High-Flying Thrills: The Action-Packed Ride of 'Fight or Flight'
In this episode of *Movies First*, we dive into the adrenaline-pumping world of the action thriller *Fight or Flight*, where the claustrophobic confines of an airplane become the backdrop for a gripping tale of betrayal and survival. The film kicks off with a heart-racing sequence that sets the stage for chaos, before rewinding to reveal how a botched operation to capture a mysterious hacker known as the Ghost spirals into a full-blown crisis. Chris and his co-host explore the complexities of Lucas Reyes, played by Josh Hartnett, a former Secret Service agent living in exile, whose life takes a dramatic turn when his ex-girlfriend and former boss, Katherine Brunt (Katie Sackhoff), reaches out for help.
The episode highlights the moral dilemmas faced by Sackhoff’s character, showcasing the depth and emotional weight that elevate the narrative beyond typical action fare. Charithra Chandran’s portrayal of the Ghost adds an intriguing layer of intelligence, making her a standout in a genre often filled with one-dimensional villains. The hosts also discuss the film's seamless blend of intense action and humor, with flight attendants played by Danny Ashok and Huey O'Donnell providing comic relief without undermining the tension.
Listeners will be captivated by the film's choreography, likening the fight sequences to a violent ballet in a confined space, reminiscent of classic action films. The cinematography enhances the feeling of claustrophobia, while the soundtrack expertly amplifies the tension at critical moments. Though the film embraces a level of absurdity typical of 90s action movies, it remains committed to delivering an entertaining experience, with Hartnett’s performance grounding the outrageous elements.
As Chris and his co-host ponder the potential for a sequel, they agree that *Fight or Flight* knows precisely what it aims to be, delivering a thrilling ride that is not for the faint of heart. With a solid rating of 7.5 out of 10, this episode invites listeners to buckle up for an exhilarating discussion of a film that promises to keep audiences on the edge of their seats—just perhaps not before their next flight.
https://www.bitesz.com/podcast/movies-first
Become a supporter of this podcast: https://www.spreaker.com/podcast/movies-first.
To access the Movies First reviews archive visit our website at www.bitesz.com/podcast/movies-first
0
00:00:00.000 --> 00:00:02.440
Chris: Ever wonder what happens when you combine the
1
00:00:02.440 --> 00:00:05.000
claustrophobia of air travel with
2
00:00:05.000 --> 00:00:07.640
professional assassins? Today's action
3
00:00:07.640 --> 00:00:10.560
thriller, Fight or Flight, answers that
4
00:00:10.560 --> 00:00:12.800
question in the most explosive way possible.
5
00:00:13.440 --> 00:00:15.520
Jessica: You know what's fascinating about this premise?
6
00:00:16.320 --> 00:00:19.280
It takes our collective anxiety about flying and cranks
7
00:00:19.280 --> 00:00:22.040
it up to 11, similar to what Bullet Train did with
8
00:00:22.040 --> 00:00:23.280
rail travel last year.
9
00:00:24.320 --> 00:00:26.640
Chris: The way they structure this story is really clever,
10
00:00:27.230 --> 00:00:29.830
giving us this intense opening sequence before
11
00:00:29.830 --> 00:00:32.630
rewinding 12 hours to show us how everything went
12
00:00:32.630 --> 00:00:34.830
so spectacularly wrong in Bangkok.
13
00:00:35.710 --> 00:00:38.390
Jessica: Let me break down the setup. We've got this failed
14
00:00:38.390 --> 00:00:41.390
operation to capture a mysterious hacker called the Ghost,
15
00:00:41.950 --> 00:00:44.350
and suddenly everything's spiraling out of control.
16
00:00:45.150 --> 00:00:48.150
Chris: And at the center of it all is Josh Hartnett playing Lucas
17
00:00:48.150 --> 00:00:50.990
Reyes, this fascinating character who's been
18
00:00:50.990 --> 00:00:53.940
essentially living in exile for two years. He's a
19
00:00:53.940 --> 00:00:56.820
former Secret Service agent who can't even return to the US
20
00:00:57.300 --> 00:01:00.300
and he's been drowning his sorrows in alcohol until his
21
00:01:00.300 --> 00:01:02.900
ex girlfriend, who's also his former boss,
22
00:01:02.980 --> 00:01:03.860
comes calling.
