Source-Connect Bridge Explained
Ever been caught in a panic when Source-Connect 3 won’t talk to Source-Connect 4? You’re not alone. In this week’s Pro Audio Suite, the team dives into the Source-Connect Bridge—what it is, why it exists, and how it can save your session.
Robbo shares a real-world case of a talent stuck between versions, Robert explains how the Bridge works behind the scenes, and George breaks down when it’s the best option (hint: travelling VO talent on Windows, we’re looking at you).
We also get sidetracked on long VO sessions, Apple’s memo banning typewriters in 1980, and why agencies sometimes make a 10-second tag take two and a half hours.
Whether you’re a studio, talent, or just someone who’s had “version hell” ruin your morning, this episode is a must-listen.
🔗 Find out more at www.proaudiosuite.com
Sponsors:
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🎤 Austrian Audio – Making passion heard
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(Transcribed by TurboScribe.ai. Go Unlimited to remove this message.) Y'all ready to be history?
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Get started.
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Welcome.
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Hi.
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Hi.
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Hi.
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Hello everyone.
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To the Pro Audio Suite.
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These guys are professional.
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They're motivated.
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With Tech the VO stars.
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George Witton, founder of Source Elements.
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Robert Marshall, international audio engineer.
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Darren Robbo-Robertson and Global Voice.
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Andrew Peters, thanks to Triboo.
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Austrian Audio, making passion heard.
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Source Elements, George the Tech Witton and Robbo
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and AP's international demos.
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To find out more about us, check theproaudiosuite
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.com.
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Line up, man.
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Here we go.
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And welcome to another Pro Audio Suite.
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Thanks to Tribooth.
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Don't forget the code.
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T-R-I-P-A-P-200.
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That will get you $200 off your Tribooth.
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And Austrian Audio, making passion heard.
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Now, you had a bit of an incident
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over the weekend.
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Or actually, it was probably yesterday.
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Robbo, with someone using Source Connect 3, trying
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to connect with someone on Source Connect 4.
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Other way around.
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Yeah, actually.
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I've had someone call me and they were
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having some trouble with Source Connect.
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In fact, they were panicking.
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They were shitting themselves.
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They had a session at 8 o'clock
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in the morning.
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And they downloaded their two-day license for
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Source Connect.
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And she got in touch with me because
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she was panicking that there was no license
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popping up in her iLock.
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So, it kind of clinked with me that
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perhaps she downloaded a 4, not realizing that
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4 was the only one you could do
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that with.
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I actually found out that from Robert later
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on.
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But anyway, long story short, I got in
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touch with Robert and he talked me through
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the process of the bridge, which was going
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to be the original plan because Robert kindly
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dropped a 3.9 temporary license in this
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lady's account to get her going.
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But if she had to go the other
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way with 4, we were going to use
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the bridge.
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And I'd never even heard of the bridge.
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Every time we've discussed Source Connect 3 and
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4 compatibility on this show, my understanding was
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that they didn't talk at all.
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So, anyway, we found the bridge and I
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was shocked at how easy it is to
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set up and how well it worked.
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So, I kind of figured it would be
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worth talking about today because I reckon it
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would be a headache solver for a lot
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of people.
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It will.
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I mean, I think there's a number of
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advantages to considering the bridge.
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It's true that bridges add latency because you're
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going through two systems instead of one, so
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it's not a direct connection.
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But there's certain situations where it might be
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almost best.
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If you think about a voice talent who's
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on the road with a Windows machine, they
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can't get their ports forwarded.
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Source Connect 3 really needs or wants port
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forwarding.
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Source Connect 4 doesn't need port forwarding.
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So that talent who's on the road on
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a Windows machine would be much better off
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connecting via Source Connect 4.
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And if they have a studio who, for
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whatever reason, is still using version 3, then
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the bridge might actually be preferred in that
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situation at least because you know you're going
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to get through to the bridge and you
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assume the studio is set up.
