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Do we mistake emotional distance for discipline and control for strength?
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In this episode, you'll learn how Batman and Robin from 1997 show us that love wasn't something to fear, it's something to fight for.
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Welcome to the Fandom Portals Podcast, a podcast that explores how fandoms and film can help us learn and grow.
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I'm Aaron, a teacher and film fan, and each week on the podcast we explore the stories we love to learn more about ourselves and the worlds that shape us.
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Today I'm joined by Brash, and behind the scenes, this was Take Four.
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It was a good start.
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Good start.
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Very good start.
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But you know what?
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I still don't think it was much of a train wreck as the disaster of the movie that we have been looking at for this week, which is Batman and Robin from 1997.
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I would also like to point out that you guys forced us to watch.
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Yes, indeed.
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This was a community pick.
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We did a fight bracket, and it came victorious in the end in the beat titles such as Sucker Punch and Scott Pilgrim vs.
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the World.
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You had to pick a movie that failed and flopped at the box office.
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So our theme arc for this one, and this is the last movie in the theme arc too, which is Failure Isn't Final.
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And it's the movies that aimed high, stumbled, but still have something to teach us.
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So there's misguided epics, and this series is going to ask us what do stories that failed to find their audience teach us about finding ourselves.
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So yeah, you guys picked this one for us.
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It will it actually won by a pretty pretty big landslide, Brash.
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It was very, very popular.
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I want to go on the record that I just sucked a bunch.
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Yeah.
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Yes.
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That being said, though, we always strive, as is our niche in the podcast, to look for a lesson that this film can teach us.
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And we're going to go through today some of the reasons why this movie failed, where other Batmans had seen a lot of success.
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We're going to look at some of the characters in this movie and how they show connection and affection towards one another.
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And we were discussing before that uh three of the characters in this movie show connection and love toward one another in a very unhealthy way.
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And one of them is in a in a very more accepting and healthy way.
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Yeah, less than not healthy.
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So actually not so bad, but we're gonna get into Brash's famous synopsis of this film.
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So strap yourselves in.
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If you're a fan of Batman and Robin, we do apologize.
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I know it has some nostalgic fans.
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I am a massive Batman fan.
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Like he is tattooed on my so we say this with love and just know that we love the characters.
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This movie, however, fun times.
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Take it away, Brash.
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So I've gloriously titled my synopsis.
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Batman and Robin, a very serious film about Ice Pun.
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Is once again peril.
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But don't worry, because Batman and Robin is here to s to chill absolutely any sense of tension to death.
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Batman, George Clooney, wearing nipples with the confidence of a man who was not warned, and Robin, Chris O'Donnell, apparently stuck in a teenage angst mode, must face their chilliest foe yet, Mr.
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Freeze, a villain whose entire personality is based on delivering his ice his motivation motivation to save his frozen life, his method, crying tourism, and stand-up comedy.
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Every line out of Mr.
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Freeze's mouth is an isolated comedy of gold.
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I see what you did there.
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Let's kick some ice.
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What killed the dinosaurs?
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The ice age.
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Stay cool, bird boy.
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You'd think after the tenth pun someone would freeze him mid-sentence, but no, this move skates on thin ice and somehow never falls through.
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Meanwhile, poison ivy shows up, emerging from a plant like seductive environmental Tetalk.
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Uma Thurman delivers every line while she's floating with the camera for the audience and possibly the concept of photosensitive itself.
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Her goal said planet a strategy, crimes, pheromones, and flooding so intense that it could cause Bat credit cards to exist.
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Yes, Batman has a credit card.
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Yes, it says Batman on it, but yes, it never expires.
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Robin, feeling overshadowed and emotionally frosted, soks his way through this movie, questioning his role, his place, and why Batman won't just communicate like him and billionaire bat.
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Their relationship arc is basically couple therapy, but with Kate.
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Then there's Batgirl who shows up and instantly masters martial arts and becomes a crime fighting icon in about five minutes because why not?
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Logic left Gotham hours ago and took the last train to any other movie.
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The action scenes are neon lip fever dreams, gangs wear glowing hockey armor, everyone glows, everything glows, Gotham looks like a city and more like a rejected grave fly from 1997.
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In the end, Batman learns the true lessons that family matters.
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Teamwork is cool, and love can thore even the covers heart, especially if you have enough blazers, bat gadgets, and medical science to cure literal 5J.
