Lexie on Creativity, Honest Songwriting, and Her Merry Lexmas Album
In this episode of Stories Worth Hearing, host John Quick sits down with singer songwriter Lexie for an engaging conversation about music, creativity, and storytelling. Lexie shares how she first got into music and the moment it became something she wanted to pursue seriously. She talks about the artists who have influenced her sound and how those influences shape the way she approaches songwriting.
Lexie also discusses her creative process and how she pulls from real life experiences, relationships, and emotions to write songs that feel honest and relatable. She reflects on the role vulnerability plays in her music and why staying connected to personal stories matters in her work.
The episode also highlights Lexie’s new Christmas album, Merry Lexmas, and what inspired her to create a holiday project alongside her original music. Listeners can check out, buy, or download the album here: https://lnk.to/MerryLexmas
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Welcome to Stories worth
hearing, I'm your host, John
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Quick.
On today's episode, I am joined
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by Lexi, a singer-songwriter
whose music blends pop, country
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and acoustic influences with a
strong focus on storytelling.
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We talked about how she first
got into music, the artists who
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have influenced her sound, her
creative process, and the advice
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she would give to someone just
starting out.
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Lexi also has a new Christmas
album out now.
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You can check it out, buy it or
download it using the link in
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the podcast description.
I am glad you are here.
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Let's get into it.
Well Lexi, welcome to the show.
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I'm super excited to hear this.
Will be fun to chat with you.
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Nice to meet you.
Nice to meet you.
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Yeah, this will be great.
So we'll talk a little bit about
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your new Christmas album here in
a little bit.
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But first, tell me about how did
you get into music in the first
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place?
What inspired you to kind of dip
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your toes in this industry?
It's it's probably a ruthless at
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times industry, but you're here,
you're in it.
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What inspired you to get
involved?
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It was a bit of an accident, to
be honest.
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I was always musically inclined
and I was dancing and studying
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theatre and in my second year of
theatre school they basically
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ran an audition for a girl band
and I did it and I got it.
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And so it was just like this
surreal experience.
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I was at foreign arts college.
I was like gooey eyed and 17
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years old and they moved me to
London and I was thrust into the
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pop world completely clueless.
But what an amazing experience.
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I mean, for like the first six
months when I was first signed
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with Warner, I had an absolute
insomnia because I was just
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like, what is life?
I was like, pinch me, I was
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ringing my mum.
I was like, mum, they're paying
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me.
But at the minute they just told
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us to explore London and just
hang out.
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And I'm like, when are they
going to make us work?
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Like this is this?
And it was just this most
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strange experience.
And then so after that I had two
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years in a fab band.
It was like a girl girly Electro
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pop.
And if I'm honest with myself,
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looking back, was it really me?
Probably not.
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Was it an incredible experience,
good and bad?
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You know, I learned so much,
yes.
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And then I really went kind of
down the independent route,
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which is a long and winding Rd.
But you learn and you get this
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experience that helps you carry
yourself into situations when
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you do come and go across big
corporations again, realizing
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that record labels and managers,
we have this idea that they can
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change our life with one thing.
And actually you get signed and
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you think this is the same as
what I was doing myself.
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So it's a lot.
Of course they have major
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connections, they do.
And if you get a really great
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manager and label that's really
excited about your project, then
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of course they can elevate you a
lot.
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But there's a lot to be said
about learning to do as much as
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you can on your own and being as
self-sufficient as you can,
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because waiting for people is a
pain in the ass.
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Yeah.
So tell tell me about that
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decision.
Take me back to that day where,
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you know, you're signed to
Warner, you're in this band,
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it's, you know, probably touring
all around, and then you decide
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to go independent.
What was the kind of
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differentiating factor that made
you want to go independent as
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opposed to keeping with a huge,
ginormous record label?
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And at that time, it wasn't
really a choice.
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I think the band ran its course.
It was like, it was a strange
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time where we were actually
doing really well.
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We were touring, we supported
The Saturdays.
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I don't know if you guys would
remember them, but we were doing
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some awesome, awesome things.
But it was the same time that
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Little Mix won The X Factor.
And there was a band called
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Stushie that did this.
It had a rude name, but it went
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viral because it was so
shocking.
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And it was like, you know, you
can't compete with back then
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this, this is like, I'm going to
make yourself sound old.
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It was like 10 years ago.
But you back then you couldn't
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compete with the numbers you
could get by going on The X
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Factor, if that makes sense.
Little Mix came through X Factor
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and they were doing a similar
vibe to what we've been doing
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for the past two years.
It just ran its course.
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And I am so grateful.
We had a great experience, but I
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think that I wasn't myself in
that environment, to be honest.
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And the last 10 years has been
me really learning about who I
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am and my sound.
And I know that sounds so
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cheesy, but I've come full
circle.
