Stranger Things Season 5 Episode 8 Review | Final Episode of the Final Season Explained

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[SPEAKER_04]: And hello, movie lovers, some of the shows.

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[SPEAKER_04]: And today, we're going to be finishing off our season 5 episode 8 review of Stranger Things Season 5.

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[SPEAKER_04]: So I'm a good friend tonight, Master Tuck here.

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[SPEAKER_04]: We're here to talk about everything within the upside down and saying goodbye to our friends that we grew up on that project, but that we followed on this show since 2016.

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[SPEAKER_04]: And hey, done.

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[SPEAKER_04]: Welcome back.

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[SPEAKER_02]: How we doing?

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[SPEAKER_02]: How we doing?

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[SPEAKER_04]: I'm doing good.

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[SPEAKER_04]: I'm doing good.

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[SPEAKER_02]: I'll get over this woke show and just move on from this woke show.

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[SPEAKER_04]: I don't think so, dude.

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[SPEAKER_04]: I don't think so.

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[SPEAKER_04]: But what the, all right.

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[SPEAKER_04]: I'm too.

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[SPEAKER_04]: So, all right, everybody.

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[SPEAKER_04]: Welcome back to the podcast where Hawkins is never safe.

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[SPEAKER_04]: The bikes are always stolen in emotional damage as apparently a series requirement.

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[SPEAKER_04]: So tonight we're talking about the Stranger Things season five finale, also known as why am I crying over a fictional character to get Netflix.

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[SPEAKER_04]: I trusted you and know that character was not supposed to die like that.

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[SPEAKER_04]: This is the episode with a deficit.

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[SPEAKER_04]: You've had a hope long enough.

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[SPEAKER_04]: We're going to set, I'm not done dramatizing these.

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[SPEAKER_04]: And where the upside down basically became a full-time resonant of Hawkins real estate.

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[SPEAKER_04]: We're breaking down everything.

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[SPEAKER_04]: The debt's that hurt.

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[SPEAKER_04]: The moments that made us all yell out our TVs.

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[SPEAKER_04]: The callbacks that made us point like they're not the caprio.

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[SPEAKER_04]: And that ending, you know, the one, the sin and silence and stare into the credits like you just survived or the war ending.

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[SPEAKER_04]: If you haven't watched this finale yet, turn off your turn this off now, because once we open this gate, there is no closing yet.

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[SPEAKER_04]: So grab your A goes hug your childhood and pour one of you out for Hawkins and ask yourself one final question, was this the ending we wanted are the ending stranger things needed.

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[SPEAKER_04]: Coming off the gate here, I had to say that whenever you see the two worlds colliding, and when you also see how they're trying to use the antenna as a bean stock to get up to the upside-up, or that's at least what I'm calling it.

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[SPEAKER_04]: Bye.

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[SPEAKER_04]: You know, I felt really scared for them.

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[SPEAKER_04]: I really thought that we would actually lose some of these characters because of how close tinders they actually come.

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[SPEAKER_04]: And I think that they should have killed off someone in that moment.

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[SPEAKER_04]: I think that they should have killed off Steve, even though I love Steve, and I love the character.

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[SPEAKER_00]: But dare you, sir?

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[SPEAKER_02]: Well, I'm just going to have to be dust and save them again.

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[SPEAKER_02]: Oh my God.

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[SPEAKER_02]: So that was a part of our job.

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[SPEAKER_02]: Save them.

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[SPEAKER_02]: Yeah, I was so happy that I was in.

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[SPEAKER_04]: Me too.

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[SPEAKER_04]: I'm glad I was him and not like how they had this back and forth moment though when they getting the other dimension where Vignazat and he's like, look, I mean, I like you or anything, but I don't know what it does to that of you.

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[SPEAKER_01]: Yeah.

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[SPEAKER_01]: It's a great moment.

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[SPEAKER_01]: Yeah.

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[SPEAKER_04]: There's a great moment between the two of them.

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[SPEAKER_04]: I really like that moment.

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[SPEAKER_04]: But whatever some of the other standouts that you actually have to say that you enjoyed about it.

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[SPEAKER_02]: Oh, man, there's so much good

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[SPEAKER_02]: I mean, all the stuff with the fact that the mine player is still there.

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[SPEAKER_02]: I knew it was going to be still something controlling back now that he was just a general.

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[SPEAKER_02]: I had a feeling that that was more of what was going on.

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[SPEAKER_02]: I love the way they did that.

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[SPEAKER_02]: with the hand of that not becoming the leg of the, you know, spider per se.

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[SPEAKER_04]: That's right.

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[SPEAKER_02]: I'm fine, flater.

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[SPEAKER_02]: Yeah, I like that little touch.

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[SPEAKER_02]: Everything with them up top when they finally do get through.

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[SPEAKER_02]: There's so much in this episode that happens.

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[SPEAKER_02]: Everything with Will and 11 being able to communicate back and forth.

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[SPEAKER_02]: And just those moments with them and then.

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[SPEAKER_02]: Yeah, I don't want to get to the one moment, but the one moment at the end that happens was her really, it'd be hard.

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[SPEAKER_04]: Yeah, that moment hit me really hard as well, but we'll talk about that in a few minutes.

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[SPEAKER_02]: Yeah, I don't want to get there.

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[SPEAKER_04]: Yeah, we're going to jump around and stuff like that and talk about our favor of scenes and stuff like that guys is not going to be a scene for scene thing.

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[SPEAKER_04]: So just like, you know, we are going to jump around just like we did last time, but you know, my, my heart was in my throat whenever you've seen.

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[SPEAKER_04]: Uh,

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[SPEAKER_04]: Steve Steve go over the reel and then it goes into beam black and then you're like, oh shit, did he die and then you see Jonathan holding him up.

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[SPEAKER_04]: So I'd like that moment between them and then having that moment like I said in the world of Vietnam, but I do want to touch on the fact that I think they did a good job as far as them going into victims world and then they're not them seeing that giant hand of Vietnam and how thickness and actually transforms into the mind's layer.

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[SPEAKER_04]: And this is what we talked about before in our predictions.