23
00:01:04.740 --> 00:01:07.460
Jessica: Hmm. That dynamic between Hartnett and
24
00:01:07.460 --> 00:01:10.380
Katie Sackhoff really adds some emotional weight to what could
25
00:01:10.380 --> 00:01:12.500
have been just another action movie, doesn't it?
26
00:01:13.540 --> 00:01:16.340
Chris: Exactly. Uh, and what's really interesting is how they've
27
00:01:16.340 --> 00:01:18.500
written Sackhoff's character, Katherine Brunt.
28
00:01:19.150 --> 00:01:21.550
She's making these morally complex decisions
29
00:01:21.950 --> 00:01:24.830
knowing she's putting Reyes in danger, but feeling
30
00:01:24.830 --> 00:01:27.590
like she has no other choice. It's the kind of
31
00:01:27.590 --> 00:01:29.950
character depth you don't usually see in this genre.
32
00:01:30.670 --> 00:01:33.670
Jessica: Well, speaking of character depth, what really surprised
33
00:01:33.670 --> 00:01:35.950
me was Charithra Chandran as the Ghost.
34
00:01:36.430 --> 00:01:39.350
She brings this incredible intelligence and complexity to
35
00:01:39.350 --> 00:01:41.230
what could have been a one dimensional role.
36
00:01:41.870 --> 00:01:44.630
Chris: The way they balance all these serious elements with moments of
37
00:01:44.630 --> 00:01:46.990
genuine humor is pretty remarkable.
38
00:01:47.630 --> 00:01:50.470
Like those flight attendants played by Danny Ashok and
39
00:01:50.470 --> 00:01:53.150
Huey o'. Donnell. They provide these perfect
40
00:01:53.150 --> 00:01:55.910
comic relief moments that somehow don't break the
41
00:01:55.910 --> 00:01:56.350
tension.
42
00:01:57.150 --> 00:02:00.110
Jessica: So what really stood out to you about the action sequences?
43
00:02:00.750 --> 00:02:03.750
Because I've gotta say, some of those stunts left me
44
00:02:03.750 --> 00:02:04.990
absolutely breathless.
45
00:02:05.950 --> 00:02:08.710
Chris: You know what's fascinating about the action? Director
46
00:02:08.710 --> 00:02:11.150
James Madigan somehow manages to make these
47
00:02:11.310 --> 00:02:13.470
incredibly complex fight sequences
48
00:02:14.310 --> 00:02:16.550
feel coherent in such a confined space.
49
00:02:17.110 --> 00:02:19.670
It's like a violent ballet in an aluminum
50
00:02:19.670 --> 00:02:22.470
tube. And the stunt work is just mind blowing.
51
00:02:22.950 --> 00:02:25.710
Jessica: The way they've choreographed everything reminds me of those
52
00:02:25.710 --> 00:02:28.310
classic Die Hard sequences, but with this
53
00:02:28.310 --> 00:02:30.830
modern, almost Tarantino esque flair to the
54
00:02:30.830 --> 00:02:31.350
violence.
55
00:02:32.070 --> 00:02:34.870
Chris: Speaking of style, the soundtrack deserves special
56
00:02:34.870 --> 00:02:37.870
mention. It's not just background noise. It's
57
00:02:37.870 --> 00:02:40.820
perfectly calibrated to enhance the tension. They
58
00:02:40.820 --> 00:02:43.700
know exactly when to pump up the volume and when to let the
59
00:02:43.700 --> 00:02:45.020
silence create suspense.
60
00:02:45.740 --> 00:02:48.580
Jessica: That's such a good point about the sound design. It
61
00:02:48.580 --> 00:02:50.940
really helps sell those moments of impact, doesn't it?
62
00:02:51.980 --> 00:02:54.740
Chris: And while we're talking about technical elements, the
63
00:02:54.740 --> 00:02:57.180
cinematography is doing some heavy lifting too.
64
00:02:57.740 --> 00:03:00.740
The way they use the camera to enhance that feeling of
65
00:03:00.740 --> 00:03:03.580
claustrophobia, making the airplane feel
66
00:03:03.580 --> 00:03:06.060
smaller and more threatening. As the story progresses,
67
00:03:06.940 --> 00:03:07.380
though, we should.
