WEBVTT
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Ask the Podcast Coach for October 5th 2024.
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Let's get ready to podcast.
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There it is.
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It's that music.
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That means it's Saturday morning.
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It's time for Ask the Podcast Coach, where you get your podcast questions answered live.
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I'm Dave Jackson from the School of Podcasting.
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What is up with my voice today?
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I sound like Peter Brady Fromtheschoolofpodcastingcom.
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Joining me right over there is jim cullison from theaverageguytv.
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Jim, how's it going, buddy?
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greetings, dave.
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Happy saturday morning to you.
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Always good to be here, maybe on the last gasp of summer here.
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Yeah, it's.
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I think it's still a little warm in a lot of places, but it's cool here.
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Welcome to Ask the Podcast Coach.
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Yeah, I woke up this morning, went out and it was like oh, I think I need a coat of some sort.
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Well, don't put the coat on for too long.
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They're expecting like 95 to here today.
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Yeah, I don't think summer is completely over yet For some people.
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They really love that.
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I'm not a big fan.
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I'm ready for fall.
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Yeah Well, I just was notified by Ecamm that we're not going live on LinkedIn.
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I actually reconnected that this morning, so yay, technology which is why you always go to askthepodcastcoachcom slash live, which thankfully is YouTube, and that doesn't seem to have an issue, and I just realized.
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Here's the interesting thing about Ecamm is you end up with 5 million windows out and apparently somewhere along the way I have closed the chat window.
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So I'm looking for our awesome people that are in the chat window and I see interview chat.
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Here we go, comments and reactions.
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There's the chat room Excellent, because I was getting all worried.
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Here we go, comments and reactions.
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There's the chat room.
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Excellent, because I was getting all worried, and when I get worried there's one way that'll calm me down.
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That's, of course, with an awesome hot piping cup of java, of whatever that stuff is.
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Jim is pouring.
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It was so weird you were pouring without sound effects.
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I was like how does that work?
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Is it really a pour?
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If you don't hear it?
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Yes, but that is brought to you by our good Mark over at podcastbrandingco, because they see you before they hear you, and Mark is an award-winning podcast graphic artist and he's a podcaster which it's two for the price of one, so you don't have to explain to him what the heck is a podcast and he's going to make you look amazing.
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He's done a lot of my artwork, my latest one Hot Seat I love, with the flaming blue Yeti on the chair, and he's going to sit down with you one-on-one and make sure that your branding is in alignment with your show, which includes your website, everything else and if you're like Dave, I don't even have a website, well, mark can help you with that.
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In fact, if there's anything that you're going to have in front of the audience, mark's the way to go.
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He's going to make you look really professional and just make sure that everything's in alignment with your brand.
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You're not going to get that on some guy on Fiverr.
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There's only one place to go and that is, of course, podcastbrandingco.
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About choked to death over here.
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Big thanks to our.
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You ever have that Just in a it just like all of a sudden just comes out of you.
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Yes, big thanks to our good friend, dan LeFebvre over there.
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Based on True Story, based on truestorypodcastcom.
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This week he has historical events and premiere Alexander 61, black Hawk Down and the Social Network.
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Those are available and Dan always does a great job, spends a ton of time, gets great guests and does a lot of research.
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So if you're looking for something new to listen to, he's a good friend of the podcast.
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Check him out today.
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Based on a true story basedonatruestorypodcastcom.
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And Dan, thanks for your sponsorship.
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And I'm seeing in the chat room that the LinkedIn thing is a LinkedIn thing, not so much an Ecamm thing, and it's the term I'm seeing thrown around.
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A lot is wonky, it is wonky.
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Listen.
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The Facebooks and the LinkedIns and the Xs or Twix or Twitter or whatever you want to call it, the Instagram, they're not exactly sure if they really want to support podcasters live streaming, let's just.
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I mean, I know that's not a lot of people are saying that, but I just get this feeling, especially facebook, like they're always messing around with the interface and we do, and then we don't, and then I don't know, and and then it works, and then it doesn't work, and I just get the feeling either either that's one of two scenarios.
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There's an internal battle going on in these organizations whether they're going to support it or not, or they throw some resources at it, then they stop looking at it.
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Then they decide, oh, we need to do some updates.
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Then they break it in doing the updates and you just it's.
