Thanksgiving (2023) Review | Eli Roth’s Bloody Holiday Slasher
Eli Roth turns Thanksgiving into a bloody nightmare, and we’re carving it all up in this full spoiler review of Thanksgiving (2023). From the brutal kills and mysterious killer to the small-town revenge story and classic slasher vibes, we break down what works, what shocked us most, and where this film lands among modern horror movies. If you love holiday horror, over-the-top slasher moments, and creative kills, this episode is stuffed with everything you’re looking for.
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[SPEAKER_00]: and hello moving lovers and today we're going to be talking about the movie thanks given this came out in 2003.
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[SPEAKER_00]: I have my good friend Marilyn that ear for me in the actress Marilyn that how are you doing tonight.
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[SPEAKER_01]: I'm doom great john how are you?
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[SPEAKER_00]: There's fantastic it's always good to break bread together and watch a good splash of movie.
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[SPEAKER_00]: Yeah guys, I just want to say this to welcome back to Movie Lovers tonight.
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[SPEAKER_00]: The only podcast where Turkey isn't the only thing getting carved is Thanksgiving.
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[SPEAKER_00]: I'm John and of course, Maryland's with me and today we're talking about Thanksgiving.
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[SPEAKER_00]: Eli Roth's new movie that proves Black Friday shoppers are way scarier than any hard villain.
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[SPEAKER_00]: If you ever thought someone on over a flat screen TV, congratulations.
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[SPEAKER_00]: You made it in this movie.
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[SPEAKER_00]: for sure.
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[SPEAKER_00]: Definitely.
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[SPEAKER_00]: But, you know, it just shows like the chaos of Thanksgiving where, you know, we're gathering around a dinner table with these characters.
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[SPEAKER_00]: And we're actually feel like that we're part of this family as they're being introduced.
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[SPEAKER_00]: to us.
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[SPEAKER_00]: So, I feel like that we are invited in with this family and the viewers watching this, but not only the viewers, but we're also the guests.
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[SPEAKER_00]: And you're seeing that these teenagers are getting ready to go out, they're going out to a movie.
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[SPEAKER_00]: And then you find out the father has to go into work.
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[SPEAKER_00]: We don't know exactly what he does.
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[SPEAKER_00]: And then it goes into the whole entire deal of
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[SPEAKER_00]: What the opening, what did you think about seeing in the, did you see in that perspective that I seen it in or did you see it as like, these are just the characters are we're going to be hanging out with for the next 90 minutes.
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[SPEAKER_01]: Well, I felt like, of course, they're all being introduced and.
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[SPEAKER_01]: Uh, you have to recognize that in doing so, it sets up who's related to who interested it to and, but I felt like, yeah, like, okay, I'm there, I did and then then, uh, yeah,
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[SPEAKER_00]: I just want to mention this, like, and I'm bringing you guys a little small synopsis of what this is about.
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[SPEAKER_00]: So I'm playing with Massachusetts on the evening of Thanksgiving Sheriff, Eric Nule, and arrives at the home of Mitch Collins in his wife, also celebrating in Thomas's right owner of the right-marked stores, along with his new wife, Cat Lane and Dar Jessica, who hates Cat Lane in his waiting to go to the movies with a boyfriend, Bobby, and their friends, Mitch.
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[SPEAKER_00]: and the manager of one of the right smart stores.
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[SPEAKER_00]: This is just made to learn he has been called into work for early Black Friday sales, Jessica and Bobby joined their friends, having Gabby, Scuba, and Yalea.
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[SPEAKER_00]: I think this is how you say your name.
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[SPEAKER_01]: Julia, Julia, thank you.
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[SPEAKER_01]: Yeah, I think so.
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[SPEAKER_00]: I don't want to win.
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[SPEAKER_00]: Yeah, it's Julia.
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[SPEAKER_00]: Well, it's something now I think of Julia Gullia from like, you know, right, you know, yeah, yeah, but yeah, but yeah, but they're all getting ready to go to the movies and but Evan decides to take a pit stop to the right smarts and Jessica has access inside the teams try to get to the store and actually opens outside the mob of the customers grows unruly.
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[SPEAKER_00]: with teens from the rival school, Lonnie and Essence getting a riot, as they see the other teens inside and demand to let them in.
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[SPEAKER_00]: The teens tend to side the chaos I'm dealing with.
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[SPEAKER_00]: People being pressed against the cracked glass, the moment the door's break, a stampede of customers burst in and one of the security guards named Doug being trampled to death.
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[SPEAKER_00]: And another customer gets his next slash by broken glass Bobby tries to help by gets his risk broken after someone stomps on it.
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[SPEAKER_00]: You know, the not the thing I want to bring up is the fact that I like how we go into the parking lot of this thing and then it's like oh shit like there's a thing music to this like it's an old shit moment for us is the viewer, but we're also interacting with these characters and as they're interacting with one another, we actually do feel like we're in that seat with them and it's like, well, I need to have a phone, well, why do you need a phone for well, because if I have a phone or how am I also am I going to talk to somebody.
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[SPEAKER_00]: So you know, it's just one of those teenage things of like I need to go to the store and it on this chaotic night you need a cell phone and they're not even thinking clearly on this no well I mean their kids right that's okay, but yeah I mean the whole parking lot thing which is so crazy.
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[SPEAKER_01]: I mean, I would never try to get in there ever, that, I mean, it was just a really and manic, all these people are just crazy.
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[SPEAKER_00]: Right, and then you're going to try and amplify it even more by wanting them outside.
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[SPEAKER_01]: Oh, what?
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[SPEAKER_01]: That was so wrong.
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[SPEAKER_01]: Hello.
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[SPEAKER_01]: No.
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[SPEAKER_01]: And then, yeah, the guy, the, the, the
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[SPEAKER_01]: You know, just like yelling and they had a big green between who was a Bobby or no, it's Lonnie.
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[SPEAKER_01]: Okay.
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[SPEAKER_00]: I'm a rival school.
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[SPEAKER_00]: Yeah.
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[SPEAKER_01]: That's right.
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[SPEAKER_01]: The right.
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[SPEAKER_01]: And they had this big green back and forth and they get inside and they're like, I got this.
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[SPEAKER_01]: Yeah.
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[SPEAKER_00]: Yeah, absolutely morons because they're seeing them going into the back and the security people are trying to hold them back and they're like, wait, they're allowed to go in the back.
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[SPEAKER_00]: But we have to stay here.
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[SPEAKER_01]: Right.
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[SPEAKER_00]: And.
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[SPEAKER_00]: The thing that kind of bothers me here is, it's supposed to take place in Massachusetts.
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[SPEAKER_00]: There's hardly any Massachusetts Boston accents in this movie.
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[SPEAKER_01]: Right.
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[SPEAKER_00]: Other than maybe make the coach.
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[SPEAKER_00]: Yeah, they make it with their care.
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[SPEAKER_00]: And then the sheriff, like towards the end, yeah, he gets the box that accent all of a sudden.
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[SPEAKER_01]: I'm like, wait, the waitress had one right up.
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[SPEAKER_01]: Yeah.
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[SPEAKER_00]: And Papa Genos is that and she mentions Papa Genos.
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[SPEAKER_00]: That was actually a popular franchise in Boston when I was a kid So I'm like, okay, so I feel nostalgic.
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[SPEAKER_00]: I'm part of telling us that Things like that in the diner and also too.
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[SPEAKER_00]: This doesn't even feel like a big store.
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[SPEAKER_00]: Yeah, it's a big store But this is supposed to be like a best buy slash Walmart kind of store is the way I looked at it.
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[SPEAKER_01]: Yeah, right?
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[SPEAKER_00]: Because it's a small town.
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[SPEAKER_00]: So everybody knows everybody.
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[SPEAKER_01]: Well, we're everywhere.
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[SPEAKER_00]: Yeah, exactly.
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[SPEAKER_01]: That's true.
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[SPEAKER_00]: I, it's just, it's just sucks because then the mother comes in wanting to drop off some food for her husband who happens to be called in.
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[SPEAKER_00]: But at the same time though, I'm like, lady, why you bring him something to eat?
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[SPEAKER_00]: I get the fact that you care about your husband, but look at the mob outside.
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[SPEAKER_01]: I know.
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[SPEAKER_01]: I know.
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[SPEAKER_00]: And he didn't want to even have time to even think about eating.
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[SPEAKER_00]: Right.
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[SPEAKER_00]: or anything like that because the months the chaos.
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[SPEAKER_00]: So I would like, look, I already ate before I left here to go to work probably.
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[SPEAKER_00]: I'll give me some McDonald's.
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[SPEAKER_00]: I don't need you to pick me up anything.
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[SPEAKER_00]: I'm going to be occupied over here.
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[SPEAKER_00]: But it's just sucks that his wife dies because it's someone that wanted an item in the store.
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[SPEAKER_01]: Right.
07:46.189 --> 07:48.292
[SPEAKER_01]: And her hair gets all tangled up.
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[SPEAKER_00]: And under the wheel of the shopping card,
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[SPEAKER_01]: And then I know, and it, uh, and then it whole scalping, you know, yeah, and she's wheeling around with the woman's hair attached to it.
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[SPEAKER_00]: And then you also, yeah, I know we're Boston strong, but man, that guy who ended up cutting his throat as he's getting in there to get a waffle maker.
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[SPEAKER_01]: And he grabbed it and he was like, uh, and then somebody comes along and grabs it from him.
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[SPEAKER_00]: he was going to die on the man to love getting that for his family.
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[SPEAKER_01]: He died for that goodness sakes.
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[SPEAKER_00]: What else can you say about that you enjoyed about this scene though?
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[SPEAKER_00]: As I'm describing this.
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[SPEAKER_01]: It's it's actually my favorite because I think it epitomizes some of the insanity that
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[SPEAKER_01]: people get.
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[SPEAKER_01]: They can get really mean and not not to this extent, but at least I don't know, I think two women fight over bread during Black Friday.
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[SPEAKER_01]: Okay.
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[SPEAKER_00]: And slapping with each other with bread.
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[SPEAKER_00]: I've seen it on that kind of level.
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[SPEAKER_00]: Really?
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[SPEAKER_00]: Yeah.
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[SPEAKER_00]: Oh, thank goodness I haven't done it.
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[SPEAKER_00]: The bad thing is I live in the salt.
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[SPEAKER_00]: So I wasn't expecting that to happen down here.
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[SPEAKER_01]: Right.
09:19.594 --> 09:19.915
[SPEAKER_01]: Right.
09:20.095 --> 09:20.415
[SPEAKER_01]: Right.
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[SPEAKER_01]: Um, but so I kind of understand.
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[SPEAKER_01]: Um, the importance of that kind of statement, you know, maybe we should all relax.
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[SPEAKER_01]: Take a step back.
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[SPEAKER_01]: and not get so materialistic right and not get so crazy because
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[SPEAKER_01]: It's hard enough during the holidays without meeting somebody who steals something from you in the store, you know, it's or dying in this case.
