the Apes film remains a landmark achievement in moviemaking - due in no small part to its jaw-droppingly realistic depiction of an intelligent ape society. On this episode, we go behind the scenes with the unsung makeup and costume artists who created the iconic simian looks that shocked 1968 audiences.
We'll explore the incredible artistry and pioneering techniques used to construct the ape appliance masks and fur-covered bodysuits. Makeup wizard John Chambers and costume designer Elizabeth Ingle painstakingly brought these primate protagonists to life in ways never before seen on the big screen.
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Calarogus Shark Media. Welcome back to
TV in the Basement, the podcast where
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we dig up classic movies and TV
shows from yesteryear. I'm your host Journey
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Joe Mitchell, and today we're going
ape for the groundbreaking nineteen sixty eight sci
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fi film Planet of the Apes.
Planet of the Apes is a landmark science
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fiction movie that spawned a massive franchise
including four sequels, a remake, a
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reboot series, TV shows, novels, comics, and endless merchandise. But
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it all started with this provocative original
film that blew audience's minds with its closing
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twist ending. The movie stars Charlton
Heston as astronaut George Taylor, who crash
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lands on a strange planet over two
thousand years in the future along with his
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crew. They soon discover that on
this world, intelligent apes are the dominant
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species, while primitive mute humans are
hunted, enslaved, and experimented on.
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Taylor is captured and studied by chimpanzee
scientists Zira and Cornelius, played by Kim
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Hunter and Roddy McDowell. He convinces
them of his intelligence and forms an alliance
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while fending off the hostility of the
guerrilla military led by Doctor zaias played by
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Maurice Evans, but trying to prove
Man's former superiority leads to a series of
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dark revelations about the planet's history.
The climactic twist where Taylor discovers the ruins
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of the Statue of Liberty and realizes
he was on Earth all along, is
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one of the most famous endings in
movie history. It's a powerful commentary on
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mankind's destructive potential, leaving audiences stunned. The cast is excellent, with Charlton
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Heston perfectly embodying the brash all American
hero who finds his worldview shattered. Roddy
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McDowell brings empathy and wisdom to Cornelius, kicking off a long association with the
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Apes franchise, and Maurice Evans is
commandingly imperious as doctor zais veen of the
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Ape's status quo. The Ape makeups
by John Chambers were groundbreaking at the time,
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allowing the actors to emote through the
prosthetics. The ape makeup and costumes
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in Planet of the Apes were truly
groundbreaking achievements that played a pivotal role in
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bringing the film's Simian society convincingly to
life. The Ape makeup was the brainchild
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of Chambers, who began experimenting with
pioneering foam latex pieces years before production began.
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He designed unique appliance masks that covered
the entire face and sculpted highly detailed,
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photorealistic ape features over top the actors. This was a major innovation compared
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to the simple plastic noses and mouthpieces
used for EPE makeups previously. Each mask
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was an extraordinarily intricate work of art, with hand laid hair meticulously applied strand
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by strand to create a naturalistic fur
texture. The masks were then individually hand
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painted with specialized techniques to achieve the
varied skin tones and distinctive facial expressions of
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the different Ape character. Equally crucial
were the Ape body suits designed by Elizabeth
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Ingele to complete the illusion. Made
from dyed wool cotton and alpaca hair,
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they had individual muscle striations sculpted in
to give a naturalistic ape like physique.
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Every suit was custom tailored to each
actor's proportions, with hooded cowls to allow
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a seamless blend with the mask appliances
between the masks and costumes. Each main
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Ape character took up to four hours
per day just to get into their full
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prosthetic makeup and bodysuits. All this
painstaking effort paid off by creating shockingly lifelike
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depictions of talking, intelligent apes that
were utterly convincing throughout the film. The
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ingenuity of Planet of the Ape's makeup
and costuming cannot be overstated. It raised
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the bar exponentially for what was thought
possible with screen prosthetics at the time.
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Those arresting visual accomplishments ensured this Semian
civilization would be unforgettably etched into the minds
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of audiences forever. Planet of the
Apes works as both thought provoking science fiction
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and entertaining adventure. Director Franklin J. Shaffner keeps the pacing brisk and exciting.
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The action scenes are visceral, like
the terrifying hunt of the humans and
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Tailor's attempted escape, and the Orwellian
parallels of the ape's cast system offer intriguing
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social commentary. By upending our assumptions
about man's role in nature, the film
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forces us to question our own society. Some fun facts about Planet of the
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Apes. The famous ending wasn't in
the original book or script, but came
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from a suggestion by co star Charlton
Heston. Roddy McDowell had such difficulty eating
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with his ape makeup on that he
started losing unhealthy amounts of weight during the
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shoot and had to drink meal replacement
shakes. The film's now dated score was
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actually quite innovative for the time,
an unsettling avant garde mix of ape noises
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and tribal percussion. The crash of
the astronaut's ship into a lake was the
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most expensive single special effects shot ever
at the time. A scene was written
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but cut explaining the ape society arose
after a plague wiped out the dogs and
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cats, letting apes become pets and
then servants and finally masters. To create
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the apocalyptic look of the Forbidden Zone, filmmakers shot among the striking rock formations
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in Utah's Glen Canyon. Planet of
the Apes was hugely successful, holding the
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box office record for over a month. It tapped into the social upheaval and
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racial tensions of the nineteen sixties,
serving as a potent allegory. Some saw
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the apes treatment of humans as a
parallel for racism and segregation. Others viewed
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it as a Vietnam War commentary on
the danger of underestimating a technologically inferior enemy,
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but some critics felt it played on
white paranoia of a black uprising overthrowing
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society. Planet of the Apes went
on to receive two prestigious honors that year.
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First, it was nominated for the
Outstanding Dramatic Motion Picture by the Writer's
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Guild of a America, recognizing the
excellent screenplay adapted from the novel by Pierre
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Boule. While it didn't win that
award, the film did take home an
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Oscar for Best Costume Design at the
nineteen sixty nine Academy Awards ceremony. Costume
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designers John Chambers and Elizabeth Ingle were
lauded for their ingenious ape mask designs that
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brought this simian society chillingly to life
on the big screen. The incredible artistry
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and thought provoking narrative of Planet of
the Apes left an indelible mark on cinema
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history. Those landmark costume designs became
iconic images that still resonate with fans today
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over fifty years later. While modestly
awarded at the time, this daring and
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innovative film certainly earned its place as
a celebrated science fiction masterpiece. The film's
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themes remained socially relevant, and it
still widely analyzed today. Even the most
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outlandish sci fi can serve as a
mirror on our own world. Planet of
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the Apes uses a fantastical premise to
deliver hard truths and warnings about his human
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nature, and that's the mark of
truly visionary science fiction. It's a film
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that still has the power to provoke
and unsettle over fifty years later, and
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cements its status as a stone cold
classic. What's your take on Planet of
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the Apes? Does the ending still
pack a punch? Can it be viewed
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as an allegory for modern day issues? Until next time? Stay tuned and
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I'm Journey Joe Mitchell and this is
TV in the Basement.