Budget Audio Gear: Bargains or Bollocks?|The Pro Audio SUite
This week's episode of The Pro Audio Suite dives headfirst into the world of budget audio gear, exploring whether cheaper equipment has actually improved or if it's still just average kit with fancy marketing. Here are some key highlights and insights...
This week's episode of The Pro Audio Suite dives headfirst into the world of budget audio gear, exploring whether cheaper equipment has actually improved or if it's still just average kit with fancy marketing. Here are some key highlights and insights from the discussion:
Budget Gear: Better or Still Rubbish?
- Robustness & Quality: The crew revisits the Rode NT1’s evolution—from early plastic models to today's sturdy iterations. They ponder its surprising collectability today.
- User-Friendliness: A cheeky chat unfolds about how budget gear manufacturers should assume nothing when it comes to user knowledge, advocating for painfully obvious product instructions, especially with mics like Rode’s NT1.
Headphones: Still the Achilles Heel?
- Consensus emerges around headphones as one area where low-budget options haven't improved as dramatically as microphones. The crew reckons that decent studio cans rarely dip below the $100 mark without significant compromises in sound and build quality.
- Austrian Audio gets a shout-out for their entry-level headphones offering decent quality, but it's noted that paying a little more generally delivers much better audio.
Interfaces and Converters:
- Robbo's downsized rig is highlighted, having moved from larger interfaces to compact solutions like the SSL2 and the Centrance PASport VO.
- An important insight shared is that cheap interfaces often share internal converter chips with much pricier gear, meaning the sonic differences can be surprisingly subtle.
Bargain Finds and Bargain Fails:
- Andrew points out the rise in cost of entry-level interfaces from brands like Focusrite, thanks to feature-creep.
- The group chats about bargain-basement gear flooding Amazon, discussing surprising finds like a $30 dual XLR-to-USB-C interface cable.
- Robbo humorously advises caution, noting that certain inexpensive gear—particularly cables and mic arms—can still be absolute rubbish.
Chinese Clones and Cheap Accessories:
- George brings up affordable Chinese-made hardware like camera mounts and mic arms, now significantly cheaper yet surprisingly robust compared to premium brands. The "magic arm" clamp is a notable budget win.
- However, the consensus firmly recommends against skimping on headphones and cables. Quality connectors from Neutrik and Mogami cables are touted as essentials worth investing in.
Plug-ins: Stock vs. Premium vs. AI
- Debate surrounds stock plug-ins vs premium offerings, questioning the necessity of higher-priced plug-ins from brands like FabFilter.
- Healthy skepticism about AI-enhanced plug-ins and noise reduction is expressed, particularly regarding Adobe Podcast's AI noise reduction.
Emulators & Mic Modeling:
- Opinions split on whether mic emulation is beneficial or just a feel-good factor. Townsend Sphere and Antelope Audio's mics spark a conversation about whether emulated models truly rival their inspirations.
Final Thoughts:
- Cheaper gear today often does punch above its price tag compared to the past, especially microphones. But there remain clear lines where quality is non-negotiable (headphones, connectors, and build quality in general).
- Ultimately, the episode reinforces the idea that good engineering practice and knowledge still win the day, regardless of budget constraints.
It’s another lively, opinionated, and informative chat from Robbo, Andrew Peters, George "The Tech" Whittam, and Robert Marshall, brought to you by their sponsors Tribooth and Austrian Audio.
If you're keen to catch the full flavour and all the banter, check out the episode at theproaudiosuite.com.
A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth...
And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear..

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“When the going gets weird, the weird turn professional.”
Hunter S Thompson
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(Transcribed by TurboScribe.ai. Go Unlimited to remove this message.) Y'all ready to be history?
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Get started.
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Welcome.
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Hi.
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Hi.
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Hi.
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Hello, everyone.
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To the Pro Audio Suite.
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These guys are professional, they're motivated.
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With Tech the VO stars, George Witton, founder
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of Source Elements, Robert Marshall, international audio engineer,
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Darren Robbo-Robertson, and global voice, Andrew Peters.
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Thanks to Tribooth, Austrian Audio, Making Passion Heard,
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Source Elements, George the Tech Witton, and Robbo
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and AP's international demos.
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To find out more about us, check theproaudiosuite
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.com.
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Line up, man.
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Here we go.
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And welcome to another Pro Audio Suite, thanks
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to Tribooth.
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Don't forget the code, T-R-I-P
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-A-P-200, to get $200 off your
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Tribooth.
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And Austrian Audio, Making Passion Heard.
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We're talking about budget gear, because historically, budget
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gear was always pretty average.
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But has it improved?
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I think so.
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Let's discuss.
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I'd say yes.
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Yeah.
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I would totally add.
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You know, the original Rode NT1 was made
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of plastic.
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Oh, I didn't know that.
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Mm-hmm.
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Yeah.
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I did not know that.
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That's funny, because I always thought the Rodes
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were, like, made very robust.
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If I type in eBay, do I type
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in plastic Rode NT1?
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Will it come up?
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It could.
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It may.
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It just may do that.
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Yeah.
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And, in fact, the weird thing is, they've
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actually become collectible.
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Well, that's what I was thinking, like, if
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you had one of those, that sounds like
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it's relatively not common.
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That one sounds even more like a 460.
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Look at me now.
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There you go.
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Look at that.
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Yeah.
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That's a fifth gen.
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That's the fifth gen, exactly.
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Oh, you have a fifth gen now?
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Yeah.
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Well, I've had it for a while, thank
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you, Rode.
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But do you know what's missing on that
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box?
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And I'm going to tell Rode right now,
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if anybody's watching, you know what's missing on
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the box?
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A picture of a person standing in front
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of the correct side of the microphone.
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Oh, okay.
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Yeah.
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Yeah.
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You're supposed to talk into the top of
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it, right?
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Yeah, I can kind of see that.
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People get it wrong all the time, all
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the time.
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Definitely.
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Because they talk to the logo.
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We used to have a mic in the
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voiceover booth for all the video editors, and
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we had a picture next to the mic
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with arrows showing where to speak into it,
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and they would constantly talk into the top
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of this side address mic.
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No matter...
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Yeah.
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You can't even...
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Just pictures, like, no words.
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Yeah.
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Yeah.
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I know, it's off topic, but this is
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a big problem.
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It's like, when you sell a product, make
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it painfully obvious.
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If it's an entry-level price point product,
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pretend in your mind's eye that there's actors
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that are beginners or podcasters who are beginners
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buying your beginner priced product and put a
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picture on the box.
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Don't assume.
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Don't assume.
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Because we're all engineers.
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We get it.
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But typical users, it's not so obvious.
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Yeah.
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It's interesting how, yeah, like we're saying, yeah,
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technology has come a long way, but the
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user side of things, their knowledge hasn't really
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come a long way.
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Like the amount of voiceover artists who you
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see with poor mic technique and those sort
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of things still sort of wows me.
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It goes back to the same thing, where
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you could give a good engineer just a
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pile of SM57s, and you can give somebody
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else all the gear they want, and that
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engineer who knows where to put the mics
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and how to set the gain and everything,
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they're going to get a better drum sound
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than someone who has whatever they want, because
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it's not the gear, it's the voice talent.
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Well, look at the Beatles, you know, four
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tracks and a few microphones.
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Yeah.
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The only thing I can see that would
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be an issue is entry-level stuff is
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headphones.
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That's the only thing you kind of go,
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oh, no, because you're just not hearing properly.
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Cheap headphones are still cheap headphones, I think
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you're right.
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Not that I use a lot of them.
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Thank you.
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It's funny how cheap mics have gotten better
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than cheap headphones.
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Yeah.
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Yeah, I agree with that, yeah.
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And there's an entry point on headphones that
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you really almost never can drop below, and
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that's around $100.
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$100, yeah.
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The $30 headphones sound like $30 headphones.
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Yep.
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Yeah, I mean, there's some exceptions.
