The Future of Voice Licensing: AI, James Earl Jones, and the Ethics of Voice Replication
In this episode of the Pro Audio Suite, the team dives into the ever-evolving landscape of AI and voice licensing, exploring the groundbreaking decision by James Earl Jones to license his voice to Disney. What does this mean for voice actors? And...
In this episode of the Pro Audio Suite, the team dives into the ever-evolving landscape of AI and voice licensing, exploring the groundbreaking decision by James Earl Jones to license his voice to Disney. What does this mean for voice actors? And where do we draw the line between legal licensing and exploitation? We also discuss recent lawsuits surrounding AI voice replication, the ethical boundaries of using voices without permission, and what these changes could mean for the future of the industry.
The conversation gets heated as Robbo, AP, George "The Tech" Whittam, and Robert Marshall debate whether AI voice replication is an opportunity or a looming threat. With insights from the legal world, current case studies, and expert opinions, this episode is a must-listen for anyone in the audio or voiceover industries.
Want to get involved?
We’ve got an exciting Austrian Audio Hi-X20 Headphone Competition running, and it's simple to participate! Download the show’s stems and create your own mix for a chance to win. Head over to theproaudiosuite.com to grab the files and get mixing! 🥳
Topics Covered:
- The legacy and implications of James Earl Jones licensing his voice to Disney
- Recent lawsuits against AI companies for unauthorized voice replication
- How AI is reshaping the voiceover and audio production industries
- Ethical and legal questions around using synthesized voices
- Future trends in AI and voice technology and their impact on artists
Key Quotes:
- “For generations to come, your voice will still be heard. That’s amazing, isn’t it? But it’s kind of weird, actually.” — Robbo
- “I think that if you should absolutely own the rights to whatever you upload into some AI engine...the fact that these companies are enabling theft, it’s bullshit.” — Robert Marshall
- “It’s straight simple, it’s plagiarism. If you quote somebody, you have to give them credit. Sucking in a bunch of information that’s not yours and turning it into code is theft.” — George "The Tech" Whittam
Episode Highlights:
- James Earl Jones’ legacy: How licensing his voice ensures he and his family continue to benefit from its use long after he’s gone.
- Case studies on AI misuse: Real-world examples of AI companies exploiting artists’ voices.
- Legal perspectives on ownership: What do you actually own when it comes to your voice, and how can you protect it in the age of AI?
- Predictions for the future: How AI will continue to shape the landscape of voiceover work and what professionals can do to stay ahead.
Thank You to Our Sponsors:
- Tribooth: The best vocal booth for home or on-the-road voice recording. Use code TRIPAP200 to get $200 off your purchase.
- Austrian Audio: Making passion heard. Enter the competition on our show notes page to win a pair of the brand-new Austrian Audio Hi-X20 headphones.
Show Notes Links:
- Enter the Austrian Audio Hi-X20 Headphone Giveaway
- Download the show stems and submit your mix
- More about James Earl Jones’ Licensing Deal
- Current AI Voice Licensing Lawsuits
Connect With Us:
- Join our Facebook Group
- Visit our Website
- Subscribe on YouTube
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“When the going gets weird, the weird turn professional.”
Hunter S Thompson
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(Transcribed by TurboScribe.ai. Go Unlimited to remove this message.) Y'all ready to be history?
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Get started.
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Welcome.
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Hi.
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Hi.
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Hi.
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Hello, everyone.
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To the Pro Audio Suite.
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These guys are professional, they're motivated.
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Thanks to Tribute, the best vocal booth for
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home or on the road voice recording, and
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Austrian Audio, making passion heard.
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Introducing Robert Marshall from Source Elements and Someone
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Audio Post, Chicago.
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Darren Robert Robertson from Voodoo Radio Imaging, Sydney.
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Tech to the VO Stars, George the Tech
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Whittam from LA.
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And me, Andrew Peters, voiceover talent and home
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studio guy.
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Line up, man.
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Here we go.
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And welcome to another Pro Audio Suite.
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Thanks to Tribute, don't forget the code, T
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-R-I-P-A-P 200.
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That will get you 200 US dollars off
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your Tribute.
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And Austrian Audio, making passion heard.
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Now, speaking of Austrian Audio, don't forget the
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headphone competition.
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It ends now at the end of the
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month because we realized two weeks wasn't enough.
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It's all about doing a mix with the
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stems that we have in the show notes.
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So go to the show notes or to
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the website to enter.
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Simple as that.
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And up for grabs is a pair of
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the brand new Austrian Audio Hi-X 20s.
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They're brand new.
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You'll be one of the first on the
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planet to have a pair of these headphones.
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Now, onto the topic for today's podcast, yes,
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it's the old AI bandwagon.
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So, you know, we all know there's a
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good side and there's a bad side to
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AI.
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The good side is the way James Earl
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Jones signed over his, or licensed his voice
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to Disney.
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So his family or the trust or whatever
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get paid every time they use it.
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What a legacy though, too.
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Imagine that.
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For generations to come, your voice will still
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be heard.
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That's amazing, isn't it?
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When you think about that.
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It's kind of weird, actually.
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I'm not sure about that.
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Anyway, but on the flip side, and this
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was something that popped up, I saw a
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couple of weeks ago.
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There's a guy called Paul Sky Learman and
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Linear Sage.
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They were listening to a podcast about AI
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and it was an interview with an AI
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powered chat bot with text to speech.
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The AI had Paul Sky Learman's voice.
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So when they got home to their apartment,
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they started finding out where this is all
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coming from.
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They traced it.
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And then they found her voice as well.
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So you can gather there is a lawsuit
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going on as we speak.
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And I think the company's, well, I won't
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do the company name because we get sued.
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Haven't we covered this?
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Isn't that not stolen?
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Stolen what?
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There's something that's not protected.
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Isn't that what we understand?
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Well, I don't know.
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If there's not permission to use it, I'm
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guessing it's like using an image, isn't it?
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When we had that lawyer guy on not
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all that long ago, that wasn't the case.
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We don't own our voice.
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Remember we had the Australian lawyer on not
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all that long ago, well, a couple of
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years ago now, and he was going, well,
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we actually don't own our voices.
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Well, he's wrong.
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Yeah.
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But so what's the deal, Robert?
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What do you think?
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I think that all, I won't name them,
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I guess, but the AI companies that are
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letting any Yahoo in the world just upload
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whatever audio they want of someone's voice that
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they don't own, and it's not their voice,
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and upload it into someone's server so it
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can be put into the soup of synthesized
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voices and used as basically intellectual property, I
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think it's horrible.
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I think that if you should absolutely own
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the rights to whatever you upload into some
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AI engine, and the fact that these companies
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are basically going, like it's some porn website,
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sure I'm 18, sure I have permission to
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upload this voice, they're just enabling fucking theft,
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and I think it's bullshit, and you can
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edit out all those swear words.