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[SPEAKER_01]: But oh my goodness.
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[SPEAKER_00]: Yeah.
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[SPEAKER_00]: And I think you nailed it on the head with this, though.
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[SPEAKER_00]: It's like, be thankful for the things that you already have.
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[SPEAKER_00]: Because you already went, here's the thing.
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[SPEAKER_00]: We experience the Thanksgiving Day dinner.
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[SPEAKER_00]: Then it's like, okay, now guys, we're going to go out shopping now after we got set things after we actually been thankful for the things that we have right now you're going to be over there trying to get materialistic stuff right I've never saw the importance of going out for black Friday I've never done it I've never done everything I just happen to want to get bread.
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[SPEAKER_00]: And then after that I walked out the store.
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[SPEAKER_00]: I'm like, I'm good.
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[SPEAKER_00]: That was before home delivery.
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[SPEAKER_00]: You know what I'm saying before, why much started delivering stuff and things like that.
10:42.211 --> 10:43.514
[SPEAKER_00]: I'm like, I'm good.
10:43.715 --> 10:45.478
[SPEAKER_00]: I don't, I don't need no bread.
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[SPEAKER_00]: I'll just go to subway or something.
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[SPEAKER_00]: I'm good to go.
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[SPEAKER_00]: I definitely do agree with you.
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[SPEAKER_00]: This movie, maybe a slasher movie, but it has a movie behind it.
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[SPEAKER_00]: It's like don't get wrapped up around this black Friday thing.
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[SPEAKER_00]: It's overrated.
10:58.334 --> 10:59.035
[SPEAKER_00]: It's overhyped.
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[SPEAKER_00]: Be thankful for the family that you have in the gifts that you have in front of you because you can, you can never get those memories back.
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[SPEAKER_01]: Right.
11:07.063 --> 11:07.304
[SPEAKER_01]: Right.
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[SPEAKER_00]: Yeah.
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[SPEAKER_01]: But exactly.
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[SPEAKER_00]: But yeah, and then I feel bad for Doug, like two security people are over there.
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[SPEAKER_00]: Right.
11:19.503 --> 11:34.606
[SPEAKER_01]: It's ridiculous and he's only doing what he's told to do, you know, lock the doors and then people start it was a girl who was it open the doors open the doors, but just who set that I can't remember.
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[SPEAKER_00]: I believe it was Jessica.
11:35.868 --> 11:36.789
[SPEAKER_01]: Yeah, yeah, yeah.
11:36.809 --> 11:41.977
[SPEAKER_01]: The doors open the doors and you get scrambled on smushed.
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[SPEAKER_01]: Oh my goodness.
11:44.545 --> 11:51.039
[SPEAKER_00]: And then also to like do you have Lizzy who is over there, who is actually the waitress that we meet later on.
11:51.099 --> 11:51.801
[SPEAKER_01]: Yes.
11:52.843 --> 12:01.221
[SPEAKER_00]: And I'm like girl you that is not you are ripping off someone sick.
12:01.201 --> 12:15.312
[SPEAKER_00]: scalp right now to get what you want and you're basically merging with somebody and I'm glad that they brought this up is like these people need to be arrested and be brought into justice, not just a slap on the wrist.
12:15.646 --> 12:27.600
[SPEAKER_00]: So I think it has a lot to do with like, yeah, as the news reports are actually coming out, we're watching this on TV, just as the characters are watching it on TV as well and feeling in the same way that they do.
12:28.681 --> 12:41.957
[SPEAKER_00]: So they do a very good job of this meta kind of thing of amplifying how we feel and feeling how these characters feel at the same time though, all these characters are just horrible people.
12:43.456 --> 12:51.887
[SPEAKER_00]: Like there's no one to really root for in a sense, other than maybe Jessica, like the man, yeah, but that's about it.
12:52.268 --> 12:58.176
[SPEAKER_00]: Like everybody else has their own motives and their own motivations and stuff behind the black Friday deal.
12:58.476 --> 13:03.503
[SPEAKER_00]: And they're just ugly people to me, like they're doing, yeah.
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[SPEAKER_01]: Yeah, most of the, well, certainly the people that die.
13:06.787 --> 13:08.029
[SPEAKER_01]: Right.
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[SPEAKER_01]: Even though I feel a little conflicted about a couple of the deaths, especially one, but.
13:15.309 --> 13:15.409
[SPEAKER_01]: Yeah.
13:15.429 --> 13:15.810
[SPEAKER_01]: Yeah.
13:15.830 --> 13:18.893
[SPEAKER_00]: So now we're dealing with the fact that this is only one year later.
13:18.934 --> 13:20.015
[SPEAKER_00]: Yeah.
13:20.976 --> 13:22.078
[SPEAKER_00]: It's not much time to grieve.
13:22.158 --> 13:23.940
[SPEAKER_00]: It's not much to process everything.
13:24.000 --> 13:25.942
[SPEAKER_00]: But yeah, they want to still have a parade.
13:25.983 --> 13:28.846
[SPEAKER_00]: They still want to go ahead and act like nothing even happened.
13:29.207 --> 13:30.588
[SPEAKER_01]: Yeah.
13:30.608 --> 13:35.755
[SPEAKER_00]: So it just goes to show you this mirror is kind of like the same mirror that we had from jaws.
13:36.258 --> 13:37.880
[SPEAKER_01]: Yeah, this is true.
13:37.960 --> 13:39.883
[SPEAKER_01]: That's true.
13:39.903 --> 13:46.071
[SPEAKER_00]: So with that character trope, I feel like this movie plays a lot of character tropes that we know from other harm movies, which I really enjoy.
13:46.111 --> 13:47.673
[SPEAKER_01]: Yeah.
13:47.693 --> 13:54.161
[SPEAKER_00]: But it does a perfectly good job of actually balancing out what this mirror is about and what he wants.
13:54.561 --> 13:59.007
[SPEAKER_00]: And he doesn't care if people die because he's still gonna throw that stupid parade.
13:59.428 --> 13:59.768
[SPEAKER_01]: Yeah.
14:00.406 --> 14:14.599
[SPEAKER_01]: Yeah, and then, but then you have to look at Thomas Wright who is heinous wife, they're trying to give back to the community and they're trying to do all this good stuff.
14:14.699 --> 14:19.444
[SPEAKER_01]: So maybe that's why the mayor is like, okay, let's move on.
14:19.484 --> 14:27.291
[SPEAKER_01]: Let's go ahead and, you know, throw this stupid brain.
14:28.486 --> 14:37.457
[SPEAKER_00]: But then, you know, and then we also have this other thing that with Thomas and the entire company after no rest remain, we talked about that.
14:38.359 --> 14:40.561
[SPEAKER_00]: And then they also took the security footage.
14:41.583 --> 14:43.245
[SPEAKER_01]: It could not be found right.
14:43.285 --> 14:57.463
[SPEAKER_00]: And then we have Bobby hasn't spoken to Jessica or the other since the accident and Bobby supposedly decided hey, look, I, he ruined his whole entire baseball career because someone's stumped on his hand.
14:57.983 --> 14:59.144
[SPEAKER_01]: Yeah.
14:59.164 --> 15:00.887
[SPEAKER_01]: So, yes, he dug.
15:00.927 --> 15:02.609
[SPEAKER_01]: So, yeah.
15:02.629 --> 15:02.909
[SPEAKER_00]: Right.
15:03.930 --> 15:07.154
[SPEAKER_00]: So, he was actually trying to do something nice and help dog.
15:07.595 --> 15:09.157
[SPEAKER_00]: And then he got, gets hurt in the middle.
15:09.197 --> 15:12.281
[SPEAKER_00]: And his whole entire baseball career is now over with.
15:13.602 --> 15:16.145
[SPEAKER_00]: And it almost makes you feel like everybody's a suspect.
15:16.246 --> 15:21.933
[SPEAKER_00]: And you don't, that you think that everybody is the killer at this moment.
15:22.954 --> 15:24.376
[SPEAKER_00]: Because everybody has their own motives.
15:25.517 --> 15:25.777
[SPEAKER_01]: Yeah.
15:26.658 --> 15:27.940
[SPEAKER_01]: Yeah.
15:28.308 --> 15:56.357
[SPEAKER_01]: the introduction of the deputy band and I'm like yeah share of Eric Nolan that's right yeah and of course Mitch the husband right was the man former manager yeah he's going through drama yes very much so
15:56.641 --> 15:59.895
[SPEAKER_00]: I need to, Mitch is the one that I really have to feel like that.
16:00.055 --> 16:03.530
[SPEAKER_00]: I've cared the most about because of the stuff because he lost his wife.
16:03.952 --> 16:04.474
[SPEAKER_00]: Yes.
16:05.652 --> 16:11.037
[SPEAKER_00]: And then you have Lizzy, Lizzy over there taking the orders and stuff.
16:12.058 --> 16:16.081
[SPEAKER_00]: And if you guys have to wait your turn, you're not so special.
16:16.261 --> 16:19.604
[SPEAKER_00]: I'm like, you're the one who wanted up killing somebody, right?
16:20.565 --> 16:22.687
[SPEAKER_00]: Yeah, they amplified the crowd and stuff like that.
16:22.707 --> 16:24.068
[SPEAKER_00]: Yes, they snuck around the back.
16:24.408 --> 16:26.630
[SPEAKER_00]: And at the same time, you're the one who killed someone.
16:26.650 --> 16:27.011
[SPEAKER_00]: Right.
16:27.931 --> 16:28.612
[SPEAKER_00]: Exactly.
16:29.032 --> 16:30.213
[SPEAKER_01]: You're just guilty as they are.
16:30.934 --> 16:31.134
[SPEAKER_01]: Right.
16:32.015 --> 16:32.916
[SPEAKER_01]: It's not more.
16:33.316 --> 16:33.636
[SPEAKER_01]: Right.
16:34.117 --> 16:35.558
[SPEAKER_01]: Right.
16:36.719 --> 16:49.875
[SPEAKER_00]: Yeah, but I do like the look of the mask for for the killer for the, I definitely like the look of it, because it does have this little realism kind of look to the mask and doesn't feel like it's plastic or anything like that.
16:50.876 --> 17:03.030
[SPEAKER_00]: I really I really like the fact that you know the new person in town, which is the sheriff who's actually trying to learn who with this thing is the name celebrate so I thought that was really interesting.
17:03.010 --> 17:03.451
[SPEAKER_01]: Yeah.
17:04.051 --> 17:04.492
[SPEAKER_01]: Yeah.
17:04.512 --> 17:06.855
[SPEAKER_01]: And I love that name of that person, too.
17:07.636 --> 17:07.876
[SPEAKER_01]: Yeah.
17:07.916 --> 17:08.657
[SPEAKER_00]: John Carver.
17:08.918 --> 17:09.238
[SPEAKER_01]: I know.
