"Outrageous!"-"Ridiculous!"-"Offensive!"-"Fabulous!"
Well, enough about me. Let's talk about SLEEPWALKERS!
Join me, Patrick Walsh, and my guest, everyone's favorite New York City-based undead horror host Unkle Spooky on a deranged deep dive into the delicious chaos that is STEPHEN KING'S SLEEPWALKERS, a film as taboo and flawed as it is wildly entertaining.
Tanya and Charles are the perfect All-American high school couple about to go on their first date. Unfortunately for Tanya, Charles and his mother are unkillable incestuous shapeshifting werecats who feed on the souls of young virgins, and Tanya is next on their menu!
Will Tanya fall prey to these kinky beasts? Or is there an adorable four-legged hero somewhere who knows the one thing that can stop this monstrous duo forever?
Look, I know this movie is a hot mess, but I still love it, warts and all, because hiding under all the absurdity, there's true greatness just waiting for someone to find it.
And that someone is ME.
SLEEPWALKERS was directed by Mick Garris, written by Stephen King and stars Mädchen Amick, Brian Krause, Alice Krige and Ron Perlman.
Links referenced in this episode:
Mentioned in this episode:
Bliss Book
Pick up the gnarly new survivor horror novel BLISS by Brandon Halsey on Amazon! "It's like 28 DAYS LATER meets THE STAND meets TRAINSPOTTING!"
Bliss Book
Pick up the gnarly new survivor horror novel BLISS by Brandon Halsey on Amazon! "It's like 28 DAYS LATER meets THE STAND meets TRAINSPOTTING!"
This podcast uses the following third-party services for analysis:
Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp
00:00 - Untitled
00:34 - Introduction to Scream Queens
07:33 - Exploring Stephen King's Sleepwalkers
17:43 - The Complex Nature of Sleepwalkers
25:58 - The Beginning of a New Adventure
34:35 - The Mysterious New Girl
49:25 - Introducing Clovis: The Hero of the Story
01:01:42 - The Rise of the Soul Sucker
01:10:32 - The Wrath of Mama
01:15:03 - The Rise of the Mother Monster
01:26:05 - The Cat's Final Stand
01:43:31 - The End of an Era: Reflections on the Show
This program is a proud member of Univoz Unified Unique Voices.
Speaker ALearn more@univozpods.net hello, my name's Patrick and I'm a scream queen.
Speaker AI'm a scream queen.
Speaker AAnd so are you.
Speaker AHello again, my beautiful screamers, and welcome to another episode of Scream Queens.
Speaker AIt's the podcast where horror gets gay.
Speaker AThis is episode 1506, season 15, episode 6 of Tonight.
Speaker AGet ready.
Speaker ACause we're heading down to Homeland Cemetery for a hot, steamy makeout session.
Speaker ASo be sure to bring a picnic basket, your camera, a boatload of cocaine, and a cat, because we're watching that 1992 misfire.
Speaker AStephen King, Sleepwalkers.
Speaker ANow, I know lots of you people hate this movie.
Speaker AI know.
Speaker AAnd you know what?
Speaker AI don't care.
Speaker AI love it.
Speaker AThe world's ending, so I'm talking about it.
Speaker AAnyway, that's why I needed a very particular special guest.
Speaker AHe is perhaps the only person on the face of the planet who hasn't seen the movie before.
Speaker ASo he's not saddled with any of your shitty, preconceived notion.
Speaker AYou've met him before, you love him.
Speaker AHe's beloved, he's beleaguered, he's blue, blue, blue.
Speaker ABecause he's dead, dead, dead.
Speaker AThat's right.
Speaker AI'm talking about New York City's favorite unalive horror host, Unc Spooky.
Speaker ABut wait, before we do any of that, please allow me to introduce myself.
Speaker AMy name is Patrick Walsh, and ever since 2010, I have been your guide to the weird and wonderful world of horror movies.
Speaker ABut, little Pickle, you're gonna have to see that.
Speaker AThey're my very, very, very gay little eyes.
Speaker ASo.
Speaker AHello again, everybody.
Speaker AWelcome back.
Speaker AIt's so great to be here with you again doing another show.
Speaker AI hope you're doing fabulously.
Speaker AI know things are stressful right now, so maybe even if you're not doing fabulously, I hope that for the next 90 minutes or so, you, troubles aside and relax and laugh and not think about them for just a little bit.
Speaker ABecause I know it's like all day, every day, lately it's just blah, blah, blah, blah.
Speaker ABut for the next 90 minutes, let's just go.
Speaker AForget it.
Speaker ABecause after all, life may be tough right now, but hey, at least an incestuous cat, vampire, monsters, and trying to suck your soul out, right?
Speaker AThat's something.
Speaker ANow, I know some of you are sitting out there going, patrick, didn't you cover this movie on the show already?
Speaker ATo which I will say, yes, I did cover this movie.
Speaker AAlready.
Speaker ABut no, it wasn't on the show.
Speaker AI went on over Creepy Kitsch to talk about it.
Speaker AI talked about it with Cindy and Stacy.
Speaker AThey didn't come here to talk about things, but for once, they invited me to their house.
Speaker AAnd you know what?
Speaker AThey ganged up on me because they both didn't like the movie.
Speaker AAnd you know what?
Speaker AWhen Cindy and Stacy gang up on you, it's a lot.
Speaker ASo I had a fight, vehemently for the honor of this stupid, stupid movie.
Speaker ANow, now the scream queens is coming to an end.
Speaker ANow that the show's going off the air, I wanted a moment to just air my feelings about this my own way, with someone who had no preconceived notions where I could dominate their thoughts.
Speaker AOkay, I wanted to control the narrative because everybody else is doing it.
Speaker BRight?
Speaker AOf course.
Speaker ARight.
Speaker ABut seriously, I love the movie watch and all, and I wanted to talk about it before things wrapped up here.
Speaker AEnd of story.
Speaker AExcept I know damn well that some of you are sitting out there going, patrick, what is it with sleepwalkers that you love so much?
Speaker AWell, cats, to be perfectly honest, I, I, I gotta love a movie where cats are supernatural heroes because there's such a mystery to them and cats are often so portrayed so negatively in films and in media and just in general that anything that elevates like this makes me very happy.
Speaker AAnd yes, I am well aware that, as Cindy from Creepy Kids would say, this movie has flaws.
Speaker AThe first thing I said to Uncle Spooky when I signed him on to talk about this film, I said, this is not a good movie.
Speaker AIt's not a good movie.
Speaker ABut there's greatness in there.
Speaker AThere's some stuff that's just truly wonderful that gets kind of lost in between all this other stuff.
Speaker ABut if you push all that other stuff aside to go, you know what?
Speaker AThat is pretty fabulous.
Speaker AYou know me, I like finding the diamond in the shit, Bo.
Speaker ARight?
Speaker ARemember that old thing I used to say all the time?
Speaker AThere's diamonds in the shit pile, so dig a bit.
Speaker AYou know what?
Speaker AI don't even have to, because I'm gonna dig for you.
Speaker ANow, unfortunately, Stephen King Sleepwalkers is not streaming for free anywhere that I could find.
Speaker ABut patrons, check your inbox, Nudge, nudge, wink, wink, if you know what I mean.
Speaker ABut hopefully you can find a copy somewhere to watch, because I think it's great if you haven't seen it before.
Speaker AAnd if you have seen it before, maybe you'll see it a little differently after Uncle Spooky.
Speaker AAnd I get through with it.
Speaker AOr maybe you won't.
Speaker AI don't really care because I'm doing.
Speaker AI'm doing what I want to.
Speaker ANow the scream queens is coming to an end.
Speaker AIt's a free for all until I'm done.
Speaker ADo I sound desperate and weird?
Speaker AYes, I do.
Speaker AThat means I should probably start the show.
Speaker ASo everybody sit back, relax while I play the intro to Sleepwalkers and bring on Uncle Spooky so we can get down to business.
Speaker CCharles Brady is new in town.
Speaker CYou can actually talk to.
Speaker DYeah, he's nice, Real nice.
Speaker CThe girls all like him.
Speaker CThe teachers all respect him.
Speaker CYour teachers in O How must have been.
Speaker CSorry to lose such a creative young man.
Speaker BThe parents all trust him.
Speaker AHe's yay charming.
Speaker AYay.
Speaker ABut nobody really knows him.
Speaker AThat felt good.
Speaker AFinally getting to talk about this movie after so long was like getting a hair bullet.
Speaker ABeen stuck in my system since 1992 and now it's out.
Speaker ABlast.
Speaker AI can go on with my life.
Speaker AThank you again for Uncle Spooky.
Speaker AIt was super fun hanging out with you.
Speaker AAnd oh, hey, the session where I sat down with Uncle Spooky, we recorded that weeks ago.
Speaker ASo all that information he gave about his shows, a lot of it obsolete now.
Speaker ASo let me refresh you.
Speaker AIf you want to see Uncle Spooky live, you want to see what he does in person, you got to come to Richmond, Queens, because every last Sunday of the month, he's at the Flying Fox Tavern hosting his Spookarama scary movie night, where not only do we get to watch a super scary movie with Uncle Spooky, you get to play blood bingo for yourself.
Speaker AFor real.
Speaker AAnd maybe if you're lucky, you can eat inside Uncle Spooky's bag of secrets and take out a prize.
Speaker ABut if you don't live anywhere in New York City, you can still participate because every single Monday night, Uncle Spooky hosts a stay at home Spookarama over zoom.
Speaker ABut it's a super secret Spookorama, so you're gonna have to follow Uncle Spooky on Instagram in order to get that info.
Speaker AAnd it's links right down here in the show.
Speaker AOf course.
Speaker AThis summer, island people choice in the Flag Fox Tavern live out on Fire Island.
Speaker AI don't have any.
Speaker AIt's pretty much straightforward because you know me, I can't get enough.
Speaker AIt's a terrible movie.
Speaker AI know that, but I love it.
Speaker AAs I said last time, I wanted to talk about this movie for so long, and it was never the right time.
Speaker AWe're gonna have a great time doing.
Speaker AYou know why?
Speaker ABecause my very special guest realized, you know, my gcs, wherever you may be, please welcome back to the screen, please.
Speaker AMicrophone.
Speaker AEat that out of her.
Speaker AThey killed it.
Speaker AAnyway, so whatever.
Speaker AThat's my big observation.
Speaker AThat's all I got.
Speaker AIt's pretty straightforward movie.
Speaker AThere's lots of thoughts about what's going on in the world right now, but I promise we're going to do that this time.
Speaker ANo, we're not going to talk about any of that this time.
Speaker ABut please, I just want you to take care of yourself.
Speaker BDo what you need to do to.
Speaker ATake care of yourself, whatever that may be.
Speaker AI think kickboxing just starting next week.
Speaker ABecause you never know.
Speaker BThat's just my aura.
Speaker ABecause you never know when it's going to come in handy.
Speaker ABut so anyway, I thought it was.
Speaker AAside from all that other stuff, what's going on in this final episode.
Speaker ASo happy to have you.
Speaker ABut that's okay.
Speaker AThat's okay.
Speaker ABut I'll tell you the guests that are going to be these final episodes.
Speaker BThat have lined up so far.
Speaker AI couldn't end the show without having Allison and Brian back on.
Speaker ASo you host movies from California for very different reasons.
Speaker ABecause I think with Alison and Brian, we're gonna get a fun first watch and of course, intellectual deeper conversation on why do the gays love this movie so much.
Speaker AI did not say goodbye to my two favorite heterosexuals.
Speaker AWhen I get home, I have to watch my.
Speaker BAnd here's the funny thing.
Speaker AWe're going to talk about this movie called Beavers.
Speaker ABut we discovered that it's really hard because it's a great movie, but for me, talk about beaver.
Speaker ASo instead we're going to be talking about the Please Don't Destroy movie, the Legend of Foggy Mountain, the Treasure of Fogging Mountain.
Speaker AWhenever something.
Speaker ASomething of Foggy Mountain that's on trivia.
Speaker AAnd why are you picking that?
Speaker APatrick, it's not a horror movie.
Speaker AAnd this is the closest vibe to.
Speaker BOh, okay.
Speaker ADave made a maze to those boys.
Speaker AAnd of course I want to say goodbye to the original dynamic duo.
Speaker AThe first two guests that really clicked on the show.
Speaker AIt took it to a new place.
Speaker AI'm talking about everyone's faded for some reason.
Speaker AWe were Talking about this 1973 brought to me called me starring.
Speaker AEverybody's a dead guy.
Speaker BOut of the will.
Speaker AAnd then all the other.
Speaker AAll the other benefactors of the will start getting knocked off in really, really bizarre ways.
Speaker AAnd you know how I love A house full of rich cunts that hate each other.
Speaker AIt's one of those movies, it's a rare movie that I think also knows the Shut up me all the time.
Speaker AI only met him recently.
Speaker AI, I, I've known him forever.
Speaker AI only met him recently.
Speaker ABut all that babble that I just battled at the Fog movie night.
Speaker BI'm not sure which one of those.
Speaker AEpisodes is going to be the next.
Speaker AIf any of them are going to.
Speaker APeople don't like eventually they'll be coming out or I might have something else to stick in there as well.
Speaker ANo, what always happens is I'll show up there.
Speaker AEverybody already has their team on my team.
Speaker AAnd then I come in and I kick everybody's ass and people get angry at me.
Speaker AI'm like, you know what?
Speaker AYou didn't want me on your team, Dick.
Speaker BYou can be on my team.
Speaker AAre just going to drag your mind through the gutter like that?
Speaker AI'm just going to, I'm not big on drinking these days, but anyway.
Speaker BAll right.
Speaker BI'm kind of in between on that too.
Speaker AExtra calories now.
Speaker AReally, really bizarro times that we're living in.
Speaker AOkay, 1992.
Speaker ASpooky.
Speaker AGive me a nice 30 second.
Speaker ADon't forget for second.
Speaker AI love you.
Speaker BNo pressure, but the a cat shit nutso.
Speaker BThe vehicle for the chick from got.
Speaker AA little bit of a break.
Speaker AAnd then a girl from Ghost Story.
Speaker BAnd a cute guy who should be cuter.
Speaker AI don't know.
Speaker BAnd it kind of seems like it's great.
Speaker BAnd then it just goes all over the place.
Speaker BMother and son team on the run goes bad neighbor.
Speaker BVery suburbia, very 80s small town America.
Speaker BCrazy one liners.
Speaker BEnds in flames and cats.
Speaker ACats, cats, cats, cats, cats.
Speaker AExcellent.
Speaker AI let you go over because all that was great.
Speaker AThat was gold.
Speaker ASo for my 32nd summary, I'd like to say that Stephen King Sleepwalkers is an old fashioned romantic love story that we just don't get anymore.
Speaker AIt's a classic tale of boy meets girl, boy loses girl, boy fucks his mom, mom tries to eat girl.
Speaker AOh, and I forgot.
Speaker ACats, Cats, Cats, Cats, Cats.
Speaker AThis movie, like people don't realize.
Speaker AYes, it was directed by Mick Garris, but it was executively produced by Cocaine for sure.
Speaker AWell, not exactly.
Speaker AThis was, this was after Stephen King had his accident.
Speaker BOh, is this after that?
Speaker AYeah.
Speaker ASo all this stuff in this era is really weird.
Speaker AHere we are.
Speaker BThis is one of his straight to screenplay.
Speaker BRight.
Speaker BThis isn't based on anything else.
Speaker AThis is the first time he Done that it was not based on an existing work.
Speaker AIt was an original piece.
Speaker BI don't know if you read a lot of Stephen King, but they're very, like, dense and a lot of things like.
Speaker BLike what?
Speaker BKind of.
Speaker BLike, I could feel like what he was trying to go for and probably would have been great in a book, like, but a novel.
Speaker BI'm sure it could have worked out a lot better, but this just didn't.
Speaker AYeah.
Speaker AYou're 100.
Speaker AI do read a lot of Stephen King.
Speaker ANot as much as I used to because I stopped reading after this whole accident period because things got really wordy and everything always was winding up to be about poop.
Speaker AIt's the dream catcher era.
Speaker AAnd, like, literally everything with Desperation was about poop.
Speaker AAnd, like, everything had this major poop plot line.
Speaker AI thought it was gross.
Speaker AIt was just like, I don't need this anymore.
Speaker AI don't know where you go with Stephen King.
Speaker AThis is a little too big.
Speaker AIt's a little too.