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I've always loved soul.
I've loved country.
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I love storytelling.
You know, so many times in this
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industry, people be like, yeah,
no, that's not going to work.
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That's not going to work.
And it's like, do you know what?
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Anything can freaking work if
you want, if that's what you
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enjoy and that's what you want
to do.
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So many people are, yeah, just
do dance.
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Yeah, of course I can sing on a
dance record, but I don't love
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that music.
I don't get excited to make it.
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I get excited to tell stories
about my real heart breaks and
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trials and tribulations and
happy moments.
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Like that's where I get my joy.
And that's what makes me keep
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doing it is when I turn a moment
in my life, if especially if
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it's painful, into a piece of
art.
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That's where I get my buzz.
You know, I have friends where
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they love to sing.
Their buzz is literally from
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singing live and riffing and
high notes and killing it that
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way.
For me, it's like I've just bled
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onto the page, into the song, my
story.
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That's that's what I love about
doing it.
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So what keeps you going?
Because my guess is you put a
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lot of time, effort, work,
blood, sweat and tears into
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this.
I'm Mooney.
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Most people, yeah, most people
give up.
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Most people try once or twice,
and if they don't become quote
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UN quote successful, then they
just kind of go do something
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else.
What's kept you in it?
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And with the amount of drive
that you have every day to wake
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up and go after this dream of
yours.
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I think there definitely are a
few factors like the obviously
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the same old badger that
everyone says you've really got
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to love it, stick it out.
Yeah, you have got to love it.
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But the reality is, and ask the
most artists, do we love it
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every single day?
No, it's emotional journeys, you
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know, I mean, there's some days
you love, some days you can't
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think of anything.
Some days you're blocked, some
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days you're lazy.
So like, but in the end I just
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well, some days I think, what
else would I do?
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What else would I do?
What would it be like a wedding
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planner or something like?
But also to be honest, moving to
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Dubai was a game changer because
obviously I don't like to delve
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too much into financials.
But for example, when I was
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living in London, I was working
hella hard and I was scraping by
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and I would spare, spend every
spare penny on a song.
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And I was trying to get mates
rates so I could still pay for
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my car and the rent and it was
scraped, scraped, scrape, scrap,
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scrap, scrap.
In COVID, I accidentally got a
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gig on New Year's Eve in Dubai.
After it, I just stayed.
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There was nothing to go home for
at that time.
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The weather was and then, you
know, no one could work.
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We were all out of work, we're
all at home.
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And I was like, hold on, I might
as well just stay and enjoy the
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sunshine.
And basically in that time that
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I just stayed and enjoyed the
sunshine, I networked my ass
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off, I made friends.
And when Dubai opened back up
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again, lo and behold, I went
into pretty much full time work.
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And it has been life changing.
Like I've, I've been here now on
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New Year's Eve five years
exactly.
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And I've just bought my second
beach front apartment.
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Thank you.
No thank you.
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And I don't say that to Bragg.
I say it to to show that like
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the quality of living in the
opportunity here is vast.
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It is great.
And you know, opportunities
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that, for example, if you're in
America or in UK would go to a
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pop star, already established
pop star, shall we say, in
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Dubai.
Those opportunities go for
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emerging talent.
And you know, since being here,
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I've been able to sing for
Gucci, Sephora, Jack Daniels,
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Google Kill, Killian in Paris.
And it's like when I think about
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if I was in London, would that
be me?
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Or would that be, you know, the
big, big stars that are already
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kind of big names?
So that's the excitement here is
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waking up and thinking anything
could happen.
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But at the same time, obviously
I sometimes do feel a bit
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disconnected from the UK and
America because I know like
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obviously the music scenes there
are really consolidated and it's
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very new here.
So I do get over there, over to
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the States kind of two or three
times a year if I can, to just
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kind of enjoy Nashville, immerse
myself into the the scene and
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connect and, you know, all the
good stuff.
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So I tried to be in both to
really absorb and inspire myself
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with both.
And sorry, all that to say, you
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said what keeps me going.
Obviously, sorry, I told you I'd
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ramble on.
Obviously, the financial freedom
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that I have given myself since
being in Dubai has made my
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musical journey more enjoyable.
OK, so like, that's not to say
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I've got unlimited money to just
go, go, go.
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But if I want to finish a song
and I want to finish it quick, I
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can afford to pay my producer,
you know, if I want to.
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I decided to make the Christmas
album in three weeks.
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Obviously I was on a bit of a
budget because there was so many
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songs that, but I had my
connections here and I made it
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happen, you know, for a decent
amount and I was able to, you
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know, for example, the money
wasn't a block like, oh, I can't
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afford it.
I was just able to do what I
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wanted to do.
So people might say you don't
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need it, but I'm sorry, it
really helps.
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Walk me through a little bit
about that process as it relates
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to your songs.