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[SPEAKER_04]: There has to be something bigger and better than him, even though he's controlling it, but at the same time, though.

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[SPEAKER_02]: It's more of a symbiotic kind of relationship from what he said, right?

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[SPEAKER_02]: They're kind of like, they're kind of working together as one.

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[SPEAKER_02]: At this point, kind of say, yeah.

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[SPEAKER_04]: Right, exactly.

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[SPEAKER_04]: Because remember, it was that, remember, as a kid.

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[SPEAKER_04]: It called to him and that not actually use the mind flare as a way to actually get when he wants.

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[SPEAKER_02]: Yeah, I'm glad I don't know if we want to get to it yet, but I'm glad there's the choice he gets to make at some point and I'm glad he doesn't make this the choice.

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[SPEAKER_02]: I'm glad he makes a choice he makes.

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[SPEAKER_02]: What was the choice that you were to either help them or to turn against it?

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[SPEAKER_02]: I'm glad he did not turn against it.

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[SPEAKER_02]: I'm glad he was the bad guy like the act.

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[SPEAKER_02]: Me too.

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[SPEAKER_04]: Because I didn't want this to be like Star Wars, right?

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[SPEAKER_04]: When you hope that this character doesn't go, that they hope that they go into the light side and knock the dark side.

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[SPEAKER_02]: This dude has killed way too many people.

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[SPEAKER_02]: Kidnapped kid.

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[SPEAKER_02]: I mean, yeah, this, he's not redeemable with this.

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[SPEAKER_02]: He's not redeemable character.

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[SPEAKER_04]: No, and I didn't want it to be like that.

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[SPEAKER_04]: But I'm happy that Will was trying to talk to him.

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[SPEAKER_02]: Oh, yeah, no, no, no, no, I have to do that.

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[SPEAKER_04]: That's something that I really liked.

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[SPEAKER_04]: I really like the fact of like, hey, man, I don't do this and stuff like I was trying to talk them down.

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[SPEAKER_02]: Yep, I've never heard of it, yeah.

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[SPEAKER_04]: I love that.

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[SPEAKER_04]: I really loved how that was.

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[SPEAKER_04]: And then you come to realize there is a little bit of a human side to him and things like look, I cannot do that.

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[SPEAKER_02]: You know, kind of like the what will is feeling almost where it's like he feels like he's not strong without this this person like this entity helping him or he feels like he's weak without it just like, you know, will feel weak without his friends.

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[SPEAKER_02]: Right, and I thought of that's where they kind of have that in common almost and he's trying to, you know, touch that part of him, but in that moment, but again, I like that he's like, no, I'm too far gone like this, I'm now I'm happy with my decision at this point.

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[SPEAKER_04]: Right, he is who he is.

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[SPEAKER_04]: There's no changing him.

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[SPEAKER_02]: No changing going back to to we to I don't have to be like have to come back at some point of me.

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[SPEAKER_04]: So right, because then I feel like this, though, man, it's not just because the whole software's language is brought up is the fact that you did all this to get to this point.

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[SPEAKER_04]: And then you had these characters who are jeopardizing their lives to stop something and then to say hey look we want to make this guy a good guy now so you mean all that shit all that lead up if they did this i'm not saying that they did guys i'm not saying that but i'm trying to say is you're telling me after all this lead up now you want to go on ahead and make him good and it makes it look like all these other characters that died before this was for nothing so i'm glad they didn't do that.

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[SPEAKER_04]: And but I do like the layers that they pulled on to give us that little human emotion and just to show that side of him and there's like no, this is why I am and then thing with Holly inside the tunnel whenever you see that flashback again and him.

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[SPEAKER_04]: bashing the scientists face in with the rock and then taking it and then him getting into the upside down.

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[SPEAKER_04]: Now, when we were starting to do, when I started doing our shorts for this, you guys, jobless, bro, let me take something.

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[SPEAKER_04]: I'm not jobless.

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[SPEAKER_04]: I have a job.

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[SPEAKER_04]: I work eight hours five days a week and a lot of like you don't need to know that, but I do have a job and I also have a wife by the way, and I don't live like grandma's basement that wants to go and hit and crash on somebody else's YouTube channel right now.

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[SPEAKER_01]: So have a good time and a good life, really.

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[SPEAKER_04]: So anyways, so anyways.

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[SPEAKER_04]: Back to when I'm saying I'm sorry for the ranting, but when I'm trying to say is this, I think when I started doing the shorts for us, it's starting to dream the editing process for it.

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[SPEAKER_04]: Remember how we actually see the flashback of that of a Henry in that other part of that world and is a different shade a different color shape and everything in it.

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[SPEAKER_04]: Yeah, that was actually that world and we didn't know that at that time, but I'm like, yeah, so this actually fits in with the narrative of what they're trying to do with the season finale.

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[SPEAKER_04]: So it can, so that's something I really like that they did with that, you know.

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[SPEAKER_02]: What all connects?

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[SPEAKER_02]: Yeah, again, it does make sense.

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[SPEAKER_02]: It just took a while for them to get there.

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[SPEAKER_02]: I do feel like they kind of, I don't want to say struggling out, but they definitely left.

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[SPEAKER_02]: left the secret covered for till this final season like I don't think this is any I don't think anybody would have guessed this is where it was going was a different dimension and like you know what I mean I just I don't think they kept that secret pretty good because I had never got that hint of that before this season you know what I mean so they kept that secret pretty well.

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[SPEAKER_04]: I think so too.

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[SPEAKER_04]: I think they actually kept the pretty close to what they wanted to do and how they wanted to finish despite the fact that they ran into the writer strikes and stuff within the show, but they did what they could do with it and the only there's a couple little nitpicks I have with it is number one, the lended character with Harper.

