Aug. 26, 2025

Source-Connect Bridge Explained

Source-Connect Bridge Explained

Ever been caught in a panic when Source-Connect 3 won’t talk to Source-Connect 4? You’re not alone. In this week’s Pro Audio Suite, the team dives into the Source-Connect Bridge—what it is, why it exists, and how it can save your session.

Robbo shares a real-world case of a talent stuck between versions, Robert explains how the Bridge works behind the scenes, and George breaks down when it’s the best option (hint: travelling VO talent on Windows, we’re looking at you).

We also get sidetracked on long VO sessions, Apple’s memo banning typewriters in 1980, and why agencies sometimes make a 10-second tag take two and a half hours.

Whether you’re a studio, talent, or just someone who’s had “version hell” ruin your morning, this episode is a must-listen.

🔗 Find out more at www.proaudiosuite.com

Sponsors:

  • 🎙️ Tri-Booth – Get $200 off with code TRIPAP200 at tribooth.com

  • 🎤 Austrian Audio – Making passion heard

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(Transcribed by TurboScribe.ai. Go Unlimited to remove this message.) Y'all ready to be history?

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Get started.

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Welcome.

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Hi.

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Hi.

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Hi.

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Hello everyone.

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To the Pro Audio Suite.

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These guys are professional.

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They're motivated.

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With Tech the VO stars.

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George Witton, founder of Source Elements.

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Robert Marshall, international audio engineer.

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Darren Robbo-Robertson and Global Voice.

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Andrew Peters, thanks to Triboo.

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Austrian Audio, making passion heard.

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Source Elements, George the Tech Witton and Robbo

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and AP's international demos.

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To find out more about us, check theproaudiosuite

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.com.

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Line up, man.

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Here we go.

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And welcome to another Pro Audio Suite.

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Thanks to Tribooth.

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Don't forget the code.

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T-R-I-P-A-P-200.

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That will get you $200 off your Tribooth.

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And Austrian Audio, making passion heard.

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Now, you had a bit of an incident

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over the weekend.

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Or actually, it was probably yesterday.

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Robbo, with someone using Source Connect 3, trying

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to connect with someone on Source Connect 4.

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Other way around.

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Yeah, actually.

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I've had someone call me and they were

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having some trouble with Source Connect.

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In fact, they were panicking.

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They were shitting themselves.

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They had a session at 8 o'clock

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in the morning.

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And they downloaded their two-day license for

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Source Connect.

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And she got in touch with me because

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she was panicking that there was no license

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popping up in her iLock.

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So, it kind of clinked with me that

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perhaps she downloaded a 4, not realizing that

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4 was the only one you could do

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that with.

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I actually found out that from Robert later

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on.

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But anyway, long story short, I got in

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touch with Robert and he talked me through

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the process of the bridge, which was going

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to be the original plan because Robert kindly

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dropped a 3.9 temporary license in this

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lady's account to get her going.

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But if she had to go the other

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way with 4, we were going to use

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the bridge.

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And I'd never even heard of the bridge.

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Every time we've discussed Source Connect 3 and

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4 compatibility on this show, my understanding was

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that they didn't talk at all.

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So, anyway, we found the bridge and I

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was shocked at how easy it is to

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set up and how well it worked.

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So, I kind of figured it would be

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worth talking about today because I reckon it

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would be a headache solver for a lot

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of people.

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It will.

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I mean, I think there's a number of

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advantages to considering the bridge.

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It's true that bridges add latency because you're

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going through two systems instead of one, so

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it's not a direct connection.

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But there's certain situations where it might be

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almost best.

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If you think about a voice talent who's

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on the road with a Windows machine, they

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can't get their ports forwarded.

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Source Connect 3 really needs or wants port

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forwarding.

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Source Connect 4 doesn't need port forwarding.

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So that talent who's on the road on

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a Windows machine would be much better off

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connecting via Source Connect 4.

