Dec. 15, 2025

Lexie on Creativity, Honest Songwriting, and Her Merry Lexmas Album

Lexie on Creativity, Honest Songwriting, and Her Merry Lexmas Album
The player is loading ...
Lexie on Creativity, Honest Songwriting, and Her Merry Lexmas Album

In this episode of Stories Worth Hearing, host John Quick sits down with singer songwriter Lexie for an engaging conversation about music, creativity, and storytelling. Lexie shares how she first got into music and the moment it became something she wanted to pursue seriously. She talks about the artists who have influenced her sound and how those influences shape the way she approaches songwriting.

Lexie also discusses her creative process and how she pulls from real life experiences, relationships, and emotions to write songs that feel honest and relatable. She reflects on the role vulnerability plays in her music and why staying connected to personal stories matters in her work.

The episode also highlights Lexie’s new Christmas album, Merry Lexmas, and what inspired her to create a holiday project alongside her original music. Listeners can check out, buy, or download the album here: https://lnk.to/MerryLexmas

1
00:00:00,040 --> 00:00:03,480
Welcome to Stories worth
hearing, I'm your host, John

2
00:00:03,480 --> 00:00:06,040
Quick.
On today's episode, I am joined

3
00:00:06,040 --> 00:00:10,640
by Lexi, a singer-songwriter
whose music blends pop, country

4
00:00:10,640 --> 00:00:14,400
and acoustic influences with a
strong focus on storytelling.

5
00:00:15,000 --> 00:00:18,520
We talked about how she first
got into music, the artists who

6
00:00:18,520 --> 00:00:22,400
have influenced her sound, her
creative process, and the advice

7
00:00:22,400 --> 00:00:24,560
she would give to someone just
starting out.

8
00:00:25,240 --> 00:00:28,040
Lexi also has a new Christmas
album out now.

9
00:00:28,600 --> 00:00:32,640
You can check it out, buy it or
download it using the link in

10
00:00:32,640 --> 00:00:35,800
the podcast description.
I am glad you are here.

11
00:00:36,240 --> 00:00:39,240
Let's get into it.
Well Lexi, welcome to the show.

12
00:00:39,240 --> 00:00:41,480
I'm super excited to hear this.
Will be fun to chat with you.

13
00:00:42,960 --> 00:00:45,360
Nice to meet you.
Nice to meet you.

14
00:00:46,000 --> 00:00:47,840
Yeah, this will be great.
So we'll talk a little bit about

15
00:00:47,840 --> 00:00:50,200
your new Christmas album here in
a little bit.

16
00:00:50,200 --> 00:00:54,200
But first, tell me about how did
you get into music in the first

17
00:00:54,200 --> 00:00:57,640
place?
What inspired you to kind of dip

18
00:00:57,640 --> 00:01:01,080
your toes in this industry?
It's it's probably a ruthless at

19
00:01:01,080 --> 00:01:03,600
times industry, but you're here,
you're in it.

20
00:01:03,600 --> 00:01:05,239
What inspired you to get
involved?

21
00:01:06,120 --> 00:01:08,840
It was a bit of an accident, to
be honest.

22
00:01:08,880 --> 00:01:13,280
I was always musically inclined
and I was dancing and studying

23
00:01:13,280 --> 00:01:17,440
theatre and in my second year of
theatre school they basically

24
00:01:17,440 --> 00:01:21,160
ran an audition for a girl band
and I did it and I got it.

25
00:01:21,840 --> 00:01:25,280
And so it was just like this
surreal experience.

26
00:01:25,280 --> 00:01:29,800
I was at foreign arts college.
I was like gooey eyed and 17

27
00:01:29,800 --> 00:01:35,480
years old and they moved me to
London and I was thrust into the

28
00:01:35,480 --> 00:01:41,760
pop world completely clueless.
But what an amazing experience.

29
00:01:41,760 --> 00:01:45,160
I mean, for like the first six
months when I was first signed

30
00:01:45,160 --> 00:01:49,160
with Warner, I had an absolute
insomnia because I was just

31
00:01:49,160 --> 00:01:52,000
like, what is life?
I was like, pinch me, I was

32
00:01:52,000 --> 00:01:54,840
ringing my mum.
I was like, mum, they're paying

33
00:01:54,840 --> 00:01:57,200
me.
But at the minute they just told

34
00:01:57,200 --> 00:01:59,640
us to explore London and just
hang out.

35
00:01:59,640 --> 00:02:01,840
And I'm like, when are they
going to make us work?