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Not on this show you're not.
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When do I ever edit them out, Robert,
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let's be honest.
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Well yeah, this is deplorable, and there's an
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article in a website called futurism.com talking
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about the fact that James gave up the
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rights to that voice a few days before
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he sold them.
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Well, a few days before he passed, he
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finalized the deal, it was initially duplicated by
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Respeacher, which is a company based in Kyiv,
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and when these guys have been literally at
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war, they've been in their bunkers writing software.
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Well, do you know what other software these
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guys are writing in their bunkers?
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Source Elements, I'm guessing.
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Yeah, there's a lot of very smart, and
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people that don't have a lot of other
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good things to be doing right now in
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Ukraine, coding.
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But then it also turns out that another
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voice from the same film, from Star Wars,
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his voice got used, and 22 years after
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his death, the character was Grand Moff Tarkin.
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Yeah, Governor Tarkin, he was the guy who,
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in the original Star Wars, who blows up
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the Tatooine.
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Yeah, the claim is that Cushing told him
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prior to his death in 1994 that nobody
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was to digitally recreate his likeness without his
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express permission.
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This is 94.
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Disney claimed in its response that it paid
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Cushing's agent to use his likeness to revive
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the Tarkin character in Rogue One, and that
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Francis was seeking unjust enrichment when suing, I'm
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sorry, I didn't mention who Francis is, that
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must be his agent, or lawyer, maybe.
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Kevin Francis, a producer who worked with the
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late actor Peter Cushing, is suing.
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Interesting.
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He won 650 grand, and that's in court.
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Now there's like, you know, whatever Jones signed
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on a contract for his feature is probably
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better than when he got paid for the
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film in 1977, which is like seven grand.
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Jesus, I mean, you know, Disney have got
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it forever now, so you can only imagine
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what the figure might be.
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If you did a dodgy contract, and you
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just did a flat fee without residuals, you'd
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be kidding yourself.
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You know who I want to know what
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they earn, and I also want to know
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if it's a real voice, you know that
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TikTok voice, that, these guys are a rage,
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blah, blah, blah, blah, do you- Oh,
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yeah, but that's used a lot, I'm so
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tired of hearing it.
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Because if that's an actual voice, and not
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sort of synthesized, I hope he made some
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good money out of selling his voice, because
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Jesus, it's just everywhere, every second video.
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I doubt it.
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The first voice of TikTok, you know, we
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did that story, right?
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She sued them, because they stole her voice,
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and you know, she went out of court,
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she settled out of court, but Bev Standing
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is her name, she's a Canadian actor, and
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you know, that was sort of a watershed,
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in a lot of ways, and I don't
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know what's come of that, but you know,
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there's other- Well, she got something, at
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least, but I don't like sometimes when people
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settle out of court, when companies do dubious,
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illegal things, because it just hides it all,
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and makes them seem- I know, but
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all you do is feed the lawyers, too,
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that's the other problem, though.
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Give them a bucket of money, when you
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could just be going, well, thanks, I'll take
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that.
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I'd like to see a company like TikTok
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get bled dry.
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I will say this, my friends at Nava,
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you know, Tim Friedlander and Karin Kilfrey, they're
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doing the work here in the US, they're
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going to Congress, they're going to, literally, the
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war room, like two, three weeks ago, Tim
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and Karin were in the war room, that's
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where they had the meeting, to discuss this
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stuff.
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So they're trying to find ways to protect
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actors' likenesses, and they are, of course, getting
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the government involved, because that's what we need
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here, is laws to protect people from exploitation
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by corporations, and so they're trying to do
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that, and we'll see what comes of it,
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and it's because they're getting money from Nava
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members, the National Association of VoiceOver is getting
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paid dues, and they're using that dues to
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do stuff like this.
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I hope it works out, I hope it
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really does make change, and I hope that
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people's- Why isn't SAG on the forefront
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of that?
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They're a slow-moving, giant, you know-
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We've got the same thing here, we've got
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a body called AVA, the Australian Association of
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Voice Actors, they're doing exactly the same as
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NAVA, or Nava, so they're meeting with governments,
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they've had a couple of meetings, and it's
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been tabled in Parliament as well, about all
228
00:08:38,840 --> 00:08:41,820
this AI stuff, but that was my question,
229
00:08:42,080 --> 00:08:44,700
why is our union not doing it?
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00:08:44,880 --> 00:08:46,660
What does your union do, though?
231
00:08:46,660 --> 00:08:48,800
Think about how many people are involved in
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00:08:48,800 --> 00:08:50,920
steering what happens in the union, right?
233
00:08:51,400 --> 00:08:53,560
Whereas Nava, it's really like two or three
234
00:08:53,560 --> 00:08:56,620
people taking actual action on the behalf of
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00:08:56,620 --> 00:08:59,960
thousands, you scale it up to the union
236
00:08:59,960 --> 00:09:03,220
where it's hundreds taking on the actions of
237
00:09:03,220 --> 00:09:07,260
millions, it's just a slow-moving bureaucracy crap
238
00:09:07,260 --> 00:09:07,860
fest.
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00:09:08,320 --> 00:09:13,480
I think it's straight simple, it's plagiarism, if
240
00:09:13,480 --> 00:09:16,560
you quote somebody, you have to give them
241
00:09:16,560 --> 00:09:20,200
credit, and sucking in a bunch of information
242
00:09:20,200 --> 00:09:22,460
that's not yours and turning it into code
243
00:09:22,460 --> 00:09:23,760
is theft.
244
00:09:23,820 --> 00:09:24,140
I agree.
245
00:09:25,040 --> 00:09:27,580
Well, it's funny, because before we started recording
246
00:09:27,580 --> 00:09:28,940
this, you were talking about a friend of
247
00:09:28,940 --> 00:09:30,980
yours who ended up on, was it Kanye?
248
00:09:31,540 --> 00:09:33,020
You were talking about a Kanye song?
249
00:09:33,180 --> 00:09:37,660
Yeah, he has one particular line in the
250
00:09:37,660 --> 00:09:40,260
song Gold Digger, it's the line, get up,
251
00:09:40,420 --> 00:09:43,200
get down, that guy that says that line.
252
00:09:43,920 --> 00:09:47,060
And so he was recorded in what context?
253
00:09:47,260 --> 00:09:47,740
His father.
254
00:09:48,280 --> 00:09:50,480
His father was in a soul funk band
255
00:09:50,480 --> 00:09:53,220
in the 60s, and a lot of rappers,
256
00:09:53,580 --> 00:09:56,280
like, get up, get down, found that sample,
257
00:09:56,380 --> 00:09:58,840
they liked it, Kanye put it in Gold
258
00:09:58,840 --> 00:10:01,980
Digger, and he got sued, and he won,
259
00:10:02,100 --> 00:10:02,300
you know?