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And if they have a studio who, for

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whatever reason, is still using version 3, then

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the bridge might actually be preferred in that

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situation at least because you know you're going

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to get through to the bridge and you

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assume the studio is set up.

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And then you don't have to worry about,

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will my ports work or not?

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A little bit different for Mac users.

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You know, Mac Source Connect 3.9 to

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3.9, it has other means of getting

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through without ports, so that's generally not as

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big of a problem.

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That traveling with Source Connect is really just

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an issue for Windows users.

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But the new issue that's starting to come

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up is that Sequoia, for example, and the

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newest Mac operating systems are really starting to

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give a bit of trouble to Source Connect

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3.

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Like the nightmare situation would be, imagine a

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talent running a really old Mac operating system

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like Sierra that cannot do Source Connect 4.

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And then the studio, fully updated, and they

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can't do Source Connect 3 because Sequoia and

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whatnot is having trouble with Source Connect 3.

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So now, again, the bridge is the only

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way to get across that one reliably.

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And they're not as bad as, you know,

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they're very quick to set up.

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They're on everybody's dashboard.

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I was surprised how simple it was to

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set up.

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I mean, literally, you go into your account,

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you click on Bridge, you click the person

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you want to connect to, thinks about it

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for 30 seconds, 60 seconds, and bang, you're

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good.

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And then all you've got to do is

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go back to your, whether it be 3

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or 4, go back to your Source Connect

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plug-in, and just instead of selecting the

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person you're connecting to directly, you can select

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the bridge.

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Really simple.

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So the one difference is that both people

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have to connect to the bridge.

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The bridge doesn't dial out to anybody.

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Both ends dial.

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And the bridge contact shows up on each

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person's or each side's contacts list.

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And in most cases, you don't even have

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to really worry about, you know, it's bridge

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792445.

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But really, in most cases, people don't have

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multiple bridges going simultaneously.

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So it'll probably be the only bridge that

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shows up on your contacts list because once

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you're done with that bridge, it will go

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away from your contacts list.

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Yeah.

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And the timing is because it takes up

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a crap load of room on the server.

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Is that right?

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Well, it's a real system.

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So there are a limited number of bridges,

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actually.

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I think there's eight of them.

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Right.

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Wow.

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But we've not really had an issue.

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I think people don't realize what, you know,

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and they don't care.

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They just want it to work.

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But the amount of engineering and making that

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automate and work that easily is, it's not

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trivial at all.

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It's pretty impressive that it does what it

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does.

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And, again, they put in that time, money,

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and effort into building a system for free

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that is really temporarily solving a problem until

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everybody moves to the new version.

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It's pretty cool that it's just there.

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Yeah.

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Three and four were so different, just to

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fill everyone in, three and four are so

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different that three does not connect to four,

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thus the need for the bridge.

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But also, for us, it made a lot

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more sense to make something like the bridge

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than to significantly delay and invest in a

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huge feature that would only be useful for

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maybe two years.

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And then what's the point of the connections

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to three within four?

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I'd never seen it, and Robbo was talking

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about it before we started recording this.

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And so we did it, he said, jump

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on and let's connect via the bridge, which

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we did.

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And I was like, holy shit, that was

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really easy.

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The bridges do cancel out, auto-restore, auto

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-replace.

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I would say that technically it's better to

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connect directly between versions, but if there's any

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reason why you or the studio can't use

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whatever other version, the bridge is there.

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And as you said, they're easy to use.

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And unfortunately, I've seen some talent at times

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where they're like, I'm on four, I need

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to be on four because they're on Windows

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and it's easier.

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And the studio just went, no bridge, period.

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Like, absolutely not.

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And it's like, did you try it?

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And they just throw down their whatever.

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That's kind of annoying.

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Yeah.

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And what's your thought about the fact that

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it's a bit like a car with a

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meter and it has a clock.

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And so when the clock gets below 15

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minutes, you have 15 minutes to click add

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more time.

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If not because it's a limited resource, it

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will cut the whole bridge off if you

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don't keep on extending it.