36
00:02:01,840 --> 00:02:04,960
Like this is this?
And it was just this most

37
00:02:04,960 --> 00:02:09,960
strange experience.
And then so after that I had two

38
00:02:09,960 --> 00:02:13,960
years in a fab band.
It was like a girl girly Electro

39
00:02:13,960 --> 00:02:16,080
pop.
And if I'm honest with myself,

40
00:02:16,080 --> 00:02:19,800
looking back, was it really me?
Probably not.

41
00:02:19,880 --> 00:02:24,000
Was it an incredible experience,
good and bad?

42
00:02:24,160 --> 00:02:26,280
You know, I learned so much,
yes.

43
00:02:26,280 --> 00:02:30,360
And then I really went kind of
down the independent route,

44
00:02:30,600 --> 00:02:37,280
which is a long and winding Rd.
But you learn and you get this

45
00:02:37,280 --> 00:02:41,320
experience that helps you carry
yourself into situations when

46
00:02:41,320 --> 00:02:45,000
you do come and go across big
corporations again, realizing

47
00:02:45,000 --> 00:02:51,200
that record labels and managers,
we have this idea that they can

48
00:02:51,200 --> 00:02:55,360
change our life with one thing.
And actually you get signed and

49
00:02:55,360 --> 00:02:58,720
you think this is the same as
what I was doing myself.

50
00:02:58,720 --> 00:03:01,360
So it's a lot.
Of course they have major

51
00:03:01,360 --> 00:03:04,320
connections, they do.
And if you get a really great

52
00:03:04,360 --> 00:03:08,000
manager and label that's really
excited about your project, then

53
00:03:08,000 --> 00:03:09,800
of course they can elevate you a
lot.

54
00:03:09,800 --> 00:03:13,320
But there's a lot to be said
about learning to do as much as

55
00:03:13,320 --> 00:03:16,720
you can on your own and being as
self-sufficient as you can,

56
00:03:16,760 --> 00:03:19,440
because waiting for people is a
pain in the ass.

57
00:03:20,040 --> 00:03:21,480
Yeah.
So tell tell me about that

58
00:03:21,480 --> 00:03:24,120
decision.
Take me back to that day where,

59
00:03:24,120 --> 00:03:27,080
you know, you're signed to
Warner, you're in this band,

60
00:03:27,600 --> 00:03:32,720
it's, you know, probably touring
all around, and then you decide

61
00:03:32,720 --> 00:03:35,360
to go independent.
What was the kind of

62
00:03:35,360 --> 00:03:38,480
differentiating factor that made
you want to go independent as

63
00:03:38,480 --> 00:03:41,720
opposed to keeping with a huge,
ginormous record label?

64
00:03:42,280 --> 00:03:45,200
And at that time, it wasn't
really a choice.

65
00:03:45,520 --> 00:03:49,600
I think the band ran its course.
It was like, it was a strange

66
00:03:49,600 --> 00:03:52,000
time where we were actually
doing really well.

67
00:03:52,000 --> 00:03:54,280
We were touring, we supported
The Saturdays.

68
00:03:54,280 --> 00:03:56,840
I don't know if you guys would
remember them, but we were doing

69
00:03:56,840 --> 00:04:00,520
some awesome, awesome things.
But it was the same time that

70
00:04:00,520 --> 00:04:04,320
Little Mix won The X Factor.
And there was a band called

71
00:04:04,320 --> 00:04:09,000
Stushie that did this.
It had a rude name, but it went

72
00:04:09,000 --> 00:04:11,600
viral because it was so
shocking.

73
00:04:11,600 --> 00:04:17,040
And it was like, you know, you
can't compete with back then

74
00:04:17,040 --> 00:04:20,240
this, this is like, I'm going to
make yourself sound old.

75
00:04:20,240 --> 00:04:23,280
It was like 10 years ago.
But you back then you couldn't

76
00:04:23,280 --> 00:04:26,360
compete with the numbers you
could get by going on The X

77
00:04:26,360 --> 00:04:29,800
Factor, if that makes sense.
Little Mix came through X Factor

78
00:04:29,800 --> 00:04:32,560
and they were doing a similar
vibe to what we've been doing

79
00:04:32,560 --> 00:04:36,800
for the past two years.
It just ran its course.

80
00:04:36,800 --> 00:04:43,160
And I am so grateful.
We had a great experience, but I

81
00:04:43,160 --> 00:04:48,760
think that I wasn't myself in
that environment, to be honest.

