It's campy.
It's raunchy.
It's gory.
It's the beloved 1988 cult classic crowd pleaser, NIGHT OF THE DEMONS!
In fact, I love this movie so much, I'm throwing a two-part SPECTACULAHHHR.
Ten rambunctious teens throw a Halloween party in a spooky abandoned funeral parlor and end up raising hell.`
In part of the SPECTACULAHHHR, I'm joined by everyone's favorite heterosexual podfaders and Night of the Demons virgins, ALLISON NOWACKI and BRYAN J. POLK.
NIGHT OF THE DEMONS is available on SHUDDER, TUBI, and PEACOCK.
Directed by KEVIN TENNEY, written by JOE AUGUSTYN, starring CATHY PODEWELL, ALVIN ALEXIS, HAL HAVINS, ALLISON BARRON, WILLIAM GALLO, LANCE FENTON, LINNEA QUIGLEY, MIMI KINKAIDE, JILL TERASHITA and PHILIP TANZINI
Mentioned in this episode:
Bliss Book
Pick up the gnarly new survivor horror novel BLISS by Brandon Halsey on Amazon! "It's like 28 DAYS LATER meets THE STAND meets TRAINSPOTTING!"
This podcast uses the following third-party services for analysis:
Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp
00:00 - Untitled
01:30 - Untitled
01:34 - Introducing a New Author: Brandon Halsey
15:02 - The Influence of 80s Horror Films on Modern Cinema
26:01 - The Creepy Old Man and Halloween Preparations
38:42 - Worst Little Brother Ever
51:13 - The Haunting of Hull House
01:02:24 - The Séance Proposal
01:10:56 - Demon Possession or Haunted House?
01:12:52 - The Disappearance of the Gate
01:31:24 - The Transformation of Suzanne
01:39:17 - The Evolution of Judy
01:41:28 - The Lipstick Incident
01:54:37 - The Haunting Revelation
02:06:02 - The Revelation of the Crematorium
02:16:45 - Sock Puppet Demon
02:28:33 - So Long, Farewell
Hey everyone.
Speaker ABefore I start the show, I just wanted to give a shout out to Brandon Halsey.
Speaker AHi Brandon.
Speaker ABrandon is my real life friend and also a longtime scream queens listener.
Speaker AAnd Brandon had just published his first horror novel.
Speaker AHe sent me a copy of it and I gotta say, it's a gnarly little fucker.
Speaker AI liked it.
Speaker AIt's called Bliss.
Speaker ASo in this book, Bliss is this new synthetic party drug that's sweeping the world.
Speaker AEverybody wants some.
Speaker AThey'll do anything to get some.
Speaker AIt's the life of the party and it's ruining lives and all that great drug related stuff.
Speaker AHowever, the some people have discovered that Bliss has got therapeutic properties.
Speaker ASo they're experimenting with using it to like help with couples counseling and unruly teens and even drug addiction.
Speaker AThey're using Bliss to get people off of Bliss.
Speaker ABut other people are experimenting with the darker side of Bliss.
Speaker AThey're trying to weaponize Bliss and make it into something that will turn everyday people into super soldier killing machines.
Speaker AAnd guess what?
Speaker AA huge shipment of Bliss just got surreptitiously dumped into a small town's water supply.
Speaker ABliss.
Speaker ALike I said, it's a gnarly little piece of survivor horror.
Speaker AImagine 28 days later and the Stand had a baby with trains body.
Speaker AThis book is wild.
Speaker ASo readers, if you're daring and you want to try out a new author and you want to support a fellow screamer, get yourself a copy of Bliss.
Speaker AThere's a link down there in the show notes who use it.
Speaker AThere's a list down there in the show notes.
Speaker AYou can get it on Amazon.
Speaker AWhat are you waiting for?
Speaker ATry some Bliss.
Speaker AIt can unlock heaven, it can unleash hell.
Speaker ABut you won't know which until you take a little taste, baby.
Speaker AGet your copy now.
Speaker AEnjoy the show.
Speaker BThis program is a proud member of Univa's unified unique voices.
Speaker ALearn more@univozpods.net hello, my name's Patrick and I'm a scream queen.
Speaker AI'm a scream queen and so are you.
Speaker AHello again my beautiful, beautiful screamers.
Speaker AAnd welcome to another episode of Scream Queens.
Speaker AIt's the podcast where horror gets gay.
Speaker AThis is episode 1509 and tonight it's part one of the night of the Demon Spectacular, a very special two episode event where we're talking about my favorite movie from 1988, Night of the Demon.
Speaker AAnd to kick it off, I have two very special guests today.
Speaker AThey are two of my favorite guests of all time and two of my bestest friends.
Speaker AAnd they have never seen the movie before.
Speaker ASo we're going to be introducing them to the wonderful world of Hull House.
Speaker AIts demonic inhabitants and their lipstick filled titties.
Speaker AAnd who are these very special guests?
Speaker AWell, they haven't been here in a long time and I'm very happy they're back.
Speaker AAllison Nowacki and Brian Polk.
Speaker ABut before we do any of that, please, please, please, please allow me to introduce myself.
Speaker AMy name is Patrick Walsh and For the past 15 years I have been your guide to the weird, wonderful world of horror.
Speaker AMo.
Speaker ABut I've made you see them through my very, very gay little eyes.
Speaker AI'm not stopping now.
Speaker ANo siree Bob.
Speaker AListen, we're just going to cut right to the cheese tonight because this episode is two and a half hours long.
Speaker ABecause it's Allison and Brian.
Speaker ASo we're like blah, blah, blah, blah, blah.
Speaker ADid I say blah blah blah?
Speaker AI meant comedy gold.
Speaker AAnd as always, we cannot talk about the movie without spoiling the movie.
Speaker ASo if you have not seen Night of the demons from 1988, I highly suggest you stop right now and go watch the movie.
Speaker AIt is streaming on Shutter and it is completely free on Tubi, Pluto, Sling tv, the Roku Channel.
Speaker ARoku Channel, Roku Channel, Redbox, Plex.
Speaker AIf you can't find it, go fuck yourself.
Speaker AIt's even on Peacock.
Speaker AIt's literally everywhere.
Speaker ASo you have no excuse not to watch the movie before we go any further.
Speaker ASo better go do that.
Speaker AIt's time for me to bring on Allison and Brian and play the trailer for Night of the Demons.
Speaker AA full moon, a spooky deserted mansion.
Speaker AHalloween night.
Speaker AAll right, dudes and dusters, that's pretty 10 kids.
Speaker AAll they want to do is raise a little hell.
Speaker ANow as long as they live, they'll.
Speaker BWonder.
Speaker AWhat'S gotten into them.
Speaker ANight of the Demons.
Speaker BStigma.
Speaker BBlessed be the sinners, for the day of atonement is at hand.
Speaker CStop looking at me.
Speaker AWe're gonna get out of here.
Speaker ANight of the Demons.
Speaker AParty til you drop.
Speaker ASo as we are counting down these final episodes of Scream Queens, it's getting down to the nitty gritty.
Speaker AAnd we're at the point where I need to talk about one of the most important pieces of cinema ever made.
Speaker AAnd for that kind of weight, for that kind of not just dramatic weight, not just like critical weight, but like cultural weight.
Speaker AI said, patrick, you are going to need the best guests you've ever had, the most popular, and also the ones that are your best friends in the whole world.
Speaker AUnfortunately, they weren't available, so we're stuck with these two ladies and gentlemen, boys and girls at my GNCs, wherever you may be, please welcome back to this Grave Queen studio Alexander we and Brian J.
Speaker APolk.
Speaker AYay.
Speaker CWe got invited back.
Speaker CI thought after last time, we'd never be allowed on the show again.
Speaker BI'm really glad I, like, had those other friends get out of dodge so we can watch this movie.
Speaker AI don't know what any of them at inside jokes and I'm not in on.
Speaker APlease, please continue.
Speaker APlease continue to leave me out of the conversation that I'm hosting.
Speaker ASo it has been a hot minute since you've been here, Alison and Brian.
Speaker AWhat have you been up to?
Speaker AWhat are some awesome things that have been happening in the lives of you, too?
Speaker COh, geez.
Speaker AWell, not the band.
Speaker ANot the band.
Speaker CThe joke.
Speaker CI was going to.
Speaker AYou're welcome.
Speaker CI know what has been going on.
Speaker CWe have a new kitty.
Speaker BWe do.
Speaker CWe have a little district attorney, Anita Beta.
Speaker CLittle orange.
Speaker AShe's a cat lawyer.
Speaker AThat's very serious.
Speaker AThat's a good thing to have on your side.
Speaker CYes, yes, yes, yes.
Speaker BI'm the mother of a doctor and a lawyer.
Speaker CDr.
Speaker CTermina stinks.
Speaker CAnd Ebeda.
Speaker CYeah, they're very nice.
Speaker CThey're very little.
Speaker CHe's four, she's going to be one.
Speaker CSo they both still have way too much kitten energy while she passed the.
Speaker ABar before she's even 1 years old.
Speaker ATake that, Kim Kardashian.
Speaker CSo that.
Speaker CThat's been.
Speaker CI mean, how long has it been?
Speaker BIt's been a long time.
Speaker CYeah.
Speaker AI mean, I don't know if I have.
Speaker AI seem to recall, like it was like, after Dr.
Speaker AGiggles.
Speaker AI never want to talk to either one of you ever again.
Speaker ABut I'm not sure.
Speaker AThat may not be accurate.
Speaker CNo.
Speaker CWe did Psycho Gorman.
Speaker CI think that might be Psycho Gourmand.
Speaker ARight, of course, of course, of course.
Speaker ABecause it couldn't possibly get any better than that.
Speaker AYeah.
Speaker ABecause that movie's amazing.
Speaker AHowever, this movie is much better.
Speaker AAnd also it's the best movie ever made ever, in the entire history of the world.
Speaker AThe movie that I'm talking about is, of course, Night of the Demons from the fabulous year of 1988.
Speaker ABrian.
Speaker CYes.
Speaker AI need you to make your wife give me a nice 30 second back of the DVD plot summary of the movie.
Speaker ANight of the Demons.
Speaker AThe clock starts.
Speaker AHey.
Speaker ASee what I did there?
Speaker AShe thought she was gonna have to do it because I know she hates it anyway.
Speaker BOh, my God.
Speaker BSo Halloween night, instead of going to the school dance like good kids These kids go to Hull House and try to throw a party, but instead get possessed and crazy shenanigans happen.
Speaker BBump, bump, bump.
Speaker ABrian J.
Speaker APolk.
Speaker AIs there anything you want to add to that?
Speaker CNo, that's perfect.
Speaker CPlot summary for the back of a DVD rental or a cassette rental showing my age.
Speaker BVhs.
Speaker AI will.
Speaker AI will agree with all that.
Speaker AI will agree with all that.
Speaker ABut I will go in, we'll throw in his boobs.
Speaker AGore titties and boobs.
Speaker BWe'll get there.
Speaker BOh, we'll get there.
Speaker AOh, I know that.
Speaker BBut I didn't want to give away the.
Speaker BYou can't give away the best part of the movie in the back of the vhs, honey.
Speaker AEverybody.
Speaker AEverybody knows.
Speaker AEverybody knows because these tits are not just.
Speaker AThey're not.
Speaker AIt's not just the tits that are legendary.
Speaker AThe people who own them are legendary.
Speaker ALike, these are horror.
Speaker ALike, horror heavy hitters getting their tits.
Speaker ALinnea Quigley, who plays Suzanne, the one in pink, she.
Speaker AHer job, she's been in everything for the past 40 years, and her job is to get naked and die.
Speaker AThat's what she does.
Speaker AAnd she does it really well, and we love her for it.
Speaker BAnd plus, on top of that, it was great.
Speaker AOn top of that, she's a wonderful person and an animal activist, so she would probably be really against you sending your cat into a job like that, not letting them be normal.
Speaker CThis is la.
Speaker CThere's a high cost of living.
Speaker CThey need to earn their kids.
Speaker AI'll take it up with Linnea Quigley.
Speaker AOkay.
Speaker BDon't come after us.
Speaker BDon't come after.
Speaker ASo neither one of you had seen this before, right?
Speaker BNo.
Speaker AOkay.
Speaker ABecause this.
Speaker AThis is.
Speaker AThis is one of these staple movies.
Speaker AIt's, like, everybody's favorite Halloween party movie.
Speaker AThis is one that you get.
Speaker AThis is, like, a perfect crowd film.
Speaker AAnd honestly, Allison, people have been begging for me to cover this movie with you since, like, for, like, 10 years now.
Speaker BReally?
Speaker AAnd I bet you don't know why.
Speaker BI'm honored.
Speaker BI'm honored.
Speaker BThank you, audience.
Speaker BBecause to be honest, I've never.
Speaker BI've never seen this movie.
Speaker BTo be honest, I've never heard of this movie.
Speaker BI am very.
Speaker BI just dabble in the horror crowd.
Speaker BRight.
Speaker BI'm not, like, in it deep.
Speaker BI'm.
Speaker BI'm your.
Speaker BI'm your horrible mainstream horror kind of person.
Speaker BSo thank you, because I actually really enjoyed this movie.
Speaker BI loved it.
Speaker AI figured you would, because it's bonkers and it's got boobs.
Speaker AAnywhere else.
Speaker BBoobs aside, legendary boobs aside, I.
Speaker BI love this mov movie from the first graphics I saw in the.
Speaker BThe intro segments, like that opening sequence with those graphics.
Speaker BIt had me from there.
Speaker BSo I was in one of the.
Speaker ABest animated intros that's out there.
Speaker BYes, Absolutely loved it.
Speaker BAnd.
Speaker BAnd I.
Speaker BIt was very long, don't get me wrong.
Speaker BBut I loved every second of it.
Speaker BIt also one of the longest probably animated intros that I've seen in a while.
Speaker BBut I loved it.
Speaker BIt was so cool.
Speaker BI had no idea what I was getting into, but it was.
Speaker BBecause with Patrick, you never know.
Speaker BIt's either, like, amazing or the worst.
Speaker BSo you never know what you're gonna get.
Speaker BBut.
Speaker BBut I like the graphics.
Speaker BI loved it.
Speaker BI was immediately like, okay, I get with this.
Speaker CShe said it like five times.
Speaker CLike, these graphics.
Speaker CO' Brien.
Speaker ANo, they're great.
Speaker AThey're great.
Speaker AWhat I love about fun facts about them, that was done by.
Speaker AI don't have her name in front of me because I'm a horrible person.
Speaker AShe was a Disney animator, so she was animated.
Speaker AShe was working on the Little Mermaid at the time.
Speaker ASo she's animating Ursula by day and doing the graphics for this by night.
Speaker BOh, my gosh.
Speaker AAnd I also.
Speaker AThat's even greater because it's clearly a ripoff slash homage of the Night of Ball Mountain segment of Fantasia.
Speaker BOh, yeah, yeah, I can see that.
Speaker BI can see that 100%.
Speaker AAnd it gave you titties right there in the opening credits.
Speaker AOne of those demons that float by, have their tits out.
Speaker BOkay.
Speaker BI had to, like, look for it.
Speaker BI'm glad you told me beforehand, because it does go by, like, you know, like, if I wasn't looking for it, I was like, I gotta find him.
Speaker BIt was like, where's Waldo?
Speaker BYou know what I mean?
Speaker AYou see bullet tents?
Speaker BBullet tents.
Speaker AWhich one?
Speaker AWhat's the other one?
Speaker AWhat was the other one's name?
Speaker BJake and Amir.
Speaker ABecause for those of you who haven't been listening, who are up are our antics.
Speaker ANormally I'll text Allison a lot in the days before with, like, random stuff from the movie.
Speaker AAnd she's like, I haven't watched it.
Speaker AI haven't watched it.
Speaker AI was considering doing lists of.
Speaker AI was considering texting a shit.
Speaker AThat doesn't happen in the movie.
Speaker AOh, my God, you're going to love the birthday scene.
Speaker AExactly.
Speaker ALike, I haven't watched it.
Speaker AOr so just respond with, CM Punk picks that gift.
Speaker AThat's all she does.
Speaker BIt's true.
Speaker BIt's true.
Speaker ABut I said, you know what?
Speaker AI'm just not going.
Speaker AI'm not.
Speaker AIn case they don't like the movie.
Speaker AI'm not going to do them this time.
Speaker AI'm just going to say, just so you know, if you're not hooked in the movie, there are titties in the opening credits.
Speaker AAnd then I wanted to come back.
Speaker AI never met him.
Speaker ANo.
Speaker AAnd then we have this argument.
Speaker ANo.
Speaker BShe saw them say, hold, freeze frame, frame by frame.
Speaker BI'm looking for these things.
Speaker BNo, But I love that opening sequence.
Speaker BAnd yes, do respond to most of Patrick's texts with CM Punk pictures.
Speaker BJust Patrick, everybody.
Speaker CThat's right.
Speaker BAnd I felt true Patrick.
Speaker BPatrick does usually try to like, prep us a little bit for the movie.
Speaker BAnd I'm glad that you didn't.
Speaker ANothing.
Speaker ANothing.
Speaker BYou gave me nothing.
Speaker CYou gave us countdown.
Speaker BYou gave us the countdown.
Speaker CBut I'm every day a different number counting down to the record.
Speaker BI'm glad though, because, like, I really did just naturally like on, like, like this movie.
Speaker CYeah.
Speaker CAt the end of it, that's what you said.
Speaker CShe was like, I really, actually really liked this movie.
Speaker BJust like, really like this movie.
Speaker CThat was fun.
Speaker CThat was good.
Speaker BYeah, it was super fun.
Speaker BSo I'm glad you didn't tell me too much because I would have had different expectations, you know what I mean, going into it.
Speaker ASo that.
Speaker BAnd I was at WrestleMania and I just would have been like, whatever.
Speaker AI don't see CM Punk in this.
Speaker AHe does horror movies now.
Speaker AHe's not in this.
Speaker AWhy don't we do a CM Punk movie?
Speaker ABlah, blah, blah.
Speaker AAnyway.
Speaker ABut no, enough about him.
Speaker ABut.
Speaker ABut this is one of these movies, one of these 80s horror movies that they just don't make anymore.
Speaker AYeah, it's camp without trying to be camp.
Speaker AAnd it's got this weird stuff like, like you were talking about the opening crisis animation crazies does set you up for what you're in for because you're not in a realistic world.
Speaker ALike, these kids are not like normal kids.
Speaker AThey have their own way of speaking.
Speaker AThey have their own vernacular.
Speaker ALike everyone is out of a different movie.
Speaker ALike, Sal's from.
Speaker ASal feels like he's a jet from west side Story.
Speaker BYes, yes, he is.
Speaker BHe's ready to rumble at any given moment.
Speaker AAnd just the way he talks.
Speaker AAnd he talks like an old movie, which I think is so fun, but everybody's like that.
Speaker AAnd you've got Stooge the bully, who is so awful.
Speaker ALike everything out of his mouth is awful, but yet you love him at the same time.
Speaker ANormally I would hate A character like this, yeah, but it embraces all these bad things.
Speaker ABut that also has really great, innovative things happening at the same time.
Speaker AAnd then some of these people, not the best performers or not giving the best performances, like classically great performances, but in the end, you're like, you know what?
Speaker AEverybody delivers.
Speaker BYeah, I said that to Brian, too.
Speaker BI said the acting in this is actually, like, really good.
Speaker BFor what?
Speaker BFor what?
Speaker BThis is like.
Speaker BI got sucked in.
Speaker BEverybody was playing their role, even though Sal was from, like, New Jersey or whatever he was from.
Speaker ABut.
Speaker CAnd I was just like, yeah, I think.
Speaker CI think if these people might have had, like, a couple more takes, they could have nailed it smoother, but I don't think this movie needs that.
Speaker AIt was.
Speaker BI.
Speaker BI really liked the acting.
Speaker BIt was great.
Speaker AFunny.
Speaker AFunny.
Speaker AYou mentioned that.
Speaker ALike, they.
Speaker AI.
Speaker AI was watching the.
Speaker AThe extras on the.
Speaker AOn the Blu Ray and the director said all the scenes at the house at the beginning, like at Judy's house, the interiors and the scene with.
Speaker AOutside with Sal and the little brother, who we'll get back to, who's fabulous.
Speaker AHe's fabulous.
Speaker AHe's the worst.
Speaker AHe's absolute worst.
Speaker AThe best thing at the same time.
Speaker ABut.
Speaker ABut they had the house for one night.
Speaker BOh, boy.
Speaker AAll of those scenes had to be shot in one night.
Speaker AAnd it was really difficult.
Speaker AIt's like the house was so small and we.
Speaker AWe had to, like, set up the cameras in the yard and be shooting through windows to see the interiors properly.
Speaker ASo everything was extra work.
Speaker ASo people got one take.
Speaker BWow.
Speaker BSee, so you were right.
Speaker AYou were right for those scenes.
Speaker AAnyway.
Speaker AThe later ones, not so much.
Speaker ABut the other scenes.
Speaker AThe other scenes at Hull House was apparently in a real dilapidated house.
Speaker AThey weren't in the studio.
Speaker BOh, nice.
Speaker AAnd it looks.
Speaker AIt looks great.
Speaker BIt looks great.
Speaker AThe set design and Hull House, I love all.
Speaker AAnd the lighting design, like, all.
Speaker AWith all the slatted.
Speaker BYeah, yeah.
Speaker AGreat of great effects, though.
Speaker BBut anyway, it reminded me there were aspects.
Speaker BAnd we'll.
Speaker BWe'll get to it, I'm sure.
Speaker BBut there are aspects of it too that made me feel like it was a video game.
Speaker BI don't know if you guys felt this as well, but like.
Speaker BLike when the.
Speaker BWhen the possessed kids were, like, chasing after the other kids, they were like floating.
Speaker BYou know what I'm saying?
Speaker BAnd they would be, like, going down the hallway and the kids would be, you know, the.
Speaker BThe kids that were running away kids.
Speaker BThey're probably like, 40.
Speaker BNo, I'm kidding.
Speaker ABut come back to that.
Speaker BWe'll come back, we'll go back to that.
Speaker BBut, like, they would be, like, hiding around the corner and you'd have the moment where, like, the possessed demon would look and then kind of keep going, like.
Speaker BLike in a video game where it's like you're hiding from Boo the ghost or whatever.
Speaker BLike.
Speaker BYeah, but it gave me that anticipation of, like, playing a video game and you're having that fun time and you're like, oh, like you're in it when you're in the video game with it.
Speaker BLike, it gave me that feel.
Speaker BI don't know if that explains it properly, but that's the closest I could.
Speaker BThat's the closest I could associate it to.
Speaker AI get that in the early scenes, especially when.
Speaker AWhen the demon stuff, the possession is being passed around with people not noticing.
Speaker ALike when the.
Speaker AWhen the.
Speaker AWhen Suzanne gets it first and then she passes it to.
Speaker AYeah, that remind me of a video game too.
Speaker ALike, what's among us?
Speaker ALike, doing stuff with other people not noticing.
Speaker BVery video gamey, to be honest.
Speaker BThat's kind of ahead of its time a little bit to be doing stuff like that.
Speaker BBecause now.
Speaker BWell, given Common.
Speaker ABut yeah, given how video games were.
Speaker AWe were playing.
Speaker AStill played Centipede.
Speaker BExactly.
Speaker CThey had sound effects from Asteroids in the movie earlier.
Speaker AThat was.
Speaker ANo, I heard Pac Man, Atari.
Speaker AThat's what I heard.
Speaker BThe music in this movie.
Speaker BWe'll get to it with the music in this movie.
Speaker BYou know, I was gonna love that.
Speaker AI don't know.
Speaker AWell, I.
Speaker AI normally don't like synth scores, but I like this one a lot.
Speaker AParticularly the main theme for, like, the opening credits, I think, rocks.
Speaker BThat was great.
Speaker BComputer.
Speaker BComputer Date.
Speaker BI mean, we'll get to Computer Date.
Speaker ABut the song choices are great.
Speaker AI think they all work really well.
Speaker BWe looked into Computer Day because I love that song.
Speaker CAll the songs, except for the Bauhaus song were done by the same guy.
Speaker BWe're done by the same guy for this movie.
Speaker ASo.