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Is that from both ends?

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No, because the only end that manages the

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bridge is the side that initiates it.

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So if you call up the bridge, you're

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calling it up for, you pick from your

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contacts list who you want to connect with,

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and it populates the bridge contact in your

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contacts list and whoever you designated.

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So then if you did that, you're the

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person that's managing that bridge.

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You have the clock.

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You can do this from your cell phone.

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If you're in the booth, you could have

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your cell phone with a little clock clicking

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away.

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It's just a window.

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You don't close it, and you just click.

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I've got to be honest.

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For me, for most of the Source Connect

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sessions I do, half an hour would be

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enough for maybe one or two tracks.

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And if there was more, that extra 15

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minutes, I mean, I think you can take

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another 15 minutes three or four times before

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you've got to actually refresh the whole thing.

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Even more.

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So it's funny how slow we are at

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updating the web page.

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It says 90 minutes, but the reality is

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I think it gives you up to two

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and a half hours of refreshes.

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Well, there you go.

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And that would be more than enough.

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Should I ever do?

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I fucking hope so anyway.

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No, no.

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Do you need at least two and a

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half hours if you're doing a 10-second

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tag?

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Take 110.

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Did I ever tell you that story?

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When I was at George Pat's, I'd only

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just left radio, and I was sort of

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getting used to the, and I say this

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in the nicest possible way, the pretentiousness of

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advertising agencies, and we were launching a new

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magazine.

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It was called Take Five Magazine, and the

267
00:09:12,620 --> 00:09:16,480
two Mels were in charge of the launch

268
00:09:16,480 --> 00:09:18,600
of this magazine, and they did the TVC.

269
00:09:18,940 --> 00:09:22,440
And Henry Zeps, who unfortunately has recently passed

270
00:09:22,440 --> 00:09:25,100
away, RIP Henry, a great guy, they had

271
00:09:25,100 --> 00:09:27,020
him down in a studio.

272
00:09:28,260 --> 00:09:31,080
To do the tag, Take Five Magazine, out

273
00:09:31,080 --> 00:09:31,420
now.

274
00:09:32,000 --> 00:09:33,880
Two and a half hours later, Henry was

275
00:09:33,880 --> 00:09:37,140
still in the booth and turned around and

276
00:09:37,140 --> 00:09:39,200
said, listen, I've got to go.

277
00:09:39,340 --> 00:09:40,840
If you don't have it by now, you'll

278
00:09:40,840 --> 00:09:42,400
never have it, and left.

279
00:09:45,420 --> 00:09:48,220
It sounds like that TV show, The Valkyries,

280
00:09:48,300 --> 00:09:51,000
or what was it that you, the one

281
00:09:51,000 --> 00:09:52,760
from England, where the guy's an actor?

282
00:09:53,060 --> 00:09:54,140
Toast of London.

283
00:09:54,180 --> 00:09:54,500
Toast of London, yeah.

284
00:09:55,480 --> 00:09:56,220
Yeah, yeah, yeah.

285
00:09:56,740 --> 00:09:57,220
Exactly.

286
00:09:57,540 --> 00:09:58,080
Great show.

287
00:09:58,140 --> 00:09:58,660
It's very funny.

288
00:09:59,100 --> 00:10:02,260
But yeah, I've had sessions where it's like

289
00:10:02,260 --> 00:10:04,220
the shorter the script, the longer the session,

290
00:10:04,960 --> 00:10:07,200
and I'd won only a few weeks ago,

291
00:10:07,340 --> 00:10:09,100
and it got to the point where I

292
00:10:09,100 --> 00:10:11,560
just had to stop talking to make the

293
00:10:11,560 --> 00:10:13,880
engineer jump in and start managing the session

294
00:10:13,880 --> 00:10:15,640
because it was just getting right out of

295
00:10:15,640 --> 00:10:20,260
control, and I thought, right, I'm just going

296
00:10:20,260 --> 00:10:23,300
to not say anything, which then instigated the

297
00:10:23,300 --> 00:10:25,880
engineer jumping in and going, look, I really

298
00:10:25,880 --> 00:10:27,720
think we've got everything we need.