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I know people like the Cosporta Pro, which
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are the, they look like 80s Walkman headphones,
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you know, with the little foam, you know,
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and they sound really good, you know.
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But those are outliers and they're not studio
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cans.
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If you want proper studio cans that fully
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encase your ear, enclose your ear, you know,
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not on ear, but around the ear, circumoral,
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you know, it's, the cheaper ones, they can
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sound okay, but they're crackly, the plastic is
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cheap, you move and they creak.
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There's just so many issues with the build
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quality.
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So it's hard to get something better than,
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or under that.
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And I think even the response, like usually
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in the high end and the clarity, the
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low end, they're just not really as flat
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and as wide response.
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They tend to have a more peaky kind
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of thing going on.
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Yeah, well, case in point, the Austrian Audios.
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I'm still rocking these, at least the 15s,
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is that the entry level can from them?
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Yeah.
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And I think they're pretty great.
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Well, the 20s came out, right?
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And they're just a little more expensive.
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But they have an extended top and an
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extended bottom.
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Not without sounding in any weird, weird colored,
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not sounding exaggerated.
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They just have a little bit more of
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both ends of the spectrum, you know, and
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that little extra price is going to give
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you that.
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So there are things you may miss out
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on if you don't pay a little bit
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more.
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Yeah.
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Well, then there's the interfaces too.
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I mean, Andrew's, and you've downgraded in the
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last couple of months, not, sorry, I shouldn't
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say downgraded.
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You've reduced the size of your interfaces.
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I mean, the SSL2 is an amazing interface,
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but half the size of what you used
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to have and what, half the price probably?
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Yeah, well, I've actually moved the SSL2 out
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now.
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Well, you're still using the Audient, right?
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I've got the Audient for all the big
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stuff.
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Yeah.
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And then for the laptop, I use the
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Passport, which I used to have the SSL2.
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And I think what people don't realize a
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lot about this gear is like, let's take
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for example, converters.
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If the company is not making their own
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converters, which very few companies are, then really
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they're using converters that are built on a
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chip, typically from like, there's a company called
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AKM that makes most of the converters.
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So your cheap Behringer gear has the same
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converter as some of your really expensive gear.
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And unless you really fuck up the analog
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side or the power supply, you're going to
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get the same sound, because it's the same
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chip.
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Like, give it five volts of electricity, give
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it the audio from the input, and all
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this gear is using the same little tiny
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chips and the mic preamps, the same thing.
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Whatever it is, like I'm going to get
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these wrong, but like the 72, I forget
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the chip numbers, but there's a few chips
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that are mic preamps on a chip.
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And again, you just implement it properly, which
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half the time when you buy the chips,
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the manufacturers give you an example of how
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to make a mic preamp on it, and
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half these things will use the same implementation
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of, there's a mic preamp.
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Yeah.
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I mean, part of that's just because of
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the way China flaunts intellectual property, right?
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So the same exact circuitry is being replicated
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and used over and over.
238
00:07:27,800 --> 00:07:31,140
And usually what happens is the cream floats
239
00:07:31,140 --> 00:07:31,760
to the top.
240
00:07:31,840 --> 00:07:35,020
So they're going to use the circuits that
241
00:07:35,020 --> 00:07:36,900
people like the most, you know, because they
242
00:07:36,900 --> 00:07:38,040
can do it so cheaply.
243
00:07:38,180 --> 00:07:39,780
And I think that's another reason.
244
00:07:40,060 --> 00:07:42,060
But I'll argue to say too that the
245
00:07:42,060 --> 00:07:45,040
low-end audio interfaces that people like are
246
00:07:45,040 --> 00:07:46,060
not getting cheaper.
247
00:07:46,280 --> 00:07:47,540
They're actually getting more expensive.
248
00:07:48,200 --> 00:07:51,180
Let's take the Focusrite Scarlett Solo and the
249
00:07:51,180 --> 00:07:52,320
2i2, for example.
250
00:07:52,960 --> 00:07:57,020
They've gotten more expensive because they're feature creeping
251
00:07:57,020 --> 00:07:57,520
them now.
252
00:07:57,600 --> 00:07:59,140
They're adding more functionality.
253
00:07:59,360 --> 00:08:02,460
They're adding auto input gain level control and,
254
00:08:02,500 --> 00:08:04,520
you know, other functions that were never there
255
00:08:04,520 --> 00:08:04,900
before.
256
00:08:05,120 --> 00:08:08,600
So it's interesting to see there isn't that
257
00:08:08,600 --> 00:08:12,820
$100 audio interface that you can really go
258
00:08:13,520 --> 00:08:14,040
for anymore.
259
00:08:14,280 --> 00:08:17,260
Now it's $160, $170.
260
00:08:17,900 --> 00:08:19,580
Well, no, but there is that $100 audio
261
00:08:19,580 --> 00:08:20,060
interface.
262
00:08:20,060 --> 00:08:22,180
I mean, have you spent any time on
263
00:08:22,180 --> 00:08:24,300
Amazon looking at some of the cheap gear
264
00:08:24,300 --> 00:08:24,880
that's out there?
265
00:08:25,160 --> 00:08:25,540
No, I know.
266
00:08:25,600 --> 00:08:29,100
But I mean, these are offspin brands, not
267
00:08:29,100 --> 00:08:30,180
the big leaders.
268
00:08:30,760 --> 00:08:32,559
They're all offspin brands and they all make
269
00:08:32,559 --> 00:08:35,000
their interfaces with red and they make them
270
00:08:35,000 --> 00:08:37,360
look like a Scarlett and all that other
271
00:08:37,360 --> 00:08:37,720
stuff.
272
00:08:38,260 --> 00:08:41,059
But again, they're probably just same chips.
273
00:08:41,780 --> 00:08:43,820
They do sometimes luck into a good product.
274
00:08:44,380 --> 00:08:45,100
Let me get something.
275
00:08:46,180 --> 00:08:46,660
OK.
276
00:08:46,660 --> 00:08:49,900
Yeah, there's a microphone called the Stellar X2
277
00:08:49,900 --> 00:08:53,380
and they just kind of lucked into getting
278
00:08:53,380 --> 00:08:56,520
a decent sounding $200 mic and now that
279
00:08:56,520 --> 00:08:59,940
microphone is extremely popular and people will go
280
00:08:59,940 --> 00:09:02,320
buy that mic that have a better mic
281
00:09:02,320 --> 00:09:04,740
because they heard that this mic is so
282
00:09:04,740 --> 00:09:06,920
good, which is the weirdest thing.
283
00:09:07,100 --> 00:09:10,600
People are buying cheaper mics to supplement their
284
00:09:10,600 --> 00:09:12,960
better mics and I'm like, I don't get
285
00:09:12,960 --> 00:09:13,440
it at all.
286
00:09:13,440 --> 00:09:14,960
Because they want to travel with a cheap
287
00:09:14,960 --> 00:09:16,220
mic or they don't want to worry about
288
00:09:16,220 --> 00:09:16,820
it.
289
00:09:17,340 --> 00:09:18,240
But well, that's some of it.
290
00:09:18,300 --> 00:09:20,240
But it's also that they just heard it's
291
00:09:20,240 --> 00:09:20,780
a good mic.
292
00:09:20,840 --> 00:09:22,540
So they went and bought it with no
293
00:09:22,540 --> 00:09:24,900
real thought about why they bought it.
294
00:09:24,920 --> 00:09:25,480
Well, OK.
295
00:09:25,540 --> 00:09:26,980
So I've been trying to figure out like
296
00:09:26,980 --> 00:09:29,420
Sage is doing music composition and she's now
297
00:09:29,420 --> 00:09:32,440
in the position where she's got a whole,
298
00:09:32,980 --> 00:09:35,340
practically a whole orchestra working on an arrangement
299
00:09:35,340 --> 00:09:36,020
that she did.
300
00:09:36,180 --> 00:09:37,380
And I'm like, record that.
301
00:09:37,420 --> 00:09:39,100
And she's like too bothered to record it.
