Synthpop Symphony 295 Electropop Synthpop Synthwave + Red Flag P2 & Ultimate Retro Sinister Mix 295!

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Tonight, two rare red flag tracks with a brand new black light single and an all-new sinister mix only on synthpop symphony 295.

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Synth Pop Symphony, Los Angeles, San Francisco. Welcome to Synth Pop Symphony Pop Symphony. Playing the best new wave electric part, synthwave, guitar disco, and high-energy electronic dance music from the 80s to today. With your host, DJ Matt Williams. Your dance music Odyssey starts now.

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Welcome to Synth Pop Symphony 295, the global show where the past, present, and future of synth-driven music collide. Broadcasting on 50 radio stations across 60 countries, we bring you two full hours of the very best in synth pop, italo dance, new wave, electropop, and more. Tonight we've got rare covers, brand new remixes, fresh debuts, and even a high-energy sinister mix packed with legends and rising stars. Tonight you're gonna hear new music from Split Vision, Black Light, Lights of Euphoria, Neon Dreams, Lunar Ray, Dylan Bates, Italy, plus two red flag classics we talked about last week on the Permanent Record podcast. That was Red Flag's Machines and HGTP. Never mind, we're gonna play both of those on tonight's show as well. And a men without hats and emotion in Baltimore special mini mix. And don't go anywhere because in hour two, I've got new and classic tracks mixed together for an incredible ride inside Sinister Mix 295. But first, let's kick things off with Tinic and their stunning cover of Psychedelic Fur's 1987 hit Heartbeat, followed by Parallox and their new remake of Blind Vision. That was originally done by Blanc Monge and Depeche Mode with People Are Good, another brand new Parallax remix. It's all happening tonight on Synth Pop Symphony 295. Let's get into it right now.

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Synth Pop Symphony, the past, present, and future of synth-driven music She's a heartbait.

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Yes, she's a heartbait. She's a door at the end of the dead and street, she's a heartbait and footsteps. I hear her footsteps. Here come rumors and lies, here comes my life a crime. I hear footsteps When the music goes down and the traffic stops Nobody talks at all When they travel out the town, I hear a heartbeat And I've shut off the shades when the radio stops. Nobody moves at all When the fit is asleep, I hear a heartbeat.

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I hear a heartbeat In the shadows Out in the shadows It's like walking on glass, it's the end of the show in the shadows And sweet dreams She tells you sweet dreams It's like moving to the trash where there's always a girl and she's sweet dreams When the music goes down and the traffic stops Nobody stones at all When they turn off the sound I hear a hot base And I shut all the shades and the radio stops Nobody moves at all When the fit is a free I hear a hot base I hear a hot base Heartways I hear a heartbeat When we turn off the song I hear a heartbeat Heartwait I hear a heartbeat when the music goes down I hear a heartbeat This is Simple Symphony and no reasons and no reasons for shells in a dream they just full of words how do you look it's getting hard it's getting hard to dream just all the words getting hard it's getting harder it's getting harder it's getting harder than that we're setting up the show I should have been both break So I don't forget myself Sometimes it's fun but it's not a man of the Bible Keep it myself I think belong you to bad things to make sure it is trying to help you Wow we're kicking things off with a real rarity Tannic and their cover of Psychedelic Furs 1987 classic Heartbeat then we moved into Fresh Territory with Paralogs and their sleek new remake of Blind Mondja's Blind Vision and to close out the opening set another paralogue touch and their brand new remakes of Deputy Mode People who are good and absolutely fantastic. Next up, we find for brand new music, and I do have a treat for you. Honestly, I don't even know where to begin tonight because the new releases are that good, and I don't want to leave anyone out. But let's start with what I consider to be one of the most amazing soundtracks of the year. Speaking of red flag after last week's incredible show with a permanent record podcast and how to bring some more red flags in your ears, we're gonna hear never mind HTTP from your 2002 LP. Who are the gold which may very well feature the last recorded vocals by Mark Reynolds before his release in 2003? It's an early remix like before that you're gonna hear the newsletter vision. Their new track is called My Sphere. It comes from an album inspired by the deeply rooted aesthetics of the catch-mode and spell. Even more exciting, the record was crafted using the very same analog synthesizers that shaped a generation of sounds in the 80s. The synthesizers are the Yamaha CS5, ARP 2600, and the Sequential Pro 1, and more. Let's get into it right now with Split Vision and MySphere.