299
00:10:28,720 --> 00:10:31,280
Unless there's something specific you need, I think

300
00:10:31,280 --> 00:10:31,640
we're covered.

301
00:10:32,320 --> 00:10:34,420
And eventually it was like, okay, great, thank

302
00:10:34,420 --> 00:10:35,420
you, bye-bye.

303
00:10:36,040 --> 00:10:37,640
At some point you just start doing it

304
00:10:37,640 --> 00:10:39,940
exactly the same every time.

305
00:10:40,580 --> 00:10:41,680
Like you just purposely.

306
00:10:41,940 --> 00:10:43,780
I've had people come in here, though.

307
00:10:43,820 --> 00:10:44,640
This is really weird.

308
00:10:45,340 --> 00:10:47,800
I won't mention who it was, but a

309
00:10:47,800 --> 00:10:49,600
voice talent came here during COVID and had

310
00:10:49,600 --> 00:10:51,160
to do a session, and it's always the

311
00:10:51,160 --> 00:10:53,320
thing, can you give us three in a

312
00:10:53,320 --> 00:10:56,720
row of that short sentence or whatever, tag

313
00:10:56,720 --> 00:10:57,040
or whatever.

314
00:10:58,020 --> 00:11:00,280
This person did three in a row, but

315
00:11:00,280 --> 00:11:01,600
they were all exactly the same.

316
00:11:01,780 --> 00:11:02,900
Yes, people do that.

317
00:11:03,520 --> 00:11:05,420
And then they go, oh, yeah, we actually

318
00:11:05,420 --> 00:11:06,720
like the second one.

319
00:11:06,920 --> 00:11:07,520
It's good, I think so.

320
00:11:09,160 --> 00:11:09,540
Yeah.

321
00:11:10,800 --> 00:11:12,020
It's just bizarre.

322
00:11:12,660 --> 00:11:14,140
I think sometimes with your direction you've got

323
00:11:14,140 --> 00:11:14,860
to be a bit clearer.

324
00:11:15,560 --> 00:11:17,320
Can you give us three in a row?

325
00:11:17,720 --> 00:11:19,520
I think it means to them, can you

326
00:11:19,520 --> 00:11:21,040
give me three the way you hear it

327
00:11:21,040 --> 00:11:21,580
in a row?

328
00:11:21,720 --> 00:11:22,960
I think you've got to say, can you

329
00:11:22,960 --> 00:11:25,560
mix them up, give us three in a

330
00:11:25,560 --> 00:11:27,020
row or something like that, you know what

331
00:11:27,020 --> 00:11:27,260
I mean?

332
00:11:27,820 --> 00:11:30,060
Make it clear, because I've noticed that a

333
00:11:30,060 --> 00:11:30,160
lot.

334
00:11:30,160 --> 00:11:31,360
Add some variety, yeah.

335
00:11:31,760 --> 00:11:33,040
Is it the same as what we say

336
00:11:33,040 --> 00:11:33,980
when we say ABC?

337
00:11:34,340 --> 00:11:35,760
Can you ABC that for us?

338
00:11:35,920 --> 00:11:37,600
Yeah, give me an ABC on that or

339
00:11:37,600 --> 00:11:39,760
three in a row, or a series of

340
00:11:39,760 --> 00:11:40,180
three.

341
00:11:41,940 --> 00:11:44,160
But that's why it's called ABC, not A

342
00:11:44,160 --> 00:11:44,660
-A-A.

343
00:11:46,700 --> 00:11:48,880
Actually, can you give me an A-A

344
00:11:48,880 --> 00:11:49,600
and a B, please?

345
00:11:49,600 --> 00:11:51,200
That's the Canadian version.

346
00:11:51,560 --> 00:11:52,340
A-A-A.

