Quiet Acceptance and Comic Relief: Unpacking 'Is This Thing On?'
In this episode of *Movies First*, Chris and Jessica delve into the poignant exploration of relationships in Bradley Cooper's latest film, *Is This Thing On?* The film presents a refreshing take on the end of a marriage, focusing on the quiet acceptance between Alex and Tess Novak, played by Will Arnett and Laura Dern, rather than the typical dramatic fare. Their 26-year marriage concludes not with chaos, but with a simple acknowledgment that it's over, leading to a civil yet unsettling dynamic as they adjust to their new lives apart.
The narrative takes a turn when Alex finds solace in stand-up comedy, using his personal experiences as material. Chris and Jessica discuss the raw honesty of his performances and how they serve as a therapeutic outlet for his emotions. The episode highlights a pivotal moment when Tess unexpectedly attends one of Alex's shows, setting the stage for a deeper exploration of their individual journeys. Tess, a former US volleyball player, embarks on her own transformation, becoming a coach and rediscovering her identity.
The hosts also touch on the supporting characters, including Alex's best friends Christine and Balls, portrayed by Andrew Day and Bradley Cooper, whose tumultuous relationship offers a contrasting perspective on marriage. Chris and Jessica commend the performances, particularly noting Laura Dern's ability to convey the complexities of her character with depth and nuance.
While the film grapples with significant themes of connection, identity, and reinvention, the hosts acknowledge its occasional Hollywood gloss. Despite some uneven pacing, they agree that it poses thought-provoking questions about relationships and emotional connection. Inspired by the true story of comedian John Bishop, *Is This Thing On?* is a heartfelt cinematic experience that resonates with anyone reflecting on love and loss.
With a score of 7.5 out of 10, this episode invites listeners to consider the intricacies of relationships through the lens of humor and authenticity. Join Chris and Jessica as they unpack this engaging film, reminding us that even the messiest of breakups can lead to self-discovery and growth.
https://www.bitesz.com/podcast/movies-first
Become a supporter of this podcast: https://www.spreaker.com/podcast/movies-first.
To access the Movies First reviews archive visit our website at www.bitesz.com/podcast/movies-first
To access the Movies First reviews archive visit our website at www.bitesz.com/podcast/movies-first
This episode includes AI-generated content.
0
00:00:00.000 --> 00:00:02.000
Chris: Okay, so here's something to think about.
1
00:00:02.560 --> 00:00:04.600
What if the end of a marriage wasn't about
2
00:00:04.600 --> 00:00:07.040
drama or betrayal, but just
3
00:00:07.600 --> 00:00:10.320
quiet acceptance? That's the premise
4
00:00:10.320 --> 00:00:12.800
Bradley Cooper explores in his latest film,
5
00:00:13.120 --> 00:00:15.880
Is this Thing On? And it's
6
00:00:15.880 --> 00:00:17.200
surprisingly relatable.
7
00:00:17.920 --> 00:00:20.040
Jessica: That's such an understated way to approach a
8
00:00:20.040 --> 00:00:22.640
breakup. Most movies about relationships
9
00:00:22.640 --> 00:00:25.480
falling apart tend to go big. Fights,
10
00:00:25.480 --> 00:00:28.470
tears, dramatic exits. What's the story
11
00:00:28.470 --> 00:00:28.830
here?
12
00:00:30.110 --> 00:00:32.430
Chris: The film opens with Alex and Tess Novak,
13
00:00:32.510 --> 00:00:34.590
played by Will Arnett and Laura Dern,
14
00:00:34.750 --> 00:00:37.070
deciding to end their 26 year marriage.
15
00:00:37.710 --> 00:00:40.590
There's no shouting or slamming doors, just a
16
00:00:40.590 --> 00:00:42.670
simple mutual acknowledgment that it's over.
17
00:00:43.310 --> 00:00:45.870
Alex moves into a small bachelor pad while
18
00:00:45.870 --> 00:00:47.870
Tess stays in the family home with their twin
19
00:00:47.870 --> 00:00:50.670
10 year old boys. It's all very civil,
20
00:00:50.670 --> 00:00:52.430
almost unsettlingly so.