Speaker ADing dong, while Brian is right, the same guy wrote both of the pop songs for Night of the Demons.
Speaker AThat same guy is Dennis Tenney, who did the whole soundtrack.
Speaker AAnd Dennis Tenney is also the brother of the director, Kevin Tenney.
Speaker AJust wanted to get that out.
Speaker AJust wanted to make sure that was clear.
Speaker AAnd by the way, Allison is also right.
Speaker AComputer Date rocks.
Speaker AIf you listen to the whole track, it's pop metal deliciousness.
Speaker AAnd so is the other song that Dennis Tenney wrote, the Beast Within.
Speaker ASo find them on YouTube.
Speaker AThe link is down there on the show.
Speaker BNotes Back to the show, if you have it anywhere.
Speaker BPatrick, I need a clean version of the song Computer Dating.
Speaker BYeah, Computer Dating.
Speaker BBecause that song, it.
Speaker BIt.
Speaker BIt was better than the cleanup montage scene in that.
Speaker AAnd that was your ringtone for, like, 15 years.
Speaker BYeah, it's getting replaced with Computer dating.
Speaker BI loved it.
Speaker BAnd the fact that this is 1988 and he's singing a song about computer.
Speaker BI'm like, oh, man.
Speaker AWhich would have been.
Speaker AWhich would have been new at the time.
Speaker BAt the time.
Speaker AYeah.
Speaker AI'm glad you brought up the ages of people.
Speaker AI used to make fun of this movie.
Speaker AThey're talking about going to the high school dance.
Speaker AI'm like, oh, please.
Speaker AOh, please.
Speaker AI'll grant you that they're too old for high school, but when I was watching the Blu Ray, I discovered they're all pretty much age appropriate.
Speaker AThey're all 18, 19, 20.
Speaker AThe oldest one is Linnea Quigley, who plays Suzanne, who's 26.
Speaker AI think it's the Halloween maker.
Speaker AAnd also being the 80s.
Speaker BYeah, I think it's the 80s.
Speaker BI think it's the 80s.
Speaker CWow.
Speaker BWow.
Speaker BOh, I'll take that, then.
Speaker BI'll take that, Elle.
Speaker BThat's good for them.
Speaker AOne of the cast members is a celebrity family member.
Speaker COh, what?
Speaker BWho?
Speaker AAmelia Kincaid, who played.
Speaker AOr Mimi Kincaid, depending, who played Angela, whose party it was in the Black Wedding.
Speaker AYeah.
Speaker AHer aunt is Rue McClanahan.
Speaker CNo, Blanche Deburau.
Speaker AThere's pictures of Rue McClanahan on set with Angela in full makeup.
Speaker BWhat?
Speaker BOh, my gosh.
Speaker AYou can see it in the cheekbones and in the smile.
Speaker BNow I have to go back once, you know?
Speaker AOnce, you know.
Speaker BYeah.
Speaker BNow I have to go back and.
Speaker ALook, I've heard people, when they heard, say, like, I think that's terrible.
Speaker AI can't believe Rue McClanahan was there and.
Speaker ABecause her.
Speaker AHer.
Speaker AHer niece, when she did a striptease in the middle of the movie, which she doesn't, but she does an erotic dance in the middle of the movie.
Speaker AI.
Speaker AI screened the movie last night.
Speaker AI opened it with a clip of Ruma Clanahan doing a strip tease in a movie from the 60s.
Speaker AIt runs in the family.
Speaker AIt runs in the family.
Speaker AYeah.
Speaker ASo.
Speaker ABut, yeah, I think it's cool.
Speaker AI think it's cool.
Speaker BThat is so cool.
Speaker BNo, I do think it's cool when it's like.
Speaker BDon't get me wrong.
Speaker BI'm not saying, like, nepo babies, like, whatever, but I do think it's cool when there's, like, support within the Family.
Speaker BSo, yeah, beyond set, have fun.
Speaker BLike YOLO.
Speaker BYou only.
Speaker AAnd this was 1988, so this was prime.
Speaker BYeah.
Speaker AGolden Girls era.
Speaker AShe took time out to come visit.
Speaker BYeah, absolutely.
Speaker AShe left the cheesecake and the lanai to come visit Hull House.
Speaker AAnd I think that's pretty cool.
Speaker AThat's pretty cool.
Speaker ABut that's one gay connection.
Speaker AThe other thing that things.
Speaker AThe character of Roger.
Speaker AYeah, for some.
Speaker AFor some.
Speaker AThe.
Speaker AThe pirate guy.
Speaker AYeah, it's not in the script.
Speaker AI've learned over time, most people think he's gay.
Speaker AAnd the more I watch him go, it actually works if you make that character gay.
Speaker AYeah, he's.
Speaker AHe's the only one not paired up.
Speaker BHe's not paired up.
Speaker BAnd he's not trying to be paired up either.
Speaker BLike, everybody else is trying to, like, get it in, and he's.
Speaker BHe's just there to have a good time.
Speaker CYeah.
Speaker BHe just wants to have fun.
Speaker AWell, here's.
Speaker AHere's.
Speaker AHere's.
Speaker AHere's my fanfic.
Speaker AHere's my fanfic.
Speaker AIs my fanfic.
Speaker AHere's what I think happened.
Speaker AAnd it actually.
Speaker AIt actually really plays very well.
Speaker AI can't decide.
Speaker AHelen is his fat gag.
Speaker AIt's his best girly friend.
Speaker BOf course.
Speaker AAnd now.
Speaker AAnd now she's dating Stooge.
Speaker AAnd so now it's a trio all the time.
Speaker AAnd he doesn't fit.
Speaker BYeah.
Speaker CYeah.
Speaker AHe's always the tag along.
Speaker BAnd also, like, feels like.
Speaker BFeels kind of bad because Stooge is calling her a bitch all the time.
Speaker AHere's the other thing.
Speaker AHere's the other thing.
Speaker AAnd I know you're going to take this the wrong way.
Speaker AIn my mind, Stooge is the alternate universe.
Speaker ABrian J.
Speaker APolk.
Speaker CWhat?
Speaker CNo.
Speaker CI could never be that dude.
Speaker ANo, no, no, no, no, no, no.
Speaker ABecause here's the thing.
Speaker AStooge has this ability to say things like, get in the car, bitch, and we still love him.
Speaker AShut up and walk, bitch.
Speaker AShut up and drive, bitch.
Speaker ASo shut up and start walking.
Speaker CA direct quote.
Speaker CFestering fuck wads.
Speaker CYou can't take that bitch anywhere.
Speaker AExactly.
Speaker AFestering F wads.
Speaker AYou cannot take this bitch anywhere.
Speaker AThat's exact line that Brian poke and you go, oh, Brian, it'd be the cutest thing out of Brian J.
Speaker APon's mouth.
Speaker BThat's.
Speaker BThat's what he said when he first met me.
Speaker BLike, and now we're married.
Speaker AHe's like, allison, now eat a bowl of.
Speaker AEat a bowl of.
Speaker ANice to meet you.
Speaker AI was just gonna say I grew.
Speaker CUp with people that said, eat a bowl of fuck like all the time.
Speaker BI love it.
Speaker ABecause they got it from this movie.
Speaker AThey got it from this movie.
Speaker AIt doesn't exist anywhere else in this movie.
Speaker ABrian.
Speaker AHe got it from Brian Wolford.
Speaker AGuaranteed.
Speaker AYou got it from Wilford.
Speaker COh, maybe.
Speaker BMy goodness, girl.
Speaker AAll right, I.
Speaker AI don't know how to approach this movie, but what was.
Speaker AIt's a really long time before anything happens.
Speaker ALet's just walk through the opening scenes.
Speaker ALike, what's going on here?
Speaker BIt opens with this old man.
Speaker CIt's creepy.
Speaker COld man.
Speaker BCreepy Old man being creepy.
Speaker BAnd he hates Halloween.
Speaker BScrew these kids, right?
Speaker BLike, he's like Mr.
Speaker BWilson.
Speaker BRight?
Speaker BBut if Mr.
Speaker BWilson wanted to put razor blades and apples.
Speaker BYeah, because that's what.
Speaker BIt's implied.
Speaker AIf Mr.
Speaker AWilson was the menace now, Dennis.
Speaker BYeah, he's now the menace.
Speaker BAnd these kids are getting ready for Halloween.
Speaker BYou always need, like, you know, the guy that's the wet blanket, right?
Speaker BAnd the kids are getting ready for Halloween.
Speaker BAnd we have.
Speaker BIs it.
Speaker BIs it Judy?
Speaker CJudy.
Speaker BJudy.
Speaker BAnd she wants.
Speaker BShe's a good girl.
Speaker BShe's the good girl.
Speaker BAnd she wants to go to the dance with her boyfriend, Jay.
Speaker CJay Jansen.
Speaker BJay Jansen at Attorney at Law.
Speaker AI'm sorry, we're only.
Speaker AWe're only going to refer to him from now on is my dead gay son.
Speaker AThank you very much.
Speaker BJay Jansen, Attorney at Law.
Speaker AIt's the guy from 8.
Speaker ALance Fenton from Heathers.
Speaker APlease continue.
Speaker AYeah.
Speaker AShit.
Speaker BShit, isn't it?
Speaker CI know.
Speaker AYeah.
Speaker CIt's been so long since I've seen Heathers.
Speaker BMe too.
Speaker BMe too.
Speaker BAnd, you know, he's.
Speaker BHe's been dating her for a little bit.
Speaker BHe wants to get it in.
Speaker BHe goes, hey, let's not go to the school dance and be good kids.
Speaker BLet's.
Speaker BLet's go to Hull House with Angela.
Speaker BDoes this mean I should find another date for the dance?
Speaker BOf course not.
Speaker AHey, I thought you'd be happy to go to a real party.
Speaker BThat school dance is for nerds.
Speaker BOh, okay.
Speaker BSure.
Speaker BWhy not?
Speaker BWho's giving it?
Speaker BI don't know if you know her.
Speaker CHer name's Angela.
Speaker BAngela?
Speaker BNo, the only Angela I know is that weird girl in history class.
Speaker AWell, as a matter of fact.
Speaker BShay, you've got to be kidding.
Speaker BAngela is such a weirdo.
Speaker BGranny says she's into witchcraft and all sorts of creepy stuff.
Speaker ACome on, you don't believe all that, do you?
Speaker BIt's a bunch of crap.
Speaker AYou're just a lonely old misfit trying to get some Attention by acting weird.
Speaker AThat's all.
Speaker BSo why in the world would you want to go to her party then?
Speaker ABecause it's Halloween.
Speaker BWho do you know that'll give a better party?
Speaker AThat's like Christmas to her.
Speaker BDo we have to?
Speaker ACome on.
Speaker AMax and Franny are going.
Speaker AIt'll be fun.
Speaker BOh, all right.
Speaker BI guess so.
Speaker BI can't wait to meet her family.
Speaker BShe probably lives in a belfry.
Speaker AWell, it's.
Speaker AIt's not at her house.
Speaker BIt's at Hall House.
Speaker BHall House.
Speaker BJay, Angela's a weirdo.
Speaker BA weirdo from my history class, but not.
Speaker BOh, the weirdos throw the best parties.
Speaker BBaby, let's go.
Speaker AHe's 100.
Speaker ACorrect.
Speaker AYou know how I know that?
Speaker ABecause I was the weird girl in history class, thank you very much.
Speaker BYes, he knows.
Speaker BHe knows.
Speaker AI just want to circle back to the old guy like what you said.
Speaker AThis guy hates everybody.
Speaker ABut we need to set up something with the old man.
Speaker AWhat?
Speaker ALike he first, like, stooge moons him from the car.
Speaker AHey, grandpa, look at the barrel bastards.
Speaker ASam y' all to hell.
Speaker AHappy Halloween, kids.
Speaker AHe's like, ah, damn you kids.
Speaker AAnd.
Speaker AAnd then Sal hits a.
Speaker ADangles a rat in his face.
Speaker ADangling a rat is something different in my vernacular, but that's a whole different story.
Speaker ADangles a rat in his face.
Speaker AHe's like, ah, you stupid kids.
Speaker AAh, my groin.
Speaker AThere's no fool like an old fool.
Speaker AYou son of.
Speaker AHey, cool it, pops.
Speaker AYou want to blow your pacemaker or something?
Speaker AAnd Judy.
Speaker AJudy comes over.
Speaker AHe drops his groceries everywhere.
Speaker AAnd.
Speaker AAnd Judy comes over to help him.
Speaker AHe's like, get away from you.
Speaker BYeah, he does say, get away from me, you.
Speaker BGee, mister, I'm sorry.
Speaker BI didn't mean to scare you.
Speaker AGet your hands off of me.
Speaker BHey, calm down.
Speaker AGet away from me.
Speaker BI.
Speaker BI was just trying to help.
Speaker AI don't need to help you damn little horse.
Speaker BWell, fine.
Speaker BI wouldn't want to help an old creep like you anyway.
Speaker BLook at you.
Speaker BYou.
Speaker BAnd like, I don't know, it just.
Speaker BIt fed into, like.
Speaker BIt took me a minute.
Speaker BCuz he lifts up.
Speaker BHe like, very menacingly likes Snow White, like the.
Speaker CThe.
Speaker BThe evil.
Speaker CThe evil witch, which is the hag.
Speaker CYeah.
Speaker BPicks up the apple and has like, the razor blades in the other hand.
Speaker BAnd he's like.
Speaker CIt starts cackling.
Speaker AThey'll get theirs tonight, right?
Speaker BThey'll get what they deserve.
Speaker BYes.
Speaker CThey'll get what they deserve tonight.
Speaker BI'm going to kill all these children.
Speaker ABecause nothing.
Speaker ABecause nothing in this movie is Subtle nothing.
Speaker AWe're handling this literally.
Speaker AWe're playing by comic book rules.
Speaker AAnd I don't mean like superhero comic book rules.
Speaker AI mean like Tales from the Crypt comic book type rules.
Speaker AThis is the kind of environment.
Speaker COh, I thought you meant Archie.
Speaker AWell, you know what?
Speaker AArchie also would done this because you know, they could have been down at the chocolate shop and had a razor blade and they're, they and, and their strawberries phosphate that they're drinking with two straws.
Speaker BJughead was a menace.
Speaker ALook at that hat.
Speaker BLook at that.
Speaker BI mean, come on, look at that hat.
Speaker BYou know, from there.
Speaker BYou know, from.
Speaker CCan't trust Mr.
Speaker BSo.
Speaker BSo there.
Speaker BSo Judy's getting ready to go to Hull House now, which he doesn't really want to go to, but you know, you got to, you got to keep your boyfriend happy in the 80s and.
Speaker AOkay, I need to talk about Judy for a bit.
Speaker AI love Judy and I hate like Judy.
Speaker AKathy Podwell.
Speaker AShe wound up with a nice starring role on Dallas.
Speaker AShe was a regular in Dallas for a couple years and good for her.
Speaker AWhen you hear her talk on the, on the, on the Blu Ray, she sounds nothing like Judy at all.
Speaker AShe doesn't.
Speaker ABut people hate.
Speaker AThey pay all of her delivery.
Speaker AI think it's great because you can make a delivery game every time.
Speaker AShe's like, chai, chai, chai.
Speaker AI think it's great.
Speaker AI think she's great.
Speaker AShe's.
Speaker ABecause she's got it.
Speaker ABut apparently that she was directed to do like to be as innocent and dopey as possible.
Speaker AAnd that's coming across and people don't like her acting is terrible.
Speaker AI think she's, I think she's fabulous.
Speaker ATell me about her home life.
Speaker BShe's, she's, she's supposed to be the good girl.
Speaker CShe no father in the picture as.
Speaker BFar as we know.
Speaker CAs far as we see.
Speaker CMom makes treats that look like, oh, what did Bill say?
Speaker CI wrote it down.
Speaker CIt looks.
Speaker AAre you about to say something disparaging about, about Judy's mom's Fudge Loves?
Speaker CYeah, they, they look like sun dried poodle turds.
Speaker AYou know what?
Speaker AIn today's market, people be like, that sounds great.
Speaker AIt's all natural organic seed oils.
Speaker AOkay, can we talk?
Speaker BBut she also has this time, time, time.
Speaker AI need to ask.
Speaker AI just need to ask.
Speaker AI need, I need to look into your life.
Speaker ADid either one of you, did your parents ever go through that cereal box box recipe type phase or magazine recipe typeface?
Speaker CNever, not really.
Speaker BAnd you would think us being from The Midwest.
Speaker BIt would be keen on, like, back of the box.
Speaker CNo, I'm worried about getting, like, frozen chicken patties from the Schwann's truck.
Speaker BMarket day.
Speaker CYeah.
Speaker BHell, yeah, market day.
Speaker BNo.
Speaker BYeah.
Speaker BNo, we.
Speaker BWe never went.
Speaker BWe never.
Speaker BMy mom was not, like, a baker, really.
Speaker BI mean, she would make, like, polish cookies around Christmas, but she was never really a.
Speaker BLike, a baker making.
Speaker AShe's nurse survivor.
Speaker ACarol's a nurse.
Speaker AShe's just out there saving lives.
Speaker AShe doesn't have time to be baking.
Speaker AStupid.
Speaker AFor you, Allison.
Speaker BThank you.
Speaker BShe's saving lives.
Speaker BOne of my mom made a lot of chicken tonight.
Speaker BYou guys remember chicken tonight?
Speaker BYeah, I feel like chicken tonight.
Speaker AJust so you know, all three of us are bouncing in our chairs and flapping our wings.
Speaker BJust chicken tonight.
Speaker BThere was a lot of chicken tonight in my house.
Speaker BA lot of market day, which was my area's version of, like, my mom.
Speaker AMy mom didn't do that.
Speaker AMy mother was an awful cook and also was.
Speaker AAt this particular time, she was.
Speaker AShe was an alcoholic and menopausal.
Speaker ASo she had this weird kitchen rule.
Speaker ALike, she'd be cooking me.
Speaker ALike, anything goes.
Speaker AAnything that was in the kitchen could wind up in the dish at any time.
Speaker AAnd it was always meatloaf.
Speaker AAlways, always.
Speaker AMeatloaf was always meat lobster.
Speaker AI'm sorry, let me take that back.
Speaker AEverything in the kitchen except spices or sauces or anything.
Speaker AOr anything.
Speaker AOr anything that would give anything flavor.
Speaker AWe can't have chicken with stuff on it.
Speaker AWhat are we.
Speaker AIt's too spicy.
Speaker BI will tell you, Survivor Carol, she does make a mean meatloaf.
Speaker BI will, Brian.
Speaker BI'm sure she.
Speaker AI'm sure she does.
Speaker ANo, but I'm thinking of the time the meat.
Speaker AThe Eminem meatloaf happened.
Speaker AThat was bad.
Speaker AThat was a bad maraschino cherry meatloaf.
Speaker AIt was bad.
Speaker AIt was bad.
Speaker AAnd Jones is fun.
Speaker AIt's great.
Speaker AThat's great.
Speaker AAnyway, rest, rest.
Speaker ARest in peace.
Speaker AMom, we talk about you in a podcast.
Speaker AYeah, okay.
Speaker AYeah, but Billy.
Speaker BLittle brother Billy.
Speaker BCan we talk about Billy?
Speaker ABut I just want to know how.
Speaker AI just need to take a moment because one of my favorite moments in the movie is when she offers the fudge logs to my dead gay son, and Billy says that they.
Speaker AWhat do you want, a mom?
Speaker AThey look like free sundry poodle jerseys.
Speaker AShe's genuinely hurt.
Speaker BYou must be j.
Speaker BYeah.
Speaker BWould you like a fudge log dog?
Speaker BOh, gee.
Speaker AHey, I'd love to, but I'm trying.
Speaker BTo watch my weight.
Speaker BOh, your weight.
Speaker BYou must be Kidding.
Speaker BYou're skinny as a rail.
Speaker BOh, come on, Jay, don't be shy.
Speaker BHave one.
Speaker BI just took him out of the oven.
Speaker ANo thanks, Mrs.
Speaker ACassidy.
Speaker BReally?
Speaker BYou sure?
Speaker BYeah, of course he's sure.
Speaker BMa, Ma, would he want one?
Speaker BThey look like sun dried poodle turds.
Speaker BOh, Billy.
Speaker AThat actress played genuinely her.
Speaker AI'm like, you know what?
Speaker AYou're right.
Speaker AAnd you know, even when beauty first comes home, you see her, you see mom blending up those fudge like so.
Speaker ALike we had a trajectory with the fuck they didn't just come out of nowhere.
Speaker AShe's been working on these things all day.
Speaker ABilly, Billy, Billy.
Speaker AOkay, what I need to say about Billy is that someday he's gonna be that kid at college that you cover your drink.
Speaker AOh, when he comes by.
Speaker COh, yeah.
Speaker CI mean, he, he was contenting on his sister's boobs.
Speaker BWow.
Speaker ABritish boobies.
Speaker BSis, you keep on going.
Speaker BYou'll have to hire someone just to tie your shoes.
Speaker BYes, that's our first.
Speaker AThe other thing is like welcome to the 80s where you can have a girl doing a semi topless scene with your 12 year old on camera with.
Speaker BHer, you know, what was he doing in that closet before he jumped out?
Speaker BThat's what I want to know.
Speaker BJesus.
Speaker ABodacious boobies.
Speaker AThat's another thing Brian can say get away with.
Speaker AThey could walk up to anybody like, hey, bodacious boobies.
Speaker BDishes boobies.
Speaker BThat's the second thing you said to me when we met.
Speaker CYeah, yeah.
Speaker CThat's how you get a girl.
Speaker BThat's how you get a girl.
Speaker BEven if it's your sister.
Speaker AWell, you know what?
Speaker AI'll stop I confident to compliment.
Speaker AOkay.
Speaker BTake it.
Speaker BTake it where you can, ladies.
Speaker BTake it where you can.
Speaker BTake it where you can.
Speaker AThis kid is an absolute nightmare.
Speaker AAnd I also love everything out of his mouth.
Speaker CI, I was, I, I shouldn't have been because of when the movie was shot.
Speaker CBut when he drops the f slur on Sal, I, I, I was just like, holy.
Speaker BI wouldn't have heard it.
Speaker BI wouldn't have heard it because I have bad hearing.
Speaker BI have bad hearing.
Speaker BI wouldn't have heard it.
Speaker BBut Patrick, I don't know.
Speaker BYeah, the subtitle I was gonna say the version that you sent us.
Speaker BI couldn't get rid of those subtitles and I saw it in the subtitles.
Speaker AI'm gonna make you read.
Speaker AI promote literacy on the show as well as media literacy.
Speaker AOkay.
Speaker ABook literacy and main good reading rules.
Speaker AThank you.
Speaker AIt is fundamental.
Speaker BThey were burned in.
Speaker ANo, no, no, no.
Speaker AThat is an absolute.
Speaker AThat is an absolute.
Speaker ATime would have.
Speaker AThat's exactly what that kid would have said.
Speaker CExactly.
Speaker CIt's like when you go back and watch Monster Squad and you're just like, holy hell.
Speaker CWhy are these kids saying these things?
Speaker CThey're like, oh, because we're coming off.
Speaker AThe 70s and only people.
Speaker APeople are only beginning to care about their children in the 80s.
Speaker AThey're just beginning to.
Speaker ABut my favorite one was like where?
Speaker AHe asked.
Speaker AWhere?
Speaker AHe asked my dick.
Speaker AHe said.
Speaker ASo are you dating her for her because you like her personality or because she's got great ja shots?
Speaker AWell, you must be Judy's little brother, huh?
Speaker BYou're pretty lucky.
Speaker CShe's.
Speaker AShe's a real nice girl.
Speaker BYeah.
Speaker BAre you dating her for a personality?
Speaker BBecause she has big cha.
Speaker BChas.
Speaker CYeah, that probably like went all over the place because he was like creepy perf to his sister.
Speaker CCreepy perf, but also like trying to be like tough guy to Jay and then just like biggest wimp in the world.
Speaker AI beg your pardon?
Speaker AHe stands up to Sal.
Speaker ANo, Sal offers him a quarter.
Speaker ASal offers him a quarter to figure out his sister where she's going to be instead of going to the Deads.
Speaker AHe's like, you expect me to sell out my sister for a measly quarter?
