BONUS EPISODE: Behind the Mic and Beyond the Verdict
In this special bonus episode of SEQUESTERED, co-creators Sara and Andrea sit down for an honest, behind-the-scenes conversation about the making of the podcast, the aftermath of the trial, and the growing impact of Jasmine Pace’s story.
They reflect on what it was like to turn ten intense days of jury duty into a nationally recognized podcast—while honoring Jasmine’s memory every step of the way. From the emotional weight of courtroom testimony to the surreal experience of appearing on Dateline NBC, Sara shares what surprised her most—and what still haunts her.
You’ll hear new insights from prosecutors Coty Wamp and Paul Moyle, theories that never made it into trial, and the eerie connection between an unsettling art piece and the crime itself. The episode closes with gratitude, love for Jasmine’s family, and a promise: more stories are coming.
🔎 Got a case we should cover next? Email us at sequesteredpod@gmail.com or send us a DM on Instagram @sequesteredpod.
If this story moved you, please rate and review the show—it helps more than you know!
Dateline NBC’s powerful episode “The Pin at Apartment 210” is now available to stream on Peacock. The episode explores the investigation, trial, and key moments in the search for justice following the murder of Jasmine Pace.
Watch now on Peacock and help us continue to honor Jasmine’s memory. Visit peacocktv.com to start your free trial.
Visit sequesteredpod.com for a deeper dive into the trial! With blogs, photos from the trial, and more details about the host, you'll have a good 'ole time.
On our website, you can see more photos, videos, and blogs about each day of the trial, organized by episode. Go to SequesteredPod.com
Website: sequesteredpod.com
Instagram: @sequesteredpod
TikTok: @sequesteredpod
Thank you for listening.
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You Hey everyone, welcome to
this special bonus episode of
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sequestered. I'm Sarah, and this
is my co producer, Andrea. Hey
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everyone, whether you've been
with us since the very beginning
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or just found us thanks to
Dateline or the Apple podcast
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feature, we're so glad you're
here. Yes, and this has been a
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wild few months, hasn't it? It
has. We've heard from so many of
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you, listeners and journalists
and survivors, yes, even people
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connected to the trial, and
we've realized there were still
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a few stories left to tell,
things that didn't quite make it
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into the main episodes and
moments we just wanted to sit
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with a little longer. So today's
episode is a bit different, just
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the two of us having a candid
conversation and we'll reflect
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on the making of the podcast.
We'll share some behind the
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scenes moments, and we'll talk
about what it was like to be a
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part of Dateline. We'll even
explore a few case details that
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didn't make it into season one.
Yes, and a heads up, you'll also
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hear us refer to Jasmine as
jazzy throughout the episode.
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That's what her friends and
family called her, and in the
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courtroom, we really only knew
her as Jasmine. So now that
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we've spent so much time with
her story, we want to think of
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her as jazzy too. So grab a
coffee, take a walk, settle in
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whatever you do while you listen
and join us for this behind the
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mic conversation about
sequestered and jazzy and
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everything in between you
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music, okay, let's start at The
beginning, how this whole thing
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came to be, yeah, so while the
trial unfolded in the courtroom,
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another story was quietly being
formed in the background, and
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that was the story of how we'd
eventually tell it, right, okay?
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And to be honest, I didn't
exactly set out to become a
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juror or a true crime podcaster
for that, but here we are.
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Okay, so let's talk about how
sequestered came to life, like
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what surprised us most while
creating it, and how it's
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changed us along the way. Okay,
great. I mean, it's one thing to
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say, like, this should be a
podcast, and another thing to
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make it as quickly as we did,
that's the first thing that
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comes to mind, right? Like, what
made this release so unique was
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that we had to move fast. Yeah,
we committed early on to the
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writing and producing of the
podcast in real time, in order
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to capture the details and
emotions of your experience
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while it was still fresh, right?
So we started basically as soon
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as you got back right? Yeah. And
what surprised me was how much I
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was still carrying like after
those 10 days in Chattanooga,
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right? I saw and heard things in
the courtroom that I hadn't,
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obviously not even begun to
process yet, yeah, but once you
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and I started mapping out the
episodes, it became super clear
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that this wasn't going to just
be about the trial like I wanted
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to tell Jasmine's story. Yes,
yes, that was something we
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committed to from the very
start. We didn't want this to
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feel like any sensationalized
True Crime thing, right? We
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wanted to honor jazzy's life
first, but we also wanted to
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show like what it feels like to
carry the responsibility of a
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juror on a murder trial deciding
someone else's fate. Yeah, and
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that's a tricky balance. I would
say yeah, we wanted to be
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honest, obviously, but not
exploitative. Yeah, we wanted to
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be detailed, but not graphic,
just for the sake of it, right?
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Like there were.
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A lot of moments where we where
you and I had to pause and say,
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Is this respectful? Yeah, does
this serve the story, or is it
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just our curiosity? You know,
right? Like that. That was
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something we came across a lot
of times, is, how do we tell
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this part of the story, right?
And now, seeing this story land
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on Dateline and being featured
on Apple podcasts. It's kind of
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surreal, like we made this in a
tiny room with one microphone, a
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lot of coffee and a whole bunch
of all nighters. That's true.
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It's wild, and it's just
emotional, because the more
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attention the podcast gets, the
more I think about Jasmine's mom
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and her family and the ripple
effect this case had on the
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community. And I just, I don't
know, I just hope we did her
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justice. Oh, I think you did.