302
00:09:39,180 --> 00:09:40,040
So I'm trying to figure out how to
303
00:09:40,040 --> 00:09:41,220
get it easy for her to record.
304
00:09:41,680 --> 00:09:42,260
I'm on Amazon.
305
00:09:42,260 --> 00:09:42,560
Yeah.
306
00:09:43,080 --> 00:09:45,900
Notice here, USB-C cable, right?
307
00:09:46,100 --> 00:09:46,260
Yeah.
308
00:09:46,420 --> 00:09:47,460
Two XLRs.
309
00:09:47,660 --> 00:09:48,120
No way.
310
00:09:48,120 --> 00:09:48,320
30 bucks.
311
00:09:48,320 --> 00:09:49,140
You make that now?
312
00:09:49,360 --> 00:09:50,800
30 fucking dollars.
313
00:09:51,140 --> 00:09:54,920
And this thing will sample at 384, 384
314
00:09:54,920 --> 00:09:55,580
kilohertz.
315
00:09:55,800 --> 00:09:56,200
Wow.
316
00:09:56,460 --> 00:10:01,360
24 bit, 384 XLR cable for $30.
317
00:10:02,460 --> 00:10:02,880
No phantom.
318
00:10:03,420 --> 00:10:04,340
This is line input.
319
00:10:05,380 --> 00:10:05,620
Yeah.
320
00:10:05,680 --> 00:10:06,420
Most of those are.
321
00:10:06,800 --> 00:10:08,180
Oh, it's a line input.
322
00:10:08,300 --> 00:10:08,540
OK.
323
00:10:08,540 --> 00:10:11,120
So it's a pair of balanced line ins
324
00:10:11,120 --> 00:10:14,220
at super high sample rate into USB-C
325
00:10:14,220 --> 00:10:14,980
for $30.
326
00:10:15,800 --> 00:10:17,120
Just jam it into your phone.
327
00:10:17,800 --> 00:10:18,020
Yeah.
328
00:10:18,180 --> 00:10:18,880
Just jam it in there.
329
00:10:19,320 --> 00:10:20,280
I would love to have that.
330
00:10:20,660 --> 00:10:21,140
Yeah.
331
00:10:21,580 --> 00:10:23,040
Even if it doesn't fit, jam it.
332
00:10:23,040 --> 00:10:24,460
Even if you've got a lightning port, just
333
00:10:24,460 --> 00:10:26,220
jam the USB-C in there and you'll
334
00:10:26,220 --> 00:10:26,920
be right, mate.
335
00:10:27,200 --> 00:10:31,060
Well, no, you get a little $10 USB
336
00:10:31,060 --> 00:10:33,520
-C to lightning adapter and there you go.
337
00:10:34,420 --> 00:10:36,820
It doesn't use enough juice, so it doesn't
338
00:10:36,820 --> 00:10:38,600
even need a power adapter.
339
00:10:39,800 --> 00:10:39,920
Yep.
340
00:10:41,220 --> 00:10:41,700
Yep.
341
00:10:42,080 --> 00:10:44,240
And I'm trying to still figure out exactly
342
00:10:44,240 --> 00:10:45,800
what preamp I set her up with, but
343
00:10:45,800 --> 00:10:46,020
yeah.
344
00:10:46,960 --> 00:10:47,320
Yeah.
345
00:10:47,400 --> 00:10:48,640
I mean, some of it is just that
346
00:10:48,640 --> 00:10:53,740
there's just a race to supply these problem
347
00:10:53,740 --> 00:10:54,600
solver things.
348
00:10:55,300 --> 00:10:56,380
And that's cool.
349
00:10:56,640 --> 00:10:59,040
If that cable you held up was made
350
00:10:59,040 --> 00:11:01,680
by Sennheiser, there would be $100.
351
00:11:01,680 --> 00:11:02,280
It'd be $200.
352
00:11:02,280 --> 00:11:03,060
$200, right.
353
00:11:03,600 --> 00:11:03,920
Yeah, exactly.
354
00:11:03,920 --> 00:11:05,060
Yeah, $200, yeah.
355
00:11:05,820 --> 00:11:07,620
But it doesn't need to be made by
356
00:11:07,620 --> 00:11:10,820
Sennheiser because they're so good now at making
357
00:11:10,820 --> 00:11:12,440
things like this in China.
358
00:11:12,600 --> 00:11:14,760
Now does it have Neutrik connectors on it?
359
00:11:15,160 --> 00:11:16,520
They're probably Neutrik ripoffs.
360
00:11:16,780 --> 00:11:17,840
They're not quite Neutrik.
361
00:11:17,920 --> 00:11:18,380
That's what I mean.
362
00:11:18,580 --> 00:11:19,500
They're not Neutrik.
363
00:11:19,780 --> 00:11:21,640
Because a Neutrik connector, each one's $10.
364
00:11:22,560 --> 00:11:23,040
Yeah.
365
00:11:23,320 --> 00:11:24,120
But check this out.
366
00:11:24,760 --> 00:11:26,520
How can you do anything differently?
367
00:11:26,740 --> 00:11:28,280
There's the business end of it.
368
00:11:28,920 --> 00:11:30,180
The only thing that's in there is a
369
00:11:30,180 --> 00:11:30,540
chip.
370
00:11:30,960 --> 00:11:33,320
Like one fricking chip is about all you
371
00:11:33,320 --> 00:11:34,260
have room for in there.
372
00:11:35,200 --> 00:11:37,240
They just hooked up a chip to the
373
00:11:37,240 --> 00:11:39,580
cables and- By the way, if you
374
00:11:39,580 --> 00:11:41,520
go to Apple Store to get a Thunderbolt
375
00:11:41,520 --> 00:11:45,900
cable, $70 US for a one meter Thunderbolt
376
00:11:45,900 --> 00:11:46,260
cable.
377
00:11:46,400 --> 00:11:46,760
Wow.
378
00:11:47,040 --> 00:11:47,480
Yeah.
379
00:11:47,620 --> 00:11:48,300
That's all of us.
380
00:11:48,300 --> 00:11:49,800
I buy them used for $20.
381
00:11:50,520 --> 00:11:50,660
Yeah.
382
00:11:51,080 --> 00:11:51,520
Yeah.
383
00:11:51,540 --> 00:11:52,500
But if you have to go to the
384
00:11:52,500 --> 00:11:54,600
Best Buy because you forgot to tell your
385
00:11:54,600 --> 00:11:57,740
client to go buy a Thunderbolt cable for
386
00:11:57,740 --> 00:11:59,740
their Apollo, guess what you're running out to
387
00:11:59,740 --> 00:12:00,420
Best Buy to buy?
388
00:12:00,540 --> 00:12:02,940
A $70 Thunderbolt cable, right?
389
00:12:03,400 --> 00:12:04,640
So yeah.
390
00:12:04,920 --> 00:12:05,760
It's a...
391
00:12:05,760 --> 00:12:08,360
And how about in terms of just accessories
392
00:12:08,360 --> 00:12:08,840
too?
393
00:12:09,400 --> 00:12:11,500
I can say that there's a lot of
394
00:12:11,500 --> 00:12:14,300
mic booms that have come out because of
395
00:12:14,300 --> 00:12:15,860
the podcasting revolution.
396
00:12:16,080 --> 00:12:16,360
Yeah.
397
00:12:16,580 --> 00:12:17,280
Dude, I got a good one for that.
398
00:12:17,280 --> 00:12:19,320
And so many people have these $20 mic
399
00:12:19,320 --> 00:12:21,120
booms and they are garbage.
400
00:12:21,360 --> 00:12:21,840
They're rubbish.
401
00:12:22,080 --> 00:12:22,740
Dude, hold on.
402
00:12:22,760 --> 00:12:23,140
They're crap.
403
00:12:23,940 --> 00:12:24,600
Look at this.
404
00:12:24,980 --> 00:12:25,100
Yeah.
405
00:12:25,100 --> 00:12:25,240
Okay.
406
00:12:25,480 --> 00:12:27,620
First of all, you see these connectors everywhere
407
00:12:27,620 --> 00:12:29,240
and they're 20 bucks.