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[SPEAKER_04]: or something and but no she just shows up randomly at the very beginning of the show to show that she's actually the bad person which I think there would have been better if they went on a hit got ready for and just had that one army guy in there inside the upside down trying to stop them versus it being her again yeah yeah repeating itself yeah i didn't like it i didn't like it at all i don't know why i

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[SPEAKER_02]: Those are the little things that they do where I'm just kind of like the why, why do we need that you know just why do we need that moment we didn't really need that moment we could've kind of moved past that yeah right what do you think what are you going to do yeah but that's a little small nitpick out of this whole time or two out of a long episode though sure there's so much that I agree

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[SPEAKER_04]: But then you have the other thing with Holly, who winds up taking the odd, who ends up damaging Henry, which, and then for, and you know, for a fact that, you know, they were sending this up to begin with when the like the last episode, where Henry is afraid to go into this other part of the A and I'm like,

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[SPEAKER_04]: You're doing realize that you just help the dude face his fears go by going into the cave by teasing him and mocking him.

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[SPEAKER_01]: Yeah.

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[SPEAKER_04]: And it's like, look, I need to get in order for me to get what I want.

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[SPEAKER_04]: I have to go on the head and get the kids back on track again.

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[SPEAKER_02]: Not to mention, I do feel like, now, again, we don't know.

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[SPEAKER_02]: But.

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[SPEAKER_02]: I feel he was getting ready to give up again in that moment and go back out of the cave until she poked her head around and saw and he saw her and he got that kind of like second burst of energy of like okay now I need to push through this for me though I felt the opposite I felt like okay I'm already this deep into the cave and I need to keep going because I already made it through this part and then like you said I think that

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[SPEAKER_04]: I didn't think he was going to stop and go back out.

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[SPEAKER_04]: I think he was going to go back, but just to know that Holly was going to go in and check and see how far DPS, I think that, like I said, gave him more motivation to do that.

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[SPEAKER_04]: But at the same time though, I want to know this, how that hell was Derek going to fit into that little small hole?

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[SPEAKER_02]: I don't know because Mac

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[SPEAKER_02]: And only because she was a little bit older than how he was that they've said that she couldn't fit through it really only because she was older and just had a bigger bill of the car so I don't know how they were going to figure that one out, but I'm glad he got through it.

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[SPEAKER_02]: He did not fit through it.

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[SPEAKER_02]: He must have just had a little bit of a boomer like we said.

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[SPEAKER_02]: But we think then what's the J itself out right back when he's stuck in the thing.

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[SPEAKER_04]: Yeah, I think then but then you also have this other stuff that happens where you have the Linda Hamilton character coming into the record into the radio station and stuff and you already know this is not going to be good.

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[SPEAKER_04]: I also like how they wind up doing this, where you have

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[SPEAKER_04]: 11 and 8 coming in and they're in each other's heads and then you go on ahead and use max is a way to get back into her head so she can show the memories of that not so I like this moment with them and I also like this 1950s moment again where we get to see it again, but this time just okay, and that room is Mrs. Wheeler well this is Wheeler so also in the hallway, but then if you look over to the left you actually have

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[SPEAKER_04]: And then you also have wealth parents feeling the father's feeling up on the mother, but we don't have time for that.

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[SPEAKER_04]: So let's go and have let's keep on going.

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[SPEAKER_04]: So I like how she's like the toward guy for this little back to the future moment, because it's the first time I think that's the future a lot in that moment.

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[SPEAKER_04]: But I also felt that for Harper though, too, because Vegna goes back into the all world and tries to manipulate him.

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[SPEAKER_04]: he shot 11.

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[SPEAKER_02]: When that happens, man, I'm my jaw drop.

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[SPEAKER_02]: Like I just couldn't, oh man, that was rough to see that because, yeah, I mean, you, you automatically assume he shot her.

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[SPEAKER_04]: Yeah, that's what you automatically assume.

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[SPEAKER_02]: What did everything when you first pulled the thing open, you assumed that that's what happened.

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[SPEAKER_02]: Yeah, that was, that was, that was a gut punch.

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[SPEAKER_04]: And then after that, you want to, then after that, he winds up taking his, basically breaking the glass open just to get it open.

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[SPEAKER_02]: Yeah, with the, the gun, yeah.

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[SPEAKER_02]: Right, and then I thought so when they first show 8 and 11 in Max's head, I thought that was fake.

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[SPEAKER_02]: I thought that was 8 messing with them.

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[SPEAKER_02]: You see, I really did.

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[SPEAKER_02]: Yeah, just because I didn't talk through yet at that point.

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[SPEAKER_02]: I still didn't trust her at that point.

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[SPEAKER_04]: I didn't like her.

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[SPEAKER_04]: I still didn't.

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[SPEAKER_02]: Yeah.

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[SPEAKER_04]: At this moment.

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[SPEAKER_04]: I'd really didn't like her.

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[SPEAKER_02]: That's what I mean.

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[SPEAKER_02]: I'm thinking like this, like this is not 11.

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[SPEAKER_02]: It's not actually there.

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[SPEAKER_02]: It's actually just her by herself thinking that making her see 11 there with her.

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[SPEAKER_02]: So how do you do the Max's head messing with Max?

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[SPEAKER_04]: So I didn't think that.

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[SPEAKER_04]: I thought I was really thinking that she was there with Max and everything, and they were really going through this.

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[SPEAKER_02]: Well, I realized that when they cut back to that because then they had the conversation, but when it first shows them, because she just says, oh, our hey Max, or something like that, like, oh, I don't know about this.

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[SPEAKER_02]: It doesn't feel right.

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[SPEAKER_04]: I was okay with that.

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[SPEAKER_04]: I was just thinking what's going to happen later.

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[SPEAKER_04]: First is it because of the bridge and stuff, what they described.

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[SPEAKER_02]: Yeah, no idea.

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[SPEAKER_02]: There's a lot.

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[SPEAKER_04]: But I also went on upon the rewatch and stuff like that, too.

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[SPEAKER_04]: I noticed the color scheme actually was different whenever the ignite comes into our world.

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[SPEAKER_04]: And hopper is having this nightmare and all the street kind of feel yelling and stuff.

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[SPEAKER_04]: And then him had seen the cans of explosives and stuff like the juxtap explosives and stuff like that, too.