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And then you don't have to worry about,
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will my ports work or not?
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A little bit different for Mac users.
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You know, Mac Source Connect 3.9 to
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3.9, it has other means of getting
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through without ports, so that's generally not as
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big of a problem.
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That traveling with Source Connect is really just
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an issue for Windows users.
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But the new issue that's starting to come
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up is that Sequoia, for example, and the
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newest Mac operating systems are really starting to
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give a bit of trouble to Source Connect
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3.
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Like the nightmare situation would be, imagine a
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talent running a really old Mac operating system
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like Sierra that cannot do Source Connect 4.
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And then the studio, fully updated, and they
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can't do Source Connect 3 because Sequoia and
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whatnot is having trouble with Source Connect 3.
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So now, again, the bridge is the only
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way to get across that one reliably.
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And they're not as bad as, you know,
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they're very quick to set up.
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They're on everybody's dashboard.
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I was surprised how simple it was to
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set up.
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I mean, literally, you go into your account,
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you click on Bridge, you click the person
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you want to connect to, thinks about it
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for 30 seconds, 60 seconds, and bang, you're
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good.
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And then all you've got to do is
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go back to your, whether it be 3
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or 4, go back to your Source Connect
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plug-in, and just instead of selecting the
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person you're connecting to directly, you can select
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the bridge.
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Really simple.
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So the one difference is that both people
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have to connect to the bridge.
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The bridge doesn't dial out to anybody.
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Both ends dial.
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And the bridge contact shows up on each
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person's or each side's contacts list.
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And in most cases, you don't even have
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to really worry about, you know, it's bridge
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792445.
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But really, in most cases, people don't have
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multiple bridges going simultaneously.
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So it'll probably be the only bridge that
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shows up on your contacts list because once
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you're done with that bridge, it will go
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away from your contacts list.
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Yeah.
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And the timing is because it takes up
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a crap load of room on the server.
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Is that right?
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Well, it's a real system.
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So there are a limited number of bridges,
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actually.
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I think there's eight of them.
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Right.
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Wow.
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But we've not really had an issue.
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I think people don't realize what, you know,
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and they don't care.
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They just want it to work.
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But the amount of engineering and making that
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automate and work that easily is, it's not
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trivial at all.
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It's pretty impressive that it does what it
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does.
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And, again, they put in that time, money,
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and effort into building a system for free
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that is really temporarily solving a problem until
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everybody moves to the new version.
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It's pretty cool that it's just there.
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Yeah.
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Three and four were so different, just to
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fill everyone in, three and four are so
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different that three does not connect to four,
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thus the need for the bridge.
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But also, for us, it made a lot
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more sense to make something like the bridge
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than to significantly delay and invest in a
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huge feature that would only be useful for
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maybe two years.
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And then what's the point of the connections
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to three within four?
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I'd never seen it, and Robbo was talking
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about it before we started recording this.
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And so we did it, he said, jump
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on and let's connect via the bridge, which
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we did.
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And I was like, holy shit, that was
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really easy.
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The bridges do cancel out, auto-restore, auto
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-replace.
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I would say that technically it's better to
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connect directly between versions, but if there's any
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reason why you or the studio can't use
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whatever other version, the bridge is there.
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And as you said, they're easy to use.
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And unfortunately, I've seen some talent at times
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where they're like, I'm on four, I need
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to be on four because they're on Windows
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and it's easier.
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And the studio just went, no bridge, period.
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Like, absolutely not.
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And it's like, did you try it?
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And they just throw down their whatever.
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That's kind of annoying.
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Yeah.
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And what's your thought about the fact that
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it's a bit like a car with a
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meter and it has a clock.
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And so when the clock gets below 15
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minutes, you have 15 minutes to click add
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more time.
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If not because it's a limited resource, it
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will cut the whole bridge off if you
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don't keep on extending it.
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Is that from both ends?
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No, because the only end that manages the
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bridge is the side that initiates it.