82
00:04:48,760 --> 00:04:53,280
And the last 10 years has been
me really learning about who I

83
00:04:53,280 --> 00:04:55,680
am and my sound.
And I know that sounds so

84
00:04:55,680 --> 00:05:00,360
cheesy, but I've come full
circle.

85
00:05:00,360 --> 00:05:04,840
I've always loved soul.
I've loved country.

86
00:05:05,080 --> 00:05:09,240
I love storytelling.
You know, so many times in this

87
00:05:09,240 --> 00:05:12,040
industry, people be like, yeah,
no, that's not going to work.

88
00:05:12,040 --> 00:05:15,840
That's not going to work.
And it's like, do you know what?

89
00:05:16,040 --> 00:05:18,680
Anything can freaking work if
you want, if that's what you

90
00:05:18,680 --> 00:05:20,320
enjoy and that's what you want
to do.

91
00:05:20,600 --> 00:05:22,480
So many people are, yeah, just
do dance.

92
00:05:22,480 --> 00:05:26,400
Yeah, of course I can sing on a
dance record, but I don't love

93
00:05:26,400 --> 00:05:29,200
that music.
I don't get excited to make it.

94
00:05:29,640 --> 00:05:36,080
I get excited to tell stories
about my real heart breaks and

95
00:05:36,400 --> 00:05:39,040
trials and tribulations and
happy moments.

96
00:05:39,040 --> 00:05:42,440
Like that's where I get my joy.
And that's what makes me keep

97
00:05:42,440 --> 00:05:47,360
doing it is when I turn a moment
in my life, if especially if

98
00:05:47,360 --> 00:05:49,440
it's painful, into a piece of
art.

99
00:05:50,360 --> 00:05:53,680
That's where I get my buzz.
You know, I have friends where

100
00:05:53,680 --> 00:05:56,280
they love to sing.
Their buzz is literally from

101
00:05:56,280 --> 00:06:00,760
singing live and riffing and
high notes and killing it that

102
00:06:00,760 --> 00:06:04,840
way.
For me, it's like I've just bled

103
00:06:05,840 --> 00:06:08,200
onto the page, into the song, my
story.

104
00:06:08,200 --> 00:06:10,600
That's that's what I love about
doing it.

105
00:06:11,360 --> 00:06:14,880
So what keeps you going?
Because my guess is you put a

106
00:06:15,240 --> 00:06:18,320
lot of time, effort, work,
blood, sweat and tears into

107
00:06:18,320 --> 00:06:19,720
this.
I'm Mooney.

108
00:06:20,040 --> 00:06:22,160
Most people, yeah, most people
give up.

109
00:06:22,160 --> 00:06:26,080
Most people try once or twice,
and if they don't become quote

110
00:06:26,080 --> 00:06:29,280
UN quote successful, then they
just kind of go do something

111
00:06:29,280 --> 00:06:31,480
else.
What's kept you in it?

112
00:06:31,560 --> 00:06:34,480
And with the amount of drive
that you have every day to wake

113
00:06:34,480 --> 00:06:36,240
up and go after this dream of
yours.

114
00:06:37,520 --> 00:06:41,280
I think there definitely are a
few factors like the obviously

115
00:06:41,560 --> 00:06:44,240
the same old badger that
everyone says you've really got

116
00:06:44,240 --> 00:06:47,880
to love it, stick it out.
Yeah, you have got to love it.

117
00:06:47,880 --> 00:06:50,880
But the reality is, and ask the
most artists, do we love it

118
00:06:50,880 --> 00:06:54,720
every single day?
No, it's emotional journeys, you

119
00:06:54,720 --> 00:06:57,480
know, I mean, there's some days
you love, some days you can't

120
00:06:57,600 --> 00:07:00,240
think of anything.
Some days you're blocked, some

121
00:07:00,240 --> 00:07:07,000
days you're lazy.
So like, but in the end I just

122
00:07:08,840 --> 00:07:11,280
well, some days I think, what
else would I do?

123
00:07:11,360 --> 00:07:13,600
What else would I do?
What would it be like a wedding

124
00:07:13,600 --> 00:07:18,160
planner or something like?
But also to be honest, moving to

125
00:07:18,160 --> 00:07:23,960
Dubai was a game changer because
obviously I don't like to delve

126
00:07:23,960 --> 00:07:27,800
too much into financials.
But for example, when I was

127
00:07:27,800 --> 00:07:31,880
living in London, I was working
hella hard and I was scraping by

128
00:07:32,280 --> 00:07:36,080
and I would spare, spend every
spare penny on a song.