21
00:00:52.990 --> 00:00:54.710
Jessica: That's such a different tone from what you'd
22
00:00:54.710 --> 00:00:57.620
expect. So what drives the narrative
23
00:00:57.620 --> 00:00:59.940
forward? It doesn't sound like there's much
24
00:00:59.940 --> 00:01:00.500
conflict.
25
00:01:01.460 --> 00:01:03.740
Chris: The story really picks up when Alex stumbles
26
00:01:03.740 --> 00:01:06.620
into stand up comedy. He's walking past a
27
00:01:06.620 --> 00:01:09.260
club, doesn't want to pay the $15 cover
28
00:01:09.260 --> 00:01:12.100
charge and is told he can get in for free if
29
00:01:12.100 --> 00:01:13.540
he does a five minute set.
30
00:01:14.740 --> 00:01:17.540
So he gets up on stage with no plan,
31
00:01:17.780 --> 00:01:20.580
no material, and just starts talking about
32
00:01:20.580 --> 00:01:23.280
his marriage breakdown. It's raw, it's
33
00:01:23.280 --> 00:01:26.240
honest and somehow it works.
34
00:01:26.640 --> 00:01:29.240
The audience connects with him and he finds
35
00:01:29.240 --> 00:01:31.520
this unexpected outlet for his emotions.
36
00:01:32.240 --> 00:01:33.960
Jessica: That's such an interesting choice for a
37
00:01:33.960 --> 00:01:36.560
character arc. Comedy is therapy.
38
00:01:37.120 --> 00:01:39.840
It makes sense. Some of the best
39
00:01:39.840 --> 00:01:42.600
comedians turn their pain into humor, but I
40
00:01:42.600 --> 00:01:44.480
imagine this complicates things with Tess.
41
00:01:44.960 --> 00:01:46.960
How does she react to Alex airing their
42
00:01:46.960 --> 00:01:48.160
personal life on stage?
43
00:01:49.170 --> 00:01:50.770
Chris: That's where things get really interesting.
44
00:01:51.730 --> 00:01:54.050
One night Tess shows up at a comedy club
45
00:01:54.050 --> 00:01:56.690
where Alex is performing, completely unaware
46
00:01:56.690 --> 00:01:59.490
of his new hobby. And Alex has no idea
47
00:01:59.490 --> 00:02:02.170
she's in the audience. It's this pivotal
48
00:02:02.170 --> 00:02:04.050
moment in the film, almost like a, ah,
49
00:02:04.090 --> 00:02:06.770
crossroads for their relationship. Tess
50
00:02:06.770 --> 00:02:09.450
isn't just there to watch Alex though. She's
51
00:02:09.450 --> 00:02:11.490
also going through her own transformation.
52
00:02:11.970 --> 00:02:14.660
She's a former US volleyball player and she
53
00:02:14.660 --> 00:02:17.260
decides to get back into the sport, this time
54
00:02:17.340 --> 00:02:18.060
as a coach.
55
00:02:18.860 --> 00:02:21.540
Jessica: I love that Tess has her own arc. It's not
56
00:02:21.540 --> 00:02:23.420
just about Alex's journey. She's
57
00:02:23.420 --> 00:02:26.340
rediscovering herself too. It sounds like the
58
00:02:26.340 --> 00:02:28.340
movie gives equal weight to both characters
59
00:02:28.340 --> 00:02:28.860
stories.
60
00:02:29.900 --> 00:02:32.320
Chris: Exactly. And it's not just about Alex and,
61
00:02:32.320 --> 00:02:34.740
uh, Tess. Their best friends Christine and
62
00:02:34.740 --> 00:02:37.420
Balls, yes, his name is Balls. Are also
63
00:02:37.420 --> 00:02:40.060
dealing with a crumbling marriage. Christine,
64
00:02:40.060 --> 00:02:42.870
played by Andra Day, is Angry and frustrated.
65
00:02:42.870 --> 00:02:45.630
While Balls, played by Bradley Cooper, is a
66
00:02:45.630 --> 00:02:48.430
struggling B grade actor. Their relationship
67
00:02:48.430 --> 00:02:50.830
is much more volatile, almost like a mirror
68
00:02:50.830 --> 00:02:52.950
to Alex and Tess's quieter dynamic.