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So if you call up the bridge, you're
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calling it up for, you pick from your
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contacts list who you want to connect with,
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and it populates the bridge contact in your
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contacts list and whoever you designated.
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So then if you did that, you're the
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person that's managing that bridge.
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You have the clock.
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You can do this from your cell phone.
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If you're in the booth, you could have
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your cell phone with a little clock clicking
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away.
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It's just a window.
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You don't close it, and you just click.
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I've got to be honest.
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For me, for most of the Source Connect
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sessions I do, half an hour would be
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enough for maybe one or two tracks.
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And if there was more, that extra 15
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minutes, I mean, I think you can take
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another 15 minutes three or four times before
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you've got to actually refresh the whole thing.
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Even more.
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So it's funny how slow we are at
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updating the web page.
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It says 90 minutes, but the reality is
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I think it gives you up to two
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and a half hours of refreshes.
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Well, there you go.
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And that would be more than enough.
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Should I ever do?
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I fucking hope so anyway.
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No, no.
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Do you need at least two and a
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half hours if you're doing a 10-second
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tag?
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Take 110.
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Did I ever tell you that story?
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When I was at George Pat's, I'd only
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just left radio, and I was sort of
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getting used to the, and I say this
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in the nicest possible way, the pretentiousness of
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advertising agencies, and we were launching a new
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magazine.
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It was called Take Five Magazine, and the
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00:09:12,620 --> 00:09:16,480
two Mels were in charge of the launch
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00:09:16,480 --> 00:09:18,600
of this magazine, and they did the TVC.
269
00:09:18,940 --> 00:09:22,440
And Henry Zeps, who unfortunately has recently passed
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00:09:22,440 --> 00:09:25,100
away, RIP Henry, a great guy, they had
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00:09:25,100 --> 00:09:27,020
him down in a studio.
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00:09:28,260 --> 00:09:31,080
To do the tag, Take Five Magazine, out
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00:09:31,080 --> 00:09:31,420
now.
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00:09:32,000 --> 00:09:33,880
Two and a half hours later, Henry was
275
00:09:33,880 --> 00:09:37,140
still in the booth and turned around and
276
00:09:37,140 --> 00:09:39,200
said, listen, I've got to go.
277
00:09:39,340 --> 00:09:40,840
If you don't have it by now, you'll
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00:09:40,840 --> 00:09:42,400
never have it, and left.
279
00:09:45,420 --> 00:09:48,220
It sounds like that TV show, The Valkyries,
280
00:09:48,300 --> 00:09:51,000
or what was it that you, the one
281
00:09:51,000 --> 00:09:52,760
from England, where the guy's an actor?
282
00:09:53,060 --> 00:09:54,140
Toast of London.
283
00:09:54,180 --> 00:09:54,500
Toast of London, yeah.
284
00:09:55,480 --> 00:09:56,220
Yeah, yeah, yeah.
285
00:09:56,740 --> 00:09:57,220
Exactly.
286
00:09:57,540 --> 00:09:58,080
Great show.
287
00:09:58,140 --> 00:09:58,660
It's very funny.
288
00:09:59,100 --> 00:10:02,260
But yeah, I've had sessions where it's like
289
00:10:02,260 --> 00:10:04,220
the shorter the script, the longer the session,
290
00:10:04,960 --> 00:10:07,200
and I'd won only a few weeks ago,
291
00:10:07,340 --> 00:10:09,100
and it got to the point where I
292
00:10:09,100 --> 00:10:11,560
just had to stop talking to make the
293
00:10:11,560 --> 00:10:13,880
engineer jump in and start managing the session
294
00:10:13,880 --> 00:10:15,640
because it was just getting right out of
295
00:10:15,640 --> 00:10:20,260
control, and I thought, right, I'm just going
296
00:10:20,260 --> 00:10:23,300
to not say anything, which then instigated the
297
00:10:23,300 --> 00:10:25,880
engineer jumping in and going, look, I really
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00:10:25,880 --> 00:10:27,720
think we've got everything we need.