129
00:07:36,400 --> 00:07:39,240
And I was trying to get mates
rates so I could still pay for

130
00:07:39,240 --> 00:07:42,960
my car and the rent and it was
scraped, scraped, scrape, scrap,

131
00:07:42,960 --> 00:07:45,640
scrap, scrap.
In COVID, I accidentally got a

132
00:07:45,640 --> 00:07:49,600
gig on New Year's Eve in Dubai.
After it, I just stayed.

133
00:07:51,760 --> 00:07:54,240
There was nothing to go home for
at that time.

134
00:07:54,240 --> 00:07:58,640
The weather was and then, you
know, no one could work.

135
00:07:58,920 --> 00:08:00,760
We were all out of work, we're
all at home.

136
00:08:00,760 --> 00:08:02,920
And I was like, hold on, I might
as well just stay and enjoy the

137
00:08:02,920 --> 00:08:06,800
sunshine.
And basically in that time that

138
00:08:06,800 --> 00:08:10,720
I just stayed and enjoyed the
sunshine, I networked my ass

139
00:08:10,720 --> 00:08:14,080
off, I made friends.
And when Dubai opened back up

140
00:08:14,080 --> 00:08:18,560
again, lo and behold, I went
into pretty much full time work.

141
00:08:18,560 --> 00:08:25,040
And it has been life changing.
Like I've, I've been here now on

142
00:08:25,040 --> 00:08:27,480
New Year's Eve five years
exactly.

143
00:08:27,760 --> 00:08:31,080
And I've just bought my second
beach front apartment.

144
00:08:32,320 --> 00:08:33,480
Thank you.
No thank you.

145
00:08:33,480 --> 00:08:37,760
And I don't say that to Bragg.
I say it to to show that like

146
00:08:38,360 --> 00:08:42,600
the quality of living in the
opportunity here is vast.

147
00:08:42,600 --> 00:08:46,360
It is great.
And you know, opportunities

148
00:08:46,360 --> 00:08:50,360
that, for example, if you're in
America or in UK would go to a

149
00:08:50,360 --> 00:08:54,760
pop star, already established
pop star, shall we say, in

150
00:08:54,760 --> 00:08:57,920
Dubai.
Those opportunities go for

151
00:08:58,160 --> 00:09:01,920
emerging talent.
And you know, since being here,

152
00:09:01,920 --> 00:09:07,520
I've been able to sing for
Gucci, Sephora, Jack Daniels,

153
00:09:07,800 --> 00:09:12,600
Google Kill, Killian in Paris.
And it's like when I think about

154
00:09:12,600 --> 00:09:15,400
if I was in London, would that
be me?

155
00:09:15,400 --> 00:09:21,000
Or would that be, you know, the
big, big stars that are already

156
00:09:21,000 --> 00:09:24,720
kind of big names?
So that's the excitement here is

157
00:09:24,720 --> 00:09:28,440
waking up and thinking anything
could happen.

158
00:09:28,840 --> 00:09:32,760
But at the same time, obviously
I sometimes do feel a bit

159
00:09:32,760 --> 00:09:37,120
disconnected from the UK and
America because I know like

160
00:09:37,120 --> 00:09:41,800
obviously the music scenes there
are really consolidated and it's

161
00:09:41,800 --> 00:09:45,120
very new here.
So I do get over there, over to

162
00:09:45,120 --> 00:09:49,840
the States kind of two or three
times a year if I can, to just

163
00:09:49,840 --> 00:09:53,760
kind of enjoy Nashville, immerse
myself into the the scene and

164
00:09:54,000 --> 00:09:56,280
connect and, you know, all the
good stuff.

165
00:09:56,280 --> 00:10:02,720
So I tried to be in both to
really absorb and inspire myself

166
00:10:02,720 --> 00:10:05,720
with both.
And sorry, all that to say, you

167
00:10:05,720 --> 00:10:09,280
said what keeps me going.
Obviously, sorry, I told you I'd

168
00:10:09,280 --> 00:10:15,680
ramble on.
Obviously, the financial freedom

169
00:10:15,680 --> 00:10:21,040
that I have given myself since
being in Dubai has made my

170
00:10:21,040 --> 00:10:25,680
musical journey more enjoyable.
OK, so like, that's not to say

171
00:10:25,680 --> 00:10:28,040
I've got unlimited money to just
go, go, go.

172
00:10:28,320 --> 00:10:32,800
But if I want to finish a song
and I want to finish it quick, I

173
00:10:32,800 --> 00:10:36,200
can afford to pay my producer,
you know, if I want to.

