Is It Time for a VO Conference in Australia?

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(Transcribed by TurboScribe.ai. Go Unlimited to remove this message.) Y'all ready to be history?

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Get started.

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Welcome.

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Hi.

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Hi.

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Hi.

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Hello everyone.

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To the Pro Audio Suite.

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These guys are professional.

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They're motivated.

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With Tech the VO stars.

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George Witten.

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Founder of Source Elements.

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Robert Marshall.

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International audio engineer.

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Darren Robbo Robertson.

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And Global Voice.

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Andrew Peters.

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Thanks to Triboo.

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Austrian Audio.

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Making passion heard.

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Source Elements.

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George the Tech Witten.

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And Robbo and AP's international demos.

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To find out more about us, check theproaudiosuite

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.com.

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Line up, man.

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Here we go.

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Sound good to me.

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And welcome to another Pro Audio Suite.

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Thanks to Tribooth.

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And Austrian Audio.

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Making passion heard.

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Now, Robbo, you're being heard and seen on

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socials.

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In fact, I saw a post of yours

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about doing a webinar.

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Yeah, I thought I'd dip my toe in

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the water, you know.

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As you know, I started doing demos.

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Well, you and I started doing demos a

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while ago.

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And I'm still going doing them and having

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a lot of fun doing that.

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And something that sort of occurred to me

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as I was doing them with people was

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at the same time as we were recording

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demos, I was getting asked a bunch of

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questions about, you know, what's my room sound

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like?

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You know, do you think I could do

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anything to improve it?

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Rah, rah, rah.

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And I kind of thought, well, you know,

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there's obviously a lot of people who want

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that information out there.

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So let's slap a nominal fee on it

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and sort of see who would like to

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see what I've got to say about it.

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So, yeah, so for 30 bucks on June

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the 12th at 7.30 p.m., you

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can jump online and look at my ugly

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mug for an hour and a half and

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we'll talk about home studios.

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And five people who pay a little bit

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extra will get their audio cleaned up and

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listened to and talked about by me and

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they can take all that stuff away and

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make the changes for themselves.

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Cool.

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Because it's like, you know, all these voiceover

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events, which we don't have in Australia or

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New Zealand for that matter, and they're really

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big in the States, of course.

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That's the main body.

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But I did see there was one just

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recently in the UK with Gravy for the

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Brain.

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They had their one.

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I can't think what it's called, though.

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But we don't have one here.

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And I'm wondering whether it would work in

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Australia or New Zealand if we did a

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voiceover conference event.

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I reckon it would be good to have

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one, wouldn't it?

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I mean, you know, I know we're not

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the United States, right?

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And I remember some statistic George came out

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with.

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This was years ago.

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But they did some census in California or

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something.

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And I wish George was here, he could

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tell us.

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But they did some census.

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I know it.

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I actually told you.

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I think I told you this one.

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Oh, was it you?

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It was like just in California alone there

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was some ridiculous amount of people who identified

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as a voiceover artist.

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250,000.

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Yes, there you go.

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Just in California.

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Right.

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But if we were to do one, I

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know we've talked about this and we actually

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talked to George and Robert about would they

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be interested in coming to Australia, for instance,

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as part of an event.

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And they seem pretty keen to do it.

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So I guess we should just put it

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out there.

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I think so.

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The Just Ask Robbo thing that I do

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as well, which is like a home studio

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help thing, I mean that's slowly getting a

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bit of momentum.

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And there's certainly plenty of people out there

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who may already have a home studio and

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they move and they'll sort of jump online,

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you know, make a booking with me and

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jump online and we'll have a listen and

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make some changes and stuff.

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And I think I've saved a few people

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from embarrassment along the way because there's some

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that you sort of go, yeah, you need

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to have a bit of a better listen

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to that.

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Maybe put some headphones on and have a

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listen back to that one.

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Yeah, exactly.

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And stuff like that.

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So, yeah.

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So, look, I mean I guess what I'm

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saying is I think there's definitely a taste

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out there that people will want to make

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their audio sound as good as they can.

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And let's be honest, I mean the home

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studios aren't going away, you know.

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We're only going to go the way of

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the States where, you know, you may not

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have to leave home.

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Well, I don't.

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No, that's right.

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You're a hermit.

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Yeah, I look like a hermit and I

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act like a hermit now.

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Yeah, so I mean someone asked me how

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often I travel into Melbourne and I had

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to really scratch my head.

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I was there once probably in three years

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and that was earlier this year.

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I think I went in for a session.

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But that was the first time in years.

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Yeah.

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What kind of things do you reckon?

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I mean you'd have to talk about Source

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Connect and all that sort of stuff given

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the conversation we've just had, you know, about

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how it's not going to be that long

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and you won't be leaving home.

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So Source Connect would have to be there.

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Source Connect, I think also if you're talking

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about working remotely, I would definitely talk about

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Twisted Wave because the good thing about Twisted

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Wave, it works on iOS and so if

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you're, you know, out of, away from the

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studio and you get a job or someone

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wants you to audition for something, I just

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use iOS on my phone and sit in

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the back of the car.

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And remember we did that as a test

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a few months back.

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Yeah.

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And it sounded pretty good.

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It was more than a few months ago.

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It was about a year or so ago

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or even longer.

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But yeah, it was great.

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Actually, I'll stick the link in the notes

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for this episode because that's great.

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So we've got Twisted Wave, we've got Source

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Connect.

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Got to talk about home studios clearly.

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Yeah, definitely.

