2025 Wrap Up: PASport VO, AI Reality Checks, Source-Connect Myths and What We Learned This Year
2025 has been a big year for The Pro Audio Suite, so this episode is a full end-of-year wrap up with Robbo, Andrew Peters, George “The Tech” Whitham, and Robert Marshall.
We look back at the biggest moments, the most downloaded episodes, the conversations that sparked the most reaction, and the industry shifts that actually mattered.
From the launch of the PASport VO and real-world use cases, to persistent Source-Connect confusion, to the realities of AI in voiceover and audio production, this episode ties together the themes that defined 2025 for working audio pros.
We also talk gear myths, room realities, video versus audio podcasting, career curveballs, and why experience still beats prompts every single time.
If you’ve followed the show this year, this is the episode that puts it all in context.
Key Topics Covered
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The biggest Pro Audio Suite episodes of 2025
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PASport VO real-world workflows and lessons learned
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Source-Connect 3 vs 4, and why the bridge episode mattered
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Why AI still struggles with direction, nuance, and repeatability
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Gear matters less than people think, but understanding it matters more
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Room setup and monitoring mistakes that keep catching people out
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Audio-only vs video podcasting, what’s worth the effort
-
Career curveball gigs from the hosts this year
-
Why experience still wins over automation
Thanks to our sponsors:
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Tri‑Booth
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Austrian Audio
Recorded using Source-Connect
Edited by Andrew Peters
Mixed by Voodoo Sound
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Get ready. Be history.
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Get started.
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Welcome.
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Hi. Hi. Hi.
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Hello, everyone.
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To the pro audio suite.
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These guys are professional and motivated.
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Please take to the video stars George
Wisdom, founder of Source Element Robert
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Marshall, international audio
engineering Robin Roberts.
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And global voice Andrew Peters.
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Thanks to tribal Austrian audio mating,
passionate elements,
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George the tech wisdom and Rob and APIs
international demos.
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To find out more about us,
check the Proteas sweetcorn line up.
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Ready? Here we go.
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And welcome to another pro audio suite.
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Thanks to Try Boost
and to get the code T on IPA
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200, that will get you $200 off
your try this
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and Austrian audio making passion.
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Would you have these
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lots of podcasts for the year.
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And so we're going to talk about
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some of the ones, the highlights
I think that we've had.
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Have we had any.
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Yeah, exactly.
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That sounds I'm actually scrolling back
through our episodes of the year.
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I mean, we record so much content.
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I mean, how the heck can you summarize
what we went through in this year?
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Because it's
I can't remember what I did yesterday.
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Yeah, as a
show, we actually had a really good year.
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Absolutely.
The show has actually done well.
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We had some good stats, didn't
I mean, the big thing about the year,
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the passport, wouldn't that be
one of the biggest things of the year?
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Well,
that would be one of the biggest things,
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our biggest
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our biggest episode
for the year, from memory,
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was the episode where we talked about,
we direction in session,
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you know,
like the weirdest thing you've heard
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that was our biggest it
that was our biggest downloaded one.
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Yeah.
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I really
that's the one that gets reactions
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for sure because everyone goes,
oh I've got one. Yeah, yeah.
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Can you make it?
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What was my
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can you make it sound like you're dead
inside and all that sort of stuff?
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Well, the direction I took, it
seems like I.
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Yeah. Yeah, exactly. That's right.
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The story that kicked off the year
on our episode list
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on the 14th of January was the Austrian
audio joins DPA.
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So that was a big surprise to us.
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I just kind of forgot about that
in the first place.
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That's right.
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Yeah.
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It's been very quiet
since that was announced.
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You would never
you would never really know.
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No, I'm not stepping on each other.
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There's nothing like it.
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Which is great.
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Wanting to get to, you know, involved
with the Austrian audio.
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It's just
I wanted to build a portfolio and, Yeah,
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I should have brought my DPA microphones
to the Messiah.
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I could have brought my 40 elevens.
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Yeah, you're 4011,
but are going to appropriate.
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Are they still in good, good shape?
They are. Yes.
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Yeah.
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Those are they're tough to use
because they're 192 volt.
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So they need a special preamp and.
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Oh that's right.
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Yeah that's right,
that's right. Absolutely.
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But yeah
that's how he kicked off the year.
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And then the passport was here.
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That was like a big deal. Obviously.
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And so we talked a lot about the passport.
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We demonstrated it. We used it.
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We did user guides.
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You know we really just we
we really got into well when you say
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we ordered and you got
you did the user guides George.
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Although we did doing that.
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Well we did do an episode on the.
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We didn't we did an audio guide episode
a user guide.
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That's right.
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I think in the middle of that episode,
we came up with another use
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case in the middle of like we did, right?
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Yeah, yeah, it was 7 or 8 default
setting light scenarios.
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And then we came up with an eighth one,
which I think ended up on the
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the document to PDF that you'd get with,
the user guide.
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Oh, cool.
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You know, the one I send people
to a lot though that, that we did.
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And I'm reminded
just seeing it here in front of me is the,
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the is the the sorry, not the eyes.
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The image, the the bridge between three.
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Source connect three and four.
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Oh, that I send people to that a lot
because a few people
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on LinkedIn and, and a couple on Facebook
have sort of said,
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I'm on three,
they're on four and one connects.
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I can't do this session.
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So for you,
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you can because ignore all the messages
that say these don't work with each other.
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Yeah, we we really did put a lot
of messages in there because early on,
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like people were like, what is going on?
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We're like, all right
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now we're going to like shower
you with like clarity.
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Yeah.
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But I reckon that would be easily
the one I've shared
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the most over the year.
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This year would be that that episode,
like the most times I've sort of gone,
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will have go and have a listen to this
because it'll be helpful.
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Well, it's interesting because I
to the session only recently a couple
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actually with a studio in Melbourne
and they used Source Connect three.
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But I do know because Robert told
me that Source Connect four,
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but I
think it's because the majority of people,
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particularly in Australia,
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Australia in particular,
this is like, I'm going to use an old one,
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but Australia is holding on to Source
Connect three
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like it's the last piece of wood
that's off the Titanic.
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We'll see.
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The thing is, down here,
I guess, is it's still not widely used.
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That's the thing.
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You know, like people are going,
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oh, I've got Source Connect,
but no one's really using it.
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You know, people is still zoom sessions
and and it's sort of stuff.
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I mean it is being used for the,
not for the direct sessions to
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clients are using zoom
and then they're just doing agency level.
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Agency level
sessions is certainly source Connect.
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But sort of you drop down
those sort of lower tier,
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I shouldn't say lower tier, but
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those are the levels of recording session
and and it's still all zoom.
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And it's like say it's
kind of like self-directed sessions,
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but they're just client directed
but talent recorded.
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That's what those are.
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That's right. Exactly. Yes. Exactly.
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Like we're recording this podcast
right now.
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We're all recording our own files.
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So yeah.
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So, you know, it's like it's
one of those it's one of those things
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I think that it's just sort of more
a usage case in it, sort of a,
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you know, it's interesting
because I did, I did Somerset
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did a few sessions with, a studio in
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New York, and then I did
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a session with the studio in them, like,
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so I was in here at 7:00 in the morning
recording down the line,
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but it was done through teams,
I think from memory currently,
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and I've recorded at my end
and then sent the file.
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Yeah.
So client supervised talent recorded.
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Send us the files.
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It's always funny.
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I was, you know, when we have clients,
sometimes will say,
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we'll do the recording
and we'll give you the files
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because they don't want to pay for the
engineer to do the the recording session.
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They think they're going
to save like one hour.
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And we always explain to them, like,
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you're not
because you're going to give us files.
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You're
going to say you're going to take notes.
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The notes will be unclear.
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Some of them will get off
and the take numbers,
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and it's going to take the hour
that you think you're going to save.
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It's going to take the engineer an hour
to go through it all and figure it out.
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And if anything goes wrong
for the engineer not to catch at the time,
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you'll have missed your opportunity
to catch it,
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because you're not really monitoring
and quality and you're not,
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it's just
there's things that can go wrong
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that an engineer might catch
if you have them on the line
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and they're going to have
to spend the time anyway. So
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you do it
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with one of those.
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I made the Somerset
One cheese in the booth.
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I'm actually engineering out here.
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So you know, I'm slating
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another take and all that kind of stuff
and capturing the audio.
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All right.
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And what really should have happened is
you should have been like Somerset is $500
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an hour and Andrew is 50 bucks
an hour or whatever.
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Poor engineer he gets paid. Yeah, yeah.
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It's funny that you're talking about
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about not hearing stuff there, Robert,
because I got I got caught out like that
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earlier this year
doing a demo for someone and we,
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they didn't have Source Connect,
so we just did it like this down the line.
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Met on Google Mate,
and they just recorded themselves
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locally and it, as best as I could tell,
it sounded good and I'd heard
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I'd got them to send me a file.