And the response from listeners
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shows that people are connecting
to your voice, to your honesty,
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and most of all, to Jasmine
story, yeah.
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So fast forward a few months
after we launched the podcast,
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then came Dateline, yeah,
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that was not something I saw
coming. One Minute, I'm editing
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in my office, and the next thing
I know, I'm sitting across from
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Dateline producers with cameras
and lights in a retro hotel
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being asked to talk about one of
the most intense experiences of
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my life. That's true. I think
what struck me the most was how
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much the dateline team genuinely
cared about honoring Jasmine's
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life. Yeah, like they didn't
just want the crime details, you
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know, they wanted to understand
the people at the heart of it,
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yeah. I remember talking to a
couple of the producers, and it
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really felt like they had
theories of their own that they
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wanted to discuss with us,
right, right? So did being a
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part of that Dateline episode
bring you any kind of closure,
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or did it reopen things sort of
both? There was a part of me
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that felt really proud, like,
Okay, this story matters. People
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are listening, yeah, but it also
stirred stuff up, you know, like
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seeing crime scene photos again,
and yet here you are again,
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still telling jazzy story,
right? Because she deserves it,
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yeah. So I guess here's a good
place to say if you haven't seen
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the dateline episode about
Jasmine pace yet. It's called
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the pin at apartment 210 and you
can see it at Dateline, nbc.com,
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or on peacock.
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Okay, so let's shift gears and
talk about something we really
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haven't explored in depth, what
it's actually like to be inside
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that jury room and even just
like living in the head space
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that you were in for 10 days,
right?
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Yeah. I mean, it's kind of hard
to describe, but I'm sure
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everyone can imagine, like,
you're cut off from everything,
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your phone, the news, social
media, like your people, and
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during the day, you're absorbing
hours and hours of testimony,
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and then at night, you're just
alone with it in the silence of
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your room, right? That's what
I've always wondered, and we had
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a lot of people write in about
that. When you went back to your
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hotel room each night, you were
replaying that testimony, or
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were you just so completely
wiped that you were like, I need
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to rest, because they're
knocking on my door at 6am yeah,
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probably both. Again, some
nights I'd crash at like, the
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second I'd hit the bed, just
mentally drained from, like,
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listening to the intensity of it
all, yeah, but, but other
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nights, I couldn't turn it off.
Like I'd replay certain witness
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moments over and over, and I'd
hear Jasmine's mom's voice or
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the medical examiner's tone, or
just something Jason's defense
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said, that didn't sit right with
me, you know, right? And there
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was just no way not to carry it
with me. Yeah, I can't imagine.
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That makes sense. And I know you
said before, but it was hard not
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to look at Jason during those
days. Did you and Jason ever
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make eye contact? Yeah, a couple
of times. Well, I mean, I would
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say several times, wow. There
were definitely times, even
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during, like, jury selection in
Nashville, and multiple times
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during the trial that we made
eye contact
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because of my my seating
position in the jury box.
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It was always very obvious, like
when I would look at him,
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because I had to physically turn
my head to the left to see him.
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Oh, I see like to see him or the
courtroom. And it wasn't like I
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could just glance across the
room at him, yeah, so when I
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turned we couldn't help but make
eye contact. Wow, that had to
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feel intense. Yeah, it was
weird.
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Just the idea of like, knowing
you're sitting in the same room
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as someone who's admitted to
murdering someone, yeah, and
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then there's that moment you
talk about in the podcast where
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the medical examiner, Dr coswell
was on the stand. There were
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really graphic photos being
shown, and you noticed Jason was
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looking down, right? But then
you realize something else, can
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you share more about that you.
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Yeah, I know I talked a little
bit about this in the podcast.
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At first I thought, okay, maybe
he can't even look at what he
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did, or like, maybe he's
ashamed, or even maybe, like he
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was instructed not to look up at
the projector screens, yeah,
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when, like, graphic photos were
shown, just, I don't know, out
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of reverence, whatever. So his
head was down the entire time,
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but then I noticed there was
this like monitor built into the
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table that he was sitting at. So
it was like a glass table top,
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and this kind of monitor, like
mounted underneath. And I was so
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curious about it throughout the
trial. But again, if I turn my
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head to the left, yeah, he's
gonna see me looking at him. So
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I just didn't want to do that.
So I didn't know until after the
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trial was over. I texted the
bailiff, kind of while making
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this podcast, and that's when he
confirmed that every time an
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image was projected on the
screen, it would also be
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projected on the screens in
front of him, in front of Jason
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Chen, right in front of Jason
Chen at his desk. Wow. So he was
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actually seeing the images that
we were seeing the whole time
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probably more defined than even
what we were seeing. Oh my gosh,
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that is crazy to realize that
right from the live stream, when
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I was watching the trial, you
could only see that his head was
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down. I didn't realize there
were monitors, so right? I
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thought that maybe his defense
had said, you know, make it look
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this way. Yeah, convenient,
right? Yeah, that's the thing
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most people don't realize, is
being on a jury. It's not just
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facts and timelines and things
like that. It's about human
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behavior. I mean, right, yeah,
obviously you want to make
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decisions based on the evidence,
but, you know, things like that,
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noticing the eye contact, the
body language, you had to kind
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of keep track of all of it,
right? Absolutely. And they
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were, they were keeping track of
our energy, our eye contact, our
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body language, you know,
everyone else in the courtroom,
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yeah. And for them, we had to
keep track of that every day,
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not just because we had to make
a decision, but once you're in
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that room, you feel the weight
of that responsibility. So you
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just, you just want to get it
right. Yeah, and I think you
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did. I think we did too.
