**BONUS** Part 1 - The insider's guide to every track on Taylor Swift's "The Tortured Poets Department"

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Calaucashock Media, Hi, and welcome
to Taylor Swift. Today, her much

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anticipated eleventh studio album, The Tortured
Poet's Department, has been unveiled after two

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months of fervent anticipation from her devoted
fans. As swifties meticulously analyze each and

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every lyric of the thirty one track
record, it comes as no surprise that

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it's filled to the brim with intricate
details and easter eggs that are sure to

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send them into a frenzy. The
album, which Taylor has dubbed a double

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album after surprising fans with fifteen bonus
tracks, takes numerous swipes at her former

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flames, Joe Alwyn and Maddie Healy. However, fans are also observing that

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Taylor has infused the album with various
hints and homages, including a nod to

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her famous Lucky number. Here's a
comprehensive breakdown of each track on The Tortured

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Poet's Department with help from The Daily
Mail. Let's start with tracks one through

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sixteen. Track one Fortnite featuring post
Malone, Taylor appears to reference the end

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of her relationship with Joe Alwyn and
her subsequent fling with Matti Healy in the

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first track on her album, The
first verse appears to hint at the end

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of her romance with Joe, as
she sings, I was supposed to be

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sent away, but they forgot to
come and get me. Taylor then wishes

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an ex well who betrayed her all
of this to say, I hope you're

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okay, but you're the reason no
one hears to blame. But what about

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your quiet treason? In the second
verse, Taylor talks about a short lived

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fling that helped her move on,
potentially a reference to matt She sings,

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all my mornings are Mondays, stuck
in an endless February. I took the

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miracle move on drug and the effects
were temporary, and I love you it's

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ruining my life. I touched you
for only a fortnight. Two The Tortured

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Poet's Department. The titular track is
a shimmering melody which suggests that Taylor modestly

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doesn't seem herself at the top table
of tortured poets. You're not Dylan Thomas

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and I'm not Patti Smith. It
also appears to heavily reference her fling with

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Mattie as she sings you smoked then
ate seven bars of chocolate. We declared

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Charlie Pooth should be a bigger artist. I scratch your head, you fall

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asleep like a tattooed Golden retriever,
but you awaken with dread. She also

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makes a candid reference to her mental
health, singing but you told Lucy you'd

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kill yourself if I ever leave,
And I had said that to Jack about

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you, so I felt seen three
My boy only breaks his favorite toys.

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Written solely by Taylor, this song's
dense electronic hum adds forceful notes. Fans

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have suggested the title is a reference
to the shiny toy she sang about in

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her hit Cruel Summer from the album
Lover. It's not clear if she is

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referring to heartbreak after splitting from Joe
or the abrupt end to her romance with

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Maddie. Once I fix me,
he's gonna miss me, she vows,

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adding I know I'm just repeating myself. Put me back on my shelf,

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But first pull the string, and
I'll tell you that he runs because he

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loves me. He loves me.
Four Down Bad, Taylor references mental health

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again as she details how down she
feels without an ex and the infatuation she

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felt with him. Everything comes out
teenage petulance, sings Taylor as she bitterly

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surveys the fallout from an old relationship. She continues, everything comes out teenage

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petulance effort. If I can't have
him, I might just die. It

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would make no difference. Down bad, waking up in blood slash staring at

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the sky, Come back and pick
me up, effet. If I can't

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have us, I might just not
get up. I might stay down bad.

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At number five, So Long London, the first track to be written

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with The National's Aaron Desner, brings
a change of pace with a lovely choral

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intro. So Long London You'll find
someone, sings Taylor. The song appears

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to be a reference to British ex
Joe and a follow up to her hit

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London Boy from Lover. She references
their different approaches to the of their romance,

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singing in the first verse, I
kept calm and carried the weight of

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the rift, pulled him in tighter
each time he was drifting away. My

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spine split from carrying us up the
hill. Verse three, she muses,

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and you say I abandoned the ship, but I was going down with it,

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my white knuckle dying grip, holding
tight to your quiet resentment. Six

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But Daddy, I love him.
I know he's crazy, but he's the

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one I want, sings Taylor,
showing rye humor as she admits to falling

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for the bad boys. Produced with
real brightness by Desner. She goes on

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to revel in the fact she dismisses
warning from critics, singing, they slammed

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the door on my whole world,
the one thing I wanted. Now I'm

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running with my dress unbuttoned, screaming. But Daddy, I love him.

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I'm having his baby. No I'm
not, but you should see your faces.

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Seven Fresh out the Slammer fingerpicked acoustic
guitar adds folky notes reminiscent of Lockdown

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albums, folklore, and evermore to
Fresh Out the Slammer, which details rushing

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into a new relationship, seemingly a
reference to her fling with Maddie, who

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she previously dated in twenty fifteen.
She sings, Now, pretty baby,

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I'm running back home to you.
Fresh out the Slammer. I know who

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my first call will be to.
On the decay of her past relationship,

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she sings splintered back in winter,
silent, dinners, bitter, He was

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with her in dreams gray and blue, and fights in tunnels, handcuffed to

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the spell. I was under for
just one hour of sunshine, years of

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labor, locks and ceilings in the
shade of how he was feeling. Eight

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Florida featuring Florence and The Machine an
album highlight. This theatrical duet with London

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singer Florence Welch is an uplifting song
of escape from small town life and a

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bad romance telling Lee. The first
tour stop following her split from Joe was

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in Tampa, Florida, and she
begins her song by singing, you can

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beat the heat if you beat the
charges too. They said I was a

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cheat. I guess it must be
true. And my friends all smell like

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weed or little babies, and this
city reeks of driving myself crazy. The

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ninth track is Guilty as Sin,
a tale of unrequited love and a superb

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slice of nineteen eighty style soft rock. It even mentions The Downtown Lights,

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a nineteen eighty nine single by Scottish
band The Blue Nile. She begins the

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track with her feelings on being trapped
in a relationship, singing my boredom's bone

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deep, This cage was once just
fine? Am I allowed to cry?