69
00:02:53.670 --> 00:02:55.830
Jessica: Wait, his name is Balls?
70
00:02:56.470 --> 00:02:59.430
That's a choice, but I
71
00:02:59.430 --> 00:03:01.390
guess it adds some levity to what sounds like
72
00:03:01.390 --> 00:03:04.030
a pretty heavy story. How does Bradley
73
00:03:04.030 --> 00:03:05.030
Cooper do in the role?
74
00:03:06.070 --> 00:03:08.560
Chris: He's great. He's heavily bearded and almost
75
00:03:08.560 --> 00:03:11.440
unrecognizable, but he brings this mix of
76
00:03:11.440 --> 00:03:13.240
humor and sadness to the character.
77
00:03:13.880 --> 00:03:16.520
Andraday is fantastic too. She
78
00:03:16.520 --> 00:03:19.240
channels this pent up energy, this simmering
79
00:03:19.240 --> 00:03:22.120
anger that feels so real. Their
80
00:03:22.120 --> 00:03:23.960
dynamic adds another layer to the film,
81
00:03:24.280 --> 00:03:26.520
showing a different kind of marital struggle.
82
00:03:27.160 --> 00:03:29.400
Jessica: It sounds like the movie is juggling a lot.
83
00:03:30.120 --> 00:03:32.840
Two marriages, individual character arcs,
84
00:03:33.280 --> 00:03:36.160
comedy, drama. Does it all come
85
00:03:36.160 --> 00:03:38.720
together or does it feel a bit scattered?
86
00:03:39.760 --> 00:03:41.760
Chris: It takes a little while to find its footing.
87
00:03:42.160 --> 00:03:44.440
The beginning feels a bit awkward, both in
88
00:03:44.440 --> 00:03:46.400
terms of the story and how it's presented.
89
00:03:46.960 --> 00:03:49.319
But once it gains traction, it becomes a more
90
00:03:49.319 --> 00:03:52.160
conventional narrative. There's a rawness to
91
00:03:52.160 --> 00:03:53.640
it, especially in the way the characters
92
00:03:53.640 --> 00:03:56.000
express their frustrations and desires.
93
00:03:56.560 --> 00:03:58.720
Will Arnett is very authentic as Alex,
94
00:03:59.190 --> 00:04:00.990
stumbling his way through this new chapter of
95
00:04:00.990 --> 00:04:03.990
his life. And Laura Dern, as always, is
96
00:04:03.990 --> 00:04:06.750
phenomenal. She plays Tess with such depth
97
00:04:06.750 --> 00:04:09.310
and nuance, you can feel her disappointment,
98
00:04:09.310 --> 00:04:11.110
her longing, her resilience.
99
00:04:11.750 --> 00:04:14.750
Jessica: Laura Dern is incredible. She has this way
100
00:04:14.750 --> 00:04:16.830
of making you feel everything her character
101
00:04:16.830 --> 00:04:17.590
is going through.
102
00:04:18.310 --> 00:04:20.390
And it sounds like the supporting cast is
103
00:04:20.390 --> 00:04:23.350
strong too. Christine Ebersole and
104
00:04:23.350 --> 00:04:26.180
Ciaran Hynes play Alex's parents. Right?
105
00:04:26.900 --> 00:04:29.540
Chris: Yes, and they're great. Ebersole plays
106
00:04:29.540 --> 00:04:32.180
Marilyn, Alex's mother, who's not exactly
107
00:04:32.180 --> 00:04:34.580
warm or empathetic. She's a bit
108
00:04:34.580 --> 00:04:37.500
detached, almost cold. Heinz, on
109
00:04:37.500 --> 00:04:40.340
the other hand, plays Jan, Alex's father,
110
00:04:40.420 --> 00:04:43.140
who's much more in tune with his son. Their
111
00:04:43.140 --> 00:04:45.380
dynamic adds another layer to Alex's story,
112
00:04:45.860 --> 00:04:47.780
showing where some of his insecurities and
113
00:04:47.780 --> 00:04:48.900
struggles might come from.