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[SPEAKER_02]: So I also noticed they do this kind of sweeping cut

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[SPEAKER_02]: switch between them like when they're they go from the regular world to like in his mind.

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[SPEAKER_02]: They do like this cut where the camera like kind of pans across them really fast and then it's like a cut to another angle of them really.

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[SPEAKER_02]: It's kind of weird how they do it subtly but you can definitely like see it sometimes with the other side.

16:47.468 --> 17:04.615
[SPEAKER_04]: Right, because with thickness color scheme is like kind of like a lightish brownish color, darkish brown, so it shows you the different tone and style that they have for it, just like if someone's inside a dream sequence, so that's what I looked at, I'm like, okay, thickness here, he's manipulating him in some way.

17:06.177 --> 17:13.729
[SPEAKER_04]: But the first round, I was just as shocked as you were like, I was like, oh my gosh, did he really kill 11 while she was in the tank.

17:14.772 --> 17:17.098
[SPEAKER_01]: I was so bad.

17:17.118 --> 17:20.907
[SPEAKER_04]: Me too, but then after that, all I was like, what did you do?

17:21.428 --> 17:21.689
[SPEAKER_01]: Yeah.

17:22.731 --> 17:23.634
[SPEAKER_01]: Yeah.

17:23.654 --> 17:29.608
[SPEAKER_04]: And now they have to figure out, now they have no choice but to go into the upside, uh, the other dimension that thing is that.

17:29.757 --> 17:31.720
[SPEAKER_02]: Yeah, because what do you do at that point?

17:31.740 --> 17:34.464
[SPEAKER_02]: You've already blew your shot of being in his brain.

17:34.484 --> 17:36.427
[SPEAKER_02]: You had your shot and you blew it right there.

17:36.667 --> 17:50.567
[SPEAKER_04]: Yeah, right by you know, I do think that they've kind of rushed a little bit of this where it's because I want to get me to I don't feel like they needed to.

17:51.323 --> 17:53.648
[SPEAKER_04]: No, just a little bit of a setup on certain things.

17:53.728 --> 17:55.512
[SPEAKER_04]: I feel like, you know what?

17:55.812 --> 18:01.023
[SPEAKER_04]: Give me some dimming Gordon's, give me some threats to get to, where they were on list.

18:01.103 --> 18:05.633
[SPEAKER_04]: They knew it was so, where he was just thinking, okay, I got this in the bag.

18:06.254 --> 18:07.797
[SPEAKER_04]: And now let's gonna come after me.

18:07.777 --> 18:27.287
[SPEAKER_04]: So that's what I was thinking too male maybe he was thinking there's no sense of me having the demigodens or the thing in bats even though the demon bats are underneath the mine flare which is where What doesn't in them are killing but maybe he was thinking well, you know what I don't need them because I already got what I needed already got my vessels already got

18:28.060 --> 18:28.461
[SPEAKER_04]: that.

18:28.701 --> 18:32.226
[SPEAKER_04]: So I don't really need, um, I don't really need the dummy Gordon's.

18:32.246 --> 18:33.167
[SPEAKER_04]: No one's going to come after me.

18:33.868 --> 18:35.370
[SPEAKER_04]: I'll just run a little bit more challenge.

18:35.891 --> 18:45.425
[SPEAKER_02]: I will say I'm kind of wondering now what it would have played better if we got the hints of will being connected to him.

18:45.465 --> 18:51.874
[SPEAKER_02]: But until this moment we didn't know that or we didn't he didn't show it.

18:54.918 --> 18:56.160
[SPEAKER_02]: And

18:56.427 --> 19:10.266
[SPEAKER_02]: would confront a whole army of the demi-gorgans, the demi-dolls, whatever, by herself, has like the distraction while he actually infiltrated his mind and finished the job at that point.

19:10.727 --> 19:14.993
[SPEAKER_02]: And I wonder if that story would have played better for people?

19:15.226 --> 19:18.051
[SPEAKER_04]: But also, too, I think that he would also want to hurt himself.

19:18.331 --> 19:28.288
[SPEAKER_02]: There was no actual fight at the end where I was like, this is what caused fights I've ever seen at the end where there are like, any of those minds and like, mess with each other and play and tricks with each other.

19:28.308 --> 19:30.011
[SPEAKER_02]: Like, I love all of it.

19:30.131 --> 19:30.632
[SPEAKER_02]: Me too.

19:30.893 --> 19:33.437
[SPEAKER_02]: We need to be explosions in the big, like,

19:33.755 --> 19:34.636
[SPEAKER_02]: white with a Debbie.

19:34.656 --> 19:39.323
[SPEAKER_02]: I mean, I know that's what people wanted, but I kind of like the mind manipulation part of it all.

19:39.343 --> 19:41.026
[SPEAKER_04]: I like the mind manipulation part.

19:41.146 --> 19:45.111
[SPEAKER_04]: I just wanted a little bit more of the challenge of working my way over to that.

19:45.492 --> 19:46.213
[SPEAKER_04]: That's all I wanted.

19:46.233 --> 19:47.575
[SPEAKER_04]: I don't want these losers or anything.

19:47.896 --> 19:50.920
[SPEAKER_04]: But I just wanted to see a little bit more of the.

19:50.940 --> 19:51.621
[SPEAKER_02]: I didn't mean you.

19:51.681 --> 19:53.504
[SPEAKER_02]: I just made people say that.

19:53.564 --> 19:58.090
[SPEAKER_04]: But I'm just saying like for me as a viewer is what I'm not saying that you said this about me or anything.

19:58.110 --> 20:01.315
[SPEAKER_04]: I'm just saying me as a viewer as

20:01.295 --> 20:11.753
[SPEAKER_04]: I would want to see a little bit more of a, you know, because we already have dust and and Steve and their armor gear and ready to go for war with these monsters.

20:12.133 --> 20:13.396
[SPEAKER_04]: And there's no monsters there.

20:13.977 --> 20:16.962
[SPEAKER_02]: Yeah, that was a little bit of a disappointment.