299
00:10:28,720 --> 00:10:31,280
Unless there's something specific you need, I think
300
00:10:31,280 --> 00:10:31,640
we're covered.
301
00:10:32,320 --> 00:10:34,420
And eventually it was like, okay, great, thank
302
00:10:34,420 --> 00:10:35,420
you, bye-bye.
303
00:10:36,040 --> 00:10:37,640
At some point you just start doing it
304
00:10:37,640 --> 00:10:39,940
exactly the same every time.
305
00:10:40,580 --> 00:10:41,680
Like you just purposely.
306
00:10:41,940 --> 00:10:43,780
I've had people come in here, though.
307
00:10:43,820 --> 00:10:44,640
This is really weird.
308
00:10:45,340 --> 00:10:47,800
I won't mention who it was, but a
309
00:10:47,800 --> 00:10:49,600
voice talent came here during COVID and had
310
00:10:49,600 --> 00:10:51,160
to do a session, and it's always the
311
00:10:51,160 --> 00:10:53,320
thing, can you give us three in a
312
00:10:53,320 --> 00:10:56,720
row of that short sentence or whatever, tag
313
00:10:56,720 --> 00:10:57,040
or whatever.
314
00:10:58,020 --> 00:11:00,280
This person did three in a row, but
315
00:11:00,280 --> 00:11:01,600
they were all exactly the same.
316
00:11:01,780 --> 00:11:02,900
Yes, people do that.
317
00:11:03,520 --> 00:11:05,420
And then they go, oh, yeah, we actually
318
00:11:05,420 --> 00:11:06,720
like the second one.
319
00:11:06,920 --> 00:11:07,520
It's good, I think so.
320
00:11:09,160 --> 00:11:09,540
Yeah.
321
00:11:10,800 --> 00:11:12,020
It's just bizarre.
322
00:11:12,660 --> 00:11:14,140
I think sometimes with your direction you've got
323
00:11:14,140 --> 00:11:14,860
to be a bit clearer.
324
00:11:15,560 --> 00:11:17,320
Can you give us three in a row?
325
00:11:17,720 --> 00:11:19,520
I think it means to them, can you
326
00:11:19,520 --> 00:11:21,040
give me three the way you hear it
327
00:11:21,040 --> 00:11:21,580
in a row?
328
00:11:21,720 --> 00:11:22,960
I think you've got to say, can you
329
00:11:22,960 --> 00:11:25,560
mix them up, give us three in a
330
00:11:25,560 --> 00:11:27,020
row or something like that, you know what
331
00:11:27,020 --> 00:11:27,260
I mean?
332
00:11:27,820 --> 00:11:30,060
Make it clear, because I've noticed that a
333
00:11:30,060 --> 00:11:30,160
lot.
334
00:11:30,160 --> 00:11:31,360
Add some variety, yeah.
335
00:11:31,760 --> 00:11:33,040
Is it the same as what we say
336
00:11:33,040 --> 00:11:33,980
when we say ABC?
337
00:11:34,340 --> 00:11:35,760
Can you ABC that for us?
338
00:11:35,920 --> 00:11:37,600
Yeah, give me an ABC on that or
339
00:11:37,600 --> 00:11:39,760
three in a row, or a series of
340
00:11:39,760 --> 00:11:40,180
three.
341
00:11:41,940 --> 00:11:44,160
But that's why it's called ABC, not A
342
00:11:44,160 --> 00:11:44,660
-A-A.
343
00:11:46,700 --> 00:11:48,880
Actually, can you give me an A-A
344
00:11:48,880 --> 00:11:49,600
and a B, please?
345
00:11:49,600 --> 00:11:51,200
That's the Canadian version.
346
00:11:51,560 --> 00:11:52,340
A-A-A.
347
00:11:53,020 --> 00:11:54,120
A-A-A.