17:11.100 --> 17:11.281
[SPEAKER_00]: Yeah.
17:12.222 --> 17:17.088
[SPEAKER_00]: And then after the famous pilgrim at night at the diner, this is what we have Lizzy.
17:17.729 --> 17:18.950
[SPEAKER_00]: Who now, this is our first death.
17:19.691 --> 17:23.296
[SPEAKER_00]: And, you know, she's closing up as late at night.
17:24.518 --> 17:31.026
[SPEAKER_00]: And, you know, she went, first thing first, I thought he was going to put her head into the
17:31.934 --> 17:32.915
[SPEAKER_00]: That's the first thing I thought.
17:32.975 --> 17:39.584
[SPEAKER_00]: But no, instead, he drowns her in water, tries to drown, and then he throws her up against the freezer.
17:40.205 --> 17:43.609
[SPEAKER_00]: Then she winds up trying to pull herself off the freezer.
17:45.171 --> 17:54.564
[SPEAKER_00]: And then I feel like that treatment got the same treatment as the wife getting her scalp ripped off, just like how her face is getting ripped off.
17:55.145 --> 17:56.086
[SPEAKER_01]: Yep.
17:56.106 --> 17:58.068
[SPEAKER_00]: Thought I thought it was like an eye for an eye kind of thing.
17:58.469 --> 18:00.051
[SPEAKER_01]: Yeah.
18:00.588 --> 18:05.874
[SPEAKER_00]: but then she runs into the closet and then she runs, then over that, the killer one's out.
18:06.514 --> 18:08.376
[SPEAKER_01]: And she came out, why did you come out?
18:09.237 --> 18:10.379
[SPEAKER_01]: I would never come out.
18:10.959 --> 18:11.340
[SPEAKER_01]: No!
18:11.520 --> 18:14.603
[SPEAKER_01]: Would say there forever until somebody showed up.
18:15.324 --> 18:17.807
[SPEAKER_00]: I'll be waiting until the next shift, the next morning.
18:18.087 --> 18:19.589
[SPEAKER_00]: You know what I mean?
18:19.609 --> 18:19.849
[SPEAKER_00]: Exactly.
18:20.930 --> 18:27.237
[SPEAKER_00]: But she comes out and then on the Sunday killer traces her up the door and then
18:27.807 --> 18:28.207
[SPEAKER_01]: Yeah.
18:28.227 --> 18:34.113
[SPEAKER_00]: And as she's trying to get into the garbage bin outside, it cuts her in half.
18:34.314 --> 18:38.958
[SPEAKER_00]: The ledge shuts on her on her eye on her body on her torso.
18:39.018 --> 18:40.180
[SPEAKER_01]: It's midsection.
18:40.200 --> 18:40.420
[SPEAKER_01]: Yeah.
18:40.620 --> 18:41.341
[SPEAKER_00]: Yeah.
18:41.361 --> 18:43.944
[SPEAKER_00]: And then it's split, then the truck splits her in half.
18:44.664 --> 18:44.925
[SPEAKER_01]: Yeah.
18:45.665 --> 18:49.509
[SPEAKER_00]: Which I laughed at a lot.
18:49.529 --> 18:52.212
[SPEAKER_00]: I loved even harder when it was a 50% off.
18:58.165 --> 19:03.831
[SPEAKER_00]: When they put it on that side, I was like, now that is the perfect way to go about this.
19:04.011 --> 19:05.032
[SPEAKER_00]: This is justice.
19:05.753 --> 19:07.095
[SPEAKER_01]: Right, right.
19:07.115 --> 19:10.618
[SPEAKER_00]: But I was on some dark warped humor though, too, where myself.
19:10.799 --> 19:11.199
[SPEAKER_01]: Goodly.
19:12.060 --> 19:13.201
[SPEAKER_01]: Yeah, I'm very twisted.
19:13.241 --> 19:15.584
[SPEAKER_01]: That's why I laughed, so yeah.
19:15.604 --> 19:16.705
[SPEAKER_00]: I've seen the characters you play.
19:16.765 --> 19:17.146
[SPEAKER_00]: I believe.
19:17.186 --> 19:22.491
[SPEAKER_00]: But you know, I'm sorry.
19:24.934 --> 19:26.856
[SPEAKER_00]: But still though, I mean,
19:27.055 --> 19:38.500
[SPEAKER_00]: I definitely like the fact that they're using this dark humor to make us laugh a little bit about the 50% off seal so then they're trying to get the torso off to sign and then I'm like why would anyone want to go shopping now.
19:39.087 --> 19:41.170
[SPEAKER_00]: after this happened.
19:41.190 --> 19:46.396
[SPEAKER_00]: So yeah, like, I'm, yeah, nowhere.
19:46.656 --> 19:49.960
[SPEAKER_01]: Like, I wouldn't go anywhere after that.
19:50.201 --> 19:56.969
[SPEAKER_00]: I think I would be going on a town somewhere and like, look, you guys can have this Thanksgiving day thing over here.
19:57.009 --> 20:00.633
[SPEAKER_00]: I'm going to go over to Summerville.
20:00.713 --> 20:02.275
[SPEAKER_01]: I'm going to get some islands.
20:02.395 --> 20:03.677
[SPEAKER_01]: I'll go there.
20:03.657 --> 20:14.355
[SPEAKER_00]: No, I'll be like, I'm going over to some of it where the other part of Massachusetts, not over here, I'm going to go somewhere away from this part of Massachusetts and I'm just going to stay here for a little bit.
20:14.375 --> 20:19.364
[SPEAKER_00]: I'll go down to Saul's berry or something, but still.
20:21.808 --> 20:23.691
[SPEAKER_00]: Then after that.
20:23.907 --> 20:28.071
[SPEAKER_00]: We had the whole entire deal where Newland begins investigating the murder.
20:28.452 --> 20:40.624
[SPEAKER_00]: After learning Lizzy's involvement on the riot, just can also help the investigation by proving Newland with security footage that was missing from the night of the riot, and Lizzy is clearly seen in them.
20:40.664 --> 20:53.357
[SPEAKER_00]: The teens start to pick out suspects, such as Mitch, who is one of the more vocal haters of right mark or even Ryan since he was seen in the footage
20:53.337 --> 20:57.443
[SPEAKER_00]: He says that he was picked up on drugs from him.
20:57.463 --> 21:15.649
[SPEAKER_00]: A scary gardening, many who ran away as the riots began, is getting ready to go on vacation when he hears a noise in that in his house, although he tries to come off as though he is impaled in the stomach in electric mixer by a carver.
21:16.321 --> 21:24.630
[SPEAKER_00]: It just felt like I won't get to that scene in a minute by, you know, where the sheriff is selling her until I just got, I need you.
21:25.192 --> 21:26.938
[SPEAKER_00]: You're giving me your help in me out.
21:27.695 --> 21:51.188
[SPEAKER_00]: And there's like, I like there's clue things like if you did your first time seeing this movie, I like how there's like little small things that you miss and then you go back again to rewatch this and has a rewatch ability that I really find fascinating with this movie and the key points and the clues that this sheriff is actually giving her without us even knowing that he's giving him to her.
21:51.455 --> 22:01.566
[SPEAKER_00]: So I definitely like how he's trying to act like he cares about her right right right yeah, but is there anything that you want to add to the on to any of that or anything.
22:02.567 --> 22:09.574
[SPEAKER_01]: I know I like that they yeah, I mean, yes, yes, you really.
22:11.656 --> 22:19.825
[SPEAKER_01]: Yeah, the sheriff is like, you know, are there any, you know, details, small details because
22:20.952 --> 22:25.410
[SPEAKER_01]: that will help and I like that a lot.
22:26.403 --> 22:26.844
[SPEAKER_00]: Me too.
22:26.944 --> 22:28.606
[SPEAKER_00]: And then she winds up.
22:29.447 --> 22:33.332
[SPEAKER_00]: So she's acting like, okay, well, I need to find the security footage and things like that.
22:34.133 --> 22:35.675
[SPEAKER_00]: And they're like, well, why do you want to do that?
22:35.716 --> 22:37.177
[SPEAKER_00]: You're going to be suspect as well.
22:37.218 --> 22:44.467
[SPEAKER_00]: And then also, too, we also have But also, we also have the YouTube video that's been going around as well.
22:45.068 --> 22:46.770
[SPEAKER_00]: We're the girlfriends also.
22:47.191 --> 22:53.980
[SPEAKER_00]: The other one of the girlfriends is expecting another boyfriend uploading the uploading the stuff that from a year ago.
22:53.960 --> 22:54.461
[SPEAKER_01]: Right.
22:55.523 --> 22:55.904
[SPEAKER_01]: Right.
22:55.924 --> 23:02.138
[SPEAKER_00]: So, but, you know, and then for that, the teens are also start rock.
23:02.339 --> 23:07.089
[SPEAKER_00]: Uh, so I like how they're start or start trying to do the suspect game and things like that.
23:07.109 --> 23:10.497
[SPEAKER_00]: It kind of reminds me of, I know what you did last summer, but it's in the fall.
23:11.219 --> 23:12.762
[SPEAKER_00]: Um, bye.
23:13.923 --> 23:18.612
[SPEAKER_00]: I definitely like this and then Manning, who ran away from the riot began as again, raise it.
23:19.313 --> 23:24.102
[SPEAKER_00]: So Manning, who ran away from the riot to begin with is getting ready to go on vacation.
23:25.524 --> 23:31.355
[SPEAKER_00]: He said he's going away to the version islands or somewhere.
23:31.415 --> 23:33.439
[SPEAKER_01]: It was some, yeah.
23:33.459 --> 23:35.522
[SPEAKER_00]: All right, I'm like Dominican Republic.
23:35.583 --> 23:36.544
[SPEAKER_00]: That's what it was.
23:36.665 --> 23:38.007
[SPEAKER_01]: That's what it was, yeah.
23:38.071 --> 23:41.299
[SPEAKER_00]: And I'm like, no, you're not going there for vacation, dude.
23:41.520 --> 23:43.224
[SPEAKER_00]: You're going there to get away from all this.
23:43.485 --> 23:44.768
[SPEAKER_01]: No, he was panicked.
23:44.788 --> 23:49.720
[SPEAKER_00]: He was panicking, he was like, I'm getting the hell out of dodge.
23:50.061 --> 23:50.382
[SPEAKER_01]: Right.
23:51.886 --> 23:52.367
[SPEAKER_01]: Right.
23:53.225 --> 23:55.889
[SPEAKER_00]: And then I like how he's getting spooked out in his own house.
23:55.989 --> 23:57.612
[SPEAKER_00]: The only thing that he has is a cat.
23:58.593 --> 24:03.160
[SPEAKER_00]: And then he gets the blender stuck to his stomach.
24:03.360 --> 24:08.869
[SPEAKER_00]: And then he takes a hanger wire and cuts his head off.