260
00:10:02,380 --> 00:10:04,960
So the fella beat, the fella won over
261
00:10:04,960 --> 00:10:06,540
Kanye and got paid by Kanye's team.
262
00:10:06,560 --> 00:10:07,900
It's like Kanye took it out and used
263
00:10:07,900 --> 00:10:10,540
Ani instead, get down, get out.
264
00:10:12,340 --> 00:10:14,480
But it's like, if you talk about that,
265
00:10:14,560 --> 00:10:16,500
so you get a royalty for that, for
266
00:10:16,500 --> 00:10:18,760
someone taking your voice, for using it in
267
00:10:18,760 --> 00:10:21,200
the song, someone gets your image and uses
268
00:10:21,200 --> 00:10:23,640
it, then you can sue them for using
269
00:10:23,640 --> 00:10:24,640
your image without permission.
270
00:10:26,760 --> 00:10:28,340
And you know, the whole thing that's going
271
00:10:28,340 --> 00:10:30,160
on at the moment with the Trump thing
272
00:10:30,160 --> 00:10:32,460
with Foo Fighters and Taylor Swift and all
273
00:10:32,460 --> 00:10:34,820
those people, they're all suing him for using
274
00:10:34,820 --> 00:10:37,640
their music without permission, but for some peculiar
275
00:10:37,640 --> 00:10:40,840
reason, it doesn't seem to be illegal to
276
00:10:40,840 --> 00:10:44,300
use or sample my voice or any other
277
00:10:44,300 --> 00:10:46,500
voice actor's voice for an AI.
278
00:10:46,840 --> 00:10:47,360
It's weird.
279
00:10:47,460 --> 00:10:49,000
Because it's never had to be, though.
280
00:10:49,080 --> 00:10:49,660
That's the thing.
281
00:10:49,760 --> 00:10:51,460
I mean, we, you know, and we all
282
00:10:51,460 --> 00:10:53,160
know the law doesn't keep up, and I'm
283
00:10:53,160 --> 00:10:55,280
not defending this at all, because I totally
284
00:10:55,280 --> 00:10:55,900
agree with Robert.
285
00:10:56,000 --> 00:10:57,380
I mean, you can't just do this.
286
00:10:57,620 --> 00:11:00,020
I'm not saying I disagree, but I think
287
00:11:00,020 --> 00:11:01,860
the problem is that this is all so
288
00:11:01,860 --> 00:11:04,440
new that the law just hasn't had a
289
00:11:04,440 --> 00:11:06,580
chance to keep up and sort of go,
290
00:11:06,720 --> 00:11:09,200
okay, well, we need to change here.
291
00:11:09,280 --> 00:11:09,840
It's not new.
292
00:11:10,040 --> 00:11:10,240
You know?
293
00:11:10,920 --> 00:11:11,820
Theft is old.
294
00:11:13,080 --> 00:11:15,480
It's like, I don't know, prostitution and theft,
295
00:11:15,540 --> 00:11:16,400
like the first two.
296
00:11:16,420 --> 00:11:17,780
Yeah, but you know what, it hasn't been
297
00:11:17,780 --> 00:11:19,860
as prevalent, I mean, how long since, you
298
00:11:19,860 --> 00:11:21,660
know, it's been a good few years that
299
00:11:21,660 --> 00:11:23,380
we've talked about this now, okay, it's probably
300
00:11:23,380 --> 00:11:25,120
three or four years, but I mean, in
301
00:11:25,120 --> 00:11:27,960
legal sense, that's the blink of an eye,
302
00:11:28,660 --> 00:11:29,220
you know?
303
00:11:29,220 --> 00:11:33,580
And it's like, it needs to keep up,
304
00:11:33,660 --> 00:11:35,140
and I think that's where Nava and Ava
305
00:11:35,140 --> 00:11:38,360
and, you know, their little twin sisters, you
306
00:11:38,360 --> 00:11:40,780
know, need to sort of get on to
307
00:11:40,780 --> 00:11:45,140
government and make, and yeah, and protest for
308
00:11:45,140 --> 00:11:46,060
change, absolutely.
309
00:11:46,680 --> 00:11:47,920
It doesn't need to change.
310
00:11:48,560 --> 00:11:50,680
It just needs to, people need to realize
311
00:11:50,680 --> 00:11:54,380
it falls under the oldest goddamn law, which
312
00:11:54,380 --> 00:11:55,620
is thou shall not steal.
313
00:11:55,780 --> 00:11:57,880
Yeah, but that's the problem at the moment.
314
00:11:57,880 --> 00:11:59,160
It's not stealing.
315
00:11:59,600 --> 00:12:00,440
That's the thing.
316
00:12:00,840 --> 00:12:01,500
It is.
317
00:12:01,920 --> 00:12:02,760
Yeah, it is.
318
00:12:02,900 --> 00:12:04,260
It's still stealing, and I don't know why
319
00:12:04,260 --> 00:12:05,900
they're just, the law doesn't see it as
320
00:12:05,900 --> 00:12:06,160
stealing.
321
00:12:06,680 --> 00:12:07,380
That's the thing.
322
00:12:07,500 --> 00:12:09,680
The law doesn't specifically say you can't do
323
00:12:09,680 --> 00:12:09,780
this.
324
00:12:10,000 --> 00:12:11,620
You've still got to go to court and
325
00:12:11,620 --> 00:12:12,320
prove your case.
326
00:12:12,540 --> 00:12:13,100
That's the problem.
327
00:12:13,280 --> 00:12:15,660
The law doesn't specifically say you can't do
328
00:12:15,660 --> 00:12:16,680
this, and that's the issue.
329
00:12:16,800 --> 00:12:18,660
Okay, and that's why Bev should not have
330
00:12:18,660 --> 00:12:19,860
settled out of court with TikTok.
331
00:12:20,460 --> 00:12:20,860
Well, true.
332
00:12:21,140 --> 00:12:21,300
Yeah.
333
00:12:21,540 --> 00:12:22,700
But, you know, you can't put it all
334
00:12:22,700 --> 00:12:24,160
on her either, I mean, Jesus, can you
335
00:12:24,160 --> 00:12:26,580
imagine the stress and everything else that she
336
00:12:26,580 --> 00:12:28,140
must have gone through to get to that
337
00:12:28,140 --> 00:12:29,120
resolution, you know?
338
00:12:29,260 --> 00:12:30,040
It's like...