20:17.042 --> 20:26.037
[SPEAKER_02]: I mean, again, just there's a, somebody that does, you know, want to see a little action once in a while and like, like, said, I would like to have seen them fight a few things to get to him, but

20:26.489 --> 20:35.139
[SPEAKER_02]: I also kind of was like, I really like what they're doing with Will getting into his mind and trying to talk him down and then with her getting into his mind eventually.

20:35.259 --> 20:38.343
[SPEAKER_02]: And I mean, there was a lot going on there.

20:38.363 --> 20:43.529
[SPEAKER_02]: There was a lot a lot going on even without the big battle scenes, you know, going knowing.

20:43.669 --> 20:45.651
[SPEAKER_02]: So I agree.

20:46.512 --> 20:56.023
[SPEAKER_02]: I do like the mine manipulation thing, whenever they're inside the mine flare to and when they almost have him and they just disappears and she's like, no, he went to the real world to be back.

20:57.438 --> 21:08.012
[SPEAKER_04]: Right, but I also think of like this though, dude, this is another thing I like though, was where she was manipulating him, the whole, like just manipulating him inside the mine flare.

21:08.052 --> 21:15.543
[SPEAKER_04]: And she has to try and think of a way to actually sneak up on him and stuff like that too.

21:15.663 --> 21:23.293
[SPEAKER_04]: So I'd like that, then even when he's inside the house, when we're inside his childhood memory and stuff like that inside that house.

21:23.965 --> 21:36.318
[SPEAKER_04]: I like that moment too because, you know, you get to see Vekna, you see everybody around the table and she winds up taking Vekna, loving does and just chunks them out the window.

21:37.079 --> 21:37.900
[SPEAKER_02]: Yep.

21:37.920 --> 21:40.463
[SPEAKER_02]: Just straight up force push, get out of here.

21:41.684 --> 21:41.925
[SPEAKER_02]: Yeah.

21:41.985 --> 21:48.792
[SPEAKER_02]: We've got really cool moments, we've got really cool moments of the end with him getting her pushing him onto that step.

21:49.278 --> 21:52.742
[SPEAKER_02]: Big spike or whatever, it's pretty freaking crazy, man.

21:52.762 --> 21:55.705
[SPEAKER_02]: And then, Joey's going to handle.

21:55.925 --> 21:56.265
[SPEAKER_02]: Right.

21:57.126 --> 22:00.110
[SPEAKER_04]: And I love, I think that was, I'm going to be real with you.

22:00.150 --> 22:05.535
[SPEAKER_04]: Whenever she winds, I'm taking him near the spike and then lowering his body even more on the death spike.

22:05.996 --> 22:08.038
[SPEAKER_04]: She doesn't kill him all the way.

22:09.199 --> 22:13.544
[SPEAKER_04]: And I like how they left it open for Joey's to do it, because she's the one who's been suffering with this thing.

22:13.604 --> 22:14.225
[SPEAKER_04]: Go boost.

22:15.166 --> 22:16.467
[SPEAKER_02]: Oh my God, yes.

22:17.088 --> 22:21.193
[SPEAKER_04]: And my fair moment is when you see her whack is taking wax on his head.

22:21.874 --> 22:22.975
[SPEAKER_02]: Dude, it was so cathartic.

22:23.035 --> 22:24.637
[SPEAKER_02]: You could feel every one of those hits.

22:25.699 --> 22:26.079
[SPEAKER_04]: You could.

22:26.239 --> 22:33.748
[SPEAKER_04]: And then the flashbacks, each memory of everyone that's been dealing with thick and uh, yeah, the manipulation of that.

22:34.469 --> 22:34.930
[SPEAKER_02]: So good.

22:34.950 --> 22:36.372
[SPEAKER_02]: It was so good, man.

22:37.573 --> 22:39.335
[SPEAKER_02]: All of it was so good.

22:39.415 --> 22:43.480
[SPEAKER_02]: The way the way they ended this, like I said, I love this season.

22:43.681 --> 22:44.802
[SPEAKER_02]: I really love this season.

22:44.842 --> 22:46.504
[SPEAKER_02]: There were things I think it could have changed.

22:47.007 --> 22:56.861
[SPEAKER_02]: There are things I think we could have did different, but overall, I'm gonna watch this season and be like, how do we, yes, we finished on a bad ass way, like, we had some pretty cool stuff.

22:57.162 --> 22:58.844
[SPEAKER_02]: And I'll tell you one thing, I really love it.

22:58.864 --> 23:10.381
[SPEAKER_02]: I don't know if a lot of people notice it or not, but the first person that goes up through the little thing into the, you know, the back of the world is Nancy, with a gunner.

23:10.401 --> 23:14.787
[SPEAKER_02]: Yeah, Nancy is the one leading the charge, like, no, I got this.

23:15.391 --> 23:25.784
[SPEAKER_02]: coming from from the first season to now, so I love Nancy as a character as she goes from being this frightful person in the first season.

23:26.425 --> 23:36.837
[SPEAKER_04]: And then it keeps on her character just keeps on Kevin that character arc now to the point I was like, you know what got my sister now, I'm off of vengeance.

23:37.578 --> 23:38.019
[SPEAKER_01]: Yeah.

23:38.039 --> 23:38.700
[SPEAKER_04]: And I'm here.

23:38.740 --> 23:39.521
[SPEAKER_04]: I'm going to get you.

23:39.721 --> 23:44.807
[SPEAKER_04]: You already got my friend Barb.

23:45.293 --> 23:51.319
[SPEAKER_02]: I just I love her arc so much in this series like just where she came from to where she is now.

23:51.439 --> 23:52.601
[SPEAKER_02]: She is such a badass.

23:53.982 --> 23:54.383
[SPEAKER_02]: I agree.

23:54.463 --> 23:57.205
[SPEAKER_02]: And you know what I'm kind of more makes it so hard to cut.

23:57.226 --> 23:57.466
[SPEAKER_02]: Sorry.

23:57.526 --> 23:58.086
[SPEAKER_02]: I'm so sorry.

23:58.327 --> 24:05.975
[SPEAKER_02]: I think more sense now the scene with them from last episode where her Jonathan kind of decided to split.

