**BONUS** Part 2 - The insider's guide to every track on Taylor Swift's "The Tortured Poets Department"

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Calaugashawk Media. Hi, and welcome
to Taylor Swift Today. In part two

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of our Insider's Guide to the songs
on the Tortured Poets Department, we're looking

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at tracks seventeen through thirty one.
Bonus tracks on the Tortured Poet's Department the

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Anthology at seventeen The Black Dog.
The black Dog is also a reference to

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depression and lack of energy, based
on a demonic hell hound acting as an

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omen of death in English folklore and
literature, as well as the eerie lyrical

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meaning to the title. The Black
Dog is a bar in Vauxhall, London,

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her ex Matt's city of birth and
just a stone's throw away from Joe's

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hometown of Royal Tunbridge, Wells and
Kent. In the song, she belts

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out, I am someone who until
recent events you shared your secrets with and

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your location you forgot to turn it
off, And so I watch as you

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walk into some bar called the Black
Dog. I just don't understand how you

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don't miss me in the Black Dog
when someone plays the starting line and you

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jump up. But she's too young
to know. This song that was intertwined

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in the magic fabric of our dreaming. The eighteenth track is I'm Gonna Get

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You Back. Taylor is torn between
calling things off for good or rekindling with

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an X. In I'm Gonna Get
You Back, emotions are clearly running high

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as she sings whether I'm gonna be
your wife or smash up your bike.

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I haven't decided yet. She appears
to reference her new romance with Travis as

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the song goes on, sharing I
can feel it coming in the way you

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move. Push the reset button.
We're becoming something new. See you got

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somebody else, Say I got someone
else too, even if it's him.

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I'm leaving here with you. Nineteen
The Albatross It Seems London watering holes are

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a theme of the album, with
the black Dog and the Bolter joining the

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Albatross as a parent references to venues. The Albatross Club is a pub in

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Farringdon, London, but also has
particularly ear significance in its meaning as a

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word alone. Albatross is defined in
the Britannica Dictionary as a continuing problem that

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makes it difficult or impossible to do
or achieve something. Fame has become an

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albatross that prevents her from leading a
normal and happy life. Additionally, and

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albatross is a large white ocean bird
that has very long and often black wings,

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which many liken to her outfit from
the Grammys. Taylor is taking no

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prisoners in this track, referring to
herself as one of the largest seabirds on

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earth, famed for their giant wingspan
and ability to glide seamlessly. She sings

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about taking revenge with the lyrics she
is here to destroy you. Devils that

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you know raise worse hell than a
stranger. Track twenty is Chloe or Sam

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or Sophia or Marcus. Taylor tells
the story of a rocky relationship in which

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their partner betrays them and focuses on
drugs more than her. She hints at

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infidelity on their part by singing,
your hologram stumbled into my apartment, hands

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in the hair of somebody in darkness
named Chloe or Sam, or Sophia or

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Marcus, and I just watched it
happen as the decade would play us for

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fools. Taylor goes on to reference
singing, you said some things that I

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can't unabsorb. You turn me into
an idea of sorts. You needed me,

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but you needed drugs more and I
couldn't watch it happen? Twenty one

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How did it End? Taylor appears
to reference the speculation over her relationship with

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Joe, as she details in the
chorus, Come one, Come all,

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it's happening again. The empathetic hunger
descends. We'll tell no one except all

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of our friends. We must know
how did it end? Accusing people of

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conducting their own post mortems. In
the opening sentence, Taylor also accuses people

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of being smug. Soon they'll go
home to their husbands because they know they

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can trust him, then feverishly calling
their cousins. She later admits that while

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everyone is questioning how did it end, she doesn't know herself. But I

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still don't know how did it end? Twenty two So High School. While

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many tracks are bold aims at her
exes Matt and Joe, happiness does reign

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in her track So High School,
where she discusses current boyfriend Travis. She

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sings, you know how to ball, I know Aristotle, Brand New,

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full Throttle, Touch me while your
bros play Grand Theft Auto. It's true

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swear Scout's honor. You knew what
you wanted, and boy you got her.

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Taylor the directly references a resurfaced video
in which Travis was asked who Mary

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kiss or kill? Between Ariana Grande, Katy Perry, and Taylor. She

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sings, are you gonna marry kiss
or kill me? Kill me? It's

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just a game, but really,
really, I'm betting on all three For

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US two twenty three, I hate
it Here, Taylor relies in escapism to

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distract herself from the issues plaguing her
real life, describing herself as going to

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secret gardens in my mind. She
appears to be dealing with the fallout of

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being lied to, singing tell me
something awful like you are a poet trapped

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inside the body of a finance guy. Tell me all your secrets. All

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You'll ever be is my eternal consolation
prize. She appears to be between relationships,

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musing I'm lonely but I'm good.
I'm bitter, but I swear I'm

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fine. Fans are convinced. The
twenty fourth track, thank You Amy,

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is aimed at Kim Kardashian, as
the letters k, y and M are

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capped up to spell out her name. Taylor sings in one line, there's

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a bronze spray tand statue of you
and a plaque underneath it that threatens to

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push me down the stairs at our
school. All that time you were throwing

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punches, I was building something.
And I can't forgive the way you made

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me feel. Screamed f you,
Amy to the night sky as the blood

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was gushing. But I can't forget
the way you made me heal. She

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goes on to add, and it
wasn't a fair fight or a clean kill

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each time that Amy stomped across my
grave. And then she wrote headlines in

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the local paper, laughing at each
baby step I'd take. Taylor concludes by

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confirming she's changed the name of the
woman she's singing about, further fueling speculation

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the track is about Kim. She
also seems to reference Kim's ten year old

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daughter Northwest dancing to her twenty fourteen
singles Shake It Off on TikTok, Finding

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it ironic as the song is about
you, she sings, and so I

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changed your name and any real defining
clues, And one day your kid comes

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home singing a song that only us
two is gonna know is about you.