24:09.370 --> 24:10.632
[SPEAKER_01]: Yeah.
24:10.652 --> 24:11.693
[SPEAKER_01]: The cat patation.
24:11.753 --> 24:12.775
[SPEAKER_01]: Yep.
24:12.795 --> 24:15.759
[SPEAKER_01]: What the killer feeds the cat.
24:15.779 --> 24:16.721
[SPEAKER_01]: Yeah.
24:16.741 --> 24:17.482
[SPEAKER_01]: So he's right.
24:18.043 --> 24:18.844
[SPEAKER_01]: Yeah.
24:19.246 --> 24:47.228
[SPEAKER_01]: nice killer you know let's let's do this let's let's I humanize the gun a little bit yeah so he's an animal lover he I like the fact that he's an animal lover I mean I don't see nothing wrong with him you know I mean he's got motive there's reason why he's doing this so but he's not just gonna kill
24:47.883 --> 24:48.584
[SPEAKER_01]: you know.
24:48.864 --> 24:49.725
[SPEAKER_01]: No.
24:49.865 --> 24:50.707
[SPEAKER_01]: He's focused.
24:51.287 --> 24:52.148
[SPEAKER_01]: Yeah.
24:52.168 --> 24:53.430
[SPEAKER_00]: It's like, well, I killed your owner.
24:53.630 --> 24:55.673
[SPEAKER_00]: So I'm not going to leave you to die.
24:55.733 --> 24:57.014
[SPEAKER_00]: You didn't do anything wrong.
24:57.054 --> 24:58.036
[SPEAKER_00]: I have no beef with you.
24:58.236 --> 24:59.297
[SPEAKER_00]: So he's going to feed you.
24:59.838 --> 25:00.619
[SPEAKER_00]: I'm going to take her.
25:01.140 --> 25:01.400
[SPEAKER_00]: Right.
25:01.720 --> 25:06.186
[SPEAKER_00]: I thought there was a little that little dark humor though within it, though, two of him feeding the cows.
25:06.206 --> 25:09.830
[SPEAKER_00]: Like, well, I was like, well, I already did what I had to do.
25:09.870 --> 25:11.853
[SPEAKER_00]: And well, I have time.
25:11.873 --> 25:15.898
[SPEAKER_00]: I am about five minutes here before the cops come.
25:16.132 --> 25:17.975
[SPEAKER_00]: So I think I'm going to go ahead and feed you, buddy.
25:18.255 --> 25:19.217
[SPEAKER_01]: Yeah.
25:19.237 --> 25:22.642
[SPEAKER_01]: A little scratch on the head.
25:22.663 --> 25:23.223
[SPEAKER_00]: Exactly.
25:23.664 --> 25:24.045
[SPEAKER_00]: Yeah.
25:24.065 --> 25:37.186
[SPEAKER_00]: Like, you know, and then we get into some of some of the other things too though, where he's actually sending pictures onto the teams.
25:37.807 --> 25:38.528
[SPEAKER_00]: Right.
25:38.727 --> 26:00.803
[SPEAKER_00]: Because remember, there's that dining scene at first where everybody, like there's a table set and I was like, okay, I don't know what this means or anything like that and then finally you see their names being on there and like, oh, so we are the guests to this thing that we're invited to that we're not even sure what we're invited to.
26:01.171 --> 26:17.310
[SPEAKER_01]: right and then at one of the place settings or maybe two now there are a couple of dead people.
26:19.632 --> 26:23.517
[SPEAKER_00]: So now we have two dead people now at this table.
26:24.273 --> 26:34.504
[SPEAKER_00]: So we have Lizzy, and now we have Manny, so now Carverstock's Lonnie and his girlfriend Amy, who was with him during the ride.
26:34.604 --> 26:37.327
[SPEAKER_00]: And Amy tries to show off her skills on the trampoline.
26:37.707 --> 26:38.768
[SPEAKER_00]: And this is what I was going to say.
26:38.888 --> 26:44.134
[SPEAKER_00]: OK, so now I said there was no one that really had a Boston accent.
26:44.694 --> 26:45.615
[SPEAKER_00]: Lonnie had one.
26:46.676 --> 26:49.760
[SPEAKER_00]: That's exactly how people have New England talk.
26:49.780 --> 26:51.141
[SPEAKER_00]: So I'm like, yeah.
26:51.998 --> 26:57.706
[SPEAKER_00]: And so I'm really happy that they actually had some people that were able to do the accent.
26:57.726 --> 27:00.509
[SPEAKER_00]: So I believe like if you're not able to do the accent, don't do it.
27:01.551 --> 27:05.776
[SPEAKER_00]: Like I want to have a little bit of flavor of like this is New England.
27:05.857 --> 27:07.939
[SPEAKER_00]: This is this is Massachusetts.
27:08.360 --> 27:10.423
[SPEAKER_00]: So I actually feel like he's actually one of them.
27:10.483 --> 27:14.348
[SPEAKER_00]: Even the guy who sells the guns actually has a New England accent.
27:14.809 --> 27:15.750
[SPEAKER_01]: Yeah.
27:15.770 --> 27:17.552
[SPEAKER_01]: So the whole crampoline thing.
27:18.433 --> 27:19.575
[SPEAKER_00]: What do you think about this?
27:20.315 --> 27:29.927
[SPEAKER_01]: Um, well, the boyfriend, and she's like teasing him and all that kind of stuff and I'm like, mmm, this isn't going to be good.
27:29.967 --> 27:46.769
[SPEAKER_01]: Um, I was hoping a little bit more of a kill for the boyfriend, because he did actually, he was one of the major instigators of the riot, right?
27:46.789 --> 27:47.790
[SPEAKER_01]: And, but,
27:48.395 --> 27:49.296
[SPEAKER_01]: I don't know.
27:49.316 --> 27:50.738
[SPEAKER_00]: I felt kind of flat for that.
27:51.359 --> 27:55.444
[SPEAKER_00]: For that scene in particular, I felt like it wasn't not a very smart kill.
27:56.005 --> 27:59.630
[SPEAKER_01]: No, it was just like, let's turn your head around.
28:00.111 --> 28:00.631
[SPEAKER_01]: I don't know.
28:01.032 --> 28:04.877
[SPEAKER_01]: I wasn't that, I'm like, I wasn't that impressed.
28:04.897 --> 28:07.500
[SPEAKER_00]: And I got like kind of like final destination vibes from it.
28:07.821 --> 28:08.322
[SPEAKER_01]: Yeah.
28:08.342 --> 28:09.103
[SPEAKER_01]: Yeah.
28:09.123 --> 28:11.566
[SPEAKER_00]: I remember that one scene near the gymnastics goal.
28:11.826 --> 28:12.387
[SPEAKER_01]: Yeah.
28:12.848 --> 28:13.869
[SPEAKER_00]: Yeah.
28:13.889 --> 28:15.391
[SPEAKER_00]: I just didn't care for this one.
28:15.551 --> 28:16.933
[SPEAKER_00]: This one kill.
28:17.116 --> 28:18.599
[SPEAKER_00]: Yeah, kind of fell flat for me.
28:18.980 --> 28:19.701
[SPEAKER_01]: Yeah, me too.
28:20.122 --> 28:20.543
[SPEAKER_01]: Me too.
28:20.784 --> 28:32.188
[SPEAKER_00]: Because I'm like, okay, so your big idea after you get done breaking this guy's neck and twisting his neck is to go under the trampoline where the girls jumping up and down and then.
28:32.793 --> 28:46.851
[SPEAKER_00]: Like, no, because any other harm movie would actually let the girl stop jumping and go towards the body, right, and then you can do something more creative than, let me go ahead and go underneath here.
28:46.911 --> 28:48.593
[SPEAKER_00]: Let me do a little steady steady.
28:50.095 --> 28:50.215
[SPEAKER_00]: Right.
28:50.475 --> 28:52.998
[SPEAKER_00]: And I just didn't, I felt flat.
28:53.058 --> 28:54.280
[SPEAKER_00]: I just don't like stuff like that.
28:54.320 --> 28:55.642
[SPEAKER_00]: It was like cheaply done.
28:56.303 --> 28:57.484
[SPEAKER_01]: Yeah.
28:58.460 --> 28:58.920
[SPEAKER_01]: I don't know.
28:58.961 --> 29:02.144
[SPEAKER_01]: It kind of reminded me a little bit of Friday and 13th.
29:02.264 --> 29:02.925
[SPEAKER_01]: He original.
29:03.706 --> 29:04.226
[SPEAKER_01]: Oh, yeah.
29:04.446 --> 29:06.889
[SPEAKER_01]: Evan Bacon and he's laying there.
29:07.690 --> 29:13.896
[SPEAKER_01]: You know, right, which I really loved, but this one was kind of like, yeah.
29:13.916 --> 29:17.741
[SPEAKER_00]: It made sense for it's time for Friday and 13th, but the arrows are the neck.
29:18.321 --> 29:19.282
[SPEAKER_01]: Yes, yes, yes, yes.
29:19.302 --> 29:24.788
[SPEAKER_00]: Because of the right, because of the felt within the atmospheric of the movie to actually have that.
29:24.903 --> 29:25.584
[SPEAKER_01]: the can.
29:25.605 --> 29:26.426
[SPEAKER_00]: Yeah, right.
29:26.947 --> 29:31.036
[SPEAKER_00]: This doesn't have any kind of atmosphere to it or anything like that.
29:31.457 --> 29:42.321
[SPEAKER_00]: It's just Lonnie being perverted and his girlfriend being perverted and getting all bent out of shapes to see her ass and then he gets all twisted up.
29:42.301 --> 29:56.236
[SPEAKER_00]: And literally, I'm glad that you were not on the same page on that because I'm like, I was wondering when I was watching this, I'm like, I'm wondering how you feel about that because it could have been a lot better.
29:56.797 --> 29:57.638
[SPEAKER_00]: I think so too.
29:58.318 --> 30:03.024
[SPEAKER_01]: Yeah, I don't know why they did it that way, but it could either.
30:03.424 --> 30:06.267
[SPEAKER_01]: I think they should have explored that a little bit more.
30:07.478 --> 30:09.661
[SPEAKER_00]: I agree because they did everything else perfect.
30:09.701 --> 30:14.248
[SPEAKER_00]: I thought the other kills were a lot more, you know, smarter, once they're kills.
30:14.729 --> 30:14.849
[SPEAKER_01]: Yeah.
30:15.309 --> 30:20.337
[SPEAKER_00]: If I had a racist, I would have given like a one out of five for the kills for the performance of the kill.
30:20.857 --> 30:20.978
[SPEAKER_00]: Right.
30:21.679 --> 30:25.044
[SPEAKER_00]: But, you know, I'm like, okay, well, let's think what else you have.
30:25.364 --> 30:29.710
[SPEAKER_00]: Because if this is only the only lazy writing that you have, I'll forgive you.