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Batman and Ro Robin is not a movie you watch, it's a movie you endure, embrace, and eventually isolate in your memory as one of those most glorious unseen superhero films ever made.
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It doesn't just jump the shark, it freezes it, shatters it, and makes a pun about it.
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Very good.
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And you know what?
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I agree with some of the points that you made for sure.
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Absolutely.
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If you don't get that last joke, it doesn't just jump the shark, because the only other movie I can like Batman movie that's more ridiculous than probably this one is Adam West Batman, where he pulls out the shark repellent from his bat well, spray the shark.
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No, this one definitely leaned into the camp hardcore.
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And I like that we mentioned Adam West because I do think that that was a big influence on this one.
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We always do a most valuable takeaway.
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And for this one, we have looked at the fact that love is not a weakness that compromises strength.
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It is a motivator that gives strength meaning.
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So we said before that of some of the characters in this movie don't demonstrate the healthiest forms of connection, they don't show love very well or they don't show appreciation for their teammates, but they are modeled and shown how to do that by one father figure within the movie, known as Alfred Pennyworth.
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And I think this came to my mind because for one, there is a character in this movie that is supposed to epitomize like love and attraction.
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That's obviously Poison Ivy.
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And she puts a spanner in the works when it comes to our two title characters of Batman and Robin.
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But the problems existed between those characters way before she came along.
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I think primarily we know, and any Batman fan knows, that Bruce Wayne, aka Batman, has a big problem with connecting with people.
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It is no secret that he likes to work alone.
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And when he eventually did start to open up to a Robin character, it was a very long and arduous journey.
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And I think that they do exemplify that in this movie, more so in the one before this, Batman Forever.
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But I think Bruce Wayne, played by George Clooney in this one, he's a very emotionally stunted, and that may be because the acting is like not the best.
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And also, as a note, he's the only Bruce Wayne to play Bruce Wayne and Batman the exact same.
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Every other Batman that I've seen has done them differently for good reason.
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But he says quotes like, for example, the first line of the movie, the very first thing George Clooney says, but this is why Superman works alone.
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Like dismissive towards Robin.
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And you know, there's also a scene where they have this massive falling out where he says, you know, basically, this is my house, this is my rules, classic dad energy.
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And he's just like, if you don't like it, you can leave.
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And under my roof.
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Yeah, yeah.
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And that happens in the scene after he basically disables his Robin bike, uh, after they're chasing after Mr.
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Freeze, going down and driving down one of the large Greek-like statues in Gotham City, and he basically just disables his bike.
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But I think that Robin took that as him not trusting him.
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But I think Bruce actually did it because he shows care and concern, but he's doing that through control.
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And, you know, he has a scene later on with Alfred where Alfred actually calls him out on that.
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He says, I think from the moment your parents were taken away through chaos and and like poor fortune, you've spent your whole life trying to then control chaos and beat death.
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And Bruce admits he's just like, I and I can't do it, can I?
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And he goes, No, you absolutely can't.
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So I think he's pushed that avoidant attachment onto Robin and onto Dick Grayson because their emotional relationship is getting stronger, they're getting closer, they need to trust each other more.
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So naturally, Bruce begins to pull away.
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This is classic for people who are like avoidant attachment people, and avoidant attachment people usually they exhibit traits of withdrawal, and it's usually based on the fact that they've had trauma before.
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So like you see him when he's when he's at like at the observatory, when he donated, when he thinking like he's his billionaire Bruce Well himself, he's not sort of like he doesn't seem like like say like Nolan Bruce Wayne, where he's like all playing the party boy, he's actually playing like a person trying to do good for Gotham at the forefront, but he's he's got his missus there, yeah and they're like, Oh, you guys gonna hit the knot, and he sort of gets started, like, uh uh and then she sort of asked him and says, Oh, we're madly in love, but who knows about the future?
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I'm like, Oh yeah.
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And I don't think we ever see that woman again in the movie.
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No, they they she does come back, they have a dinner scene later and she doubles down on it basically because she says, She's like, We've been get this, she's like, We've been together and seeing each other for almost a year now, and I just have to know whether it's time for us to get married or not.
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And Bruce is like, I'm not the marrying kind, which further doubles down on the like I'm not connecting with you.
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And she even says, you know, if I try to push you too hard, you will pull away.