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I dream of cracking locks, throwing
my life to the wolves or the ocean

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rocks. She hints at an emotional
affair providing her release, singing these fatal

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fantasies giving way to labored breath,
taking all of me. We've already done

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it in my head. If it's
make believe? Why does it feel like

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a vow will both uphold somehow?
Ten? Who's afraid of Little Old Me?

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Big drums, a dramatic arrangement,
and more. In another song penned

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solely by Taylor, you wouldn't last
an hour in the asylum where they raised

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me, she snarls. It's reminiscent
of her hit single Look What You Made

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Me Do, and the villain arc
is prominent in her lyrics. She sings,

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I was tame, I was gentle
till the circus life made me mean.

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Don't you worry, folks? We
took out all her teeth. Who's

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afraid of little old me? Well
you should be eleven. I can fix

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him, No, really, I
can. A moody stripped down number worthy

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of Lona del Rey, who has
also worked extensively with the song's producer Jack

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Antonoff. She appears to be referring
to chainsmoking, booze loving Mattie as she

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sings the smoke cloud billows out his
mouth like a freight train through a small

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town. The jokes that he told
across the bar were revolting and far too

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loud. Fans had expressed their concerns
when Taylor started dating the nineteen seventy five

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bad boy rocker, and it seems
her friends had the same reservations. Taylor

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sings, they shake their heads,
saying, God help her when I tell

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him he's my man. But your
good Lord doesn't need to lift a finger.

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I can fix him. No,
really I can, and only I

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can. The twelfth track is l
OML You said, I'm the love of

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your life, sings Taylor on this
warm, resonant piano ballad. In a

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smart twist, the LML ultimately becomes
the loss of my life. She describes

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being love bombed by an old flame, seemingly referring to Maddie given their past

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experience. Others have suggested the intensity
of the lyrics suggest it relates to her

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long term relationship with Joe. She
sings, I felt a glow like this,

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never before and never since. Slash
if you know it in one glimpse,

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It's legendary. You and I go
from one kiss to getting married,

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still alive, killing time at the
cemetery, never quite buried. Thirteen,

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I can do it with a broken
heart More nineteen eighties influences on an electronic

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pop track that sees Taylor vowing to
remain a Trooper despite any romantic strife.

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She sings about putting on a brave
face while her relationships publicly fall apart,

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noting they said, Babe, you
gotta fake it till you make it,

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and I did light's camera, bitch, smile even when you want to die.

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He said he'd love me all his
life, but that life was too

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short. Breaking down, I hit
the floor. All the pieces of me

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shattered as the crowd was chanting.
More. Taylor has previously admitted she struggled

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with her love life playing out so
publicly and the narrative that she'd had more

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boyfriends than other women. More in
a Moment. The fourteenth song is the

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smallest man who ever lived. You
didn't measure up in any measure of a

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man sings a disdainful tailor on a
melodramatic ballad. The title is noteworthy given

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that Maddie's stature is an object of
some debate. The singer previously disclosed everyone

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in the nineteen seventy five is six
foot four and I'm five ten, so

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everyone thinks that I'm five five.
More recently, he addressed these short man

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allegations by telling a fan that he
was sick to effing death of this,

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insisting that he is a big boy. She sings, and I don't miss

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what we had, but could someone
give a message to the smallest man who

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ever lived? Fifteen the Alchemy.
Not all the songs are about heartbreak,

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as sporting metaphors of plenty suggest.
A track inspired by the singer's current boyfriend,

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American football star Travis Kelcey. When
I touch down, call the amateurs

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and cut them from the team,
she sings. Speaking about the upcoming release

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back in February, when he was
building up to the Super Bowl in Las

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Vegas, Kelsey said he had heard
some of the songs on Taylor's latest release.

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I have heard some of it,
and yes, it's unbelievable, he

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said to reporters. I can't wait
for her to shake up the world.

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When it finally drops. The last
track is Clara Bow. It's tempting to

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think Taylor sees something of herself in
a closing track inspired by Clara, an

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American actress of the nineteen twenties who
lived her life in the Hollywood Goldfish Bowl.

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She goes on to reference Stevie Nicks
as she details struggling with the trappings

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of fame. Taylor sings, I'm
not trying to exaggerate, but I think

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I might die if I made it. Die if I made it. No

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one in my small town thought I'd
meet these suits in La They all want

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to say. That's it for part
one of the song Breakdown from the Tortured

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Poets Department. We'll have part two
tomorrow with the bonus tracks. Until then,

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I'm Annalise's idol and this is Taylor
Swift today. My thanks to Mark

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Francis and John McDermott. This has
been a production of Calaroga Shark Media.

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Some portions may have production assistants by
Ai