30:30.451 --> 30:30.732
[SPEAKER_00]: You know?
30:31.313 --> 30:31.453
[SPEAKER_00]: Yeah.
30:31.633 --> 30:32.254
[SPEAKER_00]: So.
30:32.487 --> 30:37.538
[SPEAKER_00]: Now, after that happens, we have, uh, cover sticks.
30:37.558 --> 30:48.082
[SPEAKER_00]: Then, okay, we all were talked about that, and then just go later to go, goes with Evan and Gabby to the high school well, new and, and the other officers are outside.
30:48.182 --> 30:51.610
[SPEAKER_00]: Just go separate from the couple and cover attacks.
30:51.590 --> 31:09.075
[SPEAKER_00]: in and can't have any, uh, and cabinets them, he tries to go after Jessica, but in she nearly manages to escape, Uly's father attempts to move her back to Florida with a security guard looking at them, cover gets into their house and shoots the guard in Ulysses.
31:09.342 --> 31:14.889
[SPEAKER_00]: of father before going after Yula herself just get in scuba alarm.
31:14.949 --> 31:20.216
[SPEAKER_00]: She is in danger and seeing her get attacked over video chat.
31:20.236 --> 31:31.331
[SPEAKER_00]: They make it to her house but are too late as Carver has gone Yula in terms on a busaw throwing her on top of a dispowering her.
31:31.871 --> 31:38.640
[SPEAKER_00]: Scuba holds his girlfriend's body in shock.
31:38.992 --> 31:41.875
[SPEAKER_00]: because remember, he buys the guns, scuba buys the gun.
31:42.336 --> 31:42.596
[SPEAKER_01]: Right.
31:43.136 --> 31:43.637
[SPEAKER_01]: Yeah.
31:43.657 --> 31:50.384
[SPEAKER_00]: And thinking that he can actually protect this, it's teenagers being teenagers, thinking that they're grown and they can actually protect the ones that they love.
31:50.764 --> 31:51.825
[SPEAKER_00]: Yeah.
31:51.845 --> 31:55.389
[SPEAKER_00]: And, you know, you see him caught the gun, he and stuff like that.
31:55.449 --> 32:00.414
[SPEAKER_00]: And you're thinking, okay, this guy can probably actually handle himself, but then the situation arises.
32:00.575 --> 32:05.660
[SPEAKER_00]: And he can't really do anything because the shock of his girlfriend being caught in half.
32:05.680 --> 32:05.980
[SPEAKER_01]: Right.
32:06.301 --> 32:07.502
[SPEAKER_00]: With the shock, the saw.
32:08.223 --> 32:08.543
[SPEAKER_01]: Right.
32:09.569 --> 32:15.377
[SPEAKER_00]: But, you know, I do like the scene in the high school where Jessica is actually hiding in the beautician shop.
32:15.657 --> 32:19.783
[SPEAKER_01]: Yeah, that is so freaking creepy.
32:20.463 --> 32:21.104
[SPEAKER_00]: It is.
32:21.325 --> 32:24.509
[SPEAKER_01]: All the heads in there.
32:24.529 --> 32:27.192
[SPEAKER_00]: And you see, I thought, you know what I'm perfect.
32:27.232 --> 32:32.019
[SPEAKER_00]: Instead of having Jessica in there, how do you let in there doing that?
32:32.619 --> 32:32.940
[SPEAKER_00]: Yeah.
32:33.060 --> 32:34.162
[SPEAKER_00]: The steps, swap it.
32:34.722 --> 32:38.327
[SPEAKER_00]: Because it makes more sense for you,
32:38.628 --> 32:50.305
[SPEAKER_00]: Right, and then you let and then just chop off your list head, I mean, which is fine to pretend that she's a mannequin.
32:50.926 --> 32:51.287
[SPEAKER_01]: Yeah.
32:52.168 --> 32:53.269
[SPEAKER_01]: Yeah.
32:53.289 --> 33:01.902
[SPEAKER_01]: I love that seeing, although I don't know of any high schools that have no, but I
33:03.046 --> 33:04.027
[SPEAKER_01]: That's college.
33:04.088 --> 33:07.212
[SPEAKER_00]: We had that kind of cosmatology class and stuff at that.
33:07.232 --> 33:09.416
[SPEAKER_00]: We don't even have a wood shop in high school.
33:09.736 --> 33:10.057
[SPEAKER_01]: Right.
33:10.097 --> 33:10.417
[SPEAKER_01]: Right.
33:10.918 --> 33:11.298
[SPEAKER_01]: Yeah.
33:12.520 --> 33:14.042
[SPEAKER_01]: But I loved.
33:15.084 --> 33:17.628
[SPEAKER_01]: I loved all those heads there.
33:17.668 --> 33:18.709
[SPEAKER_01]: They're so creepy.
33:18.750 --> 33:26.421
[SPEAKER_01]: And yeah, just her trying to blend in with the head.
33:27.903 --> 33:50.466
[SPEAKER_00]: going up stairs at my barbershop at the time in the 90s because the bathroom was upstairs and they had he had the mannequins up there like the heads up there and I was creeped out by that and I just had instant flashbacks of that but I thought the way they laid out the heads and stuff like that I liked it.
33:50.526 --> 33:54.130
[SPEAKER_00]: I really thought it was horrifying and stuff like that.
33:54.768 --> 34:15.510
[SPEAKER_01]: But what did you think of the whole entire saw and did you like that scene or did you feel like that was a little flat that the saw scene yeah like you know it was it was so weird that you know only renovating your house when you're going to get done and then yeah the the whole.
34:16.402 --> 34:19.127
[SPEAKER_01]: There's the song thrown on the song.
34:20.690 --> 34:20.891
[SPEAKER_01]: Yeah.
34:21.873 --> 34:27.183
[SPEAKER_01]: You know, I've seen that dumb before, I don't know which movies, but I'm like, yeah.
34:27.884 --> 34:29.447
[SPEAKER_00]: Just about every horror movie has.
34:29.688 --> 34:30.149
[SPEAKER_01]: Yes, there's this.
34:30.189 --> 34:30.630
[SPEAKER_00]: Has that.
34:31.191 --> 34:31.591
[SPEAKER_01]: Yeah.
34:32.313 --> 34:32.693
[SPEAKER_01]: Something.
34:32.714 --> 34:39.186
[SPEAKER_00]: Although, if you can't lead the weapon with, Martin Riggs killing somebody with the staple gut of the nail gun.
34:39.352 --> 34:42.375
[SPEAKER_01]: I would have preferred that actually.
34:42.816 --> 34:45.519
[SPEAKER_01]: That would have been a lot more fun.
34:45.539 --> 34:46.079
[SPEAKER_00]: I agree.
34:47.301 --> 34:51.566
[SPEAKER_00]: You say we should be given them notes on how to.
34:51.586 --> 34:57.032
[SPEAKER_00]: Because at least the final destination that used a home depot kind of thing to kill somebody with a nail gun.
34:57.432 --> 34:57.572
[SPEAKER_00]: Yeah.
34:57.592 --> 35:00.996
[SPEAKER_00]: They could have at least had the killer to have a nail gun.
35:01.316 --> 35:05.121
[SPEAKER_01]: That had a whole so much more imagination to it.
35:05.801 --> 35:06.062
[SPEAKER_01]: Right.
35:06.642 --> 35:09.105
[SPEAKER_01]: Then just some random saw that
35:09.423 --> 35:09.924
[SPEAKER_01]: I agree.
35:10.725 --> 35:17.254
[SPEAKER_01]: I don't want to be too critical, but the first time I bought this film, I enjoyed it very much.
35:17.314 --> 35:18.776
[SPEAKER_01]: I laughed a whole lot and stuff.
35:19.357 --> 35:26.227
[SPEAKER_01]: But then watching it again, I'm like, if I'm her moments where I'm like, they could have done that better, you know?
35:26.247 --> 35:29.512
[SPEAKER_00]: That's how I felt like the first time to be honest with the Marilyn.
35:29.552 --> 35:31.294
[SPEAKER_00]: I was like, I'm having a good time with this.
35:31.635 --> 35:31.895
[SPEAKER_02]: Yeah.
35:31.915 --> 35:35.380
[SPEAKER_00]: And then this is my second time watching it on rewatch.
35:36.187 --> 35:43.041
[SPEAKER_00]: I'm like, I don't like these two scenes at all with the trampoline and I don't like this scene.
35:44.344 --> 35:49.094
[SPEAKER_00]: It's not clever, it's just like every other hard movie that we've ever seen, every other slash movie that we've seen.
35:49.154 --> 35:52.761
[SPEAKER_00]: I want something different whenever I'm watching a slash movie.
35:53.247 --> 35:54.569
[SPEAKER_01]: I like new kills.
35:54.869 --> 35:55.450
[SPEAKER_01]: I do too.
35:56.731 --> 35:57.973
[SPEAKER_00]: So if I have to get this up.
35:57.993 --> 36:01.597
[SPEAKER_00]: People probably believe like a 1.5 out of 5 for this kill.
36:01.657 --> 36:07.884
[SPEAKER_00]: If I'm able to rate it, but I'm not going to do that, but I'm just joking around.
36:10.167 --> 36:11.689
[SPEAKER_00]: But yeah, then just go using a range.
36:11.709 --> 36:12.910
[SPEAKER_00]: She got from a look.
36:12.930 --> 36:13.111
[SPEAKER_00]: Okay.
36:13.171 --> 36:16.875
[SPEAKER_00]: So after that happens, you have
36:18.273 --> 36:24.278
[SPEAKER_00]: So the police decide to lure out cover during the Thanksgiving parade, which is a big mistake.
36:24.819 --> 36:32.546
[SPEAKER_00]: What just got in her family, plus Guba, being made to participate since basically you're targeting them.
36:32.806 --> 36:35.789
[SPEAKER_00]: So they use them as bait, a brief protest from midge.
36:36.189 --> 36:46.879
[SPEAKER_00]: Cover comes out in a creepy clown costume and the capitates a turkey mascot before throwing smoke bumps into the crowd as everyone runs in panic.
36:46.859 --> 36:51.845
[SPEAKER_00]: Carver managed to deduct school, but in right Kathleen wakes up in Carver's basement.
36:52.166 --> 36:53.828
[SPEAKER_00]: We're prepping her like a turkey.
36:54.209 --> 36:56.652
[SPEAKER_00]: She manages to free yourself in almost six gates.
36:58.434 --> 37:01.077
[SPEAKER_00]: Okay, so with the clown costume.
37:02.619 --> 37:03.901
[SPEAKER_00]: Okay, I get what you're trying to do.
37:04.782 --> 37:10.570
[SPEAKER_00]: You're trying to have that element of like everybody knows that I'm dressed up like a pilgrim.
37:10.590 --> 37:10.890
[SPEAKER_01]: Right.