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Obviously, getting those set up.

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So maybe, you know, George will have to

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be, if you were going to do it,

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George might have to come out.

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Yeah.

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I don't know.

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I mean, I wonder, it's got me thinking,

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you know, whether there's a taste for that

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sort of thing here.

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And I kind of feel like there is.

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I kind of feel like that people would

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sort of put their hand up, you know.

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Let's face it, if you did it, where

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would you do it?

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Sydney probably.

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That's the most central.

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Yeah, you'd do it in Sydney.

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Well, it's just easier, I think, Sydney.

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Yeah.

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So if you did it here, there's a

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good excuse for a weekend away.

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Do it over a couple of days.

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Yeah.

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And if you're not from Australia and you

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can write it off on tax, if you're

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US-based, you get yourself a bit of

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a vacation.

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That would be good.

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That would be another good reason to do

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it.

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All these listeners from the States that you

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and I keep talking to on email and

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Facebook and stuff, actually meet them face-to

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-face.

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There's a good enough reason to do it

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in the first place.

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Yeah, yeah.

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Yeah, exactly.

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So I reckon it would be like you

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do breakout rooms as well.

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So you'd do home studios.

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You'd do gear.

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You would do Source Connect.

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And just, you know, maybe you have agents

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turn up and they can talk about what

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they want, casting directors, that kind of thing.

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And then you can get down into the

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weeds with a lot of audio stuff, which

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if Robert came up with Source Connect, he

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can get right down in the weeds with

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audio engineers if they're from studios around the

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country.

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Imagine what he'd – those poor voiceover artists,

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you'd have to give them a stiff scotch

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before they go into the session.

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Get their head around it.

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But I reckon, you know, we talk about

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voiceover artists, but I also think, you know,

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like audio engineers could be interested as well.

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Yeah, I would think so, especially that sort

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of stuff.

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Yeah, totally.

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Yeah.

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I mean, just thinking about it, you could

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also do business stuff.

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I mean, you know, there's plenty of Australians

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who are doing well in the States at

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the moment and overseas in certain places.

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It would be good if you could get

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a guest speaker like that maybe to come

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and have a bit of a chat.

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Just talk about business.

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Yeah, absolutely.

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Because that's a big side of things these

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days, isn't it?

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I mean, let's be honest, agents aren't exactly

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proactive in getting out there and promoting people

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on their books.

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You've kind of still got to get out

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there and do it yourself.

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So if you're a bit like me, you

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might be scratching your head about how you

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do that.

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Well, it's certainly a mix.

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It's a mix of your agent promoting you

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and you promoting – because you've got to

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feed your agent as well.

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I mean, they're not going to – you

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know, they literally don't have time to be

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digging around trying to find stuff.

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So like for me and – But do

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you know what, AP?

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I was talking about this the other day.

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I remember – and this is a while

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ago now.

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So this was when I was at George

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Pat.

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So we're talking late 90s, early 2000s, or

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at Take-Two even.

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It used to happen.

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You know, if an agent got a new

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person on their books, they'd do like the

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record company thing.

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They'd do the rounds of the studios.

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Oh, can we make a time to come

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and see you, Robbo?

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You know, blah, blah, blah.

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And they'd turn up and, G'day, Robbo, this

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is Andrew.

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He's new on our books.

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You know, he's really versatile.

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Here's his demo.

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Let's have a listen.

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You know, blah, blah, blah.

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And they don't do that stuff anymore.

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No, it's funny, isn't it?

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We used to do the rounds.

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I remember doing the rounds myself, you know,

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not necessarily with an agent.

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I'd just go, you know, contact people and

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hit all the ad agencies and studios and

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stuff.

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And that was, oh, God, that was like

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nearly 30 years ago when I used to

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go door knocking.

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That was in the days of cassettes.

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In fact, I remember I was probably one

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of the first guys to do a CD

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demo.

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I remember I did demos when those little,

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what do you call it, the little micro

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SD card things, just as a bit of

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a gimmick, I chucked my demos on those

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and I dropped them around places when I

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was looking for a job once, just to

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do something a little bit different, make you

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stand out in their heads.

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So maybe what we should do, if anybody

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is slightly interested in us putting together an

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event, a conference in Sydney at some point

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in the future, next year or maybe, maybe

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just shoot us a note.

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I'll tell you what I'll do.

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I'll build a quick little form that'll take

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you two seconds to fill out, maybe just

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a couple of quick questions and a few

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multi-choice yes or no's and I'll stick

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a link.

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I'll stick it everywhere.

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I'll stick it on the website and I'll

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stick it on our socials and I'll stick

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it in the show notes if they're here

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and jump on there and tell us what

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you think if you've got any ideas.

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Yeah, cool.

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I love it.

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There you go.

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All right, we'd better go and start preparing

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for our conference.

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There's no business like show business.

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Well, that was fun.

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Is it over?

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It's over with me.

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The Pro Audio Suite.

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00:10:24,600 --> 00:10:25,700
With thanks to Triboo.

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And Austrian Audio.

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Recorded using Source Connect.

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Edited by Andrew Peters.

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And mixed by Robbo.

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Got your own audio issues?

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Just ask Robbo.com.

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With tech support from George the Tech Whittam.

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Don't forget to subscribe to the show and

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join in the conversation on our Facebook group.

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To leave a comment, suggest a topic, or

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just say g'day, drop us a note at

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00:10:45,740 --> 00:10:46,360
our website.

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The Pro Audio Suite.