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But in the meantime,
since they'd sent me a file
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and by the time we did this session,
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they decided that they were going
to put a de-esser on their mike.
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And they did it live.
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And I did it straight in it
in between the in between the, the, the,
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you know, the microphone and the computer
and they'd put it in there
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or in between that
and whatever they were recording on.
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So burning to the file.
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So yeah. So sounded
okay when I was talking on it.
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But, but as soon as the file arrives,
it's like, okay, so this is going right.
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So it's like, you know, it's like
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especially with platforms
like Zoom and Teams
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because there's all kinds of noise
reduction.
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So there might be a fan and a
who knows what going on in the background.
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And those systems are pretty
good at getting rid of that
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from the point of view of a meeting room.
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But then when you get the file like,
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oh crap, there's a whole
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bunch of crap here that we could have,
just don't want to deal with.
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Yeah, you got to deal with it now,
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but I don't say
you have no idea what the levels are.
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You get the file.
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It could be, you know, clipping
like crazy.
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You just don't know
or too low or whatever.
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Yeah, I did it myself the other night.
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I was it was like 11:00 at night,
and I was recording a video.
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I started this little series a minute on
your mic that I'm doing on social media.
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In a minute.
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It was like a minute on your mind,
and I wasn't really thinking about it.
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And I
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was sort of doing a quick mic comparison
and I was chucking Mike's up and down.
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I wasn't really thinking
about what I was doing, but and I couldn't
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hear it at the time, didn't hear it
at the time, but I plugged I sort of
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did the mics and all that sort of stuff
and played it back and had did
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my confidence monitoring the headphones
and realized that that was the
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it would have been the Ntg five,
because that's probably the loudest
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00:09:22,080 --> 00:09:26,040
out of the ones I compared, was actually
sort of slightly distorting what I think.
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And because it was so late,
I wasn't me, obviously.
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At least I was just focused on
just get this fucking thing done
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because it's got to go out tomorrow.
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And I played it back where it oh fuck now
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got to go back in
through that whole thing again.
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Yeah.
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Well, that was something we touched on.
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I'm sure during the year,
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as we are talking about things
we've talked about during the year.
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Yeah, we've also got
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in the chat with Vanguard microphone,
their number one Gary member.
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Yeah. And, I heard that
he's relocated to Pennsylvania.
229
00:09:52,400 --> 00:09:56,080
So I reached out to him and I said,
hey, man, if we maybe could meet up
230
00:09:56,080 --> 00:09:59,080
while I'm visiting and he said,
I think it's on your end.
231
00:10:01,680 --> 00:10:02,760
The time's up.
232
00:10:02,760 --> 00:10:04,040
What is that coming from?
233
00:10:04,040 --> 00:10:07,040
I don't it's not me.
234
00:10:08,040 --> 00:10:10,800
I think it's, rainbows and
235
00:10:10,800 --> 00:10:11,240
what is that?
236
00:10:11,240 --> 00:10:13,080
The five father I control is fine.
237
00:10:13,080 --> 00:10:15,800
Yeah, it's actually getting on the vibe.
238
00:10:15,800 --> 00:10:17,640
It's the remote locator tones.
239
00:10:17,640 --> 00:10:18,960
Yeah, but do you.
240
00:10:18,960 --> 00:10:20,200
What the fuck is that?
241
00:10:20,200 --> 00:10:22,960
Like? Would you end that podcast already?
242
00:10:22,960 --> 00:10:23,880
One of the teachers,
243
00:10:23,880 --> 00:10:27,640
one of the kids has left the remote
for the app for the Google TV in here.
244
00:10:27,640 --> 00:10:29,440
And she's searching for. Right?
245
00:10:29,440 --> 00:10:31,080
Yeah. It's funny, it's amazing.
246
00:10:31,080 --> 00:10:32,280
She knew how to do that.
247
00:10:32,280 --> 00:10:33,960
Most people
don't even know how to make that work.
248
00:10:33,960 --> 00:10:35,680
Oh man, she's tech anyway. Yeah.
249
00:10:35,680 --> 00:10:38,520
Rewinding it. So.
So yeah. To Pennsylvania. Right?
250
00:10:38,520 --> 00:10:41,200
By the time you're hearing this,
I may be in Pennsylvania, actually,
251
00:10:41,200 --> 00:10:42,520
because I'm visiting my family
252
00:10:42,520 --> 00:10:46,080
in Westchester, Pennsylvania,
which is a suburb of Philadelphia.
253
00:10:46,080 --> 00:10:48,760
And,
Eric isn't that far from there either.
254
00:10:48,760 --> 00:10:51,640
And I reached out by email and said, hey,
maybe we can get together.
255
00:10:51,640 --> 00:10:53,600
Derek I'm sorry, Derek Mayor.
256
00:10:53,600 --> 00:10:55,800
And he was like, yeah, that'd be great.
What do you think?
257
00:10:55,800 --> 00:10:58,800
So maybe in January,
since I'll be there for a week
258
00:10:58,880 --> 00:11:01,600
after the first, we might get to meet up.
259
00:11:01,600 --> 00:11:03,800
Let's see what he's up to over there.
So that'll be fun.
260
00:11:03,800 --> 00:11:06,800
He was very, very interesting
because he he, like,
261
00:11:07,080 --> 00:11:10,880
super nerdy and, you know, that,
which was super nerdy, but still.
262
00:11:10,880 --> 00:11:14,480
And you could, you know,
you didn't get too lost in the weeds.
263
00:11:14,480 --> 00:11:14,960
Yeah.
264
00:11:14,960 --> 00:11:18,240
You know, there's a lot
we learned a lot about like, capsules.
265
00:11:18,240 --> 00:11:21,600
I remember like, but the voicing and
and how much
266
00:11:21,600 --> 00:11:24,600
that really has to do
with the sound of things,
267
00:11:25,000 --> 00:11:27,960
and also the basket, I think he talked
about the how the basket,
268
00:11:27,960 --> 00:11:30,960
you know, dictates
the right sound and whatever.
269
00:11:31,040 --> 00:11:31,800
Yeah.
270
00:11:31,800 --> 00:11:34,440
And we also had another milestone
this year, I think, kind of a milestone
271
00:11:34,440 --> 00:11:38,880
as we had a couple really talented women,
women voice actors who were, you know,
272
00:11:38,880 --> 00:11:42,360
movers and shakers in their own right,
like building doors with Christy Harris.
273
00:11:42,360 --> 00:11:43,080
Yeah. Yep.
274
00:11:43,080 --> 00:11:45,440
I was gonna say she was excellent. Right.
275
00:11:45,440 --> 00:11:47,920
That's a good,
good. Cause that on your guest.
276
00:11:47,920 --> 00:11:51,280
And then not long after,
we had Cissy Jones and Larissa Gallagher
277
00:11:51,280 --> 00:11:56,280
who are working on their own tools
right there, I, I for I,
278
00:11:56,280 --> 00:12:00,240
and they're really trying
to, you know, it's like ethical AI right?
279
00:12:00,240 --> 00:12:01,440
Isn't that what it is ethically.
280
00:12:01,440 --> 00:12:03,360
Yeah. Yeah.
281
00:12:03,360 --> 00:12:06,360
I haven't heard anything about that
since actually in
282
00:12:06,360 --> 00:12:09,640
the word
was that they were going to come to Sydney
283
00:12:09,640 --> 00:12:14,640
for the voice at the conferences
happening next year, I believe.
284
00:12:16,040 --> 00:12:16,600
I know they were
285
00:12:16,600 --> 00:12:20,240
listed on the, you know, potential guests,
so I have no idea.
286
00:12:20,440 --> 00:12:22,800
Well, you know,
I did use one of the robots to ask
287
00:12:22,800 --> 00:12:25,800
what were the big takeaways
and the big themes of our year?
288
00:12:26,200 --> 00:12:29,200
What do you think was the number one
recurring theme of the year?
289
00:12:29,360 --> 00:12:31,560
They don't process your audio?
290
00:12:31,560 --> 00:12:33,520
No, that would have been maybe last year.
291
00:12:33,520 --> 00:12:36,080
It should have been top ten. Yeah.
292
00:12:36,080 --> 00:12:39,640
So this year it was, it was definitely,
yeah.
293
00:12:39,720 --> 00:12:41,040
The industry is changing fast.
294
00:12:41,040 --> 00:12:43,040
It's not always in our favor.
295
00:12:43,040 --> 00:12:46,000
And AI contracts, platform shifts.
296
00:12:46,000 --> 00:12:48,600
2025 was the year voice
actors stopped asking you
297
00:12:48,600 --> 00:12:53,000
if I would affect them and started
dealing with the consequences, right.
298
00:12:53,200 --> 00:12:54,720
That was a big part of the year.
299
00:12:54,720 --> 00:12:56,680
It's a that's a good way to put it. Yeah.