Speaker AFor a lady like myself.
Speaker BI have to say.
Speaker BI was a huge Stephen King fan.
Speaker BI mean, I was reading them like a tennis player as they were coming.
Speaker BI was batting them out.
Speaker BAnd then he did.
Speaker BHe started to.
Speaker BSomething he kind of lost to me and almost.
Speaker BI don't like any of his movies except for the ones in the 70s after that.
Speaker BLike any of the 80s.
Speaker BPretty sure.
Speaker BI mean, the Shining might have been the last one I liked.
Speaker AThey're very hit and miss for the most part.
Speaker AMiss Creep Show.
Speaker AYeah.
Speaker BAnd then it's like maximum overdrive.
Speaker BI never watched.
Speaker BI never watched it.
Speaker BSomething about them made me not want to watch them.
Speaker AYeah.
Speaker AI mean, they're always a disappointment because they can't live up.
Speaker BYeah.
Speaker AThey can't get into the characters heads like you get in the book.
Speaker ALike, even the.
Speaker ALike McGarris does a lot.
Speaker AWho directed this, does a lot of Stephen King.
Speaker AHe did the Stand and the Shining.
Speaker AThe Shining redo with the guy from Wings and Rebecca de Moira.
Speaker AHe did all those.
Speaker ASo he knows the Stephen King really well.
Speaker AAnd even he doesn't really get it right either because it's just not that, you know, you can't get into people's heads the way that Stephen King does.
Speaker AAnd that's.
Speaker AThat's the most important part of the book or most interesting part of the book.
Speaker AAnd when I say.
Speaker ABefore we get too deep into.
Speaker AI want to say, I feel like there's a great movie struggling to get out of this movie.
Speaker AYes, there's.
Speaker ABecause there are moments in this, that are wonderful.
Speaker AThere are ideas in here that are great that I love.
Speaker AAnd then it gets sidetracked into crazy incest and Freddy Krueger one liners and it starts to get really uneven.
Speaker BYeah, I like the start of it.
Speaker BI actually enjoy like the first third of it.
Speaker BAnd there's a definite moment where the wheel like turns and we'll talk about that.
Speaker AWe'll talk about it and I feel.
Speaker AAnd we'll go into more detail.
Speaker AI feel like had we spent more time developing what these monsters are and how they work, things would have been better because we get thrown in the middle of it.
Speaker AWe don't really understand anything.
Speaker AAnd I like, okay, the big thing that most people have with this movie is that like 10 minutes in we're thrown into incest.
Speaker EGoing anywhere tonight?
Speaker FTo the movies.
Speaker EMaybe with a friend.
Speaker EWith a special friend.
Speaker FI'll buy my lonesome.
Speaker EOh, don't ask your mother.
Speaker FWell, actually there's a girl that works there.
Speaker FI thought I might ask her out.
Speaker EOh, you might.
Speaker FShe's pretty too.
Speaker EIs she nice?
Speaker FI don't know.
Speaker FI guess I'll find out, won't I?
Speaker FJealous?
Speaker EConcerned.
Speaker FRight?
Speaker FConcerned.
Speaker EConcern.
Speaker FShould I be jealous?
Speaker EWould you like that?
Speaker AThe movie has literally just started and immediately we get to watch mom and son, friends, each other and go directly to the bone zone.
Speaker BIt's a lot which I, you know, I have to tell you, I did that.
Speaker BThat didn't bother me because I thought, oh, this is, this is a horror movie.
Speaker BAnd this is an interesting, you know, this is an interesting.
Speaker BThis is something, you know, like there's.
Speaker BAnd evidently the guy, the director, he did a whole like super sex scene between the two of them that had to totally get cut.
Speaker BAnd you can kind of see it starting like super soft poured kind of beginnings of it.
Speaker BAnd, and I didn't really mind that because it was so creepy and.
Speaker BAnd it kind of went with it.
Speaker BI was like, this is part of the horror movie.
Speaker BI like, this is, this is part of that monster thing.
Speaker BI'm interested, I'm intrigued.
Speaker BCreepy, but I'm intrigued.
Speaker AFor years I've done my.
Speaker AWhat to get into as we go further along.
Speaker AI've done my headcanon on how these monsters worked and what were they were all about.
Speaker AAnd I just found an article with Mick Garris that I hadn't found before that wasn't listed anywhere else that he talked about how these monsters worked and why they were having incest and what was going on.
Speaker AI'm like, okay, that's exactly what I said.
Speaker AI was right.
Speaker AI was right.
Speaker AThat.
Speaker AOkay, before we get too deep in what's a sleepwalker?
Speaker AUncle Spooky, what are these monsters that we're talking about?
Speaker BWell, I'll tell you, there's a whole definition of them in the beginning, and it's a little wordy and doesn't make a lot of sense.
Speaker BBut my favorite thing is at the last line of it, it says, probably cause of the vampire legend.
Speaker BLike, so they claiming, like, they're the ones who came up with vampires.
Speaker AWell, it was the origin of them.
Speaker ALike, before.
Speaker ABefore there were vampire legends.
Speaker AThere were these legends, which I get back in ancient Egypt.
Speaker AUncle Spooky.
Speaker AUncle Spooky's here because we did Cat Creature with Meredith Beck's a Bernie a while ago.
Speaker AAnd I said, this is.
Speaker AIt's the same kind of movie.
Speaker ALike, this movie and that movie are totally connected, which we'll get into later.
Speaker ABut.
Speaker AYeah, but I feel that they said they.
Speaker AAnd even, like, the stuff they're showing at the beginning is all ancient Egypt, like, during the opening credits.
Speaker ASo we're going back to Egyptian legends.
Speaker BHave you ever seen those Instagram videos of somebody dressed up like a big cat and they turn around the corner?
Speaker AYes, yes, yes.
Speaker AOkay.
Speaker ASo basically we've got these.
Speaker AThis.
Speaker AThis mother son.
Speaker AThey're apparently the last of their kind.
Speaker AAnd they're cat people.
Speaker AThey.
Speaker AThey're sort of things, but they don't feed on blood.
Speaker AUncle Spooky, what do they feed on?
Speaker BThey feed on laser beams coming out of your mouth.
Speaker ABut they can't just.
Speaker AThey can't just be anybody's laser beams.
Speaker AWhose laser beams do they have to.
Speaker BBe a beautiful virgin girl?
Speaker AThey feed on virginity and innocence, which.
Speaker BI mean, you figured that, you know, if they went for a guy, you know, there'd probably be a lot more of them.
Speaker AMaybe, maybe not.
Speaker ABecause it's one of the things that I've always said that people get put off by the incest.
Speaker AI'm like, this is in here for a reason.
Speaker AAnd I was thinking.
Speaker AI started what.
Speaker AI was doing my head count.
Speaker AI said, started to think how animals and wild animals work.
Speaker AAnd I'm thinking, incest means nothing to them.
Speaker BNo, exactly.
Speaker BThey're ready.
Speaker AThey'll meet with whoever.
Speaker ABut I also said there's something about people get put off by the fact that the mother doesn't do anything.
Speaker AShe's just like, I'm so sick, and she doesn't do anything on her own.
Speaker AI said, I don't think the females have the capacity to feed themselves in that way.
Speaker ALike, the male can do this.
Speaker ADo the soul sucking thing.
Speaker AAnd then they have to come home and feed them.
Speaker BRight?
Speaker AThey have to come home and feed mama.
Speaker AAnd it turns out I'm exactly right.
Speaker AI found this article with Mick Garrison.
Speaker AWell, with the whole thing when they.
Speaker AWhen mother and son have sex, I don't know if you notice Uncle Spooky, that, like, carnival lights start shooting out of her vagina.
Speaker BI don't know if I noticed the carnival lights.
Speaker BI noticed it was like, it's in the mirror stuff was happening.
Speaker AYeah.
Speaker AThe implication was that that's him feeding her.
Speaker AIt's not just sex.
Speaker AIt's feeding.
Speaker BOh, is that what we're calling it?
Speaker AHe's like, yeah.
Speaker AHe's like.
Speaker AHe's like.
Speaker AAnd people say it's his mother and son make you up.
Speaker AHe's like, no.
Speaker ANot making love.
Speaker AThey are.
Speaker BAnd it's fun because it's like they kind of tease you for a little bit, and you're like, no, no, they're not gonna go there.
Speaker BNo.
Speaker BWhat?
Speaker BWhat?
Speaker AAnd we just die face in.
Speaker BLiterally.
Speaker ANo.
Speaker ANo going back.
Speaker ALike, no.
Speaker AWe're.
Speaker AIt's 10 minutes in, and we are bone.
Speaker AAnd mom.
Speaker AAnd mom and son are bone in.
Speaker BBut I like how I kind of just.
Speaker BI sort of teased it a little bit.
Speaker BLike, you were like, this is weird.
Speaker BThis is weird.
Speaker BAnd then it just kind of kept getting weird.
Speaker BAnd then it went.
Speaker BReally didn't like.
Speaker BIt didn't cheat.
Speaker BIt totally gave it to you.
Speaker AOh, yeah.
Speaker AAnd this was one of the problems with they.
Speaker AThey ran into a lot of production problems, not surprisingly, because of this.
Speaker AFirst of all, they had a different director.
Speaker AIt started.
Speaker AThe original director was Rufus Wainwright.
Speaker BReally?
Speaker AYeah.
Speaker AYeah.
Speaker AWell, he hadn't done any movies yet.
Speaker AHe had just done music videos, and he rewrote the whole script.
Speaker AAnd Stephen King said, it's called Stephen King's Sleepwalkers, not Rufus Wainwright.
Speaker ASleepwalkers, you're fired.
Speaker AAnd it was just before they went into production.
Speaker ASo that was one big problem.
Speaker AAnd the other big problem was that while they were in production, Columbia Studios got a new president.
Speaker AAnd the president took a look at the script and said, there is no way that a movie featuring a mother and son having sex is going out while I'm in charge.
Speaker AAnd it turns out that was prophetic because they said, you know what?
Speaker AYou don't say no to Stephen King.
Speaker AYou're fired.
Speaker BOh, wow.
Speaker ASo they got a new president, so.
Speaker AYeah.
Speaker AAnd they had tons of trouble with the mpa now for the.
Speaker ANot so much for the sex, but.
Speaker BFor the violence, which does go overboard.
Speaker AYes, but in the best way.
Speaker AI'd rather.
Speaker AIt's the 90s and I'd rather see overboard than underboard because this is the Tipper Gore era where everything was getting cut out.
Speaker AThe violence in this is bonkers.
Speaker APoor Machen Emmett gets the crap beaten out of her.
Speaker AOkay, I gotta go back.
Speaker BThat's third party.
Speaker ATell me.
Speaker AOkay, no, no, no.
Speaker AI just want to go back to the sleepwalkers.
Speaker AOkay.
Speaker AOur main sleepwalker is Charles.
Speaker AHe.
Speaker AHe's the handsome young.
Speaker AI also love that when this, when this advertised the commercials, the first half of the commercials made it look like it was going to be a romantic comedy.
Speaker BOh, I'm sure.
Speaker ALook at that.
Speaker AOh, look.
Speaker ACharles and Tanya, the cutest couple in town.
Speaker BBecause it is the super mute.
Speaker BThe meet cute.
Speaker BThey're in the same high school.
Speaker BHe's reading a short story and that she's taken away by it.
Speaker AYeah.
Speaker ABut the actor is Brian Krause.
Speaker ABrian Krause, who most people would know from Charm.
Speaker BCharmed.
Speaker AAnd he's exactly what you want in this kind of role because he's like classic all America.
Speaker APerfect boy teen.
Speaker BYes.
Speaker AWhat you would say in a movie is exactly what was going to sweep your daughter off your feet.
Speaker BThink you could do charming.
Speaker BAnd then he does a good asshole too.
Speaker BLater.
Speaker AYeah, yeah, yeah, yeah, yeah, yeah, yeah.
Speaker ABut no, he does every.
Speaker AHe does everything right.
Speaker AAnd because he's been doing this for a really long time and he's great.
Speaker AAnd the mom is Alice Krieg, who's always fabulous left, you know.
Speaker BSo I tell you what.
Speaker BI watched this with the last Spookarama.
Speaker BSo me and like 10 other people watch this.
Speaker BThey got their takes on it and, and it was wild.
Speaker BLike they got a lot of good, good feedback on it.
Speaker BLike everybody thought it was nuts.
Speaker BBut a lot of people freaking hate her.
Speaker BLike just like gut truly hate her.
Speaker BAnd like.
Speaker BAnd just were making fun of the way she talks and they like, oh, she's got this lisp or this weird way and then once somebody points it out to you, you can't unhear.
Speaker AIt's European.
Speaker AWhat do you expect?
Speaker ADing dong wrong.
Speaker AShe's South African.
Speaker BI.
Speaker BI guess.
Speaker BBut I mean, I remember you knowing about it from Ghost Story that she had like a weird kind of.
Speaker BYeah kind of work though.
Speaker BYou do toad.
Speaker AIt makes her exact.
Speaker ABut you know, she's from Ghost Stories.
Speaker AShe's the Borga queen.
Speaker AI love she.
Speaker AShe brings Menace and sexuality to everything that she does.
Speaker BYes, she's good for that.
Speaker AIt's beautiful.
Speaker AAnd she's beautiful and she's gorgeous and she's perfect in this role.
Speaker AWhat I love about this too, is like, he's the main villain for the first half of it.
Speaker ABut then when things switch later.
Speaker AOh, it turns out that in the species.
Speaker ATrue.
Speaker AThat the female is deadlier than the male.
Speaker AOh, yeah.
Speaker AAnd she just clobbers everything in her pathway.
Speaker AOh, yeah.
Speaker AShe's.
Speaker AShe's the tough one.
Speaker AYeah.
Speaker BShe's the Terminator.
Speaker AYeah.
Speaker AIf she could feed herself, there would be sleepwalkers everywhere.
Speaker BShe'd be eaten.
Speaker ABut she can't.
Speaker AShe can't.
Speaker ABut yes, those.
Speaker AThe two of them, and they have great chemistry together.
Speaker AEven though it's gross.
Speaker AIt's really gross.
Speaker AEverything they do is gross in the best possible way.
Speaker AI love it.
Speaker BJust the dancing starts off with this, like, let's dance together kind of thing.
Speaker BAnd the powers are very undefined.
Speaker AThat's the other thing that we needed.
Speaker AWe needed a little bit of that because there's a little bit of a.
Speaker AI mean, they're shape shifters, for one, but it also.
Speaker AThey also can throw glamours.
Speaker ALike spells.
Speaker BYes.
Speaker ATo make.
Speaker ATo shapeshift other things like their car or at least cloak.
Speaker AOr cloak.
Speaker AI mean, people get shifted.
Speaker ALike they made a whole new car.
Speaker AI'm like, they didn't make a whole new car.
Speaker AThey just made it look different.
Speaker AIt's just a little glamour shade.
Speaker BJust there was like some inanimate, like, little, like carry stuff where they could move things a little bit.
Speaker BWas that happening?
Speaker BHappening?
Speaker AYeah, yeah.
Speaker AThey turn on.
Speaker AShe turned on the.
Speaker AThe record player by herself a couple of times.
Speaker AA little bit of that.
Speaker AThey have.
Speaker AHave mild.
Speaker BAnd I think at some point she's picking up bodies, making them move.
Speaker BThird part.
Speaker BWe'll wait to that.
Speaker BWe'll wait till we get to that.
Speaker AYeah, yeah, yeah.
Speaker ADad's dead, son dance.
Speaker BSo, sleepwalkers.
Speaker ASo basically.
Speaker AYeah, this whole.
Speaker AI love this whole scene too, which is just like we're.
Speaker AWe're meeting them for the first time and he.
Speaker AIt still feels like.
Speaker AIt's like, oh, I met.
Speaker AI met the.
Speaker AI can't.
Speaker AI can't hang out with you today, Ma, because I met a girl and it still feel.
Speaker AIt still feels like you're all American teen comedy and it's like things to start.
Speaker AIs she nice?
Speaker AIs she.
Speaker AIs she truly nice?
Speaker AAnd you just feel that nice does not mean what you think.
Speaker BYou know, we forgot to mention the Beginning.
Speaker AOh.
Speaker AOh, thank you.
Speaker AThank you.
Speaker AWalk me through the beginning.
Speaker AWalk me to the beginning of the film.
Speaker AI just wanted to get through the monsters.