347
00:11:53,020 --> 00:11:54,120
A-A-A.

348
00:11:54,440 --> 00:11:54,600
A.

349
00:11:57,160 --> 00:11:58,000
I like A.

350
00:11:58,720 --> 00:11:59,740
What do you think about B-A?

351
00:11:59,880 --> 00:12:00,080
A.

352
00:12:00,180 --> 00:12:00,940
I like C-A.

353
00:12:01,420 --> 00:12:01,720
Yeah.

354
00:12:04,640 --> 00:12:06,300
Well, since we're on a tangent, I've got

355
00:12:06,300 --> 00:12:07,320
another good one for you.

356
00:12:07,640 --> 00:12:10,300
It just stumbled into my inbox or my

357
00:12:10,300 --> 00:12:13,440
whatever, wall or something, and it was a

358
00:12:13,440 --> 00:12:13,680
memo.

359
00:12:14,080 --> 00:12:16,000
I had to verify that this is actually

360
00:12:16,000 --> 00:12:18,500
authentic, but it was a memo from the

361
00:12:18,500 --> 00:12:23,800
executive staff at Apple in February 1st, 1980,

362
00:12:24,240 --> 00:12:27,020
and the subject is called typewriters.

363
00:12:27,840 --> 00:12:29,840
And it says, effective immediately.

364
00:12:30,800 --> 00:12:33,760
No more typewriters are to be purchased, leased,

365
00:12:34,040 --> 00:12:35,500
et cetera, et cetera.

366
00:12:36,240 --> 00:12:37,640
Apple's an innovative company.

367
00:12:37,760 --> 00:12:39,020
Live by the sword, die by the sword.

368
00:12:39,040 --> 00:12:41,200
Yes, we must believe and lead in all

369
00:12:41,200 --> 00:12:42,320
areas of word processing.

370
00:12:42,500 --> 00:12:45,220
It's so neat, we all must use it.

371
00:12:45,220 --> 00:12:46,160
And it goes on.

372
00:12:46,500 --> 00:12:48,780
It says, by 1-1-81, no typewriters

373
00:12:48,780 --> 00:12:49,180
at Apple.

374
00:12:49,280 --> 00:12:51,600
And then it says in parentheses, Ken, get

375
00:12:51,600 --> 00:12:53,560
rid of the deck word processor, A-S

376
00:12:53,560 --> 00:12:53,980
-A-P.

377
00:12:55,700 --> 00:12:56,940
You know who you are, Ken.

378
00:12:57,520 --> 00:12:59,760
So at some point, SourceConnect 3 has to

379
00:12:59,760 --> 00:13:01,980
go away and everybody has to move to

380
00:13:01,980 --> 00:13:05,180
4 because technology marches on, you know.

381
00:13:06,120 --> 00:13:07,900
It's so funny, you're caught in a corner.

382
00:13:08,160 --> 00:13:10,280
Because if you don't improve the technology, then

383
00:13:10,280 --> 00:13:11,780
everyone who wants to upgrade is pissed off

384
00:13:11,780 --> 00:13:12,100
at you.

385
00:13:12,100 --> 00:13:13,960
And then if you do upgrade the technology

386
00:13:13,960 --> 00:13:15,280
and you have to move it forward and

387
00:13:15,280 --> 00:13:17,260
then you have to leave something behind, everybody

388
00:13:17,260 --> 00:13:18,420
who wants to hold on to their old

389
00:13:18,420 --> 00:13:20,020
computer and their old system is pissed off

390
00:13:20,020 --> 00:13:20,260
at you.

391
00:13:20,480 --> 00:13:21,720
And you're just standing in the middle of

392
00:13:21,720 --> 00:13:24,820
the road getting crushed by...

393
00:13:24,820 --> 00:13:25,160
Run over.

394
00:13:27,620 --> 00:13:29,520
But at least if you realize that, you're

395
00:13:29,520 --> 00:13:31,220
ahead of the game than not realizing that.