300
00:12:56,680 --> 00:12:58,760
And we all talk about AI constantly here.
301
00:12:58,760 --> 00:13:01,720
I mean, we're all using it and trying
to figure out what it's useful for.
302
00:13:01,720 --> 00:13:05,280
And we were just saying how like it's cool
for like doing something like I'm doing
303
00:13:05,280 --> 00:13:10,320
now or I'm summarizing a lot of content
quickly and getting some talking points,
304
00:13:10,560 --> 00:13:13,880
but when you want it to do real work
and give you real, accurate information
305
00:13:13,880 --> 00:13:16,280
and things,
you can actually hang your hat on or run
306
00:13:16,280 --> 00:13:19,520
a business on,
or everything has to be proofed.
307
00:13:19,520 --> 00:13:22,600
Everything has to be verified,
everything has to be double checked.
308
00:13:23,280 --> 00:13:25,880
Like I have blue in the face.
309
00:13:25,880 --> 00:13:28,280
Asked
ChatGPT to give me useful information
310
00:13:28,280 --> 00:13:31,840
like look at my website, give me a summary
of all the products I sell on my site.
311
00:13:32,280 --> 00:13:32,640
Okay?
312
00:13:32,640 --> 00:13:36,800
I mean, it's not easy, but
it's still something that you could pay
313
00:13:36,800 --> 00:13:42,280
a human being an hour to do 3040 bucks
to literally make a document.
314
00:13:42,280 --> 00:13:45,280
And it would be accurate
and you would know, would have everything.
315
00:13:45,520 --> 00:13:48,200
Instead,
I could spend a half an hour trying
316
00:13:48,200 --> 00:13:51,560
to give it prompts to give me something
that's useful.
317
00:13:51,760 --> 00:13:56,760
That's actually comprehensive and accurate
and crap not going to happen.
318
00:13:57,320 --> 00:13:59,200
Yeah. I mean,
that is one of the questions.
319
00:13:59,200 --> 00:14:00,240
I mean, just from
320
00:14:01,240 --> 00:14:01,920
people trying to
321
00:14:01,920 --> 00:14:05,640
hire AI voices, I understand that
AI voices from a reuse point of view
322
00:14:05,640 --> 00:14:09,600
maybe are more affordable, but when you
really look at the recording session
323
00:14:10,160 --> 00:14:14,600
and trying to get what you want out of AI,
which is wasn't one of them that you
324
00:14:14,680 --> 00:14:18,640
someone did about like trying to direct
AI, you know, like the stupid crap.
325
00:14:19,080 --> 00:14:22,160
Yeah, the stupid crap
you'd get out of it, like, oh, yeah.
326
00:14:22,160 --> 00:14:25,840
I mean, he just
he had a guy on recently who claims,
327
00:14:26,520 --> 00:14:29,040
you know, he's like,
oh, you just don't know what you're doing.
328
00:14:29,040 --> 00:14:29,360
You know,
329
00:14:29,360 --> 00:14:33,480
he's like a tech tech nerd and he's like,
you're just did you get a bad prompt?
330
00:14:33,480 --> 00:14:35,720
And you're just going to direct
a real person?
331
00:14:35,720 --> 00:14:38,840
Even this massive prompt, massive like
332
00:14:38,840 --> 00:14:42,120
with so much direction in it,
it was still a disaster.
333
00:14:42,280 --> 00:14:42,560
Right.
334
00:14:42,560 --> 00:14:45,360
And how long did it take you
to make that prompt?
335
00:14:45,360 --> 00:14:48,720
You know,
that how that could have been two words
336
00:14:48,720 --> 00:14:52,080
with an actor that can read the room
and understand what's going on
337
00:14:52,080 --> 00:14:54,120
and get the vibe of the script
all at once?
338
00:14:54,120 --> 00:15:00,080
Experience has a context and has lived
the life and all these things, right?
339
00:15:00,120 --> 00:15:03,080
There's other things like with language
as well, where
340
00:15:03,080 --> 00:15:08,480
I mentioned before few months ago
that someone played me
341
00:15:09,240 --> 00:15:12,720
what I was,
it was go take for one of the sessions
342
00:15:12,720 --> 00:15:15,960
and they decided to flip and changed
and got me to do The Voice,
343
00:15:16,200 --> 00:15:18,120
and it was a female and I couldn't
344
00:15:18,120 --> 00:15:21,240
understand why they didn't
stay with what they had said it fine to me
345
00:15:21,760 --> 00:15:23,160
and it was like, oh, well, that,
346
00:15:23,160 --> 00:15:25,520
you know, there's a couple of words
that they're mispronounced.
347
00:15:25,520 --> 00:15:28,360
And I'm thinking, well,
why don't you just do some pickups?
348
00:15:29,640 --> 00:15:30,360
And then it was
349
00:15:30,360 --> 00:15:33,480
kind of like, I went into the house
and I was playing it to my son.
350
00:15:33,480 --> 00:15:36,000
He went, that's an AI.
351
00:15:36,000 --> 00:15:38,520
I'm like, Holy shit. So it is.
352
00:15:38,520 --> 00:15:41,160
I'm curious, you know, at that moment to.
353
00:15:41,160 --> 00:15:41,640
Yeah.
354
00:15:41,640 --> 00:15:44,760
And the thing was that that's why
they couldn't get the thing back, because
355
00:15:44,760 --> 00:15:48,040
even if they did use the AI, it's
still going to make the same mistakes.
356
00:15:48,440 --> 00:15:52,520
And even if you use phonetics
in the script to, you know, for the
357
00:15:52,520 --> 00:15:56,520
AI to get the pronunciation correct, it's
so difficult because
358
00:15:57,520 --> 00:16:00,520
phonetics change with the accents.
359
00:16:00,720 --> 00:16:03,640
So I get sent phonetic,
you know, like there's a word
360
00:16:03,640 --> 00:16:06,640
from the Middle East
or Singapore or something,
361
00:16:06,960 --> 00:16:09,960
and they'll give me a
they will spell it out phonetically,
362
00:16:10,520 --> 00:16:12,720
but their phonetics
is based on their accent.
363
00:16:12,720 --> 00:16:17,040
If they're Indian or Chinese or Arabic,
364
00:16:17,880 --> 00:16:20,640
the way they say a word is so different
to the way we would say it.
365
00:16:20,640 --> 00:16:23,240
So their phonetics don't work for us.
366
00:16:23,240 --> 00:16:26,240
So if you can't,
if you can't get a human to do it,
367
00:16:26,240 --> 00:16:29,040
you got Buckley's of getting a
AI to do it.
368
00:16:29,040 --> 00:16:29,960
Oh yeah.
369
00:16:29,960 --> 00:16:33,800
And then try to get
AI to do the same thing twice, but change
370
00:16:33,800 --> 00:16:37,320
one aspect of the performance where
you just get a completely different thing,
371
00:16:37,560 --> 00:16:38,480
like, oh, this is possible.
372
00:16:38,480 --> 00:16:39,040
Yeah.
373
00:16:39,040 --> 00:16:39,840
No, you can't do it.
374
00:16:39,840 --> 00:16:44,040
You, you can say like, I want exactly
the same thing that was you nailed it.
375
00:16:44,040 --> 00:16:47,840
But I need you to just a little something
on the branding and whatever.
376
00:16:48,560 --> 00:16:48,960
Nope.
377
00:16:48,960 --> 00:16:52,600
You get a different performance
every time, and it's the whole point.
378
00:16:52,600 --> 00:16:55,600
You're going to spend more time
trying to wrestle AI
379
00:16:56,080 --> 00:16:59,040
than having a human interaction
with somebody
380
00:16:59,040 --> 00:17:01,640
and getting it done
quicker with higher quality.
381
00:17:01,640 --> 00:17:04,080
And that's that's right.
382
00:17:04,080 --> 00:17:07,040
The question is, I don't think
there's any creatives out there.
383
00:17:07,040 --> 00:17:10,840
I don't think there's any art director
or writer that wants to use AI.
384
00:17:10,840 --> 00:17:13,560
I think it's all the accountants
and the CEOs
385
00:17:13,560 --> 00:17:16,440
and the people that are paying
the bills are like, you going to use AI?
386
00:17:16,440 --> 00:17:18,680
And they don't realize that they're not.
387
00:17:18,680 --> 00:17:22,280
They're making like they assume
everything gets made with quality
388
00:17:22,280 --> 00:17:24,680
because they want it to be quality,
and they don't realize
389
00:17:24,680 --> 00:17:27,960
they're forcing people
to lose quality in their product.
390
00:17:29,160 --> 00:17:30,760
And things like advertising.
391
00:17:30,760 --> 00:17:31,800
It's a subtle thing, right?
392
00:17:31,800 --> 00:17:35,280
It's like you're trying to get a reaction
out of somebody and some of the stuff
393
00:17:35,280 --> 00:17:39,520
can be pretty subtle to,
you know, well, like into somebody.