Speaker ABut, yes.
Speaker AWalk me through their first layer.
Speaker BWell, I have to tell you, it's my first blood.
Speaker BBingo.
Speaker BWord is dead cat mobile, which is pretty spectacular.
Speaker AIt is pretty spectacular.
Speaker BIt's Mark Hamill.
Speaker BA lot of cameos in this.
Speaker ALots of cameos in this.
Speaker AMark Hamill was one.
Speaker AI did not realize until this time.
Speaker BYeah, we were kind of calling it.
Speaker BAnd it was like.
Speaker BNo.
Speaker BYes.
Speaker ANo, because he's a baby.
Speaker ALook.
Speaker AWhat a little baby with his little baby mustache.
Speaker AHe's a little baby.
Speaker ATeeny, tiny baby.
Speaker AMark Owl.
Speaker AMartha and Carl Brody, mother and son.
Speaker ANo one's seen them since Tuesday.
Speaker AThe car is the Trans Am, blue with yellow pinstriping.
Speaker ACalifornia License 2 CLG592.
Speaker CNo one's seen that since Tuesday either.
Speaker AGod, I just hope nothing horrible happened to them.
Speaker BThey were so close.
Speaker CMa'am, please step back.
Speaker ASheriff, what do you think happened?
Speaker FI don't know, but somebody sure doesn't like cats.
Speaker BThey go.
Speaker BThey see this cat mobile that the house is empty.
Speaker BThey go creeping through the house, and they got the famous.
Speaker BThey open a door, and they get the famous cat thrown at them.
Speaker BScared, you know, one of those.
Speaker AAnd the one cat that's not dead.
Speaker BNot dead.
Speaker BCat's not dead.
Speaker BThis one made it through out the door.
Speaker BBut then out pops a corpse.
Speaker BMummified corpse.
Speaker APops.
Speaker APops out.
Speaker ALike it was on a trampoline, by the way.
Speaker BYeah, like flies out at them.
Speaker BStinger and all.
Speaker BIt's a good.
Speaker BIt was a good job.
Speaker BI jumped.
Speaker BI'll jump.
Speaker BI admit.
Speaker BFirst time, watch.
Speaker BI jumped.
Speaker BI didn't see it coming.
Speaker BAnd there it is.
Speaker BA mummified young girl.
Speaker BThey explain later that she's a young girl because she's wearing braces, in a.
Speaker AGirl and a girl school uniform.
Speaker BAnd With a rose in her hair.
Speaker AYeah, with a rose.
Speaker BIt comes back later for some reason.
Speaker AWell, it's just.
Speaker AIt's just to connect it.
Speaker AThis is just.
Speaker AYep, it's the same, too.
Speaker AThis is their mo.
Speaker BIt's their mo.
Speaker AJesus.
Speaker AIt's a little girl.
Speaker CWhat's that in her hair?
Speaker ERose?
Speaker AMama.
Speaker AMama approves of this one.
Speaker AI.
Speaker AYou brought her to me, and I smell her virginity, so I'm gonna put a rose on.
Speaker BOh, is that what it was?
Speaker BI was trying to figure out what the.
Speaker BWhat?
Speaker AThat's my headcanon.
Speaker AThat makes sense because that's what happens later.
Speaker AThat's what Happens later, she brings her mom and she's like, hold on, I've got something.
Speaker BYou think she's gonna cut her nose off?
Speaker AIt's your nose.
Speaker AI got your nose.
Speaker ADid you catch, did you catch where this happened?
Speaker AWhere this first location was?
Speaker BWas it Bodega Bay?
Speaker ABodega Bay.
Speaker AWhat else happened in Bodega Bay?
Speaker BThe birds.
Speaker AThe birds.
Speaker BTippy Hendrick, One outfit.
Speaker AFirst we get the birds, then we get the cats.
Speaker BI didn't even put together, considering how.
Speaker AMuch I love this movie, how much violence happens towards cats in this movie.
Speaker AAnd I hate that.
Speaker AI hate animal violence.
Speaker ABut in this, it all works for some reason.
Speaker AJust to see their.
Speaker AWhen you see their house and their house is just covered in dead cats.
Speaker ALike warning to the other cats, don't come here.
Speaker BYeah, like, like decorating.
Speaker BIt was like decorated with dead cats.
Speaker AYes.
Speaker AOkay.
Speaker ANot a cameo, but an up and coming person.
Speaker AWe got a Rusty swimmer.
Speaker AHas one line here.
Speaker AGod, I just hope nothing horrible happened to them.
Speaker AThey were so close.
Speaker AYeah, they really are.
Speaker AIf you don't know who Rusty Schwimmer is.
Speaker AShe went on to be in Candyman and she was also in Jason Goes to Hell.
Speaker AShe owned the restaurant.
Speaker AYeah, she got.
Speaker AShe got her teeth knocked in by Jason.
Speaker AHe got the elbow from Jason in the face.
Speaker ADied.
Speaker AWas hanging out with.
Speaker AHanging out with Leslie Jordan the whole movie.
Speaker BThat sucks.
Speaker BLosing your teeth.
Speaker AYeah, yeah.
Speaker ABoom, right?
Speaker BGotta protect them.
Speaker AWell, but, you know, she was dead, so we're just gonna use them.
Speaker BSo you need those.
Speaker BNeed those sometimes.
Speaker BDead, you need them later.
Speaker AYou know what?
Speaker AYou're right.
Speaker AYou're right.
Speaker ARight.
Speaker AIf she got Uncle Spooky, she'd be like, great, I got no teeth.
Speaker AI'm Uncle Spooky.
Speaker BI got a teeth brand of popularity.
Speaker AWe learned about the monsters.
Speaker AWe know about their.
Speaker AThat they.
Speaker AThey did something.
Speaker AThey had a run and now they're in a new location in.
Speaker AIn Indiana somewhere.
Speaker ATell me about Tanya Robinson did.
Speaker ABut first of all, I was really mad that it was that this, in my mind, this is also a Tanya Roberts origin story.
Speaker ALike this happened to Tanya Roberts.
Speaker AThis is how she became a star.
Speaker BYeah, exactly.
Speaker BA terrible name.
Speaker BThis is a 30 year old girl in high school.
Speaker AIt's the 90s.
Speaker AEverybody was 40 in high school.
Speaker BIt was like shockingly like just sitting at a desk was just like too old for this part.
Speaker ABut so is everybody else.
Speaker ASo is he.
Speaker ASo is everybody else in that class.
Speaker AEverybody looked ancient, but that's just the way things were.
Speaker BI guess so.
Speaker BI guess so.
Speaker BI Couldn't.
Speaker AYou can't blame.
Speaker AYou can't blame 80s 90s hard tropes on the 80s and 90s movies.
Speaker AYou can't blame it.
Speaker AIf they did it now would be like, come on now.
Speaker BAnd it was like an adult.
Speaker BShe was just wearing an adult shade of lipstick.
Speaker BThat bothered me too.
Speaker AOh, stop it.
Speaker AAnyway, the actress is mate, who I.
Speaker BLoved in Twin Peaks.
Speaker BLoved Twin Peak.
Speaker AShe's on Riverdale as well.
Speaker BWho was she in Twin Peaks?
Speaker BSherry?
Speaker AYeah, she was the waitress.
Speaker BShelly.
Speaker AShelly.
Speaker AI don't remember.
Speaker ARemember.
Speaker AIt's been a long time.
Speaker AIt's been a long time and I, I want to.
Speaker AI know.
Speaker AYou know the other show that you've been on a couple of times, you know, it came from the 70s.
Speaker AShe did a TV movie with Toby Hooper.
Speaker AReally in the night.
Speaker AIt's in the 90s, I'm gonna break my rules.
Speaker AIt's called I'm Dangerous Tonight where she's got a killer dress made out of an Aztec cloak that makes her kill people.
Speaker BReally?
Speaker AIt's supposed to be, it's supposed to be fabulous.
Speaker BWe haven't seen it yet.
Speaker AAll right, I haven't seen it yet.
Speaker AIt's on my list going on.
Speaker ABut I've heard, I've heard, I've heard from the people who know that it's fabulous.
Speaker ABut she's, she's your average all American girl.
Speaker AShe's, she's, she's this cute pie and she's this, she's the sweet, wholesome girl that you need to get corrupted in a movie like this.
Speaker AShe's like perfect target for slate parkers.
Speaker BAnd she's got a job.
Speaker AUncle Spooky.
Speaker ADo you know that since I've mentioned I was doing this movie, the amount of straight guys, like that scene where she's dancing with the carpet sweeper changed my life.
Speaker AIt's fascinating.
Speaker BYou know, and as a, as a possible gay, all I thought of was how bad she was at her job.
Speaker BShe didn't, she didn't ring up the customer.
Speaker BShe like, she was not picking up any of that friggin dirt on the floor.
Speaker BShe was dancing around.
Speaker AYou know what?
Speaker AThose car, those carpet sweepers never work.
Speaker AThey never work.
Speaker BShe was jamming to the song.
Speaker AShe, she had.
Speaker AShe's a minimum wage worker, all right?
Speaker AShe's got class in the morning.
Speaker AShe's got a.
Speaker AShe's got a pop quiz coming up.
Speaker ABut what I think is all just fascinating is that this, this registered so much with my straight fans out there that I'm learning, yes, yet there's nothing suggestive about anything that she does.
Speaker ALike, there's nothing sexy about this dance at all.
Speaker AShe's just like, honestly, cute.
Speaker AIt's a cute little dance.
Speaker BYeah.
Speaker BShe's doing.
Speaker BShe's giving you Dirty Dancing?
Speaker AA little tiny bit, but it's most.
Speaker AIt's mostly like I'm a dork and I think nobody's watching, but I think.
Speaker BThe song is from Dirty dancing.
Speaker BRight.
Speaker AAt 100% is from dirty Dance.
Speaker ADo you love me?
Speaker BDo you love me?
Speaker BAnd then she gets popcorn dumped on her head.
Speaker DYou scared me.
Speaker FSorry.
Speaker DOh, no.
Speaker DI'll see you again.
Speaker FCharles Brady.
Speaker DThanks for the help, Charles Brady.
Speaker FDon't mention it.
Speaker BAnd then she gets popcorn dumped on her head.
Speaker BShe didn't clean that up?
Speaker ANo, she just picked out of her hair and gave it to him.
Speaker AShe's like, here, it's free.
Speaker DGo ahead.
Speaker FYou mean free me.
Speaker AThanks.
Speaker BSo that's that meet cute moment.
Speaker DI'm very embarrassed.
Speaker DAm I flushing?
Speaker FYou look good in red, Tonya.
Speaker DHow'd you know my name?
Speaker FEnglish, period four.
Speaker FCreative writing.
Speaker FMr.
Speaker FFallows, the weird and terrible.
Speaker DOh, you're the new guy from Ohio.
Speaker FParadise Falls.
Speaker BBut he set it up.
Speaker BYeah, he sets this cute moment up.
Speaker AYeah.
Speaker BAnd so she's a little, you know, charmed the pants off a little bit.
Speaker BThen he.
Speaker BThen the father, he tries to take her home, but the father shows up to take her home and.
Speaker BAnd then, yeah, he's hiding in the shadows, doing creepy things.
Speaker ABut again, that was also a test.
Speaker AIt was a test.
Speaker ALike, even she says, she's like, when he asked, she asked for a ride home.
Speaker AShe's like, well, what kind of a girl would I be if I let someone who I just met drive me, right?
Speaker FI don't suppose you'd like a ride home after work tonight, would you?
Speaker DMy dad picks me up.
Speaker FNice dad.
Speaker DYeah.
Speaker DBesides, what would your girlfriend say if you gave the popcorn girl a ride home?
Speaker FNo girlfriend.
Speaker FI'm new in town, remember?
Speaker FThanks.
Speaker FSee you in class.
Speaker DOh, wait.
Speaker DUm.
Speaker DWelcome to Travis.
Speaker FThanks.
Speaker FThanks a lot.
Speaker ABut exactly the kind of girl I'm looking for.
Speaker AYou are by not going home with me right now.
Speaker BYou passed the first test.
Speaker AExactly.
Speaker AExactly.
Speaker AI also love that her parents are also Ferris Bueller's parents.
Speaker BAre they really?
Speaker AYeah.
Speaker ALyman Ward and Cindy.
Speaker AOh, gosh.
Speaker ACindy.
Speaker ACindy.
Speaker ACindy Pluckett.
Speaker ADing Dong Cindy Pickett.
Speaker ANurdle brain.
Speaker BThey don't fare so good here after bid through fairies.
Speaker AYou know what they got rid of?
Speaker AThey got rid of those two shitty kids and they're like, you know what?
Speaker AWe're gonna have a normal girl in Indiana.
Speaker AEverything's gonna be fine.
Speaker BGreat.
Speaker AWe're gonna disown those other two fuckers.
Speaker AThey were insane.
Speaker AOne was just uncontrollable, and the other one got her nose changed, and we don't even recognize her anymore.
Speaker BYou know, that's another thing.
Speaker BThey.
Speaker BThey made this kind of stink about the couple, the last two, that they felt there were others around there, and they couldn't be the last ones.
Speaker BAnd they were thinking, there has to be more.
Speaker FDeputy had a cat.
Speaker AMaybe for a second or two.
Speaker EHe won't believe what he saw.
Speaker CNo, he probably won't.
Speaker FSomebody will find the teacher that I dumped in the woods.
Speaker FIt's already started again.
Speaker FMom, don't worry.
Speaker EDon't worry.
Speaker FI have to feed you.
Speaker EYou'll see her tomorrow.
Speaker FWhat if something happens to me?
Speaker FYou'll starve.
Speaker FWe haven't even seen another sleepwalker.
Speaker EWe aren't the last.
Speaker AI don't know that.
Speaker EYes, I do.
Speaker EI can feel the others.
Speaker EYou'll feed tomorrow, and then you'll feed me.
Speaker EAnd then we left.
Speaker ALeave.
Speaker ENothing's going to happen.
Speaker EWe just have to take care of each other.
Speaker BAnd.
Speaker BAnd she could smell.
Speaker BShe could sense they were around right where she was, which was, I think, a plot point they.
Speaker BThey just dropped.
Speaker AWell, that's also just to keep things open for a sequel, which actually Tab of the King wrote a script for, but it never got picked up.
Speaker BYes.
Speaker BI heard they were like, yeah, thanks.
Speaker BEven though it made double its budget, it.
Speaker AWith a female basketball team.
Speaker AWe love things with female basketball teams.
Speaker AIt would be like Sleepwalkers meets Lover Party Massacre.
Speaker AIt'd be great.
Speaker BOh, my God.
Speaker ASleepwalkers versus lesbians.
Speaker AYes.
Speaker ALet's do this.
Speaker BSomewhere around here, somebody turns out to be a cutter.
Speaker AA cutter?
Speaker AOh, yeah.
Speaker AWell, no.
Speaker AYeah.
Speaker AWell, it's the first indication that something's wrong.
Speaker ALike, you see him at the opening.
Speaker AIt's the opening.
Speaker AWell, introduction to this new life in Indiana.
Speaker AIt's him sitting with his shirt off, and he's looking at her picture in the yearbook, and he's drawing a harder outer picture, but then he carves her.
Speaker AHer initials into his arm.
Speaker AYou're like, okay, that's weird.
Speaker AYeah, maybe this is not so wholesome as we think.
Speaker ATell me about their high school teacher.
Speaker BOh, my God.
Speaker BTheir high school teacher is somebody.
Speaker BHe was in something else.
Speaker BWhat was he in?
Speaker AIt's Glenn Shadducks from Beetlejuice.
Speaker BBeetlejuice.
Speaker BAnd there's that you get just.
Speaker BYou don't even.
Speaker BIt's such a weird thing that I don't know if anybody else could pick up on it, but a gay.
Speaker BThat there's like a weird.
Speaker BJust a hint of a vibe.
Speaker AAnd it's only because there's Glenn Shadix, who.
Speaker AHe always gives off a gay vibe, but.
Speaker AYeah, but no, there's definitely a gay vibe here.
Speaker AAnd also there's implied pedophilia.
Speaker BSomebody's passing notes in his class.
Speaker BLike a dirty note.
Speaker BAnd it's a jock.
Speaker BAnd he just kind of sends his ruler down on the jock's knuckles.
Speaker BAh, shit.
Speaker CI suggest that next time you keep your hands to yourself, Mr.