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You know, talking about Jason
and how he interacted with those
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crime scene photos in the
courtroom leads us into
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something we've been sitting
with for a while, and honestly,
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it's haunted both of us since we
learned about it. Yeah, this is
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something that didn't come up in
the trial. But you ever see a
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viral makeup look and think,
Okay, I need to try that.
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It doesn't clump, flake or
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or download line two in the App
Store today, but we found out
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about later, and that is that
investigators discovered several
219
00:14:03,780 --> 00:14:09,000
photos on Jason Chen's phone of
a very specific art piece that
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he took while he was on a trip
in DC visiting the Smithsonian
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so I looked it up. The piece is
called The Birth of Eve, and
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it's by an artist named Judith
Schechter. She's a stained glass
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artist from Philadelphia who's
completely redefined the medium.
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It's actually really beautiful.
Her work uses the visual
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language of Gothic cathedrals,
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like stuff you'd see in old
churches, but instead of saints
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or angels, she explores pain,
emotion and isolation. It's
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really raw. So this piece is
part of the permanent collection
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at the Smithsonian. If you ever
find yourself there, it depicts
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a nude woman suspended upside
down and is curled tightly in
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the fetal position. Her arms and
legs are pulled in close, almost
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like she's being held or
confined by something invisible.
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So.
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It's deeply unsettling. I agree.
So here's how this whole art
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piece connects to Jason Chen.
And again, this was never part
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of the trial, but once I saw it,
and knowing Jason had several
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images of it saved in his phone,
it was really hard not to
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compare it with the crime scene
photos we saw. I mean, that's
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crazy, if that's true, I know.
So whether it was conscious or
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not, it's something I've not
been able to stop thinking
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about, like the positioning, the
stillness, the compression of
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her body. It mirrored the art
piece so closely, and seeing it
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just still makes my stomach
turn. And we want to be clear,
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this is speculation, but when we
found about this art piece, it
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was so hard to not make that
connection, right? And it wasn't
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a part of the trial. And we're
not saying it proves anything,
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but it is one of those details
that just feels too strange to
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ignore Exactly. And I don't
think it's about proving a
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motive. It's more like
understanding that there may
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have been, like, layers and
layers to this case that just
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went unseen in the court like
this? Yeah, exactly. And okay,
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so now that leads us to a few
more loose threads that we
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haven't been able to let go of.
These also didn't make it into
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the trial, but they did stick
with us, which is why we're so
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grateful to have the chance to
sit down with the two people who
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know this case inside and out,
district attorneys general, Cody
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WAMP and palm oil. Yep, they
were the ones who brought this
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case to trial, who carried jazzy
story into that courtroom, and
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who fought for justice on behalf
of her family. We had a chance
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to talk with them about the
trial, about their reflections,
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and about some of the unanswered
questions we've been wrestling
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with too, and one of the first
things that we talked with them
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about was the fact that as
jurors, we were allowed to ask
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questions. This is something
that a lot of people were
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surprised by when they heard
about it on the podcast. Yeah,
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we got so many messages about
that, like, Wait, jurors were
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able to ask questions to the
witnesses. Yeah, I actually
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loved it. And later I learned
that it's actually pretty rare
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it's allowed in the state of
Tennessee. I guess it just
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depends on the judge. So here's
what da's WAMP and Moyle had to
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say about it.
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And that's one of the pros.
There's pros and cons to a jury
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being able to ask questions. One
is, you know what they're
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thinking and you know what
direction they're going in. You
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know what issues they're having
with the case. What do they keep
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focusing on? There's there's
cons as as well. First of all,
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you y'all didn't know that it's
going to be such a lengthy
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trial. So you're wanting, you're
wanting the evidence from this
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witness when it's not coming in
through this witness or another
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witness. So it had jurors have a
tendency to maybe get ahead of
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themselves, and so we're sort of
wasting time with these
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questions, because we're going
to answer these questions for
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you. If they can be answered,
we're going to answer them, you
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know. So there's pros and cons
amongst both the defense bar and
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my office for jury questions. We
only have one judge here who
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does jury questions, and that's
judge Patterson. And I think at
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first we were all very nervous
about these questions, because
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it just started two and a half
years ago, and he became the
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judge. But over time, it it only
probably has helped us.
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Honestly, it's not harmed us. It
doesn't hurt, you know, and
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sometimes there's a question
that we did not think of, and
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you know, so many of y'all
questions were asked, meaning
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that there's a question that we
didn't think of and we didn't
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even know would be important,
but it was for some reason. And
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so I think looking back, I
originally was opposed to the
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questions, and now it doesn't,
it doesn't hurt us if juries
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like it the way that now we're
hearing that juries like being
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able to ask those questions. We
also have a concern that we
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don't want a juror to use it
against either party if their
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question is not asked or think
that someone's hiding the ball.
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You know, you have questions
really significant to you. For
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some reason the court doesn't
ask it.
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I wouldn't want anybody to
think, Well, why are they not
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answering the question? What are
they hiding? Because that's
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00:19:00,220 --> 00:19:03,420
normally just not the case at
all. So we have those concerns.
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But overall, and this, I've
never seen a jury ask as many
307
00:19:06,480 --> 00:19:09,060
questions as y'all actually.