339
00:12:30,040 --> 00:12:31,880
If she didn't, then there would have been
340
00:12:31,880 --> 00:12:35,080
an official conviction on the books and a
341
00:12:35,080 --> 00:12:35,300
precedent.
342
00:12:35,840 --> 00:12:36,060
I agree.
343
00:12:36,280 --> 00:12:38,600
But I totally can see where Bev went,
344
00:12:38,740 --> 00:12:40,820
fuck that, they're throwing a good amount of
345
00:12:40,820 --> 00:12:42,300
money at me, I'll take that, that's all
346
00:12:42,300 --> 00:12:43,760
I was after in the first place, thank
347
00:12:43,760 --> 00:12:45,480
you very much, you know, I get that.
348
00:12:45,620 --> 00:12:46,880
Yeah, it's pretty scary.
349
00:12:47,200 --> 00:12:49,220
Yeah, I get it as well, but it
350
00:12:49,220 --> 00:12:50,600
would be nice to actually have set a
351
00:12:50,600 --> 00:12:51,420
precedent in court.
352
00:12:51,420 --> 00:12:53,240
I think the precedent could be set in
353
00:12:53,240 --> 00:12:54,660
the fact they settled out of court, so
354
00:12:54,660 --> 00:12:57,180
I gather you could probably still use that.
355
00:12:57,500 --> 00:12:58,760
Well, you know, he said, we're not admitting
356
00:12:58,760 --> 00:13:00,680
guilt, we're just paying her off for all
357
00:13:00,680 --> 00:13:01,680
the bullshit we did.
358
00:13:02,360 --> 00:13:02,640
Yeah.
359
00:13:02,820 --> 00:13:04,640
It's like, well, isn't that admitting guilt if
360
00:13:04,640 --> 00:13:06,180
you're paying her off, because if you didn't
361
00:13:06,180 --> 00:13:07,380
do anything wrong, why are you giving her
362
00:13:07,380 --> 00:13:07,600
money?
363
00:13:07,880 --> 00:13:07,980
Right.
364
00:13:08,320 --> 00:13:10,540
Well, just to wrap it completely in a
365
00:13:10,540 --> 00:13:13,480
circle, going back to James Earl Jones, did
366
00:13:13,480 --> 00:13:15,900
you know that the rumor is, is that
367
00:13:15,900 --> 00:13:19,040
when you hear on CNN, the voice of
368
00:13:19,040 --> 00:13:23,080
James Earl Jones saying, this is CNN, that
369
00:13:23,080 --> 00:13:23,940
that was stolen.
370
00:13:24,860 --> 00:13:25,300
Really?
371
00:13:25,580 --> 00:13:25,780
Really?
372
00:13:25,940 --> 00:13:26,200
Yes.
373
00:13:26,340 --> 00:13:26,480
What?
374
00:13:26,540 --> 00:13:28,860
Not that they stole his voice, that it
375
00:13:28,860 --> 00:13:30,180
was one of those things, you know, when
376
00:13:30,180 --> 00:13:32,600
a celebrity goes to a radio show and
377
00:13:32,600 --> 00:13:33,840
they're like, can you do a liner for
378
00:13:33,840 --> 00:13:34,160
us?
379
00:13:34,900 --> 00:13:35,700
That's what it was.
380
00:13:35,940 --> 00:13:36,760
And guess what?
381
00:13:36,840 --> 00:13:36,960
Yeah.
382
00:13:36,960 --> 00:13:41,180
He became, this is CNN on CNN.
383
00:13:41,660 --> 00:13:44,120
And that voice was used over and over.
384
00:13:44,220 --> 00:13:46,260
And eventually one of his people was like,
385
00:13:46,820 --> 00:13:49,940
uh, yo, what the hell?
386
00:13:50,480 --> 00:13:50,760
Pay us.
387
00:13:50,780 --> 00:13:51,820
Pay us up, motherfucker.
388
00:13:52,200 --> 00:13:52,540
Hang on.
389
00:13:52,700 --> 00:13:54,060
Can we take a step back?
390
00:13:54,060 --> 00:13:56,380
So are we saying that because he agreed
391
00:13:56,380 --> 00:14:00,500
to record that line for CNN, that that's
392
00:14:00,500 --> 00:14:00,900
stolen?
393
00:14:01,020 --> 00:14:01,620
Is that what you're saying?
394
00:14:02,600 --> 00:14:04,940
Well, that's, this is a gray area.
395
00:14:04,940 --> 00:14:07,620
Because I'm just thinking, I put artist IDs
396
00:14:07,620 --> 00:14:09,180
in promos and stuff every day.
397
00:14:09,340 --> 00:14:11,500
G'day, this is Bruce Springsteen, you know, John
398
00:14:11,500 --> 00:14:12,220
Lennon, blah, blah, blah.
399
00:14:12,220 --> 00:14:14,080
I think it falls a bit differently in
400
00:14:14,080 --> 00:14:15,200
the, you know, cause I was thinking the
401
00:14:15,200 --> 00:14:17,140
same thing, but when you'd use like, you
402
00:14:17,140 --> 00:14:18,200
know, this, hi, this is- Yeah.
403
00:14:18,280 --> 00:14:18,560
Okay.
404
00:14:18,660 --> 00:14:18,880
Yeah.
405
00:14:19,360 --> 00:14:21,400
It's a misrepresentation, I guess.
406
00:14:21,540 --> 00:14:21,700
Yeah.
407
00:14:21,700 --> 00:14:22,660
More than anything else.
408
00:14:22,660 --> 00:14:24,200
Well, this is actually like an ID.
409
00:14:24,380 --> 00:14:26,860
This is like a full branding, basically.
410
00:14:27,840 --> 00:14:28,840
10 years of proof.
411
00:14:29,500 --> 00:14:30,600
This is CNN.
412
00:14:31,260 --> 00:14:31,960
That line right there.
413
00:14:32,540 --> 00:14:34,420
It sounds cool though, I have to say.
414
00:14:34,420 --> 00:14:34,920
It sounds good.
415
00:14:35,620 --> 00:14:36,560
You're probably right.
416
00:14:36,640 --> 00:14:38,720
It's very wrong, but it sounds very cool.
417
00:14:40,820 --> 00:14:42,980
It's a shame they haven't got a presenter
418
00:14:42,980 --> 00:14:44,660
called Luke, because you could have him going,
419
00:14:44,860 --> 00:14:45,920
Luke.
420
00:14:47,380 --> 00:14:48,660
Luke, who should they listen to?
421
00:14:48,680 --> 00:14:49,740
Who should they be watching?
422
00:14:50,080 --> 00:14:51,640
Luke, who do we trust for news?
423
00:14:53,640 --> 00:14:55,100
I was going to say to you guys,
424
00:14:55,180 --> 00:14:57,200
I recorded him because he was also the
425
00:14:57,200 --> 00:14:58,040
voice of Verizon.
