June 27, 2025

Intergalactic Isolation: Navigating Family and Belonging in 'Elio'

Intergalactic Isolation: Navigating Family and Belonging in 'Elio'

In this episode of *Movies First*, Chris and Jessica embark on an insightful journey through the animated film *Elio*, which boldly tackles themes of existential loneliness and the quest for belonging through the eyes of an 11-year-old orphan. Voiced by the talented Jonas Kibrab, Elio's desperate plea for extraterrestrial intervention serves as a poignant reflection of the profound isolation many children experience today. The film's ability to weave heavy emotional territory into a family-friendly narrative is both surprising and refreshing.

As they analyze the dynamics between Elio and his Aunt Olga, portrayed by Zoe Saldana, Chris and Jessica explore how the characters navigate the complexities of non-traditional family structures. Saldana's portrayal adds depth, embodying a blend of military precision and emotional warmth that enriches their relationship. The introduction of a clone subplot cleverly serves as a metaphor for identity and acceptance, mirroring the way children test boundaries with caregivers.

The episode delves into the sophisticated storytelling of the film, particularly through the character of Lord Grigon, voiced by Brad Garrett. His dual role as both an intergalactic warlord and a struggling father highlights the universal struggles of family dynamics, making the narrative resonate on multiple levels. Chris and Jessica also discuss the film's visual design, celebrating the diverse alien species that emphasize messages of acceptance and understanding in an increasingly interconnected world.

While the film garners a rating of 6.5 out of 10, the hosts argue that it still contributes meaningfully to conversations about belonging and emotional complexity for children and families alike. Join them as they unpack the layers of *Elio*, revealing how this animated feature serves as a valuable conversation starter about disconnection and the importance of finding one's place in the world.
https://www.bitesz.com/podcast/movies-first

Become a supporter of this podcast: https://www.spreaker.com/podcast/movies-first

WEBVTT

0
00:00:00.000 --> 00:00:02.800
Chris: You know what blows my mind? We're living in an age where

1
00:00:02.800 --> 00:00:05.600
kids movies are tackling existential loneliness

2
00:00:06.160 --> 00:00:08.880
so profound that their main characters are

3
00:00:08.880 --> 00:00:11.120
literally begging aliens to abduct them.

4
00:00:11.840 --> 00:00:14.480
Jessica: That's such a fascinating observation about this film.

5
00:00:14.880 --> 00:00:17.640
The way they've woven deep themes of isolation and

6
00:00:17.640 --> 00:00:20.080
belonging into what could have been just another space

7
00:00:20.080 --> 00:00:22.080
adventure really caught me off guard.

8
00:00:23.040 --> 00:00:25.600
Chris: Well, let's dig into what makes this story so unique.

9
00:00:26.210 --> 00:00:29.130
Here's an 11 year old orphan voiced brilliantly

10
00:00:29.130 --> 00:00:32.010
by Jonas Kibryab, who feels so

11
00:00:32.010 --> 00:00:34.730
disconnected from Earth that he's actively seeking

12
00:00:34.730 --> 00:00:37.650
extraterrestrial intervention. That's some pretty

13
00:00:37.650 --> 00:00:40.290
heavy emotional territory for an animated film.

14
00:00:40.850 --> 00:00:43.650
Jessica: The choice of Kibrab for the role was really inspired.

15
00:00:44.130 --> 00:00:47.130
The way he captures both vulnerability and determination

16
00:00:47.130 --> 00:00:49.930
in Elio's character adds so many layers to

17
00:00:49.930 --> 00:00:50.930
those lonely moments.

18
00:00:51.980 --> 00:00:54.780
Chris: You know what's interesting? The film actually mirrors some

19
00:00:54.780 --> 00:00:57.340
pretty significant statistics about children in non

20
00:00:57.340 --> 00:01:00.300
traditional family structures. We're seeing more kids

21
00:01:00.300 --> 00:01:03.180
than ever being raised by extended family members, and

22
00:01:03.180 --> 00:01:06.020
the story of Elio and his Aunt Olga really

23
00:01:06.020 --> 00:01:07.340
taps into that reality.

24
00:01:08.220 --> 00:01:11.140
Jessica: Hmm. Um, that's a really good point about the changing

25
00:01:11.140 --> 00:01:13.700
family dynamics. How do you think Zoe

26
00:01:13.700 --> 00:01:16.460
Saldana's performance as Aunt Olga contributes to that

27
00:01:16.460 --> 00:01:16.940
narrative?

28
00:01:18.210 --> 00:01:21.170
Chris: Well, Saldana brings this fascinating military precision to

29
00:01:21.170 --> 00:01:23.810
the role, which creates this perfect tension between

30
00:01:23.810 --> 00:01:26.730
duty and emotional connection. But what really

31
00:01:26.730 --> 00:01:29.650
caught my attention was how they used the clone subplot

32
00:01:29.650 --> 00:01:32.530
as this brilliant metaphor for identity and

33
00:01:32.530 --> 00:01:33.250
acceptance.