68
00:03:07.380 --> 00:03:10.300
Jessica: Probably mention that this isn't exactly going for realism.
69
00:03:10.620 --> 00:03:13.300
There are definitely some moments where you have to suspend your
70
00:03:13.300 --> 00:03:13.900
disbelief.
71
00:03:14.940 --> 00:03:17.740
Chris: That's true, but I think that's part of what makes it work.
72
00:03:18.380 --> 00:03:21.380
It's like those great 90s action movies where the
73
00:03:21.380 --> 00:03:24.300
physics might be questionable, but the entertainment value
74
00:03:24.460 --> 00:03:27.260
is through the roof. And Josh Hartnett
75
00:03:27.260 --> 00:03:30.260
really sells it. He makes you believe in this character
76
00:03:30.260 --> 00:03:33.230
who somehow keeps fighting despite taking an impossible
77
00:03:33.230 --> 00:03:34.150
amount of punishment.
78
00:03:34.790 --> 00:03:37.270
Jessica: The whole cast really commits to the tone, don't they?
79
00:03:38.310 --> 00:03:41.230
Nobody's winking at the camera or trying to undercut the more
80
00:03:41.230 --> 00:03:42.230
outrageous moments.
81
00:03:42.950 --> 00:03:45.270
Chris: And that commitment is what makes the whole thing work.
82
00:03:45.830 --> 00:03:48.830
Even when things get completely over the top, everyone's
83
00:03:48.830 --> 00:03:51.750
playing it straight, which actually makes the humor land better
84
00:03:51.750 --> 00:03:52.110
when it.
85
00:03:52.110 --> 00:03:54.710
Jessica: Does come well, do you think we'll see a
86
00:03:54.710 --> 00:03:57.550
sequel? Because they've certainly left the door open for
87
00:03:57.550 --> 00:03:57.830
one.
88
00:03:58.680 --> 00:04:01.320
Chris: That's what's interesting. They've built this world that could
89
00:04:01.320 --> 00:04:04.320
definitely support more stories, but they've set the bar
90
00:04:04.320 --> 00:04:07.240
pretty high with this first outing. I mean,
91
00:04:07.480 --> 00:04:09.960
where do you go from here? A, uh, fight on the International
92
00:04:10.200 --> 00:04:11.000
Space Station?
93
00:04:11.560 --> 00:04:13.000
Jessica: Now that would be something to see.
94
00:04:13.880 --> 00:04:16.600
Chris: But here's what really makes Fight or Flight stand out.
95
00:04:16.760 --> 00:04:19.640
It knows exactly what kind of movie it wants to be and
96
00:04:19.640 --> 00:04:22.600
delivers on that promise with style. It's not
97
00:04:22.600 --> 00:04:25.540
trying to reinvent the wheel, it's just making sure
98
00:04:25.540 --> 00:04:28.220
that wheel spins as entertainingly as possible.
99
00:04:28.940 --> 00:04:31.900
Jessica: Though we should probably warn viewers, this definitely
100
00:04:31.900 --> 00:04:34.700
isn't for the faint of heart, right?
101
00:04:35.100 --> 00:04:37.620
Chris: If you're looking for a subtle, nuanced
102
00:04:37.620 --> 00:04:40.620
thriller, this isn't it. But if you
103
00:04:40.620 --> 00:04:43.340
want an adrenaline fueled ride that keeps you on the edge of your
104
00:04:43.340 --> 00:04:46.180
seat, well, this flight definitely reaches
105
00:04:46.180 --> 00:04:49.180
its destination. Just maybe don't watch it right before your next
106
00:04:49.180 --> 00:04:52.110
trip to the airport. We're going to give Fight or Flight a
107
00:04:52.110 --> 00:04:53.990
score of 7.5 out of 10.
108
00:04:54.470 --> 00:04:57.270
Voice Over Guy: You've been listening to Movies First available
109
00:04:57.430 --> 00:04:59.670
at Apple Podcasts, Spotify,
110
00:04:59.910 --> 00:05:02.670
iHeartRadio or your favorite podcast
111
00:05:02.670 --> 00:05:04.390
player. You can also stream on
112
00:05:04.390 --> 00:05:07.150
demand at bitesz.com. This has been another
113
00:05:07.150 --> 00:05:10.050
quality podcast production from bitesz.com.