426
00:14:58,040 --> 00:15:02,360
And I was, I don't know, 20 something,
427
00:15:03,020 --> 00:15:06,660
one of my first ISDN sessions, sweating balls
428
00:15:06,660 --> 00:15:08,960
because I'm going to have James Earl Jones,
429
00:15:09,160 --> 00:15:10,040
you know, on the mic.
430
00:15:11,100 --> 00:15:12,800
And he was, two things.
431
00:15:12,900 --> 00:15:14,440
First of all, he was the nicest person
432
00:15:14,440 --> 00:15:14,760
ever.
433
00:15:15,580 --> 00:15:17,240
Like, you know, what's your name?
434
00:15:17,280 --> 00:15:18,220
Oh, hello, Robert.
435
00:15:18,640 --> 00:15:19,160
Right, right.
436
00:15:19,160 --> 00:15:20,560
Not the persona that he had.
437
00:15:20,640 --> 00:15:22,560
Like, he came on Letterman, you know, and
438
00:15:22,560 --> 00:15:24,300
they did this thing, top 10 things that
439
00:15:24,300 --> 00:15:25,900
sound cool when James Earl Jones says it.
440
00:15:25,900 --> 00:15:28,320
And he stands there extremely stone-faced and
441
00:15:28,320 --> 00:15:28,720
stoic.
442
00:15:28,880 --> 00:15:30,940
He just was like, in this character, you
443
00:15:30,940 --> 00:15:31,060
know?
444
00:15:31,500 --> 00:15:32,500
That's not who he is.
445
00:15:33,100 --> 00:15:33,980
Super nice guy.
446
00:15:34,040 --> 00:15:35,180
No, he's very nice.
447
00:15:35,340 --> 00:15:35,800
Super affable.
448
00:15:36,440 --> 00:15:37,700
I don't know if you know this, but
449
00:15:37,700 --> 00:15:40,260
he, like, he wants his scripts ahead of
450
00:15:40,260 --> 00:15:40,520
time.
451
00:15:40,700 --> 00:15:42,760
He had a, he's, you know, he had
452
00:15:42,760 --> 00:15:42,860
a...
453
00:15:42,860 --> 00:15:43,480
Does his homework.
454
00:15:44,520 --> 00:15:46,180
Well, he got an award from, you know,
455
00:15:46,320 --> 00:15:47,700
SovAs, Voice Arts Awards.
456
00:15:47,940 --> 00:15:49,160
And, you know, of course they wanted to
457
00:15:49,160 --> 00:15:50,340
get a great name on stage.
458
00:15:50,440 --> 00:15:52,440
But, you know, for a reason, the guy's
459
00:15:52,440 --> 00:15:54,300
a legit voice actor who really does his
460
00:15:54,300 --> 00:15:54,700
work.
461
00:15:54,700 --> 00:15:57,800
He's not, he's not a celebrity who shows
462
00:15:57,800 --> 00:15:59,760
up, does their own voice as a character,
463
00:15:59,840 --> 00:16:02,400
like a donkey, and then goes on, goes
464
00:16:02,400 --> 00:16:04,320
on and says, I don't get the big
465
00:16:04,320 --> 00:16:04,980
freaking deal.
466
00:16:05,460 --> 00:16:06,820
I just do the voice.
467
00:16:07,560 --> 00:16:08,960
Why is voiceover so hard?
468
00:16:09,320 --> 00:16:10,440
I'm not going to say whose name this
469
00:16:10,440 --> 00:16:12,260
is, but it's a stand-up comedian.
470
00:16:13,180 --> 00:16:14,960
But that was a lot of BS, you
471
00:16:14,960 --> 00:16:15,820
know, when he said that.
472
00:16:16,480 --> 00:16:18,440
He does have such an amazing voice, though,
473
00:16:18,500 --> 00:16:20,060
because I swear to God, he can punch
474
00:16:20,060 --> 00:16:20,940
you through the speakers.
475
00:16:21,180 --> 00:16:21,440
Yeah.
476
00:16:21,960 --> 00:16:22,540
Well, like Don.
477
00:16:22,660 --> 00:16:23,740
Kind of like Don did, right?
478
00:16:23,740 --> 00:16:24,580
Yeah.
479
00:16:24,900 --> 00:16:25,360
Yeah, yeah.
480
00:16:25,460 --> 00:16:26,700
You know, this was in 1991.
481
00:16:27,100 --> 00:16:28,660
He did the voice of the CNN for
482
00:16:28,660 --> 00:16:29,860
an appearance.
483
00:16:30,180 --> 00:16:32,440
And then he came on the show, Personalities.
484
00:16:32,780 --> 00:16:34,640
This is an article on a website called
485
00:16:34,640 --> 00:16:36,540
CBR.com.
486
00:16:37,040 --> 00:16:38,120
You can look it up.
487
00:16:38,600 --> 00:16:40,620
And Howard Jones then started telling people he
488
00:16:40,620 --> 00:16:42,200
never agreed to do those liners.
489
00:16:42,620 --> 00:16:44,840
He appeared on the TV series, Personalities, where
490
00:16:44,840 --> 00:16:47,180
he claimed, I think it may have been
491
00:16:47,180 --> 00:16:47,880
a freebie.
492
00:16:48,020 --> 00:16:49,800
I may have just been doing an interview
493
00:16:49,800 --> 00:16:50,540
like this.
494
00:16:50,540 --> 00:16:53,120
And the CNN interviewer said, Oh, Mr. Jones,
495
00:16:53,160 --> 00:16:54,220
would you please read this?
496
00:16:54,620 --> 00:16:55,400
This is CNN.
497
00:16:55,680 --> 00:16:57,200
And that's how it happened.
498
00:16:58,480 --> 00:17:01,940
So that's a little sneaky thing.
499
00:17:02,180 --> 00:17:04,359
And you can almost say it was ignorant
500
00:17:04,359 --> 00:17:05,300
because it was 1990.
501
00:17:05,760 --> 00:17:06,420
I don't know.
502
00:17:07,339 --> 00:17:09,040
Someone had some foresight, though, didn't they?
503
00:17:09,160 --> 00:17:09,480
Jesus.
504
00:17:10,579 --> 00:17:11,640
I mean, James L.
505
00:17:11,700 --> 00:17:13,680
Jones, Morgan Freeman, some of those guys, I
506
00:17:13,680 --> 00:17:15,599
mean, they could say anything and you'd just
507
00:17:15,599 --> 00:17:17,060
melt in your chair, really, wouldn't you?
508
00:17:17,060 --> 00:17:17,260
Yeah.
509
00:17:17,319 --> 00:17:17,780
Let's be honest.