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I hear the march is coming. I feel when it's glowing. I want a piece of knowledge that you are here inside my stair That you are here inside my stands are dark now, silence will talk, windows will close now, worry will walk hide in my corner, hide in my heart. I see the storm is nearing, I hear the voice of shearing, I feel the world is turning, I crave a light of journey, to know you're near inside my skin To know you're near inside my stand Clouds are heavy now, whispers will speak, north will shut now, shadows will see my rift here, stay in my soul. I see the storm sneering, I feel the dark is clearing, I sound the doubt is fading, I want the calm changing, and you are here inside my stay and you are here inside my stay inside my spin spin. And you are here inside my spin And you are here inside my sleep.

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Connect with Matt Williams by logging on to Stenthbob Symphony.com for past shows and special DJ mixes.

unknown 16:33

We know this to go, make it so less and to the radio With the T J rules, cause she knows what the things once we all go and balance to the technology of my generation that is like the self-standers called.

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I guess I listen to the radio, kiss me with the ball, be that one, kiss me when the ball, E D flag and there is soaring FLAG turns to rings, and he able to see the lamb here. With the scope of conspiracy, ready for SG Cosmic City to grow the mind where we can always go because it's you can get the two video, but another one.

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Across the silent distance, the spots began to fade My electrical

unknown 22:00

Dancing Matrix.

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That's a seven day three. My electrical. That's simply tricky.

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That track gets the honor of the week as a record of the week with Lights of Euphoria and Electric Lover. I told you there are definite shades of camouflage and red flag in there, and of course, we followed it up with Red Flag's Nevermind HTTP from 2002's album Who Are the Skulls? That was brilliantly remixed by Cosmicity, and we closed the set with split vision and their stunning track Inside My Sphere. Next up, it's time for the Mini Mix, and this one is all about fun. We're diving into three of the most playful and delightfully silly new wave dance tracks of the 80s. We're gonna kick things off with Men Without Hats and the Safety Dance. We're gonna crank up the energy with Baltimore as a Tarzan boy, and we're gonna wrap it up with anime motion and obsession. These are all freshly remixed and ready for you right now on Mini Mix 295.

unknown 25:24

But we can dance if we want to, we can leave your friends behind.

SPEAKER_13 25:28

Because your friends don't dance, and if they don't dance, we'll have no friends of mine. I say we can go where we want to, a place where they will never find, and we can act like we can come out of this world, leave the real one far behind, and we can dance.

SPEAKER_15 26:33

Cause the rents don't dance, and if they don't dance without no bands of mine. Say, we can go if we want to, plays where they will never find. And we can act like we come from out of this world, need though we all want all behind. We can dance. And we can just feel me from our hearts to our beef. And surprise them with the victory drive. Say, we can act if we want to, if we don't nobody will. And you can act, we'll rude and totally remove, then I can act like an imbecil. I see, or we can dance, or we can dance, everything's out of control.

unknown 27:17

But we can dance, or we can dance, join it holds more. But we can dance, or we can dance, everybody look at your hands, but we can dance, or we can dance, everybody's taking the chance. Save the dance.

SPEAKER_14 27:33

Oh, it's save the dance. It's save the dance But we can dance if we want to, we can leave your friends behind.

unknown 28:00

Cause your friends don't dance, and if they don't fans, we'll have no friends of mine. I say we can go where we want to, a place where they will never find.

SPEAKER_13 28:09

And we can act like we come from out of this world, leave the real one from behind, and we can dance And we can dance And we can dance And we can dance in dance dancing And we can dance in And we can dance in And we can dance in E D D D D Wa Say sing dance dance dance dan we can dance, we can dance, everything's under control.

unknown 29:03

We can dance, doing it ball to ball. Everybody look at your hands.

SPEAKER_14 29:11

Oh, we can dance, everybody's making the chance. Oh will it save the dance? Hey, yes, it's save the dance, oh will it save the dance? Oh will it save the dance?

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I'm gonna save the dance, I'll let it save the dance, it's a safe and dance, I'll let the sink and dance, I'll let the secret dance, I'll let the secret dance dance This, this in the Bob Symphony Symphony, I'm far away from nowhere.

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On my own, black as I thought. I don't see a play alone where I should draw the forest monkey business on a sunny afternoon. Gentle light, I'm leaving in the open. Maybe that gallery is all in black, I find blood to school to the sky. I still wonder, does the message get to you? It's alright, you want me so big a chance, leave everything behind you. Come and join me, one story. It's easy to survive. We're living in the over. All along like that's a boy. I didn't see, we play a lower show. It's my business on a sunny afternoon.