Speaker AHe's.
Speaker AHe says no.
Speaker AHe says no.
Speaker BHe waited till it was a dollar.
Speaker ANow go get your sister.
Speaker BJudy's getting dressed.
Speaker BShe's going to a party.
Speaker AParty?
Speaker AWhat party?
Speaker BWouldn't you like to know?
Speaker AOh, you little asshole.
Speaker BOh mother.
Speaker AHey, hey, hey, hey, hey.
Speaker ACome on.
Speaker ASpill of beans, eh?
Speaker ASee, here's a nice chunk of change to loosen your lips a little.
Speaker BAre you kidding?
Speaker BBetray my beloved sister for a mezy quarter?
Speaker BWhat do you think this is, some kind of depression or something?
Speaker AOh, that does it.
Speaker BBilly, did you call me?
Speaker AHey, hey, hey.
Speaker AThis is my final offer, kid.
Speaker ANow take it in sync.
Speaker AWhere's the friggin party?
Speaker BSure, it'll be too chicken to crash it anyway.
Speaker AYeah, try me.
Speaker BSay hoe.
Speaker BHouse.
Speaker AHull house.
Speaker AWhat are you trying to pull, shorty?
Speaker AYou're just doing me caught dead in a dump like that.
Speaker AWhat do you think I am, some kind of idiot or what?
Speaker BWhat I think is besides the point.
Speaker BWho has tonight?
Speaker BYou waited till it was a whole dollar.
Speaker AYou know what that was 1988.
Speaker AAnd that the today's money, that's like a million dollars.
Speaker AIt's like $1 million that he got.
Speaker BFor an eight year.
Speaker BAnd you got to remember this is eight year old money too.
Speaker BSo that's like $2 million to an eight year old.
Speaker AExactly.
Speaker AThat's like.
Speaker CThat's like.
Speaker AThat's like two comic books.
Speaker AThat's like 85,000 Pac man games, you know, or.
Speaker AI'm sorry, Frogger.
Speaker ALet's go with Frogger.
Speaker AYes.
Speaker AGallant, Helica, I need to take a time out here because there.
Speaker AThere's a movie called Bloody Birthday.
Speaker AAnd this scene always cracks me up.
Speaker AIt's three kids who were born.
Speaker AIt's three killer kids.
Speaker AAnd one of them has a hole.
Speaker AThe girl has this hole drilled in her closet wall so she can peep on her sister.
Speaker AAnd her sister is Julie Brown, the comedian.
Speaker AYou know, I like him.
Speaker ABig and stupid.
Speaker CYeah, yeah, yeah.
Speaker CDowntown Julie Brown.
Speaker AOh, no, not.
Speaker ANo, not downtown Julie Brown.
Speaker AThe one who's not on empty tv.
Speaker CEarth Girls are easy.
Speaker CJulie Brown.
Speaker AThank you.
Speaker AAnd she takes money from these kids of the block so they can peek on Julie Brown dancing around topless with her boobs out.
Speaker ASo you can see Julie Brown's boobs in this movie.
Speaker AAnd so they have a whole scene with them watching.
Speaker AAnd then the kids leave and she goes, the girl looks in her pocket and she looks at the camera, goes, I made 75 cents.
Speaker AAnd I'm glad that Julie Brown died in the next day because do you know how sad I would have been had.
Speaker AI feel like my titty.
Speaker AMy titty dance only raised 75 cents.
Speaker AIt's kind of like here.
Speaker AI always think of it here, because he'd be like, you think I'm gonna sell out my sister for a measly quarter?
Speaker AI'll sell that big titty bitch out for free.
Speaker AShe throwing a whole house.
Speaker CWe can't forget the legendary shoplifting at the Kwik E Mart scene.
Speaker AI beg your pardon?
Speaker AI'm gonna say we're gonna have to.
Speaker AWe can't forget the hypnotic hiney scene scene.
Speaker CYeah, yeah.
Speaker CThat's how it kicks off.
Speaker AI mean, you have the hypnotic and.
Speaker CIt holds on that heiny for quite a bit.
Speaker AIt, it.
Speaker AThere's a lot of hiney in this.
Speaker AA lot of.
Speaker AA lot of Suzanne's heiney in this movie.
Speaker ABless.
Speaker ABless you, Linnae Quigley.
Speaker AAnd as it does, it has everyone in the stud in the.
Speaker AIn the store and raptured, by the way.
Speaker AThey couldn't afford extras.
Speaker AEverybody in that scene is on the crew.
Speaker AThey had no money for this.
Speaker AThey had no money.
Speaker BWhat a day to be on the crew, though, eh?
Speaker BWhat a day to be on the crew.
Speaker AThey blew all the money on the animated scene.
Speaker ASequence.
Speaker AThis is the effects.
Speaker ASo they didn't have any money for anything.
Speaker BYeah.
Speaker BThough.
Speaker BHeck yeah.
Speaker BThe who did?
Speaker BWho did?
Speaker BOkay, so there were the two shop clerks in there.
Speaker BYeah, right.
Speaker BThat were like hypnotized.
Speaker BYou guys are saying heinie I.
Speaker BThere was more than that.
Speaker BThere was more than that, baby.
Speaker BThere was more than that.
Speaker BBut who?
Speaker BThe guy that had the glasses that was chewing the gum.
Speaker BHe reminded me of somebody.
Speaker BKind of like a Tim Heidecker.
Speaker BKind of like he reminded me of somebody and I can't.
Speaker BIs he from anything else?
Speaker BLike he reminded me of any somebody to my knowledge.
Speaker AI don't have his name in front of me, but I don't think so who he reminds me of.
Speaker AIt's probably just the glasses.
Speaker AHe reminds me of Brad from the Rocky Horror Picture Show.
Speaker BThat too.
Speaker BThat too.
Speaker BLike just a familiar.
Speaker BLike even just that.
Speaker BIt was like such a familiar archetype, you know, except.
Speaker AExcept their balls don't say taste the same.
Speaker BNo.
Speaker BDo you guys have sour balls?
Speaker BWhy, sure we do.
Speaker CToo bad.
Speaker BI bet you don't get many blowjobs.
Speaker ABrian Boswick definitely has sweet, sweet tasting balls.
Speaker ABut apparently this guy has sour balls.
Speaker BYou got sour balls?
Speaker BYeah.
Speaker BMy goodness.
Speaker BIt was so.
Speaker BSo they steal all this.
Speaker BSorry, hold on, hold on.
Speaker BWe fast forwarded a little bit.
Speaker BWe didn't talk about.
Speaker BAbout.
Speaker BWe didn't finish talking about like Sal, right?
Speaker BI want to go back to the scene because we find out that this is where we find out that Sal and Judy, which is important, kind of had a little bit of a thing, right?
Speaker BJust a one.
Speaker AThey went out once.
Speaker BThey went out once.
Speaker BThey went out once.
Speaker BBut in the 80s, that's like married.
Speaker BLike.
Speaker AYeah, like the average lifespan was only like 38 back then.
Speaker ASo yeah, one day, like being married.
Speaker BThat'S like being married.
Speaker BBut we find this.
Speaker BWe find this out and I think it's a little bit important because he.
Speaker BThere's a little bit of unrequited love.
Speaker BThere's a little bit of like, oh, now she's with Jay.
Speaker BBut we're good.
Speaker BThis.
Speaker BNow we know his motivation kind of for wanting to go to this party, right?
Speaker BHe's not just New Jersey tough guy, you know, he's stalker guy that wants to go break up Judy and Jay.
Speaker AHe wasn't invited.
Speaker AHe clearly like is stated.
Speaker AYou were not invited.
Speaker BYou were not invited.
Speaker ABut I'm also great about this movie.
Speaker AI think it's fun about this movie is this group of people would never hang out together in real life.
Speaker ANever, Never.
Speaker AEver, ever, ever, ever.
Speaker AThe only way that they would all hang out together, and this is really something that I can't believe, is that the only way that people would go to Angela and Suzanne's party.
Speaker ABecause, Grant, Angela and Suzanne are clearly looking back, the coolest people in school.
Speaker BOf course.
Speaker BOf course.
Speaker AWhat we could tell, you know, Angela's goth and, you know, Suzanne's hot and stupid and they, they've got their best.
Speaker AClearly best friends and they click together, great scenes together.
Speaker BThey vibe.
Speaker AThey vibe.
Speaker AThey vibe.
Speaker ABut their vibe is clearly not anybody else's vibe in the movie.
Speaker AAnd when you're in high school, that sort of thing is important.
Speaker ANobody would be going to that party unless there's going to be drugs there and there's no drugs.
Speaker CYeah, they would be.
Speaker CIn the 80s.
Speaker CThey're not the coolest kids in school.
Speaker CIn the 90s, they are.
Speaker AI can't believe Angela doesn't have drugs this morning.
Speaker BI mean, they think like, what are you.
Speaker BThere was one part where they go, what are you guys on?
Speaker AI drove all the way out to Hull House and there's no drugs at this party.
Speaker AI need to talk about Linnea quickly.
Speaker AAnd those of you who've been listening for a long time, you've heard this rant before.
Speaker AI love Linnea Quigley.
Speaker AI love her as a person.
Speaker APerson.
Speaker AI love her as a person.
Speaker ABut actress, she does what she does.
Speaker AShe does it well and she.
Speaker AShe plays into that.
Speaker AShe knows exactly what she is and she knows why she's there and she plays it up.
Speaker AI've seen her, like every now and then they'll let her act when she let her not do this character.
Speaker AShe's actually quite good.
Speaker ABut people want this.
Speaker AThis is what people want.
Speaker AShe has her.
Speaker AShe has her own style of line delivery that' strange and very erotic.
Speaker AAnd you hear other people like imitating in other movies.
Speaker ALike whenever, whenever you see, like the suicide type girls in a movie trying to be sexy.
Speaker AThey all talk, like, Nick Quigley, like, weird emphasis on things.
Speaker AAnd I think she's great here.
Speaker ALike, I just want to look good for the boys.
Speaker AIt's just.
Speaker AWhat a wonderful look.
Speaker BIt's so true.
Speaker BLike, it.
Speaker ALike, I didn't want to look good for the boy.
Speaker BI want to look good for the boys.
Speaker BI've never seen anybody spend more time in a mirror.
Speaker BRelax.
Speaker BI just want to look good for.
Speaker BFor the boys.
Speaker BIt was so perfect.
Speaker BShe was.
Speaker BI think that fit this.
Speaker CYeah.
Speaker BSo perfect.
Speaker BSo perfect.
Speaker BSo perfect.
Speaker AIt's a cartoon of a teenage character.
Speaker AI think it's great.
Speaker AIt's perfect.
Speaker AAnd I also.
Speaker ALater on, she.
Speaker AIt's very subtle, but later on, when the party's going on and, like, strange things are starting to happen, there's a weird knock.
Speaker AYou guys did invite some other people to this party.
Speaker BAngela, Some cute boys, I hope.
Speaker AMaybe some cute boys have arrived, which is total diss on all the boys that are already at the party.
Speaker BSuppose all these ugly boys.
Speaker AUgmos.
Speaker BStinking stooge over here.
Speaker AShe might be in the mood for pork tonight.
Speaker BMaybe I'm in the mood for pork tonight.
Speaker CYeah.
Speaker AThe dialogue.
Speaker AThe dialogue.
Speaker AIt's just.
Speaker BChef's kiss.
Speaker BChef's kiss.
Speaker BSo they.
Speaker BSo Angela steals all the procures by stealing all the stuff for the party, napkins included.
Speaker BI was very happy she included napkins when she was stealing stuff.
Speaker CAnd the extras saw her stealing.
Speaker CThey didn't care.
Speaker BNo.
Speaker BDidn't care.
Speaker ANo, no.
Speaker CThe shop owners were distracted, but everybody else is just like, well, she's doing it.
Speaker BNot my problem.
Speaker AWe're on the crew.
Speaker AWe don't have lines.
Speaker AWe don't have.
Speaker AWe don't do whatever the hell you want.
Speaker BNot my problem.
Speaker BProblem.
Speaker BBut we get.
Speaker BSo we.
Speaker BWe get to, like.
Speaker BEverybody's going to this house now, right?
Speaker BWe're going to hall house.
Speaker BWe're getting ready for this party.
Speaker BAnd, yeah, we have.
Speaker AWe have a couple more people to pick up before we go.
Speaker BWe do.
Speaker BWe do.
Speaker BSo we got Stooge, and we got Helen.
Speaker BWe got Roger.
Speaker BRoger, which in the subtitles, they spelled it R O D G E R, which I thought was a choice.
Speaker AThat's how it's spelled in the credits.
Speaker AThat's how spells his name.
Speaker AOkay.
Speaker BYeah, it was a choice.
Speaker BI was like.
Speaker AWhich is another.
Speaker AWhich is another clue that he's gay because he's got D in him.
Speaker BOh, my gosh.
Speaker BNicely done.
Speaker AI just made that up right now.
Speaker AAnd welcome.
Speaker AOh, that's how you know.
Speaker AThat's how you know.
Speaker ALook at that.
Speaker AIt's stuck right in there.
Speaker ARight there in the middle.
Speaker ARight there.
Speaker BWe told you.
Speaker BWe told you.
Speaker BRight in the name.
Speaker BRight in the name.
Speaker BAnd they're driving, and Stooge is terrible.
Speaker BStooge is terrible.
Speaker BTo Helen, calling her a.
Speaker BPoor Roger's in the back seat just like, I just want to go to this party.
Speaker BI'm dressed like a pirate.
Speaker BI'm ready to go.
Speaker BLike, let's just go.
Speaker BHave fun.
Speaker BAnd they are driving.
Speaker BSo they're.
Speaker BAnd they're on their way to Hull House.
Speaker BJay and Judy Are picking up.
Speaker ASorry, my dad.
Speaker AHis name is my.
Speaker AMy dead gay son.
Speaker BMy dead gay son.
Speaker ABecause.
Speaker ABecause either you're gonna have to.
Speaker AHave to call him my dead.
Speaker ASo you have to go check every time.
Speaker BSo Judy and my gay dead son are.
Speaker BPick up Max and Franny.
Speaker CFranny.
Speaker BMax and Franny.
Speaker AImportant, Important question.
Speaker AWhat are they dressed as?
Speaker BA.
Speaker BA doctor.
Speaker CDoctor.
Speaker CWrong.
Speaker AHe's.
Speaker ANo, actually, he's a dentist.
Speaker BA dentist.
Speaker COh, Dr.
Speaker CGiggles strikes again.
Speaker AWell, he's a reverse Dr.
Speaker AGiggles call back.
Speaker AThat's a.
Speaker AThat's another callback, people.
Speaker AThank you.
Speaker BThe ironic bit is I thought he was a dentist.
Speaker BHe wasn't.
Speaker BHe was a doctor the whole time.
Speaker BThat's why it's funny is that I thought he was a dentist.
Speaker BNot a dentist at all.
Speaker ANo, no, no.
Speaker BAnd I have no idea what Franny is dressed as.
Speaker CThought she was supposed to be, like, a pink.
Speaker AOh, yeah.
Speaker BOh, God.
Speaker BI got it.
Speaker AGot it.
Speaker BAnd.
Speaker CBut just from the cut of the dress, I don't think she had, like, little wings on the back of her dress.
Speaker BAnd Judy is Alice in Wonderland.
Speaker BShe's Alice from Alice Wonderland.
Speaker BAnd Jay, my gay day son.
Speaker AMy.
Speaker BMy.
Speaker BMy son.
Speaker BMy.
Speaker BHe's dressed as just, I don't know, Miami Vice.
Speaker BNothing.
Speaker CNothing.
Speaker CHe's dressed as 80s.
Speaker AThey make a point.
Speaker AHe's too cool to wear a costume.
Speaker BHe's too cool to wear cosm.
Speaker BTherefore, he's Miami Vice.
Speaker CHe dressed up like he was going to a high school dance to not want to go to a high school.
Speaker ADance, because he's not there to dress up.
Speaker AHe's there to undress, if you know what I mean.
Speaker ABy the way, just Max and Franny.
Speaker AMax is Philip Tenzin Tanzini or Tanzani.
Speaker AI can't read my handwriting.
Speaker AI.
Speaker AFor folks at home, I've got four fingers in splints.
Speaker ASo my handwriting is particularly atrocious because I have trigger finger.
Speaker ABecause you know what?
Speaker AYou know, I have trigger finger running around my house going pew, pew, pew, pew, pew all the time.
Speaker ABut.
Speaker ABut he.
Speaker AHe was more of a child star.
Speaker AHe was.
Speaker AHe had a.
Speaker AHe was on a child star in General hospital for, like, 176 episodes or something crazy like that for really old people.
Speaker AHe was the voice of Jackie Paper in the old Puff the Magic Dragon animated special.
Speaker CYeah.
Speaker AAnd.
Speaker AAnd he's a huge voiceover actor now.
Speaker AHe works very prolifically for good for him.
Speaker AAnd Franny is Jill Tereshita, who was in sleeper at Camp 3.
Speaker AAnd I think she's lovely.
Speaker AShe's like one.
Speaker AEverybody.
Speaker AAll the characters in this are kind of awful.
Speaker AShe's one of the only ones that's not.
Speaker BYeah, yeah.
Speaker BBut she does break the cardinal rule, though.
Speaker BSo she must die in this movie.
Speaker ABut.
Speaker BSo now we have all of our people, right?
Speaker BAnd we're all going to hall time.
Speaker AWhat's wrong with Hull House?
Speaker AWhy are we having a party at Hull House?
Speaker BWell, Hull House used to be a mortuary.
Speaker BAnd they say that it's haunted.
Speaker BNo, not haunted.
Speaker BPossessed.
Speaker BAnd we learned the difference between a haunting and a possession.
Speaker ABut what happened there?
Speaker ABut what happened there?
Speaker AWhat happened there?
Speaker AWhat happened to the hall family?
Speaker BThere was the former owner.
Speaker BThere was a murder.
Speaker BSuicide.
Speaker BBut they don't really know who did it.
Speaker BThey don't know.
Speaker BThis place was once a funeral parlor, wasn't it?
Speaker AYeah.
Speaker ABiggest one in four counties.
Speaker BA funeral parlor.
Speaker BWay out here.
Speaker BWell, sure.
Speaker AIt's nice and cozy.
Speaker ARight next to the old cemetery.
Speaker AAnd rumor has it, old man Hull really loved his clientele.
Speaker AI mean, in the carnal sense.
Speaker BYeah.
Speaker BThat doesn't surprise me.
Speaker AHow I once saw a portrait of Mrs.
Speaker AHall.
Speaker BI've heard stories about this place ever since I was a kid.
Speaker BThe hall family met a pretty gruesome end, didn't they?
Speaker AThey sure did.
Speaker AAs a matter of fact, it was on Halloween night.
Speaker AOne of them went crazy and slaughtered the entire family.
Speaker AThen committed suicide.
Speaker AThey could never figure out who did it.
Speaker AToo much blood and guts.
Speaker BI can't believe we're gonna.
Speaker BNeither can I.
Speaker BBut, like, they don't know who was the murders and the suicides.
Speaker BI guess everyone knows who got burnt up.
Speaker BThat's all the makeup burnt up.
Speaker AThe makeup part.
Speaker AThe maid was.
Speaker AShe was fired.
Speaker AThank you.
Speaker AThe maid was fired?
Speaker AYeah.
Speaker BSomebody fired the maid?
Speaker AYeah, somebody did the whole family.
Speaker AMaid was killed along with the rest of them.
Speaker ASomeone managed to roast her.
Speaker BGreat barbecue maid.
Speaker ANo wonder she didn't keep the place cold clean.
Speaker BCan we go home now?
Speaker AEverybody was so mutilated.
Speaker ANobody could tell who killed who.
Speaker BYeah.
Speaker BYeah, exactly.
Speaker BNobody could tell who killed who.
Speaker BAnd there's this weird.
Speaker BAround Hull House, there's a.
Speaker BThere's a wall.
Speaker BAnd there's like this weird underground stream.
Speaker CYeah.
Speaker BWhich is, I guess, a thing.
Speaker BMax is obsessed with this, which Max is obsessed with.
Speaker BHe takes his little dentist stethoscope and he puts it to the ground to hear the street.
Speaker AYou know, like all dentists have around their necks all the time.
Speaker BOf course, that's how you know he's a dentist.
Speaker BDentist.
Speaker BBut there's this stream there's this stream.
Speaker AHe's a, he's a dentist that's dressed up as a doctor.
Speaker BYes, yes, because he can't just be a dentist.
Speaker BSo.
Speaker BBut there's this underground stream and the wall, this wall that goes around the place marks this underground stream.
Speaker BBecause evidently the possessed demon things that are in there can't cross that.
Speaker BThey can't, they can't cross.
Speaker CCan't cross the streams.
Speaker BCan't cross the streams.
Speaker BMax, what are you doing?
Speaker AI'm just checking out an old legend about this place.
Speaker ACome here, Judy, come here, will ya?
Speaker ACome here.
Speaker AListen.
Speaker BWater.
Speaker AYeah, an underground stream.
Speaker AAccording to legend, it completely surrounds the property.
Speaker AThis wall was built right on top of it.
Speaker AA brick wall on top of an underground stream.
Speaker ANow there's a stroke of engineering genius.
Speaker AWell, the wall was built to mark the stream dream.
Speaker ASupposedly the evil spirits that haunt the land can't cross over running water or something.
Speaker AThis is the thing that in the script, the original script, it was supposed to be a wooden fence, a really high wooden fence.
Speaker ABut then when they got to this property, which by the way is, was, was, is a real house and it was, it's now a Ralph's.
Speaker AOh, so you can go shopping there.
Speaker AIt's in South Hollywood.
Speaker BOh, really?
Speaker AYeah.
Speaker BThat's crazy.
Speaker BI kind of want to go now.
Speaker ABut when they got there, the property had this huge wall.
Speaker AThere's nine foot wall that, you know, covered one thing and said, you know what, why don't we just make it a brick wall and forget the fact that it makes no architectural sense.
Speaker AThey bring it up like that really doesn't make any sense to put a brick wall on top of a stream.
Speaker ABut you know what, we're just going to go with it because it's demonic shit.
Speaker CYeah, yeah, yeah.
Speaker AThere's no rules.
Speaker BComic book theory.
Speaker BIt's the comic book theory.
Speaker BIt's there and we accept it as what it is.
Speaker AJust shut up.
Speaker AJust shut up and go to the house.
Speaker AShut up.
Speaker BShut up and go now to mark the safe zones.
Speaker CYes.
Speaker CAnd ma.
Speaker AShut up.
Speaker AGet your tits out and go in the house.
Speaker CMax is Mr.
Speaker CExposition whenever they need any background in anything, Max is like, he's.
Speaker AExcuse me, he's Dr.
Speaker AExposition.
Speaker ADDS.
Speaker AThank you very much.
Speaker CSorry, sorry.
Speaker CYou're true.
Speaker CThat's right, right.
Speaker APardon me.
Speaker BSo we now we know all, all the lore about Hull House, right?
Speaker AOh, I just before we, before we move on, one of my favorite moments when they're first pulling up to Hull House and we've heard so much about it.
Speaker AAnd they're finally, oh, there it is.
Speaker AThere's Hull House.
Speaker AAnd they cut to it, and it's clearly a model that makes me really happy.
Speaker APeople, people, people get really upset about it.
Speaker ALike, it's so cheap.
Speaker AI'm like, no, that's hilarious.
Speaker AThat's great.
Speaker AIt's great because apparently, like that.
Speaker ABecause what you see in the actual set house, like, oh, with all the turrets and stuff, that was the house that they were shooting in.
Speaker ASo they could have shot that.
Speaker ABut, like, they deliberately chose a model which.
Speaker ABecause that's what you would get in a comic book.
Speaker AYou would get this ridiculous shot.
Speaker AAnd I love it.
Speaker AYeah, it's 100%.
Speaker B100%.
Speaker AI.
Speaker AI can't believe we're going to party there.
Speaker BOh, God, I love to party at, like, weird old houses.
Speaker AI know.
Speaker BI know.
Speaker AWe've had.
Speaker AWe've had this conversation before, Alice, because I don't understand why.