394
00:17:39,520 --> 00:17:40,320
It's not always,
395
00:17:40,320 --> 00:17:44,400
you know, clients always think that if
you just say the price point more times,
396
00:17:44,400 --> 00:17:47,400
like people are going to get it
and it's not that,
397
00:17:47,520 --> 00:17:48,800
it's how it's delivered.
398
00:17:48,800 --> 00:17:50,400
It's what catches somebody.
399
00:17:50,400 --> 00:17:54,600
And those are all subtle things that
you should do, should make more executives
400
00:17:54,720 --> 00:17:57,800
use ChatGPT to write love letters
to their partners.
401
00:17:58,680 --> 00:18:01,000
Yes. And and say, how did that turn out?
402
00:18:01,000 --> 00:18:02,280
Yeah. Everything great.
403
00:18:02,280 --> 00:18:04,960
How's your sex life? Yeah.
404
00:18:04,960 --> 00:18:06,480
It's funny. Talk about direction, though.
405
00:18:06,480 --> 00:18:10,560
This is, I know we've talked about taking
direction and understanding direction.
406
00:18:11,040 --> 00:18:13,920
This is the thing you never want to hear,
but get two things.
407
00:18:13,920 --> 00:18:17,520
Actually,
if it's a tag, you put two hours aside
408
00:18:17,520 --> 00:18:20,520
because I can guarantee that's how long
it's going to take to get the tag down.
409
00:18:20,600 --> 00:18:23,280
But secondly, when you hear someone go,
410
00:18:23,280 --> 00:18:26,280
that was absolutely perfect.
411
00:18:26,640 --> 00:18:27,800
No, I love it.
412
00:18:27,800 --> 00:18:32,120
But and you go, oh, that sounds
you hear that that after that up,
413
00:18:33,120 --> 00:18:35,560
shitty, we go right down the rabbit hole.
414
00:18:35,560 --> 00:18:37,080
We're not coming out for a while.
415
00:18:37,080 --> 00:18:39,720
Can we just try one more? It's never one.
416
00:18:39,720 --> 00:18:41,560
No, it's pretty much as I say.
417
00:18:41,560 --> 00:18:43,520
Can we try one more? It's never one.
418
00:18:43,520 --> 00:18:45,280
Yeah, my takes aren't potato chips.
419
00:18:45,280 --> 00:18:46,080
Thank you very much.
420
00:18:46,080 --> 00:18:49,080
Yeah, that's.
421
00:18:49,720 --> 00:18:52,920
Yes. Some other topics
that were a big recurring themes.
422
00:18:52,920 --> 00:18:56,680
Gear matters less than people think,
but understanding it matters more.
423
00:18:57,000 --> 00:18:59,520
Yeah, that's. Well,
the same goes for your room as well.
424
00:18:59,520 --> 00:19:01,360
Yeah. Here are your rooms.
425
00:19:01,360 --> 00:19:04,840
You've preached on that so many times,
but it's a recurring theme for sure.
426
00:19:04,840 --> 00:19:08,800
It's the right use of the right
kind of gear, but not the specific
427
00:19:08,880 --> 00:19:12,040
at the right time,
in the right place in your chest.
428
00:19:12,080 --> 00:19:13,440
It's something that I've changed
429
00:19:13,440 --> 00:19:16,600
and this is going a bit off topic,
which is what we normally do.
430
00:19:17,160 --> 00:19:20,760
I've, I got four channels in here,
431
00:19:20,760 --> 00:19:24,520
but I only use I've cut it down to two
and I've locked in.
432
00:19:24,520 --> 00:19:26,280
This is a great setups.
433
00:19:26,280 --> 00:19:29,840
I have the drive through, the, four
434
00:19:29,840 --> 00:19:33,240
and six through the Grace
and the 818 through the maze.
435
00:19:34,080 --> 00:19:36,760
And that's it. So I have the grace.
436
00:19:36,760 --> 00:19:38,760
See you then. You're not using the eight.
437
00:19:38,760 --> 00:19:42,640
You're using the eight is on your
is your road setup okay.
438
00:19:42,680 --> 00:19:43,400
Yep. Yep.
439
00:19:43,400 --> 00:19:46,480
I, I'm really looking forward
to getting the super cardioid version
440
00:19:46,480 --> 00:19:49,480
because I think
that'd be fantastic on the road
441
00:19:49,520 --> 00:19:51,040
as long as you get you mike technique.
442
00:19:51,040 --> 00:19:52,920
Right. Otherwise I'm hanging out.
443
00:19:52,920 --> 00:19:54,240
It's like nothing.
444
00:19:54,240 --> 00:19:58,560
Not not quite as strict as the 416
and not quite as open as you normally
445
00:19:58,560 --> 00:20:00,000
when it's kind of right in the middle.
446
00:20:00,960 --> 00:20:01,560
Yeah.
447
00:20:01,560 --> 00:20:04,880
The funny thing about the tube,
the line gradient,
448
00:20:04,960 --> 00:20:08,200
is that what we call this,
the four sixteens and the like.
449
00:20:08,520 --> 00:20:10,080
Yeah,
450
00:20:10,080 --> 00:20:11,080
yeah, yeah.
451
00:20:11,080 --> 00:20:12,680
The capsules farther from the tip.
452
00:20:12,680 --> 00:20:15,680
Then we all talked about that to how
the capsule is actually quite a bit.
453
00:20:15,920 --> 00:20:19,680
So like it's, it's
not as it's harder to make a
454
00:20:20,600 --> 00:20:23,600
like really bad plosives on a 41 six.
455
00:20:23,720 --> 00:20:25,800
And it's just swallowing it one six.
456
00:20:25,800 --> 00:20:29,640
But it's much harder to really make
it sound bad because you never really get
457
00:20:29,680 --> 00:20:30,880
that close to the capsule.
458
00:20:30,880 --> 00:20:36,480
Whereas a pencil mic okay, eight SC the s
all right there, capsules right there,
459
00:20:36,480 --> 00:20:40,160
and you can blast the bejesus
out of that capsule.
460
00:20:40,320 --> 00:20:41,560
I mean, I'm using one here
461
00:20:41,560 --> 00:20:44,960
and I do have the included windscreen,
which is actually really effective.
462
00:20:45,680 --> 00:20:48,600
But I certainly have a high pass filter
on this thing too.
463
00:20:48,600 --> 00:20:52,080
You can also use up screen
and you'll aquarium if you need.
464
00:20:52,840 --> 00:20:54,320
Yeah, that's true.
465
00:20:54,320 --> 00:20:55,480
It is not all that different.
466
00:20:55,480 --> 00:20:58,160
I heard it sounds great.
If you take it straight
467
00:20:58,160 --> 00:21:00,000
out of the aquarium
and put it right on the right.
468
00:21:00,000 --> 00:21:01,760
Yeah. That's right.
469
00:21:01,760 --> 00:21:03,640
In fact, actually, here's an experiment.
470
00:21:03,640 --> 00:21:06,640
Here's the I'm holding in my hand
the aquarium,
471
00:21:06,680 --> 00:21:10,440
the actual $1 pool, aquarium filter.
472
00:21:10,840 --> 00:21:14,120
And I'm using the stock
one that comes with the oyster away.
473
00:21:14,760 --> 00:21:15,040
Okay.
474
00:21:15,040 --> 00:21:17,440
So, Peter, Peter, what is it?
475
00:21:17,440 --> 00:21:19,560
Please bring pizza pronto.
476
00:21:19,560 --> 00:21:22,000
Please bring pizza pronto.
477
00:21:22,000 --> 00:21:24,520
That's what the band says, right?
478
00:21:24,520 --> 00:21:25,920
All right, we'll take that one off.
479
00:21:25,920 --> 00:21:28,680
Okay. Wait wait, wait. Do it.
Do it without. Without anything.
480
00:21:28,680 --> 00:21:29,280
No, no.
481
00:21:29,280 --> 00:21:32,280
Pop, you please bring pizza pronto.
482
00:21:32,440 --> 00:21:35,320
Please
bring pizza. Okay? Okay. Clip. Yeah.
483
00:21:35,320 --> 00:21:39,240
And then this is the dollar filter
from the aquarium.
484
00:21:39,960 --> 00:21:41,440
Okay, here we go.
485
00:21:41,440 --> 00:21:43,520
Please bring pizza pronto.
486
00:21:43,520 --> 00:21:46,560
Please
bring pizza pronto. It did it great.
487
00:21:46,640 --> 00:21:46,960
Yeah,
488
00:21:48,600 --> 00:21:49,000
yeah.
489
00:21:49,000 --> 00:21:50,400
Oh, I said you could talk underwater.
490
00:21:50,400 --> 00:21:53,040
George. George,
you got to remove the goldfish from that.
491
00:21:53,040 --> 00:21:54,280
But besides, it's great.