Yeah, there's probably a couple
308
00:19:09,060 --> 00:19:11,100
times up there where I turn
around and roll my eyes because
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I'm like, these questions are I
can see that because some of
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00:19:14,820 --> 00:19:18,600
them were very detailed, some of
them were so detailed and but at
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the end of the day, it doesn't
matter, and it's if a juror
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wants those questions answered,
they that's great. That's what's
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00:19:23,960 --> 00:19:27,200
important to them, and that's
that's what we need to know. But
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00:19:27,200 --> 00:19:29,600
it is like you, you spend a day
with someone on the witness
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00:19:29,600 --> 00:19:31,880
state, and then the jury has 29
questions,
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do you guys together? Like, does
everyone have to absolutely
317
00:19:36,500 --> 00:19:39,680
agree? Like, we're gonna we can
object. So there were times
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00:19:39,680 --> 00:19:42,100
where Josh would have objected
and said, We don't, and then the
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00:19:42,100 --> 00:19:45,460
court has to decide. Most of
them, we agreed on, okay, most
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00:19:45,460 --> 00:19:48,760
of them is very clear. It's an
appropriate question, or not an
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00:19:48,760 --> 00:19:51,880
appropriate question. So many of
them were going to be answered
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00:19:51,880 --> 00:19:54,160
down the road. And he, I feel
like he made that really clear,
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00:19:54,160 --> 00:19:57,460
like we may not answer it. Don't
take it personal, also, it could
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00:19:57,460 --> 00:19:59,920
be presented at a later time. I.
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00:20:00,000 --> 00:20:02,460
I think the thing that was
helpful for us was because we
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couldn't talk about it or
discuss the case throughout.
327
00:20:04,860 --> 00:20:09,000
That was our only opportunity to
to have see what everyone was
328
00:20:09,000 --> 00:20:11,340
thinking. Okay, let me just get
this thought out of my head,
329
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versus waiting until
deliberation and going maybe it
330
00:20:14,340 --> 00:20:16,680
took less time to deliberate
because of that, that's
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interesting. You were able to
that's very interesting. Yeah, I
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00:20:19,800 --> 00:20:22,640
appreciate that. There's
definitely pros and cons I could
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question. And for a prosecutor,
it's nerve wracking some,
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because sometimes I don't want
to know what the jury's
335
00:20:26,960 --> 00:20:28,220
thinking. I'd rather not know.
336
00:20:29,600 --> 00:20:33,140
So it's nerve wracking because,
because there were times in that
337
00:20:33,140 --> 00:20:36,320
trial where he and I would walk
back to the table and be like,
338
00:20:36,320 --> 00:20:39,140
That was a bad question. The
fact that one of the jurors is
339
00:20:39,140 --> 00:20:42,160
still, like, focused on
something like that, that, you
340
00:20:42,160 --> 00:20:44,800
know, we'd be sitting there
like, that is bad. That is bad.
341
00:20:44,800 --> 00:20:47,140
That's not good for us. In your
head too, and it, yeah, and by
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00:20:47,140 --> 00:20:50,140
the end of the day, you're like,
but that three of those jurors
343
00:20:50,140 --> 00:20:53,440
are still focused on this and
but you'll also had the story in
344
00:20:53,440 --> 00:20:56,500
your head the whole time about
Tinder and a fight with wine
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00:20:56,500 --> 00:20:59,200
glasses. Yeah, we're trying to
prove it. And that's one reason,
346
00:20:59,200 --> 00:21:02,100
by the end of it, where I'm so
frustrated, because throughout,
347
00:21:02,160 --> 00:21:04,740
throughout the trial, you guys
are thinking, and some of your
348
00:21:04,740 --> 00:21:08,400
questions reflected that, when
are we going to hear about this
349
00:21:08,640 --> 00:21:11,040
friends, like you said in your
closing, like it was all muddy
350
00:21:11,040 --> 00:21:14,280
the water, like just to confuse
us. And I think some of the
351
00:21:14,280 --> 00:21:16,740
questions reflected that, but
no. And looking back, and I
352
00:21:16,740 --> 00:21:19,860
would tell judge Patterson this,
if juries appreciate him, and if
353
00:21:19,860 --> 00:21:23,120
he appreciates them. You can
allow it in the state of
354
00:21:23,120 --> 00:21:26,300
Tennessee, so I'm fine with it.
We've gotten used to it now, and
355
00:21:26,300 --> 00:21:26,900
it's great.
356
00:21:33,380 --> 00:21:36,680
I loved how seriously they took
the jurors questions, like they
357
00:21:36,680 --> 00:21:39,920
didn't just tolerate them, you
know, like they welcomed them,
358
00:21:39,920 --> 00:21:44,080
yeah. And from our perspective,
I think it made us feel seen,
359
00:21:44,140 --> 00:21:47,740
like our confusion and our
curiosity wasn't just background
360
00:21:47,740 --> 00:21:51,340
noise, you know, yeah, like it
was part of the process. I'd
361
00:21:51,340 --> 00:21:54,640
even argue that it helped the
process. And I don't know, I
362
00:21:54,640 --> 00:21:58,660
just think it was a really cool
opportunity, yeah. And then we
363
00:21:58,660 --> 00:22:01,500
asked them what stood out to
them and the trial itself, like,
364
00:22:01,500 --> 00:22:04,440
what moment stuck with them or
surprised them or challenged
365
00:22:04,440 --> 00:22:08,280
them? Yeah, and I think this is
where it got emotional, because
366
00:22:08,340 --> 00:22:11,460
they talked about Jasmine and
her family, and it was really
367
00:22:11,460 --> 00:22:14,280
clear that they weren't just
trying a case, you know, like,
368
00:22:14,280 --> 00:22:16,860
yeah, they were carrying the
weight of someone's life.