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Twenty five, I look in people's
windows. While she may have the ultimate

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girl squad around her, Taylor admits
she can't help but feel lonely when chasing

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a man. She sings, I
look in people's windows transfixed by rose golden

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glows. They have their friends over
to drink nice wine. I look in

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people's windows in case you're at their
table. What if your eyes looked up

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and met mine one more time?
Twenty six the prophecy Taylor seems to be

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pained by the thought of trying to
find an intimate love when her life is

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so public. The singer who found
fame as a teenager reveals that being in

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the spotlight and adored by millions of
fans can't measure up to being loved by

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a partner. She shares, please
change the prophecy, let it once be

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me. Who do I have to
speak to about? If they can redo

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the prophecy. Taylor has previously revealed
how fame changed her life for the worst,

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explaining it's a social situation. Every
time I go out, I just

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have to wake up in the morning
and say, how am I feeling today?

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If someone asks for a picture?
Am I going to feel imposed upon

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today? Because I'm dealing with my
own stuff? Am I going to take

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my own stuff out on some innocent
fourteen year old today and be in a

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bad mood. Okay, maybe not, Maybe I won't leave the house more

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in a moment. The twenty seventh
song is Cassandra, Thank You. Amy

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might not be the only song issuing
shots at Kim Kardashian, with Cassandra also

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seeming to be filled with veiled digs. Greek god Cassandra entangled men and was

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punished with a curse where no one
would believe what she had to say.

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In her chorus, Taylor sings,
when the first stone's thrown, they're screaming

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in the streets. There's a raging
riot. When it's burned the bitch,

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they're shrieking. When the truth comes
out, it's quiet. This could be

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in reference to Kim sparking a social
media firestorm when she shared a snapchat video

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of then husband Kanye West during a
phone call with Taylor, where she seemingly

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gave the rapper to include lyrics about
her in his new song. While Taylor

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insisted that she hadn't consented to,
Kanye labeled her a bitch in his track.

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Many accused her of being a snake. Kardashian fans and swifties went to

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war with one another by posting snake
emojis. Taylor references snakes in her song

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Sharing So they killed Cassandra first because
she feared the worst and tried to tell

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the town. So they filled my
cell with snakes. I regret to say,

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do you believe me now? Twenty
eight Peter Taylor reflects on her childhood

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and pleads for forgiveness as she reflects
on losing a past love. It could

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be in reference to Maddie, who
she was first linked to in twenty fourteen

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and their subsequent breakup, as she
sings said you were going to grow up

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slash, then you were gonna come
find me words from the mouths of babes,

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promises oceans deep, but never to
keep, never to keep. It

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could also be a follow up to
her song Cardigan, where she sang tried

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to change the ending Peter losing Wendy. The twenty ninth song is The Bolter.

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Fans have made many interpretations of The
Bolter, with links to a London

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pub in the form of Mansion Houses
bar of the same name, while also

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alluding to a suitor running into the
night, something fans insisted was about Joe.

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Some Twitter users claimed the location is
where the former couple enjoyed their first

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date, Yet the claims were quickly
disputed by devoted followers. The initial claim

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came from a fan writing the Bolter
is a bar in London where Taylor and

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Joe went on their first outing.
I'm done by Others followed up writing apparently

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that's not the bar they were publicly
first seen together. But there is indeed

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this bar in London, which is
crazy anyway, guys, it's not real.

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It was different place. She sings, started with a kiss. Oh,

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we must stop meeting like this,
But it always ends with a town

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car speeding out the drive. One
evening ended with the slam of a door.

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But she's got the best stories,
you can be sure. All her

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effing lives flashed before her eyes,
and she realized it feels like the time

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she fell through the ice then came
out alive. Thirty Robin. Her penultimate

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track is also reflective of her youth, as she reflects on how innocence is

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ripped away with she sings, you
get the dragonflies above your bed, you

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have a favorite spot on the swing
set. You have no room in your

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dreams for regret. You have no
idea the time will arrive for the cruel

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and the mean. You'll learn to
bounce back just like your trampoline. Despite

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this, there's an element of hope
involved as she sings, but now we'll

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curtail your curiosity in sweetness. Way
to Go Tiger, Way to Go Tiger,

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Higher and higher, Higher and higher, wilder and lighter. The last

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song is the Manuscript, the only
bonus track on the first physical versions of

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Taylor's album, seems to be a
follow up to All Too Well, her

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song about Jake Jillenhall. She reflects
on a past romance as she sings Now

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and then she rereads the manuscript of
the entire torrid affairs. He said that

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if the sex was half as good
as the conversation was, soon they'd be

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pushing strollers. But soon it was
over. In a nod to All Too

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Well ten minute version and its music
video directly, Taylor continues, the professor

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said, to write what you know
looking backwards might be the only way to

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move forward. Then the actors were
hitting their marks. The Tortured Poets Department

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is a deeply personal and introspective album
that delves into the intricacies of Taylor Swift's

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past relationships, feuds, and personal
struggles. With its clever wordplay, hidden

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easter eggs, and raw emotional honesty, the album is sure to resonate with

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fans and solidify Taylor's status as one
of the most talented and influential singer songwriters

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of her generation. Join us for
more bonus episodes as we break down the

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fan feedback from Taylor's new album,
That's It. For part two of the

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song breakdown from the Tortured Poet's Department, I'm Annalise's idel and this is Taylor

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Swift Today. My thanks to Mark
Francis and John McDermott. This has been

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a production of Calarugus Shark Media.
Some portions may have production assistants by Ai