April 20, 2026

Love, Loss, and Lyrical Landscapes: The Journey of 'The History of Sound'

Love, Loss, and Lyrical Landscapes: The Journey of 'The History of Sound'

In this episode of *Movies First*, Chris and Jessica explore the enchanting film *The History of Sound*, a mesmerizing journey that transcends traditional storytelling by inviting audiences into a world where music is not just heard but seen, tasted, and felt. At its heart, this film is a profound love story that intertwines art, memory, and the deep connections that music fosters between individuals and their pasts.

Listeners will be captivated as they follow Lionel, portrayed by Paul Mescal, a gifted young man from a small Kentucky farm who has the extraordinary ability to visualize music. His talent earns him a scholarship to the New England Conservatory, where he meets David, played by Josh O'Connor. Their immediate connection is electric, igniting a passionate relationship that unfolds against the backdrop of World War I and the challenges of their time.

Chris and Jessica delve into the film's stunning cinematography by Alexander Dinan, which brings Lionel's unique experiences to life through breathtaking visuals that pulse with sound. They discuss the chemistry between Lionel and David, highlighting how their shared love for music deepens their bond while also complicating their journey as they navigate separation and longing during the war.

As the film progresses, the hosts reflect on the intimate moments shared between the characters during their travels to collect folk songs, illustrating the joy and historical significance of their project. However, they also emphasize the film's exploration of loss and the complexity of love, as Lionel's emotional journey continues to resonate long after their adventures.

With a score of 8.5 out of 10, this episode invites listeners to immerse themselves in the poetic narrative crafted by director Oliver Hermanus and screenwriter Ben Shattuck. Join Chris and Jessica as they unravel the layers of *The History of Sound*, a film that offers a rich tapestry of emotion and artistry, leaving a lasting impression on all who experience it.
https://www.bitesz.com/podcast/movies-first

Become a supporter of this podcast: https://www.spreaker.com/podcast/movies-first.

To access the Movies First reviews archive visit our website at www.bitesz.com/podcast/movies-first

To access the Movies First reviews archive visit our website at www.bitesz.com/podcast/movies-first

This episode includes AI-generated content.

WEBVTT

1
00:00:00.120 --> 00:00:03.200
Okay, So imagine this a world where music isn't just

2
00:00:03.240 --> 00:00:06.639
something you hear, but something you see, taste and feel.

3
00:00:07.440 --> 00:00:09.800
That's the world the history of sound invites us into.

4
00:00:09.800 --> 00:00:11.759
And it's absolutely mesmerizing.

5
00:00:12.519 --> 00:00:15.640
That already sounds like such a unique premise. I mean,

6
00:00:15.960 --> 00:00:18.280
how often do we get a story that redefines something

7
00:00:18.320 --> 00:00:19.559
as universal as music?

8
00:00:20.440 --> 00:00:22.079
What's the heart of the film?

9
00:00:22.719 --> 00:00:25.120
At its core, it's a love story, but it's also

10
00:00:25.160 --> 00:00:28.239
a story about art, memory and the way music connects

11
00:00:28.320 --> 00:00:31.280
us to each other and to the past. It follows

12
00:00:31.320 --> 00:00:35.520
Lionel played by Paul muscal who has this extraordinary gift.

13
00:00:35.679 --> 00:00:38.880
He can literally see music. His father calls it a

14
00:00:38.880 --> 00:00:42.679
gift from God, and it shapes Lionel's entire life. He

15
00:00:42.719 --> 00:00:45.200
grows up on a small farm in Kentucky, but his

16
00:00:45.280 --> 00:00:48.119
talent earns him a scholarship to the New England Conservatory

17
00:00:48.119 --> 00:00:52.119
in Boston. That's where he meets David played by Josh O'Connor,

18
00:00:52.520 --> 00:00:54.320
and their connection changes everything.

19
00:00:55.280 --> 00:00:56.640
Oh I love that setup.

20
00:00:57.399 --> 00:01:01.039
So Lionel's gift isn't just a metaphor, it's something he

21
00:01:01.119 --> 00:01:02.399
actually experiences.

22
00:01:03.119 --> 00:01:04.319
How does the film show.

23
00:01:04.120 --> 00:01:08.920
That the cinematography is a huge part of it Alexander Dinah,

24
00:01:08.959 --> 00:01:13.439
the cinematographer, creates these stunning visuals that feel almost otherworldly.

25
00:01:14.079 --> 00:01:17.719
You see these lush forests, open fields, and tranquil lakes

26
00:01:17.719 --> 00:01:21.120
that seem to pulse with the music Lionel experiences. It's

27
00:01:21.159 --> 00:01:24.280
like the world around him is alive with sound and

28
00:01:24.319 --> 00:01:26.959
you can almost feel it yourself. But it's not just

29
00:01:27.000 --> 00:01:31.319
about the visuals. Paul Mescal's performance adds so much depth.