408
00:12:29,440 --> 00:12:29,880
They're blurred out.
409
00:12:30,160 --> 00:12:30,260
But it's so good.
410
00:12:30,260 --> 00:12:31,640
So you're holding up one of those clamps.
411
00:12:32,100 --> 00:12:33,960
It has the two kinds of camera mounts,
412
00:12:34,060 --> 00:12:35,880
like the quarter inch and the eighth inch.
413
00:12:35,960 --> 00:12:38,800
What they're good at doing in China is
414
00:12:38,800 --> 00:12:39,340
metal.
415
00:12:39,760 --> 00:12:42,360
They're good at steel and aluminum in China.
416
00:12:42,480 --> 00:12:44,440
They had the machining down.
417
00:12:45,120 --> 00:12:47,260
That stuff has gotten really affordable.
418
00:12:47,460 --> 00:12:50,600
Like I'm no longer buying Manfrotto this and
419
00:12:50,600 --> 00:12:52,260
this and that.
420
00:12:52,260 --> 00:12:55,580
I'm like buying SmallRig or a newer with
421
00:12:55,580 --> 00:12:56,360
two Es.
422
00:12:56,820 --> 00:12:58,020
You know, all these like Chinese brands.
423
00:12:58,020 --> 00:12:58,940
It's the same thing.
424
00:12:59,620 --> 00:13:01,180
You find these like mic arms that are
425
00:13:01,180 --> 00:13:03,460
like, you know, $40 for an adapter, right?
426
00:13:03,540 --> 00:13:05,780
And I had to buy a pair of
427
00:13:05,780 --> 00:13:08,760
speaker mounts for our booth and I did
428
00:13:08,760 --> 00:13:10,100
not want to spend a hundred bucks on
429
00:13:10,100 --> 00:13:10,680
speaker mounts.
430
00:13:10,920 --> 00:13:11,960
So I'm on Amazon.
431
00:13:12,660 --> 00:13:13,400
Here's this thing.
432
00:13:14,400 --> 00:13:17,780
It's a short leg and another short leg
433
00:13:17,780 --> 00:13:19,280
with that clamp on it.
434
00:13:19,840 --> 00:13:20,760
And the thing is great.
435
00:13:20,760 --> 00:13:22,980
On one knob, when you tighten this one
436
00:13:22,980 --> 00:13:26,680
knob here, it tightens all the knuckles, including
437
00:13:26,680 --> 00:13:28,300
all the little- It's called a magic
438
00:13:28,300 --> 00:13:28,580
arm.
439
00:13:28,860 --> 00:13:29,700
Yeah, 15 bucks.
440
00:13:29,700 --> 00:13:31,200
See, if you bought that at a grip
441
00:13:31,200 --> 00:13:34,080
store in Hollywood, that would be a $150
442
00:13:34,080 --> 00:13:35,280
magic arm.
443
00:13:35,600 --> 00:13:36,440
No more, way more.
444
00:13:37,600 --> 00:13:38,740
It's called a magic arm.
445
00:13:38,940 --> 00:13:40,780
But now they've figured out how to duplicate
446
00:13:40,780 --> 00:13:43,340
these in China, like really inexpensively.
447
00:13:44,220 --> 00:13:46,100
And those are the things I'm not worried
448
00:13:46,100 --> 00:13:48,720
about buying from China is the hardware made
449
00:13:48,720 --> 00:13:49,960
of steel and aluminum.
450
00:13:50,520 --> 00:13:52,680
They can't mess those up too badly.
451
00:13:53,380 --> 00:13:54,660
And so I don't mind that stuff.
452
00:13:54,840 --> 00:13:57,660
But mic cables, that's kind of where I
453
00:13:57,660 --> 00:13:58,640
tend to draw the line.
454
00:13:58,820 --> 00:14:00,800
I would much rather have a mic cable
455
00:14:00,800 --> 00:14:04,660
that's made with Mogami or some kind of
456
00:14:04,660 --> 00:14:07,660
a reputable conductor and a Neutrik or something
457
00:14:07,660 --> 00:14:08,180
on the end.
458
00:14:08,380 --> 00:14:12,400
Until you get a RJ45 Bloom and send
459
00:14:12,400 --> 00:14:14,760
it down a freaking wire that's as big
460
00:14:14,760 --> 00:14:15,360
as a molecule.
461
00:14:16,200 --> 00:14:16,680
Sorry.
462
00:14:16,960 --> 00:14:17,360
Say that again.
463
00:14:17,580 --> 00:14:17,680
Right?
464
00:14:17,720 --> 00:14:18,360
What do you guys use?
465
00:14:18,360 --> 00:14:20,260
Yeah, explain that again.
466
00:14:20,540 --> 00:14:22,120
You've lost all of us on that one.
467
00:14:22,120 --> 00:14:22,280
Okay.
468
00:14:22,560 --> 00:14:22,880
Okay.
469
00:14:22,920 --> 00:14:25,420
We did a whole episode about basically converting
470
00:14:25,420 --> 00:14:29,580
RJ45, like you have the RJ45 breakouts at
471
00:14:29,580 --> 00:14:30,480
one RJ11.
472
00:14:31,140 --> 00:14:32,160
Oh, yes, yes.
473
00:14:32,160 --> 00:14:33,000
I'm sorry, RJ45 cables.
474
00:14:33,020 --> 00:14:34,860
The Cat Box, the Balans that go from
475
00:14:34,860 --> 00:14:36,460
RJ45 to Balanced.
476
00:14:37,000 --> 00:14:37,100
Yeah.
477
00:14:37,360 --> 00:14:40,320
And, okay, quite frankly, that cable is running
478
00:14:40,320 --> 00:14:43,120
at megahertz, sending shitloads of data.
479
00:14:43,840 --> 00:14:45,600
There's not a lot of tolerance there for
480
00:14:45,600 --> 00:14:49,500
how space, eh, like, what is it doing?
481
00:14:49,680 --> 00:14:52,260
Does the copper, oxygen-free, blah, blah, blah
482
00:14:52,260 --> 00:14:54,040
matter that much?
483
00:14:54,060 --> 00:14:55,220
That's the question, right?
484
00:14:55,420 --> 00:14:56,980
And it probably doesn't.
485
00:14:57,280 --> 00:14:58,840
Cables are not about the wire.
486
00:14:59,020 --> 00:15:00,420
Cables are about the connectors.
487
00:15:01,160 --> 00:15:03,180
What are the big brands for cables in
488
00:15:03,180 --> 00:15:05,720
Australia that people commonly use?
489
00:15:06,700 --> 00:15:08,160
Probably the same as yours.
490
00:15:08,160 --> 00:15:13,320
I mean, um, I use Kanair, Starquart.
491
00:15:13,840 --> 00:15:14,580
Oh, Kanari, you mean?
492
00:15:14,580 --> 00:15:15,360
Oh, yeah, Kanari.
493
00:15:15,580 --> 00:15:16,400
Kanari, Kanari.
494
00:15:16,400 --> 00:15:17,260
Kanari's very good.
495
00:15:17,600 --> 00:15:20,080
Yeah, that's what I use, but I make
496
00:15:20,080 --> 00:15:22,680
my own cables and then Neutrik connectors.
497
00:15:24,560 --> 00:15:26,160
Oh, do you, are you handy with a
498
00:15:26,160 --> 00:15:26,880
soldering iron, Andrew?
499
00:15:27,040 --> 00:15:28,800
He's very good with a soldering iron, unlike
500
00:15:28,800 --> 00:15:29,220
me.
501
00:15:29,680 --> 00:15:30,740
He's got a steady hand.
502
00:15:31,420 --> 00:15:32,140
Steady hand.
503
00:15:32,720 --> 00:15:34,400
I've just never had the patience for it.
504
00:15:34,400 --> 00:15:36,380
No, no, we, like, we have cheap stuff
505
00:15:36,380 --> 00:15:38,240
like Rapco and Horizon.