That is my most inspired stage
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is when I've been through an
experience.
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Obviously I do write other times
in my life as well, but when I
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am heartbroken, it just floods.
It literally floods and it can
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be in any form.
Sometimes it's a title or you
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know, it's something I want to
say.
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Like I remember for example,
last time was in Nashville.
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I came and I was absolutely
heartbroken and I was catching
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up with my girlfriend, who I
write with quite a lot.
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And I told her this whole story
about this guy and she just
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went, Lex, it's his loss.
And I went.
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That's today's song.
And then?
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We just went upstairs, sat by
the pool with the guitars and we
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wrote his Loss and it was
literally the song became the
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conversation with my mate and I
think that is my style.
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I think my skill is saying
things in a way that so many
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women and guys, but like, you
know, so many of us experienced
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these things and these kind of
treatments and these moments in
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our life.
And, you know, I just say them
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really raw and real.
And people are like, yeah, that
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happened to me too.
And I love that.
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I love when when women reach out
and they're like, oh, my God,
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I've been through the same.
That's what I get so much joy
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from.
I mean, other times I
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collaborate all the times I'm on
my own.
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I don't have one given way that
I, I create a change it all the
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time.
As I say, when I'm in Nashville,
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I do a lot of collaboration.
When I'm in Dubai, it does tend
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to be kind of me coming up with
an idea.
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Often it'll be very rough and
then I'll take it into the
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studio with some of my trusted
guys back in the UK.
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So it changes every single time.
What kind of advice would you
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give to folks that are maybe
just starting off and a lot of
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folks that listen to this
podcast, we're kind of starting
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off into into their own
entrepreneurial world.
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Maybe it's, you know, becoming a
singer-songwriter or open an
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e-commerce store.
A lot of them on the are on the
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front end of their journey.
So what kind of advice would you
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give to folks that are starting
out in the music industry and
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listening to this today?
Get ready to fight and to be
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tough and to be shoved down and
to be ignored and for you all
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your best friends to not share
your stuff or to not support
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until you're already famous.
It's it's the tailors oldest
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time.
It's going to be no, no, no, no,
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no, no, no.
And you just got to be, as I
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say, relentless until you get
that yes, and all the time.
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In the meantime, you keep making
yourself better.
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And this is what I say to my
girlfriends even when I'm in
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breakups or, you know, not to go
too deep into like, mental
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health.
But I think we all have our
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times where we're down and we
feel deflated, and then other
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times we're inspired and
motivated.
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My biggest advice is regardless
of where you're at mentally, do
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the good stuff.
Do the good stuff.
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And so if I'm heartbroken, I
still work out even though I
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feel dead inside sometimes.
I remember the last breakup.
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I felt empty inside.
But I thought, you know what?
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When I come out of this in two
months time, I'm going to be
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better.
I'm going to be fitter, I'm
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going to be wiser.
I'm going to have written more
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songs.
I'm going to have done all that
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good stuff.
And lo and behold, when you
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finally come out, you thank your
past self for doing them
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positive things.
And that's kind of where I'm at
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the minute is my discipline has
got to a level now and I'm
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really pleased with myself.
And especially during making the
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Christmas album, my level of
productivity and discipline has
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levelled up in the last couple
of months.
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And I'm so happy because I've
kind of weeded out that
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procrastination time and I'm
just getting on with it.
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And actually when you get into
that state, like is a vibe
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survive, is a vibration going on
there and you get rolling in
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that state and good things start
to come.
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So I can't.
I don't know how to explain it
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but.
That's awesome.
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So you just released a Christmas
album.
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Talk to me a little bit about
this album for folks listening
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in.
I think you can get in on
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Spotify and probably everywhere
you can find music.
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But talk to me a little bit
about this album and and why you
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you know it was time for a
Christmas album.
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Well, true, classic, partly
psychotic legacy.
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So it was like the 5th of
November and one of my friends
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kind of introduced me to the AI
world and I was like, you know,
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maybe I should start to play and
try to get into the future
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because I'm really not a
computer girl.
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I'm very much a go out there,
live life, write about my
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stories and my experiences.
I'm not one to sit down and
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figure things out on the laptop,
but it kind of showed me a bit
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and I thought, let me mess
around and make a few versions
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of stuff.
So I actually got booked for a
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fabulous gig in South Africa
where they wanted me to do
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country songs.
And one of the one of one of the
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songs they wanted was country
Roads.
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But I kind of got this John
Denver backing track and I was
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like, this is not punching for
me and it's not in my key.
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And even when I change the key,
it's not sounding right.
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So I thought, right, let me play
around anyway.
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My gosh, I put it into this app
Suno, and I swear I made like
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the Super Bowl version of
country roads.
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Nice.
I was like, this is cool.