34
00:01:34.050 --> 00:01:36.530
Jessica: That clone element definitely adds an interesting

35
00:01:36.530 --> 00:01:39.410
psychological layer to the story. It's almost

36
00:01:39.410 --> 00:01:42.330
like a sci fi version of how kids test boundaries with their

37
00:01:42.330 --> 00:01:42.930
caregivers.

38
00:01:44.200 --> 00:01:44.800
Chris: Exactly.

39
00:01:44.800 --> 00:01:47.560
And speaking of testing boundaries, let's talk about Brad

40
00:01:47.560 --> 00:01:50.280
Garrett's Lord Grigon. The way they

41
00:01:50.280 --> 00:01:53.040
position this intergalactic warlord as both a threat

42
00:01:53.040 --> 00:01:55.920
to peace and a struggling father is

43
00:01:55.920 --> 00:01:58.440
pretty sophisticated storytelling for a family film.

44
00:01:59.000 --> 00:02:01.720
Jessica: The parallel between these two family dynamics really

45
00:02:01.720 --> 00:02:04.200
drives home the universal nature of these relationship

46
00:02:04.200 --> 00:02:05.720
struggles, doesn't it?

47
00:02:06.600 --> 00:02:09.460
Chris: You know, it reminds me of some recent studies about how

48
00:02:09.460 --> 00:02:11.900
children process complex emotions through

49
00:02:11.900 --> 00:02:14.660
storytelling. The whole communiverse

50
00:02:14.660 --> 00:02:17.620
concept serves as this elaborate metaphor for

51
00:02:17.620 --> 00:02:20.580
finding your place in an increasingly interconnected world.

52
00:02:21.380 --> 00:02:23.900
Jessica: Though I have to say, it feels like they could have pushed those

53
00:02:23.900 --> 00:02:26.820
metaphors further. The resolution seemed a

54
00:02:26.820 --> 00:02:28.740
bit too neat for such complex themes.

55
00:02:29.460 --> 00:02:31.860
Chris: That's a fair criticism. Like,

56
00:02:32.020 --> 00:02:34.980
um, consider how they handled the friendship between

57
00:02:34.980 --> 00:02:37.880
Elio and Glordon. While it's

58
00:02:37.880 --> 00:02:40.760
genuinely touching, there was potential for a

59
00:02:40.760 --> 00:02:43.200
deeper exploration of how shared

60
00:02:43.200 --> 00:02:46.120
outsider experiences can bridge even the

61
00:02:46.120 --> 00:02:48.360
widest gaps, in this case,

62
00:02:48.920 --> 00:02:50.200
literal light years.

63
00:02:51.080 --> 00:02:54.080
Jessica: The visual design of all Those different Alien species was

64
00:02:54.080 --> 00:02:56.920
incredible, though. Uh, it really emphasized the message

65
00:02:56.920 --> 00:02:58.520
about diversity and acceptance.

66
00:02:59.560 --> 00:03:02.200
Chris: Well, here's what I find particularly relevant about that

67
00:03:02.200 --> 00:03:04.770
aspect. In an era where kids

68
00:03:05.010 --> 00:03:07.930
are increasingly connected to global communities through

69
00:03:07.930 --> 00:03:10.850
technology, the film's message about finding

70
00:03:10.850 --> 00:03:12.770
understanding across vast differences

71
00:03:13.570 --> 00:03:15.330
feels especially timely.

72
00:03:16.610 --> 00:03:19.530
Jessica: So do you think the 6 1/2 out of 10 rating really captures

73
00:03:19.530 --> 00:03:22.330
the film's impact, considering all these layers we've

74
00:03:22.330 --> 00:03:22.770
discussed?

75
00:03:23.650 --> 00:03:26.450
Chris: You know what? I think that rating reflects its

76
00:03:26.450 --> 00:03:29.250
position as a solid but not groundbreaking

77
00:03:29.250 --> 00:03:31.570
entry and the animated film landscape.

78
00:03:32.130 --> 00:03:35.010
While it doesn't push boundaries the way some recent animated

79
00:03:35.010 --> 00:03:37.890
features have, it still manages to address some

80
00:03:37.890 --> 00:03:40.850
pretty profound themes about belonging and family

81
00:03:41.410 --> 00:03:43.970
in a way that resonates with both kids and

82
00:03:44.050 --> 00:03:44.690
adults.

83
00:03:45.570 --> 00:03:48.530
Jessica: That's such a thoughtful way to look at it. Even if

84
00:03:48.530 --> 00:03:51.490
it didn't completely revolutionize the genre, it's still

85
00:03:51.490 --> 00:03:54.410
contributing something meaningful to the conversation about how we

86
00:03:54.410 --> 00:03:56.370
help children process complex emotions.

87
00:03:57.310 --> 00:03:59.310
Chris: And maybe that's the real value here,

88
00:03:59.870 --> 00:04:02.750
creating a space where families can talk about these

89
00:04:02.750 --> 00:04:05.150
big feelings of disconnection and belonging.

90
00:04:05.630 --> 00:04:08.150
In a world where kids are increasingly dealing with

91
00:04:08.150 --> 00:04:10.750
complex family structures and social pressures,

92
00:04:11.310 --> 00:04:13.950
having these conversation starters is pretty valuable,

93
00:04:14.430 --> 00:04:16.830
even if the package they come in isn't perfect.