348
00:11:54,440 --> 00:11:54,600
A.
349
00:11:57,160 --> 00:11:58,000
I like A.
350
00:11:58,720 --> 00:11:59,740
What do you think about B-A?
351
00:11:59,880 --> 00:12:00,080
A.
352
00:12:00,180 --> 00:12:00,940
I like C-A.
353
00:12:01,420 --> 00:12:01,720
Yeah.
354
00:12:04,640 --> 00:12:06,300
Well, since we're on a tangent, I've got
355
00:12:06,300 --> 00:12:07,320
another good one for you.
356
00:12:07,640 --> 00:12:10,300
It just stumbled into my inbox or my
357
00:12:10,300 --> 00:12:13,440
whatever, wall or something, and it was a
358
00:12:13,440 --> 00:12:13,680
memo.
359
00:12:14,080 --> 00:12:16,000
I had to verify that this is actually
360
00:12:16,000 --> 00:12:18,500
authentic, but it was a memo from the
361
00:12:18,500 --> 00:12:23,800
executive staff at Apple in February 1st, 1980,
362
00:12:24,240 --> 00:12:27,020
and the subject is called typewriters.
363
00:12:27,840 --> 00:12:29,840
And it says, effective immediately.
364
00:12:30,800 --> 00:12:33,760
No more typewriters are to be purchased, leased,
365
00:12:34,040 --> 00:12:35,500
et cetera, et cetera.
366
00:12:36,240 --> 00:12:37,640
Apple's an innovative company.
367
00:12:37,760 --> 00:12:39,020
Live by the sword, die by the sword.
368
00:12:39,040 --> 00:12:41,200
Yes, we must believe and lead in all
369
00:12:41,200 --> 00:12:42,320
areas of word processing.
370
00:12:42,500 --> 00:12:45,220
It's so neat, we all must use it.
371
00:12:45,220 --> 00:12:46,160
And it goes on.
372
00:12:46,500 --> 00:12:48,780
It says, by 1-1-81, no typewriters
373
00:12:48,780 --> 00:12:49,180
at Apple.
374
00:12:49,280 --> 00:12:51,600
And then it says in parentheses, Ken, get
375
00:12:51,600 --> 00:12:53,560
rid of the deck word processor, A-S
376
00:12:53,560 --> 00:12:53,980
-A-P.
377
00:12:55,700 --> 00:12:56,940
You know who you are, Ken.
378
00:12:57,520 --> 00:12:59,760
So at some point, SourceConnect 3 has to
379
00:12:59,760 --> 00:13:01,980
go away and everybody has to move to
380
00:13:01,980 --> 00:13:05,180
4 because technology marches on, you know.
381
00:13:06,120 --> 00:13:07,900
It's so funny, you're caught in a corner.
382
00:13:08,160 --> 00:13:10,280
Because if you don't improve the technology, then
383
00:13:10,280 --> 00:13:11,780
everyone who wants to upgrade is pissed off
384
00:13:11,780 --> 00:13:12,100
at you.
385
00:13:12,100 --> 00:13:13,960
And then if you do upgrade the technology
386
00:13:13,960 --> 00:13:15,280
and you have to move it forward and
387
00:13:15,280 --> 00:13:17,260
then you have to leave something behind, everybody
388
00:13:17,260 --> 00:13:18,420
who wants to hold on to their old
389
00:13:18,420 --> 00:13:20,020
computer and their old system is pissed off
390
00:13:20,020 --> 00:13:20,260
at you.
391
00:13:20,480 --> 00:13:21,720
And you're just standing in the middle of
392
00:13:21,720 --> 00:13:24,820
the road getting crushed by...
393
00:13:24,820 --> 00:13:25,160
Run over.
394
00:13:27,620 --> 00:13:29,520
But at least if you realize that, you're
395
00:13:29,520 --> 00:13:31,220
ahead of the game than not realizing that.
396
00:13:31,360 --> 00:13:31,620
Yeah.