369
00:22:19,200 --> 00:22:23,060
I think such an example of that
from this trial, when it it was
370
00:22:23,060 --> 00:22:26,480
a little bit early on to really
hit home for the jury, because
371
00:22:26,480 --> 00:22:32,480
Katrina was our first witness,
but how identical she looks to
372
00:22:32,480 --> 00:22:36,320
her daughter. So much always,
yeah, and I mean, always stood
373
00:22:36,320 --> 00:22:38,480
out to me as like, oh my gosh,
she is up there on the
374
00:22:38,480 --> 00:22:40,780
witnessing she looks exactly
like her daughter. We're going
375
00:22:40,780 --> 00:22:43,900
to show her driver's license so
that you can see. But they are
376
00:22:43,900 --> 00:22:46,420
real people, and they have moms
that sometimes look just like
377
00:22:46,420 --> 00:22:48,640
them, that are willing to
testify on their on their
378
00:22:48,640 --> 00:22:51,400
behalf. And so, yeah, I mean,
what a moment. Y'all didn't know
379
00:22:51,400 --> 00:22:54,220
as much about the case at that
point in time, because she was
380
00:22:54,220 --> 00:22:57,520
our first witness. But looking
back, I mean, oh yeah, when a
381
00:22:57,520 --> 00:23:00,960
mother looks exactly like her
daughter, who's this has
382
00:23:00,960 --> 00:23:03,360
happened to and I thought that,
I mean, honestly, I think it's a
383
00:23:03,360 --> 00:23:07,740
sweet moment for me to see her
on the stand. And what a mom,
384
00:23:07,740 --> 00:23:11,880
you know, what a mom Katrina
Venus is the mom that we all
385
00:23:11,940 --> 00:23:14,520
aspire to be. And so I thought
that was a sweet moment.
386
00:23:16,560 --> 00:23:19,980
I also thought it was so
powerful, as someone who was
387
00:23:19,980 --> 00:23:24,320
watching the trial real time to
see Jasmine's mom as the first
388
00:23:24,320 --> 00:23:27,560
witness on the stand. Because
not only did she look like
389
00:23:27,560 --> 00:23:31,400
Jasmine, it was sort of a
representation of her, yeah, but
390
00:23:31,640 --> 00:23:35,840
she really was able to explain
the panic that a mother or a
391
00:23:35,840 --> 00:23:39,080
parent would have when they're
trying to find their daughter,
392
00:23:39,500 --> 00:23:42,400
which helped explain why they
broke into Jason Chen's
393
00:23:42,400 --> 00:23:46,180
apartment, right? Yeah. I know
it reminded me that everyone in
394
00:23:46,180 --> 00:23:49,000
the courtroom was carrying
something with regards to this.
395
00:23:49,060 --> 00:23:52,840
Yeah, and like for them, it
wasn't just about putting Jason
396
00:23:52,840 --> 00:23:56,680
Chen on trial. This was about
making sure Jasmine's voice
397
00:23:56,680 --> 00:24:00,600
didn't get lost in the legal
process. Yeah, and I feel like
398
00:24:00,600 --> 00:24:05,220
both general WAMP and da pal
Moyle, they saw you and the
399
00:24:05,220 --> 00:24:08,460
other jurors as part of that
process, and they were counting
400
00:24:08,460 --> 00:24:11,760
on you guys to hold that weight
alongside of them. I totally
401
00:24:11,760 --> 00:24:16,560
agree, and we felt the weight of
that every day. Yeah, I imagine,
402
00:24:18,120 --> 00:24:21,320
okay, the last thing we talked
about with Da is WAMP and Moyle
403
00:24:21,380 --> 00:24:24,680
was the appeal Jason Chen's
legal team filed to challenge
404
00:24:24,680 --> 00:24:28,040
the verdict. The appeal was
filed on the grounds that the
405
00:24:28,040 --> 00:24:32,060
verdict was, quote, contrary to
the evidence, with claims that
406
00:24:32,060 --> 00:24:35,540
Chen was denied a fair trial due
to alleged evidence being
407
00:24:35,540 --> 00:24:39,560
tampered with by Jasmine's
family. As of the release of
408
00:24:39,560 --> 00:24:42,700
this episode, there have been no
publicly reported updates
409
00:24:42,700 --> 00:24:46,540
regarding his appeal, which was
scheduled for April 11, 2025
410
00:24:47,860 --> 00:24:51,220
yeah, there's a lot of confusion
around what an appeal actually
411
00:24:51,220 --> 00:24:55,540
means. So we asked them to
explain it in plain terms and to
412
00:24:55,540 --> 00:24:57,880
share what this particular
appeal might involve
413
00:24:59,200 --> 00:24:59,920
and motion for.
414
00:25:00,000 --> 00:25:03,240
Trial is filed in every single
case after every single trial,
415
00:25:03,660 --> 00:25:06,720
standard, you have to argue the
motion for new trial before you
416
00:25:06,720 --> 00:25:10,080
can go through the actual court
of appeals process. Very
417
00:25:10,080 --> 00:25:14,820
standard formality. There are
some cases in which there can be
418
00:25:14,880 --> 00:25:18,180
significant issues. Most often
there's not because you're
419
00:25:18,180 --> 00:25:20,120
having you know, the judge that
you're viewing the motion for
420
00:25:20,120 --> 00:25:23,180
new trial is Judge Patterson.