24:06.515 --> 24:09.158
[SPEAKER_02]: And she kind of wants to be alone because

24:09.762 --> 24:15.316
[SPEAKER_02]: It makes sense like she is a she's not that type of hurt like she wants to do her own thing.

24:15.337 --> 24:17.101
[SPEAKER_02]: She wants to make it because I'm dependent now.

24:17.522 --> 24:18.084
[SPEAKER_02]: Yeah.

24:18.104 --> 24:18.404
[SPEAKER_02]: Yeah.

24:18.425 --> 24:18.525
[SPEAKER_02]: Yeah.

24:18.545 --> 24:19.628
[SPEAKER_02]: Yeah.

24:19.648 --> 24:19.768
[SPEAKER_02]: Yeah.

24:19.788 --> 24:19.928
[SPEAKER_02]: Yeah.

24:19.948 --> 24:23.638
[SPEAKER_02]: So it's not so round eventually, but I just think right now that's not what she wanted.

24:23.658 --> 24:25.543
[SPEAKER_02]: That's that's that was she wants and they know that.

24:26.080 --> 24:26.741
[SPEAKER_04]: Right, exactly.

24:26.781 --> 24:31.207
[SPEAKER_04]: She's an independent woman who has her own mind, her own way of thinking and everything.

24:31.247 --> 24:33.190
[SPEAKER_04]: She doesn't need to depend on no man or anything.

24:34.132 --> 24:36.976
[SPEAKER_04]: She just wants to do her and I don't blame her.

24:37.877 --> 24:41.142
[SPEAKER_04]: And she has, you know what, she does remind me of Linda Hamilton.

24:41.763 --> 24:42.944
[SPEAKER_04]: Yeah.

24:42.964 --> 24:45.108
[SPEAKER_04]: Or Sagania Weaver as well.

24:46.429 --> 24:47.932
[SPEAKER_02]: Oh, yeah, she's definitely that 80s.

24:48.653 --> 24:55.142
[SPEAKER_02]: Yeah, that 80s action hero type female character.

24:56.135 --> 24:56.837
[SPEAKER_04]: No, no, Mike.

24:57.017 --> 24:59.825
[SPEAKER_04]: He has, she has Mike, a flare gun.

25:00.206 --> 25:01.750
[SPEAKER_04]: His look, I've been through everything.

25:01.850 --> 25:02.833
[SPEAKER_04]: I just want to gun.

25:03.795 --> 25:06.202
[SPEAKER_01]: He has a flare gun for me.

25:06.222 --> 25:06.763
[SPEAKER_01]: Oh my God, yeah.

25:06.783 --> 25:08.608
[SPEAKER_01]: Oh, I love it.

25:08.943 --> 25:13.792
[SPEAKER_04]: And look, as it goes, you know, you just gave, she gave you a flare gun, right?

25:13.892 --> 25:14.734
[SPEAKER_02]: She gave you a flare gun.

25:14.754 --> 25:15.876
[SPEAKER_02]: Yeah, you didn't.

25:15.896 --> 25:17.860
[SPEAKER_02]: Yeah, but it came and hand me in the end.

25:18.221 --> 25:18.481
[SPEAKER_02]: Right.

25:19.062 --> 25:19.884
[SPEAKER_02]: It came and hand me.

25:20.725 --> 25:24.573
[SPEAKER_04]: It's just like when you roll a roll roll something in D&D, right?

25:24.713 --> 25:31.225
[SPEAKER_04]: Where you roll for weapons and you get the most shitty as weapon and then so happens to be that shitty weapon as the one that saves you in a campaign.

25:31.926 --> 25:32.267
[UNKNOWN]: Mm-hmm.

25:32.635 --> 25:43.660
[SPEAKER_02]: Not to mention, I'm throwing the stuff on the thing and then lighting it up, that's you could do that and do a deal where you can throw like oil on on a like an area and then light it on fire and it does more damage.

25:43.680 --> 25:47.188
[SPEAKER_02]: Yeah, so yeah, again, little stuff like that.

25:47.228 --> 25:48.130
[SPEAKER_02]: I love I love that.

25:49.004 --> 25:52.327
[SPEAKER_02]: I love her being in the cave and it covered at her.

25:52.447 --> 25:53.609
[SPEAKER_02]: Oh, man, that was crazy.

25:53.629 --> 25:56.011
[SPEAKER_02]: I was like, oh, oh, we're gonna lose Nancy.

25:56.371 --> 26:04.259
[SPEAKER_04]: I was like, no, every one of those things where each moment, we were actually on the edge of our seats because we were unsure if these characters were gonna make it.

26:04.920 --> 26:11.106
[SPEAKER_04]: But I wish that they wouldn't have gave us a little bit more, you know, just give us a certain character style.

26:12.207 --> 26:14.910
[SPEAKER_04]: But yeah, yeah.

26:15.177 --> 26:16.759
[SPEAKER_04]: I know I keep on one people to die.

26:16.939 --> 26:17.440
[SPEAKER_04]: I don't know.

26:17.460 --> 26:18.541
[SPEAKER_02]: No, it's not even that.

26:18.581 --> 26:22.306
[SPEAKER_02]: I just feel like, yeah, like, people would die in this situation.

26:22.346 --> 26:25.851
[SPEAKER_02]: No, like, this isn't like, you know, this isn't like a normal thing.

26:25.891 --> 26:28.374
[SPEAKER_02]: This is a dude with real powers.

26:28.454 --> 26:30.137
[SPEAKER_02]: I can really kill anybody once.

26:30.177 --> 26:30.437
[SPEAKER_02]: Right.

26:30.958 --> 26:32.460
[SPEAKER_04]: You have a frickin' my flair.

26:32.560 --> 26:35.143
[SPEAKER_04]: That's supernatural.

26:36.102 --> 26:36.783
[SPEAKER_02]: Yeah.

26:36.803 --> 26:38.045
[SPEAKER_02]: Now I do agree with that.

26:38.245 --> 26:49.882
[SPEAKER_02]: I do think that takes some of the kind of sticks out of it, but I do feel like they gave us enough of those moments like the gut punch with Steve, the gut point where we kind of get this over it.