397
00:13:31,860 --> 00:13:33,540
Yeah, I mean, if you're not pissing somebody
398
00:13:33,540 --> 00:13:34,580
off, you're doing something wrong.
399
00:13:35,080 --> 00:13:35,800
Wait, I don't know.
400
00:13:35,840 --> 00:13:36,400
Something like that.
401
00:13:36,600 --> 00:13:36,840
Exactly.
402
00:13:37,720 --> 00:13:39,300
I think there's a saying that goes along
403
00:13:39,300 --> 00:13:39,600
those lines.
404
00:13:39,600 --> 00:13:41,520
We piss people off every week if they
405
00:13:41,520 --> 00:13:42,180
keep coming back.
406
00:13:42,400 --> 00:13:43,680
So, you know, there's something in that too.
407
00:13:44,220 --> 00:13:44,760
Yeah, exactly.
408
00:13:46,720 --> 00:13:48,080
I'm still married, so here you go.
409
00:13:49,660 --> 00:13:51,860
But one thing we should make clear also,
410
00:13:51,960 --> 00:13:54,600
because if you go on to like ChatGPT...
411
00:13:55,440 --> 00:13:55,840
Yes.
412
00:13:56,280 --> 00:13:57,600
Oh, it says stereo...
413
00:13:58,180 --> 00:13:59,520
It may give you some misinformation.
414
00:13:59,840 --> 00:14:00,340
Well, it's not.
415
00:14:01,040 --> 00:14:03,700
ChatGTP is not incorrect from what it's reading.
416
00:14:04,380 --> 00:14:06,360
We have some incorrect information on our website
417
00:14:06,360 --> 00:14:07,220
which we will fix.
418
00:14:07,220 --> 00:14:09,760
It says that the bridges are stereo by
419
00:14:09,760 --> 00:14:10,100
default.
420
00:14:10,220 --> 00:14:11,960
They are, in fact, mono by default.
421
00:14:13,360 --> 00:14:16,120
And we'll change that in time for SourceConnect
422
00:14:16,120 --> 00:14:17,280
3 to completely go away.
423
00:14:17,520 --> 00:14:19,580
Yeah, and this isn't about ChatGPT, and there's
424
00:14:19,580 --> 00:14:21,040
a lot of people that, you know, either
425
00:14:21,040 --> 00:14:23,580
people think it's magic or they don't trust
426
00:14:23,580 --> 00:14:24,080
it, right?
427
00:14:24,620 --> 00:14:27,000
But I will say this about ChatGPT 5,
428
00:14:27,180 --> 00:14:30,280
like if you use it in search mode,
429
00:14:30,880 --> 00:14:33,020
people don't know it has two modes, like
430
00:14:33,020 --> 00:14:35,160
normal chat and search.
431
00:14:35,160 --> 00:14:38,560
When it's in search mode, it references every
432
00:14:38,560 --> 00:14:41,020
search result that it gives you in that
433
00:14:41,020 --> 00:14:41,500
answer.
434
00:14:41,980 --> 00:14:44,240
So, and if you're not sure, click on
435
00:14:44,240 --> 00:14:47,440
the reference and read the original link.
436
00:14:47,620 --> 00:14:48,960
In fact, I encourage you to do it
437
00:14:48,960 --> 00:14:50,900
because that means the person who actually put
438
00:14:50,900 --> 00:14:53,540
the content out there that it's stealing from
439
00:14:53,540 --> 00:14:56,840
or scraping is getting rewarded because you're going
440
00:14:56,840 --> 00:14:58,540
to their actual site, you know?
441
00:14:58,700 --> 00:14:59,980
So, I recommend you do it.
442
00:14:59,980 --> 00:15:02,180
I find it's funny because we used to
443
00:15:02,180 --> 00:15:04,240
joke how, you know, when it was harder
444
00:15:04,240 --> 00:15:05,800
to build your own search, we had a
445
00:15:05,800 --> 00:15:06,760
search on our website.