Speaker AWhy straight people in these movies always want to go to weird, gross old buildings and fuck.
Speaker ABecause I'm like, you're going to get.
Speaker AYou're going to get spiders in your hoochie.
Speaker ASomething bad is going to happen.
Speaker BIt's dusty and horrible.
Speaker AYou're going to get spiders in your hoochie that you're going to have to take a bath and ass is going to come out of the tap.
Speaker AI don' Bad.
Speaker ABad.
Speaker AAnd none of your friends will care.
Speaker BAnd nobody cares.
Speaker BNobody cares.
Speaker BI'm allergic to dust, so I would not go.
Speaker BThat would be bad for me.
Speaker AThat would make a coochie sneeze.
Speaker AWould it?
Speaker BWould.
Speaker BIt would be like, that's it.
Speaker BI broke Patrick.
Speaker BI broke him.
Speaker BI broke him.
Speaker BI broke him, broke him.
Speaker BAnd then everybody's like, who sneeze?
Speaker BIt's like.
Speaker AAlso with you.
Speaker BSo.
Speaker BSo anyways, we're starting to party.
Speaker BThings are getting loose.
Speaker BWe're drinking beer.
Speaker CWe're all insulting each other, all hating on each other.
Speaker CHates Sal more than anybody.
Speaker CHe says he looks like Count Dingleberry of the Flaming Asshole.
Speaker AGood evening.
Speaker AAllow me to introduce myself.
Speaker AYeah, Count Dingleberry, the Flaming Asshole of Transylvania.
Speaker AWhat's the matter, Maxie baby?
Speaker AYou pissed because I made you lose your brewski?
Speaker AHey, Angela didn't tell me that this asshole was invited.
Speaker BHe wasn't.
Speaker AAll right, dudes.
Speaker AAnd you died.
Speaker ALet's party.
Speaker ANot to be confused with Count Dingleberry of the Non Flaming Asshole, which is a complete, completely different part of the world.
Speaker AIt's a completely different country.
Speaker ACompletely different.
Speaker BOh, my goodness.
Speaker ADifferent monarchy.
Speaker AThe whole thing 100%.
Speaker BIronically, they're cool with him.
Speaker BThat's cool.
Speaker BBut, yeah, this group would never hang out together, so it's kind of awkward when they're all partying together.
Speaker CAngela's motivation was to invite a bunch of people to a party to scare them and mess with them, if I recall.
Speaker CAnd.
Speaker CAnd.
Speaker CAnd Susan.
Speaker CSuzanne just wants cute boys.
Speaker BYeah.
Speaker CSo still, this doesn't make sense.
Speaker AWell, I don't.
Speaker AI don't think we'd gotten.
Speaker AI mean, Angela tries.
Speaker AI don't think she ever.
Speaker AAngela gets to the point where she gets to whatever her big plan was.
Speaker AI think it was going to be whatever.
Speaker AThe seance.
Speaker AIt was her idea to do a seance.
Speaker BTrue.
Speaker BYeah, true.
Speaker BAnd that kind of.
Speaker BThat went sideways because they do certain party.
Speaker AThe cinematography.
Speaker AA lot of this is great.
Speaker AA lot.
Speaker AJust for some reason, the part where they start partying and the strobe light comes out.
Speaker ALike, the shots in that are just gorgeous.
Speaker AEverybody looks gorgeous dancing together.
Speaker ALike, these kids look cool together for, like, one minute.
Speaker ABecause the squabbling stops.
Speaker AI'm like, okay, it's gonna be a great party.
Speaker AEven though there's no drugs and I wouldn't eat anything in here, because although everything.
Speaker AAlthough Angela knows the rule that everything tastes better when it's stolen, which is my role for hosting a party.
Speaker ANever, never, never pay for anything.
Speaker AJust steal it.
Speaker AAnd everyone be like, God, you're such a good.
Speaker AJust a really good thief.
Speaker AAnyway, please continue the.
Speaker ABefore things go to hell, I need to take a moment because Linnae Quigley, bless her, spends a lot of time with her ass in the fireplace.
Speaker AThe hypnotic ass comes out again.
Speaker BOh, this feels great.
Speaker BJust what the doctor ordered.
Speaker AOh, it's just the doctor ordered.
Speaker AI'm like, you know, if she had farted, she could have blown up the whole house.
Speaker BAnd Max likes it.
Speaker BAnd Franny, she's very.
Speaker BShe is very secure in that relationship.
Speaker BShe's just, like, cool.
Speaker AThey all, like.
Speaker AThey let the boys drop the beer.
Speaker BYeah.
Speaker BIt's like, cool, cool.
Speaker AIt's a hypnotic ass.
Speaker BAnd this is in the party scene.
Speaker BWe get the strobe light because they stole it from their mom, who used to be a big acid head.
Speaker BI was like, all right.
Speaker BAnd this is where we get computer dating.
Speaker AYeah, I'm a computer.
Speaker AYeah.
Speaker BI was.
Speaker BWent online to go look for a date.
Speaker BI'm on a.
Speaker BI was like, oh, my God, I freaking love this song.
Speaker BIf you don't.
Speaker BIf you've watched this movie and you haven't listened to the lyrics of That I swear to God, you're missing out.
Speaker BIt is not just a song.
Speaker BIt is the nerdiest 80s song.
Speaker CYeah.
Speaker BEver.
Speaker CIt is somehow, like, lyrically, like Devo, but then also, like.
Speaker CLike metal wannabe riffs at the same time.
Speaker BIt was so good.
Speaker CInsanely 80s in the weirdest way in the.
Speaker AIn the best way possible.
Speaker AThat weird clash of things that we.
Speaker AThat happened only in the 80s.
Speaker ABut.
Speaker AOkay, so everybody's dancing, having a great time, but what happens.
Speaker CNo, it's time.
Speaker CIt's that we need to do more.
Speaker CWe need to have sales.
Speaker AEverybody's having a great time, but the boombox dies.
Speaker BOh, right.
Speaker COh, that's right.
Speaker BThat's right.
Speaker CAnd.
Speaker CAnd Stooge just put batteries in that damn thing.
Speaker AHoly.
Speaker AHaven't you idiots ever heard of Dora Cell?
Speaker AHey, look, don't blame me, man.
Speaker AI just put batteries in a damn thing.
Speaker CThing this morning.
Speaker BI can't live without my music.
Speaker AYeah, but, hello, it's 1988.
Speaker AA boombox in 1988 took 17D batteries and lasted exactly 23 minutes.
Speaker BJust put batteries in it.
Speaker AThis morning it weighed 85 pounds.
Speaker BIt's true.
Speaker BIt's very true.
Speaker BIt's very true.
Speaker BSo now we got to decide something new to do.
Speaker BAnd the answer, of course, is same.
Speaker CThat's too scary, Allison.
Speaker BOh, we shouldn't be messing with that stuff.
Speaker BForget it.
Speaker BThere's plenty of time for dancing later.
Speaker BNow it's time for party games.
Speaker CYeah, we can play post orifice, and.
Speaker BYou can be the stamp.
Speaker BPlease don't make me ill.
Speaker BI was thinking of something a bit more in tune with the holiday.
Speaker BLike what?
Speaker ABobbing for apples with razor blades in them?
Speaker BNo, I was thinking more along the lines of a seance.
Speaker BA seance?
Speaker BIsn't that a little chancey?
Speaker BI mean, this is Halloween.
Speaker BThe night when all the creepy things are supposed to stalk the earth.
Speaker BI mean, there's no telling what we'll dredge up, especially in this old place.
Speaker AYeah, I do like that Helen does drop that whole thing, like, yeah, we probably shouldn't be doing that, being that it's Halloween and all.
Speaker AThe night where all these spooky things could walk the earth.
Speaker ACause when that comes back later, I'm sorry, I'm jumping around.
Speaker ACause that's what we do here.
Speaker AJudy has that wonderful moment, and she's like, wait a minute, Raj.
Speaker AThe whole thing is like, they don't have to go to hell tonight.
Speaker ARemember what Helen said?
Speaker AWhat Helen said?
Speaker AShe said that all these evil.
Speaker AWe'll come back that later.
Speaker ABut Just say.
Speaker AJust put a pin in that.
Speaker APut a pin in Judy's speech when we get to there later.
Speaker ABecause Helen didn't say anything.
Speaker BAnd Roger's just like, where was I?
Speaker BI didn't hear any of that shit.
Speaker AHelen's like, did they cut a monologue for me?
Speaker ABecause I don't remember saying any of this shit.
Speaker ABut I don't care.
Speaker AI don't care.
Speaker AJudy has the revelation to save the day.
Speaker AAnd that's all.
Speaker BAbsolutely.
Speaker BAbsolutely.
Speaker CAnd then friggin Franny.
Speaker CFranny's like, let's do a past life seance.
Speaker BHey, you guys, how about a past life seance?
Speaker BA what?
Speaker BA past life seance.
Speaker BYou know, we all sit around, look in a mirror and see our past lives.
Speaker BWhat kind of drugs are we gonna need for this?
Speaker CFranny, you just can't come to a party and make shit up.
Speaker BWhat is that?
Speaker BIs that a thing?
Speaker BNever heard of it in my life.
Speaker AWhat is is now.
Speaker BIt is now.
Speaker AIt is now.
Speaker BIt's right up there with the under.
Speaker BUnderstream.
Speaker ABrick wall.
Speaker CBrick walls with.
Speaker AJust shut up and do it.
Speaker AWhy are you ruining the party?
Speaker AShut up and do it.
Speaker CBut the first thing we need a mirror.
Speaker CAnd we don't have a mirror.
Speaker CA will.
Speaker AWill this one do?
Speaker BCool.
Speaker BWill this do?
Speaker BI'm afraid not, Suzanne.
Speaker BWe need one we can all look into at once.
Speaker CYeah, we all.
Speaker CRaj and Stooge find a mirror.
Speaker BOf course they do.
Speaker BOf course they do.
Speaker BAnd they do.
Speaker AWe can all look into you.
Speaker AVain.
Speaker BAnyway, so they do this whole thing and it releases, right?
Speaker BThis demon.
Speaker BIt's really very simple.
Speaker BYou just keep staring at my reflection in the mirror until the glass clouds up all black.
Speaker BWhen it clears, we'll see what I look like in a past life.
Speaker ASounds easy enough to me.
Speaker AYeah, right.
Speaker BAnd if you buy that, I got this real nifty bridge to slow you.
Speaker BEverybody shut up.
Speaker BNow concentrate on my reflection in the mirror.
Speaker BConcentrate.
Speaker AI'm trying to hinge, but I can't get past that zita on your chin.
Speaker BShut the fuck up, asshole.
Speaker BIf you're not gonna help us along, then get lost.
Speaker BOkay, now concentrate.
Speaker BConcentrate.
Speaker AHoly.
Speaker BYou idiot.
Speaker BIt was just starting to work.
Speaker AWas?
Speaker BI swear I saw the mirror turning black.
Speaker AYeah, I.
Speaker AI saw too.
Speaker BYeah, I saw it.
Speaker BYeah, I saw.
Speaker BReleases, right?
Speaker BThis.
Speaker BThis demon, right?
Speaker CAnd the only one who sees it.
Speaker COh, yeah.
Speaker CSock puppet.
Speaker AI'm going to nibble you with my demon teeth.
Speaker AOne of the more.
Speaker AOne of the more unfortunate special effects.
Speaker ABut I've grown a lot.
Speaker BAnd we get to See a lot of it at the end of the movie.
Speaker BBut I love that it like got released.
Speaker BBut it was like, I don't know, hanging out in like the crematorium oven.
Speaker BI was like, yeah, that's where I am.
Speaker CYeah.
Speaker CAnd then he evil dead himself out of there.
Speaker BYeah, he.
Speaker ALike.
Speaker BThere was a big evil Deadshot, the.
Speaker AShaky cam running through the house.
Speaker AYeah.
Speaker CYeah.
Speaker BThank God you let me out of this oven.
Speaker BCool.
Speaker BThanks.
Speaker BTeenagers.
Speaker AI'm a cute boy.
Speaker ASuzanne.
Speaker AHello.
Speaker BMight you like me room for one more right.
Speaker BAnd instant.
Speaker AI just want to take.
Speaker AI just want to take a pause.
Speaker AIs that one of the things that happens in this?
Speaker AThey do wake something up.
Speaker AAnd Helen sees something in the mirror and she screams.
Speaker AShe sees.
Speaker AShe sees her own death in the mirror.
Speaker BGet away.
Speaker AJeez.
Speaker BWhy the hell did you do that?
Speaker BWhat is wrong with her?
Speaker AFestering.
Speaker AFuck.
Speaker AWatts.
Speaker AYou cannot take this bitch anywhere, man.
Speaker BWhat happened?
Speaker AHelen, what's the matter?
Speaker BSo what's in here?
Speaker AOh, Jesus.
Speaker ABitches.
Speaker CFlip.
Speaker AShut up, Stooge.
Speaker BYou're not helping matters.
Speaker BWhat?
Speaker AMy face is so messy.
Speaker AProbably saw sound that stupid mask.
Speaker AI wasn't wearing my mask.
Speaker AOh, God, that's even worse.
Speaker BIt doesn't matter what she saw, does it?
Speaker AIf she saw anything.
Speaker BIt looks like our little game is over.
Speaker APretty great.
Speaker AWhat did you find out?
Speaker ALater.
Speaker ABut the mirror falls in.
Speaker AThe mirror breaks.
Speaker AThat shot of the whole cast refracted in the.
Speaker BI forgot about that.
Speaker BYeah.
Speaker AGorgeous.
Speaker CGorgeous.
Speaker AReally good cinematography.
Speaker BReally?
Speaker AApparently it was really hard to get without catching the camera.
Speaker BOh, yeah.
Speaker COh, I bet.
Speaker ABut they.
Speaker AThey did it.
Speaker AIt's a wonderful little moment.
Speaker AThe movie's full.
Speaker AThese little gems where they came up with shit because they had to.
Speaker AHow do we do this?
Speaker AWe don't have any money.
Speaker ALet's do it like this.
Speaker BLet's do it like this.
Speaker BLet's do it.
Speaker BLet's do.
Speaker BDo it real.
Speaker BJust do it real.
Speaker BBreak this mirror and let's make it happen.
Speaker BIt was.
Speaker BThat was a really good shot because that.
Speaker BThat's really hard to do.
Speaker BAnd it was.
Speaker BIt fit.
Speaker BIt fit.
Speaker BIt fit with the.
Speaker BThe.
Speaker BThe themes and everything.
Speaker BYeah, I really like that.
Speaker BI really like that.
Speaker BSo this demon is now out, right?
Speaker BAnd it.
Speaker BIt's like, I gotta.
Speaker BI gotta find a body.
Speaker AIt's floating around in fart smell form.
Speaker BYeah, it's floating around.
Speaker BMy God.
Speaker BIt's crazy.
Speaker ANever mind the draft, man.
Speaker AWho cut the cheese?
Speaker BOh, Pu.
Speaker BThat is great.
Speaker AStooge must be wearing his mom's dirty panties again.
Speaker AHey, man, this my lady wear his panties.
Speaker AThis is where the coin changers and sailors.
Speaker AYour mom couldn't give it away.
Speaker AGod, man.
Speaker AFeels like somebody died.
Speaker BYeah, it's fun floating around.
Speaker CThey're smelling multiple ghosts here.
Speaker BYeah, because they're smelling multiple things here.
Speaker AAnd mostly farts.
Speaker BAnd mostly farts.
Speaker CThanks, Stooge.
Speaker BDid you do it?
Speaker BI didn't do it.
Speaker BBut they're like, this stinks.
Speaker BAnd it's cold, but I don't know.
Speaker CAnd we heard a noise.
Speaker BAnd we heard a noise.
Speaker AWell, that's what tips Angela off if there's something really wrong.
Speaker AShe's like, no, that's not right.
Speaker ANot here.
Speaker AYou don't want this to be happening here because it's a house possessed.
Speaker AThat's not demons.
Speaker AWe're smelling demons.
Speaker AIt's demon farts.
Speaker BI don't like what's happening here.
Speaker AWhat do you mean?
Speaker AI know what she means.
Speaker ALike, come on.
Speaker AThis ain't exactly the most happening party.
Speaker CI ever been to, okay?
Speaker BWhat do you mean?
Speaker BAngela, Those noises that we heard.
Speaker BThere were three of them.
Speaker BAnd that awful stink.
Speaker BAnd then the chill.
Speaker BIt's not cold now.
Speaker BMust have been a drop.
Speaker AWell, maybe somebody did come in.
Speaker BThe odor's gone, too.
Speaker BBut we all experienced experience them.
Speaker BThe noise, the stink and the chill, they're all signs of demonic infestations.
Speaker BDemonic what?
Speaker ADemonic whatchamacallit.
Speaker AI mean, come on.
Speaker CA little Ange here is just trying.
Speaker ATo put the ol hula hoo hoo.
Speaker CBooga on us, okay?
Speaker AYeah, Ange, I'm sure you're right, okay?
Speaker AOr could it be that Rog here just had too much cold beer and.
Speaker CBlew us a cool, stiff breeze right.
Speaker AOut of his butthole?
Speaker AI don't care what you all think.
Speaker AMy daddy was a preacher, and I know better than to be in here fooling with this stuff.
Speaker AThis is a house of the dead, and I'm getting out now before it's too late.
Speaker BOh, my goodness.
Speaker BIt is demon.
Speaker BYou don't fart in the whole house.
Speaker CBut yeah, Helen and Raj get super spooked, so they tried to leave.
Speaker BAlso leave, too.
Speaker BI was.
Speaker CI don't.
Speaker CI don't with the stuff.
Speaker AHold on, hold on.
Speaker ABefore we move on.
Speaker ABefore we move on.
Speaker AAllison, you brought it up earlier, so I'm going to ask Brian.
Speaker ABrian, what's the difference between a haunted house and a house possessed?
Speaker CNo, I don't remember a haunted house.
Speaker AThe spelling.
Speaker AThe spelling.
Speaker AThey're spelled differently and pronounced not the same way either.
Speaker CI believe the Possessions Don't Possess test.
Speaker CDoes not have its own body at any point.
Speaker BIt had never been in a haunted.
Speaker CHad never been alive.
Speaker AYes.
Speaker BYeah.
Speaker BIt had never been alive.
Speaker BWhere a haunted house is like souls of people who have died.
Speaker BYeah, it smells like roses.
Speaker AHey, you know, I think we're smelling multiple ghosts here.
Speaker BWould you listen to me?
Speaker BThey're not ghosts.
Speaker BThis house is not haunted.
Speaker AIt's possessed, possessed, haunted.
Speaker ACome on.
Speaker AWho gives a shit?
Speaker BWhat's the difference between possessed and haunted?
Speaker BA haunted house is a house with ghosts in it.
Speaker BThe spirits of people who've died, but the spirits living in a house possessed have never existed in human form.
Speaker BThey've only existed in spirit form.
Speaker BThey're pure evil.
Speaker BThey're demon.
Speaker AYou will not have dinosaur ghosts in a house possessed.
Speaker AThey would be in the haunt.
Speaker BTrue.
Speaker AYou would have dinosaurs.
Speaker AYou would have dinosaur demons.
Speaker CThey all died.
Speaker CVery dramatic.
Speaker CWhy are they not dinosaur ghosts?
Speaker ABecause they're dinosaur demons.
Speaker CThey have so much unfinished business.
Speaker AYeah, and you mentioned that.
Speaker ARoger.
Speaker ARoger.
Speaker AAnd Helen is taken up.
Speaker ARoger, we learned his father was a preacher, and he's like, we don't fuck with this stuff.
Speaker AHe didn't have anything to do with the Saiyans.
Speaker AHe's like, no, no, fuck that.
Speaker AHe's like, I'm a gay guy, and also I'm the black man in a horror movie in the 80s.
Speaker BYeah, yeah.
Speaker AI'm not fucking with any of this crazy white people stuff.
Speaker AAnd good for you, Roger.
Speaker AGood for you, Roger.
Speaker ABut one of the things I do enjoy about this movie, like, when things start to go wrong.
Speaker AI love that we learned the stuff about the wall.
Speaker AWhat's going on with the wall?
Speaker AWhy can't anybody leave?
Speaker CI don't know.
Speaker CIt seems the gate has disappeared.
Speaker AThere's no way out.
Speaker AWhere the fuck is the goddamn gate?
Speaker AWe came into a gate, didn't we?
Speaker AThis just doesn't make sense.
Speaker BGive up already.
Speaker AGive up now?
Speaker AWhat kind of talk is that?
Speaker AThere was a gate here, and if we just keep following this damn wall, we're bound to find it.
Speaker BLook, we've already been around it twice.
Speaker BDon't you understand, Raj?
Speaker BWe're dead.
Speaker BWe've all died and gone to hell.
Speaker AThe temporal rules of this house don't apply anymore.
Speaker AIt's like no one's going anywhere.
Speaker CYou're staying in this house.
Speaker AAnd what?
Speaker AI was just left, too.
Speaker AIn the second half of the movie.
Speaker AThe way the set design works and all that stuff with the lighting, it feels like the house is a maze.
Speaker AYou never feel like you're in the same room twice.
Speaker ALike, it feels like there's no way out.
Speaker CEven when you end up in a room we've seen before, you don't know it until, like, the lights come on.
Speaker CAnd then all of a sudden like, holy shit, that's the room those two are in.
Speaker CAnd now other people are in that room with them.
Speaker AYeah, yeah.
Speaker ABut there's now this shit wrong with that room.
Speaker ALike, the rules don't apply to the house anymore.
Speaker AAnd I think that's fun.
Speaker BAlso very video game.
Speaker AYeah, also very video game.
Speaker AAnd one of the things I've heard people complain about, like, this doesn't make any sense.
Speaker ALike, because once people are in their demon form, you think that the younger folk just want the massacre to begin.
Speaker AWhy aren't they just killing people?
Speaker AWhat's taking so long?
Speaker ATo which I say to the younger people, the hunt is the fun part.
Speaker CYeah.
Speaker AThese things have never had bodies before.
Speaker AThis is their first time out to play.
Speaker AThey're in no rush.
Speaker AThese people can't go anywhere.
Speaker AWe're going to have fun with it.
Speaker AWe're going to scare the shit out of them because they'll taste better when we find finally get them.
Speaker CYeah.
Speaker CDon't forget, the house is possessed too.
Speaker CThe house is rearranging itself.
Speaker BThe hunt.
Speaker BThe hunt is the best part.
Speaker AYeah.
Speaker AOh, yeah.
Speaker AThe house is the best character in the movie.
Speaker BYeah, the house.
Speaker BAnd the house is the best character in the movie.
Speaker BTo say that, like, oh, just start killing people.
Speaker BLike, no, this is what made this.
Speaker BBut I do.
Speaker BThere were a couple of places that it didn't make sense to me because just.
Speaker BJust within its own lore, like when the people who got killed by the possessed people, but not made out with.
Speaker BWith the possessed people, they were like zombie people, I guess.
Speaker CThere are demons, minions of the demons, and then people who got killed.
Speaker BYeah, and we'll get to that.
Speaker CI think it's probably the only one that just flat out gets killed and nothing else.
Speaker AHelen shows up at the end.
Speaker CDoes she?
Speaker BOh, does she?
Speaker BOkay.
Speaker BI didn't know if I saw her.
Speaker AThey're all the corpses there at the end.
Speaker AYeah.
Speaker AInitially I said I thought it was cool that it's the women who are the power demons.
Speaker AYes, it's Angela and Suzanne.
Speaker AThey're the ones who have the ability to go back and forth in their looks.
Speaker AThey can be beautiful or they can be hideous.
Speaker AThey can talk.
Speaker AThe other ones, not so much.
Speaker BYeah, Stooge is just a stooge.
Speaker BEven in demon form, stooge is a stage.
Speaker AAnd I thought.
Speaker AI thought it was A women power thing.
Speaker AI said, you know what?
Speaker AThey're the only ones who were possessed.
Speaker AThe other two were killed by possessed people.
Speaker ASo they're lesser.
Speaker AThey're just lesser.
Speaker BThey're lesser.
Speaker BThey're lesser.
Speaker AThey're not.
Speaker AThey're not as powerful because the stooge is just a behemoth.