He's, he's, he was there for the
421
00:25:23,180 --> 00:25:26,660
trial. So for a judge to grant a
new trial, often they would have
422
00:25:26,660 --> 00:25:30,560
to admit that they made a ruling
that they now got it. Belief was
423
00:25:30,980 --> 00:25:35,060
incorrect. And so it very, very
rarely happens that a new trial
424
00:25:35,060 --> 00:25:39,800
is granted. I've seen one here
granted in the last maybe two in
425
00:25:39,800 --> 00:25:44,740
the last five to 10 years, wow.
And so, you know, everybody's
426
00:25:44,740 --> 00:25:47,140
like, Oh, he wants a new trial.
How dare him? And this what
427
00:25:47,140 --> 00:25:49,780
happens? It's no big deal. So as
soon as it's argued, and we
428
00:25:49,780 --> 00:25:53,140
don't believe there will be any
issues whatsoever, then it's in
429
00:25:53,140 --> 00:25:56,260
the hands of the Court of
Appeals. This probably would
430
00:25:56,260 --> 00:25:58,660
never go to the Supreme Court
because issues are just not big
431
00:25:58,660 --> 00:26:02,340
enough, and it'll be done in a
couple years. Yeah.
432
00:26:05,640 --> 00:26:10,320
So to be clear, an appeal is not
a new trial. It is not about
433
00:26:10,320 --> 00:26:14,880
rearguing the facts of the case.
It's a legal review to determine
434
00:26:14,880 --> 00:26:18,540
whether anything was done
improperly or unfairly in the
435
00:26:18,540 --> 00:26:22,100
process. And from what we
understand this isn't uncommon
436
00:26:22,100 --> 00:26:26,060
at all. It's just the next step,
right? It doesn't make it
437
00:26:26,060 --> 00:26:29,120
easier, though, yeah, for
Jasmine's family, for the
438
00:26:29,120 --> 00:26:33,080
jurors, for anyone who's lived
this story, I think it just
439
00:26:33,080 --> 00:26:36,560
brings it all back up, right?
But the DA has made it clear
440
00:26:36,560 --> 00:26:39,860
they stand by the work they've
done, and so do I honestly,
441
00:26:40,100 --> 00:26:40,720
yeah,
442
00:26:43,120 --> 00:26:45,760
okay, let's answer some
unanswered questions and
443
00:26:45,760 --> 00:26:49,960
theories. Okay, great. Even with
a guilty verdict and an appeal,
444
00:26:49,960 --> 00:26:53,020
there are still things about
this case that don't quite sit
445
00:26:53,020 --> 00:26:56,260
right with us, like little
details that weren't part of the
446
00:26:56,260 --> 00:27:00,100
courtroom evidence, but stuck
with us anyway. Yeah, and making
447
00:27:00,100 --> 00:27:03,060
this podcast, we ended up
hearing from a lot of people,
448
00:27:03,300 --> 00:27:07,140
friends, family members, even
folks who were quietly observing
449
00:27:07,140 --> 00:27:11,100
from the sidelines, and a few of
them shared things that raised
450
00:27:11,100 --> 00:27:14,760
new questions. One of the
questions we kept coming back to
451
00:27:14,760 --> 00:27:17,760
had to do with Jason Chen's
movements the day he drove from
452
00:27:17,760 --> 00:27:21,140
his parents home in nolensville,
Tennessee, back to Chattanooga.
453
00:27:21,980 --> 00:27:26,660
So this would have been November
26 2022 which is also the same
454
00:27:26,660 --> 00:27:29,900
day his apartment would have
been searched. Yeah, if you
455
00:27:29,900 --> 00:27:32,900
remember from the trial phone
records showed that he never
456
00:27:32,900 --> 00:27:35,660
actually went back to his
apartment. He was just in the
457
00:27:35,660 --> 00:27:39,920
area. His phone pinged near it
at a park nearby, but he never
458
00:27:39,920 --> 00:27:44,860
entered his apartment complex
again, instead, those same
459
00:27:44,860 --> 00:27:48,640
records showed that he drove
north up into the Hixson area,
460
00:27:48,940 --> 00:27:51,520
and that always stood out to us,
like, why did he go up there?
461
00:27:51,520 --> 00:27:55,720
What's in Hixson? Yeah, and we
know by this point that
462
00:27:55,720 --> 00:27:59,320
investigator Crawford has left
Jason Chen a voicemail, right?
463
00:27:59,380 --> 00:28:03,540
So we started wondering, was he
looking for police activity,
464
00:28:03,540 --> 00:28:07,140
like scoping out the area around
his apartment, or maybe even
465
00:28:07,140 --> 00:28:10,800
looking like you said, Where
Jasmine lived, right? So we end
466
00:28:10,800 --> 00:28:13,800
up following the trail. But
before we go there, here's a
467
00:28:13,800 --> 00:28:15,360
moment from Episode Six.
468
00:28:18,780 --> 00:28:21,800
We know from investigator
Crawford's testimony that the
469
00:28:21,800 --> 00:28:25,520
search warrant for Jason Chen's
apartment was granted at 11:45pm
470
00:28:26,660 --> 00:28:27,740
that same night.
471
00:28:29,060 --> 00:28:33,740
So what was Jason back in town
for? Surely by now, investigator
472
00:28:33,740 --> 00:28:37,340
Crawford had already been
calling his phone. Was he
473
00:28:37,340 --> 00:28:40,840
curious about any activity
around his apartment, checking
474
00:28:40,840 --> 00:28:44,020
to see if the police were
already involved, or was there
475
00:28:44,020 --> 00:28:48,640
something else pulling him back.