446
00:15:07,340 --> 00:15:08,180
Was it powered by Google?
447
00:15:09,180 --> 00:15:11,400
Well, I forget what it was, but however
448
00:15:11,400 --> 00:15:14,820
it went, I found it just myself and
449
00:15:14,820 --> 00:15:16,360
other users found that it was easier to
450
00:15:16,360 --> 00:15:18,100
search our website with Google than with our
451
00:15:18,100 --> 00:15:18,680
own website.
452
00:15:19,140 --> 00:15:19,440
Right.
453
00:15:19,620 --> 00:15:22,260
Like Google searched our website better than our
454
00:15:22,260 --> 00:15:23,560
own website could search itself.
455
00:15:23,740 --> 00:15:24,100
That's right.
456
00:15:24,260 --> 00:15:26,540
And it's kind of like, it seems to
457
00:15:26,540 --> 00:15:27,980
be happening with ChatGPT now.
458
00:15:28,100 --> 00:15:28,280
Yeah.
459
00:15:28,540 --> 00:15:30,600
Well, that is definitely true on my website.
460
00:15:30,600 --> 00:15:32,620
I could not get my web developer to
461
00:15:32,620 --> 00:15:34,100
build me a search engine of my own
462
00:15:34,100 --> 00:15:35,680
website to save a freaking life.
463
00:15:36,680 --> 00:15:38,460
It's amazing with Google.
464
00:15:38,780 --> 00:15:40,920
I built my own custom GTP, which is
465
00:15:40,920 --> 00:15:42,800
not cheap to operate, but I have my
466
00:15:42,800 --> 00:15:45,780
own custom GTP with my own language model
467
00:15:45,780 --> 00:15:48,260
of my own freaking website so that you
468
00:15:48,260 --> 00:15:50,760
can go and type into the chatbot stuff
469
00:15:50,760 --> 00:15:51,920
you're looking for on the website.
470
00:15:52,500 --> 00:15:53,880
That was my workaround.
471
00:15:54,420 --> 00:15:55,360
And is it perfect?
472
00:15:55,500 --> 00:15:56,880
No, but it's pretty damn good.
473
00:15:56,920 --> 00:15:57,960
And it gives you a lot of useful
474
00:15:57,960 --> 00:15:59,180
information in the process.
475
00:16:00,060 --> 00:16:03,240
But I had to build something out of
476
00:16:03,240 --> 00:16:05,160
a chatbot to be able to search my
477
00:16:05,160 --> 00:16:06,700
own site, which is kind of insane.
478
00:16:07,000 --> 00:16:07,640
When you think about it.
479
00:16:07,760 --> 00:16:07,960
Exactly.
480
00:16:08,260 --> 00:16:10,940
Is that GTPGTT?
481
00:16:12,940 --> 00:16:14,260
The Le Mans GTP?
482
00:16:14,480 --> 00:16:15,380
It's got a lot of names.
483
00:16:16,560 --> 00:16:18,480
GeorgeBot, GTTBot, you know, et cetera, et cetera.
484
00:16:18,640 --> 00:16:19,780
But I have it.
485
00:16:20,220 --> 00:16:21,540
Since you're on that bend, I've got the
486
00:16:21,540 --> 00:16:22,760
perfect way to end this episode.
487
00:16:22,900 --> 00:16:24,860
If you've got the shits that version 3
488
00:16:24,860 --> 00:16:27,620
and 4 of SourceConnect won't talk, build a
489
00:16:27,620 --> 00:16:27,840
bridge.
490
00:16:29,780 --> 00:16:31,120
And it's not a bridge too far.
491
00:16:31,260 --> 00:16:32,240
It's very easy to find.
492
00:16:33,180 --> 00:16:34,000
Well, that was fun.
493
00:16:34,080 --> 00:16:34,460
Is it over?
494
00:16:57,840 --> 00:16:59,120
All of this and more at our website.