Speaker ARaging behemoth.
Speaker BHe's not even a minion.
Speaker BHe is a full on demon, but he's just not as good of a demon because he got kissed and she wanted pork.
Speaker BShe wanted pork that moment.
Speaker BSo, yeah.
Speaker BSo the demon is like, all right.
Speaker AShe spat his tongue out like a lady.
Speaker AWe'll come back.
Speaker CYes.
Speaker BSo we get our first possession and we find out that this possession, like you act really weird and you spread this possession.
Speaker BWell, one of the ways you can spread the possession is through kissing.
Speaker BThrough kissing.
Speaker BKissing, kissing.
Speaker AWe see ladies by lesbianism.
Speaker AWith lesbianism.
Speaker BWith lesbianism, ladies be kissing and.
Speaker BYeah.
Speaker ACause you know, that's that old season.
Speaker ANo, no, no, I didn't.
Speaker ANo, I wasn't hooking up with my girlfriend.
Speaker AI was just possessed.
Speaker BPossessed by the fart demon.
Speaker AI know.
Speaker ANo, I was.
Speaker AThey didn't want to experiment.
Speaker AI was like, no, but I was possessed.
Speaker AShe was possessed.
Speaker AWe were just possessed.
Speaker AFor the night anyway.
Speaker AFor tonight anyway.
Speaker BBy the fart demon.
Speaker CBy a demon named Boone's Farm.
Speaker BBoone's Farm.
Speaker AIt's an apple wine product.
Speaker BOh, my goodness.
Speaker BSo our first two possessions are Andrew, Angela, and.
Speaker BAnd Suzanne.
Speaker BYeah, Suzanne.
Speaker BAnd everybody's like, wow, they're acting really weird.
Speaker BI don't.
Speaker BI don't like this.
Speaker BMaybe I do like it.
Speaker CAnd all the.
Speaker CAll the normal Ish kids, they have all snuck off to go hook up.
Speaker CMy dead gay son and Judy went off.
Speaker CAfter a little more doctor Exposition, Max and Franny split off to go hook up.
Speaker AYeah.
Speaker AYeah.
Speaker AThank you.
Speaker AYeah.
Speaker AA little bit.
Speaker AA little more backstory on the property that you know about the Indian and the.
Speaker BYeah.
Speaker ABut even before the first white settlers colonized this area, this strip of land already had a bad rep.
Speaker ASure, Max.
Speaker AFor centuries, the ancient Indian tribes that used to live around this area would never set foot on this side of the underground creek.
Speaker AEven back then they said the land was unclean.
Speaker ARight, Max?
Speaker AAnd I suppose the ghost of an.
Speaker CAncient Indian told you that.
Speaker ANo.
Speaker AMrs.
Speaker APorter down at the library gave me a book that one of the earlier settlers wrote.
Speaker AI'm using you cannot believe all the cool shit that used to go down here.
Speaker AYeah, especially since they didn't have any indoor plumbing.
Speaker ARight?
Speaker ANo, Really?
Speaker AA young brave got lost and settled here with his family by mistake.
Speaker AAnyway, they found him three weeks later, sitting under a teepee he made out of his squaw's intestines and chewing on the leg of his papoose.
Speaker AOh, gross.
Speaker BI've never heard so many disgusting stories in all my life.
Speaker AHe was chewing the leg at his papoose.
Speaker BOf his papoose.
Speaker BHe was using the wrong words, which is what I thought.
Speaker BIt was funny because he was chewing the leg of his papoose, making it seem like he was making.
Speaker BWithin context.
Speaker BMaking it like chewing the leg of his father or something.
Speaker BIt was like, papoose is not.
Speaker CNo, that's the sack you put the baby in.
Speaker BYeah, I know.
Speaker CIt's supposed to be like, you're chewing the leg of the baby, but.
Speaker BNo, he's using the wrong word.
Speaker CYou're chewing the leg of a sleeping bag.
Speaker AAre we really.
Speaker AAre we really criticizing the librarian who gave him that book?
Speaker AAre we really going to do that?
Speaker AWe're going to put this poor womanhood not going to do anything.
Speaker CWhat's the backstory of that librarian trying to hook up with young Max by giving him lore books?
Speaker AHe's a doctor.
Speaker AHe's in a.
Speaker AHe's a catch.
Speaker BOh, my goodness.
Speaker CHe's Jackie Paper.
Speaker AHe's Jackie Paper with, like, the most 80s hair.
Speaker AOh, by the way, I just have to say.
Speaker AI just have to say Suzanne in the scene where they're all trying to figure out.
Speaker AAfter Suzanne gets possessed and people are starting, Roger goes off.
Speaker ARoger and Helen bail.
Speaker AThey want to bail.
Speaker AThey want to go home.
Speaker AThey want to go home.
Speaker AAnd Suzanne says, just because one lame wuss wants to bail doesn't mean we ace this party.
Speaker BJust because one lame wuss wants to bail doesn't mean we ace this party.
Speaker AWhich is the most 80s thing anyone ever said in the 80s.
Speaker CYeah.
Speaker COh, yeah, definitely.
Speaker AThat was a lot of 80s in one sentence.
Speaker BWe're still going to party.
Speaker CGoing to party.
Speaker AWe're still going to party.
Speaker AYeah.
Speaker AYeah.
Speaker AStart.
Speaker AGives.
Speaker AGives away one Chris car.
Speaker ABut nobody doesn't matter because nobody's going anywhere because they can't.
Speaker BThey can't.
Speaker BLike, nobody can go anywhere.
Speaker BWhich we.
Speaker BWhich we soon find out from Helen and Helen.
Speaker BHelen and Roger.
Speaker BYeah.
Speaker AAnd here's the thing, too.
Speaker AThere's something.
Speaker AThere's something like when the scene with Helen and Roger discovering that the gate's gone, there's something about when people disappear in a movie, the way they do it in this movie, that scares me more than if she'd gotten killed.
Speaker BDon't you understand, Raj?
Speaker BWe're dead.
Speaker BWe've all died and gone to hell.
Speaker AWhat are you talking about?
Speaker AAre you going crazy on me, girl?
Speaker ALook, if that's all that's on your mind, you just better shut that mouth of yours.
Speaker AUs?
Speaker AHell, my ass.
Speaker AThere is a gate here.
Speaker AThere is.
Speaker BOh, sweet mother.
Speaker AHelen.
Speaker AHelen.
Speaker AThis isn't funny, girl.
Speaker BHelen.
Speaker AWhere the hell does she go?
Speaker AYeah, the fact that she's just.
Speaker AShe was there one minute, then she's gone.
Speaker AThat scares me.
Speaker BIt's the one.
Speaker BIt's kind of the one jump scare we get at the end.
Speaker BLike with.
Speaker BWith Helen.
Speaker BI don't remember any other kind of like jumpy scare.
Speaker COh, jump scare later.
Speaker AWell, I mean, when her fate.
Speaker AWhen her face.
Speaker AWhen she lands on top of the car.
Speaker ABut yeah, but no, I didn't mean that.
Speaker AI just mean when she's just.
Speaker AWhen he just turns around, she's gone.
Speaker AThat scares me.
Speaker BIt's scary.
Speaker BBut I was just saying that this mov.
Speaker BHe doesn't have like a lot of like jump scary moments and she, she has this kind of jump scary moment in her death.
Speaker CYeah, most of it's like lead up to like weird moments.
Speaker AYeah.
Speaker AJust wait for it, wait for it, wait for it.
Speaker AYou know it's coming.
Speaker ABut what is it gonna be?
Speaker AWhat's it gonna be?
Speaker AWhat's it gonna be?
Speaker AThe one scene I really want to talk about because I think it's one of.
Speaker ANo, it is my favorite scene in the movie.
Speaker AI think it's such a visually powerful scene and wonderful statement scene.
Speaker AAngela's dance.
Speaker CYeah.
Speaker AIs such a good scene.
Speaker AAnd the thing is, Brian, which is kind of wild, they did not initially want to do it to Bohouse's Stigmata Martyr.
Speaker AIt was supposed to be Mephistopheles, the Bumblebee Tuna song.
Speaker CBut they couldn't get it.
Speaker CI mean, that makes sense.
Speaker AAnd then they said, you know what?
Speaker AThis is going to be way too scary with that song.
Speaker CWe can't have a demonic ska band song on here.
Speaker CWe got to go something a little more light hearted.
Speaker ALike they're like, well, what.
Speaker AWhat about Mirror in the Bathroom By.
Speaker ABy English speaking.
Speaker AThey're like, no, that's not going to work.
Speaker AWe can't.
Speaker AWe can't have demons and Scott in the same movie.
Speaker AThat's just too much.
Speaker AThat's.
Speaker CThat's more of a 90s thing.
Speaker CIt's going to blow too many minds in the 80s.
Speaker AI know.
Speaker AWe're gonna get an x Raining.
Speaker ABut in theory, they apparently went through a bunch of other actors.
Speaker ALike the.
Speaker AThe director had a fight for Mimi Kiki.
Speaker AHe's like, I really wanted.
Speaker AThe other girls wanted to work cheaper and were hotter.
Speaker AAnd he's like, I wanted someone who can actually dance, who's a trained dancer.
Speaker AAnd they let her go.
Speaker AThey let her choreograph her own thing.
Speaker AAnd I love all of it.
Speaker AAnd the thing I love about it is that she's doing it when Sal's in the room.
Speaker ABut he might as well not be there.
Speaker AIt's not about him.
Speaker AIt's not a striptease.
Speaker AIt's not a seduction.
Speaker AIt is this thing celebrating my first night with a body.
Speaker AIt's about Angela.
Speaker AIt's about new Angela loving new Angela.
Speaker ALove that she never acknowledges him.
Speaker AAnd that's what scares him.
Speaker AWhen he starts backing away.
Speaker AIt's like, I.
Speaker AAnd she's still not acknowledging him.
Speaker AThat's what's scaring him.
Speaker AHe's like, why am I not being seduced?
Speaker AWhy am I.
Speaker AWhy is my male privilege not being taken advantage of right now?
Speaker ABecause I'm right here.
Speaker CValidated.
Speaker CYeah.
Speaker AAnd I love the music.
Speaker AChoice is great.
Speaker AWhen the stroke comes all the.
Speaker AI love how long it is.
Speaker BYeah.
Speaker ABut they took their time with it.
Speaker ABut that's because I'm gay.
Speaker AAnd I love musical.
Speaker AAny excuse for a musical number in a film.
Speaker AI'm great for him.
Speaker ABut this one's really well done.
Speaker AIt would have been better.
Speaker CIt was.
Speaker BIt was shot.
Speaker BWell, I like the music.
Speaker BIt was great.
Speaker BI liked it.
Speaker BI liked it.
Speaker BIt set up kind of like where we were going.
Speaker BLike, hey, we're gonna.
Speaker CThings.
Speaker CThings are about to go crazy here.
Speaker BYeah, things are gonna go crazy.
Speaker BThings are gonna go crazy.
Speaker B100%.
Speaker ASo she wasn't in the.
Speaker AYeah, it turns out she wasn't in the mood for talent stallion that night.
Speaker BNope, she was not.
Speaker BShe was not.
Speaker AToo many.
Speaker AToo many carbs.
Speaker AToo many carbs.
Speaker AShe want that meat.
Speaker AShe want that meat.
Speaker BMaybe if he had a dollar.
Speaker CWe do have Suzanne kind of like disappearing from the bathroom.
Speaker CThat.
Speaker AI love that.
Speaker AI love that they go.
Speaker AI love that they go looking for a bathroom.
Speaker ALike.
Speaker ALike the plumbing's going to work.
Speaker AJust piss anywhere.
Speaker BThat's what I thought.
Speaker BI go, none of this is Ma.
Speaker BNone of this matters.
Speaker AWell, that's Allison.
Speaker AAllison will squat anywhere.
Speaker BI'll just pee wherever.
Speaker CI'll just pee wherever this dilapidated house.
Speaker CI'm gonna pee.
Speaker CThis is out in the midd woods.
Speaker CI'm just going to Pee.
Speaker CMight as well pee supermarket.
Speaker CI'm just going to pee.
Speaker AShe's actually peeing right now.
Speaker BI'm watching right now, guys.
Speaker BRight now.
Speaker BBut yeah, we have this kind of disappearing Suzanne moment where.
Speaker BBut Stooge is like, I'll go to the bathroom with you because I'm a gentleman.
Speaker BBecause I'm a gentleman.
Speaker ANo, no, no.
Speaker AShe.
Speaker ANo.
Speaker AWell, she has.
Speaker AThe thing is, when she leaves, she kisses.
Speaker AWhen she leaves, she's like, I gotta go pee.
Speaker AAnd then she kisses Angela.
Speaker AInfects Angela.
Speaker AAnd she's like, I'm up for all kinds tonight.
Speaker BI'm into all sorts of things tonight.
Speaker CI'll tell you what, babe, I.
Speaker CI'll hold yours if you hold mine.
Speaker AI'm in the mood for all kinds of things tonight.
Speaker AMaybe I'm in the mood for pork.
Speaker BPork.
Speaker AAnd Sal's like, but what about me?
Speaker ABut yeah.
Speaker ASo she takes him off to the rest.
Speaker BTake the hit.
Speaker BNobody wants you.
Speaker AYou're not invited.
Speaker AYou weren't on.
Speaker AYou weren't on the dislike.
Speaker AOkay?
Speaker BNobody wants you, Sal.
Speaker BGet over it.
Speaker BGet over it.
Speaker AGod.
Speaker AYou're not on.
Speaker AYou're not on the list.
Speaker AYou're not on the list.
Speaker AWe'll get to you if there's a cancellation, okay?
Speaker ABut we don't fore.
Speaker ABe having any cancellation, okay?
Speaker BEveryone showed up.
Speaker BI'm sorry.
Speaker AYes, you think.
Speaker AYou think.
Speaker AYou think that Suzanne's gonna kill Stooge, but no, it doesn't happen.
Speaker AShe's actually.
Speaker ASuzanne's still waking up, which I think is fun.
Speaker ALike, she's still figuring out what she can do.
Speaker ALike, well, she's in the bathroom by herself.
Speaker AYou see her face start to get off?
Speaker AI love a good bladder effect.
Speaker BYeah, it looks really good.
Speaker BIt looked really good.
Speaker BAnd it was creepy in the bathroom.
Speaker AIt just.
Speaker AIt was creepy in the bathroom.
Speaker AThat's disgusting.
Speaker BIt was creepy in the bathroom.
Speaker BBut then it was juxtaposed by st Being like, I gotta pee, but I thought we were gonna bone in the bathroom.
Speaker BLike, it was kind of this weird juxtaposition.
Speaker AIt's.
Speaker AIt's another.
Speaker AIt's another Brian moment.
Speaker AAnother alternate universe Brian moment when he's like.
Speaker AWell, I thought that maybe we could go in there together.
Speaker BLadies before germs.
Speaker ANo, wait.
Speaker CI thought.
Speaker AWell, I thought maybe we.
Speaker AWe might could go in there together.
Speaker BHuh?
Speaker AIt's a very.
Speaker AIt's the only.
Speaker AIt's the only time Stu's vulnerable in the whole movie.
Speaker BIt's true.
Speaker AHe let us in for that one second.
Speaker BYou know, we can.
Speaker BWe can do kind of a dissertation on, you know, this is why Stooge is the way he is.
Speaker BBecause he constantly is getting rejected when he shows his vulnerability and.
Speaker AAnd his pumpkin ass.
Speaker ABecause he's got pumpkin.
Speaker BPumpkin ass.
Speaker AWe didn't talk about that.
Speaker ATalk about that.
Speaker ABut you know what?
Speaker AYou have to watch the movie.
Speaker CWatch the movie Stooge, who's somehow both a punk and a jock.
Speaker AIt was the 80s.
Speaker AYou had crossover.
Speaker AAnd an anarchist.
Speaker AYeah, yeah.
Speaker CSo many anarchists in this movie.
Speaker AAnd.
Speaker AAnd his strip hair.
Speaker AThat strip thing, shaving his head.
Speaker AI don't know what that was.
Speaker AI've never seen that.
Speaker ASo he's rapper as well.
Speaker AHe's everything.
Speaker ADon't.
Speaker ADo not limit Stooge.
Speaker AYou can't.
Speaker BYou can't.
Speaker AYou can't box him in.
Speaker AYou can rip his tongue out, though, because that's about to happen.
Speaker BYeah, he's a renaissance man.
Speaker BSo.
Speaker BSo now Suzanne's infected, and we know she's infected.
Speaker BInfected, possessed.
Speaker BThis isn't a zombie movie.
Speaker BShe's possessed.
Speaker ATechnically, she was infected.
Speaker AIt did work.
Speaker AIt did kind of work that way.
Speaker BLike, it's spreading.
Speaker BIt's spreading.
Speaker AAnd it multiplied because, like, two demons.
Speaker AOne demon became two.
Speaker BYes.
Speaker BThen we had.
Speaker AWe.
Speaker BWe kind of cut over.
Speaker BOver to the.
Speaker BThe couples that are trying to get it on a little bit.
Speaker BRight?
Speaker BIs that where we're at?
Speaker BWe're trying to get.
Speaker BWe're trying to get them in.
Speaker BWe have.
Speaker AWell, I mean, since we're on Stooge, we might as well finish off stage.
Speaker BFinish off Stooge.
Speaker BFinish off Stooge.
Speaker BAll right.
Speaker AHe comes back and sounds like, hey, she's acting really weak.
Speaker AHe's like, I don't care.
Speaker AWe're gonna her anyway.
Speaker AWell, all right.
Speaker CNow the party's back and so is Stuji.
Speaker AHey, careful, man.
Speaker AShe's acting really win.
Speaker CDon't worry, Sal.
Speaker AIt ain't the weird ones you gotta watch out for.
Speaker AGod, didn't your mom teach so, ang, you come here often?
Speaker BYou know, Stooge, I never realized how sexy you are.
Speaker BKiss me.
Speaker COh.
Speaker BSo they kiss.
Speaker BThey kiss and they make out for a bit, but it's not what Stooge wants.
Speaker BAnd now, not only.
Speaker BNot only is he part of the possessed crew, now he's part of the possessed crew because he.
Speaker BHe's been.
Speaker BHe's been kissed.
Speaker BAnd then two, he got his tongue the hell bit out.
Speaker BYeah, like, it's nuts.
Speaker BThe hell.
Speaker BLike, at first I was like, is that what's going on?
Speaker BAnd then she, like, spat it out.
Speaker BOn the ground.
Speaker BAnd I was like.
Speaker AAnd smiled and smiled.
Speaker BYeah.
Speaker BWith all the blood.
Speaker AThe mouthful of shark teeth.
Speaker AThe mouthful of shark teeth.
Speaker BSo good.
Speaker AIt's really.
Speaker AThe sad thing about it is that Stooge will never call anybody again.
Speaker ANo, the world will miss that.
Speaker AThe world will miss that.
Speaker BThe world will miss that.
Speaker BThe world will miss that.
Speaker BSo that kind of completes Stooges possession art.
Speaker BYeah, yeah, yeah, we'll get back to that.
Speaker BBut now we're jumping because this movie jumps around to everybody's stories, right?
Speaker CAnd they're all, like, interwoven too.
Speaker CLike, stuff will happen and we'll see, like, part of a scene, Then it'll go to a different scene with a different couple, then back to.
Speaker AYeah, we need to talk about.
Speaker AWe need to talk about this.
Speaker AThis we're beating up.
Speaker AWe're leading up to the crux of the goddamn movie.
Speaker AMost important scene in the film.
Speaker ASuzanne in the bathroom.
Speaker ASuzanne, on her own in the bathroom, discovered covering herself.
Speaker AJust.
Speaker AJust.
Speaker AJust like.
Speaker AJust like Angela was doing it with dance.
Speaker ASuzanne's exploring the world of makeup and cosmetics.
Speaker BYes.
Speaker AHow do I make this new face of mine pretty?
Speaker AHow do I make my new demon face pretty?
Speaker AYou know, by putting makeup everywhere.
Speaker BEverywhere.
Speaker CEverywhere.
Speaker BI'm fixing my face.
Speaker AOh, not you too.
Speaker AWhat, is everybody here on drugs or something?
Speaker AYou know, you're a sweet looking babe, Suzanne, but you and your friend Ange are just a little too weirdo for me.
Speaker BI can't seem to get it right.
Speaker ANo, thanks, honey.
Speaker AI'm not that type of guy.
Speaker AGood night now.
Speaker AI'm going home.
Speaker BYou are home, Sal.
Speaker AUh, this dirty dive don't spell home to me.
Speaker AI live in a nice house.
Speaker AYou know what?
Speaker APlastic slip covers on the furniture.
Speaker AEnjoy your lipstick, doll face.
Speaker AGood night.
Speaker CDraw a heart on our face with it.
Speaker BWe're gonna draw a heart on our face with lipstick.
Speaker AI can't seem to get it right.
Speaker BYeah, yeah, yeah.
Speaker BAnd it.
Speaker AWhat I was said, though, they'd set up.
Speaker AThey'd set up a checkoffs.
Speaker AI mean, we have checkoffs lighter in this movie set up earlier, which we didn't talk about because it might have been that Susanna's been walking around with this shattered piece of the mirror the whole time that she's.
Speaker BThat she's using.
Speaker BYeah.
Speaker BShe's now using the shattered piece of the mirror to make up.
Speaker BYes.
Speaker AThat the demon Suzanne is doing.
Speaker AAnd she never uses it.
Speaker BNever used it.
Speaker BYeah, never used it.
Speaker AYou know what?
Speaker ABut you know what?
Speaker AIt makes sense because she's going to need that later, it makes sense that I said out, like, because she's.
Speaker ASuzanne's demon is just as vain as Suzanne.
Speaker AShe's going to want that mirror intact.
Speaker BSo that she can check her makeup.
Speaker A100, make sure that she's still.
Speaker ATo make sure that she still looks good for the boy's footstep.
Speaker AI love that she stabs her foot.
Speaker AWhich is for the boys.
Speaker BGo for the boys.
Speaker BBut this.
Speaker BThis is like the scene of the movie, right?
Speaker BLike this.
Speaker BLike, when you think about this movie, this is like the scene, well, we.
Speaker CHave to have my dead gay son get rebuffed by Judy first.
Speaker AOh, yeah.
Speaker AOkay.
Speaker AYeah, yeah, yeah, yeah, yeah, yeah.
Speaker AYou're.
Speaker AYou're right.
Speaker AYou're right.
Speaker BYeah.
Speaker BBecause that's where I was going with it originally.
Speaker BAnd then we started talking about lipsticks.
Speaker AI'm sorry, but.
Speaker ABut they.
Speaker AWe're flashing back and forth between these two scenes, so.
Speaker CYou're right.
Speaker AI'm just cutting.
Speaker AI'm trying to.
Speaker AI'm trying to cut to the chase, but you're right.
Speaker AThere's a little bit expo needs to go on here.
Speaker AYou know, Franny and Max decide to go off and.
Speaker ASomewhere and.
Speaker BIn a coffin.
Speaker BIn a coffin.
Speaker CBecause neither one of them have done that before.
Speaker BNone of that.
Speaker AYou know, I've never made it in a coffin before.
Speaker BMe neither.
Speaker ASo what are we waiting for, Allison?
Speaker AI'm just glad they didn't say make love in a coffin, because it was.
Speaker AWe move past that age, right?
Speaker AMade love in a coffin.
Speaker BI mean, I would have been.
Speaker BI know this is like a.
Speaker AJust kids that find furniture would have said that.
Speaker BYes, very true.
Speaker ABut unfortunately, they're all dead anyway.
Speaker BBut I.
Speaker BI mean, obviously, if you.
Speaker ADon'T know what we're talking about, you have to listen to the entire Alison and Brian back catalog.
Speaker BOkay, well, I'm gonna make another deep cut.
Speaker BI was gonna make another deep cut joke where I would go, it's too bad that this is a mortuary, because there's not an X ray room.
Speaker CNice.
Speaker BNow you don't have the X ray room.
Speaker AWow.
Speaker AWow.
Speaker AThat's the first one.
Speaker AThat's the first one is the first time.
Speaker BOh, yeah, the X ray room.
Speaker BSo I made a deep cut.