Speaker CCrawford.
Speaker BYes, sir.
Speaker BI know.
Speaker BRight there.
Speaker BI was like.
Speaker BWhen they just looked at each other, it was like.
Speaker BI got this weird vibe.
Speaker AWell, that's Glenn.
Speaker AThat's exactly what he gives.
Speaker AHe gave it off in Beetlejuice too.
Speaker AHe gave it all.
Speaker ABut yes, what I think is cool about this scene, this whole scene with him reading where Charles reads this, his story about sleepwalkers, which is basically like telling everything that we do, but everybody thinks it's fiction.
Speaker BYeah, Zip.
Speaker BSuck the face out of people.
Speaker AHer reaction.
Speaker AAnd the whole scene is exactly the same scene as in Carrie with the poem.
Speaker BYes, it is.
Speaker BIt sure is.
Speaker FCallback to that a time of happiness too brief to be anything but gold had run out.
Speaker CVery good, Charles.
Speaker CAll right.
Speaker CAny thoughts on Mr.
Speaker CBrady's sleepwalkers, Ms.
Speaker CRobertson?
Speaker DI liked it.
Speaker CYou liked?
Speaker DWas different.
Speaker DI thought it was very sad.
Speaker CSad, why?
Speaker DBecause they were always driven away.
Speaker DBecause they were such outsiders.
Speaker ADing dong.
Speaker APacking from the future here.
Speaker AAnd to further connect the two movies, in both Carrie and Sleepwalkers, both of these teachers are dressed the same, have the same glasses, and are both mildly effeminate.
Speaker AWonderful.
Speaker AWonderful.
Speaker ADing dong.
Speaker ABack to the show.
Speaker AAnd I think that's cute.
Speaker AI think that's cute.
Speaker AThe other thing I think I.
Speaker AIt sounds like you don't like Major Mick.
Speaker AI think she's great in this.
Speaker BI do love her, actually.
Speaker BAnd that's.
Speaker BShe is the only reason I was ever semi interested in seeing this movie.
Speaker AShe gives her.
Speaker AI think she gives a really great performance.
Speaker ALike in this particular.
Speaker AIn this early sense, like he said, like, she's.
Speaker AShe's coming off as 30, but yet she's still pulling off innocence.
Speaker AWhat she's doing.
Speaker AOne of my favorite things.
Speaker ADo you remember there used to be that game show, like, game show, reality show on VH1 called Scream Queens, but the girls trying to get into the saw Movie.
Speaker AThere was one episode where they had an acting coach that was working with him.
Speaker AHe's like, okay, I want you to come on and seduce me.
Speaker AAnd all the girls, like, there's a bowl of fruit there and all of them, like, having sex.
Speaker AThe fruit.
Speaker AHe's like, no, no, no, no.
Speaker AThat's not how you do it.
Speaker AThat's not how you do it.
Speaker AAnd one of the things he said, like, one of the big thing was like one of the big things, like you have to be innocent, but doing things that are unconscious, supposedly unconsciously sexual.
Speaker ALike exposing your neck, like pushing your hair back.
Speaker AAnd the other thing is biting your lip.
Speaker BHuh.
Speaker AMarsha Brady loved the lip bite.
Speaker AMarcia Brady does the lip bite all the time and so does Mason.mx.
Speaker Ashe does it like seven times.
Speaker BBut.
Speaker AShe'S able to pull it up.
Speaker ALike, I'm buying, I'm buying that you're a 16 year old virgin, but.
Speaker AOr at least giving off that energy.
Speaker BYeah, she's definitely.
Speaker BShe nailed that.
Speaker BAnd he's got this great car that's kind of for a high school kid.
Speaker BIt's a little too much, but it's.
Speaker BIs, what is it, a Trans Am or something?
Speaker AYeah, it's the blue Trans Am.
Speaker AWell, of course it's too much hot.
Speaker BBlue car that any girl would just go out with just for this car.
Speaker AThat he has to jump in like he's one of the Dukes of Hazard.
Speaker AHe has to jump in the room.
Speaker AYeah.
Speaker ABecause it's gonna, it's, it's what, it's what teenage girls want.
Speaker AIt's to impress teenage girls who don't know no better.
Speaker AAnd I think it's gonna be.
Speaker AOh, by the way, I love also in these school scenes, you get brief visits with her friends.
Speaker BYes.
Speaker AIn another movie, it would be about murdering these, these awful sluts.
Speaker BI know they're all reading it because she's a virgin.
Speaker AAnd they're all, they're all aggressively.
Speaker BYeah, they're doing the, they're doing the, you know, the blow jobs.
Speaker AYeah, it did, like, not subtle about anything.
Speaker AAnd again, they're 40.
Speaker ABut I say I do want to see a movie where I want to see those die.
Speaker AI don't like these.
Speaker AThey're crude and I don't like them.
Speaker DWell, I may have plans of my own and they just might include Homeland.
Speaker AYeah, right.
Speaker EI can just see you in the.
Speaker ABack seat at Homeland.
Speaker DNice.
Speaker DHoney, you gotta admit, I mean, your.
Speaker ADad'S gonna be there.
Speaker AI can just tell your dad's gonna be there.
Speaker DHi, Charles.
Speaker DHi, Charles.
Speaker DDo you know Jeanette and Carrie?
Speaker DThis is Charles Brady.
Speaker AHi.
Speaker AWe are in the same class.
Speaker FTanya, can I give you a ride home?
Speaker FI mean, all of you.
Speaker ANo, we've got a ride, but why don't you go, Tanya?
Speaker AOkay.
Speaker BSee you later.
Speaker BYeah.
Speaker BI was hoping that we would revisit them and they would, like.
Speaker BThey would be, like, unsuitable virgins that they had to, like.
Speaker BYou know, they were so hungry, they would have to eat something.
Speaker ARight, right, right, right.
Speaker ABlair, you brought me this girl.
Speaker ABlah, blah, blah, blah, blah.
Speaker BThen throw it up like a cat bull.
Speaker ABig blue, glowing blue hairball, little fight.
Speaker BThen.
Speaker BThen he takes it to a.
Speaker BHe drives a home, and she brings him up to the bedroom.
Speaker BAnd there's, like, panties and bras littered everywhere.
Speaker AThere's more panties than anything.
Speaker AThe furniture in the room.
Speaker AIt's amazing.
Speaker AHis panties, literally everywhere.
Speaker BBut he's, like, staring right at him.
Speaker BBut you.
Speaker BBut she's like.
Speaker BIt's kind of like.
Speaker BBut she.
Speaker BHe's acting like he doesn't see them.
Speaker BAnd she's.
Speaker BShe's trying to get his attention diverted so she can.
Speaker BI mean, there's like a whole thing of her, like, hiding her panties and, like, why did she bring him up there?
Speaker AIt's all part of the.
Speaker AWell, she's trying.
Speaker AShe's trying to be cool.
Speaker AShe's trying to be like her slutty friends.
Speaker ALike, this is what my slutty friends would do.
Speaker AThey're bringing her up to the bedroom and would listen to records.
Speaker AAnd we close the door, which is a very naughty thing to do.
Speaker AAnd she does all that stuff, but we're not gonna do anything because I'm a nice girl.
Speaker ABut he doesn't know that yet.
Speaker ABut, oh, my gosh, my panties are everywhere.
Speaker AI didn't know I owned this many panties.
Speaker BAnd then the mom comes in.
Speaker ASo you two are going out tomorrow?
Speaker DYes.
Speaker FTanya's gonna show me Homeland.
Speaker AOh, really?
Speaker FYou see, I do rubbings, too.
Speaker FNot quite as fine as yours, but I figured there must be some old slate gravestones out there.
Speaker AYes, as a matter of fact.
Speaker DIn the old section near the woods.
Speaker DTell me, Charles, do you use powder or stick?
Speaker FI use stick, usually.
Speaker FNumber five.
Speaker AReally?
Speaker ADon't you find that a little hard?
Speaker FYeah, but I'm clumsy.
Speaker FYou know, powder's so messy and everything.
Speaker AShe's clocking him, too.
Speaker AShe's like, huh?
Speaker AOh, yeah, yeah.
Speaker AI love that.
Speaker AShe's.
Speaker AShe's got great parents.
Speaker ALike, she's got parents that actually listen to her and give a shit about her, which is Nice.
Speaker ABecause normally these movies you don't get that.
Speaker BShe's like be home tomorrow.
Speaker AYeah.
Speaker ABy the way.
Speaker AYeah.
Speaker AHuh.
Speaker AYou're gonna go to the cemetery and do rubbings.
Speaker AUh huh.
Speaker AThat's my thing.
Speaker AAnd I'm gonna grill you on.
Speaker AI love all that.
Speaker AThat she.
Speaker AThat that.
Speaker AThat she grills him and he passes the test like that.
Speaker AThis is.
Speaker BHe's right.
Speaker BAnd no.
Speaker BAnd then somehow he pulls out.
Speaker BWhat does he pull out?
Speaker BPowder or a stick.
Speaker BHe does rubbings as well.
Speaker AI.
Speaker AStick is hard to work with but I'm very clumsy so powder can be messy.
Speaker AGood for you.
Speaker AI mean.
Speaker AI mean I'm cheering for him but also going no, I shouldn't be cheering for you because you're awful and you're going to do bad things.
Speaker AWe had our first kill here.
Speaker ARight by here.
Speaker AThe high school teacher.
Speaker BThat.
Speaker BWhich is a great scene.
Speaker AJust he's on to Charles's game right away.
Speaker AWhat does he realize really quickly about what's wrong with Charles?
Speaker BThat the town he's from.
Speaker BSomething like that doesn't exist.
Speaker BRight.
Speaker BSo that.
Speaker BSo he chases him down in a car.
Speaker AYeah.
Speaker AAnd his transcripts are fake.
Speaker BIt's like a car thing.
Speaker BAnd he not runs him off the road but makes him pull over.
Speaker AYeah.
Speaker BAnd like kinda in the side of the little woodsy area where he makes his move.
Speaker CHello Charles.
Speaker CChecking out your new environment?
Speaker CBoring, isn't it?
Speaker CDisneyland for cows, but for human beings.
Speaker FWell, I like.
Speaker FIt's kind of peaceful.
Speaker CReminds you of Ohio, I suppose.
Speaker FYeah, well, you know.
Speaker CNo, actually I don't Charles.
Speaker CI don't know.
Speaker CAnd you don't either.
Speaker CThere is no Paradise Falls in Ohio.
Speaker CYour transcripts are also fakes.
Speaker CClever fakes, but fakes.
Speaker CAnything to say?
Speaker FTransition mistaken.
Speaker COh no, I'm not.
Speaker CBut you are, Charles, if you think you can wiggle out of this.
Speaker CI don't know who you are, but I know you're not who you say you are.
Speaker ABut yeah, like I said, the implied pedophilia.
Speaker AHe basically says.
Speaker ABecause he said, I don't have any money, Mr.
Speaker AWhatever your name is.
Speaker AI can't pay you to keep this quiet.
Speaker AThere are other ways to keep things quiet.
Speaker AAnd doesn't keep his hands to himself.
Speaker AThat's why he gets his hand ripped off.
Speaker ABecause he was groping this boy's genitals.
Speaker FThis is blackmail, Mr.
Speaker FPhallus.
Speaker FI think you picked the wrong guy.
Speaker FThis car is the only expensive thing I've gotten and I'm kind of sentimental about it.
Speaker FI don't think I Can tell it.
Speaker BOw.
Speaker BCivil.
Speaker CI'm through with you.
Speaker CYour generation is so mercenary, Charles.
Speaker CMoney this, money that.
Speaker CWell, money is not the only medium of exchange.
Speaker FYou're right, Mr.
Speaker FCarlos.
Speaker FPeople really should learn to keep their hands to themselves.
Speaker FHere's yours.
Speaker BWhich it took me a minute to really like, how did this guy look?
Speaker BBecause he just kind of sticks it down his pants or sticks it down his crotch.
Speaker BAnd the guy doesn't bite it off, so you just.
Speaker BYou just hear like a crunch.
Speaker AYeah, yeah, he tore it off.
Speaker AHe tore it off his hands.
Speaker AHe's very strong.
Speaker ABut this is another scene that got cut.
Speaker ADidn't get to the center.
Speaker BOh, yeah.
Speaker AYou know, like, we can't show touching people.
Speaker ACreepy.
Speaker BIt's too bad because that.
Speaker BThat was like, an interesting scene.
Speaker BI was.
Speaker BI was like, wow, is this gonna go.
Speaker AAnd also, he's supposed to be underage.
Speaker AHe's supposed to be a teenager, like, so.
Speaker AI mean, even though he's probably 3, 000 years old, but he is supposed to be a teenager, so he can't.
Speaker BI mean, he was totally giving off pedophilia vibes.
Speaker BSo now.
Speaker BNow he's like, handless.
Speaker BAnd he's running through the woods.
Speaker AYeah.
Speaker BLike, you do victim, and the other guy's, like, slowly chasing.
Speaker BAnd then when he kind of gets them.
Speaker BSo there's a little bit of a chase scene here.
Speaker BYou know, Wanders through the mud and.
Speaker BAnd what's.
Speaker BWhat are we calling this kid?
Speaker BWhat's his kid's name?
Speaker ACharles.
Speaker BCharles jumps him and it's like, you know, I guess ripping out his throat, but it looks a little suggestive.
Speaker AYeah.
Speaker BThat he's.
Speaker BThe way he's laying on top of him.
Speaker BYou see the back of his, like, football jacket and, like, the flailing guy underneath looks like he got what he wanted.
Speaker AHe got what he wanted.
Speaker AYeah, he got.
Speaker AHe got it.
Speaker AHe got a throat full of something and got throw full of somebody's teeth.
Speaker ABut that's okay.
Speaker BWhat else got paid?
Speaker BIs this.
Speaker BHave we met Clovis yet?
Speaker AClovis.
Speaker AHow can I forget Clovis?
Speaker AClovis is my reason for loving this movie.
Speaker AI love Clovis.
Speaker AClovis is the man of my dreams.
Speaker ATell me about Clovis.
Speaker AWho's Clovis?
Speaker BClovis is the hero of this movie, 100%.
Speaker ACome on, boy.
Speaker ACome on, boy.
Speaker AGet the bad guy.
Speaker AGet the bad guy.
Speaker AGet the bad guy.
Speaker ACome on, Clovis.
Speaker AHere we go.
Speaker BGet that.
Speaker AGood boy, Clovis.
Speaker BSo I have to tell you so that they've already established already.
Speaker BSo in their new house, the cats are starting to kind of very slowly, one or two is kind of sneaking up on the house.
Speaker AYeah.
Speaker BAnd they've got traps, like really brutal bear traps.
Speaker BBear traps out for these cats to snag them.
Speaker BAnd you know, every now and then you hear one close and it kills the cat.
Speaker BA lot of cat deaths in this.
Speaker AYes.
Speaker BAnd so you.
Speaker BSo you know these, you know, they have no problem with killing off cats in this movie.
Speaker ANo, they don't.
Speaker BNo problem whatsoever.
Speaker BAnd now we meet Clovis.
Speaker AI'm sorry, that's the one thing we left out about the description at the beginning is that what.
Speaker AWhat is the one thing that the sleepwalkers are.
Speaker AWhat's their fatal flaw?
Speaker BCats.
Speaker BThe big cat people don't like little cats.
Speaker BNo.
Speaker AYeah.
Speaker AThe scratch of cat is the only thing that can kill them.
Speaker AIt's their wooden.
Speaker AIt's a stake of the heart.
Speaker AIt's a silver bullet.
Speaker AYe.
Speaker BOh, right.
Speaker BCat scratch.
Speaker ASo that's why the cat.
Speaker AThe cats smell something wrong and they're just.
Speaker AThey're just little by little, surrounding the.
Speaker BHouse little by little till it's like.
Speaker BIt's almost like die the living dead with that.
Speaker AYes.
Speaker BThey slowly.
Speaker BSo you end up with a clouder of cats.
Speaker AYeah.
Speaker AWe're not going to do anything yet because we need numbers.
Speaker ABut we're just going to start assembling really slowly.
Speaker AWe're just.
Speaker BAnd they get nervous and she's like.
Speaker BShe spends a lot of time like looking out the window.
Speaker BLike, don't open window for some reason.
Speaker BLike close the freaking window if you.
Speaker AOkay.
Speaker AShe's starving.
