May 22, 2024

Conquest of the Planet of the Apes - Rise of the Revolution (1972)

Conquest of the Planet of the Apes - Rise of the Revolution (1972)

Set in a dystopian future where apes serve as slaves to humans, "Conquest of the Planet of the Apes" chronicles the rise of Caesar (played by Roddy McDowall), the son of Cornelius and Zira, who leads his fellow apes in a daring revolt against their...

Set in a dystopian future where apes serve as slaves to humans, "Conquest of the Planet of the Apes" chronicles the rise of Caesar (played by Roddy McDowall), the son of Cornelius and Zira, who leads his fellow apes in a daring revolt against their oppressors. As tensions escalate between the ruling class and the oppressed masses, Caesar must confront his own identity and rally his followers in a fight for freedom. With the help of sympathetic allies such as MacDonald (played by Hari Rhodes) and Lisa (played by Natalie Trundy), Caesar embarks on a perilous journey that will shape the destiny of both species.

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Calarogu Shark Media. Welcome back to
TV in the Basement, your secret bunker

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for all things post apocalyptic Primate.
I'm your host, Journey Joe Mitchell,

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and today we're tackling Conquest of the
Planet of the Apes, the fourth and

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most provocative installment in the original Apes
saga. Conquest of the Planet of the

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Apes is a dark, daring,
and sometimes disturbing film that really pushes the

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boundaries of the franchise. Released in
nineteen seventy two at the height of racial

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tensions and political unrest in America,
It's a thinly veiled allegory for the Black

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Power movement and the fear of minority
uprising. It's also a direct prequel to

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the original film, showing how the
Apes first rose to dominance. The story

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takes place in a dystopian near future
where apes have become slave laborers for humans

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after a plague wiped out all cats
and dogs. This is a clever callback

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to a plot point from the original
novel that was cut from the first film,

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where a space virus kills off Earth's
pets, leading apes to be domesticated

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and eventually supplant humans into this world. Comes Caesar, the son of Cornelius

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and Zira, played by a returning
Roddy McDowell. Raised in secret by the

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kindly circus owner Armando played by Ricardo
Montalban. Caesar witnesses the cruel treatment of

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his fellow apes and begins to foment
rebellion. When Armando dies in custody after

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trying to protect Caesar from the authorities, the young ape leader launches an all

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out revolution, leading to a climactic
battle for the fate of the planet.

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Directed by j. Lee Thompson,
Conquest of the Planet of the Apes is

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a much bleaker and more violent film
than its predecessors. The world it depicts

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is a fascistic police state where apes
are brutally subjugated and even hunted for sport.

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The parallels to racism and oppression are
not subtle, with the Apes standing

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in for marginalized groups rising up against
their oppressors. This gives the film a

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real edge and urgency that reflects the
turbulent times in which it was made.

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The scenes of apes being beaten,
shocked, and even killed by their human

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masters are tough to watch, as
is the climax where Caesar exhorts his followers

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to violently overthrow their captors. It's
not hard to see why the film was

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originally rated PG but had to be
cut for an R rating. At the

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center of it all is a powerful
performance by Roddy McDowell as Caesar. In

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a way, it's the role he
was born to play, the culmination of

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his journey as Cornelius in the previous
films. McDowell brings a simmering intensity and

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righteous anger to Caesar, a far
cry from the gentle, humorous Cornelius.

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You can see the weight of his
people suffering in his eyes, the burning

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desire for freedom and justice. It's
a tour to force performance, especially considering

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the physical demands of the role.
McDowell had to endure long hours in the

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makeup chair and perform intense action scenes
in the cumbersome ape suit, but he

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never falters. Brings a fierce dignity
and humanity to Caesar that makes him a

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truly iconic sci fi hero. The
supporting cast is also excellent, with Don

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Murray as the sadistic governor Breck and
Harry Rhodes as the conflicted African American aide

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MacDonald. But the real scene stealer
is Ricardo Montalban as Armando Montalban brings such

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warmth, wisdom, and quiet strength
to the role of Caesar's surrogate father.