174
00:10:36,960 --> 00:10:39,960
I decided to make the Christmas
album in three weeks.

175
00:10:40,840 --> 00:10:43,360
Obviously I was on a bit of a
budget because there was so many

176
00:10:43,360 --> 00:10:46,480
songs that, but I had my
connections here and I made it

177
00:10:46,480 --> 00:10:50,840
happen, you know, for a decent
amount and I was able to, you

178
00:10:50,840 --> 00:10:53,920
know, for example, the money
wasn't a block like, oh, I can't

179
00:10:53,920 --> 00:10:55,760
afford it.
I was just able to do what I

180
00:10:55,760 --> 00:10:58,360
wanted to do.
So people might say you don't

181
00:10:58,360 --> 00:11:01,240
need it, but I'm sorry, it
really helps.

182
00:11:01,240 --> 00:11:04,080
Walk me through a little bit
about that process as it relates

183
00:11:04,080 --> 00:11:10,760
to your songs.
That is my most inspired stage

184
00:11:10,840 --> 00:11:13,440
is when I've been through an
experience.

185
00:11:13,680 --> 00:11:17,960
Obviously I do write other times
in my life as well, but when I

186
00:11:17,960 --> 00:11:22,360
am heartbroken, it just floods.
It literally floods and it can

187
00:11:22,360 --> 00:11:27,080
be in any form.
Sometimes it's a title or you

188
00:11:27,080 --> 00:11:29,320
know, it's something I want to
say.

189
00:11:30,040 --> 00:11:33,240
Like I remember for example,
last time was in Nashville.

190
00:11:33,560 --> 00:11:36,880
I came and I was absolutely
heartbroken and I was catching

191
00:11:36,880 --> 00:11:39,200
up with my girlfriend, who I
write with quite a lot.

192
00:11:40,080 --> 00:11:43,880
And I told her this whole story
about this guy and she just

193
00:11:43,880 --> 00:11:46,760
went, Lex, it's his loss.
And I went.

194
00:11:47,880 --> 00:11:50,200
That's today's song.
And then?

195
00:11:50,600 --> 00:11:54,200
We just went upstairs, sat by
the pool with the guitars and we

196
00:11:54,200 --> 00:11:59,200
wrote his Loss and it was
literally the song became the

197
00:11:59,200 --> 00:12:02,920
conversation with my mate and I
think that is my style.

198
00:12:02,920 --> 00:12:08,160
I think my skill is saying
things in a way that so many

199
00:12:08,160 --> 00:12:11,520
women and guys, but like, you
know, so many of us experienced

200
00:12:11,520 --> 00:12:14,720
these things and these kind of
treatments and these moments in

201
00:12:14,720 --> 00:12:17,440
our life.
And, you know, I just say them

202
00:12:17,440 --> 00:12:21,600
really raw and real.
And people are like, yeah, that

203
00:12:21,600 --> 00:12:24,480
happened to me too.
And I love that.

204
00:12:24,480 --> 00:12:28,240
I love when when women reach out
and they're like, oh, my God,

205
00:12:28,240 --> 00:12:31,840
I've been through the same.
That's what I get so much joy

206
00:12:31,840 --> 00:12:33,440
from.
I mean, other times I

207
00:12:33,440 --> 00:12:36,960
collaborate all the times I'm on
my own.

208
00:12:37,120 --> 00:12:41,200
I don't have one given way that
I, I create a change it all the

209
00:12:41,200 --> 00:12:43,000
time.
As I say, when I'm in Nashville,

210
00:12:43,000 --> 00:12:46,720
I do a lot of collaboration.
When I'm in Dubai, it does tend

211
00:12:46,720 --> 00:12:49,720
to be kind of me coming up with
an idea.

212
00:12:49,880 --> 00:12:52,520
Often it'll be very rough and
then I'll take it into the

213
00:12:52,520 --> 00:12:56,800
studio with some of my trusted
guys back in the UK.

214
00:12:58,080 --> 00:13:02,520
So it changes every single time.
What kind of advice would you

215
00:13:02,520 --> 00:13:06,400
give to folks that are maybe
just starting off and a lot of

216
00:13:06,400 --> 00:13:09,240
folks that listen to this
podcast, we're kind of starting

217
00:13:09,240 --> 00:13:12,040
off into into their own
entrepreneurial world.