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Give me the other, give me the other next night, oh yeah. Give me the other, give me the other next night. You want me to make the eye, give me the other check Oh yeah. Give me the other, give me the other thing.

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Only on synth pop symphony.

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I cannot sleep, I am a possession. I'll open up your feet, there's no balance. No inquiry is failed. I will not accept their feet.

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I'll have you, yes, I'll have you. I will find a way, and I will have you like buttons, oh wild butt fly. I will collect you and capture you.

SPEAKER_08 36:18

You are a special, you're my session. Who do you want me to meet? To make me smell black, you are an exception, you're my session. Who do you want me to do? To make me smell black.

unknown 36:35

Who do we do?

SPEAKER_08 36:39

We need you, we need you, but so together to protest. You want to be safe, but turn the turn. I see the beauty there, but I see danger.

SPEAKER_04 36:58

Stranger you well, circumstance, you can't make dreams, your affection is not what it's seen.

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You're my obsession, you're my obsession, what do you want me to feel? To make yourself, you are an obsession, you're my obsession, what do you want me to feel to make yourself? My fantasy, goodness turn a band it, too many goodness, my goodness turn abandoned, my name possessed you as consumed as so My life is trembling, I have no control. I will have you, yes, I'll have you.

SPEAKER_04 38:17

I will find a way, and I will have you, like butt fly, oh love butt fly.

SPEAKER_08 38:25

I will collect you and have joined you. You are exceptional, you'll my session, what do you want me with me? To make this land with me, you are exception, you might session, do you want me with me? To make this land with me, you want to session, what do you want me to do?

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You are an obsession, you're my obsession.

SPEAKER_08 40:06

Who do you want me to be to make you sleep with me?

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And that was Mini Mix two ninety-five. For some reason I always remembered Animotions Obsession as being a much faster track, and when I put this mix together, I realized it's only 117 VPN. And after that, you also heard Ultimore as Tarzan Boy, and Men Without Hands with Cat. Next up, more brand new music, and this set is absolutely smoking hot. Don't go anywhere because in hour two, we've got a synth mix 295 half with a new and classic hat. On synthop Symphony.

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I had borne, I felt recently all the things I did.

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And when I look into your eyes, I think you felt the same as my mind. I can feel something in the air, cause there's no tip, and if you let me take you there.

unknown 43:46

You were young with so many hours and never too significant. I can feel it in the body. And I have two.

SPEAKER_08 44:07

And yet I hope. And so do you. For somewhere so on to go out of my mind. I can't feel something in the air.

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Cause there's a war anywhere.

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And if you let me take it there take it there, music meets motion, join the rhythm revolution on Synthob Symphony.

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Shadows dance in the hollow dream. The door stays silent, pale trembling. Like a trace of faded gleam. The dog's dream, a quiet breathing. Every night like was that home. Whisper circles, soft and cold. Will someone wake her from stillness before the final light grows old? The doll stream. A quiet breathing. Though she lies knows me. Every moment like whisper in this place.

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Brand new from Italy, this is the Italian Connection remix of Strangers in the Night. Brand new on Synth Pop Symphony.

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We were strange to sleep in the night.

unknown 51:33

I was kind of eyes.

SPEAKER_08 51:42

We were strangers to night. I was fine with the eyes. We were strangers in the night.

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Two of the very best when it comes to Italo Dance. We also heard Lunaray with Adolf Dream. We kicked off the set with another new artist of the show. Dylan Gage with his new track Take You There. Absolutely wonderful. And remember, if you'd like to get your music heard here on Synpop Symphony, just send me a message. Many of the artists you hear on the show reached out to me directly, and now their music is being shared worldwide. So don't be shy. Head over to synpopsymphony.com where you can catch our show, special mixes, and also reach out to me directly. Last week we featured a special permanent record podcast episode about red flag, and I mentioned two additional tracks in that hotlight. Machines and nevermind HTTP. And now we've got something even rarer. The next one coming from 1992, and maybe the remote obscure and unknown track. We're gonna play that next brand new blacklight single. Leave a light on it. And it's gonna be the third single from the forthcoming album. Looking forward to that. Blacklight is one of my favorite bands. New bands all the time. And lastly not left.

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Your constant love and changing face. I watch the shavig. Never seems to water.

SPEAKER_08 59:31

The days we thought I've been your hearts. Never seems to feel like anything at all. We align on as we swing. The only one that's left is you Never since the air ending.