Speaker AShe's starving and she's weak from hugger uncle book.
Speaker AShe can't fight off those cats.
Speaker EYou didn't get it?
Speaker ANo.
Speaker EWhy didn't you get anything?
Speaker FI just couldn't.
Speaker EWhat are you talking about?
Speaker EStarving, Charles.
Speaker BShe can't fight off those cats.
Speaker AShe can't possibly fight off those cats.
Speaker BThen we meet like this kind of like the sheriff.
Speaker BThere's like the Sheriff.
Speaker AThe sheriff.
Speaker AYes.
Speaker BSomebody.
Speaker ASheriff Dan Martin.
Speaker AAnd I can't read what else he was in.
Speaker BI feel like he looked a little familiar.
Speaker AYeah.
Speaker AI can't read what it is.
Speaker AI can't read.
Speaker BA big handsome black guy.
Speaker AYeah.
Speaker BIn the 90s.
Speaker BYou must have seen him in 100 Things.
Speaker ADing dong.
Speaker ABack to from the future here again.
Speaker AGuess you have seen actor Dan Martin in hundreds of things.
Speaker ALiterally.
Speaker AHe's got a list of TV credits.
Speaker AIt's over 100 shows.
Speaker CWrong.
Speaker AMostly One offs.
Speaker AAnd that's beautifully.
Speaker ANothing wrong with that.
Speaker ABut he's most famous as a recurring character, Deputy Chief Bradley Barker on the Bold and the beautiful since 1997.
Speaker AThat was a lot of bees in a row.
Speaker AAlliterations.
Speaker AFun.
Speaker ABack to the show.
Speaker BBut he's sitting in his car talking to his cat Clovis, and they're just having a little moment, the two of them.
Speaker BHe's got a.
Speaker BThat's who's riding shotgun.
Speaker BClovis.
Speaker AYeah.
Speaker BAnd.
Speaker BAnd who comes speeding by, but Charles and his blue Trans Am has just murdered this.
Speaker BYou know, the school teacher flies by, and the sheriff's like, oh, I got some work to do.
Speaker BSo he starts.
Speaker BAnd they start this car chase, which is almost the beginning of where the movie starts to turn, because this car chase is like a really long car chase.
Speaker BIt lasts a while.
Speaker AIt goes on for too long.
Speaker BAnd how does it end?
Speaker AWell, on the.
Speaker AHow did this get made?
Speaker APodcast, they referred to was this little scene that happens.
Speaker AIt's kind of like the sleep.
Speaker AIt's kind of like if you saw Lon Chaney in his normal form and, like, he farted, and all of a sudden the werewolf came out for one second.
Speaker ALike, he lost control for, like, one second.
Speaker ASo it's kind of like sleepwalker farted when he saw Clovis.
Speaker BOh, yeah, that's right.
Speaker BThey end up going to each other, and I think the guy's gonna.
Speaker BSomebody's gonna shoot somebody or somebody's about to do something major.
Speaker BAnd then the cat kind of peeks his head up like.
Speaker BWhat's the driving cat movie from San Cat Movie?
Speaker AOh.
Speaker AOh, yeah.
Speaker AHim.
Speaker AYeah.
Speaker AI don't.
Speaker AI know.
Speaker AHe may.
Speaker BThe cat's almost.
Speaker BThat.
Speaker BHe kind of stinks his head almost.
Speaker BAnd.
Speaker BAnd it makes Charles, like, freak out.
Speaker BAnd his face goes into, like, putty and bad.
Speaker AWhat the.
Speaker AYeah, his face changes.
Speaker AIt faces.
Speaker BIt's like the beginning of computer stuff where they haven't really figured it out yet.
Speaker AIt's.
Speaker AIt's shitty cgi and the monster design isn't great.
Speaker BYeah.
Speaker BYeah.
Speaker BWhen you finally get it, it's like the final.
Speaker AFinal Sleepwalker, I think looks cool.
Speaker AThe one where it looks like it's carved and it's Egyptian, but everything else looks like just mushy, silly putty, muddy.
Speaker BLike, they didn't have it down yet, though.
Speaker BBut there's a nice mix of, like, with.
Speaker BWith real gore.
Speaker BI feel like.
Speaker AYeah, yeah, yeah.
Speaker AI didn't.
Speaker AI.
Speaker AYou know, what are you gonna do?
Speaker AIt's the 90s that's all we had.
Speaker BRight, right.
Speaker BSo it freaks him out.
Speaker BHe pulls off to the side, he does this a little shimmer thing, and he makes his car disappear because he's got this power.
Speaker BHe's at full capacity because he just ate this kid guy and he.
Speaker BHe makes his car disappear.
Speaker BAnd then the cop kind of pulls alongside the.
Speaker BYou know, just happens to stop right next to where the car should be.
Speaker BAnd he's all confused and he's like, I don't know what to do.
Speaker BAnd then Clovis.
Speaker BClovis got a little sixth sense.
Speaker BAnd I don't.
Speaker BI forget how that ends, but.
Speaker AWell, well, well, like.
Speaker ALike they said, like my favorite line in Cat People, which we covered last time.
Speaker AOh, lordy me.
Speaker AYou could fool some people some of the time, but you can't fool a cat.
Speaker AThe cat sees right through this and he's growling at him.
Speaker AThis was one of my favorite lines that.
Speaker AStop looking at me.
Speaker FStop looking at me.
Speaker FStop looking at me, you cat.
Speaker AStop looking at me, you cat.
Speaker BWhich made my blood bingo list.
Speaker BYou cat.
Speaker ABut nothing comes of it.
Speaker AYeah, it just.
Speaker AIt's just.
Speaker AIt's.
Speaker AIt's.
Speaker ANow we're on.
Speaker AWe're on the.
Speaker AHe's on the sheriff's radar.
Speaker AHe's going to be on.
Speaker AThe sheriff's going to be looking for him, and he's on Clovis's radar, which is much more important.
Speaker BAnd he still doesn't have the girl?
Speaker BNot yet, no.
Speaker AWell, they're about to go on their date.
Speaker AWhere they go on their date.
Speaker BFirst he brings it.
Speaker BShe shows up unexpected at his house.
Speaker AOh, right, right, right, right, right.
Speaker AYeah.
Speaker BAnd so she comes in and the mother's like.
Speaker BAnd the son's trying to, like, trying to keep them apart a little bit.
Speaker BAnd the mother's like, oh, no.
Speaker BCome in, come in.
Speaker BI'd like to meet you very.
Speaker BYou know, come me.
Speaker BCome look at my.
Speaker BMy, my planter of feathers.
Speaker DOh, this is a bad time.
Speaker ENonsense.
Speaker EI'm so glad you came by.
Speaker DThank you.
Speaker FWell, we really ought to go.
Speaker FThe light for Tanya's pictures will be.
Speaker EJust fine for hours yet.
Speaker ECome in, Tanya.
Speaker EI have something for you.
Speaker DYou do?
Speaker EI won't keep you long.
Speaker ENo.
Speaker EYoung people have to run and play.
Speaker AWell, yeah, well, I get this, you know, when you're a teenager and your date shows up at the door, you don't want them to meet your mom or dad either.
Speaker AI totally get this because I can see in this case, she's gonna say something stupid.
Speaker AShe's gonna get too aggressive, be like, I'll see her now.
Speaker BYeah, she's gonna suck.
Speaker BShe would.
Speaker BShe would be willing to go right there, like, suck the face.
Speaker AAre you nice?
Speaker AAre you nice?
Speaker ADo you think.
Speaker ADo you do things like this, like I do with my son?
Speaker AWant to see the hickey my son gave me?
Speaker BAnd meanwhile, then kind of behind the girl's back, she takes up these giant shears, whips around at the same time and snaps them shut.
Speaker BAnd you think she's gonna cut off the girl's nose, but instead she goes for a rose, places it lovingly in her hair.
Speaker DWow, those are your cats.
Speaker DThere's a lot of them.
Speaker EOh, they're strays, but we'll get rid of them.
Speaker EWe're good at getting rid of pest there.
Speaker EIt finishes you somehow.
Speaker DThank you.
Speaker DThat's very sweet.
Speaker EOh, sweets to the sweet, I always say.
Speaker ERight, Charles?
Speaker AAnd I love that she says, sweets to the sweet.
Speaker AEverybody thinks it's a romantic thing to say, and it's not.
Speaker BIt's not.
Speaker AIt's from Hamlet.
Speaker AIt's a funeral blessing.
Speaker AYeah.
Speaker AWhen the queen.
Speaker AThe queen's throwing flowers on feelings graves, she says, sweets to the sweep.
Speaker AI love sweets to the sweet.
Speaker AIt's.
Speaker AYou're gonna die.
Speaker BSo they're all, this is for your grave.
Speaker BGo off on your date now.
Speaker AThey're.
Speaker AThey're off to the rodeo.
Speaker AYeah.
Speaker CHey, there comes Johnny with his pecker in his hand.
Speaker CHe's a one ball man.
Speaker AAnd he's off to the rodeo.
Speaker BAnd where are they going?
Speaker AHomeland Security Cemetery for some rubbing.
Speaker BWhich is down.
Speaker BUsually cemeteries are up a hill.
Speaker BThis one I noticed was kind of down a hill which looked a little.
Speaker BLittle, you know, flood prone.
Speaker AYes, me Take it up.
Speaker ATake it up with Travis, Indiana Town Council.
Speaker AOkay.
Speaker AI don't want to tell you, but.
Speaker BIt'S a nice, creepy little cemetery.
Speaker BA little, you know, got a little Buffy vibe going.
Speaker AWhich.
Speaker AWhich apparently is where everybody goes to neck.
Speaker BYes.
Speaker BAnd take photos and do grave rubbings and.
Speaker BAnd have a lovely picnic with wine.
Speaker BShe stole a wine bottle.
Speaker BWhich I thought was going to come in more in handy.
Speaker AWell, it does.
Speaker AI mean, the corkscrew sure does.
Speaker BThe corkscrew sure does.
Speaker BOh, sure does.
Speaker BSure does.
Speaker BSo this is pretty much right about this is exact moment where he kind of shows his true colors and he kind of jumps her or.
Speaker BOr does something like he makes a move on her and they fall and they do this kind of very interesting camera angle where you're rolling with them.
Speaker AYeah.
Speaker BAnd basically.
Speaker BAnd you're.
Speaker BAnd you just.
Speaker BAnd the movie is rolling downhill.
Speaker AHush.
Speaker AThis is when it's picking up for me.
Speaker ABut.
Speaker ANo, but it's.
Speaker AIt's.
Speaker AIt's your.
Speaker AIt's a perfect date up.
Speaker AIt's.
Speaker AIt's daylight.
Speaker AIt's golden hour, so everything looks like magic.
Speaker FIt's really beautiful here.
Speaker FSo are you, Tanya.
Speaker DThank you, Charles.
Speaker FI better get these out of the way right off.
Speaker FYour mother's gonna want to know some rubbing went on out here.
Speaker DMe too, Charles.
Speaker AAnd.
Speaker AYes.
Speaker AOh.
Speaker AOh.
Speaker AOh, I'm sorry I surprised you and we surprised each other.
Speaker ANo, no.
Speaker AAnd we fell and we're rolling down a hill and.
Speaker AOh, no.
Speaker AI'm accidentally on top of you.
Speaker AWhat are we gonna do?
Speaker AOh, first kiss.
Speaker BAnd he.
Speaker FOh, sorry.
Speaker FSorry.
Speaker DNo sorrys.
Speaker AYeah, she is into it.
Speaker AShe was.
Speaker AShe was down for it.
Speaker AShe knew exactly what she was there to do.
Speaker AShe's under pressure from her slutty friends and she has never been here before.
Speaker AShe's got at least.
Speaker AGot to get a kiss out of this.
Speaker AHe might.
Speaker AHe might run off with one of my slutty friends.
Speaker BIs this his first sucker out?
Speaker BSuck the life out of her move?
Speaker AYeah.
Speaker AYeah.
Speaker AI mean, they.
Speaker AThey.
Speaker AThey.
Speaker AThey kiss a few times and then she's.
Speaker AHe even.
Speaker AHe even tests her a few more times.
Speaker AHe's like, I'm sorry if I'm moving too fast.
Speaker AShe's like, no, it's okay.
Speaker ANo.
Speaker AAll right.
Speaker AYou asked for it.
Speaker BRight?
Speaker BRight.
Speaker BYou give it.
Speaker BYou giving.
Speaker BYou're giving the okay?
Speaker BYeah.
Speaker AAnd then all of a sudden, it's hurting her.
Speaker AIt's.
Speaker AIt's.
Speaker AYou just see something changed in the way he puts his mouth over her mouth instead of on her mouth.
Speaker AAnd she starts to struggle when he pulls back for like one second, there's lasers shooting between them.
Speaker AHe's sucking her soul out.
Speaker AI couldn't breathe.
Speaker FIs this the excitement you were talking about?
Speaker BTanya.
Speaker ERight?
Speaker FWe do understand each other, Tanya.
Speaker FThis is just how we live.
Speaker FTanya.
Speaker FTanya doesn't have to hurt.
Speaker BSucking her so loud.
Speaker BAnd what did she do?
Speaker AShe.
Speaker BShe somehow gets out of that first.
Speaker AShe hit with the camera.
Speaker ABut here's what I love about this.
Speaker AIt's like this.
Speaker AThis girl is like she is the innocent in this thing.
Speaker AAnd you think she's.
Speaker AShe's not going to be able.
Speaker AAble to fight for herself at all.
Speaker AMajor damage.
Speaker APuts up one hell of a fight.
Speaker AShe hits him with that camera first, and then she gets.
Speaker AShe goes for him with the corkscrew.
Speaker AAnd she doesn't go for him in the shoulder.
Speaker AShe goes for the eye.
Speaker AShe takes his eye out.
Speaker AHer first instinct is to take his eye.
Speaker AAnd I say, that's a fighter.
Speaker AI love this girl.
Speaker ABaby, I lied.
Speaker FIt does have to hurt.
Speaker AFeed Natan.
Speaker AYeah, Mother's hungry.
Speaker AJust look at his shirt.
Speaker AMy mother's gonna kill me.
Speaker DGet off me.
Speaker AGet up.
Speaker AShe may be innocent, but she knows how to take care of herself.
Speaker AAnd ye for you.
Speaker AAnd it's a brutal fight.
Speaker AThe thing is, the stuff that it gets overshadowed by all this other stuff, the stuff that happens to Maej and Emmett in this movie is brutal.
Speaker AShe gets punched in the face by supernatural creatures really hard, like four times.
Speaker BYeah, she's.
Speaker BShe's taking a beating.
Speaker BThat's a fight.
Speaker BAnd which should be amazing.
Speaker BBut here's where they fuck it up with these bad one liners because you think he's dead.
Speaker BAnd then he sits up.
Speaker BThey do this whole build up where like she kind of, you know, he thinks, he thinks he's dead.
Speaker BAnd she said she feels bad and she's walking up to him and then.
Speaker AHe jumps up and says, I lied, Tanya.
Speaker AIt does have to hurt or something like that.
Speaker BNo, I wrote it down.
Speaker BPika, baby.
Speaker APick a baby.
Speaker AYeah.
Speaker AAnd I.
Speaker AI get it.
Speaker AThis was.
Speaker AThis was the Freddy Krueger era.
Speaker AThis is what sold.
Speaker AAnd it's not good because it's a total character change.
Speaker AAnd like, the thing is the lines.
Speaker BYeah.
Speaker ACould have been delivered in a different way, but this is how he was directed to do.
Speaker AIt's not his fault.
Speaker ABut, yeah, terrible.
Speaker AAnd it's a groaner.
Speaker AAnd it does take me out of the movie, unfortunately.
Speaker BAnd it changes the movie from there going forward because.
Speaker BBecause now we're going to get a lot more.
Speaker AA lot more of those.
Speaker AAnd a lot, A lot of them I've learned to excuse.
Speaker AThey're not as bad.
Speaker ALike the one where he's like, no, Tanya is supposed to hurt.
Speaker AThat's a good one.
Speaker AAm I hurting you?
Speaker ANo.
Speaker AGood, because it's not supposed to.
Speaker AYeah, it does.
Speaker AYeah, it does.
Speaker ASupposed to hurt.
Speaker AIt's much more.
Speaker AIt tastes much better if I hurt you.
Speaker ABut this fight, this.
Speaker AThis fight's brutal.
Speaker AIt's fights brutal.