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So I'll give you this to think about, and he gives her a big massive kiss, and she says, Tell me when you're ready to talk about it.
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So I think that also like shows that he thinks that closeness compromises his autonomy and also his effectiveness to be Batman, because you know, it's common through those Spider-Man movies.
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He never got with Mary Jane because he was like, My enemies will use that closeness against me.
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And I feel like Batman feels the same way.
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Batman does the same.
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He does the same.
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Yeah, that's why that's why he used like that's why you generally the Bruce Wayne Personas, him being a party boy watches, doesn't settle down, does I kinda messiness, especially in the younger versions of Batman.
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He's like more just full-on philanthropist, and then later on in life it's either Selena Kyle or nothing.
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Um but in this, he's George Cleaning plays emotionally stunted well because that that is.
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So yes, I think what you're saying is very true.
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I think he was able to play this well.
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Because because he was.
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But no, but I like he uh it's like you know, you see, like, oh you act like happy.
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He was just like the the the you know the comedy market, no emotion.
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That was just him this whole entire movie as Bruce White until like the end when he learns all this.
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Yeah, in quotes, learns a lesson.
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I th I think you're right, and I think he George Clooney in this one was becoming very popular after coming off the back of ER, and Joel Schumacher, the director, was saying that he wanted to get Val Kilmer back for this movie, but unfortunately Val Kilma decided to do a different movie, which I think is called Saint.
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And Joel Schumacher was a little bit annoyed because obviously the studio was pushing for these films to be brought out back to back due to the financial success of Batman Forever and the popularity that surrounded the franchise at the time.
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It was just the biggest thing that was going on.
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So he was forced to actually recast Batman, which, you know, was also another reason why some critics leaned towards it or against it.
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But he did definitely bring his own Batman version to the character.
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And I saw an interview with George Clooney as he was talking about this role, and he said, just for the record as well, he agrees that this movie is not so good.
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But when he was doing an interview for this movie, he kind of said, you know, Michael Keaton played Batman in his particular way, and then Val Kilmer brought something different to that role as well, and he said he kind of had to do something different, also, and there's not much more in his eyes that he said that he could do to bring about his own version of Batman.
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But I think what he did was he made it more poppy, more cartoony, more what's the word we're looking for here?
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Campy, uh, and and also sort of brought back that Adam West sort of style of it.
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Yeah, become a bit more for kids.
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Yes, yeah.
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And that was also noted by Joel Schumacher as well.
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He said that this movie was definitely made more for kids, and we'll probably talk about it a bit later as to why that was.
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But if we're talking about Bruce and the way that he connects in this movie, he's almost he he obviously is a trauma survivor, and he is he's equating this vulnerability to the danger that he's felt before.
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So when he gets close to people, he obviously begins to pull away, and he's got this control as a safety mechanism now.
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So everything around his Batman life is heavily controlled.
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He's got all these gadgets to prepare.
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We know that he's an impeccable detective, character-wise, and in this movie they show that because you know he's able to guess where Batgirl's college is based on the emblem on her blazer that nobody else saw.
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But yeah, he's got these safety mechanisms, so I don't think he's cold.
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I think he's just afraid that love will destabilize him.
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Because at the start of this movie as well, Mr.
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Freeze basically freezes Robin, and we know that once he's frozen, he's got 11 minutes, and for some reason it's 11 minutes for the whole movie.
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Anyone that's frozen, they've got 11 minutes to warm them, but 11 minutes to become Thored, and Freeze actually says, Are you going to chase the villain or are you gonna save the bird boy?
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He goes, This is why I always work alone, because your compassion makes you weak.
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And obviously, Bruce decides to put Robin into the warm bath, use his laser to heat him up.
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The first thing Robin says when he gets out is like, Did we get him?
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He's like, No, we we didn't.
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And then from that point on, he's like cold towards him the whole time.
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Yeah.
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So I think This is not a joke.
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This is my life.
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Yeah, and in Batman Forever as well, they double down on that in the in the one that comes before this because there was the moment where Robin was was being held aloft, and so was Nicole Kidman's character who's called Chase Meridian, and Too Faced says, now it's time for you to choose, and he drops them, and then Batman happens.
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Yes, he does because he's Batman.
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But yeah, I think he's he's very much headstrong in the fact that he needs these rules, he need these controls, he needs these procedures and they can't be broken.