30
00:01:32.040 --> 00:01:34.959
He has this quiet intensity, like he's carrying the weight

31
00:01:35.000 --> 00:01:37.560
of his gift and his emotions all at once.

32
00:01:38.120 --> 00:01:42.519
That sounds so immersive. And then there's David. What's his

33
00:01:42.599 --> 00:01:43.560
dynamic with Lionel?

34
00:01:43.680 --> 00:01:45.280
Like, David is.

35
00:01:45.280 --> 00:01:48.959
Such an interesting contrast to Lionel. He's passionate about music too,

36
00:01:49.040 --> 00:01:52.680
but he's more outgoing, more of a risk taker. There's

37
00:01:52.719 --> 00:01:55.280
this scene early on where Lionel first sees David playing

38
00:01:55.319 --> 00:01:58.200
a soulful ballad on the piano at a bar. It's

39
00:01:58.239 --> 00:02:01.120
a song Lionel recognize it is because his father used

40
00:02:01.120 --> 00:02:04.640
to sing it, and that moment sparks this instant connection

41
00:02:04.760 --> 00:02:05.719
between them.

42
00:02:06.120 --> 00:02:08.919
You can feel the chemistry right away. It's electric.

43
00:02:09.840 --> 00:02:13.120
That's such a beautiful way to bring them together, so

44
00:02:13.360 --> 00:02:17.599
they become lovers, right, How does their relationship evolve.

45
00:02:18.759 --> 00:02:23.639
It's a beautifully layered relationship. They're deeply connected through their shared.

46
00:02:23.360 --> 00:02:26.719
Love of music, but there's also this underlying tension because

47
00:02:26.719 --> 00:02:29.680
of the time period they're living in. After David is

48
00:02:29.719 --> 00:02:32.400
conscripted to fight in World War One, they're separated for

49
00:02:32.439 --> 00:02:35.840
a while. That distance only makes Lionel's feelings for him

50
00:02:35.840 --> 00:02:39.280
grow stronger, and when David returns, they embark on this

51
00:02:39.360 --> 00:02:42.919
incredible journey together, traveling through remote parts of America to

52
00:02:42.919 --> 00:02:43.919
collect folk songs.

53
00:02:45.080 --> 00:02:48.199
Oh I read about that they were recording these songs

54
00:02:48.199 --> 00:02:51.479
on wax cylinders. Weren't they That must have been such

55
00:02:51.479 --> 00:02:53.120
an intimate and meaningful project.

56
00:02:54.000 --> 00:02:54.680
It really was.

57
00:02:55.680 --> 00:02:58.639
Those scenes are some of the most joyful in the film.

58
00:02:59.280 --> 00:03:02.520
You see them cam out under the stars, visiting small

59
00:03:02.560 --> 00:03:07.879
communities and capturing these deeply felt, handed down songs. It's

60
00:03:07.919 --> 00:03:10.439
like they're preserving a piece of history, a piece of

61
00:03:10.479 --> 00:03:13.240
the soul of America. And you can tell it's the

62
00:03:13.319 --> 00:03:17.360
happiest Lionel has ever been. But of course, life isn't

63
00:03:17.400 --> 00:03:21.240
always that simple. Things get more complicated after their song

64
00:03:21.280 --> 00:03:22.199
collecting adventure.

65
00:03:23.159 --> 00:03:26.479
I can imagine it sounds like the film doesn't shy

66
00:03:26.560 --> 00:03:30.039
away from the complexities of their journey, both as individuals

67
00:03:30.080 --> 00:03:30.759
and as a couple.

68
00:03:31.840 --> 00:03:32.479
Not at all.

69
00:03:32.960 --> 00:03:36.360
It's a deeply reflective film that takes its time exploring

70
00:03:36.400 --> 00:03:40.400
their relationship and the challenges they face. Lionel continues his

71
00:03:40.439 --> 00:03:43.919
life's journey in music, but there's this lingering sense of

72
00:03:44.080 --> 00:03:47.719
loss and longing that stays with him. The narrative arc

73
00:03:47.840 --> 00:03:50.840
is so thoughtful and poetic, and it really gives you

74
00:03:50.919 --> 00:03:52.879
time to sit with the emotions of the story.

75
00:03:53.840 --> 00:03:56.639
That's something I really appreciate in films, when they're not

76
00:03:56.719 --> 00:03:59.000
afraid to let the story breathe and give the audience

77
00:03:59.039 --> 00:04:03.479
space to feel every How does the director, Oliver Hermanez

78
00:04:03.520 --> 00:04:04.439
handle that balance.