492
00:21:54,280 --> 00:21:55,120
Yeah, yeah.
493
00:21:55,120 --> 00:21:56,040
Pretty similar.
494
00:21:56,040 --> 00:21:58,360
Pretty similar. George, that reminds me.
495
00:21:58,360 --> 00:22:00,280
Send me a link to whichever ones you use.
496
00:22:00,280 --> 00:22:03,520
I gotta, I gotta get me a few
and from us, send you back
497
00:22:04,960 --> 00:22:06,080
and you put some other stuff.
498
00:22:06,080 --> 00:22:08,320
Put some other stuff in the bag,
please. Yes.
499
00:22:08,320 --> 00:22:09,720
Yeah. Good topic.
500
00:22:09,720 --> 00:22:11,440
The other biggie was the myth
501
00:22:11,440 --> 00:22:13,680
busting is still
one of the biggest things that we do.
502
00:22:13,680 --> 00:22:16,680
Because your audience is drowning in
bad advice.
503
00:22:16,680 --> 00:22:18,760
You know,
you know, changing the subject again.
504
00:22:18,760 --> 00:22:21,840
I'd like to know
who found at O'Hare airport
505
00:22:21,840 --> 00:22:24,880
a bag of hooch in the pot.
506
00:22:24,880 --> 00:22:26,800
Clowns outside the airport.
507
00:22:26,800 --> 00:22:28,560
I'd like to know,
too, because that's mine.
508
00:22:30,640 --> 00:22:31,680
My bag.
509
00:22:31,680 --> 00:22:32,440
You know about that?
510
00:22:32,440 --> 00:22:34,800
I told you about that, Andrew. Yes.
511
00:22:34,800 --> 00:22:36,080
I was so pissed off.
512
00:22:36,080 --> 00:22:39,080
In fact, that's funny.
513
00:22:40,120 --> 00:22:41,200
And. Yeah.
514
00:22:41,200 --> 00:22:43,320
No, it's been great.
I mean, we love what we do.
515
00:22:43,320 --> 00:22:44,440
I don't know what.
516
00:22:44,440 --> 00:22:46,400
Is there anything we would change for
next year?
517
00:22:46,400 --> 00:22:49,680
Because thought about I mean, you know,
we've but dabbled in video.
518
00:22:49,680 --> 00:22:51,160
Then we backed off on video.
519
00:22:51,160 --> 00:22:53,520
Certainly don't expect it
to be any more professional.
520
00:22:53,520 --> 00:22:56,680
I mean, that would be one
not not with me on board, that's for sure.
521
00:22:57,720 --> 00:22:58,160
None of us.
522
00:22:58,160 --> 00:22:58,320
Well,
523
00:22:58,320 --> 00:23:02,360
I've I've been curious what you guys think
as our audience like the value of video.
524
00:23:02,360 --> 00:23:05,720
Like, have you been missing our video
that we haven't done much video lately?
525
00:23:05,800 --> 00:23:08,800
We should ask the audience,
do we need to do video
526
00:23:09,200 --> 00:23:11,720
right, like we'd like to hear from feeling
you're missing out on?
527
00:23:11,720 --> 00:23:12,360
Yeah.
528
00:23:12,360 --> 00:23:15,560
Because, like, you know, we used video
for a while because we could.
529
00:23:15,560 --> 00:23:17,200
And so we were doing it as a team effort.
530
00:23:17,200 --> 00:23:20,000
And frankly, I'll be honest,
it was me putting a lot of more effort in.
531
00:23:20,000 --> 00:23:20,880
It was a lot of work.
532
00:23:20,880 --> 00:23:21,880
It's exponential.
533
00:23:21,880 --> 00:23:23,960
How much more like the video is. Yeah.
534
00:23:23,960 --> 00:23:25,120
And then it was a team lift
535
00:23:25,120 --> 00:23:28,040
because Robbo was still doing his mix
and then getting it to sync.
536
00:23:28,040 --> 00:23:29,800
And and so we used it great.
537
00:23:29,800 --> 00:23:33,120
We used it heavily for our part,
for all of our passport stuff,
538
00:23:33,120 --> 00:23:36,080
because we wanted to demonstrate it
and show it and review it,
539
00:23:36,080 --> 00:23:38,240
and then was like, wait,
you know, these long form interviews,
540
00:23:38,240 --> 00:23:41,760
do they really do
they really does it really matter to have
541
00:23:41,800 --> 00:23:47,160
I think that some people are more
open when there isn't video?
542
00:23:48,440 --> 00:23:49,200
I think that's true.
543
00:23:49,200 --> 00:23:53,160
I think, yeah, it's more intimate,
like you got a mask if there's no video
544
00:23:54,120 --> 00:23:57,360
to see, see how many podcasts
I go on these days though, that our video,
545
00:23:58,000 --> 00:24:00,680
like a lot of them,
like of Kirsty Haas from
546
00:24:00,680 --> 00:24:03,880
some sliding doors,
I've been on her podcast.
547
00:24:03,880 --> 00:24:05,160
That was video.
548
00:24:05,160 --> 00:24:07,800
It was another one
I was on a couple of months ago.
549
00:24:07,800 --> 00:24:08,440
That was video.
550
00:24:08,440 --> 00:24:09,000
And there's one
551
00:24:09,000 --> 00:24:12,120
that I'm going on just after Christmas
in between Christmas and New Year.
552
00:24:12,120 --> 00:24:12,800
That's video.
553
00:24:12,800 --> 00:24:17,280
So it seems like you have to do video
just to be relevant in the industry.
554
00:24:17,280 --> 00:24:21,800
But my question to the audience is like,
I know a lot of people that
555
00:24:22,560 --> 00:24:23,760
listen to video,
556
00:24:23,760 --> 00:24:27,240
like there's a video podcast, they're out
walking the dog just listening to it.
557
00:24:27,600 --> 00:24:29,520
No one's really there
walking around the house.
558
00:24:29,520 --> 00:24:31,440
No one's actually watching the video
to these things.
559
00:24:31,440 --> 00:24:35,560
But the marketing engines
want there to be video content.
560
00:24:35,560 --> 00:24:38,320
But I don't know that it's still radio.
561
00:24:38,320 --> 00:24:41,560
It's funny because you listen to NPR
and it dawned on me
562
00:24:41,560 --> 00:24:44,560
one time, like some of the shows
that you listen to on the radio
563
00:24:44,960 --> 00:24:47,840
are exactly the same thing
that's on PBS news, almost.
564
00:24:49,040 --> 00:24:52,280
And it's just like, and you're like,
oh, I got everything I need to know.
565
00:24:52,280 --> 00:24:54,520
I didn't even listen to them in the car.
I listened to.
566
00:24:54,520 --> 00:24:58,320
I know that there's videos available
for like, the rest is politics.
567
00:24:59,160 --> 00:25:00,520
The rest is history.
568
00:25:00,520 --> 00:25:03,120
All those things that I listen to, but I.
569
00:25:03,120 --> 00:25:06,120
I like them in the car
when I'm driving somewhere. And
570
00:25:06,480 --> 00:25:08,800
in fact, there's a couple of
really good ones that came out recently.
571
00:25:08,800 --> 00:25:11,800
The, the rest is history on the Beatles
572
00:25:12,600 --> 00:25:14,000
with Conan O'Brien.
573
00:25:14,000 --> 00:25:16,320
And, it's good. Good.
574
00:25:16,320 --> 00:25:19,200
It's interesting hearing you say, though,
Robert, it's just still just radio
575
00:25:19,200 --> 00:25:21,840
because radio is going. So video
these days is not funny.
576
00:25:21,840 --> 00:25:23,880
You know, they're sitting up there
studios for video.
577
00:25:23,880 --> 00:25:28,440
They're basically building on the studios
around a video camera and the lighting
578
00:25:28,440 --> 00:25:30,200
and all this sort of thing. It's true.
579
00:25:30,200 --> 00:25:33,000
I know and think going the other way.
It's so much fun.
580
00:25:33,000 --> 00:25:38,280
What I like to see is, is the podcast
that's video only without any audio.
581
00:25:38,480 --> 00:25:40,000
How will that work out?
582
00:25:40,000 --> 00:25:40,800
Yeah.
583
00:25:40,800 --> 00:25:43,680
You know,
I think it'd have been great in the 20s.
584
00:25:43,680 --> 00:25:45,960
Yeah. Well,
I mean I think it's in our name now.
585
00:25:45,960 --> 00:25:49,320
I mean we are the pro audio suite, so
you know, we're not the pro video suite.
586
00:25:49,320 --> 00:25:52,560
So I mean, audio only fits us
anyway, right?
587
00:25:52,840 --> 00:25:55,480
Yeah. The piano. I'm just stuck at
it gets to dive.
588
00:25:55,480 --> 00:25:59,160
But I don't doubt that we're going
to be forced to have to do video to
589
00:25:59,760 --> 00:26:02,120
take it to the next level.