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He doesn't really believe in emotional expression as Batman.
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He seems very dismissive and avoidant in his attachment styles, and he's like very reluctant to say things that denote he cares.
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And I know that in the cartoon and through the comic books, that develops slowly.
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So when he gives like a tidbit of empathy towards a character that you know he cares about, like Dick Grayson, you're just like, oh yes, he does love you.
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So I think like that's what us as Batman fans hold on to.
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We want to see this hard exterior crack so we can see the gooey center that is Bruce Wayne, because we know he's a man that deeply cares and deeply loves.
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Because I don't think Bruce fears love because it's weak.
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I think he fears it because it reminds him of the things that he can't control, and he can't control others, and he can't control the way that he feels about others.
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So I think that in this one, he definitely can interpret that emotional attunement as a way to like be vulnerable to villains or or whoever, but I think he definitely imposes that onto Robin, and as Robin is growing into a teenage character, quotes, played by Chris O'Donnell, you can see Robin begin to rebel against that.
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And one of my favorite arcs in the comic is when Robin then becomes and grows into the Nightwing character and he breaks free from Batman because of that element of control.
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And that's a really big lesson for Bruce because when he goes on and gets subsequent robins, he knows that Dick goes and flourishes on his own, and he made a lot of mistakes when he was actually raising that boy, pretty much.
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So I think I know he's he's overacted, and I know that he's pretty much too old for the role, but I really like Chris O'Donnell as a Robin character, and I like the way he looks, and I like the way he was introduced in in Batman Forever, that classic sort of Dick Grayson, Flying Grayson.
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And I really think that he he's a guy that has a lot of sort of family value because he used to work in a big unit in terms of the Flying Graysons in that circus performing stunt.
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So that's a good connection for Bruce, who has always just been him and Alfred.
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So I think Bruce Wayne, Batman, shows a very avoidant dismissive attachment style of love, which is not really healthy, but the whole journey of this movie is that he learns to trust in the end, or you know, in some capacity he does.
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I'll talk about that a bit later too, because that's a little bit weird how he does that.
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But do you have any thoughts on Robin Brash and how he shows rebellion against this?
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Hate it.
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The character of Rob.
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I liked him, man.
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So much.
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I hated him so much.
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To me, he seems more like a Jason Todd than Dick Grayson.
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If they had said, oh that's Jason Todd, not to Grayson, I've been like, that's it.
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Yeah.
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Because Jason Todd's more he's more rebellious, he's more headstrong, he's more makes light of situations.
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Whereas Dick Grayson was always until you get to the point where he does not, he was the perfect Robin in Batman's visit.
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Yeah, I feel like in in the beginning, especially in the comic book stories, he was enamored by Bruce and Batman.
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Yeah.
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And wanted to be that.
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And I like and in a way, so Dick knew what kind of man Bruce was and accepted that up until a point when when he himself was then like, if I'm meant to be him, I can't do it.
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And then that's when he moves on to be nightwall.
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Whereas Jason Todd, he was all about kicking ass, taking names, getting girls.
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He was reckless and all that kind of list.
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And that's why, like, that's how I feel they portrayed this Robin.
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They portrayed him more as a Todd a Jason Todd Robin rather than a Dick Grayson Robin, because Dick Grayson, original Robin Nightwing, is probably my favorite DC character out of all C C characters besides maybe three arrow.
00:18:05.440 --> 00:18:10.799
Yeah um but they they did Ark and they didn't do it.
00:18:11.519 --> 00:18:13.519
And it wasn't a call's fault.
00:18:13.839 --> 00:18:20.000
He arc he did the best of what he got with the lines they gave him and the direction they gave him.
00:18:21.119 --> 00:18:33.359
I I I feel like if they had of made it Jason Todd Robin rather than Dick Grayson Robin, I could have believed it a bit more than their relationship.
00:18:33.599 --> 00:18:33.680
Yeah.
00:18:33.920 --> 00:18:43.359
Because I yeah, like because Dick Grayson and me, he's at the very start at least when he first gets brought in with that, he's more of a saviour to Dick Grayson.
00:18:43.599 --> 00:18:45.599
He's he lost his whole entire family.
00:18:45.920 --> 00:19:01.279
Bruce Wayne took him from having nothing and brought him in to his family, and then was able to help him get justice for his family by turning him into Robin and by letting him come along and help him helping him go get justice for his family.