79
00:04:05.520 --> 00:04:08.840
He does an incredible job. His direction is so nuanced

80
00:04:08.840 --> 00:04:12.080
and deliberate. He knows exactly when to let a moment linger,

81
00:04:12.479 --> 00:04:15.000
when to let the silences speak louder than the words,

82
00:04:15.719 --> 00:04:18.959
and Ben Shattock's screenplay, based on his own short story,

83
00:04:19.160 --> 00:04:22.160
is just as poetic. It's one of those films where

84
00:04:22.160 --> 00:04:26.079
every element feels perfectly in sync. The writing, the direction,

85
00:04:26.399 --> 00:04:31.120
the performances, the cinematography, and of course, the soundtrack.

86
00:04:32.040 --> 00:04:34.439
Speaking of the soundtrack, I heard it's a key part

87
00:04:34.480 --> 00:04:36.079
of the film's emotional impact.

88
00:04:36.680 --> 00:04:37.680
How would you describe it?

89
00:04:38.920 --> 00:04:44.000
Lyrical, evocative, and deeply moving. The music isn't just a backdrop,

90
00:04:44.600 --> 00:04:47.839
It's a character in its own right. It weaves through

91
00:04:47.879 --> 00:04:53.040
the story, amplifying the emotions and adding layers of depth

92
00:04:53.199 --> 00:04:56.519
to the narrative. And the way it's paired with the visuals,

93
00:04:57.199 --> 00:05:01.600
those pristine landscapes I mentioned earlier, it's just breathtaking.

94
00:05:02.439 --> 00:05:04.399
It sounds like the kind of film that stays with

95
00:05:04.439 --> 00:05:07.879
you long after the credits roll. And Paul Mescal and

96
00:05:07.959 --> 00:05:10.720
Josh O'Connor, how are their performances.

97
00:05:11.839 --> 00:05:13.120
Mescal is phenomenal.

98
00:05:13.920 --> 00:05:17.240
There's such a quiet intensity to his performance, like you

99
00:05:17.279 --> 00:05:20.319
can see the weight of Lionel's emotions in his every

100
00:05:20.360 --> 00:05:23.120
movement and expression. He doesn't have to say much to

101
00:05:23.160 --> 00:05:26.519
convey so much. And O'Connor is equally brilliant, but in

102
00:05:26.560 --> 00:05:29.959
a very different way. He brings this charisma and determination

103
00:05:30.040 --> 00:05:33.040
to David, with this knowing smirk that makes you feel

104
00:05:33.079 --> 00:05:37.279
like he's always one step ahead. Their chemistry together is electric.

105
00:05:37.920 --> 00:05:40.839
Every interaction between them feels charged with meaning.

106
00:05:41.439 --> 00:05:44.839
It sounds like a masterclass in acting. I love when

107
00:05:44.879 --> 00:05:48.759
films explore relationships in such a nuanced way where even

108
00:05:48.800 --> 00:05:50.120
the silences carry weight.

109
00:05:51.160 --> 00:05:53.680
Would you say this is one of the year's best films.

110
00:05:54.199 --> 00:05:55.000
Without a doubt.

111
00:05:55.240 --> 00:05:58.399
It's a film that's as much about what's unsaid as

112
00:05:58.439 --> 00:06:01.720
it is about what's said. There's so much to draw

113
00:06:01.800 --> 00:06:04.920
from the silences, from the glances, from the music itself.

114
00:06:05.759 --> 00:06:09.480
It's a sensitive, poetic portrait of love and loss, and

115
00:06:09.519 --> 00:06:12.439
it left me feeling so many things. I'd give it

116
00:06:12.480 --> 00:06:14.319
an eight and a half out of ten easily.

117
00:06:15.399 --> 00:06:18.040
Wow, that's high praise. I can't wait to see it

118
00:06:18.040 --> 00:06:21.199
for myself. It sounds like the History of Sound is

119
00:06:21.240 --> 00:06:23.560
not just a film, it's an experience.

120
00:06:24.360 --> 00:06:24.959
It really is.

121
00:06:25.680 --> 00:06:28.639
It's one of those rare films that feels like a gift,

122
00:06:29.000 --> 00:06:32.639
something you want to revisit and savor. I think you're

123
00:06:32.680 --> 00:06:35.079
going to love it. I'm giving it a score of

124
00:06:35.120 --> 00:06:36.879
eight and a half out of ten, I.

125
00:06:36.839 --> 00:06:37.480
Have no doubt.

126
00:06:38.279 --> 00:06:40.879
Thanks for sharing your thoughts on it. This has definitely

127
00:06:40.920 --> 00:06:42.720
moved to the top of my must watch list.

128
00:06:43.040 --> 00:06:48.120
You've been listening to movies first available at Apple Podcasts, Spotify,

129
00:06:48.480 --> 00:06:52.240
iHeart Radio, or your favorite podcast player. You can also

130
00:06:52.319 --> 00:06:54.759
stream on demand at bytes dot com.

131
00:06:54.759 --> 00:06:58.480
This has been another quantity podcast production from Night's dot

132
00:06:58.519 --> 00:06:59.560
com