The Unravelling Mind: A Deep Dive into 'If I Had Legs I'd Kick You'
In this episode of *Movies First*, Chris and Jessica embark on a gripping exploration of the psychological thriller *If I Had Legs I'd Kick You*, a film that authentically portrays the harrowing journey of a mother's mental breakdown. They delve into Rose Brian's mesmerizing performance as Linda, a therapist whose life unravels amidst the chaos of her daughter's mysterious illness. The hosts discuss the film's striking opening scenes, where extreme close-ups capture Linda's emotional disintegration, and the symbolism of her apartment's roof caving in, mirroring her crumbling reality.
Listeners will be engaged as Chris and Jessica dissect the layers of isolation that Linda faces, including her husband's absence due to naval duty and the anxiety-inducing environment of a sketchy motel. They highlight the character of James, played by A$AP Rocky, whose presence introduces a moral ambiguity that challenges Linda's ethical boundaries in her desperate quest for help.
The episode further examines the dynamic between Linda and her therapist, played by Conan O'Brien, whose awkwardness adds a unique layer to the narrative, reflecting the complexities of seeking help. The parallel storyline with Linda's patient, Caroline, offers a poignant exploration of maternal mental health, showcasing two sides of a similar struggle.
Chris and Jessica appreciate how the film uses the motel setting as a metaphor for Linda's unstable mental state, creating an atmosphere where reality and perception blur. They emphasize that *If I Had Legs I'd Kick You* avoids sensationalizing mental illness while still depicting its profound effects, challenging viewers to confront their own assumptions about mental health and professional competence.
With a score of 8 out of 10, this episode invites listeners to reflect on the unsettling yet meaningful themes of parenthood and mental health, making *If I Had Legs I'd Kick You* a powerful and unforgettable cinematic experience.
https://www.bitesz.com/podcast/movies-first
Become a supporter of this podcast: https://www.spreaker.com/podcast/movies-first-film-reviews-insights--2648009/support.
To access the Movies First reviews archive visit our website at www.bitesz.com/podcast/movies-first
This episode includes AI-generated content.
0
00:00:00.000 --> 00:00:01.800
Chris: Mental illness in film often gets
1
00:00:01.800 --> 00:00:04.200
sensationalized. But what happens when a
2
00:00:04.200 --> 00:00:06.400
psychological thriller actually captures the
3
00:00:06.400 --> 00:00:09.000
raw, messy reality of a mother's
4
00:00:09.000 --> 00:00:11.880
psychological breakdown? That's exactly
5
00:00:11.880 --> 00:00:13.040
what we're exploring today.
6
00:00:13.600 --> 00:00:15.999
Jessica: You know, I was completely captivated by Rose
7
00:00:15.999 --> 00:00:18.600
Byrne's performance in this film. The way
8
00:00:18.600 --> 00:00:20.400
they shot those opening scenes with those
9
00:00:20.400 --> 00:00:22.960
extreme close ups, you could practically see
10
00:00:22.960 --> 00:00:25.280
her character Linda unraveling in real time.
11
00:00:26.390 --> 00:00:28.470
Chris: Well, that's what makes this so fascinating.
12
00:00:29.030 --> 00:00:31.430
Here's a therapist who should theoretically
13
00:00:31.430 --> 00:00:34.390
have all the tools to cope, but her life is
14
00:00:34.390 --> 00:00:37.310
literally and figuratively falling
15
00:00:37.310 --> 00:00:40.150
apart. The symbolism of her apartment's
16
00:00:40.150 --> 00:00:42.310
roof caving in feels almost too perfect.
17
00:00:43.270 --> 00:00:45.470
Jessica: Hmm. Um, and the way they handle her
18
00:00:45.470 --> 00:00:47.910
daughter's mysterious illness is particularly
19
00:00:47.910 --> 00:00:50.790
haunting. I mean, watching your child refuse
20
00:00:50.790 --> 00:00:52.350
to eat to the point of needing a feeding
21
00:00:52.350 --> 00:00:54.440
tube, that's every parent's nightmare.
22
00:00:55.240 --> 00:00:56.920
Chris: You know what's really interesting about this
23
00:00:56.920 --> 00:00:59.120
film? The way it builds these layers of
24
00:00:59.120 --> 00:01:02.000
isolation. Her husband's away on naval
25
00:01:02.000 --> 00:01:04.600
duty. They're forced into this sketchy motel.
26
00:01:05.000 --> 00:01:07.160
And even simple things like parking her car
27
00:01:07.320 --> 00:01:10.040
become these anxiety inducing confrontations.
28
00:01:11.080 --> 00:01:13.280
Jessica: Speaking of the motel, that whole dynamic
29
00:01:13.280 --> 00:01:15.920
with asap Rocky's character James
30
00:01:15.920 --> 00:01:18.000
adds this whole other dimension of moral
31
00:01:18.000 --> 00:01:19.760
ambiguity, doesn't it?
32
00:01:20.240 --> 00:01:22.600
Chris: Oh, exactly. Here's this healthcare
33
00:01:22.600 --> 00:01:24.440
professional being drawn into the dark web
34
00:01:24.440 --> 00:01:26.760
for drugs. It really shows how desperation
35
00:01:26.760 --> 00:01:28.960
can push someone past their normal ethical
36
00:01:28.960 --> 00:01:31.920
boundaries. And asap, Rocky brings this
37
00:01:31.920 --> 00:01:34.440
perfect mix of sympathy and wariness to the
38
00:01:34.440 --> 00:01:34.720
role.