218
00:13:12,040 --> 00:13:15,600
Maybe it's, you know, becoming a
singer-songwriter or open an

219
00:13:15,600 --> 00:13:17,520
e-commerce store.
A lot of them on the are on the

220
00:13:17,520 --> 00:13:20,200
front end of their journey.
So what kind of advice would you

221
00:13:20,200 --> 00:13:23,120
give to folks that are starting
out in the music industry and

222
00:13:23,120 --> 00:13:28,680
listening to this today?
Get ready to fight and to be

223
00:13:28,680 --> 00:13:34,200
tough and to be shoved down and
to be ignored and for you all

224
00:13:34,200 --> 00:13:38,360
your best friends to not share
your stuff or to not support

225
00:13:38,400 --> 00:13:42,160
until you're already famous.
It's it's the tailors oldest

226
00:13:42,160 --> 00:13:45,480
time.
It's going to be no, no, no, no,

227
00:13:45,480 --> 00:13:48,560
no, no, no.
And you just got to be, as I

228
00:13:48,560 --> 00:13:52,760
say, relentless until you get
that yes, and all the time.

229
00:13:52,760 --> 00:13:56,880
In the meantime, you keep making
yourself better.

230
00:13:56,920 --> 00:13:59,880
And this is what I say to my
girlfriends even when I'm in

231
00:14:00,720 --> 00:14:05,840
breakups or, you know, not to go
too deep into like, mental

232
00:14:05,840 --> 00:14:07,320
health.
But I think we all have our

233
00:14:07,320 --> 00:14:11,160
times where we're down and we
feel deflated, and then other

234
00:14:11,160 --> 00:14:13,680
times we're inspired and
motivated.

235
00:14:14,440 --> 00:14:19,800
My biggest advice is regardless
of where you're at mentally, do

236
00:14:19,800 --> 00:14:22,840
the good stuff.
Do the good stuff.

237
00:14:22,880 --> 00:14:27,000
And so if I'm heartbroken, I
still work out even though I

238
00:14:27,000 --> 00:14:30,760
feel dead inside sometimes.
I remember the last breakup.

239
00:14:30,840 --> 00:14:34,520
I felt empty inside.
But I thought, you know what?

240
00:14:34,760 --> 00:14:37,360
When I come out of this in two
months time, I'm going to be

241
00:14:37,360 --> 00:14:40,000
better.
I'm going to be fitter, I'm

242
00:14:40,000 --> 00:14:42,480
going to be wiser.
I'm going to have written more

243
00:14:42,480 --> 00:14:44,040
songs.
I'm going to have done all that

244
00:14:44,040 --> 00:14:45,520
good stuff.
And lo and behold, when you

245
00:14:45,520 --> 00:14:51,000
finally come out, you thank your
past self for doing them

246
00:14:51,000 --> 00:14:54,160
positive things.
And that's kind of where I'm at

247
00:14:54,160 --> 00:14:58,000
the minute is my discipline has
got to a level now and I'm

248
00:14:58,000 --> 00:15:00,320
really pleased with myself.
And especially during making the

249
00:15:00,320 --> 00:15:04,320
Christmas album, my level of
productivity and discipline has

250
00:15:04,320 --> 00:15:06,680
levelled up in the last couple
of months.

251
00:15:07,200 --> 00:15:10,280
And I'm so happy because I've
kind of weeded out that

252
00:15:10,280 --> 00:15:12,880
procrastination time and I'm
just getting on with it.

253
00:15:13,160 --> 00:15:19,240
And actually when you get into
that state, like is a vibe

254
00:15:19,240 --> 00:15:22,360
survive, is a vibration going on
there and you get rolling in

255
00:15:22,360 --> 00:15:24,800
that state and good things start
to come.

256
00:15:25,040 --> 00:15:27,400
So I can't.
I don't know how to explain it

257
00:15:27,400 --> 00:15:29,480
but.
That's awesome.

258
00:15:29,480 --> 00:15:31,800
So you just released a Christmas
album.

259
00:15:32,000 --> 00:15:34,480
Talk to me a little bit about
this album for folks listening

260
00:15:34,480 --> 00:15:36,000
in.
I think you can get in on

261
00:15:36,000 --> 00:15:38,640
Spotify and probably everywhere
you can find music.

262
00:15:39,320 --> 00:15:42,600
But talk to me a little bit
about this album and and why you

263
00:15:42,920 --> 00:15:44,640
you know it was time for a
Christmas album.

264
00:15:45,240 --> 00:15:51,080
Well, true, classic, partly
psychotic legacy.

265
00:15:51,520 --> 00:15:57,280
So it was like the 5th of
November and one of my friends

266
00:15:57,280 --> 00:16:01,000
kind of introduced me to the AI
world and I was like, you know,

267
00:16:01,000 --> 00:16:04,040
maybe I should start to play and
try to get into the future

268
00:16:04,040 --> 00:16:06,440
because I'm really not a
computer girl.