37:11.231 --> 37:16.157
[SPEAKER_00]: But my thing is this, why don't you have other people dressed up as a pilgrim?
37:16.745 --> 37:18.928
[SPEAKER_00]: So we can blend in and make the kill.
37:19.909 --> 37:22.932
[SPEAKER_01]: I mean, there were pilgrims out there.
37:23.253 --> 37:24.955
[SPEAKER_01]: Like Mitch was out there obviously.
37:24.975 --> 37:25.155
[SPEAKER_00]: Right.
37:25.355 --> 37:27.698
[SPEAKER_00]: But I'm in the whole parade line.
37:27.718 --> 37:29.200
[SPEAKER_00]: I'm not the bug of Carvers.
37:29.520 --> 37:30.141
[SPEAKER_00]: You know what I'm saying?
37:30.542 --> 37:33.185
[SPEAKER_00]: This is a thing to celebrate Carver.
37:33.765 --> 37:36.649
[SPEAKER_00]: I feel like you wouldn't need to have a whole thing.
37:36.709 --> 37:38.211
[SPEAKER_01]: Everybody.
37:38.531 --> 37:38.912
[SPEAKER_01]: Yeah.
37:39.953 --> 37:42.015
[SPEAKER_01]: And that was the other thing.
37:42.035 --> 37:42.516
[SPEAKER_01]: I was like,
37:43.660 --> 37:45.182
[SPEAKER_01]: Why a clown?
37:45.202 --> 37:48.785
[SPEAKER_01]: I mean, I know a clown is scary.
37:48.805 --> 37:50.127
[SPEAKER_01]: It is.
37:50.147 --> 37:50.907
[SPEAKER_01]: It is.
37:51.508 --> 37:55.152
[SPEAKER_01]: But then he decapitates the turkey.
37:55.652 --> 37:59.336
[SPEAKER_01]: And who was this person was he on the list?
37:59.656 --> 38:00.878
[SPEAKER_01]: I don't even think so.
38:00.898 --> 38:04.001
[SPEAKER_00]: No, he was just a random.
38:04.021 --> 38:08.726
[SPEAKER_00]: No, so he before he had Ryan and reason why he was killing the target.
38:08.906 --> 38:09.927
[SPEAKER_00]: Now it's just random.
38:09.967 --> 38:11.068
[SPEAKER_00]: It's like whatever.
38:11.555 --> 38:19.963
[SPEAKER_00]: It's like, well, you know what, guys, we have about maybe 40 minutes left of this movie, you know what, we need another body, so I'm just going to kill an innocent person.
38:20.083 --> 38:20.443
[SPEAKER_01]: Yeah.
38:21.284 --> 38:41.123
[SPEAKER_01]: And then, but then the whole thing too is, like you said, why not a whole like a hundred John Carvers instead of an obvious clip that you can spot running away or whatever.
38:41.828 --> 38:47.395
[SPEAKER_00]: Because at least with, I know what you did last summer, they had a parade, and everybody had a slicker.
38:47.916 --> 38:49.338
[SPEAKER_00]: Yes, yes.
38:49.358 --> 38:54.064
[SPEAKER_00]: So with this, everybody should have a John Cover, the same thing.
38:54.345 --> 39:05.980
[SPEAKER_00]: And it'd be cool if they had like a, you know, all I can think of is Macy Dake Parade, like maybe a John Cover dance kind of thing, and then you go, I don't know, I can get you right.
39:06.314 --> 39:12.265
[SPEAKER_00]: But just to have a kill, just to have a kill and doesn't do anything to amplify why he's killing somebody.
39:12.285 --> 39:17.255
[SPEAKER_00]: And plus you're already going to go ahead and pin at the other two characters.
39:17.616 --> 39:24.188
[SPEAKER_00]: So why I understand that he's using it for our distraction, but you already have the smoke bombs as a distraction.
39:24.775 --> 39:37.047
[SPEAKER_01]: You could use his moped bombs while your child's carver and everybody else is right and then boom smoke Right and darts You know
39:38.140 --> 39:53.846
[SPEAKER_00]: I just, I'm, I wanted to like it, but I just didn't around the things giving thing with the with Kathleen, I think, or the one where where Kathleen wakes up in Carver's basement.
39:54.327 --> 39:56.671
[SPEAKER_01]: Yeah, yeah, yeah, yeah, the step mom.
39:57.332 --> 39:59.936
[SPEAKER_00]: Yeah, I thought that was a lot better.
39:59.976 --> 40:01.819
[SPEAKER_00]: That was a good idea.
40:02.525 --> 40:29.308
[SPEAKER_01]: that I felt bad and that was a horrible and she tried she tried she was funky she was trying to be smart and but man I felt bad for her so much I felt that far too though because we think that's going to get away then John John Carver comes over there with a pitch for those.
40:30.487 --> 40:33.471
[SPEAKER_00]: throws it and then gets her and drags her back into the oven.
40:35.013 --> 40:43.945
[SPEAKER_00]: But I just want to talk about this though, too, where the police department are already saying, well, this guy must be military or something in these.
40:44.185 --> 40:46.008
[SPEAKER_00]: He's not driving another car.
40:46.749 --> 40:51.635
[SPEAKER_00]: So I'm like, hmm, military doesn't sound right.
40:52.176 --> 40:55.720
[SPEAKER_00]: Even though I've seen this movie, but he's not driving a civilian car.
40:56.441 --> 40:59.886
[SPEAKER_00]: You're in a small town.
41:00.592 --> 41:01.513
[SPEAKER_00]: Yeah.
41:01.533 --> 41:02.735
[SPEAKER_00]: So not a fire truck.
41:04.177 --> 41:17.357
[SPEAKER_00]: So hello, uh, you have your police department, you're actually probably having somebody in your own department killing people, like, you know, maybe maybe maybe not.
41:17.918 --> 41:19.941
[SPEAKER_01]: I want to say something about.
41:19.961 --> 41:25.249
[SPEAKER_01]: Um, step mom, Catherine's dad.
41:26.174 --> 41:36.758
[SPEAKER_01]: The she's in the oven and he steps her with the meat thermometer and that pops when she's done.
41:37.615 --> 41:41.120
[SPEAKER_01]: I even though I hated her dying like that.
41:41.140 --> 41:41.420
[SPEAKER_02]: Me too.
41:41.841 --> 41:47.729
[SPEAKER_01]: I was like, okay, okay.
41:48.430 --> 41:50.372
[SPEAKER_00]: It's like chef's kiss kind of thing.
41:50.392 --> 41:52.055
[SPEAKER_01]: It's like, okay, yeah, it's done.
41:52.375 --> 41:53.997
[SPEAKER_01]: You're done, you're good.
41:54.017 --> 41:58.904
[SPEAKER_00]: And then he puts her on in the table around everybody and the husband's throwing up.
41:59.004 --> 42:04.011
[SPEAKER_00]: You have all this happening, I felt bad for everybody.
42:05.003 --> 42:15.078
[SPEAKER_01]: Yeah, I mean, I mean, these people, these people, they didn't really do anything.
42:15.098 --> 42:17.482
[SPEAKER_01]: It was mom mentality to me.
42:18.783 --> 42:26.114
[SPEAKER_01]: And I mean, there were some people that, yeah, not good, but I did.
42:26.134 --> 42:28.338
[SPEAKER_01]: I felt pretty bad for everybody.
42:28.618 --> 42:29.239
[SPEAKER_01]: I really did.
42:30.873 --> 42:34.637
[SPEAKER_00]: And then you have Carver begins a live stream.
42:35.078 --> 42:37.120
[SPEAKER_00]: And smash his Evans skull on the camera.
42:37.361 --> 42:40.665
[SPEAKER_00]: Jessica uses a ring to got from a local drug dealer.
42:40.685 --> 42:42.286
[SPEAKER_00]: They cut herself free.
42:42.347 --> 42:48.454
[SPEAKER_00]: And she passes it to Scoobah so he can go free and attack Carver.
42:48.494 --> 42:52.138
[SPEAKER_00]: Jessica managed to escape and lure Carver away from everyone else.
42:53.460 --> 43:00.508
[SPEAKER_00]: And Scoobah almost dies because the axe goes right through the wall where he's standing at.
43:01.315 --> 43:05.799
[SPEAKER_00]: But did you, did you think this scene worked for you or what did you think of this?
43:06.100 --> 43:06.800
[SPEAKER_01]: It was okay.
43:06.820 --> 43:13.247
[SPEAKER_01]: I was a little bit, I guess I was confused because I was like, okay, did you die or not?
43:13.307 --> 43:16.730
[SPEAKER_01]: I don't know what's happening.
43:17.131 --> 43:23.797
[SPEAKER_01]: I want to take a step back, though, where, um, you know, dinner serve for the steam.
43:24.978 --> 43:25.259
[SPEAKER_01]: And then.
43:25.279 --> 43:28.842
[SPEAKER_01]: Oh, yeah, the cheerleader.
43:29.986 --> 43:33.852
[SPEAKER_01]: corkscrew in the neck, in the blood, in the glass, make it like wine.
43:34.893 --> 43:38.018
[SPEAKER_01]: I almost threw up watching it.
43:38.038 --> 43:38.579
[SPEAKER_01]: Me too.
43:38.599 --> 43:46.190
[SPEAKER_01]: I cannot do like I would never be a vampire.
43:46.210 --> 43:46.831
[SPEAKER_01]: I cannot do.
43:47.131 --> 43:48.093
[SPEAKER_01]: Here's some blood.
43:48.113 --> 43:48.293
[SPEAKER_01]: Yeah.
43:48.574 --> 43:49.235
[SPEAKER_01]: No.
43:49.795 --> 43:51.678
[SPEAKER_01]: Just watching it may me go.
43:51.698 --> 43:53.080
[SPEAKER_01]: Okay.
43:53.861 --> 43:54.222
[SPEAKER_01]: Nope.
43:54.877 --> 43:59.365
[SPEAKER_01]: And then who got the meat tenderizer to the head?
43:59.866 --> 44:00.988
[SPEAKER_01]: Evan was the one who got it.
44:01.148 --> 44:02.992
[SPEAKER_01]: Remember it was a live stream?
44:03.012 --> 44:03.793
[SPEAKER_01]: Yeah.
44:03.993 --> 44:04.394
[SPEAKER_01]: Okay.
44:04.595 --> 44:04.955
[SPEAKER_01]: Got it.
44:05.055 --> 44:05.436
[SPEAKER_01]: Got it.
44:05.857 --> 44:06.157
[SPEAKER_01]: All right.
44:06.258 --> 44:13.010
[SPEAKER_01]: I was curious about that because I guess I was too so focused on what was going on around the table.
44:13.571 --> 44:14.252
[SPEAKER_00]: Right.
44:14.570 --> 44:17.755
[SPEAKER_00]: There was a lot going on in this scene to be one room scenario.
44:18.296 --> 44:19.458
[SPEAKER_01]: I'm pretty intense.