39
00:01:35.600 --> 00:01:37.800
Jessica: Well, what struck me was how everyone around
40
00:01:37.800 --> 00:01:40.560
Linda is trying to decode her behavior, but
41
00:01:40.560 --> 00:01:42.200
they're all working with different pieces of
42
00:01:42.200 --> 00:01:42.880
the puzzle.
43
00:01:43.520 --> 00:01:46.290
Chris: That's. Well, that's what makes
44
00:01:46.290 --> 00:01:48.690
Conan o' Brien's casting as her therapist
45
00:01:49.010 --> 00:01:51.490
so brilliant. His natural
46
00:01:51.490 --> 00:01:53.890
awkwardness works perfectly for this
47
00:01:53.890 --> 00:01:56.570
clinically detached character who seems to be
48
00:01:56.570 --> 00:01:58.770
deliberately withholding the help Linda
49
00:01:58.770 --> 00:01:59.090
needs.
50
00:01:59.890 --> 00:02:01.850
Jessica: And the parallel storyline with her patient
51
00:02:01.850 --> 00:02:03.690
Caroline really amplifies the whole
52
00:02:03.690 --> 00:02:05.570
exploration of maternal mental health,
53
00:02:05.810 --> 00:02:06.530
doesn't it?
54
00:02:07.330 --> 00:02:09.770
Chris: Absolutely fascinating how they mirror each
55
00:02:09.770 --> 00:02:11.940
other's struggles. It's like watching two
56
00:02:11.940 --> 00:02:14.340
different versions of the same story playing
57
00:02:14.340 --> 00:02:17.020
out simultaneously. And you know what's
58
00:02:17.020 --> 00:02:19.540
really clever? The way the motel setting
59
00:02:19.540 --> 00:02:22.300
becomes this perfect metaphor for Linda's
60
00:02:22.300 --> 00:02:25.060
mental state. Temporary, unstable,
61
00:02:25.540 --> 00:02:26.979
increasingly chaotic.
62
00:02:27.700 --> 00:02:29.700
Jessica: The film really excels at creating this
63
00:02:29.700 --> 00:02:31.460
atmosphere where you're never quite sure
64
00:02:31.460 --> 00:02:33.100
what's real and what's filtered through
65
00:02:33.100 --> 00:02:35.700
Linda's increasingly unreliable perspective.
66
00:02:36.670 --> 00:02:39.230
Chris: Um, that uncertainty is what drives the whole
67
00:02:39.230 --> 00:02:41.510
narrative. Every scene could either be
68
00:02:41.510 --> 00:02:44.150
exactly what it appears or completely
69
00:02:44.150 --> 00:02:46.790
distorted by her mental state. It's like
70
00:02:46.790 --> 00:02:48.470
watching someone trying to solve a puzzle
71
00:02:48.470 --> 00:02:50.270
while the pieces keep changing shape.
72
00:02:50.830 --> 00:02:53.070
Jessica: So what really elevates this above typical
73
00:02:53.070 --> 00:02:55.030
psychological thrillers is how it never
74
00:02:55.030 --> 00:02:57.630
sensationalizes mental illness, but also
75
00:02:57.630 --> 00:02:59.510
doesn't shy away from showing its real
76
00:02:59.510 --> 00:02:59.870
impact.
77
00:03:00.830 --> 00:03:03.530
Chris: That's the thing. It takes these universal
78
00:03:03.530 --> 00:03:05.730
themes about parenthood, professional
79
00:03:05.730 --> 00:03:08.370
identity and mental health and
80
00:03:08.370 --> 00:03:11.210
pushes them to their extreme limits while
81
00:03:11.210 --> 00:03:13.330
still maintaining this connection to reality
82
00:03:13.570 --> 00:03:15.810
that makes it all feel terrifyingly possible.
83
00:03:16.530 --> 00:03:18.530
It's not just Rose Byrne's best performance,
84
00:03:19.090 --> 00:03:21.290
it's a masterclass in psychological
85
00:03:21.290 --> 00:03:23.090
storytelling looking.
86
00:03:23.090 --> 00:03:25.170
Jessica: At the bigger picture. It really challenges
87
00:03:25.170 --> 00:03:26.650
our assumptions about mental health
88
00:03:26.650 --> 00:03:29.600
professionals, too, doesn't it? The idea that
89
00:03:29.600 --> 00:03:31.360
someone who helps others cope might be
90
00:03:31.360 --> 00:03:33.000
struggling so deeply themselves.
91
00:03:33.640 --> 00:03:35.680
Chris: And that's ultimately what makes this film so
92
00:03:35.680 --> 00:03:38.560
powerful. It forces us to confront
93
00:03:38.560 --> 00:03:40.920
our own preconceptions about mental health,
94
00:03:41.160 --> 00:03:44.040
motherhood and the facade of professional
95
00:03:44.119 --> 00:03:46.960
competence. Like you said earlier, it's not
96
00:03:46.960 --> 00:03:49.360
an easy watch, but it's certainly a
97
00:03:49.360 --> 00:03:51.720
meaningful one that stays with you long after
98
00:03:51.720 --> 00:03:54.640
it's over. Rated M, it scores an 8 out
99
00:03:54.640 --> 00:03:55.080
of 10.
100
00:03:55.080 --> 00:03:57.320
Voice Over Guy: You've been listening to movies first
101
00:03:57.560 --> 00:04:00.110
available at Apple Podcasts, Spotify,
102
00:04:00.740 --> 00:04:03.620
iHeartRadio or your favorite podcast player.
103
00:04:03.700 --> 00:04:06.660
You can also stream on demand at bitesz.com.
104
00:04:06.820 --> 00:04:08.900
This has been another quality podcast
105
00:04:08.900 --> 00:04:10.980
production from bitesz.com