Let's put it this way, Robert.
590
00:26:02,120 --> 00:26:04,880
I mean, Robert, you remember
I sort of forced you to do video.
591
00:26:04,880 --> 00:26:06,760
You were not you.
I was not happy about it.
592
00:26:06,760 --> 00:26:09,760
But I used to snow emails about that.
593
00:26:10,280 --> 00:26:13,920
No, I mean, a year ago
I was very like bullish on the video, man.
594
00:26:13,960 --> 00:26:16,080
I was pushing it hard
because that's what I was.
595
00:26:16,080 --> 00:26:17,360
Everybody was talking about.
596
00:26:17,360 --> 00:26:19,960
I was like,
I think I'll take a shower ship.
597
00:26:19,960 --> 00:26:20,680
Like, I know
598
00:26:22,240 --> 00:26:22,920
the joints.
599
00:26:22,920 --> 00:26:26,240
Well, I'm gonna brush my teeth.
Yeah, yeah.
600
00:26:26,240 --> 00:26:27,360
No, it's like it's.
601
00:26:27,360 --> 00:26:31,440
But in the end, the real value is
what we're talking about, and the video
602
00:26:31,440 --> 00:26:35,160
supports it, but it's a marketing tool
and I don't I'm not worried about.
603
00:26:35,160 --> 00:26:38,040
In fact,
my own podcast went on hiatus in May.
604
00:26:38,040 --> 00:26:41,160
I haven't released anything since the
beginning, like the middle of the year.
605
00:26:41,520 --> 00:26:44,640
And it was because
video was take was dragging me down.
606
00:26:44,720 --> 00:26:48,280
I was just like,
I can't keep up, I have too much to do.
607
00:26:48,280 --> 00:26:51,480
So I'm going to relaunch my podcast
in 2026.
608
00:26:51,480 --> 00:26:53,160
It's an audio podcast.
609
00:26:53,160 --> 00:26:57,160
I've got a fellow who is a client of mine
and decided to step up
610
00:26:57,160 --> 00:27:01,400
and do a bunch of mixes for me,
just, gratis.
611
00:27:01,720 --> 00:27:04,880
His name is Rob Ryder,
and, he's a good producer.
612
00:27:04,880 --> 00:27:06,840
He does great mixes and great edits.
613
00:27:06,840 --> 00:27:08,160
And so we're going to,
614
00:27:08,160 --> 00:27:11,200
we're going to release a bunch of stuff
that George the Tech, My George
615
00:27:11,200 --> 00:27:15,040
the Tech podcast recorded over the year
that's just been sitting in the can.
616
00:27:15,440 --> 00:27:16,120
And I'm glad
617
00:27:16,120 --> 00:27:18,400
because now it'll get out there
and we've got great interviews
618
00:27:18,400 --> 00:27:19,960
waiting and you're going to release that.
619
00:27:19,960 --> 00:27:21,520
It's audio only and like
620
00:27:21,520 --> 00:27:24,720
and it'll be more it'll be audio only
but at least it's going to be heard.
621
00:27:24,800 --> 00:27:25,920
Let's, let's do a video.
622
00:27:25,920 --> 00:27:29,760
But let's, let's just do a video podcast
and just put bars and bars
623
00:27:29,760 --> 00:27:30,840
for all the video.
624
00:27:30,840 --> 00:27:33,840
And there you go. Like done.
625
00:27:33,920 --> 00:27:37,040
Well, since we're plugging new podcasts,
I'm starting a new one in the new year.
626
00:27:37,040 --> 00:27:38,120
Two. It's a radio.
627
00:27:38,120 --> 00:27:38,440
Oh yeah.
628
00:27:38,440 --> 00:27:41,160
Yeah, it's called it's not Rocket Science.
629
00:27:41,160 --> 00:27:43,880
It's about radio imaging,
but it's not about,
630
00:27:43,880 --> 00:27:46,880
you know, this plugging in that plug in
and all that sort of stuff.
631
00:27:46,880 --> 00:27:48,800
It's actually about the science. Why?
632
00:27:48,800 --> 00:27:51,520
Why do we need radio imaging?
633
00:27:51,520 --> 00:27:54,360
You know, different ways
to, to approach it
634
00:27:54,360 --> 00:27:57,000
and the views of some very impressive
people.
635
00:27:57,000 --> 00:28:00,000
Duncan Campbell, who's the group program
director of the Australian Radio
636
00:28:00,000 --> 00:28:03,120
Network here in Australia,
and a guy called Phil Gauss, who is,
637
00:28:04,080 --> 00:28:06,480
who is
a, an international who's an intake.
638
00:28:06,480 --> 00:28:08,600
Yeah, he's an international radio
consultant
639
00:28:08,600 --> 00:28:11,960
who's making big waves in, in Europe
at the moment and stuff like that.
640
00:28:11,960 --> 00:28:15,480
So talking to some friends of mine
and getting their thoughts on radio
641
00:28:15,480 --> 00:28:17,560
imaging and different ways
to think about it
642
00:28:17,560 --> 00:28:19,800
and how it should be used
and where it should be used.
643
00:28:19,800 --> 00:28:21,120
So yeah. So that'll be in the new year.
644
00:28:21,120 --> 00:28:24,120
It and it's funny
you know like it is hard work.
645
00:28:24,600 --> 00:28:27,640
But at the same time
I find I come away with it
646
00:28:27,680 --> 00:28:31,320
learning a whole bunch of stuff too,
which I can then put into my own work.
647
00:28:31,320 --> 00:28:32,720
So it does have its reward.
648
00:28:32,720 --> 00:28:37,280
It's, it's a funny thing too, because
it's like radio imaging, but it's radio.
649
00:28:37,280 --> 00:28:39,840
There's no visual imaging there.
650
00:28:39,840 --> 00:28:42,640
It's image, you know, it's like,
well, you're creating a mental image.
651
00:28:42,640 --> 00:28:43,560
That's exactly.
652
00:28:43,560 --> 00:28:45,040
Yeah. Yeah.
653
00:28:45,040 --> 00:28:48,120
My friend Jodie Crangle has a great show
called The Power of Sound.
654
00:28:48,120 --> 00:28:53,160
You know, and ironically even though
she can screen and drag away in the video,
655
00:28:53,160 --> 00:28:56,160
she's doing video and she's been doing it
for six months now.
656
00:28:56,400 --> 00:28:58,960
And I only listen to her show
an audio format.
657
00:28:58,960 --> 00:28:59,880
I don't watch it on video.
658
00:28:59,880 --> 00:29:02,400
Right. It's a single lot of people
listen to these things and they're not.
659
00:29:02,400 --> 00:29:04,440
They're like, put the phone in the pocket
and they listen to it.
660
00:29:04,440 --> 00:29:06,480
Yeah, and it's
costing her a lot of money and time.
661
00:29:06,480 --> 00:29:07,440
She's getting great guests
662
00:29:07,440 --> 00:29:08,240
though, and I don't know
663
00:29:08,240 --> 00:29:12,400
if there's a correlation that the fact
she's doing video and pushing video and
664
00:29:12,400 --> 00:29:16,640
she's getting more high profile guests,
I don't know if there's a relationship.
665
00:29:16,640 --> 00:29:17,280
I never asked her.
666
00:29:17,280 --> 00:29:20,280
But you and Robbo, you and her could
667
00:29:20,600 --> 00:29:23,600
cross-promote your shows
and you're both doing something about.
668
00:29:23,880 --> 00:29:27,320
It's all about how powerful sound
is in communicating
669
00:29:27,680 --> 00:29:29,760
emotion and messaging and all that.
670
00:29:29,760 --> 00:29:31,880
That's what her show's about.
So of course true.
671
00:29:31,880 --> 00:29:32,800
You guys can give me a name.
672
00:29:32,800 --> 00:29:35,840
Let's hook up, I will
I will connect you with Jodie Crane.
673
00:29:35,960 --> 00:29:37,800
She's great. She's in Canada.
674
00:29:37,800 --> 00:29:40,560
And I got invited in
to become a guest host
675
00:29:40,560 --> 00:29:43,560
in the same way that you guys
brought me in 7 or 8 years ago,
676
00:29:44,040 --> 00:29:46,120
I got invited in to be a guest host
on the show.
677
00:29:46,120 --> 00:29:48,080
That's recurrent returning.
678
00:29:48,080 --> 00:29:50,000
Is this the year of the returning podcast?
679
00:29:51,680 --> 00:29:54,120
There's a show called Vo Meter
680
00:29:54,120 --> 00:29:57,280
that my friends, from GVA.
681
00:29:58,840 --> 00:30:00,480
Oh, come on, dude, I'm going to I'm going
682
00:30:00,480 --> 00:30:04,680
to really botch the names right now
because I have to bring them up on demand.