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I felt the nights roll back within. He lost the stock beating over.

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Never seems to fold self. Never since we get the floor. The silence broke through even more. Never seems to feel like anything at all. We don't be softy. So say night tonight.

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That was Neon Dreams with Midnight Haze, such a fantastic synth wave track. And speaking of great tracks, a big shout out to Black Light and their brilliant new single, Leave a Light On. And no, that's not the new theme song for Motel 6. Their new upcoming album is called The Haunting of Us, and it drops this December. So be sure to head over to VamCamp and show them some love and support. And we started out today with a real rarity for Red Flag, a machine. What you just heard was the metal shot editing. Basically, that's the radio version of the hammer and thumbnail minus the technical overlay. A true cut for collectors and a real freaking share with you guys here tonight. What if I told you? Remix.

SPEAKER_05 1:09:07

You know, you know, you know, I said you know, you guys are inside the side now.

unknown 1:10:39

You got it.

SPEAKER_05 1:10:40

You don't know, you don't even know you have a side.

SPEAKER_08 1:11:40

I must have time, and I think it's great.

SPEAKER_11 1:12:00

Set Fox Symphony in the next mix.

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Lights down low, but we're wide awake. Gold on your skin and it starts to shake. You move like the night was made for you. And every look just cuts right through. Sweat is out of light. Your hand in the mind. We don't need to hide. No rules tonight. Just lose control. We're caught in the rhythm outside outside.

unknown 1:12:43

No sun road, just some night. Underneath that silver.

SPEAKER_08 1:12:52

Under the disco light. We don't talk, we just ride the high Bodies and all the track. We lose control and come. Sweat trips home at night. To fire all that, feel so bright. Until the disco lights, we own the dark, we own the night.

SPEAKER_04 1:13:35

Hands on hips and a drinking head. You're dancing like you own the land. Talk is nothing when the bass kicks in. You smile like you're about to sin. Smoke in the air, but I see you clear. Heartbeats are tin, stereo loop, just us two, and beyond.

SPEAKER_08 1:14:13

No sun, just sunlight. Underneath that simple button. Under the disco night, we don't talk, we just ride a high Bodies and over trying to lose control and come. Sweat trips all day night to find all that feels so bright. Under the tens of lights, we own the dark, we own the world.

unknown 1:14:52

Under the tensical light.

SPEAKER_08 1:26:14

Shake the game of much better if you come out of the chance on your favorite way.

SPEAKER_11 1:28:10

The very best in high-energy dance music only on Sith Fox Symphony. I never said I wasn't gonna tell nobody.

SPEAKER_08 1:28:21

No baby. But that's the love that I can keep to myself. Oh no.

unknown 1:28:31

When we're together, it's a cut holes in the fire.

SPEAKER_08 1:28:38

Not that it's gonna say come on eat my desire. Come on, come on.

unknown 1:28:51

I need you, I need you, too much. Come on, come on.

SPEAKER_08 1:29:01

You don't be jealous because we don't want to stay a baby. I guess that we want to love that for a birthday for the book, be the same. I never said I wasn't gonna be there. But that's what I mean I can give up.

SPEAKER_12 1:32:42

Hello, what's the story race? Won't you worry about me anymore? You know things are easy. What we're dealing with each day. Kill us was enough to say you sorry that was enough to say you came out. Was enough to say you sorry was enough to say falling.

unknown 1:34:23

This came for the package three.

SPEAKER_09 1:47:08

Broken eye on the feeling I thought on your fish. Can you tell me why? Can tell me why, can you tell me why?

unknown 1:47:26

Can you tell me why?

SPEAKER_11 1:52:45

Luring is for all it's to a life of eyes It's gonna eyes Should I fight Luring is done into a life of fight Sex to die Luring is your dollars to a life of fight Sex draw it's gonna lie to a light on eye to our life of all the money and Pop Symphony the past, present, and future of synthrid music.

SPEAKER_08 1:56:02

Nothing but to ease the pressure off my ever worrying mind.

SPEAKER_06 1:56:17

I feel great somewhere someday to be the mistake I'll be home Please don't ask me to deep and shake my way I'm drifting the movie through the time I just decide myself to think you must have to be so away to keep my twelve stuff I'll die some TV Thank you so much for joining me for synthop symphony two ninety five the past present and future of synthriven music.

SPEAKER_00 1:59:46

I'll see you guys here next week. Have a great rest of your night. Bye bye.

SPEAKER_11 1:59:50

You are signing off synthops Williams.