114
00:04:49.540 --> 00:04:51.540
Jessica: It sounds like the movie touches on a lot of
115
00:04:51.540 --> 00:04:54.270
themes. Connection, identity,
116
00:04:54.670 --> 00:04:57.590
reinvention. Does it feel heavy handed
117
00:04:57.590 --> 00:04:59.230
or does it strike the right balance?
118
00:04:59.870 --> 00:05:02.390
Chris: It's a bit of both. There are moments where
119
00:05:02.390 --> 00:05:04.910
it leans into the Hollywood treatment. Things
120
00:05:04.910 --> 00:05:07.310
get a little too neat, a little too sweet.
121
00:05:07.630 --> 00:05:10.230
But overall it raises important questions
122
00:05:10.230 --> 00:05:12.350
about what it means to connect with someone
123
00:05:12.510 --> 00:05:14.910
and what happens when that connection fades.
124
00:05:15.150 --> 00:05:17.910
It's not perfect, but it's heartfelt and
125
00:05:17.910 --> 00:05:18.830
thought provoking.
126
00:05:19.450 --> 00:05:22.090
Jessica: And it's inspired by a true story. Right.
127
00:05:22.970 --> 00:05:25.130
Something about British comedian John Bishop.
128
00:05:26.230 --> 00:05:29.130
Chris: M. That's right. In 2000, Bishop
129
00:05:29.130 --> 00:05:31.290
was separated from his wife and decided to
130
00:05:31.290 --> 00:05:33.810
try an open mic night. He ended up using his
131
00:05:33.810 --> 00:05:35.970
personal experiences as material and it
132
00:05:35.970 --> 00:05:38.570
became a turning point for him. His wife even
133
00:05:38.570 --> 00:05:40.770
showed up at one of his shows without knowing
134
00:05:40.770 --> 00:05:43.250
he was performing, which is directly mirrored
135
00:05:43.250 --> 00:05:45.860
in the film. Bishop shared this story with
136
00:05:45.860 --> 00:05:48.460
Will Arnett, who co wrote the screenplay with
137
00:05:48.460 --> 00:05:50.500
Bradley Cooper and Marc Chappelle.
138
00:05:51.140 --> 00:05:53.980
Jessica: That's such a fascinating origin story. It
139
00:05:53.980 --> 00:05:56.220
makes the film feel more authentic knowing
140
00:05:56.220 --> 00:05:58.180
it's rooted in real life experiences.
141
00:05:59.300 --> 00:06:02.220
So, final thoughts? Would you recommend
142
00:06:02.220 --> 00:06:02.500
it?
143
00:06:03.300 --> 00:06:05.860
Chris: I would. It's not a flawless film, but
144
00:06:06.100 --> 00:06:08.260
it's worth watching for the performances and
145
00:06:08.260 --> 00:06:10.980
the themes it explores. It's rated um,
146
00:06:10.980 --> 00:06:13.750
M and I'd give it a solid 7.5 out of
147
00:06:13.750 --> 00:06:14.030
10.
148
00:06:14.830 --> 00:06:17.750
Jessica: Sounds like one to check out. I love movies
149
00:06:17.750 --> 00:06:19.110
that make you think about life and
150
00:06:19.110 --> 00:06:20.950
relationships, even if they're a little
151
00:06:20.950 --> 00:06:23.630
messy. Thanks for walking me through it.
152
00:06:23.790 --> 00:06:25.950
You've been listening to movies first
153
00:06:26.189 --> 00:06:28.990
available at Apple Podcasts, Spotify,
154
00:06:29.230 --> 00:06:31.910
iHeartRadio or your favourite podcast
155
00:06:31.910 --> 00:06:32.270
player.
156
00:06:32.350 --> 00:06:35.310
Chris: You can also stream on demand@bytes.com
157
00:06:35.470 --> 00:06:37.550
this has been another quality podcast
158
00:06:37.550 --> 00:06:39.630
production from bytes.com.
Apple Podcasts
Spotify
Youtube Music
Spreaker
PocketCasts
TuneIn
Overcast
Castro
RSS Feed