510
00:17:17,780 --> 00:17:21,160
I have not heard a very convincing soundalike
511
00:17:21,160 --> 00:17:22,140
of James Earl Jones.
512
00:17:22,240 --> 00:17:24,040
I've heard a lot of good soundalikes of
513
00:17:24,040 --> 00:17:25,760
Morgan Freeman, and I know a guy that
514
00:17:25,760 --> 00:17:26,079
does.
515
00:17:26,599 --> 00:17:28,100
Who's the guy who does Tony the Tiger
516
00:17:28,100 --> 00:17:28,460
now?
517
00:17:29,780 --> 00:17:30,180
Earl.
518
00:17:30,800 --> 00:17:32,420
Oh, the original was Earl, right?
519
00:17:32,840 --> 00:17:33,240
Ravenscroft.
520
00:17:33,420 --> 00:17:33,660
Earl.
521
00:17:33,700 --> 00:17:34,580
Earl Ravenscroft.
522
00:17:34,580 --> 00:17:36,240
But the guy who does Tony the Tiger.
523
00:17:36,500 --> 00:17:38,020
Oh, it's somebody I know.
524
00:17:38,820 --> 00:17:39,620
Who is it?
525
00:17:40,900 --> 00:17:43,400
Here's something, I guess, to throw around, something
526
00:17:43,400 --> 00:17:43,900
to think about.
527
00:17:43,900 --> 00:17:46,880
Now, if these AI laws went through, I
528
00:17:46,880 --> 00:17:48,780
wonder what that means for impersonations.
529
00:17:51,260 --> 00:17:54,480
I mean, I know you can't just do
530
00:17:54,480 --> 00:17:56,480
Morgan Freeman now, but I wonder what it
531
00:17:56,480 --> 00:18:01,300
means for even soundalikes or close to's or
532
00:18:01,300 --> 00:18:03,160
whatever that we seem to get away with
533
00:18:03,160 --> 00:18:03,760
at the moment.
534
00:18:04,480 --> 00:18:05,960
I wonder what that means.
535
00:18:06,180 --> 00:18:07,840
That's a good question because I'm sure the
536
00:18:07,840 --> 00:18:09,400
lawyers for the AI companies are going to
537
00:18:09,400 --> 00:18:11,460
say it's not really them, it's an impersonation.
538
00:18:12,000 --> 00:18:15,800
But I did a session with George, your
539
00:18:15,800 --> 00:18:17,360
client, David Kay, right?
540
00:18:18,400 --> 00:18:20,100
And he's freaking amazing.
541
00:18:20,420 --> 00:18:25,260
He's doing, who's the nature documentary guy?
542
00:18:25,560 --> 00:18:25,860
David Attenborough.
543
00:18:25,980 --> 00:18:26,360
David Attenborough.
544
00:18:26,360 --> 00:18:27,600
He's doing an Attenborough thing.
545
00:18:27,820 --> 00:18:30,940
Yeah, he does an Attenborough, like, you know.
546
00:18:31,280 --> 00:18:32,180
Oh, he's so good at it.
547
00:18:32,180 --> 00:18:33,660
Would you say it's his voice match, or
548
00:18:33,660 --> 00:18:35,040
would you say he's doing an impression?
549
00:18:36,060 --> 00:18:37,980
He's doing an impression, but it's very good.
550
00:18:37,980 --> 00:18:38,400
But it's so close.
551
00:18:38,560 --> 00:18:40,060
And it's so funny when he goes into
552
00:18:40,060 --> 00:18:40,300
it.
553
00:18:40,420 --> 00:18:40,540
Yeah, it's good.
554
00:18:40,540 --> 00:18:42,340
Because every time he starts a take, he
555
00:18:42,340 --> 00:18:45,140
goes, I'm 93.
556
00:18:47,540 --> 00:18:51,460
There's a sporting bet company here, and you'd
557
00:18:51,460 --> 00:18:52,780
have to fact check me on this because
558
00:18:52,780 --> 00:18:55,080
I'm not sure 100% of the details,
559
00:18:55,200 --> 00:18:56,740
but I do know that these ads exist.
560
00:18:56,880 --> 00:19:00,340
And there's a radio announcer called Mick Malloy,
561
00:19:01,040 --> 00:19:04,080
and he's famous for being a really funny
562
00:19:04,080 --> 00:19:04,400
guy.
563
00:19:04,400 --> 00:19:07,720
And the story goes that they approached him
564
00:19:07,720 --> 00:19:11,140
to do ads for Sportsbet, right?
565
00:19:11,480 --> 00:19:12,700
And he said no.
566
00:19:13,080 --> 00:19:15,260
So what they've done is they've found someone
567
00:19:15,260 --> 00:19:16,480
who can do a Mick Malloy.
568
00:19:16,820 --> 00:19:18,240
And so now, all of a sudden, Mick
569
00:19:18,240 --> 00:19:20,480
Malloy has been on Sportsbet for the last
570
00:19:20,480 --> 00:19:21,880
two years or something.
571
00:19:22,340 --> 00:19:22,760
I know.
572
00:19:22,880 --> 00:19:23,220
I know.
573
00:19:23,320 --> 00:19:24,160
When I first heard that, I thought, what
574
00:19:24,160 --> 00:19:24,260
are you doing, Mick?
575
00:19:24,260 --> 00:19:25,200
Now, hang on.
576
00:19:25,360 --> 00:19:26,820
But if we're going to go down the
577
00:19:26,820 --> 00:19:29,720
AI road, what's the difference here?
578
00:19:30,020 --> 00:19:31,580
To me, that falls under the same category.
579
00:19:31,680 --> 00:19:32,160
It's theft, right?
580
00:19:32,160 --> 00:19:32,840
It's got to be.
581
00:19:32,840 --> 00:19:34,200
When I first heard that, I thought, why
582
00:19:34,200 --> 00:19:38,040
would you not actually, say, give them a
583
00:19:38,040 --> 00:19:38,180
disease?
584
00:19:38,940 --> 00:19:40,940
Again, I don't think he can.
585
00:19:41,320 --> 00:19:46,220
When we do, I've done some radio commercials,
586
00:19:46,560 --> 00:19:48,140
and the star of the radio commercial has
587
00:19:48,140 --> 00:19:49,700
a little legal thing that says, celebrity voice
588
00:19:49,700 --> 00:19:50,480
is impersonated.
589
00:19:50,920 --> 00:19:53,580
Which is the other thing about AI.
590
00:19:53,920 --> 00:19:56,480
Should it be like, in Europe, everything that's
591
00:19:56,480 --> 00:20:00,800
a GMO is listed, and there's those who
592
00:20:00,800 --> 00:20:02,220
think that anything that comes out of AI
593
00:20:02,220 --> 00:20:03,600
should be listed as such.