Speaker ABut she manages to get away enough to run outside just in time as the cops going by and seeing that.
Speaker AThat blue Trans Am is parked outside.
Speaker BWhich he'd seen before.
Speaker AYeah, it's the one that, that it's.
Speaker AAnd Clovis is like.
Speaker BAnd then of course, the cop does.
Speaker BShe's like, she.
Speaker BShe gets away.
Speaker BShe's up at the top.
Speaker BAnd she's like, oh, we gotta go, we gotta go.
Speaker BAnd the cops, like, I have to investigate.
Speaker BShe's like, no, no, we gotta go.
Speaker BHe's not normal.
Speaker BHe's like, come on.
Speaker BSo we gotta go.
Speaker BDoesn't listen.
Speaker AOf course not.
Speaker AIt doesn't listen.
Speaker AIt doesn't look.
Speaker AHe's never looking where she's pointing, which always drives me crazy, which is annoying.
Speaker AYeah.
Speaker AHe's more concerned about getting control, controlling this.
Speaker AThis young girl who's terrified rather than it finding out what the hell she's pointing at.
Speaker DHelp me, please.
Speaker DGet me out of here.
Speaker AHe's trying to kill me.
Speaker ACalm down, calm down.
Speaker BTell me what happened.
Speaker APlease know.
Speaker AHe's right behind me.
Speaker AHim.
Speaker BWe'll get him.
Speaker DNo, you don't understand.
Speaker CHe's j.
Speaker AOne thing at a time, sweetheart.
Speaker BThis guy have a name?
Speaker DHis name is Charles, but he's not human.
Speaker BHis face changed.
Speaker AFace changed.
Speaker AGet it.
Speaker BGet in the car.
Speaker ALock it.
Speaker ANo, we both have to go.
Speaker DPlease.
Speaker BLook, just calm down.
Speaker ADing dong.
Speaker AFucking listen to women, Sheriff.
Speaker AYou ding dong.
Speaker BNo, no, he.
Speaker DNo, we both have to go.
Speaker ACalm down.
Speaker COkay?
Speaker ANo.
Speaker AAnd yeah.
Speaker AWhat happens?
Speaker BHe puts her in the back seat, closes the door.
Speaker BDoes he close the door yet?
Speaker BI don't know.
Speaker BHe puts her in the back seat and then he takes out a gun and he shoots him.
Speaker BAnd it doesn't do anything.
Speaker AOh, no, no, no, no, no, no, no, no, no.
Speaker ACop kebab.
Speaker AEverything's gonna be all right.
Speaker FCop kebab.
Speaker BOh, cop kebab.
Speaker BI have that written down.
Speaker BEar.
Speaker AI'm sure that was a bingo.
Speaker BWhy is it cop kebab?
Speaker ABecause he skewered him with a pencil.
Speaker AHe put him on a steak.
Speaker AIt's not a good joke, right?
Speaker BAnd you see?
Speaker BAll right.
Speaker BOh, man.
Speaker ARight in the ear.
Speaker ARight in the ear.
Speaker ARight in the ear.
Speaker AAnd then he fall.
Speaker BKind of a killer move.
Speaker BOkay, but he's not.
Speaker ABut, well, no, that's really not a killer move.
Speaker AThat right away.
Speaker ABut then he falls on it like a racer first and drives it further.
Speaker BBrutal.
Speaker BBrutal.
Speaker BAnd there's a lot more that this.
Speaker BThe movie does.
Speaker BA lot of these too.
Speaker BLike, really like pants.
Speaker BLike.
Speaker BLike where you make the audience is supposed to like, groan and.
Speaker AAnd then it goes one step further.
Speaker AYeah, yeah.
Speaker AYou thought that was bad.
Speaker AWe're gonna make it worse.
Speaker BBut yeah, we got another one.
Speaker ABut yeah, but he's.
Speaker AIt hasn't killed him yet.
Speaker AAnd he's trying to shoot him and he misses and.
Speaker AOh, yeah.
Speaker BAnd no.
Speaker BDoes he Miss.
Speaker BSo does he not shoot or something?
Speaker AI don't remember.
Speaker AI don't think he can figure out.
Speaker BAnd somehow he walks up to him, he takes the gun and he shoots the guy.
Speaker AShoots the cop and the cop.
Speaker FI don't believe you fired a warning shot, officer.
Speaker AAnd man.
Speaker AClovis, Clovis, Clovis.
Speaker ADelivering the best performance of the movie right here.
Speaker BRight?
Speaker BPerfect.
Speaker BSaves.
Speaker BSaves the day.
Speaker ANo, well, Clovis, yeah, it does save the day.
Speaker ABut then after it's all, you know, saves her.
Speaker AJust scratches the hell out of him.
Speaker AAnd there's smoke coming out.
Speaker AAnd he's freaking out.
Speaker FNow, where were we, Tanya?
Speaker BSo he gets pretty up from about here, right?
Speaker AThis basically kills him.
Speaker AI mean, he dies later on from these women.
Speaker BOh, yeah, because he gets the cat scratch, so he can't.
Speaker BSo he drives off.
Speaker BHe drives off and he's up.
Speaker ABut.
Speaker ABut just with Clovis, because Clovis goes and sits on his.
Speaker AOn his dead shot.
Speaker AArab.
Speaker ABest performance of the movie right there.
Speaker ABut no.
Speaker APoor Clovis.
Speaker APoor Clovis.
Speaker AOf course, now.
Speaker ANow Clovis has got to go all John Wick on these.
Speaker BAnd now I can't say this girl's name.
Speaker BMichelin.
Speaker BMichelin.
Speaker AMa.
Speaker BDoes it rhyme with nothing?
Speaker AIt's German.
Speaker BAll right, so mate gets on the horn and she's like.
Speaker BIt's a 101.
Speaker BGoodbye.
Speaker BHello.
Speaker BHello.
Speaker BWe got a problem.
Speaker BCops down.
Speaker BGoodbye over, out.
Speaker BWe need all.
Speaker AAll forces, stupid.
Speaker AThe other runs like.
Speaker AYou're not using proper cb.
Speaker BShe was off.
Speaker AHello?
Speaker DHello?
Speaker BHello.
Speaker DHelp me, please.
Speaker DSomebody help me.
Speaker BAndy, get with the program.
Speaker BBut now the cops are involved.
Speaker BThey know there's something going on.
Speaker AYeah, but.
Speaker AYeah, but we think it's over.
Speaker ALike, okay, she's.
Speaker AShe's in custody and she's not.
Speaker AShe's safe.
Speaker AYou think she's safe now?
Speaker ABut, yeah, he's gone home to Mama.
Speaker AAnd Mama's like, Mama.
Speaker AHe's, of course freaking.
Speaker AAnd this is where the movie shifts because, like I said, this is basically killed Charles.
Speaker AHe spends the rest of the movie on the sofa.
Speaker ADying ain't.
Speaker FI'm sorry, Mom.
Speaker AI tried.
Speaker FI really, really tried.
Speaker FIt was the cat.
Speaker FIt was a kid.
Speaker BYou were right.
Speaker FFinally got each other.
Speaker AIt doesn't matter.
Speaker ESave your strength.
Speaker AThat is it.
Speaker EBut you'll be okay, honey.
Speaker EI'm afraid they'll be coming for a suit.
Speaker AAnd now we got to deal with the wrath of Mama.
Speaker AAnd Mama is much scarier than he ever was.
Speaker BYes.
Speaker AAnd I wish they didn't give Her.
Speaker AThe one liners.
Speaker ABecause she's so much scarier without them.
Speaker BI agree.
Speaker BWhen she was just acting kind of sweet.
Speaker AYeah.
Speaker BLike, comes to the door with flowers, like, I'm sorry.
Speaker BAbout what?
Speaker BMy son.
Speaker BNo.
Speaker AOh, I'm so sorry.
Speaker AI brought you these flowers.
Speaker ALike, big smiles and that.
Speaker AAnd that charming voice.
Speaker ALike, oh, fuck off.
Speaker AOh.
Speaker AThe other thing that I loved here, that was terrifying.
Speaker AThe other thing that I thought was terrifying here.
Speaker AI have to go back concerned.
Speaker AThis.
Speaker AAnd the thing that really broke me about this scene, it was a really honest moment, was when she was explaining to the cops what happened.
Speaker AShe's like, no, he's on.
Speaker AHe.
Speaker AHe'll be on my camera.
Speaker DListen to me.
Speaker DI know I sound crazy.
Speaker DYou're not getting the point.
Speaker DCharles isn't human.
Speaker AAnd.
Speaker AAnd I took pictures of him.
Speaker AHis face will be on there.
Speaker AAnd this is what happened.
Speaker AYou don't understand.
Speaker AThis happened.
Speaker ALike, his face changed.
Speaker AI don't think he's human.
Speaker AAnd the last thing she said was, he was really charming.
Speaker BI'll have to come over later tonight.
Speaker AAnd ask you a few more questions.
Speaker AAll right?
Speaker AOkay.
Speaker AAre you sure his name was Charles Brady?
Speaker DThat's what he said.
Speaker BYou think he was telling the truth?
Speaker DI don't know.
Speaker DHe was.
Speaker DHe was very charming.
Speaker AOh, honey, they all always are.
Speaker AThe monsters always are.
Speaker AYou poor thing.
Speaker AYou just learned a life lesson that I wish you didn't have to learn.
Speaker ABut you did.
Speaker ABut at least you survived this time.
Speaker AI thought, that's great.
Speaker AOh, also, this whole scene, before we get too far, this whole scene where the cops are investigating is.
Speaker AIs.
Speaker AIs.
Speaker AIs.
Speaker AIs Cameo City.
Speaker BYes.
Speaker BThe popping in.
Speaker ANow, everybody, like everybody, there's one scene.
Speaker BRob Perlman's there.
Speaker ARob Perlman's not a cameo.
Speaker AHe's got a real.
Speaker AHe's got a real part in this.
Speaker ABut we've got Stephen King pops in.
Speaker AOf course, because he always does.
Speaker AI ain't taking the rap on this.
Speaker AI lock this place up every night.
Speaker AIt's not my fault if every pervert weirdo don't talk.
Speaker AStephen King pops in.
Speaker AHe's talking to Toby Hooper.
Speaker ATexas Chancellor Massacre.
Speaker AGo talk to someone in charge.
Speaker CI'm busy.
Speaker AClyde Barker is.
Speaker AClyde Parker Barker's there.
Speaker AOkay, don't talk to me.
Speaker ATalk to the sheriff.
Speaker AStu Charno From Friday the 13th Part 2 shows up.
Speaker BSheriff, I need to document these bruises.
Speaker BOh, that's who that was.
Speaker BThat was driving me nuts.
Speaker AThe redhead guy.
Speaker AYeah.
Speaker BYes.
Speaker AYeah.
Speaker AAnd later on, we get.
Speaker AWe get Joe Dante and John Landis.
Speaker CThis is how they came out of the camera.
Speaker AThat's it.
Speaker CSo was the camera moving or.
Speaker ANo.
Speaker ASee, the background and the clothes are in focus.
Speaker ASo, yeah, all these great hard directors show up in this movie.
Speaker ASo for these little cameos, which is kind of amazing.
Speaker BLike, how did.
Speaker BHow did they pull that off?
Speaker AI don't know.
Speaker AWell, you know, I guess they all just know each other and they just.
Speaker BThey're trying to be really supportive of it.
Speaker AIt's a Stephen K.
Speaker AMovie.
Speaker AWe're going to get paid a lot for.
Speaker AFor.
Speaker AFor, you know, hour.
Speaker AAn hour's worth of work.
Speaker BHe was actually kind of interesting in that he's.
Speaker BHe plays like, this guy just, you know, doesn't want to get in trouble.
Speaker BHe's like the grave owner graveyard.
Speaker ATotally unnecessary scene.
Speaker ABut it's fun to just see everybody.
Speaker BYeah.
Speaker BJust walking around, like, thinking somebody else is the ball.
Speaker AAnd it's cameos done, Right?
Speaker ABecause you don't.
Speaker AIf you don't know, you don't know.
Speaker AThey don't put big.
Speaker AThey don't put big bullseyes on them.
Speaker ALike, look at this famous bird.
Speaker AThen look at the end joke.
Speaker AThey're just passing through.
Speaker AAnd you catch it or you don't.
Speaker AI think that's nice.
Speaker ABut, yeah, Rob Perlman shows up.
Speaker AHe's the state trooper.
Speaker ABecause they're getting involved now.
Speaker CAnd perp history by now.
Speaker CIra, he killed one of my men.
Speaker CLook, all you got is one hysterical little girl with a very vivid imagination.
Speaker CWhat about the cats?
Speaker CWhat about Amira?
Speaker AListen, that little girl needs a good.
Speaker CSmack on the butt.
Speaker CAnd if her mama and daddy won't.
Speaker ADo it, I'll happily volunteer.
Speaker BStay away from her.
Speaker BSoames.
Speaker AYes.
Speaker AThis.
Speaker AThis last thing when mama just rages siege on this poor family is all crazy.
Speaker AShe takes out the whole police force.
Speaker ACourse it's nuts.
Speaker BIdentify yourself.
Speaker APolice officers.
Speaker AMaybe it was the wind.
Speaker BIt was not the wind.
Speaker EYou're right.
Speaker EThat was not the wind.
Speaker BSo now we're at the final third part.
Speaker AYeah.
Speaker BCorrect.
Speaker AYeah.
Speaker BThis is.
Speaker BThis is where the mother takes over.
Speaker BAnd she's now the monster.
Speaker BShe's now the.
Speaker BThe whole antagonist for the rest of the movie.
Speaker BThe sun's dying on the couch and she is attic.
Speaker BShe's like the Terminator.
Speaker BYes, she's totally doing terminal hot Terminator.
Speaker BShowing up doors with flowers, trying to get her foot in the door.
Speaker EHi, I'm Mary Brady, Charles's mother.
Speaker ECharles couldn't come himself.
Speaker ADonald, who is it?
Speaker BI'll take care of it, Helen.
Speaker BJust stay in the kitchen.
Speaker CLook, Mrs.
Speaker CBrady.
Speaker EBut I know he wanted you to have these flowers.
Speaker ADonald.
Speaker BAnd then smacking the vase over the guy's head and I don't know if she killed him, but she.
Speaker BShe definitely did some damage.
Speaker AYeah.
Speaker AYeah.
Speaker ATakes out the mom too.
Speaker EYes, if you just call your daughter for me.
Speaker BWhat?
Speaker EMy son is badly hurt.
Speaker EHe may be dying.
Speaker EYour daughter tried to kill my Charles.
Speaker AGood.
Speaker AI hope he dies.
Speaker AI hope you both die.
Speaker AI hope you both die and rot in hell.
Speaker AHe's my son.
Speaker BMy only son.
Speaker ADid she take it?
Speaker AEverybody who comes to contact with she's got the worst line in the movie Them.
Speaker BYes, she sure does.
Speaker BWhat was it?
Speaker BWhere's Ira?
Speaker AHorus, what's going on out.
Speaker AThere's a woman here.
Speaker BShe said she's the Brady kid's mother.
Speaker BAnd I think she killed Don Robertson.
Speaker ASlow down, Horace.
Speaker BThere's blood everywhere.
Speaker ENo vegetables, no dessert.
Speaker EThose are the rules.
Speaker BOh my God.
Speaker BAnd the what?
Speaker BThat's kind of the worst kill too, because what happens?
Speaker AShe stabs him?
Speaker AShe stabs somebody with an ear of corn.
Speaker BAn ear of corn?
Speaker AWell, in theory it's dumb, but a corn cob is a very good weapon.
Speaker AYou know, it's what they made knives out of back in the day.
Speaker AYou know, you sharpen one, it's, it's.
Speaker AIt's very hard.
Speaker AIt's very.
Speaker AAnd it could be really killer cop to have a blunt object shoved into your abdomen.
Speaker AThat hurts.
Speaker AThat is painful.
Speaker AThat is painful.
Speaker BRight in the back.
Speaker ABut it's just not.
Speaker AIt doesn't work.
Speaker AIt doesn't work.
Speaker BNo, because then they show it and it just looks dumb.
Speaker BLooks like it's sticking out of it.
Speaker BIt looks like it'd be great cosplay outfit.
Speaker AI'm a cop from sleepwalkers.
Speaker BYeah.
Speaker BGot stand in the back with corn.
Speaker AHe can wipe my butt on my corn cob.