506
00:15:38,520 --> 00:15:39,440
Horizon's really junk.
507
00:15:39,940 --> 00:15:41,720
The cables you gotta watch out for, the
508
00:15:41,720 --> 00:15:43,260
ones with the molded ends that you can't
509
00:15:43,260 --> 00:15:45,200
do anything with after they go bad.
510
00:15:45,880 --> 00:15:46,540
Yeah, that's right, that's right.
511
00:15:46,540 --> 00:15:47,520
Those are the super cheap ones.
512
00:15:48,360 --> 00:15:48,760
Yeah.
513
00:15:48,920 --> 00:15:51,040
But, yeah, so with cables, you know.
514
00:15:51,060 --> 00:15:51,680
But the wires, where's the wire?
515
00:15:52,140 --> 00:15:53,640
I buy mine from Cable Chick.
516
00:15:54,000 --> 00:15:54,600
Cable Chick?
517
00:15:54,900 --> 00:15:55,520
Cable Chick.
518
00:15:55,900 --> 00:15:56,300
There you go.
519
00:15:56,440 --> 00:15:57,000
There's a plug.
520
00:15:57,120 --> 00:15:57,540
Oh, really?
521
00:15:57,580 --> 00:15:59,760
Is that an Aussie distributor?
522
00:15:59,940 --> 00:16:00,080
Yeah.
523
00:16:00,220 --> 00:16:00,960
She's the best.
524
00:16:01,220 --> 00:16:03,080
Oh, dear, that doesn't sound very...
525
00:16:04,900 --> 00:16:06,920
Get your mind out of your gutter, AP,
526
00:16:07,160 --> 00:16:07,540
seriously.
527
00:16:07,780 --> 00:16:09,520
Won't be taking her out again.
528
00:16:09,820 --> 00:16:10,580
No, exactly.
529
00:16:12,220 --> 00:16:14,440
But, yeah, the things I would not cheap
530
00:16:14,440 --> 00:16:17,140
out on is headphones and cables.
531
00:16:17,440 --> 00:16:17,700
Yeah.
532
00:16:18,100 --> 00:16:18,460
Yeah.
533
00:16:18,660 --> 00:16:21,460
You can get away with a microphone, you
534
00:16:21,460 --> 00:16:22,260
can get away with an interface.
535
00:16:22,260 --> 00:16:23,200
I have to agree with that.
536
00:16:23,800 --> 00:16:24,060
Yeah.
537
00:16:24,140 --> 00:16:25,920
There is one brand of cable that's been
538
00:16:25,920 --> 00:16:28,960
distributing on Amazon called WBC, or World Best
539
00:16:28,960 --> 00:16:31,840
Cable, and they are doing like their equivalent
540
00:16:31,840 --> 00:16:34,080
of a Mogami Gold, you know, which is
541
00:16:34,080 --> 00:16:36,680
like a $780 US dollar, my cable, and
542
00:16:36,680 --> 00:16:38,520
it's $30 US maybe.
543
00:16:39,420 --> 00:16:42,500
And they sell the quad cable, so they're
544
00:16:42,500 --> 00:16:46,160
the plus and the minus, or the pin,
545
00:16:46,380 --> 00:16:47,360
what do you call it, pin two and
546
00:16:47,360 --> 00:16:48,040
pin three.
547
00:16:48,360 --> 00:16:49,940
They're each a twisted pair.
548
00:16:50,160 --> 00:16:51,420
You're talking about quad star cable?
549
00:16:51,460 --> 00:16:51,680
Yeah.
550
00:16:51,680 --> 00:16:51,860
Yeah.
551
00:16:52,000 --> 00:16:53,620
And they're each a twisted pair, you know,
552
00:16:53,920 --> 00:16:56,140
and they're better shielded, and they're only slightly
553
00:16:56,140 --> 00:16:58,100
more expensive than the standard cable.
554
00:16:58,100 --> 00:17:00,540
So, I tell everybody, just get the star
555
00:17:00,540 --> 00:17:03,560
quad, you know, cables, and, you know, you'll
556
00:17:03,560 --> 00:17:04,380
be a happy camper.
557
00:17:04,480 --> 00:17:06,180
And those are still not that more expensive.
558
00:17:06,640 --> 00:17:07,160
There you go.
559
00:17:07,400 --> 00:17:08,800
Oh, we're seeing cable chick now.
560
00:17:08,900 --> 00:17:10,900
So, we now know it's a real thing.
561
00:17:10,980 --> 00:17:13,099
We don't all think Robbo's crazy.
562
00:17:13,480 --> 00:17:13,980
She's cute.
563
00:17:14,020 --> 00:17:14,839
I think she's cute.
564
00:17:15,040 --> 00:17:16,280
That's why she gets my business.
565
00:17:16,720 --> 00:17:18,319
She's a cute cartoon girl.
566
00:17:19,380 --> 00:17:21,339
If you're plugging the stuff in, it goes
567
00:17:21,339 --> 00:17:22,800
behind your desk, it's never going to get
568
00:17:22,800 --> 00:17:25,180
moved, you can get away with less expensive
569
00:17:25,180 --> 00:17:25,579
cables.
570
00:17:25,579 --> 00:17:27,040
But if you're going to be plugging in
571
00:17:27,040 --> 00:17:29,740
and out, traveling, you have no room for
572
00:17:29,740 --> 00:17:31,600
them to mess up, then you want to
573
00:17:31,600 --> 00:17:34,720
get something better, because it's, I think it's
574
00:17:34,720 --> 00:17:36,880
a lot to do with the build and
575
00:17:36,880 --> 00:17:37,540
the connectors.
576
00:17:37,800 --> 00:17:39,260
If you're working on the road, if you're
577
00:17:39,260 --> 00:17:41,000
on the travel kit, or you're doing a
578
00:17:41,000 --> 00:17:43,240
stage travel show, you got to have the
579
00:17:43,240 --> 00:17:46,700
best gear, best cables, bar none, because that
580
00:17:46,700 --> 00:17:48,500
stuff does take a lot more abuse that
581
00:17:48,500 --> 00:17:48,720
way.
582
00:17:49,180 --> 00:17:50,340
Yeah, that's absolutely true.
583
00:17:50,340 --> 00:17:51,960
And also, the other thing is with cables.
584
00:17:52,240 --> 00:17:57,600
If something goes wrong, it's just eliminating possibilities
585
00:17:57,600 --> 00:17:58,260
of failure.
586
00:17:59,040 --> 00:18:01,440
The one thing that I do have, on
587
00:18:01,440 --> 00:18:04,280
Andrew's point, is I do have a cable
588
00:18:04,280 --> 00:18:06,040
tester that sits in my bottom drawer, and
589
00:18:06,040 --> 00:18:07,940
if something's not working, that's the first thing
590
00:18:07,940 --> 00:18:10,760
I drag out, is, okay, well, let's just
591
00:18:10,760 --> 00:18:12,420
make sure the cable's right, you know?
592
00:18:12,680 --> 00:18:14,100
Yeah, I've got one of those multi-testers
593
00:18:14,100 --> 00:18:15,560
that has a nine-volt battery, and it's
594
00:18:15,560 --> 00:18:18,820
got two XLRs, two quarter-inch, two RCA,
595
00:18:19,480 --> 00:18:19,920
and yeah.
596
00:18:20,280 --> 00:18:22,460
Yes, indeed, because then that takes the guesswork
597
00:18:22,460 --> 00:18:22,940
out of it.
598
00:18:23,020 --> 00:18:25,180
It's like, okay, the cable's fucked, time for
599
00:18:25,180 --> 00:18:26,320
a new one, or the cable's working.
600
00:18:26,340 --> 00:18:27,500
And a good one will tell you if
601
00:18:27,500 --> 00:18:29,280
your cable's in phase or out of phase.
602
00:18:29,620 --> 00:18:30,580
Yes, mine does that.
603
00:18:30,860 --> 00:18:30,980
Yeah.