44:20.459 --> 44:33.800
[SPEAKER_00]: It was, and also too, I'm thinking to myself, wait, this cheerleader, you managed to get this cheerleader out of the malt work, who has accessed by, yeah.
44:33.820 --> 44:35.422
[SPEAKER_01]: It's a well, you know.
44:35.442 --> 44:35.662
[SPEAKER_00]: Right.
44:36.063 --> 44:39.328
[SPEAKER_01]: It's okay.
44:39.545 --> 44:43.150
[SPEAKER_00]: We have Jessica runs through the woods and comes across a parade warehouse.
44:43.270 --> 44:45.673
[SPEAKER_00]: Newlin is found outside unconscious.
44:45.713 --> 44:53.403
[SPEAKER_00]: And when Jessica goes inside, she sees Bobby walking around, making her think it's car, uh, carver, although they try to go after him.
44:53.483 --> 45:00.372
[SPEAKER_00]: Bobby is nowhere to be around the police show up and from Jessica that are dead in friends are safe.
45:00.892 --> 45:08.184
[SPEAKER_00]: When Newlin is left alone with Jessica, she sees brambles on his shoes, similar to the ones she went through in the woods.
45:09.426 --> 45:17.518
[SPEAKER_00]: But also, too, if you remember the Mingle fate, the mask that Carver has as a same burnt marks that's on his face.
45:18.520 --> 45:19.001
[SPEAKER_01]: Oh, really?
45:19.041 --> 45:22.326
[SPEAKER_00]: I thought, oh, I thought he'd just set it out.
45:22.913 --> 45:28.322
[SPEAKER_00]: Well, you remember the mask is kind of damaged a little bit, but it was okay.
45:28.442 --> 45:42.344
[SPEAKER_00]: But at the same time, though, one of the mask is off of this, or you don't talk about like the sheriff, there's actually that, that Ashie feel to his face that makes them feel suspect.
45:42.364 --> 45:47.031
[SPEAKER_01]: Yeah, yeah, yeah, yep, good catch.
45:47.348 --> 45:51.623
[SPEAKER_00]: Because I'm like, OK, yeah, you can give the boots away and stuff.
45:52.104 --> 45:56.981
[SPEAKER_00]: But the same time, though, your face on the other hand is telling a different story as well.
45:57.402 --> 45:57.703
[SPEAKER_01]: Right.
45:58.968 --> 45:59.670
[SPEAKER_01]: Absolutely.
46:00.646 --> 46:08.137
[SPEAKER_00]: Uh, but yeah, he admits, so then after that, uh, which tells her that new one is the real John Carver.
46:08.197 --> 46:13.985
[SPEAKER_00]: He admits to it saying that he was fueled by revenge because he was having an up here with Amanda.
46:14.005 --> 46:15.467
[SPEAKER_00]: It was pregnant when she died.
46:15.528 --> 46:20.475
[SPEAKER_00]: He also says he drugged Bobby to make him think he was Carver.
46:21.576 --> 46:26.524
[SPEAKER_00]: Just got then reveals she was, uh, she was life streaming his confession.
46:26.584 --> 46:27.565
[SPEAKER_01]: Yeah.
46:27.848 --> 46:38.168
[SPEAKER_00]: Newland then goes after her, Bobby returns to save Jessica, but as they try to get away in the struck, Newland has already hooked it through a support beam to have been hit them from weaving.
46:39.130 --> 46:44.761
[SPEAKER_00]: So, what I liked about this was like, okay, Jessica, tell me what you're thankful for.
46:45.943 --> 46:50.211
[SPEAKER_00]: Because I'm thankful for this live stream that I'm doing right now.
46:51.018 --> 47:00.611
[SPEAKER_00]: So I love that as they're a masking cam, she's also unmasking up everyone around the world to who he is.
47:01.052 --> 47:01.312
[SPEAKER_01]: Right.
47:02.293 --> 47:03.075
[SPEAKER_00]: So I like that.
47:03.695 --> 47:05.999
[SPEAKER_00]: Yeah.
47:06.019 --> 47:07.380
[SPEAKER_00]: Yeah.
47:07.400 --> 47:12.227
[SPEAKER_00]: I just thought that I also like Bobby and Jessica being together for the final two people.
47:12.808 --> 47:13.088
[SPEAKER_00]: Yeah.
47:13.108 --> 47:14.410
[SPEAKER_00]: This whole entire scenario.
47:15.757 --> 47:16.178
[SPEAKER_00]: as well.
47:17.700 --> 47:22.248
[SPEAKER_00]: Then Jessica exits the truck and starts to inflate the parade flow.
47:22.268 --> 47:29.199
[SPEAKER_00]: She waits for Newland to walk near it before shooting the float, causing a massive explosion that ignores Newland inflames.
47:30.061 --> 47:38.254
[SPEAKER_00]: In the aftermath, Jessica is reunited with a family while police believe that Newland was definitely killed in the explosion since all they would.
47:38.234 --> 47:40.096
[SPEAKER_00]: all they found was ash.
47:40.517 --> 47:47.605
[SPEAKER_00]: Just get ten seas who she thinks might be newling as a masked firefighter holding an axe box.
47:47.625 --> 47:49.227
[SPEAKER_01]: Yeah, of course it is.
47:49.267 --> 47:53.972
[SPEAKER_01]: Hello.
47:54.032 --> 47:55.213
[SPEAKER_01]: Right.
47:55.534 --> 47:56.855
[SPEAKER_00]: Because we want to do a sequel.
47:57.356 --> 47:59.278
[SPEAKER_01]: Right.
47:59.298 --> 48:01.200
[SPEAKER_00]: Yeah, of course.
48:01.240 --> 48:07.988
[SPEAKER_00]: But is there anything that you want to add for this scene?
48:08.137 --> 48:08.698
[SPEAKER_01]: No.
48:08.718 --> 48:19.895
[SPEAKER_01]: I kind of felt like really that's happening like the cable on the truck and inflate the turkey and stuff.
48:19.915 --> 48:20.956
[SPEAKER_01]: But I was happy.
48:20.976 --> 48:22.959
[SPEAKER_01]: I'm like, yeah, inflate that turkey.
48:25.603 --> 48:27.526
[SPEAKER_01]: Shoot it and explode soon.
48:28.568 --> 48:29.970
[SPEAKER_01]: And so that was fun.
48:30.411 --> 48:30.952
[SPEAKER_01]: I like that.
48:31.753 --> 48:35.258
[SPEAKER_01]: But yeah, but it was fun that
48:35.744 --> 48:42.952
[SPEAKER_01]: Oh, we can't find him, he must have, you know, incinerated, there's, you know, nothing here.
48:43.853 --> 48:48.518
[SPEAKER_01]: So that it, like, it opened to, you know, another.
48:48.558 --> 48:51.761
[SPEAKER_01]: Right.
48:51.781 --> 48:54.064
[SPEAKER_00]: What do you think of Patrick Densey as playing the sheriff?
48:54.084 --> 48:55.846
[SPEAKER_00]: Do you buy him as the sheriff?
48:55.926 --> 48:57.367
[SPEAKER_00]: Do you like his character?
48:57.388 --> 48:59.470
[SPEAKER_01]: I do actually.
48:59.530 --> 49:01.532
[SPEAKER_01]: I did.
49:02.035 --> 49:22.022
[SPEAKER_01]: I like him, generally, anyway, and he did seem very genuine the whole time until he is unmasked and and then even then he was like, you know, here's why I'm doing this, right?
49:22.082 --> 49:26.288
[SPEAKER_00]: And then you find out about the affair and I thought that was a good twist to this.
49:26.318 --> 49:30.384
[SPEAKER_00]: And it gives them even more motivation to be doing this besides the black Friday thing.
49:30.784 --> 49:33.789
[SPEAKER_00]: It's like, you took away my family that I was going to have.
49:34.129 --> 49:34.410
[SPEAKER_01]: Right.
49:34.550 --> 49:35.511
[SPEAKER_00]: But your self is shit.
49:35.912 --> 49:38.075
[SPEAKER_00]: But holes get to have everything you want.
49:38.556 --> 49:39.517
[SPEAKER_00]: But I don't get nothing.
49:40.298 --> 49:41.300
[SPEAKER_01]: Right.
49:41.320 --> 49:41.620
[SPEAKER_01]: Yeah.
49:42.261 --> 49:45.025
[SPEAKER_01]: So I felt actually bad for him.
49:45.165 --> 49:45.846
[SPEAKER_01]: But.
49:47.024 --> 49:50.149
[SPEAKER_01]: But the same time does mean you get to go around killing you.
49:50.169 --> 49:54.335
[SPEAKER_00]: No, that's a give you an excuse to kill somebody.
49:54.355 --> 49:59.743
[SPEAKER_00]: Especially an innocent bystander to just rest up in a truck.
50:00.144 --> 50:01.446
[SPEAKER_00]: No, right.
50:01.967 --> 50:07.535
[SPEAKER_00]: No, and then also to all of a sudden Patrick decides he's going to straw his boss in accident when he's pissed off.
50:09.218 --> 50:12.643
[SPEAKER_00]: Even though people tell me that my boss next thing comes out when I'm pissed off.
50:12.860 --> 50:17.811
[SPEAKER_00]: But still, the whole entire time the dude doesn't even have an accent going on.
50:17.831 --> 50:17.992
[SPEAKER_01]: Right.
50:18.455 --> 50:18.737
[SPEAKER_01]: Right.
50:19.220 --> 50:19.562
[SPEAKER_01]: Yeah.
50:20.335 --> 50:24.422
[SPEAKER_00]: But I don't know, I like Patrick dim can see at the dim sea as the sheriff.
50:24.462 --> 50:25.484
[SPEAKER_00]: I really liked him.
50:25.824 --> 50:28.489
[SPEAKER_00]: There's not a lot that I don't like about these actors.
50:28.529 --> 50:32.436
[SPEAKER_00]: I think they're doing the best job that they can do, even though we know that they're not.
50:32.496 --> 50:33.618
[SPEAKER_00]: Look, let me see a slash movie.
50:33.638 --> 50:35.721
[SPEAKER_00]: There's not going to be these layers to these characters.
50:36.182 --> 50:38.346
[SPEAKER_00]: We're just introducing these characters and that's it.
50:38.806 --> 50:45.077
[SPEAKER_00]: Even when we get introduced to them at the very beginning in this whole entire shopping thing too.
50:45.057 --> 50:45.718
[SPEAKER_00]: Yeah.
50:45.958 --> 50:57.053
[SPEAKER_00]: I feel like never introduces characters way too quick, but at the same time though, it fits imperfectly with the chaos because we're just people just passing through seeing faces of people that we don't know.
50:57.634 --> 50:58.976
[SPEAKER_01]: Yeah.
50:59.176 --> 51:02.040
[SPEAKER_01]: But you can see the like the shopping thing.