594
00:20:04,040 --> 00:20:05,820
But in America, you don't know whether, fuck,
595
00:20:05,900 --> 00:20:09,060
your food is synthesized or real.
596
00:20:09,500 --> 00:20:10,480
Well, if we're going to get on the
597
00:20:10,480 --> 00:20:14,300
disinformation bandwagon, then yeah, anything like that should
598
00:20:14,300 --> 00:20:16,140
be under the microscope, shouldn't it?
599
00:20:16,160 --> 00:20:16,780
Let's be honest.
600
00:20:17,120 --> 00:20:17,400
I agree.
601
00:20:17,640 --> 00:20:22,040
California, we're the masters of disclosing chemicals, because
602
00:20:22,040 --> 00:20:24,760
you drive into any gas station in California,
603
00:20:24,760 --> 00:20:26,280
and there's a sign on the gas pump
604
00:20:26,280 --> 00:20:28,560
saying, there are chemicals known here by the
605
00:20:28,560 --> 00:20:30,040
state of California to cause cancer.
606
00:20:31,080 --> 00:20:34,340
It's on every single gas pump in California.
607
00:20:34,840 --> 00:20:36,660
So, we are the kings of that.
608
00:20:36,760 --> 00:20:37,540
We voted that in.
609
00:20:37,740 --> 00:20:39,160
And it's one of those things, it's noise.
610
00:20:39,460 --> 00:20:40,680
Nobody cares anymore.
611
00:20:41,100 --> 00:20:41,940
It's just noise.
612
00:20:42,380 --> 00:20:43,820
It always makes me laugh when you see
613
00:20:43,820 --> 00:20:46,460
glue packets and stuff like that says, caution,
614
00:20:46,620 --> 00:20:49,160
deliberately enhancing and inhaling the contents may be
615
00:20:49,160 --> 00:20:49,920
harmful or fatal.
616
00:20:50,100 --> 00:20:52,540
And it's like, wow, there's a revelation.
617
00:20:53,320 --> 00:20:54,580
You mean those are user instructions on how
618
00:20:54,580 --> 00:20:55,420
to get fucked up?
619
00:20:56,420 --> 00:20:56,860
Exactly.
620
00:20:56,860 --> 00:20:58,580
In other words, go away and try this.
621
00:20:59,040 --> 00:21:02,800
Are there pictures of a baby on plastic
622
00:21:02,800 --> 00:21:04,920
bags saying, don't put your baby in the
623
00:21:04,920 --> 00:21:05,940
bag to play for playtime?
624
00:21:05,940 --> 00:21:08,740
No, but there probably will be soon, given
625
00:21:08,740 --> 00:21:10,700
this government's tendencies.
626
00:21:11,740 --> 00:21:14,200
We have plastic bags that are made in
627
00:21:14,200 --> 00:21:16,160
the billions in China that each have an
628
00:21:16,160 --> 00:21:18,580
image printed on it saying, do not let
629
00:21:18,580 --> 00:21:19,940
your baby play with the bag.
630
00:21:20,240 --> 00:21:20,980
That's funny.
631
00:21:21,680 --> 00:21:24,340
There's another thing where those little flat button
632
00:21:24,340 --> 00:21:26,940
cell batteries, they're 2032s, they're the ones doing
633
00:21:26,940 --> 00:21:27,880
so many things now.
634
00:21:28,260 --> 00:21:29,800
They have new ones that taste bad.
635
00:21:30,340 --> 00:21:30,780
Oh, really?
636
00:21:31,120 --> 00:21:32,760
To stop kids putting them in their mouths.
637
00:21:32,940 --> 00:21:34,800
There's actually a chemical and it's printed on
638
00:21:34,800 --> 00:21:36,120
the thing and it says there's like a
639
00:21:36,120 --> 00:21:37,620
baby's face with a frown.
640
00:21:38,200 --> 00:21:39,120
Are they going to do that with 9
641
00:21:39,120 --> 00:21:39,220
-volt batteries too?
642
00:21:39,220 --> 00:21:40,540
If they put it in their mouth, it
643
00:21:40,540 --> 00:21:42,060
tastes bad so they'll spit it out.
644
00:21:42,260 --> 00:21:43,220
It's actually quite scary.
645
00:21:43,760 --> 00:21:44,500
Are they going to do that with 9
646
00:21:44,500 --> 00:21:45,040
-volt batteries?
647
00:21:45,580 --> 00:21:47,860
Well, 9-volt batteries, it's an actual chemical
648
00:21:47,860 --> 00:21:49,700
reaction from the electricity on your tongue.
649
00:21:49,740 --> 00:21:50,540
Yeah, when you put it on your tongue.
650
00:21:50,540 --> 00:21:52,960
But these batteries don't really have, they're only
651
00:21:52,960 --> 00:21:53,540
three volts.
652
00:21:53,740 --> 00:21:54,880
You don't really get much of it.
653
00:21:54,880 --> 00:21:58,280
When you're testing OB or something, you go,
654
00:21:58,620 --> 00:21:59,560
oh yeah, the battery's okay.
655
00:21:59,620 --> 00:22:01,240
I've done it a thousand times.
656
00:22:01,400 --> 00:22:01,800
Yeah, yes.
657
00:22:02,500 --> 00:22:02,940
I know.
658
00:22:03,700 --> 00:22:04,720
I used to do that when I was
659
00:22:04,720 --> 00:22:04,820
a kid.
660
00:22:04,900 --> 00:22:05,300
Absolutely.
661
00:22:05,700 --> 00:22:06,320
With a 9-volt battery.
662
00:22:07,200 --> 00:22:08,120
Stick your tongue in my mouth.
663
00:22:09,560 --> 00:22:11,500
Do you know what Rebecca was telling me?
664
00:22:12,040 --> 00:22:17,840
Apparently in New Zealand, they have these electric
665
00:22:17,840 --> 00:22:20,560
fences for farms.
666
00:22:21,020 --> 00:22:21,640
Don't use your tongue.
667
00:22:22,760 --> 00:22:24,400
Don't piss on them either, let me tell
668
00:22:24,400 --> 00:22:24,500
you.
669
00:22:25,220 --> 00:22:27,120
Well, don't piss on them either, right?
670
00:22:27,360 --> 00:22:29,320
But apparently kids would do this game because
671
00:22:29,320 --> 00:22:32,000
the electric fence is electrified in a pulse.
672
00:22:32,420 --> 00:22:34,300
It doesn't stay electrified the whole time.
673
00:22:34,980 --> 00:22:36,560
So the thing is, wait for it to
674
00:22:36,560 --> 00:22:39,420
hit, then grab it, and hold on for
675
00:22:39,420 --> 00:22:40,560
it as long as you can, and then
676
00:22:40,560 --> 00:22:41,740
let go before it hits again.