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His tragic death at the hands of
the authorities is a gut punch that fuels

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Caesar's rage and sets the stage for
the uprising. Conquest of the Planet of

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the Apes is also notable for its
striking visual style, with stark modernist architecture

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and a muted color palette that reflects
the oppressive nature of the world. The

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Ape makeups are some of the best
in the series, particularly the gorillas with

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their menacing helmets and armour, and
the action scenes are brutal and intense,

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with Apes hurling spears and Molotov cocktails
at their human oppressors. Thematically, the

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film grapples with some weighty ideas about
power, oppression, and the cycle of

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violence. On one hand, it's
hard not to root for the Apes as

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they rise up against their cruel masters
and claim their freedom, but the film

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doesn't shy away from the darker implications
of that uprising, with Caesar briefly succumbing

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to hate and bloodlust before pulling back
from the brink. It's a complex and

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nuanced portrayal of revolution that feels all
too relevant today. When Caesar shouts,

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where there is fire, there is
smoke, and in that smoke, from

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this day forward, my people will
crouch and conspire and plot and plan for

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the inevitable day of man's downfall,
the day when he finally and self destructively

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turns his weapons against his own kind. It's a chilling moment that speaks to

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the long term effects of oppression and
the thirst for vengeance. Conquest of the

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Planet of the Apes shares some notable
parallels with the modern Planet of the Apes

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reboot series. Both depict the fall
of human civilization and the rise of intelligent

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apes, with a central chimpanzee character
named Caesar leading the way. Both grapple

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with themes of prejudice, slavery,
and the tension between ape and human.

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But where the reboot films depict the
Ape uprising as a gradual, almost reluctant

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process, with Caesar as a wise
and benevolent leader, Conquest shows it as

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a violent and cathartic explosion, with
Caesar as a fiery revolutionary push to the

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brink. The reboot films also have
the advantage of modern CGI to create more

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expressive and realistic Ape characters, while
Conquest relies on practical makeups and costumes.

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Still, there's a raw power and
urgency to Conquest that makes it stand out,

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even if some of the racial politics
and revolutionary fervor may seem heavy handed

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by today's standards. It's a film
very much of its time, but one

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that still packs a punch and leaves
you with plenty to chew on. The

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ending of Conquest is particularly striking,
with the Apes victorious and Caesar delivering a

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speech about the dawn of a new
era. In the original cut, he

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proclaimed, we will destroy the guns
and we will build a world of Apes

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with peace and love, but this
was deemed too provocative and had to be

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changed. The revised ending has Caesar
preaching compassion and coexistence, but with an

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ominous warning about the day when Apes
will fight back if provoked. Conquest of

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the Planet of the Apes remains a
bold and uncompromising entry in the franchise,

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one that takes big swings and doesn't
pull its punches. It may not be

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as widely beloved as the first film, or even Escape from the Planet of

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the Apes, but it's an essential
piece of the Apes puzzle. That pushes

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the series into daring new territory.
It's a testament to the enduring power of

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the Planet of the Apes mythos that
these themes and characters continue to resonate decades

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later. The modern reboot films may
have updated the special effects in storytelling,

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but they're still grappling with the same
big ideas about prejudice, power and what

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it means to be human. And
at the heart of it all is the

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character of Caesar, the Chimpanzee revolutionary
who would become a legend. Roddy McDowell's

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fierce, soulful performance in Conquest set
the template for Andy Serkis's equally brilliant work

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in the reboot films, cementing Caesar
as one of the great sci fi protagonists

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of all time. So what's your
take on Conquest of the Planet of the

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Apes. Is it a daring allegory
for the civil rights struggle or a heavy

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handed polemic. Does the darker,
more violent tone work for you or is

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it too much? And how does
it stack up to the modern Apes films

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in your opinion? Next time,
we'll be wrapping up our Apes retrospective with

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Battle for the Planet of the Apes. The final chapter in the original saga.

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Until then, keep watching the skies
and the screens for TV in the

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basement. This is Journey. Joe
Mitchell signing off