Then Hamilton reveals another
476
00:28:48,640 --> 00:28:52,600
twist. Jason leaves the North
Shore area around 9:30pm
477
00:28:53,800 --> 00:28:57,040
heading towards Hixson, a
community just north of
478
00:28:57,040 --> 00:29:01,620
Chattanooga, and according to
his phone records, Jason stays
479
00:29:01,620 --> 00:29:03,720
in the Hixson area until about
10:15pm
480
00:29:04,980 --> 00:29:08,400
before heading back to
nolensville. So what's in
481
00:29:08,400 --> 00:29:13,980
Hixson? Jasmine's house, her
family's house. What in the
482
00:29:13,980 --> 00:29:17,640
world was Jason doing there? And
more importantly,
483
00:29:18,660 --> 00:29:20,120
why you Yeah.
484
00:29:24,560 --> 00:29:28,160
So as it turns out, he was at a
car wash, right, which I guess
485
00:29:28,160 --> 00:29:32,060
makes sense, but also still
feels a little eerie, you know,
486
00:29:32,060 --> 00:29:35,300
like knowing what happened?
Yeah, it's the kind of detail
487
00:29:35,300 --> 00:29:38,180
that doesn't necessarily prove
anything, but it adds to the
488
00:29:38,180 --> 00:29:41,140
picture. Like, what was his
state of mind? What was he
489
00:29:41,140 --> 00:29:45,700
thinking, right? And the
interesting part is that we did
490
00:29:45,700 --> 00:29:50,500
see the tire tread and the back
of his trunk, right, but he
491
00:29:50,500 --> 00:29:54,880
never opened his trunk to
notice, kind of the treads of
492
00:29:54,880 --> 00:29:58,180
the suitcase, right? Yeah, I
remember talking about that too,
493
00:29:58,180 --> 00:29:59,920
like, like, why not open the
trunk and.
494
00:30:00,000 --> 00:30:04,080
Wipe that down real quick if
that liner in the back of his
495
00:30:04,080 --> 00:30:06,960
trunk was so clean otherwise, I
mean, it looked practically
496
00:30:06,960 --> 00:30:11,100
brand new, aside from the two
wheel marks from the suitcase.
497
00:30:11,340 --> 00:30:15,480
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502
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It doesn't clump, flake or
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504
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524
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Individual results may vary,
right? And then there's the
526
00:31:57,100 --> 00:32:00,160
mystery of the dropped pen. We
had a conversation with someone
527
00:32:00,820 --> 00:32:05,220
who was with Jasmine at the
hospital with her granny
528
00:32:05,280 --> 00:32:10,320
earlier. Remember her granny
died the same day that she went
529
00:32:10,320 --> 00:32:14,220
missing, right? So Jasmine was
at the hospital. This person saw
530
00:32:14,220 --> 00:32:15,900
her on that same day, November
22
531
00:32:17,280 --> 00:32:20,660
they told us that Jasmine was
wearing her Apple Watch that day
532
00:32:20,660 --> 00:32:25,280
because they commented on her
new watch band, right? So their
533
00:32:25,280 --> 00:32:29,600
theory is it's possible that
jazzy used her Apple Watch to
534
00:32:29,600 --> 00:32:33,500
drop the location pin to her mom
instead of her phone that night.
535
00:32:33,980 --> 00:32:38,420
Mm, hmm. And so we mentioned
this theory to da swamp and
536
00:32:38,420 --> 00:32:42,280
Moyle, and both of them noted
that the Apple Watch has never
537
00:32:42,280 --> 00:32:46,180
been found. Wow. And for what
it's worth, this also wasn't
538
00:32:46,180 --> 00:32:49,120
mentioned in the trial, so we
don't know if Jason took it or
539
00:32:49,120 --> 00:32:52,420
destroyed it, or if it's still
out there somewhere, but one
540
00:32:52,420 --> 00:32:55,960
thing we do know is that that
pin solved her murder. Yes,
541
00:32:55,960 --> 00:32:56,620
exactly.
542
00:32:57,640 --> 00:33:00,280
We wanted to include this
because we know our listeners
543
00:33:00,280 --> 00:33:03,960
are as curious as we are. So if
you have any theories of your
544
00:33:03,960 --> 00:33:07,200
own about this case and we
haven't covered them, please
545
00:33:07,200 --> 00:33:10,980
send them our way. Yes, please
do. You can email us at
546
00:33:10,980 --> 00:33:12,180
sequesteredpod@gmail.com,
547
00:33:13,860 --> 00:33:17,820
and trust me when I say we read
everything. All right, Sarah,
548
00:33:17,820 --> 00:33:21,200
before we wrap this up, we just
want to take a moment to reflect
549
00:33:21,200 --> 00:33:26,960
on this wild ride and what's
ahead. Yeah, wow. I don't think
550
00:33:26,960 --> 00:33:30,740
I ever imagined how big this
would get. I've seriously been
551
00:33:30,740 --> 00:33:35,060
blown away by the response,
yeah, me too. Like by how people
552
00:33:35,060 --> 00:33:38,240
have listened and reached out
and shared their own stories.