683
00:30:05,000 --> 00:30:08,960
GV GV anonymous,
what is it you've heard of GVA?
684
00:30:09,000 --> 00:30:10,080
I have actually, yeah.
685
00:30:10,080 --> 00:30:11,120
Global voice acting.
686
00:30:11,120 --> 00:30:15,360
No, actually Paul Stefano,
he's one of the co-founders and producers
687
00:30:15,360 --> 00:30:19,000
of Vo meter and his, compadre
that have been doing the show
688
00:30:19,000 --> 00:30:22,080
with him for years, Sean Daly from GVA.
689
00:30:22,080 --> 00:30:24,240
The two of them have been running
that show for years,
690
00:30:24,240 --> 00:30:27,160
and they asked me to come in and pop in
and do a guest appearance
691
00:30:27,160 --> 00:30:28,440
on a recurring basis.
692
00:30:28,440 --> 00:30:31,960
So let's see how that goes in 2026.
693
00:30:31,960 --> 00:30:34,440
But, well, here
you go. He's a based on that.
694
00:30:34,440 --> 00:30:36,640
He's he's a good way
to to end this episode.
695
00:30:36,640 --> 00:30:40,520
What's the one curveball job that's
come your way this year that's got
696
00:30:40,560 --> 00:30:41,880
you've just gone my god.
697
00:30:43,000 --> 00:30:45,600
Oh, everyone's doing the NFL broadcast.
698
00:30:45,600 --> 00:30:46,640
Parabolic. Right.
699
00:30:46,640 --> 00:30:49,000
That was a good one.
Yeah, yeah, that was a curveball.
700
00:30:49,000 --> 00:30:50,640
That's a curveball for you? Totally.
701
00:30:50,640 --> 00:30:52,920
Yeah. That was wild about you.
It was a curveball.
702
00:30:52,920 --> 00:30:54,960
And there was a curveball
that went around the planet
703
00:30:54,960 --> 00:30:58,320
because I did it for the first time
24 years ago.
704
00:30:59,160 --> 00:31:01,600
So I did it once, never did it again.
705
00:31:01,600 --> 00:31:03,840
And then 24 years later, I did it again.
706
00:31:03,840 --> 00:31:05,280
There you go. Yeah, yeah.
707
00:31:05,280 --> 00:31:06,280
Experience space.
708
00:31:06,280 --> 00:31:09,600
My, my one would be not
my sort of curveball,
709
00:31:10,080 --> 00:31:12,720
but I've been and had for many, many years
710
00:31:12,720 --> 00:31:15,720
been, a Formula One fanatic.
711
00:31:16,080 --> 00:31:18,840
And then I got to do the,
712
00:31:18,840 --> 00:31:22,480
TV ads for, the Abu Dhabi
Grand Prix for the UAE.
713
00:31:22,880 --> 00:31:23,800
That is cool.
714
00:31:23,800 --> 00:31:24,480
That's very cool.
715
00:31:24,480 --> 00:31:24,960
That's just a
716
00:31:24,960 --> 00:31:28,120
yeah, that's a neat fit, that one
that's kind of cool, but still nice.
717
00:31:28,120 --> 00:31:28,480
Yeah.
718
00:31:28,480 --> 00:31:28,800
Yeah.
719
00:31:28,800 --> 00:31:32,400
Robert
I guess, kind of similar to George.
720
00:31:32,400 --> 00:31:33,840
One of the men,
721
00:31:33,840 --> 00:31:37,880
one of my first gigs out of college
was to do a lot of classical recording.
722
00:31:37,960 --> 00:31:41,160
And then, you know, been busy
723
00:31:41,160 --> 00:31:44,480
with life and everything else
and other gigs and commercials.
724
00:31:44,480 --> 00:31:49,880
And then I got asked to do this recording
for The Messiah, and it was super fun.
725
00:31:49,880 --> 00:31:55,120
So back to the, you know, like the
classical recording and simul broadcast.
726
00:31:55,120 --> 00:31:55,600
Yeah.
727
00:31:55,600 --> 00:31:59,960
And it's kind of fun to go back to it
and pull out my, my setup.
728
00:32:00,240 --> 00:32:02,120
That was it's still running.
729
00:32:03,520 --> 00:32:06,480
I love that you could pull out
a 20 year old Greg and it just, you know,
730
00:32:06,480 --> 00:32:09,600
it's going to work and purpose built
you know like yeah it's funny.
731
00:32:09,600 --> 00:32:11,040
You know
we're just talking about live radio.
732
00:32:11,040 --> 00:32:12,800
I'd love to go back to live radio.
733
00:32:12,800 --> 00:32:16,440
You know, I don't think I'd want to do it
full time, but I just a week back in,
734
00:32:16,960 --> 00:32:20,400
in full time radio, I reckon I,
I just there's something about that
735
00:32:21,000 --> 00:32:24,240
instantaneous gratitude,
you know, like you spend 3
736
00:32:24,240 --> 00:32:26,160
or 4 hours in the studio making a promo,
737
00:32:26,160 --> 00:32:29,160
and then you get in the car
and you drive home and it's on air.
738
00:32:29,160 --> 00:32:30,720
You mean so doing promos and stuff?
739
00:32:30,720 --> 00:32:33,160
Yeah,
I yeah, thought of actually being on air.
740
00:32:33,160 --> 00:32:35,760
I was gonna say, like,
life will never get canceled
741
00:32:37,080 --> 00:32:39,800
and I've never been a
jock, so that's sort of that, that doesn't
742
00:32:39,800 --> 00:32:43,560
really bother me, but yeah, that,
you know, we talk about it quite a bit.
743
00:32:43,640 --> 00:32:46,640
I talk about with,
you know, work mates and stuff like that.
744
00:32:46,640 --> 00:32:50,120
And, and even the kids, you know,
now they're old enough to understand
745
00:32:50,120 --> 00:32:54,200
what the hell I used to do
when the, in the back in the 80s that,
746
00:32:54,200 --> 00:32:57,960
I saw a photo of you doing it
this morning on Tim Simon's Facebook page.
747
00:32:57,960 --> 00:33:00,920
You and him. Oh, really?
What was really for that photo?
748
00:33:00,920 --> 00:33:03,320
It was a photo of you
in the production studio. They say.
749
00:33:03,320 --> 00:33:07,720
Say, I'm working on a documentary for,
the split in split.
750
00:33:07,720 --> 00:33:10,320
In split. Oh, cool.
751
00:33:10,320 --> 00:33:10,520
Yeah.
752
00:33:10,520 --> 00:33:14,000
Andrew, do you miss do you miss live radio
or is it this, like, this dress?
753
00:33:14,000 --> 00:33:14,640
You don't miss it?
754
00:33:14,640 --> 00:33:17,040
Yeah, I don't miss it because I think
755
00:33:18,000 --> 00:33:20,520
it's a dog eat dog business.
756
00:33:20,520 --> 00:33:21,840
And when you're up, you're up.
757
00:33:21,840 --> 00:33:23,480
And when you're down, you're fucked.
758
00:33:23,480 --> 00:33:25,800
And and everyone kicked you on the way
down. So.
759
00:33:25,800 --> 00:33:26,880
Yeah, but that's the politics.
760
00:33:26,880 --> 00:33:30,440
But the actual job itself, you know,
like I that that's the big reason
761
00:33:30,440 --> 00:33:32,440
I got out of full time
radio was the politics.
762
00:33:32,440 --> 00:33:35,280
And it sounds like you're saying
the same thing. Really.
763
00:33:35,280 --> 00:33:37,480
It was. It wasn't.
It wasn't necessarily politics.
764
00:33:37,480 --> 00:33:38,840
I think it's just like my career
765
00:33:38,840 --> 00:33:43,040
just went down the toilet really quickly,
and, you're hot and everyone loves you.
766
00:33:43,040 --> 00:33:45,920
And then all of a sudden, well,
and then, like, suddenly you all.
767
00:33:45,920 --> 00:33:50,240
Yeah, yeah, but I got in it too, like,
I was 20 when I started, in
768
00:33:50,520 --> 00:33:53,520
which is an unusually old back then.
769
00:33:53,680 --> 00:33:56,880
Within like two years,
770
00:33:57,360 --> 00:34:00,600
I was working in Metro, a metro station.
771
00:34:00,600 --> 00:34:01,360
Three years,
772
00:34:02,520 --> 00:34:05,040
we jumped across the new FM commercial
FM thing.
773
00:34:05,040 --> 00:34:06,840
It opened, so I was there.
774
00:34:06,840 --> 00:34:11,880
Then a year after that,
I got my first TV series or TV show.
775
00:34:12,720 --> 00:34:14,600
So it was just like it.
776
00:34:14,600 --> 00:34:17,280
And of course, the radio station took off.
777
00:34:17,280 --> 00:34:18,960
My television career took off.
778
00:34:18,960 --> 00:34:21,960
So the 80s was mental for me.