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They want to do it, but they don't want to give it enough resources.
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It doesn't work.
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Half the time I hear people complaining on Facebook and the podcasting groups.
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That seems to be the number one complaint getting live streaming working to these platforms.
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I'm just not sure they're 100% committed to it.
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Youtube, on the other hand, doesn't seem to do anything and it just seems to work.
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And maybe that's the key is stop messing with it, get it working and then leave it alone well, I thought it might have been a libsyn thing, because libsyn had a way to post your stuff to facebook and it would break on a regular basis and eventually the developers would get over and do that and I was like, well, maybe it's a libsyn thing, until I came to pod page and then it's the exact same thing.
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Like you said, facebook will change something and, by the way, they're not going to let you know we're changing things, so your stuff is going to break it.
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Just all of a sudden you go into your inbox and everybody is, hey, it didn't post to Facebook, to where I want to go.
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Okay, thanks for letting me know, and they really freak out and I always want to go.
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Have you ever heard of this?
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It's a strategy.
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It's called copy and paste.
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You can copy the link to your episode on your website, put it on Facebook and there you go.
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But it's no, it has to be automated, it has to be.
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And what gets me is how much time there was somebody wanted PodPage to integrate with makecom, which is basically Zapiercom, with a little cheaper price tag, and blah, blah, blah.
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And we're like, well, we don't integrate with makecom right now, we integrate with Zapier but not makecom, and the amount of time he was spending trying to, and I'm not like, look you, do you?
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But I see people do this, not even just, but just the amount of time we spend trying to automate something, when if we just did it manually would be like a fraction of the time.
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Like I'm going to spend 15 hours troubleshooting this automation, where you can copy and paste a lot of things for 15 hours, and I just go really, can we not Like this doesn't work that way.
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And they were just like well, yeah, but I wanted to.
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I just want to click first of all.
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And now with AI, but I mean, they get the stuff and they just want to click a button and have it go everywhere.
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And I get that.
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Why wouldn't you want that?
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Except that not every platform is the same what works on Twitter may not work on LinkedIn and vice versa.
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So it's just I just see people spending hours of time troubleshooting things that I'm like you do know, if you did this manually, it would take seconds, not even minutes, seconds to fix.
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So that's always interesting.
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I do have this is the same old, but it was just one of those things that I always sound like I'm anti-YouTube and I just want people to go in with their eyes open, right?
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So this guy came on and he said I looked at my audience retention at YouTube and I was like, oh, that's a good way to start a thing.
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And he says I couldn't say what is on usual podcast platforms, but that's not a metric that anyone else can check for.
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Well, nope, sorry.
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You can see at least your percentage completed on Apple Podcasts if you go to podcastconnectapplecom or if you go to the dashboard for Spotify for podcasters.
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It says it feels discouraging because what that means in effect?
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Oh, he says my typical audience retention is around 25%.
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Now, I'm an old teacher, so to me 60% is a D and anything beneath that is yeah.
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So it feels discouraging because that means, in effect, that only two or four people on average are actually listening to the whole way through.
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My philosophy has always been if I get double digits on my listeners for an episode, then the effort to make the episode was worth it.
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But I guess in my mind I assumed a view meant that folks were listening for longer than three to five minutes.
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Well, I wish I knew if somebody knows what the actual spec for a view is on YouTube.
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I think if you go to a video, it counts as a view.
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I think if you just sniff it, it makes me doubt my numbers that Spotify gives me.
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Spotify counts a play or a download on a stream that's longer than 60 seconds.
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Again, until now, I assume that folks were listening for longer than 60 seconds, but if YouTube is an indicator, are they really just clicking away for a few minutes?
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Well, keep in mind that YouTube stats are different than Spotify stats, so it's two completely different platforms.
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It leaves me wondering how accurate is this metric, which I love that?
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Well, surely it can't be that people are only listening to 25% of my stuff on YouTube?
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No, it can.
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I remember at Libsyn I'd have people like, hey, it's been a week and I don't have any downloads.
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And I'm like, yeah, that's because you don't have any downloads.
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That's just the way it works.
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Is this typical for more YouTubers?
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Does this mean I should change my format, since it's not keeping people engaged?
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There's a novel idea.
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Am I overthinking it?
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Maybe a little, but not.