Speaker BI made a deep cut.
Speaker AGrowth lava lamp.
Speaker AAnyway.
Speaker BSo it's.
Speaker BIt's Judy and my.
Speaker BMy giddy.
Speaker BSo they're so Max and Franny, they're boning in a coffin.
Speaker AI'm sorry.
Speaker AI'm sorry.
Speaker AMy Judy and who.
Speaker ABecause none of that was English.
Speaker AIt just came out then.
Speaker BI just Started talking about Max and Frank.
Speaker BSo Max and Franny, we just put the pin in that they're having an Javan.
Speaker ARelated syllables.
Speaker AThat is now my new ringtone.
Speaker BMax and Franny boning in a.
Speaker BBoning in a coffin.
Speaker BAnd we also get some good boning in a coffin.
Speaker AAnother.
Speaker BWe also get some good titties there too.
Speaker BI'm not going to lie.
Speaker BThe boo.
Speaker ANo, no, she's.
Speaker ANo, no, she's got excl.
Speaker ANo, Yeah.
Speaker AI was going to say that's the other legendary set of tits.
Speaker AShe's another horror queen who always gets her tits out.
Speaker AAnd they're gorgeous.
Speaker ASo she.
Speaker BSo gorgeous.
Speaker BGorgeous, gorgeous, gorgeous.
Speaker AAnd a decent actress.
Speaker AYeah.
Speaker AYes.
Speaker BLoved it.
Speaker BLove, loved it, loved it.
Speaker BAnd then we have Judy and.
Speaker AGay.
Speaker BDead son and they're trying to bone, but Judy's like, nah, I'm a good girl.
Speaker BAnd he's like, but you did it with Sal.
Speaker BAnd she's like, shut up.
Speaker BWhy are we talking.
Speaker BShut up.
Speaker AJudy, Come on, quit the act.
Speaker AI know you've done this before.
Speaker BWhat?
Speaker AI saw the way you jumped to Sal's age, Jay.
Speaker BWhat are you getting at?
Speaker AI know all about you two.
Speaker BOh, really?
Speaker BWhat do you know?
Speaker ANothing.
Speaker AI just know that you used to.
Speaker BDate Sal, that's all.
Speaker BDate him?
Speaker BI went out with him once.
Speaker AOnce is all it takes.
Speaker AI don't understand why you're acting like this.
Speaker AHalf the school knows about you and Sal, so what's the big deal?
Speaker BOh, so you think I slept with Sal just because I went out with him?
Speaker ADidn't you?
Speaker BYou know that's none of your business.
Speaker BSo that's why you wanted to go out with me?
Speaker BOh, come on.
Speaker AI thought you wanted it just as much as I did.
Speaker BJeez.
Speaker BLike, she didn't deny it.
Speaker CShe didn't deny it.
Speaker BShe didn't deny it, which I found interesting.
Speaker AShe's like, none of it.
Speaker AShe said none of her business.
Speaker AAnd you know what business you went good for her.
Speaker AStand your ground.
Speaker AIt's not even business that you sell.
Speaker AYou know what?
Speaker AYes.
Speaker AThe two of them, her and cell, don't go together, which means they totally bond.
Speaker BLike, they totally bond.
Speaker AThe two.
Speaker AThe two.
Speaker AThe.
Speaker AThe good girl and the greaser do not go together.
Speaker AThey would never be accepted as a couple in high school.
Speaker ASo they.
Speaker AAbsolutely, totally.
Speaker ABecause that was their only chance to do so.
Speaker A100%.
Speaker AAnd you know what?
Speaker BGood for the vote, 100%.
Speaker BAnd I wanted to bring that up.
Speaker CI wanted to bring that up that they didn't.
Speaker CAnd that's why Sal was still trying to get after her.
Speaker BWants more.
Speaker CI thought he wanted to close the deal that he did close on the one time.
Speaker ABr.
Speaker ABr.
Speaker AHe likes her personally.
Speaker AHer.
Speaker AHe likes her personality and her enormous cha Chas.
Speaker CSo it's just the enormous cha Chas.
Speaker BThis.
Speaker BThis is their west side Story.
Speaker BI mean, she is Maria.
Speaker AI will not tell.
Speaker BGuy gets a Maria.
Speaker ANo.
Speaker AAnd even cell has growth during this movie because he's been the.
Speaker AThe whole movie, but he.
Speaker ATowards the end, he's showing heroic qualities.
Speaker ALike, he has a turnaround 100.
Speaker AJust like.
Speaker AJust like Tony used to be a Jet, and now it doesn't want to be a Jet anymore.
Speaker AIt's totally what this is, what I'm telling you.
Speaker BIt's the west side Story.
Speaker BIt's the west side Story subplot.
Speaker BThe west side Story subplot.
Speaker ACrazy cool.
Speaker AGo.
Speaker AYeah.
Speaker BSo.
Speaker BSo that's why I wanted to bring that up, because she doesn't deny it.
Speaker BAnd I thought that was super cool because normally be like, no, I'm the good girl.
Speaker BAnd like, that's all they are.
Speaker CThat's.
Speaker CI wanted her not to deny.
Speaker CDeny it, but that's still.
Speaker CBecause I think that's just as good she should.
Speaker CShe doesn't answer to my dead gay son at all.
Speaker CSo whether she did or did not.
Speaker CSo I'm glad she didn't say it is none of his business.
Speaker AShe dumps his tweet ass on the floor.
Speaker AThat's.
Speaker AYeah.
Speaker CHe's like, you.
Speaker BYou're done.
Speaker CI didn't even know they were on top of something that she could push him off onto the ground from.
Speaker CThat was the best part.
Speaker AFree my cha Chas.
Speaker ALet him Let them get off my.
Speaker AYou're flattening my cha Cha.
Speaker BMy magnificent cha Chas.
Speaker CYou can ask my little brother about them.
Speaker BThat's the closest you'll.
Speaker BJay.
Speaker BOoh, Jay.
Speaker BSo that's.
Speaker BThat's why that was important, because I wanted to circle that back around to, like, the women being, like, the alpha demons and, like, the main demons and even.
Speaker BEven good.
Speaker BGood old Judy, you know, she has her moment of like, hey, it doesn't.
Speaker BYou don't get to control who I bone.
Speaker BAnd if I did bone sale, that's on me.
Speaker BAnd maybe I liked it.
Speaker BAnd you suck.
Speaker BSo get out of here.
Speaker AAnd you know what?
Speaker AYou know what?
Speaker AI'm gonna go.
Speaker AI'm gonna roll with that for a little bit.
Speaker AI'm gonna roll with that a little bit.
Speaker AJust go.
Speaker AJust because what we didn't.
Speaker AWe talked about a Little bit.
Speaker AIn her very first scene back at the house, Judy has a nude scene.
Speaker ALike, we get to see her butt and we get to see her boobs through her very sheer bra, which by horror movie rules makes her a slut.
Speaker AAnd she needs to die.
Speaker ABut the fact that she's turning this all around just like, no, no, I'm not gonna let that first scene in the movie dictate who I am either.
Speaker BExactly.
Speaker AMaybe I'm.
Speaker AMaybe I'm not the virgin of the movie.
Speaker ABut that doesn't mean I'm gonna have to die or put out for this fucker.
Speaker ACause this guy, this guy is dead and he's gay.
Speaker AAnd I got.
Speaker AI also want to say.
Speaker AJust want to say a hats off to Lance Fenton.
Speaker AHe's an absolute in this movie.
Speaker AApparently he's a really lovely guy.
Speaker ALike, a really lovely quiet guy.
Speaker AAnd he plays in two movies.
Speaker AShitty date rapist guy in the two movies.
Speaker ABut anyway, he gets tired of this crap.
Speaker AHe's like, well, you.
Speaker AI'm going to leave you in this room.
Speaker AAnd she.
Speaker AI'm.
Speaker AI'm going to go off and find somebody else to bone.
Speaker AAnd she gets locked in.
Speaker ABut he slams the door in this room.
Speaker AAnd yeah, it's important that she stays there for a while.
Speaker AThat.
Speaker AThat becomes important to the plot later.
Speaker BYeah, 100%.
Speaker B100%.
Speaker ABut unfortunately, that means he goes wandering off and he bumps into Suzanne.
Speaker AHi, Suzanne.
Speaker BSuzanne.
Speaker BSuzanne.
Speaker AHello, Suzanne.
Speaker AWill anybody?
Speaker BI mean, she's got this hypnotic hiney, as you guys say.
Speaker BIt ain't the hiney only, guys.
Speaker BIt ain't the heiny only.
Speaker ANo, I mean, it's.
Speaker AIt's Linnae Quigley.
Speaker AWhen you get.
Speaker AWhen it's Linna Quigley, it's everybody.
Speaker BIt's everything.
Speaker BIt's everything.
Speaker AHave you seen Return of the Living Dead?
Speaker COh, not.
Speaker CI would say, not really, due to being inebriated whenever it's been put on.
Speaker AYeah, she's the.
Speaker AShe's the nude zombie.
Speaker AShe's trash.
Speaker COh, okay.
Speaker BOkay.
Speaker AYeah, she's got that shirt right here.
Speaker ABut that's what made her famous.
Speaker AAnd so that's what she does.
Speaker AShe's always nude and she always delivers with that.
Speaker AAnd she's does it well, but she.
Speaker BDoes it well when you do it well when you do it well.
Speaker AI'm gay as a goose and I love seeing her naked.
Speaker AI'm like, this is because she just owns it.
Speaker BShe owns it.
Speaker BShe's gorgeous.
Speaker BHells yeah, you're right.
Speaker BLike, totally.
Speaker BSo, Jay, I'm getting paid a Hell.
Speaker AOf a.
Speaker AI'm getting paid a hell of a lot of money for this because this is what I do.
Speaker AThey come to me for this.
Speaker AI get a lot of money for this.
Speaker AGood for you.
Speaker AGet it.
Speaker AGet it, girl.
Speaker ABut before Jay gets there, she's having a moment.
Speaker AShe's, she's still playing with her lipstick.
Speaker AWhat happens with this lipstick?
Speaker AWhat new, what new way to use lipstick does she invent right in front.
Speaker BOf us, right in front of our eyes?
Speaker BSo she used this lipstick to draw a heart on her face, which is.
Speaker BShe already stated.
Speaker AYou said hard on.
Speaker BHard, hard, hard on.
Speaker BAnd you know, she's trying to be pretty and she, she, she opens up her, her pink little top, top, and she uses the lipstick to, like, draw a little line down the center and then around a booby and then kind of towards a nip nape and pushes it.
Speaker BThe nip nape just eats the lipstick.
Speaker BI don't know what pushes it right.
Speaker BPushes it right.
Speaker BThe freak on in.
Speaker BAnd I sat there, there and I went, that nipple just ate that lipstick.
Speaker ARyan, rewind that right now.
Speaker BThat nipple just ate that lipstick.
Speaker CThe old lipstick into the nipple trick.
Speaker BYeah, I was like, what?
Speaker BWhat just happened?
Speaker ASo she, no, no, she goes.
Speaker ABecause she's the owner of Titty Magic from Ronco, she got a hypno ass and a magic tit.
Speaker AAnd I, I, I just realized this.
Speaker ALast time, through Alison, did this reveal a secret about women that the rest of the world did not know about?
Speaker AIs this why women don't have pockets in their clothing?
Speaker AIs this really why we just.
Speaker BWe have them?
Speaker BThat's our nipples.
Speaker BIt's our nipples.
Speaker AYou don't want us to know.
Speaker AIt's something to complain about while not letting us know about your titty, your titty cupboard.
Speaker BThe women's society is going to come after us now for revealing this, by the way.
Speaker AWell, it's too late.
Speaker AIt's been out for 40 years now.
Speaker AIt's okay.
Speaker BTrue, true, true, true, true, true, true.
Speaker BSo that's like the scene.
Speaker BLike, in my opinion, this is like, if someone had to tell me, like, oh, this.
Speaker BWhat's like the scene?
Speaker BLike, this is the scene of the movie.
Speaker AI didn't get that.
Speaker AWell, that's why you're here.
Speaker AThis is why you're here, for that scene.
Speaker BBecause I'm not biased or it's one.
Speaker AOf the, it's one of the.
Speaker ANo, no, but is one of the most epic what the fuck scenes in all of horror.
Speaker ABecause it comes out of nowhere, it means nothing, but it's one of those things, like, you just see, like, let's just play with things.
Speaker BYeah.
Speaker AThat somebody had an idea.
Speaker ALike, you know what?
Speaker AWe got two hours.
Speaker ALet's see what we can do.
Speaker BLet's see what we can do.
Speaker BAnd typically throughout the movie like this, it hasn't been that kind of movie.
Speaker BRight.
Speaker BLike, we've gotten some face makeup and stuff like that, but we haven't gotten really just like, weird.
Speaker BLike, I mean, we've gotten weird, but, like, we haven't gotten like, kind of that weird, unsettling, WTF kind of thing.
Speaker BSo when this one comes in, you're kind of like, oh.
Speaker BLike, it's even more jarring because it's like you're expecting kind of like the special effects makeup for the dark demons and stuff, but you're not just expecting.
Speaker CLike, the lipstick going into the Tata.
Speaker BYeah.
Speaker AHungry tits.
Speaker AI look around I can deny a hunger Tits.
Speaker AThank you.
Speaker BOh, my goodness.
Speaker AFun.
Speaker AJust fun fact.
Speaker AI remember when I saw this in college, that scene got rewound so many times because we had to keep getting people, like, we kept grabbing people like, you gotta get in here.
Speaker ACome on.
Speaker AIt just be like, tits.
Speaker AHuh?
Speaker AOkay, whatever.
Speaker AWhat?
Speaker AWhat?
Speaker AWhat?
Speaker CI believe Allison, you were just like.
Speaker CLike that and I was just like, I don't.
Speaker CI don't.
Speaker AI don't know.
Speaker ABrian is like, oh, yeah.
Speaker AOh, yeah.
Speaker AAll right.
Speaker BBut it is definitely like a WTF moment.
Speaker BBecause.
Speaker BBecause like I said, the rest of the movie wasn't making you feel feel like it was going to be like a WTF kind of.
Speaker CYeah.
Speaker BYou know what I mean?
Speaker BLike, there's there's other horror movies where it's like, that's kind of par, right?
Speaker BYou know?
Speaker AYeah.
Speaker AThe Body Heart movies, the David Cronenberg stuff like that.
Speaker CYeah.
Speaker BBooger.
Speaker BLike, that's one recently, right?
Speaker BWhere it's like, you know, it's like kind of body horror where this wasn't that.
Speaker BAnd so when it comes out and it comes out of nowhere, I was like, whoa.
Speaker BAnd then like, you don't really get it anymore.
Speaker BThat was that.
Speaker ANo, no.
Speaker AIt comes out of nowhere and then go.
Speaker AThat just goes backwards.
Speaker ACame from.
Speaker AIt's like, thank you.
Speaker AWe're never going to do anything like this ever.
Speaker AThe rest of the movie.
Speaker AI hope you enjoyed it.
Speaker AI did that.
Speaker BThat was your one.
Speaker AYou'll remember.
Speaker AIf you remember nothing else about this movie, you'll remember this.
Speaker BYou will remember this.
Speaker ABrian.
Speaker ABrian.
Speaker AI figured it out.
Speaker AThat's why she's always so mad at Flat chested Girls, she's.
Speaker AThey're not utilizing their storage space properly.
Speaker BYou got to get more stuff in there, ladies.
Speaker BYou got to get more stuff.
Speaker ALose it.
Speaker AUse it or lose it.
Speaker AGenetics is going to make.
Speaker AYou know what?
Speaker ADarwinism is going to make it go away.
Speaker BIt's going to make it go away.
Speaker AIf you don't make it go away for future generations.
Speaker ACome on, girls, get it in there.
Speaker BPut your stuff in there.
Speaker BPut your stuff in there.
Speaker ASo I love.
Speaker AI love when Max shows up and they're going to bone that she just takes off her panties and just parks right on his dick.
Speaker AShe just parks right on, like.
Speaker AYeah, I already know 4 plan nothing.
Speaker AI know what I want.
Speaker AI got a cute boy.
Speaker AHe's got his dick out.
Speaker AI'm going to just sit right on it and let's go.
Speaker BIt's true.
Speaker BIt's true.
Speaker BThere's no lead up.
Speaker AI know.
Speaker AI got lipstick in my tit.
Speaker AIt's going to melt like a place to be.
Speaker BThere is zero lead up.
Speaker BJust them.
Speaker CYep.
Speaker CYep.
Speaker BOh, my goodness.
Speaker AWell, she dances.
Speaker AShe did.
Speaker AI mean, she.
Speaker AShe dances.
Speaker AShe start.
Speaker BYeah, she takes her clothes off and does.
Speaker AShe shows.
Speaker AShe shows her beaver for a while.
Speaker ALike, this is what you got to get.
Speaker BYeah, we did get.
Speaker BWe did get a final shot, didn't we?
Speaker BDidn't we?
Speaker BI forgot about that.
Speaker BWe did get a final shot, but, yeah, so there's.
Speaker BSo there's that.
Speaker BAnd then they're like, we're going to bone, and they start boning.
Speaker BAnd then he's like, wait a minute.
Speaker COh.
Speaker CShe's like, am I pretty?
Speaker CHe was like, yeah, yeah, you're pretty.
Speaker CWhatever.
Speaker ANo, what's it.
Speaker ANo.
Speaker AYeah, well, yeah.
Speaker AWhat are you staring at?
Speaker AYeah, why are you looking at me?
Speaker BYeah, yeah, yeah, yeah.
Speaker AIs there something wrong with my makeup?
Speaker BWhat are you looking at?
Speaker BWhat?
Speaker BIs my makeup okay.
Speaker AAre you crazy?
Speaker AWhat are you talking about?
Speaker AAbout.
Speaker BStop staring at me, damn it.
Speaker ASuzanne, your makeup is fine.
Speaker BCome on.
Speaker BWhat are you worried about?
Speaker BAh, jeez.
Speaker AChrist.
Speaker CStop looking at me.
Speaker AAh, damn it.
Speaker AGo.
Speaker AAnd let's just say I've been in scenarios like that where something like that did happen, where all of a sudden you realize the person you're with is completely bonkers.
Speaker ALike.
Speaker AOh.
Speaker ABut not bonkers enough to pull your dick out of them, apparently.
Speaker AYes.
Speaker BDefinitely not.
Speaker AWell, you know, she was.
Speaker AShe was.
Speaker AShe was.
Speaker AShe wasn't gonna let him go anyway.
Speaker AYou see that moment where you think, if there's teeth up there, I think there was teeth down there, too.
Speaker ABecause all of A sudden you realize like, he ain't going nowhere.
Speaker AThe pelt.
Speaker AThat pelvic floor was like, no.
Speaker BYeah.
Speaker BAnd so, yeah, so that.
Speaker BThat goes badly for poor Jay.
Speaker BAnd he gets his eyeballs popped out.
Speaker BSo there's.
Speaker BSo there's that.
Speaker AI love my twice dead gay son.
Speaker CMy blind dead gay son.
Speaker BMy blind dead.
Speaker AI'm dead.
Speaker AMine.
Speaker BSo there's.
Speaker BThere.
Speaker BSo there.
Speaker BSo now Jay is quote unquote dead, even though he's not dead.
Speaker BBecause I guess if you get.
Speaker BI guess they didn't kiss during this.
Speaker BDuring this lovemaking.
Speaker BThey don't kiss because he's not a demon.
Speaker BHe is just what Brian is calling a minion.
Speaker BRight?
Speaker BHe's a reanimated corpse.
Speaker BHe's not.
Speaker BHe's not like stupid.
Speaker AExcuse me, Suzanne.
Speaker ASuzanne has the power to make people hierarchy.
Speaker ALike high level demons.
Speaker AYou think she's got to waste it on this annoying.
Speaker AI only want.
Speaker AShe doesn't want the J.
Speaker AAll she wants is the day we're back to letters again.
Speaker AWe're back to Sesame Street.
Speaker ASesame Street.
Speaker AAnd you're not getting this.
Speaker ANo, I'm not gonna make you one of me.
Speaker AAre you crazy?
Speaker AYou could be my.
Speaker AYou could be my peon for the night.
Speaker AThank you.
Speaker AAnd I might pee on you later.
Speaker AWho knows?
Speaker BWho knows?
Speaker BI never did.
Speaker BI never did go to the bathroom.
Speaker CYeah, neither did Stooge.
Speaker BGot a little distracted.
Speaker BI still gotta go.
Speaker BBut they.
Speaker BThey don't kiss.
Speaker BThey don't kiss.
Speaker BHe's not a demon.
Speaker BDon't get me wrong.
Speaker BHe's not a demon.
Speaker BHe's kind of the reanimated, quote unquote minion is what kind of.
Speaker BWhat we'll call it.
Speaker BJump to back to Max and Franny.
Speaker BSo they're boning in the.
Speaker BIn the.
Speaker BIn the coffin.
Speaker BAnd Stooge finds them.
Speaker AExcuse me.
Speaker AExcuse me.
Speaker AThey're boning in the coffin.
Speaker ABut it's not going well because Franny says, ow, Max, I don't bend that way.
Speaker BI don't bend that way.
Speaker BOw, Max, I don't bend that way.
Speaker AThis movie.
Speaker AThis movie.
Speaker BI loved it.
Speaker BI loved it.
Speaker BI forgot about that.
Speaker BI don't bend that way.
Speaker AThis movie.
Speaker AI do.
Speaker BAnd then Stooge comes in, they get killed.
Speaker AHe snap.
Speaker BHe snaps Franny's neck.
Speaker BAnd then he uses the coffin lid to like kill.
Speaker BCuz because Max was on the bottom.
Speaker BThey.
Speaker BIf you didn't know, Max is on bottom.
Speaker BAnd she was on top.
Speaker BAnd so snaps.
Speaker AAnother thing with this movie.
Speaker AWomen on top in both sexes.
Speaker BWomen on Top.
Speaker BEach and every time.
Speaker BWomen on top.
Speaker BAnd so he uses the.
Speaker BThe coffin to kind of like bludgeon him.
Speaker BAnd his arm.
Speaker BMax's arm gets cut off.
Speaker AHey, man, get the out of here.
Speaker ANo, no, no.
Speaker AHoly.
Speaker ANo stooge.
Speaker ANo stooge.
Speaker ANo.
Speaker ANot.
Speaker ANo.
Speaker BSo Roger, we.
Speaker BWe go to Roger, and he's in the car.
Speaker BWe already said Helen, like, magically disappeared, which was super scary.
Speaker AHe heard voices calling his name.
Speaker BHe heard voices and he.
Speaker AAnd he's like, yeah, I'm not going back in that house.
Speaker BI'm not going back.
Speaker BHe's had out in the car.
Speaker BAnd we go to the car and something, like, lands on the roof and, like, it jostles the car and he's like, stooge, I know it's you.
Speaker BQuit being stupid, fatty.
Speaker BLike, he calls him fat.
Speaker BAnd like, only.
Speaker BOnly a fat sob, like you can make the car, you know, jostle like that.
Speaker BAnd that's when we get kind of like our only super, like, quote unquote jump scare is when you see Helen's like, she gets like.
Speaker CYeah, slapped.
Speaker BLiterally, like, slapped onto the roof of the.
Speaker ANo, the.
Speaker BThe front windshield.
Speaker AThe windshield.
Speaker BThe windshield is the word I'm looking for.
Speaker AThe glass face.
Speaker BThe glass face.
Speaker BAnd you just see her, like, bloodied, stinking, like, face right there.
Speaker BAnd like, that's the jump scary stooge.
Speaker AI know that's you, man.
Speaker AOnly a fat slob like you could shake this car.
Speaker ASo I love what I love about that.
Speaker AShe lands.
Speaker AThe face is like, get squashed all the way to the side of her skull.
Speaker ALike, it's so grizzly.
Speaker AIt's so grizzly.
Speaker BIt's so good.
Speaker BIt is so good.
Speaker AThis is me doing, you know, headcanon too.
Speaker ALike, people like, where's.
Speaker AWhy do we say that?
Speaker AIn my mind, like, when Helen disappeared, I pictured, like, whatever force was like, running around the gas fart voice where, like, just lifted her up and she's just been hanging up in the air all this time.