553
00:33:38,540 --> 00:33:41,440
Like the support from both
listeners and media has been
554
00:33:41,440 --> 00:33:45,460
just overwhelming in the best
way. Wouldn't you say, I agree,
555
00:33:45,760 --> 00:33:50,380
what started as like dreaded
jury duty for you, turned into
556
00:33:50,380 --> 00:33:53,740
something that's now helping
people understand the justice
557
00:33:53,740 --> 00:33:57,760
system and also kind of the
emotional weight that comes with
558
00:33:57,760 --> 00:34:02,700
being a part of it. Yeah, that's
cool. And through it all. Like,
559
00:34:02,700 --> 00:34:07,200
what I keep coming back to is
Jasmine, right? Like I just, I
560
00:34:07,200 --> 00:34:10,980
guess I just, I hope people
remember her name, yes, Jasmine
561
00:34:10,980 --> 00:34:15,120
pace, or jazzy, as her friends
and family called her, she just
562
00:34:15,120 --> 00:34:20,180
had an unwavering love and a
vibrant spirit and a family that
563
00:34:20,180 --> 00:34:23,540
just fought so fiercely to find
her and make sure justice was
564
00:34:23,540 --> 00:34:27,980
served. Yeah, exactly. That's
what this podcast has always
565
00:34:27,980 --> 00:34:30,800
been about, remembering the
people at the center of these
566
00:34:30,800 --> 00:34:35,120
stories, not just the crime, not
the perpetrator, but the life
567
00:34:35,120 --> 00:34:39,920
that was lost. And in this case,
that's Jasmine pace, right?
568
00:34:41,660 --> 00:34:46,780
Okay, so as for what's next?
There's more to come. Yes, while
569
00:34:46,780 --> 00:34:51,760
the odds of me being sequestered
again are highly unlikely, I am
570
00:34:51,760 --> 00:34:55,540
not done telling these stories.
There are too many lives that
571
00:34:55,540 --> 00:34:59,020
have ended far too soon, and
just too many questions still
572
00:34:59,020 --> 00:34:59,920
looming in the.
573
00:35:00,300 --> 00:35:04,020
Arc. We're already working on
our next case, and we've got a
574
00:35:04,020 --> 00:35:08,100
few ideas brewing, but we also
want to hear from you, yeah, if
575
00:35:08,100 --> 00:35:11,040
there's a case you think we
should look into something
576
00:35:11,040 --> 00:35:14,700
local, something overlooked,
something that really has stuck
577
00:35:14,700 --> 00:35:18,300
with you again, please email us
at sequesteredpod@gmail.com
578
00:35:20,220 --> 00:35:23,420
or you can hit us up on
Instagram, and if this podcast
579
00:35:23,420 --> 00:35:27,500
has meant something to you, if
jazzy story has stayed with you,
580
00:35:27,920 --> 00:35:31,700
please take a moment to rate and
review the show. It might seem
581
00:35:31,700 --> 00:35:35,060
small, but it actually helps
more than you think. Yeah, those
582
00:35:35,060 --> 00:35:38,960
reviews tell those algorithm
gods that people care, and that
583
00:35:38,960 --> 00:35:41,920
helps new listeners find
sequestered. It's one of the
584
00:35:41,920 --> 00:35:44,980
best ways we can keep Jasmine's
story and the stories we'll
585
00:35:44,980 --> 00:35:49,000
cover next reaching the people
who need to hear them. Also stay
586
00:35:49,000 --> 00:35:52,000
subscribed. We'll be dropping
more bonus episodes with
587
00:35:52,000 --> 00:35:55,600
updates, thoughts and anything
we feel you should know as new
588
00:35:55,600 --> 00:35:59,680
information surfaces. And before
we go, we just want to send so
589
00:35:59,680 --> 00:36:03,300
much love to Jasmine's family,
you are the reason justice
590
00:36:03,300 --> 00:36:07,140
happened, and we're holding you
close in our hearts. It's true,
591
00:36:07,200 --> 00:36:10,200
so many of the comments from
listeners are sending your
592
00:36:10,200 --> 00:36:13,020
family their love and
reassurance that Jasmine's name
593
00:36:13,020 --> 00:36:17,280
will never be forgotten. Thanks
to all of you for being here,
594
00:36:17,340 --> 00:36:21,440
for listening and for
remembering jazzy with us. Stay
595
00:36:21,440 --> 00:36:24,440
safe, stay curious, and we'll
see you next time.
596
00:36:33,740 --> 00:36:37,760
This is a VP production. The
show is written, edited and
597
00:36:37,760 --> 00:36:42,280
produced by me Sarah Reed, with
CO production by Andrea Kleid,
598
00:36:42,820 --> 00:36:46,000
music and sound design are
curated to reflect the gravity
599
00:36:46,000 --> 00:36:49,360
and sensitivity of this story,
and with the intent to honor
600
00:36:49,360 --> 00:36:52,900
Jasmine, her family and the
community affected by her death.
601
00:36:53,440 --> 00:36:56,320
For more information or to
connect with us, visit
602
00:36:56,320 --> 00:37:00,760
sequestered pod.com or follow us
on Instagram at sequestered pod
603
00:37:00,760 --> 00:37:08,460
you Hi, I'm Paula Wallace,
president and founder of SCAD,
604
00:37:08,460 --> 00:37:11,580
the world's biggest and best
university for creative
605
00:37:11,580 --> 00:37:15,660
professions. Throughout the
year, SCAD invites elite pros to
606
00:37:15,660 --> 00:37:19,200
campus to share their wisdom
with our students. Their stories
607
00:37:19,200 --> 00:37:22,640
and insights are just too good
to keep secret, which is why I
608
00:37:22,640 --> 00:37:26,480
launched on creativity, the
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609
00:37:26,480 --> 00:37:30,380
SCAD student too. This is your
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