604
00:18:32,000 --> 00:18:33,680
If you've got a home studio, that's one
605
00:18:33,680 --> 00:18:35,520
thing that's definitely worth investing in, is a
606
00:18:35,520 --> 00:18:37,940
really good cable tester, because it will just
607
00:18:37,940 --> 00:18:39,180
save you so much grief.
608
00:18:40,200 --> 00:18:42,160
That is very true, that is very true.
609
00:18:42,160 --> 00:18:44,300
But the other category we didn't touch on
610
00:18:44,300 --> 00:18:46,080
yet, before we wrap it up, is plug
611
00:18:46,080 --> 00:18:46,380
-ins.
612
00:18:47,180 --> 00:18:49,720
Yeah, yeah, well, I don't know.
613
00:18:50,380 --> 00:18:52,200
I think some of the stock plug-ins
614
00:18:52,200 --> 00:18:53,780
are doing really, really, really well.
615
00:18:54,340 --> 00:18:56,700
EQ7, Pro Tools, what's wrong with it?
616
00:18:57,240 --> 00:18:58,840
Oh, look, well, nothing.
617
00:18:59,420 --> 00:19:00,400
Nothing's wrong with it.
618
00:19:01,200 --> 00:19:02,660
I mean, I've been using the Waves...
619
00:19:02,660 --> 00:19:04,400
Who makes a whole album with EQ7 and
620
00:19:04,400 --> 00:19:05,020
D-Verb?
621
00:19:05,300 --> 00:19:07,220
Yeah, well, I've been using the Waves F6
622
00:19:07,220 --> 00:19:10,520
for years now, almost as long as it's
623
00:19:10,520 --> 00:19:10,920
been out.
624
00:19:10,920 --> 00:19:15,020
It's my go-to for voiceover and vocals
625
00:19:15,020 --> 00:19:15,680
and stuff.
626
00:19:16,860 --> 00:19:17,520
You know, I don't know.
627
00:19:17,620 --> 00:19:19,740
I mean, AI's slowly creeping in there.
628
00:19:19,800 --> 00:19:20,740
Is that a good thing?
629
00:19:21,360 --> 00:19:23,380
In noise reduction, I feel like it is,
630
00:19:23,480 --> 00:19:27,680
but I mean, you know, the Waves, Horizon,
631
00:19:28,320 --> 00:19:31,640
you know, AI, EQ, shit, is that necessary?
632
00:19:32,640 --> 00:19:33,480
Is it good?
633
00:19:35,360 --> 00:19:35,760
Maybe.
634
00:19:35,760 --> 00:19:35,940
Maybe?
635
00:19:36,100 --> 00:19:37,140
I'm not so...
636
00:19:37,140 --> 00:19:39,560
I'm gonna be extremely skeptical about AI.
637
00:19:39,900 --> 00:19:40,180
Yeah.
638
00:19:40,660 --> 00:19:44,180
Yeah, I'm really skeptical, because I'm gonna throw
639
00:19:44,180 --> 00:19:46,740
Adobe under the bus, because I was at
640
00:19:46,740 --> 00:19:49,240
a podcast conference and I listened to one
641
00:19:49,240 --> 00:19:53,060
of the Adobe higher-ups, you know, showing
642
00:19:53,060 --> 00:19:54,940
how amazing their...
643
00:19:54,940 --> 00:19:56,440
I think they just call it Adobe Podcast
644
00:19:56,440 --> 00:19:58,500
is the name of the tool now, and
645
00:19:58,500 --> 00:20:02,060
it has this insane AI noise reduction thing,
646
00:20:02,260 --> 00:20:02,520
right?
647
00:20:02,520 --> 00:20:05,280
And the thing is, is like they're leaning
648
00:20:05,280 --> 00:20:08,300
on that and saying, this is the penultimate
649
00:20:08,300 --> 00:20:11,060
of technology, right?
650
00:20:11,180 --> 00:20:13,020
And I listened to the results and I
651
00:20:13,020 --> 00:20:16,060
go, that does not sound as good as
652
00:20:16,060 --> 00:20:19,400
doing it correctly the first time, or using
653
00:20:19,400 --> 00:20:21,760
a proper mic the first time, or me
654
00:20:21,760 --> 00:20:24,220
as an engineer tweaking the sound myself.
655
00:20:24,880 --> 00:20:27,760
None of what you're doing sounds that good,
656
00:20:27,860 --> 00:20:31,160
but you're deciding for us, the users, that
657
00:20:31,160 --> 00:20:32,220
that is good enough.
658
00:20:33,000 --> 00:20:33,700
We're good.
659
00:20:33,960 --> 00:20:34,960
It's like, this AI thing is good enough.
660
00:20:34,960 --> 00:20:38,660
You're changing expectations as opposed to making your
661
00:20:38,660 --> 00:20:39,200
products better.
662
00:20:39,400 --> 00:20:40,080
Yeah, absolutely.
663
00:20:40,520 --> 00:20:41,860
It's sort of a cheat's way out of
664
00:20:41,860 --> 00:20:42,460
it, really, isn't it?
665
00:20:42,460 --> 00:20:43,740
But here's what happens.
666
00:20:44,480 --> 00:20:46,080
You know, people used to have lower latency
667
00:20:46,080 --> 00:20:47,800
phones and cell phones, but now no one
668
00:20:47,800 --> 00:20:50,380
thinks that a cell phone has high latency,
669
00:20:50,600 --> 00:20:52,580
because they're just used to cell phones.
670
00:20:52,640 --> 00:20:53,640
They don't know anything different.
671
00:20:53,820 --> 00:20:55,080
And it's gonna get that way with all
672
00:20:55,080 --> 00:20:55,640
this stuff.
673
00:20:55,740 --> 00:20:55,860
Yeah.
674
00:20:55,860 --> 00:20:59,380
Where no one's gonna know what a song
675
00:20:59,380 --> 00:21:01,840
sounds like directly off of a CD, because
676
00:21:01,840 --> 00:21:04,080
they only hear MP3s through Spotify.
677
00:21:04,680 --> 00:21:04,780
Yeah.
678
00:21:05,080 --> 00:21:06,520
And they'll just be lost.
679
00:21:06,720 --> 00:21:08,060
Well, let me ask you this then, since
680
00:21:08,060 --> 00:21:09,860
we're sort of semi on the subject.
681
00:21:10,220 --> 00:21:13,100
Like, a crappy microphone, right?
682
00:21:13,480 --> 00:21:14,700
But a good mic emulator.
683
00:21:16,040 --> 00:21:19,060
Is that just making a bad thing worse?
684
00:21:19,220 --> 00:21:21,020
Or is it making a bad thing better,
685
00:21:21,160 --> 00:21:21,420
do you reckon?
686
00:21:21,420 --> 00:21:22,660
I think it makes you feel good about
687
00:21:22,660 --> 00:21:23,540
your cheap purchase.
688
00:21:23,540 --> 00:21:26,040
I mean, well, that's kind of essentially what
689
00:21:26,040 --> 00:21:27,420
the Sphere mic is.
690
00:21:27,660 --> 00:21:28,740
The Townsend is, yeah.
691
00:21:28,760 --> 00:21:31,380
You know, there's nobody saying that that's an
692
00:21:31,380 --> 00:21:32,720
exceptionally good microphone.
693
00:21:32,880 --> 00:21:34,860
I mean, I think it is a good
694
00:21:34,860 --> 00:21:38,820
microphone, but it's not categorically amazing for the
695
00:21:38,820 --> 00:21:39,240
price.
696
00:21:39,600 --> 00:21:40,340
It's still...
697
00:21:40,340 --> 00:21:42,900
I think possibly the Antelope microphone is technically
698
00:21:42,900 --> 00:21:44,780
a better mic than the Townsend, as far
699
00:21:44,780 --> 00:21:46,760
as mic build and...
700
00:21:46,760 --> 00:21:47,400
I don't know.
701
00:21:48,260 --> 00:21:49,320
I mean, the Sphere mic's amazing.