Speaker ANo, don't do that.
Speaker AAnyway, what Then she does a little.
Speaker BDouble headed head to head head knock Y.
Speaker BYep.
Speaker BI think that's what John Landis maybe.
Speaker ANo, no, no, no, no.
Speaker AJohn Landis was just.
Speaker AHe was where they were developing the film and they were like, oh, he's got no face.
Speaker AIt was him.
Speaker AIt was John Landis and Joe Dante looking at the film and that was it.
Speaker ABut no, it was just other cops that got killed here.
Speaker ALots, lots of dead random cops.
Speaker ACops had a fire.
Speaker ACops get their.
Speaker AThe poor sheriff gets impaled on a picket fence fenced.
Speaker BAnd so they're going.
Speaker BShe's going strong with this.
Speaker BShe's wiping out her Whole family.
Speaker BShe.
Speaker BShe does this thing too where the.
Speaker BMichelle gets a.
Speaker BJumps into a car.
Speaker BCar and try, you know, can't get the car started.
Speaker BShe comes over, she breaks the window and then she grabs her arm.
Speaker BShe grabs Michelle's arm and tries to pull her out and she rakes her arm across like a.
Speaker BSome glass that's sticking up.
Speaker AYes.
Speaker BYeah.
Speaker BOh, my God.
Speaker BThat was.
Speaker BThat just bothered me so much.
Speaker AShe gets a beaten out of her.
Speaker AThis movie.
Speaker AShe really does, like emotionally, physically.
Speaker AShe really does.
Speaker BShe does.
Speaker AShe takes it like a chance.
Speaker AShe can't kill the girl herself.
Speaker AShe's got to bring him home to see if she can save her son.
Speaker AIf we can get him to eat, he won't die.
Speaker AAnd then I won't die.
Speaker BWhat's happening?
Speaker DWhere are you taking me?
Speaker ATo see Charles.
Speaker ADude, we got to get this girl home.
Speaker AIt can only be this one.
Speaker AThis is the one we've chosen.
Speaker AWe can't find another virgin now because there's no other virgins in Indiana.
Speaker ASo they're terrassing across town trying to get back to the house in time before Charles dies.
Speaker AAnd the problem is by this time, the house is now surrounded by cats.
Speaker AThere is a battalion of cats all around house.
Speaker AThere's a sea of cats on the lawn.
Speaker AAnd when the mother sees that, rather than deal with the cats at all, she's just like it.
Speaker AShe floors the gas and they just drive over the cats in the wall.
Speaker ATrans Am in the living room.
Speaker ABang, bang, bang.
Speaker AHow this girl is not crippled.
Speaker AI know.
Speaker ANo, poor, poor T.
Speaker BAnd the son's dead already.
Speaker BIs he.
Speaker BIs he actually dead on the couch by now?
Speaker AUnclear.
Speaker AHe's not well, like he's not responding to any.
Speaker ANo, because she.
Speaker BShe's definitely not.
Speaker AThe mother's acting like he's alive and poor Todd is like he's dead.
Speaker AWhat do you.
Speaker ALook at him.
Speaker AHe's dead.
Speaker BHe's got full cat face.
Speaker AIt's like it's half in, half out.
Speaker AIt's like half.
Speaker AHalf man, half cat.
Speaker ABut it's all mushy.
Speaker AIt's all mushy.
Speaker ALike every.
Speaker AHis.
Speaker AHis eyeballs hanging out.
Speaker AShe put the corkscrew in there, which I loved.
Speaker ASee what?
Speaker EMommy's body.
Speaker DHe's dead.
Speaker DLook at him.
Speaker DHe's dead.
Speaker ANo, not dead.
Speaker EHe's sleeping.
Speaker ECan't you see he's sleeping?
Speaker EYou know what?
Speaker EI bet he'd love to.
Speaker EDo you like to dance, wouldn't you, my darling?
Speaker BAnd she's like, let's dance.
Speaker AYeah, exactly.
Speaker AAnd by the Way.
Speaker AThat song.
Speaker ADo you know the name of that song?
Speaker AThat 50 song they keep playing?
Speaker AThe instrumental.
Speaker AIt's called Sleepwalk.
Speaker ANo, the name of the song is Sleepwalk by Santo and Johnny.
Speaker A1959.
Speaker BOh, there's a little Enya running around here too, right?
Speaker AThat song by Enya is another star of the film.
Speaker BPops in a couple of times.
Speaker AIt pops in a couple of times, but it changes the mood and it's such a wonderful.
Speaker AWe'll come back to that.
Speaker AYeah.
Speaker BDid that come first?
Speaker BWas that song a hit before this movie?
Speaker AIt wasn't a hit, but it was just out according to Mick Garris.
Speaker AIt was like they were offered her her entire library.
Speaker ALike they're like, you have to use one of her songs.
Speaker AAnd they're like, okay.
Speaker AAnd he said, this is the only one.
Speaker AThis song's great.
Speaker AThe rest of the stuff is going to work for this movie.
Speaker ABut this song is moody and creepy and sexy and strange.
Speaker AStrange.
Speaker AIt's perfect.
Speaker AIt's mysterious.
Speaker BWow.
Speaker AAnd it is.
Speaker AEvery time it plays, it change.
Speaker AIt changes the tone of the film, which I think is wonderful.
Speaker AIt adds.
Speaker AIt adds gravitas, which is one of my favorite words.
Speaker AIt adds gravy toes.
Speaker BSo mom is super kick ass.
Speaker BShe's.
Speaker BShe's.
Speaker BIt's not really working though, the dance scene, right?
Speaker BNo, he wakes up.
Speaker AHe wakes up in the middle of it.
Speaker AAll of a sudden he's fine.
Speaker BIs that true?
Speaker AYeah, he kind of comes at some point.
Speaker AHe all of a sudden he's okay again.
Speaker ALike he starts acting on his own.
Speaker AAnd because she wakes.
Speaker ACause Tanya, the first thing she does is take out his other fucking eyes.
Speaker AShe puts both of her thumbs in her eyes.
Speaker AI'm like, you go.
Speaker AKeep going for those eyes.
Speaker AThis is how you save your life.
Speaker ARelax.
Speaker EHe's a wonderful dance.
Speaker EHe'll lead.
Speaker AThat's it.
Speaker EDance.
Speaker AYes.
Speaker ENow, Charles, now.
Speaker EGood, good, Charles.
Speaker AFeed sucker dry.
Speaker EStop, you're killing him.
Speaker ADie.
Speaker AThis is exactly what they teach you in self defense class.
Speaker ADon't be polite.
Speaker AGo for the ice.
Speaker BGood, good.
Speaker AAnd she does.
Speaker AI love her.
Speaker AThat's why I love her.
Speaker ALike, go for it.
Speaker AYes, she takes him out.
Speaker ABut this is wonderful.
Speaker ANow that the son's dead, she's.
Speaker AThat mom's just raging and all this is terrifying.
Speaker ALike before she was like out for.
Speaker AYou know, she had.
Speaker AI have to save my son.
Speaker AThere was a nobility to it.
Speaker BYeah.
Speaker ALike, yeah.
Speaker AShe shows up at the porch.
Speaker AYeah.
Speaker AShe's being polite and charming.
Speaker AI brought you these sons.
Speaker AI'm so Sorry about what my son did to you.
Speaker AWhat a horrib thing.
Speaker ALet's take go.
Speaker AYeah, she's.
Speaker ABut the mask is off.
Speaker AShe's like, everybody, Everybody dies.
Speaker AEverybody dies.
Speaker BShe's taking them all out.
Speaker BBut now on top of that, there's a lot of cats.
Speaker AThe cats.
Speaker AHave a ride.
Speaker AStop.
Speaker EYou're killing him.
Speaker ADie.
Speaker AAnd you know what?
Speaker AThere's something about all of these scenes of the cats.
Speaker AWhen you see cats in mass, when you see cats on moss all doing the same thing, I'm going, oh, and this is pretty.
Speaker ALike, they're not CGI cats.
Speaker ASomewhat like in this.
Speaker AIn the crowd scene, some of them are clearly just dummy cats.
Speaker ABut when you just see a whole street full of cats running in the same direction going, what's going on?
Speaker AWhat are they up to?
Speaker AWhat do they have?
Speaker AWhat do they all know that I don't know.
Speaker ASomething's up.
Speaker BHow many cat wranglers?
Speaker AI don't know.
Speaker AAnd what I also love is that McGarris and Mason Nemec were allergic to cats.
Speaker AMason's like, I can't tell anybody this because I'm not gonna get the job.
Speaker ABut she has almost no scenes with cats.
Speaker AExcept for Clovis.
Speaker ABut, but yeah, but yeah.
Speaker AAll these scenes of the cats on moths swarming this house of greatness.
Speaker AWhen the, when the battle cry.
Speaker AWhen Clovis shows up and the battle cry goes out and they are just pounding the out of her.
Speaker BAll this is great.
Speaker BIt's great.
Speaker CGo.
Speaker AAnd she's snapping their backs.
Speaker BOh, my God.
Speaker BShe's grabbing the throats.
Speaker AThe sheriff.
Speaker ASh.
Speaker AThe sheriff shows up and shoots her.
Speaker ABut she winds up in the same process shooting a cat off her back.
Speaker AThat goes bang across the room.
Speaker AIt's so rip.
Speaker AYeah.
Speaker BIt's out of control.
Speaker CIt's brutal.
Speaker AAnd I, I, I love cats, but I love all this.
Speaker ACuz I'm like, yeah, my cat would stand out for me if a sleepwalker showed up.
Speaker AIsn't that right?
Speaker ARight.
Speaker AI don't know, Steve.
Speaker AYou don't see any sleepwalkers around, do.
Speaker ANo, I don't.
Speaker AGood job.
Speaker ABut yeah, it's this crazy final battle.
Speaker AThe cat's.
Speaker ABut Clovis takes her to helm.
Speaker AClovis takes her down as Clovis month.
Speaker AClovis has to have the final word.
Speaker AIt.
Speaker BIt's pretty legendary.
Speaker AI love this final moment too, with her just sitting in the cop car when it's all over.
Speaker BYes.
Speaker AAnd Clover.
Speaker AAnd Clovis jumps in.
Speaker AShe says, it's just you and me, Clovis.
Speaker DClovis.
Speaker DIt's just you and me, Clovis.
Speaker DJust you and me.
Speaker AIt's just our two heroes, safe at last.
Speaker ASafe in their little bubble, watching the world burn around them as Anya swells.
Speaker AIt's fabulous.
Speaker AIt's just you and me.
Speaker AAnd I'm like, you know what?
Speaker AI love that answer because it's like that's all she's got.
Speaker AEverything else is gone.
Speaker BAnd isn't that all of us?
Speaker AWell, no, I mean, we don't know like the mom wasn't dead.
Speaker AWe don't know if the dad's dead.
Speaker AWe don't know who's dead, who's not.
Speaker ABut like her entire belief system, her entire world is crumbled.
Speaker AThe only thing that she knows it could protect her is this cat.
Speaker AIt's just you and me against this whole fucking world.
Speaker AI'm keeping you forever.
Speaker BShe's going to be a lonely cat lady.
Speaker AYou were the only thing that kept me safe.
Speaker ABut only one cat.
Speaker AClover's got to live forever.
Speaker AAnd I love the moment with, with the, with the Anya playing in the background and gravitas the whole thing.
Speaker BAnd it's like, this is.
Speaker BNo, this is.
Speaker BThis is.
Speaker BThis is your.
Speaker BThis is your.
Speaker BYeah.
Speaker BHappy ending.
Speaker BIt's happy as it's going to get.
Speaker AEverybody got the cut what they need.
Speaker AShe was survived.
Speaker AHe got his revenge and she got a cat that's going to protect her like nobody else can in the way that nothing else in the world could.
Speaker AWhich I think is nice.
Speaker AWhat I think is cool about her performance too is that there's an innocence to it.
Speaker AEven though she's kicking ass at the end, that innocence never goes away.
Speaker AShe still feels like a young girl.
Speaker ALike horror movies love to take that and it's like give it a character with that innocence and then like beat it out of them by the end of it.
Speaker AThey're this hardened war warrior.
Speaker AWe don't get that here.
Speaker AAnd I love that she still retains some humanity.
Speaker BYeah, I thought she was good in it.
Speaker BShe was like.
Speaker BShe was one of the they want.
Speaker BAnd I gotta say that.
Speaker BWhat's her name?
Speaker BAnn Cringe or what's her name?
Speaker BAlice Cringe is pretty good.
Speaker BExcept for the.
Speaker BExcept for some shitty one liners.
Speaker BIt's probably not that.
Speaker AAlice Craig.
Speaker AYeah, not her fault.
Speaker ANot her fault.
Speaker AThat's the.
Speaker AYeah, I mean everybody's serving everything what they need to serve and they're doing what they can to elevate the material.
Speaker BBesides the bed cat things are pretty good.
Speaker AThe, the.
Speaker AThe CGI is not good, but the gore stuff is great.
Speaker BYeah.
Speaker BAnd unexpected when it happens.
Speaker AYeah.
Speaker AIt doesn't feel like it's going to be a gory movie, but then it is.
Speaker BYeah.
Speaker ASurprisingly, yes.
Speaker AAnd I didn't expect it to be this violent either, but some things I.
Speaker BHad unknown about, like car chase, invisibles, incest, gay blackmail, mirror reveals.
Speaker BThere's a couple of those where they pass by a mirror and you see the real selves in it.
Speaker AOh, you know what?
Speaker AIf that was the thing, if you were asleep.
Speaker AIf you were a supernatural creature whose real identity could be reformed, revealed by a mirror, but you maybe take the mirrors down your house, maybe do that something.
Speaker ASorry.
Speaker AWas sitting shiva today.
Speaker ASorry.
Speaker BSo the first half was pretty good.
Speaker BThe second half is nuts with a Z at the end.
Speaker BRecommend it.
Speaker BThat's a tough one, right?
Speaker BIf you're in the movie.
Speaker AI do.
Speaker AI.
Speaker AI love the movie.
Speaker ASo I will always recommend it because it is batshit crazy and you won't see anything else like it.
Speaker AThere's nothing else like this movie out except for cat creature 20 years before.
Speaker AYeah, but.
Speaker ABut still, same vibe.
Speaker ASame vibe.
Speaker AThe whole.
Speaker AThat cat pylon at the end, exact same man's name just gets ripped to pieces.
Speaker AI mean, would you recommend it?
Speaker ALike, I mean, how did I.
Speaker AHow did it go over at your.
Speaker BI have to say, it was kind of.
Speaker BWe were a little ruthless with it.
Speaker BWe.
Speaker BBecause a lot of people, it was a second rewatch for them.
Speaker BFor me, it was a first rewatch, first watch.
Speaker BAnd.
Speaker BAnd there was one girl.
Speaker BI don't know if you know her.
Speaker BPick a lady.
Speaker APick a lady.
Speaker ALadies.
Speaker AAll the big lady.
Speaker AWe love Pick a Lady.
Speaker BShe was like, you are being a little too hard on this movie.
Speaker BYou know, why don't you lighten up?
Speaker BAnd she was right.
Speaker BLike, we were like, okay, all right.
Speaker BLike, we were judging it like it was Academy Award win, like, really picking it to pieces when it was kind of fun and it went.
Speaker BAnd it tried.
Speaker AI'm with Pick a Lady on this one, too, because, like, there, there, like, I will.
Speaker ALike, the first thing I said to Uncle Spooky when I got on today is like, this is not a good movie, but there's.
Speaker AThere's great things in it.
Speaker AAnd I think this is a movie that I think could do with a remake.
Speaker AThat a remake could save this movie.
Speaker BI hate.
Speaker BYou know, it's just to iron out some of those, you know, or maybe take some stuff away or, you know.
Speaker AYeah.
Speaker ALike a.
Speaker ALet less.
Speaker ALess of the car.
Speaker AChanging things.
Speaker ABecause that.
Speaker BYeah, that was weird.
Speaker APeople a little more time explaining what the sleepwalkers are and how they work.
Speaker ALike if we need.
Speaker AIf people understood that this is how they feed, I think they wouldn't get so hung up on the incest.
Speaker BRight.
Speaker ABecause it's not incest.
Speaker AIt's feeding.
Speaker AIt's something.
Speaker AThis is what they need to do to survive.
Speaker AIt's not just.
Speaker AWe're not just doing this to be gross, although we are.