51:02.380 --> 51:10.511
[SPEAKER_01]: You can see the intensity in the the mania that happens for the holiday season.
51:10.671 --> 51:11.352
[SPEAKER_01]: So,
51:11.467 --> 51:22.495
[SPEAKER_00]: I, I like that because I don't do black for I don't know plus even to get this all the stuff that's going to be on black Friday is going to be on to store the next day.
51:22.515 --> 51:23.217
[SPEAKER_01]: Yeah.
51:23.237 --> 51:24.721
[SPEAKER_00]: You're not really saving anything.
51:25.001 --> 51:26.826
[SPEAKER_01]: No.
51:27.751 --> 51:35.299
[SPEAKER_00]: But yeah, Jessica later on in bed with Ryan where she has a nightmare that a flaming newland emerges from her closet to attacker.
51:35.639 --> 51:40.925
[SPEAKER_00]: And then that's why we're probably going to have Thanksgiving, uh, two.
51:41.526 --> 51:43.208
[SPEAKER_00]: I don't know if we are not, but yeah.
51:43.228 --> 51:43.688
[SPEAKER_01]: I don't know.
51:43.768 --> 51:51.116
[SPEAKER_01]: I saw something that maybe I read a story or something where they were like, yeah, we're going to do that.
51:51.216 --> 51:54.179
[SPEAKER_01]: But whether or not it's really in the works.
51:54.280 --> 51:54.720
[SPEAKER_01]: I don't know.
51:55.747 --> 51:57.169
[SPEAKER_00]: I, let's see here.
51:57.210 --> 52:04.442
[SPEAKER_00]: Okay, so it was released in 2012 through SQL mean, as called things giving to another member.
52:04.482 --> 52:14.920
[SPEAKER_00]: The Greenland, the SQL to it, but it was supposed to get worldwide released this year, but it didn't.
52:14.900 --> 52:30.879
[SPEAKER_00]: Um, but okay, so it grows 30 million globally and it's first two weeks release for the impressive second week, though that, uh, hold that at 31% it also marks director Eli Rod's highest rated film to date as certified fresh on 83% on a rot tomatoes.
52:31.780 --> 52:33.181
[SPEAKER_00]: So you have that.
52:33.201 --> 52:34.503
[SPEAKER_01]: It's like it did well.
52:35.164 --> 52:36.465
[SPEAKER_00]: You know, I think it did.
52:37.206 --> 52:37.526
[SPEAKER_01]: Yeah.
52:38.027 --> 52:42.392
[SPEAKER_00]: Yeah.
52:42.625 --> 52:46.973
[SPEAKER_01]: Yeah, you find that I am D.P.
52:47.293 --> 52:48.736
[SPEAKER_00]: Actually, I'm finding on Wikipedia.
52:48.856 --> 52:52.042
[SPEAKER_00]: Okay, so it was approximately between 55 and 80 million.
52:52.082 --> 52:53.704
[SPEAKER_01]: The budget.
52:53.724 --> 52:54.726
[SPEAKER_00]: The budget.
52:55.768 --> 52:56.049
[SPEAKER_01]: Whoa.
52:56.830 --> 53:00.737
[SPEAKER_00]: And then the total budget was over 900.
53:00.877 --> 53:07.148
[SPEAKER_00]: So, so over the, for Thanksgiving movies.
53:08.191 --> 53:10.113
[SPEAKER_00]: So 15 million was the budget.
53:10.134 --> 53:14.159
[SPEAKER_01]: Sorry about that because I was going, no, I made a mistake.
53:14.199 --> 53:14.800
[SPEAKER_00]: No, no, no.
53:14.900 --> 53:16.502
[SPEAKER_00]: It's a 15 million for that.
53:16.742 --> 53:17.483
[SPEAKER_01]: Okay.
53:17.503 --> 53:19.986
[SPEAKER_00]: But the budget on the first week.
53:21.308 --> 53:24.512
[SPEAKER_00]: And then the first week, I mean, 46.5 million.
53:24.532 --> 53:26.655
[SPEAKER_00]: And more than that.
53:26.875 --> 53:27.076
[SPEAKER_00]: All right.
53:27.096 --> 53:29.258
[SPEAKER_00]: To, well, 46 million to 49.5 million.
53:30.079 --> 53:30.180
[SPEAKER_01]: Okay.
53:31.241 --> 53:32.563
[SPEAKER_01]: So they did a good.
53:33.444 --> 53:34.665
[SPEAKER_00]: Yeah, it's a pretty decent numbers.
53:36.908 --> 53:37.489
[SPEAKER_00]: Yeah.
53:37.773 --> 53:39.956
[SPEAKER_00]: You know, I've wasted what actually make a sequel.
53:40.016 --> 53:41.938
[SPEAKER_00]: I mean, I think that it deserves one.
53:42.659 --> 53:53.012
[SPEAKER_00]: Like, you know, you just have to find another chaotic, like Friday seal somewhere or have some other motivation as to why you're doing this again.
53:53.493 --> 53:54.374
[SPEAKER_00]: Right.
53:54.394 --> 54:02.324
[SPEAKER_00]: Because it's going to, unless you're going to copycat this character, make that character, you know what I'm saying?
54:02.404 --> 54:06.970
[SPEAKER_00]: Because I think that's the only way to do this is to do a copycat
54:07.574 --> 54:07.954
[SPEAKER_01]: Right.
54:08.916 --> 54:09.216
[SPEAKER_01]: Yeah.
54:09.236 --> 54:09.717
[SPEAKER_00]: There's something.
54:11.439 --> 54:15.584
[SPEAKER_01]: Yeah, but I'm sure that Dempsey would come back.
54:16.004 --> 54:17.726
[SPEAKER_01]: I'm sure he would come back.
54:17.746 --> 54:18.387
[SPEAKER_01]: Dempsey would.
54:18.407 --> 54:19.629
[SPEAKER_01]: Yeah.
54:20.610 --> 54:24.595
[SPEAKER_01]: So I'm not sure how that would happen.
54:24.635 --> 54:28.299
[SPEAKER_00]: Neither, but it'd be interesting on how they write this.
54:28.500 --> 54:30.903
[SPEAKER_00]: So when definitely going to be keeping tabs on this.
54:31.283 --> 54:31.984
[SPEAKER_01]: Yeah.
54:32.004 --> 54:32.344
[SPEAKER_01]: Cool.
54:32.985 --> 54:33.666
[SPEAKER_01]: Cool.
54:34.523 --> 54:41.177
[SPEAKER_00]: Um, if I'm going to have to give this a rating, I'm probably going to do maybe like a 3.5 out of 5 like I enjoyed it.
54:42.319 --> 54:45.847
[SPEAKER_00]: Um, I didn't know what they're trying to go for the slat.
54:45.947 --> 54:51.098
[SPEAKER_00]: I'm glad they also knew the identity of this film and they didn't try to go outside this lecture.
54:51.297 --> 55:05.098
[SPEAKER_00]: So that's something I really do appreciate even though I didn't like some of the kills that we mentioned, but yeah, I think 3.5 out of 5 is perfect and I get the whole entire reason why, you know, the lesson in this story.
55:05.439 --> 55:05.739
[SPEAKER_00]: Yeah.
55:05.759 --> 55:06.360
[SPEAKER_00]: Yeah.
55:06.981 --> 55:09.045
[SPEAKER_01]: And I think I would give it.
55:09.926 --> 55:12.850
[SPEAKER_01]: I'm right there with you, but I think I would give it.
55:14.233 --> 55:15.174
[SPEAKER_01]: Or maybe.
55:16.736 --> 55:17.377
[SPEAKER_01]: Hey, that's fine.
55:17.938 --> 55:19.060
[SPEAKER_01]: Even though I didn't.
55:19.090 --> 55:39.934
[SPEAKER_01]: really like some of the kills and stuff, but like you said, I like the lesson in it like stopping greedy and enjoy what you have and don't let the season overwhelm you so much that you forget.
55:40.842 --> 55:43.605
[SPEAKER_01]: with the season is about what the season's about.
55:44.246 --> 55:44.706
[SPEAKER_01]: Exactly.
55:45.247 --> 55:46.188
[SPEAKER_01]: It, yeah.
55:46.208 --> 55:49.712
[SPEAKER_01]: Hopefully, if they do another one, they'll be better kills.
55:50.713 --> 55:51.995
[SPEAKER_00]: I hope so.
55:52.656 --> 55:54.117
[SPEAKER_00]: They need better creativity.
55:54.378 --> 55:59.924
[SPEAKER_00]: Just get Marilyn and I to write the help you and then get Jason Pizz to actually help you with the kill scenes as well.
56:00.725 --> 56:01.406
[SPEAKER_01]: That's cool.
56:04.149 --> 56:04.349
[SPEAKER_00]: Okay.
56:04.950 --> 56:05.010
[UNKNOWN]: But
56:05.412 --> 56:08.356
[SPEAKER_00]: Okay, so guys, look, did you guys enjoy Thanksgiving?
56:08.437 --> 56:09.919
[SPEAKER_00]: Did you guys not enjoy Thanksgiving?
56:09.939 --> 56:11.321
[SPEAKER_00]: That's my question for you guys.
56:11.361 --> 56:14.606
[SPEAKER_00]: And what would you guys give Thanksgiving as well?
56:15.107 --> 56:16.649
[SPEAKER_00]: And what are you guys having on Thanksgiving?
56:16.669 --> 56:19.393
[SPEAKER_00]: Are you guys a ham person or you guys a turkey person?
56:19.413 --> 56:25.402
[SPEAKER_00]: I like to actually know in the comments, I saw on some of that great cooking that you guys are having this Thanksgiving as well.
56:25.422 --> 56:29.849
[SPEAKER_00]: And remember, don't forget to subscribe, give me that thumbs up, Maryland.
56:29.909 --> 56:32.753
[SPEAKER_00]: Thank you so much for being on the show.
56:32.733 --> 56:33.875
[SPEAKER_00]: I do appreciate it.
56:33.915 --> 56:35.117
[SPEAKER_00]: It's always a pleasure to have you.
56:35.717 --> 56:40.965
[SPEAKER_00]: And I hope you have a great Thanksgiving and no Black Friday shopping for either one of us.
56:43.069 --> 56:46.654
[SPEAKER_00]: Guys, that would great great time and we'll catch you guys on the next one.
56:47.235 --> 56:47.635
[SPEAKER_00]: I guys.
56:48.116 --> 56:49.458
[SPEAKER_00]: Thank you so much, Chad.
56:49.478 --> 56:50.299
[SPEAKER_00]: You're very welcome, Marilyn.
56:50.319 --> 56:52.122
[SPEAKER_00]: Thank you for always wanting to come on the show.
56:52.142 --> 56:53.244
[SPEAKER_00]: I mean, so much to you.
56:53.264 --> 57:01.997
[SPEAKER_01]: It's fun and I enjoy you.
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