396
00:13:31,360 --> 00:13:31,620
Yeah.

397
00:13:31,860 --> 00:13:33,540
Yeah, I mean, if you're not pissing somebody

398
00:13:33,540 --> 00:13:34,580
off, you're doing something wrong.

399
00:13:35,080 --> 00:13:35,800
Wait, I don't know.

400
00:13:35,840 --> 00:13:36,400
Something like that.

401
00:13:36,600 --> 00:13:36,840
Exactly.

402
00:13:37,720 --> 00:13:39,300
I think there's a saying that goes along

403
00:13:39,300 --> 00:13:39,600
those lines.

404
00:13:39,600 --> 00:13:41,520
We piss people off every week if they

405
00:13:41,520 --> 00:13:42,180
keep coming back.

406
00:13:42,400 --> 00:13:43,680
So, you know, there's something in that too.

407
00:13:44,220 --> 00:13:44,760
Yeah, exactly.

408
00:13:46,720 --> 00:13:48,080
I'm still married, so here you go.

409
00:13:49,660 --> 00:13:51,860
But one thing we should make clear also,

410
00:13:51,960 --> 00:13:54,600
because if you go on to like ChatGPT...

411
00:13:55,440 --> 00:13:55,840
Yes.

412
00:13:56,280 --> 00:13:57,600
Oh, it says stereo...

413
00:13:58,180 --> 00:13:59,520
It may give you some misinformation.

414
00:13:59,840 --> 00:14:00,340
Well, it's not.

415
00:14:01,040 --> 00:14:03,700
ChatGTP is not incorrect from what it's reading.

416
00:14:04,380 --> 00:14:06,360
We have some incorrect information on our website

417
00:14:06,360 --> 00:14:07,220
which we will fix.

418
00:14:07,220 --> 00:14:09,760
It says that the bridges are stereo by

419
00:14:09,760 --> 00:14:10,100
default.

420
00:14:10,220 --> 00:14:11,960
They are, in fact, mono by default.

421
00:14:13,360 --> 00:14:16,120
And we'll change that in time for SourceConnect

422
00:14:16,120 --> 00:14:17,280
3 to completely go away.

423
00:14:17,520 --> 00:14:19,580
Yeah, and this isn't about ChatGPT, and there's

424
00:14:19,580 --> 00:14:21,040
a lot of people that, you know, either

425
00:14:21,040 --> 00:14:23,580
people think it's magic or they don't trust

426
00:14:23,580 --> 00:14:24,080
it, right?

427
00:14:24,620 --> 00:14:27,000
But I will say this about ChatGPT 5,

428
00:14:27,180 --> 00:14:30,280
like if you use it in search mode,

429
00:14:30,880 --> 00:14:33,020
people don't know it has two modes, like

430
00:14:33,020 --> 00:14:35,160
normal chat and search.

431
00:14:35,160 --> 00:14:38,560
When it's in search mode, it references every

432
00:14:38,560 --> 00:14:41,020
search result that it gives you in that

433
00:14:41,020 --> 00:14:41,500
answer.

434
00:14:41,980 --> 00:14:44,240
So, and if you're not sure, click on

435
00:14:44,240 --> 00:14:47,440
the reference and read the original link.

436
00:14:47,620 --> 00:14:48,960
In fact, I encourage you to do it

437
00:14:48,960 --> 00:14:50,900
because that means the person who actually put

438
00:14:50,900 --> 00:14:53,540
the content out there that it's stealing from

439
00:14:53,540 --> 00:14:56,840
or scraping is getting rewarded because you're going

440
00:14:56,840 --> 00:14:58,540
to their actual site, you know?

441
00:14:58,700 --> 00:14:59,980
So, I recommend you do it.

442
00:14:59,980 --> 00:15:02,180
I find it's funny because we used to

443
00:15:02,180 --> 00:15:04,240
joke how, you know, when it was harder

444
00:15:04,240 --> 00:15:05,800
to build your own search, we had a

445
00:15:05,800 --> 00:15:06,760
search on our website.