677
00:22:42,440 --> 00:22:44,160
And of course, you end up holding on
678
00:22:44,160 --> 00:22:44,800
to it too long.
679
00:22:44,920 --> 00:22:47,620
And she said, she described how it is
680
00:22:47,620 --> 00:22:50,840
to have the electricity build up, and it
681
00:22:50,840 --> 00:22:52,040
warms you up inside.
682
00:22:52,040 --> 00:22:53,360
And it's like, whoomp.
683
00:22:54,260 --> 00:22:55,200
I was like, holy cow.
684
00:22:57,640 --> 00:22:58,520
Get on your ribcage.
685
00:22:58,800 --> 00:23:01,960
There's a show here in Australia about working
686
00:23:01,960 --> 00:23:04,600
dogs, and it's a competition where Australia's best
687
00:23:04,600 --> 00:23:09,320
working dog trainers get puppies, and they raise
688
00:23:09,320 --> 00:23:10,860
them, and they have competition to see who
689
00:23:10,860 --> 00:23:11,880
can raise the best working dog.
690
00:23:11,920 --> 00:23:12,760
Anyway, long story short.
691
00:23:13,200 --> 00:23:14,520
I'm pretty sure it was in this, or
692
00:23:14,520 --> 00:23:15,340
it might have been something else.
693
00:23:15,540 --> 00:23:17,680
But there's this scene in something that I
694
00:23:17,680 --> 00:23:17,880
saw.
695
00:23:17,880 --> 00:23:19,420
One of these puppies went up to the
696
00:23:19,420 --> 00:23:22,900
electric fence and takes a bite of the
697
00:23:22,900 --> 00:23:23,160
fence.
698
00:23:23,340 --> 00:23:24,820
And just before it bites down, you hear
699
00:23:24,820 --> 00:23:28,740
this crack like an electric jump, electric voltage.
700
00:23:28,980 --> 00:23:31,180
And this poor puppy goes off screaming down
701
00:23:31,180 --> 00:23:31,520
the paddock.
702
00:23:31,640 --> 00:23:33,460
Yelp, yelp, yelp, yelp, yelp, yelp, running away
703
00:23:33,460 --> 00:23:34,120
from the fence.
704
00:23:34,660 --> 00:23:35,400
It's very funny.
705
00:23:36,140 --> 00:23:38,200
Aussie cattle dogs are super popular here.
706
00:23:38,260 --> 00:23:39,240
My friend's got a mix.
707
00:23:39,380 --> 00:23:42,120
Everybody loves an Aussie cattle dog mix.
708
00:23:42,140 --> 00:23:42,960
Blue cattle dogs?
709
00:23:43,300 --> 00:23:43,920
Or Kelpies?
710
00:23:44,080 --> 00:23:44,340
Yeah.
711
00:23:44,480 --> 00:23:46,920
Blue is the hero there.
712
00:23:46,920 --> 00:23:48,720
I wonder if that's because of Bluey, which
713
00:23:48,720 --> 00:23:50,560
is now the number one show in the
714
00:23:50,560 --> 00:23:51,560
entire world.
715
00:23:51,900 --> 00:23:53,900
It's massive, massive, massive, massive.
716
00:23:54,120 --> 00:23:56,560
Dan and Joe, congratulations, since we're on that
717
00:23:56,560 --> 00:23:56,880
subject.
718
00:23:57,240 --> 00:23:57,340
Full stop.
719
00:23:57,460 --> 00:24:00,700
Something in the $2 billion valuation or something.
720
00:24:01,100 --> 00:24:02,740
You probably used to see a mate of
721
00:24:02,740 --> 00:24:04,320
mine with his Kelpie.
722
00:24:05,080 --> 00:24:05,380
Wow.
723
00:24:05,480 --> 00:24:08,020
Down on, he used to take it for
724
00:24:08,020 --> 00:24:08,680
a walk down at Malibu.
725
00:24:08,700 --> 00:24:09,040
Oh, really?
726
00:24:09,240 --> 00:24:09,500
Yeah.
727
00:24:09,900 --> 00:24:10,720
They're so popular.
728
00:24:11,300 --> 00:24:12,820
Kelpies, my friend has a mix.
729
00:24:12,900 --> 00:24:14,080
You'd always get told off because it's always
730
00:24:14,080 --> 00:24:14,360
off-limits.
731
00:24:14,360 --> 00:24:14,980
Yeah, he loves it.
732
00:24:16,000 --> 00:24:16,700
Kelpies are great.
733
00:24:16,800 --> 00:24:18,260
Good luck with editing that one.
734
00:24:18,860 --> 00:24:20,340
There's just a huge chunk in the middle
735
00:24:20,340 --> 00:24:21,200
that's coming out.
736
00:24:23,920 --> 00:24:24,780
It's going to be a donut.
737
00:24:25,100 --> 00:24:25,200
Yeah.
738
00:24:25,340 --> 00:24:26,520
Leave some silence in the middle.
739
00:24:26,600 --> 00:24:28,200
We'll just put a censorship bleep in the
740
00:24:28,200 --> 00:24:28,400
middle.
741
00:24:28,500 --> 00:24:28,800
There you go.
742
00:24:28,880 --> 00:24:29,820
That would be very appropriate.
743
00:24:31,060 --> 00:24:31,880
Well, that was fun.
744
00:24:31,940 --> 00:24:32,340
Is it over?
745
00:24:32,520 --> 00:24:33,480
Sounds like me.
746
00:24:33,780 --> 00:24:35,160
The Pro Audio Suite.
747
00:24:35,200 --> 00:24:36,400
With thanks to Tribus.
748
00:24:36,580 --> 00:24:37,840
And Austrian Audio.
749
00:24:38,300 --> 00:24:39,540
Recorded using Source Connect.
750
00:24:39,920 --> 00:24:41,480
Edited by Andrew Peters.
751
00:24:41,680 --> 00:24:43,680
And mixed by Vudu Radio Imaging.
752
00:24:43,680 --> 00:24:45,960
With tech support from George the Tech Whittam.
753
00:24:46,040 --> 00:24:47,700
Don't forget to subscribe to the show.
754
00:24:47,920 --> 00:24:49,940
And join in the conversation on our Facebook
755
00:24:49,940 --> 00:24:50,240
group.
756
00:24:50,300 --> 00:24:52,400
To leave a comment, suggest a topic, or
757
00:24:52,400 --> 00:24:53,300
just say g'day.
758
00:24:53,360 --> 00:24:54,880
Drop us a note at our website.
759
00:24:55,880 --> 00:24:56,760
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