779
00:34:22,480 --> 00:34:25,800
And then at 88, 1998,
780
00:34:26,240 --> 00:34:29,240
it all started to do a bit of a slide.
781
00:34:29,480 --> 00:34:32,000
And by the mid 90s it was just horrible
782
00:34:32,000 --> 00:34:36,000
and then got to 97 and I'm like,
that's it.
783
00:34:36,200 --> 00:34:37,160
I got to get out of this.
784
00:34:37,160 --> 00:34:39,480
It's just revolting.
785
00:34:39,480 --> 00:34:42,080
So I was going
and then I jumped and did this.
786
00:34:42,080 --> 00:34:44,320
And this is before being really good.
787
00:34:44,320 --> 00:34:47,800
But I remember seeing a guy called
Rick Herbert, the Australian voiceover
788
00:34:47,800 --> 00:34:53,040
guy, an actor, that was probably mid
to late 90s in Sydney.
789
00:34:53,600 --> 00:34:55,960
And he came into the station
to do a voiceover.
790
00:34:55,960 --> 00:34:59,720
And I remember walking in his kid with him
when he did the job and then left, and
791
00:34:59,720 --> 00:35:00,080
I thought,
792
00:35:01,160 --> 00:35:02,080
that's nice.
793
00:35:02,080 --> 00:35:03,440
That's for me. That's good.
794
00:35:03,440 --> 00:35:07,640
I get to leave or I get to you get paid
and you're only here for ten minutes.
795
00:35:07,640 --> 00:35:08,800
Now you're talking.
796
00:35:08,800 --> 00:35:09,600
Well, I'll give you
797
00:35:09,600 --> 00:35:12,200
I'll give you my curveball job
for the year
798
00:35:12,200 --> 00:35:13,920
because you guys are going
to get a kick out of this.
799
00:35:13,920 --> 00:35:17,560
I, I got a friend whose podcast
I've been working on here in Australia.
800
00:35:17,560 --> 00:35:20,560
She's actually a voiceover as well,
a lady called Katherine Bick.
801
00:35:20,680 --> 00:35:24,080
And she recommended me
to some friends of hers in the in Canada
802
00:35:24,080 --> 00:35:27,520
who was starting up their podcast,
and she didn't really mention
803
00:35:27,520 --> 00:35:30,560
what the podcast was about, but she went,
you know, they're looking for someone.
804
00:35:31,080 --> 00:35:32,480
You know, I don't
805
00:35:32,480 --> 00:35:35,120
they're not sort of afraid
to pay more than they sort of
806
00:35:35,120 --> 00:35:37,320
need to on five or something,
but they want someone,
807
00:35:37,320 --> 00:35:40,440
you know who knows their chops because
they've never really done this before.
808
00:35:40,440 --> 00:35:42,520
They would need to set up
this, set up their room
809
00:35:42,520 --> 00:35:44,360
and all that sort of stuff right
the first time.
810
00:35:44,360 --> 00:35:44,760
So yeah.
811
00:35:44,760 --> 00:35:46,640
So basically I went, sure, okay, alright,
812
00:35:46,640 --> 00:35:49,080
I'll give them a hand and sort of
make this commitment.
813
00:35:49,080 --> 00:35:49,920
And she didn't.
814
00:35:49,920 --> 00:35:52,080
She tells me now
she purposely didn't tell me.
815
00:35:52,080 --> 00:35:54,120
But I get on line with these two ladies.
816
00:35:54,120 --> 00:35:55,520
They're lovely ladies, by the way.
817
00:35:55,520 --> 00:35:58,080
And the and the name of the podcast
is called Midlife Rising.
818
00:35:58,080 --> 00:36:00,600
For anybody whose wife might be interested
in listening.
819
00:36:00,600 --> 00:36:03,600
And you'll understand why
I say watching them because they have a
820
00:36:03,600 --> 00:36:07,480
podcast is based around the mental
and physical effects of menopause.
821
00:36:08,600 --> 00:36:11,240
Oh yeah. Fun.
822
00:36:11,240 --> 00:36:15,000
So. So I've spent the last like 3
or 4 weeks putting together
823
00:36:15,000 --> 00:36:18,600
about 15 odd episodes for them to,
to get started on
824
00:36:18,800 --> 00:36:21,840
and listening to,
you know, getting to know you learns
825
00:36:21,840 --> 00:36:25,640
and oh my, I've learned so much a lot
I have I have a whole bunch of sympathy
826
00:36:25,640 --> 00:36:27,200
for my neck, my problem.
827
00:36:27,200 --> 00:36:28,880
You will have to go through it too.
828
00:36:28,880 --> 00:36:30,400
So don't worry.
829
00:36:30,400 --> 00:36:32,720
Man up. Oh, it's you right? Yeah, yeah.
830
00:36:32,720 --> 00:36:37,280
Like, as someone that I'm currently
going through menopause as we speak.
831
00:36:37,760 --> 00:36:39,960
Yes that's right.
832
00:36:39,960 --> 00:36:42,120
But, Yeah. Cranky old bugger.
833
00:36:42,120 --> 00:36:42,560
Yeah, yeah.
834
00:36:42,560 --> 00:36:45,600
This this year was a bit of a strange
835
00:36:45,600 --> 00:36:48,600
one for me
because I end up getting prostate cancer.
836
00:36:48,720 --> 00:36:50,880
So, where are you?
837
00:36:50,880 --> 00:36:54,440
Part of the treatment, apart
from radiation and stuff, was a hormone.
838
00:36:54,960 --> 00:36:57,960
Hormone treatment,
which I'll be on for quite a while.
839
00:36:57,960 --> 00:37:00,360
I think another year to go with the stuff.
840
00:37:00,360 --> 00:37:04,040
But basically the symptoms
are you go through menopause.
841
00:37:04,440 --> 00:37:08,720
So as was your question,
she's going through it as well. So
842
00:37:09,680 --> 00:37:11,040
the kids go through it together.
843
00:37:11,040 --> 00:37:14,160
God yeah.
844
00:37:14,320 --> 00:37:16,080
Okay. Are mad as one another.
845
00:37:16,080 --> 00:37:17,440
Yeah. Do you get hugs washes.
846
00:37:17,440 --> 00:37:19,360
Yeah yeah yeah yeah yeah yeah
it's bizarre.
847
00:37:19,360 --> 00:37:21,720
You just sort of sit there going,
oh shit, I'm boiling.
848
00:37:21,720 --> 00:37:23,840
Maybe I should put you in touch with Jen
and Sherry.
849
00:37:23,840 --> 00:37:27,880
Might you be that you could be the host
of the Midlife Rising podcast?
850
00:37:28,080 --> 00:37:30,720
Yeah, yeah,
there's this guy with menopause.
851
00:37:30,720 --> 00:37:33,120
Well, I'm not the first.
I mean, there's plenty of it.
852
00:37:33,120 --> 00:37:33,720
Yeah, yeah.
853
00:37:33,720 --> 00:37:34,200
It is.
854
00:37:34,200 --> 00:37:36,880
Yeah, it's the most bizarre
thing. Makes it.
855
00:37:36,880 --> 00:37:39,120
It was hysterical
when we were sitting with the oncologist
856
00:37:39,120 --> 00:37:41,280
and he said, look,
you know, you're going to
857
00:37:41,280 --> 00:37:43,400
put you on this hormone treatment
and there are side effects.
858
00:37:43,400 --> 00:37:44,640
It will be kind of like, you know,
859
00:37:44,640 --> 00:37:46,680
you will have hot flashes
and then la la la,
860
00:37:46,680 --> 00:37:49,040
all this different stuff
and then mix looking at me going.
861
00:37:51,240 --> 00:37:53,600
Oh, it's
862
00:37:53,600 --> 00:37:55,600
so you're going to go through it as well.
863
00:37:55,600 --> 00:37:58,600
Good. You know.
864
00:37:58,800 --> 00:38:00,000
That's you shaved.
865
00:38:00,000 --> 00:38:00,960
Yeah. Yeah.
866
00:38:00,960 --> 00:38:03,960
And go and get your PSA done in the PSA.
867
00:38:04,760 --> 00:38:07,560
Well that was fun for me.
868
00:38:07,560 --> 00:38:10,160
The audio sweet things to try
869
00:38:10,160 --> 00:38:13,440
and Austrian audio recorded
using Source Connect
870
00:38:13,560 --> 00:38:17,880
edited by Andrew Peters, makes finding
rather good your own audio issues.
871
00:38:18,120 --> 00:38:19,200
Just ask robo.
872
00:38:19,200 --> 00:38:21,760
Don't call him tech support
whom you wish the tech with.
873
00:38:21,760 --> 00:38:25,040
Don't forget to subscribe to the show
and join the conversation
874
00:38:25,120 --> 00:38:27,000
on our Facebook group to leave a comment.
875
00:38:27,000 --> 00:38:32,680
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