Speaker ALike one of those wind demons we see in the cartoon.
Speaker ALike, whatever that invisible version of that is, they just have her up there and they're just like, I'm gonna wait.
Speaker AI'm gonna wait.
Speaker ALike, she's not dead yet.
Speaker AShe's been up there this whole time waiting to die.
Speaker ABecause it's not about killing them.
Speaker AIt's about causing the best scare.
Speaker AI want to scare the shit out of that one.
Speaker AIt's just.
Speaker AYeah, I'm bored of you, Helen.
Speaker A30 Helens agree that it was time for Helen to death.
Speaker BYes.
Speaker BClassic reference.
Speaker BKids in the hall.
Speaker BClassic reference.
Speaker BSo Roger gets spooked and he's like, I guess I have to get out of this car now.
Speaker AYeah.
Speaker AHe's heading back in the house.
Speaker AYeah.
Speaker BSo he head backs and he.
Speaker BHe heads back into the house and he's.
Speaker BHe runs into Sal.
Speaker BSal.
Speaker BYes.
Speaker BBecause I.
Speaker BYeah.
Speaker CAnd this is when Angela was chasing after Sal and Roger.
Speaker AI love all this stuff.
Speaker AEverything with Angela Hall I love.
Speaker AShe's having such a great time physically.
Speaker AShe's serving physically, but.
Speaker ABut also, like Alison mentioned earlier, she's floating.
Speaker AShe's floating in that dress.
Speaker BShe's floating and it's 88.
Speaker BHow'd they do that?
Speaker AI mean, she's probably on a dolly or she's a trained dancer.
Speaker AThere's this video out there of dancers like, oh, look how they're floating.
Speaker ABut they're just on point under these really long skirts.
Speaker ABut it looks like they're floating.
Speaker ASo she might be doing that, but probably she's on a dolly.
Speaker ABut it looks great.
Speaker BIt looks great.
Speaker AIt looks really great.
Speaker AIt looks great.
Speaker BYeah.
Speaker BShe's floating down this hallway chasing everybody, like, video game style, which is awesome.
Speaker BLoved it.
Speaker AOne of my favorite moments in this end, too is that Judy's been locked up in this room, bombing room or wherever they were making out.
Speaker ABecause that's the sexiest place to be.
Speaker ABecause you know when you're getting involved, you get something shoved in you, and that's where you best make out.
Speaker AThank you.
Speaker AIt's when the X ray room has lost his.
Speaker ALost its thrill.
Speaker ABut.
Speaker ASo she's been locked up the whole time.
Speaker ASo she doesn't know what's going on.
Speaker AShe has no clue what.
Speaker AWhat's going on.
Speaker ASo when they fight, when S And and Roger finally get her out and she sees Angela, she hits the deck.
Speaker AShe just drops.
Speaker AI think that's such a great choice.
Speaker AShe just hits her in the face and she drops.
Speaker B100%.
Speaker B100%.
Speaker BHelp.
Speaker BSomebody get me out of here.
Speaker AHow do we know it's really her?
Speaker ACome on, Judy.
Speaker BYeah.
Speaker ASal, Please get me out of here.
Speaker BHere.
Speaker ASure thing, Judy.
Speaker AStand back.
Speaker AWait.
Speaker BWhat else?
Speaker ANot her.
Speaker ACome on.
Speaker ARats.
Speaker AWho else could it be?
Speaker ACome on, get up to you.
Speaker BI can't.
Speaker BI can.
Speaker AYes, you can.
Speaker BCome on.
Speaker ABecause this party's got crazy while you're not out.
Speaker AOh, you've been gone, Judy.
Speaker AIt's gone.
Speaker BWhat happened?
Speaker BWhere have I.
Speaker CWhere.
Speaker CWhere's this going?
Speaker BWhere did this go?
Speaker AJay, did the drugs finally arrive?
Speaker AHe didn't tell me.
Speaker BJ oh, my goodness.
Speaker BBut there's a lot of chasing, a lot of back and forth.
Speaker CSal falls to his death.
Speaker BYes.
Speaker AYeah, yeah.
Speaker AI want to wrap up with my dead gay son before we get to that because there's a few things I want to do something somewhat in order.
Speaker ASorry I'm being bossy now, but it's my show, so fuck off.
Speaker ABut also you.
Speaker AWhen, when, when, when her and Sal are running around because, because Roger, what we're, what we're getting here, the dynamic that we're getting is that we're just seeing Roger the coward and Sal stepping up into the hero role and all that's going to get reversed soon.
Speaker ABut so Roger keeps running off from his own, leaving Sal and Judy to himself.
Speaker AAnd they stumble across Suzanne and the body of my dead gay son.
Speaker BHey, how about an orgy?
Speaker BI'm sure if we try, we can get Jay hard again.
Speaker ARun, Judy, run, Judy, run.
Speaker AI'm sure if we try, we can get J.
Speaker AHart again.
Speaker AAnd a girl.
Speaker AAtta girl.
Speaker BThat was a great line.
Speaker BThat was a great line.
Speaker AIt was a great line.
Speaker AYeah.
Speaker AAnd it's a horrific scene to start with.
Speaker ABut the thing that really sells the scene is what happens afterwards when Sal's like, run, Judy, run.
Speaker AAnd Suzanne starts mocking going, run, Judy, run.
Speaker ASee Judy run.
Speaker BBut run, Judy, run.
Speaker BSee Judy run.
Speaker AShe hits this pose in the doorway to say, run, Judy, run.
Speaker ASee Judy run.
Speaker AAnd then they had the series of the doors all over the house starting to slam, damp, slam, slam, slam.
Speaker ABut in the back there's a silhouette of Suzanne and it's clearly a cutout.
Speaker AIt's a gobo cut out, but all the angles are wrong.
Speaker AAnd it's so up looking like.
Speaker AIt looks like a person, but it also does not look like a person at all.
Speaker AIt looks insect time.
Speaker ALike insect time.
Speaker AIs that a word?
Speaker AInsectical.
Speaker AIt looks, it looks insectical to me.
Speaker AIt's my favorite shot of the movie.
Speaker AI love the favorite shot and the favorite.
Speaker ARun, Judy, run.
Speaker AIt's so mean.
Speaker ARun, Judy, run, Judy, run.
Speaker BRight.
Speaker BWe, we have the scene.
Speaker BThey, they eventually Roger and Judy end up in the crematorium area, right?
Speaker AOh, yeah.
Speaker AI'm just going to direct.
Speaker AI'm just going to direct.
Speaker ATo keep things in somewhat of a timeline, we're going to.
Speaker ABetsel, Brian mentioned earlier dies early before that, which breaks the rule because normally in this movie you're waiting for.
Speaker AYou're waiting for Roger to die because he's the.
Speaker AUnfortunately that's.
Speaker AHe's the black character in the movie.
Speaker AAnd either.
Speaker AEither he's going to be the first one to die, which is the stereotype, which doesn't really happen, or he's going to die saving Judy.
Speaker AThat's.
Speaker AHe's either going to be the first one dead, or the sacrificial negro, as we like to call him in the.
Speaker AIn the biz.
Speaker AAnd she's going to wind up with Cell because they've had a history and he's the gay one.
Speaker ABut does that make sense?
Speaker AWas the capable and Roger's gay, so he has to die because it's the 80s, but no, it doesn't happen.
Speaker CYeah, it's so.
Speaker CI mean, there's so much set up to Sal falling to his death, and it's messy and weird and blah, blah, blah.
Speaker CBut the part that I like about it is the tombstone behind Sal's head after he falls, and he has a spike driven through him that says born like 1970, 76.
Speaker CDied today tonight.
Speaker CI.
Speaker CI lost it at that.
Speaker CI was like, I didn't know this was a comedy.
Speaker AAllison, what's a famous song from west side Story tonight?
Speaker CIt all works.
Speaker AIt all works.
Speaker BIt works.
Speaker BIt's the west side Story subar.
Speaker BSubplot.
Speaker AI also.
Speaker AI also love that they did like, he.
Speaker AHe.
Speaker AI mean, he say he does save.
Speaker BJudy because he does sacrifices himself for Judy.
Speaker AHe sacrifices himself for Judy, but she.
Speaker AHe winds up pulling demon Angela off the roof.
Speaker AI love that they don't just fault that.
Speaker AThey somersault off the roof.
Speaker AIt's a great stunt.
Speaker BYeah, it's very good.
Speaker AIt's a great.
Speaker AYeah, but he winds up.
Speaker AHe winds up impaled on the wooden fence.
Speaker AThat's not in the movie.
Speaker AIt's there now.
Speaker AIt's in your chest now.
Speaker BDeal with it.
Speaker BSee, I forgot that happened before.
Speaker BThe.
Speaker CThe.
Speaker BThe.
Speaker CThis is such a weird timeline.
Speaker BIt's such a weird timeline.
Speaker BAre we at the crematorium now?
Speaker AIs that the other thing I think is fun, too, that, like, a lot of like.
Speaker AAnd all this running around, a lot of times the demons will just pop up.
Speaker AAnd this is one of the things people like, why aren't they just killing them?
Speaker ABecause this is the fun part.
Speaker AThe demons will just pop up.
Speaker AThere's a whole series where demons keep popping up a Judy's face, like three in a row.
Speaker AAnd I'm just.
Speaker AAnd they just pop up and they roar at her.
Speaker ABut the vocal sound effect just sounds like they're burping in her face.
Speaker ALike, everybody stop burping in my face.
Speaker BIt's the Same sound effect, too, for each of them.
Speaker BLike, it's just the same one.
Speaker BIt's not a unique one.
Speaker BFor each one, they.
Speaker AWell, they had.
Speaker AThey only had one guy doing the demon voice.
Speaker AIt was one actor.
Speaker AOkay, you mentioned.
Speaker AYou mentioned the guys at the.
Speaker AThe.
Speaker AThe Cookie, Martin, Glasses.
Speaker ANot him, the other one.
Speaker AHe did all the demon voices.
Speaker AHe worked at the filmmakers before he was.
Speaker AHe was a star of their previous film, which Board with Tonic Attain, which was a huge hit, which is how this movie got made, which is a totally different tone than this before.
Speaker AIt talks about it.
Speaker AWe're not talking about it again.
Speaker ASo off.
Speaker AOff.
Speaker AMostly you also.
Speaker BFuck you.
Speaker ATo repeat my point from earlier.
Speaker AGo fuck you.
Speaker BGfy.
Speaker BGfy.
Speaker BSo Roger and Judy are now.
Speaker BI think the next big beat is Roger and Judy in the crematorium.
Speaker BThey're trying to get out.
Speaker BRoger is being the coward at this point still.
Speaker BAnd he's like.
Speaker AHe's trying to pray.
Speaker BHe's crying.
Speaker BHe's crying.
Speaker AI love that, that they have this role reversal here, because normally it would be the girl who's cr.
Speaker AYes.
Speaker AIn the situation.
Speaker AThey have this wonderful moment where they.
Speaker AWhere they.
Speaker AThey get the door shut and they realize they're safe, and they just start laughing for a little bit because it's like that stress thing, and you realize how stupid and ridiculous.
Speaker AAnd then he just starts to weep.
Speaker BRaj, come on.
Speaker BIt'll be all right.
Speaker BPlease don't cry.
Speaker BWe're gonna make it.
Speaker BI know we're gonna make it.
Speaker AYou really think so?
Speaker BYou already saved my life once tonight, didn't you?
Speaker BThat had to be for something.
Speaker BI was God.
Speaker AI guess so.
Speaker AAnd normally that would be the girl.
Speaker AAnd she consoles him.
Speaker AShe's the brave one.
Speaker AAll of a sudden.
Speaker ASo did the roles keep reversing and I think it's great.
Speaker BYeah, it's.
Speaker BIt was so good.
Speaker BAnd then what I liked is he goes, can we pray?
Speaker BShe.
Speaker BShe goes, I've been praying all day.
Speaker ALike, Judy, wait.
Speaker ADon't.
Speaker BWe can't wait, Raj.
Speaker BWe gotta try.
Speaker BThere's no.
Speaker BNo other way out.
Speaker AFirst let's pray.
Speaker AMy daddy, he told me how to pray real good.
Speaker ACome on.
Speaker BI've been praying all night.
Speaker BRaj, we gotta go now.
Speaker AHe ain't listening.
Speaker BYeah, we need to do this now.
Speaker BLike, you're not listening.
Speaker BSo they figure out they.
Speaker AThey don't know.
Speaker AThey don't.
Speaker AThey don't know they're in a crematorium.
Speaker AThey're just in the basement, as far as they know.
Speaker AAnd she sees a big she sees a big door and she's like, I want it.
Speaker AGo to the.
Speaker AHe's like, please.
Speaker ALike, no, there's a door.
Speaker AWe're gonna have to try it.
Speaker ALet's go.
Speaker BAnd that's when she.
Speaker AOff the pot, Roger.
Speaker BLike, we have to go.
Speaker BAnd these cha.
Speaker AChas need to get out of here.
Speaker BWe're gonna live.
Speaker BWe're gonna live, Roger.
Speaker AThe three of us are gonna live.
Speaker AI don't know about you, Roger, but we're gonna live.
Speaker AMe and my tits.
Speaker BSo that's when she opens the door.
Speaker BCause she thinks she can get out.
Speaker BIt's not a way out.
Speaker BIt's an oven.
Speaker BAnd she figures this out when she sees a skull.
Speaker BWhen she sees a skull and all these pip like this.
Speaker BIt's an oven.
Speaker AWhat?
Speaker BIt's an oven, Raj, this is a crematorium.
Speaker AI'm not sure I caught this last time.
Speaker AAnd it goes by so quickly, and I meant to go back to it.
Speaker AI couldn't tell.
Speaker AIt looked like the skull had fangs.
Speaker AOh, I don't know, because here's the thing.
Speaker AThis movie spawned two sequels in a remake.
Speaker BOh, wow.
Speaker CWhat?
Speaker AYeah, there's a remake with Shannon Elizabeth.
Speaker CWow.
Speaker AYeah.
Speaker AAnd in the.
Speaker AThe.
Speaker AThe infection starts in that one is because she finds a skull in the basement of this party.
Speaker AShe's like an influencer who's gonna have this party at Hull House, and she finds a skull in the basement, and it's got fangs, and she cuts herself.
Speaker AOne of the fangs.
Speaker AThat's how she gets infected.
Speaker ASo I'm not sure if they got that from this movie, but it goes by so fast.
Speaker AI'm not sure if my brain just put that in there.
Speaker ABut, you know, I'm just gonna say, yes, it does.
Speaker ABut anyway, it doesn't matter.
Speaker AIt doesn't matter.
Speaker AYeah.
Speaker AAnd this is when.
Speaker ABefore that.
Speaker AThis is when Judy has her revelation.
Speaker ARevelation that.
Speaker AYou know, Wait a minute.
Speaker AMaybe we don't have to get out of here.
Speaker AMaybe we just have to wait till dawn.
Speaker AOpen the door, Raj.
Speaker AWe don't want you.
Speaker AWe want the.
Speaker AYou know we'd never hurt a nice little boy like you.
Speaker AGo to hell, you dirty bastards.
Speaker ANot tonight, my boy.
Speaker AOh, no, not tonight.
Speaker AAnd rest assured, we've got something wonderful planned for you.
Speaker ASo much pain, so much sorrow.
Speaker BDid you hear what they said, Raj?
Speaker BNot tonight.
Speaker BThey won't go to hell tonight because.
Speaker BBecause it's Halloween, right?
Speaker BThat's why they won't go to hell tonight.
Speaker BRight?
Speaker BBecause it's the one night of the year they don't have to.
Speaker BRemember what Helen said, Raj.
Speaker BDidn't she say that tonight's a special night of evil?
Speaker BRemember?
Speaker BDidn't she say that tonight's the one night of the year when all things unclean are free to roam among us?
Speaker BRemember?
Speaker BThat's what she said, Rog.
Speaker ARight, because remember what Helen said?
Speaker AThat it's.
Speaker ACause it's Halloween and the night where all the evil things walk the earth and they are in total power and they don't have to go to hell after all.
Speaker ABecause they don't have to.
Speaker ANot tonight.
Speaker AAnd Helen didn't say it.
Speaker BA seance?
Speaker BIsn't that a little chancy?
Speaker BI mean, the sea is Halloween, the night when all the creepy things are supposed to stock the earth.
Speaker ABut that's okay.
Speaker AIt's okay.
Speaker AShe filled in the blanks.
Speaker AAnd she's right.
Speaker ABut she's right, so I don't care.
Speaker AShe's 100% right.
Speaker BTurns out she's right.
Speaker AIt's the night of the demons.
Speaker AIt's not the day of the demons and not the brunch of the demons.
Speaker AIt's not any of that.
Speaker BIt's that happy hour of the demons.
Speaker CAfter party of the demons.
Speaker ANo, no, no, no, no.
Speaker AThere'll be no Waffle House of the demons.
Speaker AThere'll be none of that shit.
Speaker BThere'll be none of it.
Speaker BThere'll be none of it.
Speaker BBut she.
Speaker BSo now they realize, like, they're still stuck here.
Speaker BLike, they can't get out this way.
Speaker BAnd now the demons are at the door, right?
Speaker BAnd they're like.
Speaker CAnd they don't want Roger.
Speaker CThey just want that bitch.
Speaker BGive her up, Roger.
Speaker AThis is something I caught this time.
Speaker AThis last time also.
Speaker AThis is one of those things again with the people.
Speaker ALike, this is so stupid.
Speaker AIf the house can do anything, if the house can change itself.
Speaker AIf the house can do any of these things, why are the demons banging on the door?
Speaker AWhy can't the door just open so they can come in and kill him?
Speaker ALike, cause that.
Speaker AWhy do they have to pull the hinge pin, the Lincoln pins, psychically?
Speaker ABecause that's scarier.
Speaker CThey know they can get them if there's human observance.
Speaker CThey can't change stuff.
Speaker CThey can only change when humans aren't watching and they're both watching that door so they can't just magic it out.
Speaker AI don't buy that.
Speaker AI don't buy that.
Speaker AI just think we want these two to be absolutely terrified when we finally take them.
Speaker AWe want them to be as terrified as they can Be.
Speaker AAnd Angela starts using subtle racist language with him.
Speaker AShe starts calling, calling him boy, keeps calling Roger boy.
Speaker AAnd it's never happening the rest of the movie.
Speaker BTrue.
Speaker AI'm gonna kill you.
Speaker AAnd hey, boy, we're gonna do something special with you too, boy.
Speaker AThe people in my watch party got a little upset with that.
Speaker ASome of them like, that's terrible.
Speaker AThe casual racism of the 80s.
Speaker AI'm like, I think that's the point.
Speaker CYeah, yeah.
Speaker CThis is one of the times where that's the point.
Speaker AWhy El Salon.
Speaker AThis movie is.
Speaker ADemons are dicks.
Speaker CYeah, yeah, yeah.
Speaker AThese demons are dicks.
Speaker CDemons aren't good people.
Speaker AThey're not killing you because they're dicks.
Speaker BYeah, 100%.
Speaker ASo you're really wasting my time.
Speaker APlease just kill me.
Speaker AI got things to do.
Speaker BKill me already.
Speaker BJust kill me already.
Speaker AI have so many more tricks to show you.
Speaker AThey keep saying that too.
Speaker AThe party's just begun.
Speaker AWhere are you going?
Speaker AWe have so many things to show you.
Speaker ABecause we're dicks.
Speaker BVery true.
Speaker BBecause we're dicks.
Speaker BBecause we're dicks.
Speaker ANight Add a Dicks is another movie that.
Speaker AThat's another movie.
Speaker CThat's a different movie.
Speaker BYeah.
Speaker BDifferent genre.
Speaker BDifferent genre, different movie.
Speaker BSo they decide to fashion, right?
Speaker BThey're like, we.
Speaker BWe're gonna.
Speaker BWe're gonna.
Speaker BWe're gonna get through this.
Speaker BI have Chekhov's lighter, gov.
Speaker BSlider Jack Jobs lighter, Slider jack Gov's lighter.
Speaker AAnd she flick that big flick.
Speaker AThat big flick that.
Speaker BShe literally.
Speaker BThat would be the chance.
Speaker BIf this was like Rocky Horror Picture style, that would be the chant.
Speaker AWe'll come back after the show.
Speaker AYeah.
Speaker BSo she like, literally manhandles the pipe, rips it off the wall from the.
Speaker BFrom the crematorium oven.
Speaker BSo that gas is spouting out of it, obviously.
Speaker BAnd because the toilets don't work, but the gas still does.
Speaker BAnd she.
Speaker AWell, that's.
Speaker AThat's.
Speaker AThat's why.
Speaker ABecause the head demon was living in there.
Speaker ASo it's filled with demon farts.
Speaker BOf course.
Speaker BOf course.
Speaker AYeah.
Speaker AWe've already covered the demon's fart because they smell.
Speaker AIt's all.
Speaker AIt's all there.
Speaker AIt's all there.
Speaker BIt's all there.
Speaker BIt makes sense.
Speaker BSense.
Speaker BIt makes perfect sense.
Speaker BAnd she flicks the lighter.
Speaker AYou're not paying attention.
Speaker AIt's all there.
Speaker BIt's all there.
Speaker BIt's all there.
Speaker BShe flicks the lighter, makes it a blowtorch.
Speaker BThey've now, Patrick has already said they've taken the lynch pins out the hinges off and have now come in.
Speaker BJust as she flicks the.
Speaker BThe Bic and makes it a blowtorch and torches them so that they can escape and they can escape out.
Speaker BBut they still have a problem.
Speaker BProblem.
Speaker CAnd.
Speaker CAnd there's a skeleton.
Speaker AI'm call time.
Speaker AI'm going to call time because I want to talk about.
Speaker AThis is a great burn scene.
Speaker AThe burn effects, the two demons burning is really well done.
Speaker AAnd also when they're done burning their makeup.
Speaker AThe makeup in this is great.
Speaker AThe demon makeup is great, especially because it keeps changing too, which I think is fun, but depending on how.
Speaker AHow evil they're being at that time.
Speaker ABut the burn demon makeup looks like it hurts.
Speaker AIt's swollen, it's shiny, it's wet.
Speaker AIt's so good.
Speaker AIt's so good.
Speaker AIt's so, so grizzly.
Speaker APlease continue.
Speaker BBut it's.
Speaker BNo, I.
Speaker BI agree.
Speaker BIt's really, really good.
Speaker BAnd the stunt people, they were on fire for a while.
Speaker BSo those stunt people who were in.
Speaker AThey're dead.
Speaker AThey're dead now.
Speaker AThey're dead now, by the way.
Speaker BThey're just dead now.
Speaker BBut they did really good.
Speaker AWe couldn't afford stunt people, so it was the crew, and they're dead now.
Speaker BThat guy, that guy that was in the quickie, Bart.
Speaker BDead now.
Speaker BBut they.
Speaker BSo they.
Speaker BThey, you know, there's a whole bunch of back and forth, but they end up getting out.
Speaker BRight.
Speaker BThey use this to get out, but they still a problem.
Speaker CNeed to get over that wall.
Speaker BThey need to get over this wall.
Speaker AThis last scene is so visceral.
Speaker AIt just.
Speaker AOh, it, like, makes my spine crawl.
Speaker AI love it so much.
Speaker AIt's physically painful.
Speaker ATell me what happens.
Speaker BIt is so painful.
Speaker BSo now they're trying to find this way out.
Speaker BThey're trying to get over this wall.
Speaker BRight?
Speaker BAnd there's like a.
Speaker BLike a rose bush.
Speaker CYeah.
Speaker BSomething with thorns.
Speaker CThorns or are they are barbed wire?
Speaker ABarbed wire?
Speaker BIs it barbed wire?
Speaker BI thought it was like back and.
Speaker CForth between figure out which one it would be and which one it could be.
Speaker CBut I'm just like, whatever.
Speaker AIt's one hearty rose vine.
Speaker BYeah, yeah.
Speaker CThat's true too.
Speaker BIt's true.
Speaker BIt's true.
Speaker BSo they're trying to climb it, but obviously it hurts.
Speaker BWe have to get to the gate.
Speaker AThere is no gate.