26:52.005 --> 26:55.149
[SPEAKER_02]: Well, you know, but yeah, people should have died.

26:57.252 --> 26:59.636
[SPEAKER_02]: But, you know, I'd like to believe that 11's going.

26:59.936 --> 27:00.797
[SPEAKER_02]: I'll say it right now.

27:00.817 --> 27:02.059
[SPEAKER_02]: I think 11's going.

27:02.478 --> 27:05.501
[SPEAKER_04]: And we're going to get to that in a minute because I do want to talk about some of the heart.

27:06.102 --> 27:08.885
[SPEAKER_04]: I want to talk about the heart pounding moments though, too.

27:10.187 --> 27:12.269
[SPEAKER_04]: When Harper's talking to a 11.

27:13.631 --> 27:16.754
[SPEAKER_04]: And she's like, look, you just have to trust me that I'm going to make the right decision.

27:17.775 --> 27:18.516
[SPEAKER_02]: Yeah.

27:18.536 --> 27:18.997
[SPEAKER_04]: And he goes.

27:19.117 --> 27:21.399
[SPEAKER_02]: And two, by the way, great moment with that.

27:21.419 --> 27:23.462
[SPEAKER_04]: And Harper's explained to her, look, you've been through a lot.

27:23.482 --> 27:28.047
[SPEAKER_04]: You've been through a little

27:29.157 --> 27:35.403
[SPEAKER_04]: There's been a lot of bloodshed, a lot of violence and stuff, violence on top of violence, and he was just there for 11.

27:35.483 --> 27:40.407
[SPEAKER_04]: And then you can see eight slowly like, OK, I need to back off.

27:41.749 --> 27:41.989
[SPEAKER_01]: Yeah.

27:42.509 --> 27:51.197
[SPEAKER_04]: Because you can see in that moment, it's like, OK, I've definitely crossed my bat line here, trying to sacrifice herself on a bridge and stuff.

27:51.377 --> 27:54.280
[SPEAKER_04]: So I definitely can see a little bit of like, OK, I need to hold back.

27:55.061 --> 27:55.761
[SPEAKER_02]: Yep.

27:55.781 --> 27:58.624
[SPEAKER_02]: Oh, exactly.

27:59.617 --> 28:00.880
[SPEAKER_04]: Yeah.

28:00.900 --> 28:05.129
[SPEAKER_04]: And then she winds up getting a shot, hopper winds up taking 11.

28:06.111 --> 28:14.368
[SPEAKER_04]: And then he winds up like look I'm not leaving another daughter be even though she doesn't think of her as a daughter, but I'm not going to leave another child behind.

28:14.838 --> 28:16.120
[SPEAKER_04]: Yeah.

28:16.140 --> 28:18.483
[SPEAKER_04]: And he wants to take care.

28:18.523 --> 28:21.006
[SPEAKER_04]: Yeah, let's talk about the ending.

28:21.186 --> 28:23.569
[SPEAKER_04]: Let's talk about once everything wraps up.

28:23.650 --> 28:29.417
[SPEAKER_04]: We talked about Joyce chopping off thickness head, but we didn't talk about 11 taking away thickness arm.

28:30.158 --> 28:33.462
[SPEAKER_04]: We should basically hit that was amazing.

28:33.803 --> 28:34.684
[SPEAKER_00]: That was cool.

28:34.804 --> 28:36.306
[SPEAKER_00]: That was really cool.

28:36.286 --> 28:41.211
[SPEAKER_04]: And she can definitely tell that she definitely buffed up where, you know what I'm saying?

28:41.231 --> 28:46.036
[SPEAKER_04]: Like, she definitely went on ahead, not afraid of the picnic anymore, not afraid of anything.

28:46.116 --> 28:48.599
[SPEAKER_04]: She's ready to go full throttle with this.

28:48.619 --> 28:49.680
[SPEAKER_04]: She's been training for this.

28:51.222 --> 28:57.348
[SPEAKER_04]: And I like how a picnic thinks that he can still do the same tricks that he did with her all through the years and he can't do it.

28:57.808 --> 29:03.154
[SPEAKER_04]: And then her taking his arm and just basically just ripping it off.

29:03.286 --> 29:20.608
[SPEAKER_02]: It was a great, it was really cool not even that, but when he, when he has her inside the house and the kids are there and they're behind the wall, but he, that he has up the, yeah, you know, the, She's letting him do that at that moment.

29:20.708 --> 29:23.031
[SPEAKER_02]: There's he's not strong with her in that moment.

29:23.051 --> 29:30.120
[SPEAKER_02]: That's the crazy is he's letting her hold her there.

29:30.387 --> 29:31.049
[SPEAKER_04]: But I like it.

29:31.189 --> 29:32.393
[SPEAKER_04]: I like what they do with that.

29:32.413 --> 29:45.409
[SPEAKER_02]: I also like the fact that all the kids are now back and then you finally get shows like you said the growth of her and just where she is at that moment, like she's not worried at all that he can do anything to her in that moment.

29:45.389 --> 29:52.680
[SPEAKER_02]: She might call in that moment, like, just wait, I feel like I feel like all these characters grew.

29:52.720 --> 29:55.965
[SPEAKER_04]: All, every one of them had great character arcs within this series.

29:56.545 --> 29:58.869
[SPEAKER_04]: Some people like, oh, I don't think they know what they want to do with Joyce.

29:59.169 --> 30:07.161
[SPEAKER_04]: No, Joyce is a mother who's second tired of being threatened by this supernatural being and also attacking her son.

30:07.141 --> 30:12.049
[SPEAKER_04]: and be going through the government stuff too, the military, and being haunted by him.

30:12.069 --> 30:21.864
[SPEAKER_04]: And only that, even in season two, when they actually had a basically break, break that whole entire fever thing that he did as well.

30:22.425 --> 30:27.934
[SPEAKER_04]: So she's been dealing with trauma on top of trauma with her son and dealing with everything.