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You're headed in the right direction.
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I avoided looking at that stat for a long time.
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That right there is.
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I don't understand this.
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I'd rather think I'm good than look at the stat to see if maybe I'm boring the bejesus out of people, because I knew it would leave me feeling dejected.
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So I'd rather live in my own Joker world, where my fantasy world where I'm great, than actually make something great.
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I want to find a way to use this information in a constructive way To answer any basic questions you might have about the podcast and its format.
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I run a read-along book club podcast.
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We'll cover on average, three chapters of a book per episode.
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We'll cover on average three chapters of a book per episode, more if the chapters are short.
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Episodes average more or less an hour.
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New episodes every two weeks and I just thought well, if you look at our show here, I don't know what our percentage is, but it's not anywhere near what it is on audio.
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Audio just outperforms in terms of completion percentage, like it just spanks YouTube because YouTube come here, it bends it over its knee and just spanks it and says I don't know what's going on at YouTube, but you're going to have people listening longer on an audio format.
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So what's a different?
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It's a different environment.
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I mean it's a different listening environment.
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I think people come to YouTube differently than they come to their audio podcasts.
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I mean I think in most cases you've got folks listening on a walk or in a workout or on a drive.
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I think they've planned to listen to it in most cases and so you're there for them to get you through this time mowing the lawn, whatever.
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I have guys that ping me all the time from their lawnmowers that say I'm listening to you on Home Gadget Geeks on my lawnmower.
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So I think the audio side of things has a whole different listening experience than a YouTube does.
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Now YouTube is trying to change that.
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I mean, they're making a, they're trying to make a run at hey, come here to YouTube and get your music here or get your whatever.
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Right to do that.
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But I just think lots of folks go to YouTube to figure stuff out.
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Or and I've got some subscribers where I watch I'm very interested in some of the work that they're doing on a regular basis, so I watch that.
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I'm very interested in some of the work that they're doing on a regular basis, so I watch that.
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But I think that I just think the viewing experience is different.
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And long play podcast on YouTube, I mean, do people listen to them or watch them?
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Yeah, are they going to?
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Are they going to get big numbers?
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Unless you're a solid niche and you can gather people that are super excited about your content, I think it's an uphill battle.
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I'm not saying you can't do it.
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Critical Role did it right, rogan does it, so there are some who do it right.
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It's, it is possible.
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But, man, you better be good Like.
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You really got to have your.
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You really got to and I don't know if it's much as the content is, it is matching your content to your audience, getting your audience super excited about whatever.
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Whatever that is, and whether it's role-playing games or smoking dope with Rogan, I think you just got to match your show to your audience and find them there.
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I think, dave, we still are relying way too much on we hear this, I hear this phrase all the time.
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Well, youtube's the number two search engine, so people should just I'm going to go there and it's going to be great.
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I don't know.
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No, I don't think any of that.
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You've got to do the hard work to draw people to your channel and get folks in and doing stuff Like you got to, you still got to pull them, do some legwork, and we say this all the time but get a little lucky, yeah, get a little lucky, catch something.
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And then when this actually I think this is where a lot of podcasters go wrong is that they catch a break.
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They don't see it as a break.
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They get super busy with their audience or whatever it means more work, and they're like I can't do all this work and then that wave goes away pretty fast.
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And when the when the sun is shining, it's time to make hay.
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And when you're busy with your audience, when you're getting a lot of emails or a lot of engagement or whatever don't mistreat that, as I'm doing too much support or I don't have time for all of this well, oftentimes that's what it takes to get them drawing a lot.
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You're gonna have to give it a lot of your time to if that's what you're looking for I'll be interested to see right now.
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I saw it this week.
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Somebody posted a screenshot the I don't even hayley something, the hock to a girl, the.
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Hak.
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Tua girl was number three.
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It was like Joe Rogan, the Daily, and then Hak Tua girl and I was like all right, so she's got an audience right now.
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The question is, can she keep them?
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I have yet to listen.
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I want to go listen just to hear what she's doing.
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But I was like, all right, you're on minute two of your 15 minutes what?
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are you going to do with it?
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It's a great example, though, of someone who's riding the wave, who didn't shy away from it, who didn't, who is probably in her schedule, has probably blown up to.
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She's not getting any time for herself.
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She's on media.