00:19:01.519 --> 00:19:04.960
I also think that Dick Grayson found justice in his own way.
00:19:05.039 --> 00:19:18.480
Like, for example, Batman might see justice as as as ending the life of somebody or ending the career of somebody, whereas Dick Grayson I feel like is a little bit more morally attuned, and I think that was the concept between Rule One is no killing.
00:19:18.559 --> 00:19:20.000
That's background to rule one.
00:19:20.319 --> 00:19:37.039
Yeah, but then like Jason Todd came along, and I feel like he was a lot more violent and a lot more aggressive, and he showed Bruce what the um what the potential was for a child that sort of looked towards him and saw what he did and perceived it in that way, like he saw how that could end with Jason Todd.
00:19:37.119 --> 00:19:40.559
And I think that that's that's the like the the nuance of of Robin.
00:19:40.640 --> 00:19:54.880
So if we're talking about Dick Grayson in this movie, for example, he's very much like the rebellious teen, and you can look at him as a boy who is sort of seeking connection because he's always trying to converse with Bruce and bring him down to his level, like he says at the start, you know, why don't I get a car?
00:19:55.039 --> 00:19:59.759
All the girls dig the car, and then he always says as well, you know, how are we supposed to work together if we don't trust?
00:20:00.480 --> 00:20:01.039
One another.
00:20:01.279 --> 00:20:04.559
He says that as part of the Flying Graysons, we're a unit, we're a team.
00:20:04.640 --> 00:20:12.480
And he says sometimes in order to to win or in order to succeed, you need to trust somebody and rely on them, and that's okay to do.
00:20:12.559 --> 00:20:16.720
Which you know, I think is a pretty mature way to sort of look at connection.
00:20:16.960 --> 00:20:18.160
But he's also like interpreting.
00:20:18.720 --> 00:20:19.440
He says that though.
00:20:19.599 --> 00:20:20.480
He says that though.
00:20:23.759 --> 00:20:28.160
Yet the his portrayal of the actual character contradicts that heavily.
00:20:28.640 --> 00:20:29.680
I absolutely agree.
00:20:29.920 --> 00:20:31.599
Like he like that's what I mean.
00:20:31.839 --> 00:20:37.599
Like the way he played the character is more like a Jason Todd character, but they gave him lines to be a Grayson character.
00:20:37.920 --> 00:20:39.039
So it doesn't really line up.
00:20:39.279 --> 00:20:44.720
So say if uh so like when he was when uh when Brandon's like, oh no, drop out there, you get frozen and get frozen.
00:20:44.960 --> 00:20:57.359
If there had been some sort of character play like beforehand, uh he sees like a reflective mirror or some shit on the ground, it was actually gonna dive out there, roll, grab the reflective mirror to block the ice beam and go.
00:20:57.440 --> 00:21:06.640
But because maybe Batman tries to grab him back and just stunts him from getting there and he gets frozen, then that that could be the whole thing of like, oh you could should have trusted me.
00:21:06.799 --> 00:21:07.680
I had a plan.
00:21:08.000 --> 00:21:18.720
Like we've been trained to you though, I have a plan because of your your not willingness to trust me in our unit, it failed and I got frozen.
00:21:18.960 --> 00:21:22.640
And I think that that's portrayed through like Dick Grayson as well.
00:21:22.720 --> 00:21:28.559
He's very reckless and he'll go out and he'll he'll like he'll find trouble and in in a way to try and prove his.
00:21:31.359 --> 00:21:32.000
That's what annoys me.
00:21:32.079 --> 00:21:33.440
That's a Chris O'Donnell Robin thing.
00:21:33.599 --> 00:21:36.240
Yeah, that is a Chris O exactly.
00:21:36.559 --> 00:21:43.519
That's like more of a that's more of a Jason Todd thing, not like you go out and do rebellious shit just because I go street racing and chill out.
00:21:43.680 --> 00:21:45.039
That's a Jason Todd thing.
00:21:45.519 --> 00:21:53.519
Well well, yeah, he says things like, you know, don't get all protective on me, and he goes, I'm tired of living in your shadow, and he's like, I'm going solo after he gets thrown into a bucket of ice cream.
00:21:53.599 --> 00:22:03.440
And this is completely that that that's dick, that's Dick Grayson, though, years and years and years from being like a young kid to being like almost almost adult.