Speaker AIt is actually 100% exploitation.
Speaker ABut not the point right now.
Speaker ABut you know what I mean, it's not gratuitous.
Speaker AIt's there for a reason.
Speaker BYeah.
Speaker BI mean, but the incest is what sort of sets that said gives it that.
Speaker AWhat you lose the one liners and now we have better cgi.
Speaker AI think you can get a great movie.
Speaker BI think you're totally right.
Speaker BDefinitely.
Speaker BBut you know what you don't have in a remake?
Speaker AWhat?
Speaker BMichelle Ambalong, whatever her name is.
Speaker AMason Amic.
Speaker AYou know what?
Speaker AShe could play the mom now.
Speaker BI wonder.
Speaker BYeah, she's.
Speaker BI heard she was pretty good as the evil.
Speaker BShe's like evil in Riverdale, right?
Speaker AYeah, yeah, yeah, yeah.
Speaker AI mean she could.
Speaker AShe could.
Speaker AThat would be.
Speaker AThat would be fun that if she broke you.
Speaker AIf you came back.
Speaker AYeah.
Speaker AThank you.
Speaker AThank you, Hollywood.
Speaker AGet on that.
Speaker BSo you know what somebody brought up too?
Speaker BFrom what did they bring up?
Speaker BUncle Spooky from the Big Spookarama.
Speaker BBecause they had mentioned earlier that they sensed there were more of these cat creatures out there.
Speaker BThere had to be more.
Speaker AYeah.
Speaker BAnd this.
Speaker BShe could smell one of them around there.
Speaker BThe guy, Frank, his name is.
Speaker BThought maybe Michelle was one of the crack creatures.
Speaker BWas going to turn out to be like a.
Speaker BA baby cat.
Speaker BCat creature in the making.
Speaker BAnd that was gonna.
Speaker BBut that didn't work out.
Speaker ANo, it didn't work out.
Speaker ANo.
Speaker AThat would be weird.
Speaker BThat would be weird.
Speaker AOh, I'm sorry.
Speaker AI'm sorry.
Speaker AWe ate one of our own.
Speaker AOh, no.
Speaker AWell, then again animals do that too.
Speaker BYeah.
Speaker BAnd I could see them doing that in the sequel.
Speaker BLike I mean in the remake something putting that in there.
Speaker BWe're gonna drop that storyline of where the.
Speaker BWhere's the rest of them?
Speaker BYou are dinner.
Speaker BWe have.
Speaker BWe have a line tonight.
Speaker BSo some of my bingos were.
Speaker BYou are dinner.
Speaker AYeah.
Speaker AOh, no.
Speaker AYou were lunch.
Speaker AThere was a year.
Speaker AJust accept the fact that you're lunch.
Speaker FI don't think you're entering into the spirit of this.
Speaker FWhy don't you just think of yourself as Lunch.
Speaker BIs it lunch?
Speaker BGod damn.
Speaker AIt was at the picnic.
Speaker AIt was in the picnic scene.
Speaker BOh, God.
Speaker AThey might have come back again later.
Speaker AIt was definitely lunch cloud or of cats.
Speaker BWe had to look that up.
Speaker BLike, what is a.
Speaker BWhat's a herd of cats?
Speaker BIt's a clowder.
Speaker AA clowder of cats.
Speaker BYeah, right.
Speaker BNever heard that one before.
Speaker ANever heard.
Speaker ABecause this cuz cats don't travel in packs normally except when they sleepwalkers.
Speaker BShe's a hand to a.
Speaker BOh, that's.
Speaker BWhatever I said.
Speaker BShe's a hair too old to play a virgin high school student.
Speaker BThis is just my little notes.
Speaker AIt's very.
Speaker AIt's very, very judgy.
Speaker AIt's very judgy.
Speaker BClovis gets an explanation point.
Speaker BCl.
Speaker AClovis gets the win.
Speaker AClovis movie.
Speaker BI'd say Clovis turns out to be the real star of this movie.
Speaker A100%.
Speaker AI would have watched like a whole film series about Clovis.
Speaker ALike Clovis fighting off the Mafia.
Speaker BI need a.
Speaker BI need a sequel with Clovis.
Speaker AYeah, he's dead.
Speaker AHe's long dead.
Speaker AThe movie's 30 years old.
Speaker ACome on, Uncle Spooky.
Speaker BWell, I appreciate you asking me to do this one.
Speaker AOh, you're welcome.
Speaker AI appreciate you being here for it.
Speaker AYeah, because.
Speaker AAnd I also.
Speaker AThank you.
Speaker AI also want to say thank.
Speaker AThank you.
Speaker AI mean, granted, you're a recent addition to my list of guests, but I wanted to thank you for coming on.
Speaker AThe show's wrapping up.
Speaker AYou know, we're ending the show in a couple of episodes and.
Speaker BFor good or just for the season?
Speaker AOh, no, for good.
Speaker AI can't continue on doing screenplays I don't have.
Speaker AI can't keep up with the production levels anymore.
Speaker AI'm doing the other two shows still.
Speaker AI'm going to keep doing the Friday the 13th, the series and the 70s TV movie things, but for now, I can't keep up.
Speaker BOh, wow.
Speaker BToo much.
Speaker BWell, keep me in mind for those 70 TV movies.
Speaker BI love those.
Speaker BThose.
Speaker AOh, of course, of course.
Speaker AAnd also, It's.
Speaker AIt's been 15 years.
Speaker AI think I've done my job.
Speaker AI think I've run my course wf.
Speaker AI've done my job here.
Speaker AYeah, but it.
Speaker AIt.
Speaker AHow many episodes?
Speaker BYeah, for this.
Speaker BThis one.
Speaker AI don't.
Speaker AIt's over.
Speaker AIt's over.
Speaker A300.
Speaker BOh, my God.
Speaker BYou got a favorite.
Speaker BWhat's your top five?
Speaker AThat's a whole other issue.
Speaker AThat's going to be one of my closing episodes.
Speaker AI can't Give that away.
Speaker BNow, I hope I make a guest list.
Speaker BList.
Speaker AYeah.
Speaker AWell, no, I mean, that's just going to.
Speaker AYeah, there's not gonna be a guest.
Speaker BNo.
Speaker BTop five guests.
Speaker AOh, right.
Speaker ATop five guests.
Speaker AYeah, we'll see about that.
Speaker BNow just keep my name on it.
Speaker AI, I, I accept bribes.
Speaker AMaybe, maybe, maybe, maybe put something special in your bag of secrets.
Speaker BI'll take it.
Speaker AJust for me.
Speaker AJust for me.
Speaker AOkay, Uncle Spooky, remind people where they can find out about you and where they can find out more about your spooker.
Speaker BWell, this Monday, I'll be at the.
Speaker BWhich probably won't be wherever you see it, but it'll be a red eye.
Speaker BRed eye.
Speaker BNew York for Mardi Gras Massacre.
Speaker AYay.
Speaker BSo if you're not doing anything, come on by Monday night.
Speaker ADo I get, Do I, do I get beads if I show my boobs?
Speaker BOh, sure.
Speaker BBeats just for that moment and.
Speaker BBut normally once a month at Flying Fox Tavern over in Ridgewood, Queens, they do a fabulous hamburger fire island.
Speaker BI do like a Tuesday night over in Cherry Grove at the Ice Palace.
Speaker BThat's a weekly for July and August.
Speaker BYou happen to be out there, you want to watch a horror movie with your unc.
Speaker BAnd then every Monday, I do a stay at home secret stay at home spookorama where it's like a zoom and you can keep your camera on or off.
Speaker BNo pressure.
Speaker BAnd we watch a movie together and you guys help me come up with bingo words for the but my blood bingo boards.
Speaker AFor which you will get no credit.
Speaker BWhich you will get absolutely no credit.
Speaker AAll right.
Speaker AThank you so much, Uncle's Boogie.
Speaker AThank you for hanging out with me.
Speaker AThank you for talking about this crazy, crazy movie.
Speaker AAnd thank you for being you.
Speaker AStay healthy, stay safe, and most of all, stay fabulous and stay dead.
Speaker ADamn you.
Speaker BI'll do what I can.
Speaker AYay.
Speaker AYay.
Speaker AThat felt good.
Speaker AFinally getting to talk about this movie after so long was like getting a hairball.
Speaker AIt's been stuck in my system since 1992, and now it's out, so hooray, I can go on with my life.
Speaker AThank you again for Uncle Spooky.
Speaker AThat was super fun hanging out with you.
Speaker AAnd, oh, hey, the session where I sat down with Uncle Spooky, we recorded that weeks ago.
Speaker ASo all that information he gave gave up about his shows.
Speaker AA lot of it's obsolete now.
Speaker ASo let me refresh you.
Speaker AIf you want to see Uncle Spooky live, if you want to see what he does in person, you got to come to Ridgewood Queens.
Speaker ABecause every last Sunday of the month, he's at the Flying Fox Tavern hosting his Spookarama scary movie night, where not only will you get to watch a super scary movie with Uncle Spooky, you get to play blood bingo for yourself, for real.
Speaker AAnd maybe if you're lucky, you can reach inside Uncle Spooky's bag of secrets and take out a prize.
Speaker ABut if you don't live anywhere in New York City, you can still participate, because every single Monday night, Uncle Spooky hosts a stay at home Spookorama over Zoom.
Speaker ABut it's a super secret Spookorama, so you're gonna have to follow Uncle Spooky on Instagram in order to get that info and his links right down here in the show notes.
Speaker ASo use it, use it, use it, use it.
Speaker AOf course, this summer he's gonna be at the Ice palace in Fire island, but yes.
Speaker ASo you have your choice of the Flying Fox Tavern live, Zoom, or out on Fire Island.
Speaker AAnd as part of your crazy gay summer fun, what are my last thoughts about sleepwalkers?
Speaker AI don't have any.
Speaker AIt's a pretty much straightforward movie initially.
Speaker AMy big takeaway during this last viewing was, oh, hey, Mason.
Speaker AEmmett retains her innocence at the end of the movie.
Speaker AThere's still some of that young woman that's still untouched there.
Speaker AThere's not.
Speaker AThey didn't break her down.
Speaker AThey didn't turn her into a machine.
Speaker AThey.
Speaker AYou're not getting Tanya Robertson reborn at the end of the film.
Speaker AShe's still Tanya Robinson, high school student when that movie movies rolling.
Speaker AAnd I said, but now as I was editing, I realized, you know what?
Speaker AOf course that's how it is.
Speaker AThat's what the sleepwalkers feed on.
Speaker AThey feed on innocence, symbolically represented by virginity.
Speaker ABut yes, they feed on innocence.
Speaker ASo if at the end of the movie, you're getting Tanya Robertson reborn, that means the sleepwalkers won.
Speaker AThey just, even though they didn't feed on her innocence, they didn't eat that out of her.
Speaker AThey killed it anyway.
Speaker ASo whatever.
Speaker AThat's my big observation.
Speaker AThat's all I got.
Speaker AIt's a pretty straightforward movie.
Speaker AThere's lots of thoughts about what's going on in the world right now, but I promise we weren't going to do that this time.
Speaker ANo, we're not going to talk about any of that this time.
Speaker ABut please, I just want you to take care of, of yourself.
Speaker ADo what you need to do to take care of yourself, whatever that may be.
Speaker AI'm taking kickboxing I'm starting next week because you never know.
Speaker ABecause you never know when it's gonna come in handy.
Speaker ABut so anyway, aside from that, aside from all that other stuff, Patrick, what's going on in these final episodes of Scream Queens?
Speaker AWell, things got a little funky right now.
Speaker AThere was some scheduling with guests that had to be redone.
Speaker AAnd now I've got a bit of a hole in my schedule.
Speaker ABut that's okay.
Speaker AThat's okay.
Speaker AOkay.
Speaker ABut I'll tell you who, the guests that are going to be on these final episodes that have lined up so far, I couldn't end the show without having Allison and Brian back on.
Speaker AThose crazy kids from California.
Speaker AI'm gonna have them and Matt Knife talk about Night of the Demons, the original one from 1988 or 89, whatever that was, for very different reasons.
Speaker ABecause I think with Allison and Brian, we're gonna get a fun first watch.
Speaker AAnd of course, Allison, seeing the Lil Na Quigley lipstick scene is going to be what I've been waiting for for this entire 15 year run.
Speaker AWell, man, I think we're gonna be able to have a more intellectual, deeper conversation on why do the gays love this movie so much.
Speaker AAnd of course, it would not be Scream Queens if I did not say goodbye to my two favorite heterosexuals, my beard brothers, Michael Howey and Christopher Groman.
Speaker AAnd here's the funny thing.
Speaker AWe were going to talk about this movie called Hundreds of Beavers.
Speaker ASo there would be funny to send off the heterosexuals with a movie called Hundreds of Beavers.
Speaker ABut we discovered that it's really hard to talk about because there's no dialogue and it's like a big, long 1930s Warner Brothers cartoon.
Speaker ALet's say it's a bad movie.
Speaker AIt's a great movie.
Speaker ABut it was very difficult for me to talk about beaver.
Speaker ASo once again, the heterosexuals brought my show.
Speaker ASo instead we're going to be talking about the Please Don't Destroy movie, the Legend of Foggy Mountain or the Treasure of Fogging you Mountain, whatever it is.
Speaker AIt's something.
Speaker ASomething of Foggy Mountain that's on Peacock.
Speaker AAnd why are you picking that, Patrick?
Speaker AIt's not a horror movie.
Speaker AWell, neither one of them like horror movies.
Speaker AAnd this is the closest in vibe to.
Speaker ATo Dave made a maze that I've seen in a long time.
Speaker ASo I thought that would be a good way to say goodbye to those boys.
Speaker AAnd of course, I want to say goodbye to the original dynamic duo.
Speaker AThe first two guests that really clicked on the show.
Speaker AIt took it to a new place.
Speaker AI'm talking about Doug Shapiro, everyone's favorite Freddy Cat and trading.
Speaker AWe're gonna be talking about this 1973 movie that Trey brought to me called Arnold, starring everybody.
Speaker AEverybody's.
Speaker AEven Stella Stevens, Ryan McDowell, Elsa Lanchester, Jamie Farts got this crazy, crazy cast.
Speaker AIt's one of those old dark house mystery comics comedy movies where Stella Stevens marries a dead guy in order to, you know, gold dig some money out of the will.
Speaker AAnd then all the other.
Speaker AAll the other benefactors of the wheel start getting knocked off in really, really bizarro ways.
Speaker AAnd you know how I love a house full of rich cunts that hate each other.
Speaker AIt's one of those movies.
Speaker AAnd it's a.
Speaker AWhat?
Speaker AIt's a rare movie that I think needs to be seen again.
Speaker AIt's a good way to send them off because, you know, Doug doesn't like scary movies either.
Speaker AWhy do I have so many friends that don't like scary movies?
Speaker AI don't know anyway, but you do, and that's where you're here.
Speaker ASo I'm going to stop talking now.
Speaker ASake.
Speaker ANo, I'm not.
Speaker ABecause basically what all that babble that I just babbled was to say is that I'm not sure which one of those episodes is going to be the next episode, if any of them are going to be the next episode.
Speaker AI mean, eventually they'll all be coming up, but I'm not sure which one of them will be.
Speaker AOr I might have something else to stick in there as well.
Speaker AStop it.
Speaker ABehave yourself.
Speaker AStop it.
Speaker AStop it.
Speaker AI am not trying to be vulgar right now, believe it or not.
Speaker AI'm just saying things are up in the air and it's not my legs for a change.
Speaker AWhat?
Speaker AReally?
Speaker AIf you are just going to drag your mind through the gutter like that, then I'm just going to wrap things up for another episode.
Speaker AAll right, my beautiful, beautiful screamers until next time, please, more than ever, please do not forget the Scream Queen's golden rule.
Speaker AHold it tight to your heart.
Speaker AHopefully it will provide some inspiration to you to get through these really, really bizarro times that we're living in.
Speaker ASay it with me, everybody.
Speaker AFight or flight.
Speaker ASurvive the night.
Speaker AMake it to the final reel.
Speaker AStay safe, stay healthy, and don't forget for a second that I love you.
Speaker AAnd I mean all of you.
Speaker AAll of the music for tonight's show, unless otherwise specified, has been written by Sam Haynes.
Speaker AYou can find all of his music@www.bandcamp.com.
Speaker BAss.
Speaker BOw.
Speaker AEw.