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I mean, she was on the show, she was in media, she was doing all these these things.
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She's got her own podcast now.
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Right, I haven't listened to either, so I don't know what the content is, but that's taking advantage.
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I mean, there's a break, and that's taking advantage of a break.
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That listen.
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We talk about the kelsey brothers all the time, jason and, yeah, the other guy, travis that that could have gone a completely different direction if the chiefs and the eagles don't go to the super bowl oh yeah nobody knew who jason kelsey was, outside of anything.
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And then travis, of course, states the most famous singer in the world, but that could have gone a completely different direction.
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There were, they were doing it, and a couple big events came along.
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And even before, before travis, it was big, it wasn't that big, but my daughter didn't know about it.
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Now she does right.
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so and if he wasn't dating taylor swift?
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That's another aspect of that whole show that sent it.
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Yeah, over the top.
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But you have to think like his life has radically changed.
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I mean, he was pretty famous before.
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Now he's uber famous.
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Right, his life's completely changed.
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He can never do what he used to do publicly anymore.
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It's just not ever going to happen.
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So you got to be willing to say okay, most people can't handle that kind of fame.
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They flame out pretty fast.
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They get in there.
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Look at everyone in Hollywood drugs and alcohol.
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It's just you're like they should have all this money, they should be so happy.
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Do you realize that the kind of pressure and the comments people about you and it's brutal I don't.
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There's a young singer whose name is escaping me.
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Somebody will throw it in the chat room, but she's basically freaking out because when you're uber famous and I guess I think she was a child star on whatever some nickelodeon thing and now she's super popular and she basically said, hey, there's, don't just come up and touch me and don't.
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I know I don't have to take a selfie.
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She's like I love my fans, but and she's just freaking out because she's, I guess she's uber famous at this point.
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And so then she got flack.
00:17:59.026 --> 00:18:01.949
Hey, no, like you wanted fame, here it is.
00:18:01.949 --> 00:18:06.711
You wanted fame, here it is, and this is what you have to do now.
00:18:06.711 --> 00:18:06.917
And she's.
00:18:06.917 --> 00:18:09.045
And then they, everybody wanted to know who she was voting for and she was very trying to.
00:18:09.045 --> 00:18:09.519
Like you know what?
00:18:09.519 --> 00:18:16.065
It doesn't really matter who I'm voting for, what matters is that you vote, go out and register, everybody vote, and they just wouldn't let it drop.
00:18:16.065 --> 00:18:17.127
And so it's just one of those.
00:18:17.127 --> 00:18:18.291
Well, you want to be famous.
00:18:18.291 --> 00:18:21.526
Congratulations, because you can't turn that off.
00:18:22.307 --> 00:18:24.712
It's once it's on I mean you can ruin your own fame.
00:18:24.712 --> 00:18:27.144
Plenty of them have, right, plenty of them have.
00:18:27.144 --> 00:18:29.410
But yeah, it's just a little bit.
00:18:29.410 --> 00:18:30.531
I mean I always say be careful.
00:18:30.531 --> 00:18:33.645
What you wish for, be careful for that I.
00:18:33.645 --> 00:18:41.281
I like the consistent, nice community having some influence in that.
00:18:41.281 --> 00:18:42.444
That's the area I like.
00:18:42.444 --> 00:18:45.733
I'm solidly average and I'm okay with it.
00:18:45.733 --> 00:18:48.602
I am absolutely okay with it.
00:18:48.602 --> 00:18:51.948
That's where I like to be solidly average, stephanie got it.
00:18:52.108 --> 00:19:01.721
Chapel rome rone oh yeah I've never heard a song you have, you just don't know you have yeah, yeah, but I thought that was interesting.
00:19:02.162 --> 00:19:08.082
John says hayley, mrs tua wasn't bad as an interviewer Without a guest.
00:19:08.082 --> 00:19:09.044
It lacks a little.
00:19:09.044 --> 00:19:11.028
A couple other things here, randy.
00:19:11.028 --> 00:19:12.231
Thank you, randy Black.
00:19:12.231 --> 00:19:16.929
Youtube views are counted after only one second, so 1,001.
00:19:16.929 --> 00:19:19.513
So at that point it's hey, welcome to.
00:19:19.513 --> 00:19:20.021
Okay.