Nov. 2, 2025

A Political Tapestry: Dissecting the Layers of 'One Battle After Another'

A Political Tapestry: Dissecting the Layers of 'One Battle After Another'

In this episode of *Movies First*, Chris and Jessica dive deep into Paul Thomas Anderson's latest film, *One Battle After Another*, a riveting political thriller that reimagines a 33-year-old novel about the failures of 60s idealism. The hosts marvel at how Anderson masterfully intertwines contemporary themes of surveillance and extremism, making the narrative feel strikingly relevant today.

Listeners will be captivated by the character arc of Pat Calhoun, portrayed by Leonardo DiCaprio, who transitions from an impassioned revolutionary to a paranoid and broken father over a span of 16 years. The hosts discuss DiCaprio's remarkable physical transformation and the emotional weight he carries, particularly in scenes grappling with substance abuse while trying to protect his daughter.

The explosive dynamic between Tyona Taylor's Perfidia and Sean Penn's Captain Lockjaw is another focal point, especially highlighted in the intense detention center breakout scene that sets off a devastating chain of events. Anderson's documentary-style shooting technique enhances the immediacy of the violence, drawing viewers into the chaos.

As the film unfolds, the stakes continuously shift from revolutionary fervor to personal betrayal, culminating in a generational drama that resonates deeply. The hosts appreciate how Benicio Del Toro's character, Sergio, serves as a calm amidst the storm, providing a contrasting tone that enriches the narrative.

The chilling white supremacist subplot connects the film to current events without feeling preachy, showcasing Anderson's skill in revealing how such movements thrive in turbulent times. With awards season on the horizon, Chris and Jessica predict that the film's technical brilliance and compelling performances, particularly DiCaprio's and Taylor's, will garner significant attention.

With a solid rating of 9 out of 10, *One Battle After Another* emerges as a profound exploration of the intersections between personal choices and political movements, emphasizing the cyclical nature of history and its impact on future generations. Join the hosts as they celebrate this remarkable film that promises to be a topic of discussion for years to come.
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Chris: You know what blows my mind? Paul Thomas

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Anderson just took a 33 year old novel

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about failed 60s idealism and turned

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it into the most relevant political thriller

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of our time.

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Jessica: That's fascinating how he managed to make One

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Battle After Another feel so current.

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The way he handles themes of surveillance and

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extremism feels almost prophetic.

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Chris: Well, what really strikes me is how he's

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woven these complex political threads into,

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into such a personal story. I mean,

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you've got DiCaprio's character, Pat Calhoun,

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going from passionate revolutionary to this

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paranoid, broken father figure over 16

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years. That's some serious character

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development. Hmm.

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Jessica: Um, the transformation is incredible,

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the way DiCaprio physically embodies that

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decline, especially in those scenes where

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he's struggling with substance abuse while

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trying to protect his daughter.

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Chris: Speaking of which, the relationship between

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Tyona Taylor's Perfidia and Sean Penn's

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Captain Lockjaw is just explosive.

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That detention center breakout scene where

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she humiliates him sets up this

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devastating chain of events that ripples

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through the entire film.

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Jessica: Oh, my God. Yes.

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And you know what's really interesting about

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that scene? The way Anderson shoots it

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almost like a documentary, which makes the

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violence feel so much more immediate and

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real.

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Chris: Well, that's actually a technique he borrowed

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from 70s political thrillers like Medium

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Cool. But he's updated it with these modern

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surveillance elements that really amp up the

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paranoia factor. Like there's always this

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sense that someone is watching.

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Jessica: The technical aspects are so impressive.

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How did they manage to maintain that tension

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for almost three hours without it feeling

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exhausting?

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Chris: You know, I think it's because Anderson keeps

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shifting the stakes. First it's

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about the revolutionary group French 75.

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Then it becomes this personal story about

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betrayal when Perfidia becomes an

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informant. And finally it

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evolves into this generational drama with

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Chase Infinity's character Charlene.

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Jessica: Let me tell you what really caught my

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attention. The way Benicio Del Toro's

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character, Sergio, provides this calm

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center in all the chaos. His scenes with

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Charlene feel like they're from a completely

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different movie, but somehow it works.

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Chris: That's because Anderson understands how to

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balance these different tones. Like, um,

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you've got these intense action sequences and

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political intrigue, but then he'll give you

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these quiet moments that let you process

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everything that's happening.

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Jessica: The white supremacist subplot, uh, is

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particularly chilling in how it connects to

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current events.

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Chris: Right. And what's brilliant about how

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Anderson handles that is he never makes it

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feel preachy. He just shows how these

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movements grow in the shadows of social

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upheaval which makes it even more disturbing.

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Jessica: So what do you think about the film's chances

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during awards season?

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Chris: Well, considering how it combines technical

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excellence with relevant social commentary,

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I'd say it's a strong contender. The

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performances alone, especially DiCaprio's

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transformation and Taylor's breakthrough

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role, are going to get a lot of attention.

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Jessica: The way Anderson handles the time jumps and

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multiple storylines really showcases how much

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he's grown as a filmmaker since Magnolia.

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Chris: You know what's interesting? This is actually

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his longest film to date, but it feels like

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his most focused. Every scene, every

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character interaction serves a purpose in

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building this larger narrative about American

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idealism and its aftermath.

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Jessica: The ending really brings all these elements

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together in such an unexpected way.

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Chris: That's because Anderson has planted all these

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little details throughout the film that

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suddenly pay off in the final act. Like,

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uh, the way Charlene's martial arts training

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with Sergio becomes crucial to her survival.

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Or how Lockjaw's obsession with Perfidia

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ultimately leads to his downfall.

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Jessica: The film really makes you think about the

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cost of resistance and the price of betrayal.

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Chris: Exactly. And that's what makes it so relevant

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right now. It's not just about the 60s

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counterculture or the rise of conservatism.

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It's about how these political cycles keep

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repeating and how each generation has to deal

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with the consequences of their parents

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choices.

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Jessica: Well, it sounds like Anderson has created

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something truly special here.

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Chris: You know what? I think this film is going to

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be studied and discussed for years to come.

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It's not just a political thriller or family

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drama. It's a complex examination of how

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personal choices and political movements

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intersect and how the past never really stays

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in the past. Come the film awards season, it

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is certainly one to watch out for. It scores

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a 9 out of 10.

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