269
00:16:06,440 --> 00:16:10,120
I'm very much a go out there,
live life, write about my

270
00:16:10,120 --> 00:16:13,280
stories and my experiences.
I'm not one to sit down and

271
00:16:13,280 --> 00:16:16,440
figure things out on the laptop,
but it kind of showed me a bit

272
00:16:16,440 --> 00:16:20,920
and I thought, let me mess
around and make a few versions

273
00:16:20,920 --> 00:16:23,920
of stuff.
So I actually got booked for a

274
00:16:23,920 --> 00:16:26,880
fabulous gig in South Africa
where they wanted me to do

275
00:16:26,880 --> 00:16:29,760
country songs.
And one of the one of one of the

276
00:16:29,760 --> 00:16:32,440
songs they wanted was country
Roads.

277
00:16:32,840 --> 00:16:35,400
But I kind of got this John
Denver backing track and I was

278
00:16:35,400 --> 00:16:39,320
like, this is not punching for
me and it's not in my key.

279
00:16:39,320 --> 00:16:41,680
And even when I change the key,
it's not sounding right.

280
00:16:42,040 --> 00:16:44,000
So I thought, right, let me play
around anyway.

281
00:16:44,000 --> 00:16:49,760
My gosh, I put it into this app
Suno, and I swear I made like

282
00:16:49,760 --> 00:16:52,600
the Super Bowl version of
country roads.

283
00:16:53,600 --> 00:16:56,520
Nice.
I was like, this is cool.

284
00:16:56,520 --> 00:17:00,080
And so I actually got excited
and passionate to kind of

285
00:17:00,120 --> 00:17:03,720
immerse myself into using it
more and just like really

286
00:17:03,720 --> 00:17:07,160
pushing the boundaries of what I
could do without relying on

287
00:17:07,160 --> 00:17:08,800
someone else, if that makes
sense.

288
00:17:09,079 --> 00:17:13,440
So early November I did a
version of River by Joni

289
00:17:13,440 --> 00:17:16,839
Mitchell, which is just a lovely
song that not many people

290
00:17:16,839 --> 00:17:20,960
actually know but I love, and I
created this fab version and I

291
00:17:20,960 --> 00:17:23,040
don't know what came over me.
I just thought, oh, maybe I

292
00:17:23,040 --> 00:17:26,160
should just do a whole album in
three weeks and document the

293
00:17:26,160 --> 00:17:28,359
whole thing.
And that's what I did.

294
00:17:28,960 --> 00:17:34,040
I just went full turbo, made a
full album in three weeks, all

295
00:17:34,040 --> 00:17:37,040
on AI, Not the voices.
All the voices is real

296
00:17:37,040 --> 00:17:41,720
recordings, real artists, but
all the production is AI

297
00:17:41,840 --> 00:17:45,440
created.
And then I just collaborated

298
00:17:45,440 --> 00:17:48,680
with loads of local artists,
some international overseas.

299
00:17:49,000 --> 00:17:51,520
We've got Red on there.
She's a bit of an international

300
00:17:51,520 --> 00:17:53,520
superstar now.
She's been on tour with Andrea

301
00:17:53,520 --> 00:17:55,640
Bocelli.
She's getting quite well known

302
00:17:56,000 --> 00:17:58,360
around the world.
She's quite big on TikTok.

303
00:17:58,960 --> 00:18:04,080
Got some celebs in the UK, some
local talent in Dubai and you

304
00:18:04,080 --> 00:18:05,880
know what?
It was just the most joyous

305
00:18:05,880 --> 00:18:09,120
experience.
I was locked in this room for

306
00:18:09,120 --> 00:18:12,200
three weeks straight and I just
had the best time in my life.

307
00:18:12,520 --> 00:18:16,080
People popping in, Got an
Italian singer on, she came

308
00:18:16,080 --> 00:18:19,960
round with cookies.
It's my girl from Vegas, she

309
00:18:19,960 --> 00:18:24,200
came round, she's on a site.
It was just, it was random.

310
00:18:24,200 --> 00:18:26,840
I don't know what made me do it,
but I just did it.

311
00:18:26,840 --> 00:18:30,880
But now I'm so proud of the
creation.

312
00:18:30,880 --> 00:18:34,560
Like I look, I'm maybe this is
like, I'm not meant to say this,

313
00:18:34,560 --> 00:18:36,080
but I've been listening to it
myself.