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And so I actually got excited
and passionate to kind of
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immerse myself into using it
more and just like really
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pushing the boundaries of what I
could do without relying on
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someone else, if that makes
sense.
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So early November I did a
version of River by Joni
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Mitchell, which is just a lovely
song that not many people
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actually know but I love, and I
created this fab version and I
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don't know what came over me.
I just thought, oh, maybe I
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should just do a whole album in
three weeks and document the
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whole thing.
And that's what I did.
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I just went full turbo, made a
full album in three weeks, all
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on AI, Not the voices.
All the voices is real
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recordings, real artists, but
all the production is AI
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created.
And then I just collaborated
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with loads of local artists,
some international overseas.
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We've got Red on there.
She's a bit of an international
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superstar now.
She's been on tour with Andrea
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Bocelli.
She's getting quite well known
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around the world.
She's quite big on TikTok.
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Got some celebs in the UK, some
local talent in Dubai and you
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know what?
It was just the most joyous
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experience.
I was locked in this room for
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three weeks straight and I just
had the best time in my life.
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People popping in, Got an
Italian singer on, she came
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00:18:16,080 --> 00:18:19,960
round with cookies.
It's my girl from Vegas, she
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00:18:19,960 --> 00:18:24,200
came round, she's on a site.
It was just, it was random.
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I don't know what made me do it,
but I just did it.
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But now I'm so proud of the
creation.
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Like I look, I'm maybe this is
like, I'm not meant to say this,
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but I've been listening to it
myself.
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I really like it because I just
picked all my favorite songs and
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made like cool, like pop,
soulful country versions of
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them.
Some of them are more country,
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00:18:49,760 --> 00:18:53,080
some of them are soulful, like
it's really eclectic.
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So yeah, I don't know what made
me do.
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I just did it's.
Awesome.
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So and it's out.
Let's pretend it's 10 years from
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00:19:01,400 --> 00:19:02,800
now.
What's your ultimate goal?
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00:19:02,800 --> 00:19:06,400
What's your, you know, what
could you, what is it in your
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00:19:06,400 --> 00:19:09,080
mind where you could look back
and say, OK, I made it.
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Is there something out there
that you know, 10 years from now
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00:19:12,000 --> 00:19:15,000
you want to be at this peak or
that chart or whatever?
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00:19:15,640 --> 00:19:18,080
Yeah, well, domination.
No, I'm joking.
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I'm joking.
Do you know what I just want?
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I just want my music to be
appreciated and celebrated
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worldwide.
Now I want to be performing it
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worldwide.
Like a lot of singers, I have to
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do all kinds of gigs to make my
bread and butter money and keep
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the dream alive.
And I pump the money I earn from
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00:19:42,560 --> 00:19:46,080
that into the dream.
But you know what?
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00:19:46,080 --> 00:19:50,200
Everyone that sees me sing my
original music, she's like found
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00:19:50,200 --> 00:19:53,040
so much better when you do your
original music.
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I just love singing my songs.
I just want to sing my just want
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to sing my songs every day.
I don't want people to listen
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00:20:01,080 --> 00:20:04,000
and care.
Yeah, I just yeah, I'd love.
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00:20:04,040 --> 00:20:07,760
I'd love, love, love to be
touring around do my originals.
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I want my originals in those
romantic comedies.
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00:20:11,680 --> 00:20:15,760
I love good cheesy chick flick.
So yeah, I'm just waiting for
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00:20:17,200 --> 00:20:20,240
Colin Farrell to call and say
he's going to put my song over
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00:20:20,240 --> 00:20:23,560
his next mid movie or.
Hey, you never know right?
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Well, it's been fun chat with
you. 20 minutes here has gone by
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00:20:27,080 --> 00:20:29,080
in a flash.
Lexie, do you have any last
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00:20:29,080 --> 00:20:30,480
minute thoughts here before we
head off?
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00:20:31,520 --> 00:20:34,320
Yeah, just with apology because
I talk so much.
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No, I guess there'll be new
music coming soon as well.
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00:20:37,480 --> 00:20:40,840
I mean, I've just obviously I've
put out the Christmas album, so
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you'll better be rocking around
the Christmas tree to that this
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00:20:43,680 --> 00:20:47,160
Christmas and but I'm going to
be coming with new stuff in
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00:20:47,160 --> 00:20:51,760
January and onwards.
Awesome.
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00:20:51,760 --> 00:20:55,400
Well, we'll put the for folks
listening in the a link to the
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00:20:55,400 --> 00:20:57,040
music is in the podcast
description.
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00:20:57,040 --> 00:21:00,200
Go check it out.
Go go buy or download all of our
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00:21:00,200 --> 00:21:02,840
music.
Lexi, welcome back anytime.
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Thanks so much for coming on the
show.
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We hope you have a great rest of
your day.
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Thank you.