446
00:15:07,340 --> 00:15:08,180
Was it powered by Google?

447
00:15:09,180 --> 00:15:11,400
Well, I forget what it was, but however

448
00:15:11,400 --> 00:15:14,820
it went, I found it just myself and

449
00:15:14,820 --> 00:15:16,360
other users found that it was easier to

450
00:15:16,360 --> 00:15:18,100
search our website with Google than with our

451
00:15:18,100 --> 00:15:18,680
own website.

452
00:15:19,140 --> 00:15:19,440
Right.

453
00:15:19,620 --> 00:15:22,260
Like Google searched our website better than our

454
00:15:22,260 --> 00:15:23,560
own website could search itself.

455
00:15:23,740 --> 00:15:24,100
That's right.

456
00:15:24,260 --> 00:15:26,540
And it's kind of like, it seems to

457
00:15:26,540 --> 00:15:27,980
be happening with ChatGPT now.

458
00:15:28,100 --> 00:15:28,280
Yeah.

459
00:15:28,540 --> 00:15:30,600
Well, that is definitely true on my website.

460
00:15:30,600 --> 00:15:32,620
I could not get my web developer to

461
00:15:32,620 --> 00:15:34,100
build me a search engine of my own

462
00:15:34,100 --> 00:15:35,680
website to save a freaking life.

463
00:15:36,680 --> 00:15:38,460
It's amazing with Google.

464
00:15:38,780 --> 00:15:40,920
I built my own custom GTP, which is

465
00:15:40,920 --> 00:15:42,800
not cheap to operate, but I have my

466
00:15:42,800 --> 00:15:45,780
own custom GTP with my own language model

467
00:15:45,780 --> 00:15:48,260
of my own freaking website so that you

468
00:15:48,260 --> 00:15:50,760
can go and type into the chatbot stuff

469
00:15:50,760 --> 00:15:51,920
you're looking for on the website.

470
00:15:52,500 --> 00:15:53,880
That was my workaround.

471
00:15:54,420 --> 00:15:55,360
And is it perfect?

472
00:15:55,500 --> 00:15:56,880
No, but it's pretty damn good.

473
00:15:56,920 --> 00:15:57,960
And it gives you a lot of useful

474
00:15:57,960 --> 00:15:59,180
information in the process.

475
00:16:00,060 --> 00:16:03,240
But I had to build something out of

476
00:16:03,240 --> 00:16:05,160
a chatbot to be able to search my

477
00:16:05,160 --> 00:16:06,700
own site, which is kind of insane.

478
00:16:07,000 --> 00:16:07,640
When you think about it.

479
00:16:07,760 --> 00:16:07,960
Exactly.

480
00:16:08,260 --> 00:16:10,940
Is that GTPGTT?

481
00:16:12,940 --> 00:16:14,260
The Le Mans GTP?

482
00:16:14,480 --> 00:16:15,380
It's got a lot of names.

483
00:16:16,560 --> 00:16:18,480
GeorgeBot, GTTBot, you know, et cetera, et cetera.

484
00:16:18,640 --> 00:16:19,780
But I have it.

485
00:16:20,220 --> 00:16:21,540
Since you're on that bend, I've got the

486
00:16:21,540 --> 00:16:22,760
perfect way to end this episode.

487
00:16:22,900 --> 00:16:24,860
If you've got the shits that version 3

488
00:16:24,860 --> 00:16:27,620
and 4 of SourceConnect won't talk, build a

489
00:16:27,620 --> 00:16:27,840
bridge.

490
00:16:29,780 --> 00:16:31,120
And it's not a bridge too far.

491
00:16:31,260 --> 00:16:32,240
It's very easy to find.

492
00:16:33,180 --> 00:16:34,000
Well, that was fun.

493
00:16:34,080 --> 00:16:34,460
Is it over?

494
00:16:57,840 --> 00:16:59,120
All of this and more at our website.