314
00:18:36,080 --> 00:18:41,680
I really like it because I just
picked all my favorite songs and

315
00:18:41,680 --> 00:18:47,960
made like cool, like pop,
soulful country versions of

316
00:18:47,960 --> 00:18:49,760
them.
Some of them are more country,

317
00:18:49,760 --> 00:18:53,080
some of them are soulful, like
it's really eclectic.

318
00:18:53,080 --> 00:18:55,840
So yeah, I don't know what made
me do.

319
00:18:55,840 --> 00:18:57,960
I just did it's.
Awesome.

320
00:18:58,240 --> 00:19:01,400
So and it's out.
Let's pretend it's 10 years from

321
00:19:01,400 --> 00:19:02,800
now.
What's your ultimate goal?

322
00:19:02,800 --> 00:19:06,400
What's your, you know, what
could you, what is it in your

323
00:19:06,400 --> 00:19:09,080
mind where you could look back
and say, OK, I made it.

324
00:19:09,080 --> 00:19:12,000
Is there something out there
that you know, 10 years from now

325
00:19:12,000 --> 00:19:15,000
you want to be at this peak or
that chart or whatever?

326
00:19:15,640 --> 00:19:18,080
Yeah, well, domination.
No, I'm joking.

327
00:19:19,720 --> 00:19:22,360
I'm joking.
Do you know what I just want?

328
00:19:24,160 --> 00:19:28,040
I just want my music to be
appreciated and celebrated

329
00:19:28,600 --> 00:19:30,640
worldwide.
Now I want to be performing it

330
00:19:30,640 --> 00:19:34,640
worldwide.
Like a lot of singers, I have to

331
00:19:34,640 --> 00:19:39,200
do all kinds of gigs to make my
bread and butter money and keep

332
00:19:39,200 --> 00:19:42,560
the dream alive.
And I pump the money I earn from

333
00:19:42,560 --> 00:19:46,080
that into the dream.
But you know what?

334
00:19:46,080 --> 00:19:50,200
Everyone that sees me sing my
original music, she's like found

335
00:19:50,200 --> 00:19:53,040
so much better when you do your
original music.

336
00:19:53,080 --> 00:19:56,840
I just love singing my songs.
I just want to sing my just want

337
00:19:56,840 --> 00:20:01,080
to sing my songs every day.
I don't want people to listen

338
00:20:01,080 --> 00:20:04,000
and care.
Yeah, I just yeah, I'd love.

339
00:20:04,040 --> 00:20:07,760
I'd love, love, love to be
touring around do my originals.

340
00:20:08,120 --> 00:20:11,600
I want my originals in those
romantic comedies.

341
00:20:11,680 --> 00:20:15,760
I love good cheesy chick flick.
So yeah, I'm just waiting for

342
00:20:17,200 --> 00:20:20,240
Colin Farrell to call and say
he's going to put my song over

343
00:20:20,240 --> 00:20:23,560
his next mid movie or.
Hey, you never know right?

344
00:20:24,520 --> 00:20:27,080
Well, it's been fun chat with
you. 20 minutes here has gone by

345
00:20:27,080 --> 00:20:29,080
in a flash.
Lexie, do you have any last

346
00:20:29,080 --> 00:20:30,480
minute thoughts here before we
head off?

347
00:20:31,520 --> 00:20:34,320
Yeah, just with apology because
I talk so much.

348
00:20:34,400 --> 00:20:37,480
No, I guess there'll be new
music coming soon as well.

349
00:20:37,480 --> 00:20:40,840
I mean, I've just obviously I've
put out the Christmas album, so

350
00:20:40,840 --> 00:20:43,680
you'll better be rocking around
the Christmas tree to that this

351
00:20:43,680 --> 00:20:47,160
Christmas and but I'm going to
be coming with new stuff in

352
00:20:47,160 --> 00:20:51,760
January and onwards.
Awesome.

353
00:20:51,760 --> 00:20:55,400
Well, we'll put the for folks
listening in the a link to the

354
00:20:55,400 --> 00:20:57,040
music is in the podcast
description.

355
00:20:57,040 --> 00:21:00,200
Go check it out.
Go go buy or download all of our

356
00:21:00,200 --> 00:21:02,840
music.
Lexi, welcome back anytime.

357
00:21:03,280 --> 00:21:04,600
Thanks so much for coming on the
show.

358
00:21:04,600 --> 00:21:06,160
We hope you have a great rest of
your day.

359
00:21:06,880 --> 00:21:07,240
Thank you.