Speaker BThe gate's over here.
Speaker AThere is no gate.
Speaker ACome on.
Speaker BBut in the background, everybody is coming after them, whether they're possessed, full on demon, burned like nuts, or if it's just Max missing an arm, which he did have a reanimated arm in a moment that grabbed Judy at some point in this movie, which I thought was the rub.
Speaker AIt was so good.
Speaker BYeah, it was so good.
Speaker BI know we kind of skipped that part, but that was so good.
Speaker BBut like they're all like, like Night of the Living Dead style, like pressing, trying to get them.
Speaker CYeah.
Speaker BRoger gets to the top of the wall, right?
Speaker BIn essence of time.
Speaker BRoger gets to the top of the wall and he's like, Judy, give me your hand.
Speaker BAnd he's trying to pull her up and he's trying to pull her up.
Speaker BAnd they're having a hard time.
Speaker BThey're having a hard time.
Speaker BAnd Roger falls to the other side of the wall.
Speaker BSo at this point, Roger's safe.
Speaker BRoger is a safe man.
Speaker BHe.
Speaker BHe could live.
Speaker AAnd we've already established.
Speaker AAnd we've established he's the coward.
Speaker ALike, he's gonna leave her, dare to.
Speaker BDie, he's gonna leave her here, but he doesn't.
Speaker BYay, Roger.
Speaker AI don't give a shit what you say about Judy or Kathy Pottawell, the actress playing the role in the rest of the movie.
Speaker AShe's surfing on this barbed wire.
Speaker AI felt every fucking barbed wire.
Speaker AI felt my hand shredding.
Speaker BYes.
Speaker AOh my God.
Speaker BIt'S.
Speaker AJudy.
Speaker CRoger, where you going?
Speaker AThe party's just begun.
Speaker AMy mother, in situations like this, when we watch Hard Mode, she goes, oh, oh, this is desperate.
Speaker AThis situation is desperate.
Speaker AThis situation is desperate.
Speaker AThe part where you see where Stooge grabs her leg when she kicks him away, you see, he's like, just cause he's been burnt, he's still so hot that he burned through her tights and has blistered her flesh.
Speaker AThat's so fucking grizzly.
Speaker AAnd you see hope all going out of her and like she's like, this is it.
Speaker AYeah.
Speaker BAnd else as the audience is like, this is it.
Speaker BBecause we've established Roger's the coward.
Speaker BBut that hand comes down and Roger.
Speaker BRoger gets her and he pulls her over the top of the wall.
Speaker AAnd he.
Speaker AAnd he sells climb, girl, climb.
Speaker ACuz he's gay, so he spelled it with a U.
Speaker ARoger.
Speaker ACl.
Speaker BGirl.
Speaker BCl.
Speaker ASo with girl.
Speaker AYou.
Speaker AI heard that.
Speaker AYou and the girl.
Speaker AI heard it.
Speaker AYes, I heard it.
Speaker BOh my gosh.
Speaker BSo they.
Speaker BThey live.
Speaker BAnd the sun starts to come up.
Speaker BThey have the demons, I guess, kind of like Dracula.
Speaker BThey don't like that sun and they kind of burn up.
Speaker AIt's the night.
Speaker AIt's Halloween night.
Speaker ANot how it's not.
Speaker AIt's All Souls day.
Speaker AThis is the whole.
Speaker AIt's this the holy day of obligation, you guys.
Speaker AThe demons have to go to church or it's a sin.
Speaker BYes.
Speaker ASo, yeah.
Speaker ASo no, their time's over.
Speaker AThis was it.
Speaker BTheir time's over.
Speaker BThat sun comes up.
Speaker BThey burn up into like this crazy like black smoke that goes into the air.
Speaker BAnd that's when our friend the sock puppet comes back and he's all like, I'll get you next time, my pretties.
Speaker BAnd like gets sucked back into the house, right?
Speaker BLike eventually.
Speaker BLike the.
Speaker BYou see like this weird animation where he gets sucked kind of, I'm assuming, back into the house.
Speaker BI'm assuming, right, I'm assuming.
Speaker BBut the sock puppet is great.
Speaker BAnd you see it for like, it feels like five minutes where he's like.
Speaker CIt'S not that long, but it's just.
Speaker AFeels like it's a long.
Speaker AYeah, it's a long time because it turns profile goes the other profile.
Speaker AYou get to see the whole thing.
Speaker AAnd it's not great.
Speaker ANone of it's great, but I love it anyway.
Speaker BBut it's so good.
Speaker BIt's so good.
Speaker BSo they live and they're like, oh my God, we live.
Speaker BBut we have to go back, right?
Speaker BWe have to go back to the top of the movie.
Speaker BWe're walking back down the street.
Speaker CStreet.
Speaker BBecause now they're.
Speaker BThey're all disheveled.
Speaker BThey've been through this and now they're walking down their suburban street, right?
Speaker AIt's like me crawling home in the morning, like when everyone else is going to work and I'm coming home, right?
Speaker AI'm just.
Speaker AI am wrecked from head to toe.
Speaker AI stink.
Speaker AI'm dirty.
Speaker AI got burnt.
Speaker AI got burnt up at like lipstick in my tits.
Speaker BThat's.
Speaker AThey're both.
Speaker AThey are both hot messes.
Speaker BAnd this, this old man from the top of the movie, the one that wants to put razor blades in Amazon hate and hates Halloween and does all these things.
Speaker BHe.
Speaker BHe sees them and is like, kids, kids.
Speaker BNo idea what they've been through.
Speaker AFilthy, he calls them filthy pigs.
Speaker ARotten pig trash.
Speaker BNow to all night, huh?
Speaker BYeah, they're all rotten.
Speaker AHell, don't with them right now.
Speaker ADon't fuck with them right now.
Speaker AI really wanted them to just turn on the hills and be like, okay.
Speaker BListen, this sock puppet demon possessed all my friends.
Speaker BAll my friends are dead.
Speaker AI'm gonna have to.
Speaker AHold on, hold on.
Speaker AI'm gonna have to kick your old ass right now.
Speaker ABut fortunately, fate has other things in store for this old Man.
Speaker BBecause we keep following the old man and I keep being like, what?
Speaker BWhat's with this old man?
Speaker BSo it's the morning time and his wife gives him pie for breakfast, I guess.
Speaker BAnd.
Speaker BAnd he goes, you don't normally.
Speaker BYou don't normally make pies.
Speaker BAnd she goes, well, you bought all those apples.
Speaker BI had to do something with them before they went bad and made.
Speaker AWhy you buy so many?
Speaker BThis is why you bought so many.
Speaker BBut they were his razor apples.
Speaker BAnd all of his throat gets cut open from the inside.
Speaker BIs it good, dear?
Speaker BOkay.
Speaker BJust okay?
Speaker BYou used to love my homemade pies.
Speaker AHomemade?
Speaker AWhen did you make this?
Speaker BI've been up for hours, sleepyhead.
Speaker BI made it while you were getting.
Speaker AYour beauty rest last night.
Speaker BThere weren't as many trick or treaters last night.
Speaker BNot like the good old days.
Speaker BI had to do something with all those leftover apples.
Speaker BI still can't understand why you buy so many.
Speaker BHappy Halloween, dear.
Speaker BHow she didn't find the razors when she was making this pie.
Speaker BI don't know.
Speaker CNotice them in his mouth as he ate pieces of pie.
Speaker AShush, shush, shush, shush, shush, shush.
Speaker AIt's okay.
Speaker ANo, yeah.
Speaker ACuz there.
Speaker AIt's not like slivers of razors.
Speaker AIt's like the whole like shake razor comes shooting out of his throat and come down like they're on remote controls.
Speaker ALike I.
Speaker AI don't care.
Speaker AI.
Speaker AWell, no.
Speaker AWhat do you mean?
Speaker AShe did it on purpose?
Speaker BShe did do it.
Speaker COh, she did do it on purpose.
Speaker BShe smiled at the end.
Speaker ANo, she said, happy Halloween, dear.
Speaker BShe smiled at the end.
Speaker BHappy Halloween.
Speaker CThan he is.
Speaker AYou know what if you put up with him for like 50 years.
Speaker CNo, probably.
Speaker CYeah.
Speaker AYou know what?
Speaker AEat a pie.
Speaker AYou know, probably, probably even.
Speaker AHe probably never ate her pie.
Speaker AJust ate her pie.
Speaker BI felt weirdly vindicated for her.
Speaker AAnd never complimented either.
Speaker BYeah, no, no, no, no.
Speaker BI felt really vindicated for her.
Speaker BI was like, good for you.
Speaker BLike I like.
Speaker BI know that was supposed to be like a.
Speaker BBut I was like, good for you.
Speaker BHe wasn't sure.
Speaker ANo, no, no, no, no, no.
Speaker AAnd actually that both the, the, the, the first scene, the last scene were ended at the last minute.
Speaker AThey weren't there.
Speaker AIt needed buttons.
Speaker AIt's a good button.
Speaker AIt's a good gory button.
Speaker AIt's a one good gross out before we go home.
Speaker AWhat I also like too is that it's an 80s movie and the Last Moment isn't a pitch for a sequel.
Speaker BRight.
Speaker BIt could have ended Right there.
Speaker ANo, it's over.
Speaker AIt's over.
Speaker AThe story's over.
Speaker AAlthough it wasn't because there was two more sequels in a remake.
Speaker BIt could have easily ended just right there, little end cap done.
Speaker ABut it didn't.
Speaker BBut it didn't.
Speaker BEvidently too big of a hit.
Speaker AAnd we're glad it went because it was Night of the demons 2.
Speaker AIf it didn't happen, we might not have Christine Taylor from the Brady Bunch movie.
Speaker AIt was one of her first movies.
Speaker BYeah, there you go.
Speaker BThere you go.
Speaker AThe one who looked like Marcia.
Speaker AThe one who looks like Marcia Brady.
Speaker CYeah.
Speaker AWho married Brad Stiller.
Speaker BThere you go.
Speaker AAnd then.
Speaker AAnd then where would it be?
Speaker ABecause then the line I just threw up in my mouth a little bit.
Speaker AWouldn't be a thing because she.
Speaker BWouldn't be a thing because she.
Speaker BYeah.
Speaker BWhat would we do.
Speaker BDo without that?
Speaker BWhat would we do without that in our lives?
Speaker ASure.
Speaker AJan.
Speaker AWouldn't be a thing because any of these things.
Speaker AAnd it's all thanks to this crazy little movie.
Speaker AI love this little movie.
Speaker AI love it.
Speaker AI never get tired of it.
Speaker AThere's.
Speaker AI always find something new with it.
Speaker BI unironically loved it.
Speaker BIt was great.
Speaker AI hoped you would.
Speaker AI mean, because I never know with YouTube, I never know.
Speaker ABut, you know, we.
Speaker AWe've had some rough patches with these movies.
Speaker BI made you sit through Girl on the Third Floor.
Speaker BOkay, there wasn't that.
Speaker ANo, that was.
Speaker AI.
Speaker AThat was me nitpicking.
Speaker ABut no, it was a fine movie.
Speaker AI just had issues.
Speaker AAnd that I've discovered that a producer who did that is other movies.
Speaker AI've loved the one I can't think of at all, but it was great.
Speaker AI covered on it was a wounded fawn.
Speaker BThat's all right.
Speaker ANo, because in the middle of it, all of a sudden, it literally, like, literally Greek theater busts out.
Speaker ALiterally.
Speaker ALike the dialogue is like the stage directions from Greek theater.
Speaker AI'm like, I know these stages.
Speaker AI know all of this.
Speaker AIt's actually Greek theater right now.
Speaker AIt was smart.
Speaker AIt was sexy.
Speaker AGreat.
Speaker ABut no, it's great.
Speaker AWe're not talking about.
Speaker AWe see how she Shanghai things.
Speaker AShe makes us talk about CM Punk.
Speaker BAlways.
Speaker BAlways.
Speaker BThat's my end game.
Speaker BAlways.
Speaker ANo, I'm glad you liked it because I never know what you do.
Speaker AI never know, but glad I don't have to force it out of you.
Speaker ALike, I've had to do it for other things or just like it turned into a shit show.
Speaker ALike other Alien movies.
Speaker AWe could talk about that movie.
Speaker CI still Think about that movie.
Speaker AWell, it depends which Alien movie we would say talking about.
Speaker AWe're talking about Fart Planet Flat Colon, Floodplain of the Farts is one thing, but I don't know what it is.
Speaker AThat movie is having a resurgence.
Speaker AI don't know what it is, like, really.
Speaker AIt's on every.
Speaker AIt's on like all the streaming platforms right now.
Speaker AI keep seeing it.
Speaker AI don't know if it's just.
Speaker AThe algorithms are just decided that it loves.
Speaker AI love this movie, but I think it just got a new release or something because even my public, the public library has it in there.
Speaker AThe staff choices.
Speaker AAnd it's been there for three months.
Speaker AI'm like, it's really not that good a movie.
Speaker ATits are great.
Speaker AAnd it's great if you like sandwiches or like abandoned sandwiches.
Speaker ABut aside.
Speaker BI hate abandoned sandwiches.
Speaker AOr, Or I know you.
Speaker AIf you were in the movie, they'd be.
Speaker ANo, they'd be like, I'm sorry, this movie's not working.
Speaker AAbandoned sandwiches.
Speaker CWho abandons a sandwich?
Speaker AWhat.
Speaker BWhat?
Speaker AAbandoned sandwich?
Speaker AOr if you're a really big Wendy, what's her name fan.
Speaker AThere's no reason.
Speaker CWatch a movie, Shaw.
Speaker ABut, you know, even, even.
Speaker AEven with the alien pornography film, nobody's tits did what these tits did.
Speaker BNo, they did not.
Speaker AAlthough this movie could have used some alien lesbian nurses.
Speaker AThey could have used some.
Speaker AThey could have saved them.
Speaker CWhat movie can't.
Speaker ASo, yeah, I think we've done Night of the Demons.
Speaker AThere's not much to reminisce about.
Speaker APlus, I don't want to reminisce too much about it because I'm doing a second part of this episode.
Speaker AI'm gonna have my friend Matt Nyda on who adores this movie, and we're gonna talk about why it resonates.
Speaker ASo why do we love this movie so much?
Speaker ASo last time I wanted to do like, this is.
Speaker AThis is the cold open for the first time.
Speaker CThis is.
Speaker CThis is the.
Speaker CThe goofy straight couple talking about boobs.
Speaker CAnd now we'll move on to actual smart stuff.
Speaker AYeah, I just realized.
Speaker AYeah, you're like the only straight people about on this whole season.
Speaker BReally.
Speaker BHey.
Speaker ABut hey, you're here for my birthday episode.
Speaker AEven though it's not my birthday.
Speaker AIt's okay.
Speaker AIt's.
Speaker AWe'll be airing for my birthday.
Speaker ASo.
Speaker CHappy birthday, Patrick.
Speaker AThank you.
Speaker AThank you.
Speaker AIt's not happened yet.
Speaker ADon't think this is going to count.
Speaker BGood.
Speaker BNow we don't need to do anything.
Speaker AI still expect a gift or some kind of Presentation.
Speaker CYou will get a like on Facebook.
Speaker AYou will get nothing.
Speaker AAnd you will like it.
Speaker BYou get nothing.
Speaker ABut.
Speaker BNo, no, nothing.
Speaker BI said nothing.
Speaker BYou get nothing.
Speaker ABut I don't like it.
Speaker AYou will.
Speaker BYou better.
Speaker AAll right, Brian, do you still do a podcast?
Speaker ADo you still do your Scott podcast?
Speaker CNo.
Speaker AGood.
Speaker CSometimes I do one, but it is not enough.
Speaker ASo we're all pod faders now.
Speaker AIs that.
Speaker BWelcome to the club, Patrick.
Speaker BWelcome to the club.
Speaker AOne of us.
Speaker AOne of us.
Speaker AGoogle gobble.
Speaker CI do have to commend you, Patrick, on.
Speaker COn actually ending the podcast on your own terms.
Speaker CI did that with 23 minutes of ska.
Speaker CI was just like most podcasts, just stop uploading one day.
Speaker CAnd to do a true end is.
Speaker CIs something special.
Speaker CI did it.
Speaker CI'm glad I did it for that show, and I'm happy that you're doing it for this show.
Speaker AThank you.
Speaker AI couldn't not do that.
Speaker AIt's been 15 years.
Speaker AI've had people who've been with me the whole 15 years.
Speaker AI can't just walk away from it unless it was an emergency.
Speaker AUnless I had no other choice.
Speaker ABut I said I'm going to go, and I'm going to go on my own terms.
Speaker ASo thank you for recognizing how awesome I am for choosing that route.
Speaker CYeah.
Speaker AYeah.
Speaker AThe thing that I'm learning is that I'm recording these last episodes out of order and long before I plan on airing them, because I'm realizing, no, just otherwise, I'm going to be.
Speaker AIf I was just doing them at my normal schedule, like record, record, record, edit, put them out, I'd be an emotional wreck.
Speaker BYeah.
Speaker CYeah.
Speaker AI'll be able to do this.
Speaker AI'll be able to end this episode with you and probably not cry.
Speaker AProbably.
Speaker AMaybe.
Speaker AWho knows?
Speaker ABut because I realized that recording the episode and ending it with these.
Speaker AWith my favorite guests, these friends that I've made over the years is going to hurt.
Speaker AAnd it has every time.
Speaker AFor all the other episodes that I've done, it's going to be another thing when I'm hitting the button to post it.
Speaker AThat's going to be a big thing.
Speaker ASo I'm going to realize I just have to take my time with the ending to do it right.
Speaker BYeah, do it right.
Speaker BDo it right.
Speaker CDo it right.
Speaker CDo.
Speaker CGive the show the Legacy it deserves.
Speaker B100%.
Speaker B100%.
Speaker BAnd we.
Speaker BWe're.
Speaker BWe're honored.
Speaker BWe're honored to be a part of.
Speaker BYou know, we've.
Speaker BWe've.
Speaker AOh, no.
Speaker AYou know, you're lucky.
Speaker AYou're Lucky.
Speaker AYou're just lucky.
Speaker AYou're lucky.
Speaker AYou're lucky.
Speaker AYou're lucky I had an opening.
Speaker CAll right.
Speaker BWe've been around for a while with the show, and we're honored that we get to be a part of the farewell tour, so to speak.
Speaker BAnd, you know, we've, you know, not only have we been colleagues through all of this and been guests on the show, but you've become a really great friend.
Speaker BAnd I have, I have.
Speaker AI really have.
Speaker AI am.
Speaker AI really am.
Speaker BYou like me.
Speaker BYou really like me.
Speaker AYou're welcome.
Speaker BYou're welcome.
Speaker BAll right, well, don't say I never said anything.
Speaker AOkay, bye.
Speaker ANo, no, no.
Speaker AFuck.
Speaker AThe fuck.
Speaker AYou know, I always say, I always say thank you.
Speaker AI mean, I mean, this all started with me harassing you.
Speaker AI mean, harassing you on your own.
Speaker AI came to your house, basically, I would invade your show and annoy the shit out of you.
Speaker AAnd the fact that you're still talking to me at all, the fact that you show up on these shows and keep doing it, I, it is not gone unnoticed.
Speaker AIt's not gonna notice.
Speaker AIt's not been unappreciated.
Speaker AI, I, I, I don't talk to people I like this much like real life.
Speaker AI don't talk to real life people in my life.
Speaker AI haven't kept them in my life this long.
Speaker ASo I do appreciate that you've been supporting the thing that we support each other all these times, and we've met in real life multiple times.
Speaker ANot you, Brian, only once, but multiple times.
Speaker BPlease.
Speaker BNo.
Speaker BAbsolutely no.
Speaker AIt's been a pleasure and it's, it's got to be good to end this with a bang.
Speaker AAnd not like the, and, or with a pew pew.
Speaker AAnd not like the kind of bang, not like the kind of bang that happens in a parking lot in that other.
Speaker ANow you've taught me the difference between banging bone and railing.
Speaker AWhere can we go?
Speaker CNow we know.
Speaker BNow we know.
Speaker BNow we know.
Speaker AI'll never be the same.
Speaker AAll right.
Speaker AThank you so much.
Speaker AI love you both.
Speaker AThank you for going on this crazy journey with me.
Speaker AThank you for staying on this crazy journey.
Speaker ANow get the out of here.
Speaker AI love you both.
Speaker AStay safe, stay healthy.
Speaker AStay fabulous.
Speaker ASay something.
Speaker COh, yeah.
Speaker CYou're the best, Patrick.
Speaker CWe love you.
Speaker AThank you for having I.
Speaker AFuck it.
Speaker AWe have one job.
Speaker AWhen you come here, make me look good.
Speaker BI thought that was the end.
Speaker CI thought that was the button on the end.
Speaker AIt's not you.
Speaker AThe guest is always the button at the end.
Speaker AIt's been 15 years and you haven't figured out that guest is always the fucking button at the end.
Speaker AGet off my show.
Speaker AGet off my show and never ever come back.
Speaker AI love you.
Speaker ANo, no, no.
Speaker AI just never have.
Speaker AYou take direction.
Speaker AI said good day.
Speaker AWow.
Speaker AWow, wow, wow.
Speaker AThat was even more ridiculous than I could have ever possibly dreamed.
Speaker AWow, wow, wow.
Speaker AThank you so much to Allison Nowacky and Brian J.
Speaker APolk for coming back one last time and ending your run on this show with a bang and a lipstick in the titty and a fuck ball.
Speaker AThat was a ton of fun.
Speaker AHow can we possibly top an episode like that?
Speaker AWell, I'll tell you.
Speaker ABecause as I mentioned earlier, this was only part one of the Night of the Demon Spectacular.
Speaker ANext time I'm gonna be sitting down with Matt Knife.
Speaker ANow, Matt is a super fan of the movie and we decided to have a long discussion about what makes this movie resonate.
Speaker AWhat is it about this crazy little movie that rings so much with the gays?
Speaker AWhy do we love it so much?
Speaker AWhy do we obsess over this movie?
Speaker AWhy is it the best movie ever made?
Speaker ASo it's gonna be a very different discussion than what we had with Alice today.
Speaker AToday was all about the joy of discovery and next time is gonna be about the thrill of analysis.
Speaker AAnd you know what's fun about analysis?
Speaker AIt has a the word anal in it.
Speaker AI got nothing.
Speaker ABut much like that two part Friday the 13th spectacular I did two years ago.
Speaker AI want to hear from you too.
Speaker AIf you've got a special attachment to Night of the Demons, I want to hear from you.
Speaker AIf you've met any of the cast that have a cool story, I want to hear from you.
Speaker AThere's something about this movie that makes your soul sing in a certain way that people, you think other people don't understand.
Speaker ATrust me, we understand and we want to know.
Speaker ASo get in touch with me.
Speaker AEither drop me a line on the various social medias, your message me on Facebook, which you could do at Scream Queens or on Instagram Scream Queens podcast.
Speaker AIf you really, really want to, you can drop me an email at screamqueens06gmail.com scream queens06gmail.com or you can head on over to scream queens.com and leave a voicemail message.
Speaker AThere's a little tab on the right hand side.
Speaker AYou just click the tab.
Speaker AThere's a little tab on the right hand side of the screen that says leave me a voicemail.
Speaker AJust click it and do what it says, baby, and I'll play it on the show and it'll be cool.
Speaker ANo, will not be cool.
Speaker AIt will be fabulous.
Speaker ASo if you've got something that you want to share about Night of the Demons, get it to me any way possible, but get it to me by May 25th.
Speaker AThat's May 25th to get your entries in.
Speaker ASo I think that's all I've got for you this time.
Speaker ASo until next time, my beautiful, beautiful screamers, please continue to make the world the more fabulously creepy place.
Speaker AAnd you do that by following that scream queen's golden rule.
Speaker ASay it with me, kids.
Speaker AFight or flight.
Speaker ASay it with me, gang.
Speaker AFight or flight.
Speaker ASurvive the night, make it to the final reel.
Speaker AStay safe, stay healthy.
Speaker ABut most of all, stay fabulous.
Speaker AAll of the music for tonight's show, unless otherwise specified, has been written by Sam Haynes.
Speaker AYou can find all of his music@www.bandcamp.com bitch.