702
00:21:49,320 --> 00:21:50,720
The Antelope looks pretty damn nice, actually.
703
00:21:51,180 --> 00:21:51,420
Yeah.
704
00:21:52,120 --> 00:21:53,540
Just on its own as a mic.
705
00:21:54,480 --> 00:21:55,460
But it's true.
706
00:21:55,620 --> 00:21:57,580
It's like, you know, you buy this cheap
707
00:21:57,580 --> 00:21:59,040
thing, and then you want software to make
708
00:21:59,040 --> 00:22:00,060
you feel good about it.
709
00:22:00,660 --> 00:22:01,520
Well, yeah, like recent...
710
00:22:01,940 --> 00:22:04,020
Like, during the pandemic, I had a client.
711
00:22:04,140 --> 00:22:07,000
We got a Townsend Sphere L22, an Apollo,
712
00:22:07,640 --> 00:22:09,960
and we emulated a U87.
713
00:22:10,560 --> 00:22:11,740
The client was happy.
714
00:22:12,720 --> 00:22:14,600
And so it was what we could do
715
00:22:14,600 --> 00:22:16,020
at the time, and what we needed to
716
00:22:16,020 --> 00:22:17,680
do to get away with getting the project
717
00:22:17,680 --> 00:22:19,060
done, and it worked.
718
00:22:20,140 --> 00:22:21,520
Is it as good as a U87?
719
00:22:22,360 --> 00:22:23,640
I don't really know.
720
00:22:24,000 --> 00:22:25,280
Is it truly as good?
721
00:22:25,400 --> 00:22:25,760
I don't know.
722
00:22:26,060 --> 00:22:28,140
Is it just another flavor, or is it
723
00:22:28,140 --> 00:22:30,100
even anything like a U87, necessarily?
724
00:22:30,900 --> 00:22:32,480
Is it just, you know?
725
00:22:32,900 --> 00:22:34,660
I mean, here's the thing, though, too, right?
726
00:22:34,700 --> 00:22:37,060
It's like, maybe some of this stuff has
727
00:22:37,060 --> 00:22:39,500
got better, like maybe cheap microphones have got
728
00:22:39,500 --> 00:22:40,760
better and all the rest of it, but
729
00:22:40,760 --> 00:22:44,080
you still come back to the basic principle
730
00:22:44,080 --> 00:22:46,280
that if you put even, you know, a
731
00:22:46,280 --> 00:22:48,600
pretty good mic in a shit room, it's
732
00:22:48,600 --> 00:22:50,020
going to sound like crap.
733
00:22:50,140 --> 00:22:51,480
If you put a great mic in a
734
00:22:51,480 --> 00:22:53,460
shit room, it's going to sound like crap.
735
00:22:53,700 --> 00:22:55,380
You've still got to start with the basics
736
00:22:55,380 --> 00:22:56,660
no matter what happens.
737
00:22:56,860 --> 00:22:58,100
But here's what you can say about the
738
00:22:58,100 --> 00:22:58,280
gear.
739
00:22:58,720 --> 00:22:59,440
It is cleaner.
740
00:23:00,120 --> 00:23:02,820
All the cheap gear, the noise floors have
741
00:23:02,820 --> 00:23:03,360
dropped.
742
00:23:04,580 --> 00:23:04,980
Absolutely.
743
00:23:05,680 --> 00:23:08,020
So why do I keep hearing SM7Bs through
744
00:23:08,020 --> 00:23:10,560
Cloudlifters and everything else that just have a
745
00:23:10,560 --> 00:23:11,100
lot of hiss?
746
00:23:11,940 --> 00:23:14,360
I hear so many people sending me audio
747
00:23:14,360 --> 00:23:18,300
files of a SM7B through a Cloudlifter or
748
00:23:18,300 --> 00:23:20,900
fill-in-the-blank booster because everybody's making
749
00:23:20,900 --> 00:23:23,500
one of these boosters now, and it's still
750
00:23:23,500 --> 00:23:23,940
noisy.
751
00:23:24,140 --> 00:23:25,260
It's still a noisy soup.
752
00:23:26,180 --> 00:23:27,740
Why is that still a thing?
753
00:23:28,140 --> 00:23:30,040
I don't know, because the SM7 needs especially
754
00:23:30,040 --> 00:23:31,420
a lot of gain.
755
00:23:32,200 --> 00:23:35,560
Even the SM7DB, somebody sent me a recording
756
00:23:35,560 --> 00:23:38,540
with that through a Scarlett, of course, noise
757
00:23:38,540 --> 00:23:38,920
soup.
758
00:23:38,920 --> 00:23:39,480
Filled with hiss.
759
00:23:39,500 --> 00:23:40,540
Like hiss.
760
00:23:41,100 --> 00:23:43,880
I'm like, why are people buying a $500
761
00:23:43,880 --> 00:23:45,160
mic that's noisy?
762
00:23:45,160 --> 00:23:48,120
The marketing is so good on that microphone
763
00:23:48,700 --> 00:23:51,040
that people are still buying a noisy mic
764
00:23:51,040 --> 00:23:52,480
when they could buy a $100 mic that
765
00:23:52,480 --> 00:23:53,160
sounds better.
766
00:23:53,900 --> 00:23:54,000
Yeah.
767
00:23:54,160 --> 00:23:56,960
It has a lower noise floor because the
768
00:23:56,960 --> 00:23:59,780
$100 mic has got a chip in it
769
00:23:59,780 --> 00:24:01,780
and it's not so weighted down by the
770
00:24:01,780 --> 00:24:02,280
dynamic.
771
00:24:02,940 --> 00:24:04,520
I mean, that's just like nature of the
772
00:24:04,520 --> 00:24:05,140
beast, right?
773
00:24:05,420 --> 00:24:07,480
The SM7 is a dynamic mic that has
774
00:24:07,480 --> 00:24:11,820
a certain physical need for a preamp that
775
00:24:11,820 --> 00:24:14,880
pushes that preamp to the point where it's
776
00:24:14,880 --> 00:24:15,880
making noise.
777
00:24:16,020 --> 00:24:19,260
But I guess my point is that 30
778
00:24:19,260 --> 00:24:20,780
years ago, you go to Radio Shack and
779
00:24:20,780 --> 00:24:22,740
you buy a mixer and it's noisy.
780
00:24:23,420 --> 00:24:26,740
Now, you go to Amazon and you buy
781
00:24:26,740 --> 00:24:27,960
some unknown...
782
00:24:27,960 --> 00:24:28,100
Amazon Radio Shack.
783
00:24:28,260 --> 00:24:30,060
Well, there's no Radio Shack, but you go
784
00:24:30,060 --> 00:24:33,680
to Amazon and you buy some unknown Chinese
785
00:24:33,680 --> 00:24:36,700
brand mixer and it might be made out
786
00:24:36,700 --> 00:24:39,620
of plastic and it's wholly just junk as
787
00:24:39,620 --> 00:24:40,620
far as how it's built.
788
00:24:41,200 --> 00:24:43,760
But it's not noisy like that Radio Shack.
789
00:24:44,140 --> 00:24:44,820
Yeah, exactly.
790
00:24:45,500 --> 00:24:46,800
Yeah, that actually is true.
791
00:24:46,980 --> 00:24:47,540
That is true.
792
00:24:47,760 --> 00:24:50,400
There's been definitely an optimization of circuit design
793
00:24:50,400 --> 00:24:50,940
that's happened.
794
00:24:51,440 --> 00:24:54,120
There's an intellectual sort of...
795
00:24:54,120 --> 00:24:56,720
What's the institutional knowledge around the design of
796
00:24:56,720 --> 00:24:57,540
these circuits now?
797
00:24:57,880 --> 00:24:58,820
And it's been passed around.
798
00:24:58,820 --> 00:25:00,580
And these chips have been commodified?
799
00:25:01,400 --> 00:25:03,860
Yeah, they're commodified and they're not closely guarded
800
00:25:03,860 --> 00:25:04,300
anymore.
801
00:25:04,840 --> 00:25:06,260
So that's all changed.
802
00:25:06,260 --> 00:25:11,120
But I'll use TDR Nova free over FabFilter
803
00:25:11,120 --> 00:25:13,420
Pro-Q 3 any day of the week.
804
00:25:14,260 --> 00:25:16,480
I know there's certain things FabFilter probably can
805
00:25:16,480 --> 00:25:19,320
do that TDR can't, but I haven't found
806
00:25:19,320 --> 00:25:20,620
one that I need for...
807
00:25:20,620 --> 00:25:22,960
I'm not on the Pro-Q bandwagon, I'll
808
00:25:22,960 --> 00:25:23,260
be honest.
809
00:25:23,340 --> 00:25:26,260
I don't even own any of that stuff.
810
00:25:26,460 --> 00:25:29,040
I see people jumping up and down and
811
00:25:29,040 --> 00:25:30,820
making noise about how good it is, but
812
00:25:30,820 --> 00:25:31,960
I don't know.
813
00:25:32,060 --> 00:25:32,880
I don't see it.
814
00:25:33,000 --> 00:25:34,420
I've played with the demo.
815
00:25:34,420 --> 00:25:36,760
I am perfectly happy with Waves and Plugin
816
00:25:36,760 --> 00:25:37,140
Alliance.
817
00:25:37,620 --> 00:25:38,120
That's the thing.
818
00:25:38,220 --> 00:25:40,480
People seek out a new EQ because they
819
00:25:40,480 --> 00:25:43,400
have not learned how to use an EQ.
820
00:25:43,800 --> 00:25:45,960
Fix your head, not your EQ.
821
00:25:46,000 --> 00:25:47,100
They're like, well, that one doesn't sound very
822
00:25:47,100 --> 00:25:47,500
good.
823
00:25:47,820 --> 00:25:49,460
Yeah, it's like, well, it's doing the same
824
00:25:49,460 --> 00:25:50,480
thing as the other one.
825
00:25:50,640 --> 00:25:51,900
He's like, seriously.
826
00:25:53,020 --> 00:25:54,520
I don't get it.
827
00:25:54,780 --> 00:25:57,400
I think the hype's just around because it
828
00:25:57,400 --> 00:25:59,020
looks cool or it is cool or it's
829
00:25:59,020 --> 00:26:00,900
trendy or whatever.
830
00:26:01,120 --> 00:26:03,620
I think it's become like a fashion brand.
831
00:26:03,620 --> 00:26:05,680
Pro Tools Expert did a really good article
832
00:26:05,680 --> 00:26:08,700
recently about EQs, digital plug-in EQs and
833
00:26:08,700 --> 00:26:11,440
what the difference is with how some of
834
00:26:11,440 --> 00:26:12,360
the math happens.
835
00:26:12,540 --> 00:26:16,380
And the really good ones will oversample because
836
00:26:16,380 --> 00:26:18,200
if not, you get some reflections and some
837
00:26:18,200 --> 00:26:18,920
things that happen.
838
00:26:19,100 --> 00:26:22,540
But I think that even that, again, just
839
00:26:22,540 --> 00:26:24,000
like with the chips, and oh, you can
840
00:26:24,000 --> 00:26:25,800
just buy buckets of these good chips now,
841
00:26:26,260 --> 00:26:26,940
same thing.
842
00:26:27,440 --> 00:26:29,380
You go up on the web and there's
843
00:26:29,380 --> 00:26:31,060
just all this open source code.
844
00:26:31,180 --> 00:26:32,600
You want to make a good EQ?
845
00:26:32,600 --> 00:26:35,340
There's open source code that will give you
846
00:26:35,340 --> 00:26:38,340
a good starting point for building your own
847
00:26:38,340 --> 00:26:38,700
EQ.
848
00:26:39,260 --> 00:26:42,120
And a lot of this knowledge has gotten
849
00:26:42,120 --> 00:26:42,920
commonplace.
850
00:26:43,180 --> 00:26:45,460
And I think what happens because of that
851
00:26:45,460 --> 00:26:48,460
also is that it makes everything more disposable.
852
00:26:48,760 --> 00:26:50,280
So these mics are so much better now
853
00:26:50,280 --> 00:26:51,500
that now it's like, oh, I bought a
854
00:26:51,500 --> 00:26:51,640
mic.
855
00:26:51,680 --> 00:26:52,640
Oh, I bought another mic.
856
00:26:53,320 --> 00:26:54,740
I didn't like that mic anymore.
857
00:26:55,720 --> 00:26:57,960
And you end up with like 80 microphones
858
00:26:57,960 --> 00:26:58,720
in your closet.
859
00:26:58,720 --> 00:27:01,420
Whereas back in the day, you'd buy a
860
00:27:01,420 --> 00:27:04,680
414, and that was your mic for life.
861
00:27:05,740 --> 00:27:07,500
And some people still do that.
862
00:27:08,020 --> 00:27:11,120
But now you can buy 20 mics for
863
00:27:11,120 --> 00:27:13,000
the same price as your one 414, and
864
00:27:13,000 --> 00:27:14,840
each one has a slightly different character and
865
00:27:14,840 --> 00:27:16,540
a different form factor and works in the
866
00:27:16,540 --> 00:27:18,280
bag here and works for traveling there.
867
00:27:18,840 --> 00:27:21,900
And they're all almost that really kick-ass
868
00:27:21,900 --> 00:27:22,440
414.
869
00:27:22,580 --> 00:27:27,380
Not really, but they're so close that you're
870
00:27:27,380 --> 00:27:30,640
willing to spend the money on multiple items
871
00:27:30,640 --> 00:27:34,960
and flexibility, and it's become disposable, unfortunately, I
872
00:27:34,960 --> 00:27:35,220
think.
873
00:27:35,760 --> 00:27:37,440
There's also drum mic kits.
874
00:27:37,600 --> 00:27:39,360
You can see drum mic kits that are
875
00:27:39,360 --> 00:27:40,520
entire kit.
876
00:27:40,880 --> 00:27:42,640
Everything's mic for $300.
877
00:27:42,660 --> 00:27:43,460
200 bucks.
878
00:27:44,340 --> 00:27:44,440
Yeah.
879
00:27:45,620 --> 00:27:46,480
Oh, yeah.
880
00:27:46,520 --> 00:27:47,860
Those are very common.
881
00:27:48,280 --> 00:27:50,440
Yeah, I think it all comes down to
882
00:27:50,440 --> 00:27:51,220
your skills.
883
00:27:51,680 --> 00:27:54,420
Your skills as an engineer and the basic
884
00:27:54,420 --> 00:27:54,820
skills.
885
00:27:54,820 --> 00:27:57,880
A good engineer can take the junkiest gear
886
00:27:57,880 --> 00:27:59,460
and get a really good sound out of
887
00:27:59,460 --> 00:28:02,380
it, unless there's something that's technically wrong with
888
00:28:02,380 --> 00:28:03,140
that piece of gear.
889
00:28:03,180 --> 00:28:05,060
I manage to save Robert every week, so,
890
00:28:05,140 --> 00:28:06,120
you know, there's a start.
891
00:28:10,300 --> 00:28:12,640
And that's starting, that's not even the gear,
892
00:28:12,760 --> 00:28:14,840
that's just, like, the talent and the voice.
893
00:28:15,120 --> 00:28:15,440
That's right.
894
00:28:16,580 --> 00:28:17,880
There's a lot to fix.
895
00:28:17,980 --> 00:28:19,660
Just mute his track, it's pretty easy to
896
00:28:19,660 --> 00:28:20,140
fix, Robert.
897
00:28:20,300 --> 00:28:21,340
Just mute that track.
898
00:28:21,940 --> 00:28:22,320
Yeah.
899
00:28:23,400 --> 00:28:24,100
That's all right.
900
00:28:24,800 --> 00:28:25,620
Well, that was fun.
901
00:28:25,700 --> 00:28:26,080
Is it over?
902
00:28:52,320 --> 00:28:52,840
All right.