30:27.914 --> 30:35.048
[SPEAKER_04]: The point was like, this is our breaking point, every swing was for each character that's been dealing with everybody's comfort bar.

30:35.068 --> 30:48.235
[SPEAKER_02]: I mean, look at Lucas, Lucas wouldn't hang out with them because of 11 because Mike was so like in love with 11 and remember the early like season one or two

30:48.974 --> 30:53.858
[SPEAKER_02]: And he would hang out with him because now look where he's at where he's connected to the goal.

30:54.159 --> 30:56.481
[SPEAKER_02]: Yeah, like him and Max is like, it's a thing now.

30:56.541 --> 31:00.264
[SPEAKER_02]: And that's a, you know, it's one of the best relationships in the show, you know.

31:00.424 --> 31:12.815
[SPEAKER_02]: So just the arc of that, you know, that character comes so far where he was like, you know, one way in the very beginning and just, you know, so much different and so much more, you know, in the story, like in the fabric of the story.

31:13.316 --> 31:18.981
[SPEAKER_04]: Right.

31:19.265 --> 31:20.026
[SPEAKER_01]: Yeah.

31:20.046 --> 31:26.495
[SPEAKER_04]: So now everybody's graduating, you have Mike who's going through the emotions I'm not having another 11 there.

31:26.735 --> 31:27.576
[SPEAKER_04]: And let's talk about this.

31:27.696 --> 31:28.818
[SPEAKER_04]: I know that we're jumped up.

31:28.918 --> 31:32.423
[SPEAKER_04]: I want to talk about the music choices that they did for 11.

31:33.444 --> 31:39.312
[SPEAKER_04]: Like they go into it with when does cry with them leaving the upside down.

31:39.773 --> 31:40.874
[SPEAKER_04]: And then they can't explode.

31:42.056 --> 31:46.622
[SPEAKER_04]: And the lyrics to the songs and the choices that

31:47.395 --> 31:55.204
[SPEAKER_04]: I think it fits up on who 11 is, and also a stablitude is this whole entire thing.

31:56.846 --> 31:58.188
[SPEAKER_00]: I agree 100%.

31:58.468 --> 31:59.149
[SPEAKER_02]: 100%.

31:59.970 --> 32:04.776
[SPEAKER_02]: Yeah, look, this is one of the best scored shows of all time.

32:04.956 --> 32:08.981
[SPEAKER_02]: Like, just they have some of the best music at the best time to the show.

32:10.222 --> 32:10.623
[SPEAKER_04]: I agree.

32:11.003 --> 32:11.884
[SPEAKER_02]: They definitely do.

32:12.623 --> 32:15.126
[SPEAKER_04]: Like, let's look at the purple rain lyrics, okay?

32:15.726 --> 32:21.452
[SPEAKER_04]: Because this reminds me of the talk that her and will of her and my cat, right?

32:22.373 --> 32:25.216
[SPEAKER_04]: It says, I never meant to cause you any sorrow.

32:25.256 --> 32:26.937
[SPEAKER_04]: I never meant to cause you any pain.

32:27.358 --> 32:32.082
[SPEAKER_04]: All they wanted one time to see you laughing, all they wanted to see you laughing in the purple rain.

32:32.963 --> 32:36.607
[SPEAKER_04]: That's basically saying, hey, look, Mike, I don't mean to cause you any pain.

32:36.627 --> 32:38.729
[SPEAKER_04]: Hey, hopper, I don't mean to cause you any pain.

32:39.410 --> 32:42.613
[SPEAKER_04]: But in order for me to end this,

32:43.184 --> 32:43.444
[SPEAKER_01]: Yeah.

32:44.386 --> 32:44.486
[SPEAKER_04]: Yeah.

32:44.506 --> 32:46.710
[SPEAKER_04]: And I'm not going to be able to live right.

32:47.571 --> 32:48.493
[SPEAKER_02]: It's wild man.

32:48.673 --> 32:49.114
[SPEAKER_02]: It's wild.

32:49.154 --> 32:51.157
[SPEAKER_02]: How good they are doing this.

32:51.177 --> 32:57.668
[SPEAKER_02]: I really want I really want Sean Levy and the Duffer brothers to do some some other stuff, man.

32:57.808 --> 32:59.511
[SPEAKER_02]: I really think they need to keep working together.

33:00.172 --> 33:00.833
[SPEAKER_04]: I think so too.

33:01.034 --> 33:06.643
[SPEAKER_04]: And you know, from what I know, what they want to do a couple of spin offs of stranger things and stuff like that.

33:07.400 --> 33:15.572
[SPEAKER_02]: I just like they have such a grasp on this world and just these characters that yeah, maybe they do spin off with the holly character and her friends at the end.

33:15.592 --> 33:26.527
[SPEAKER_04]: That's what, okay, let's talk about that in a minute, but I do like how we have these moments with Mike and Hawke or he's like, look, kid, I know you're going through a hard time.

33:27.068 --> 33:28.851
[SPEAKER_02]: That moment is so awesome.

33:30.193 --> 33:33.357
[SPEAKER_04]: Yeah, because it's like crossroads, right?

33:33.607 --> 33:53.076
[SPEAKER_04]: And I like how Hoppers looking you're going to go down one road, are you going to go down another road one road leads you to knowing that 11 did this for you, so you can live and have your own life or you can more and about her and be, you know, and basically be saddened your whole life by it.

33:53.697 --> 33:54.919
[SPEAKER_02]: Yeah.

33:54.939 --> 33:55.800
[SPEAKER_02]: Yeah.

33:55.820 --> 33:59.466
[SPEAKER_02]: And then it's going to is I've been down that road, I've been there.

34:00.147 --> 34:02.871
[SPEAKER_02]: I was there like don't don't you don't want to do that.

34:03.577 --> 34:11.570
[SPEAKER_04]: right with his daughter with cancer and stuff because that's how he did was he basically rounded himself in alcohol and stuff.

34:11.750 --> 34:13.573
[SPEAKER_04]: So I like that moment.

34:13.673 --> 34:16.538
[SPEAKER_04]: I also like the joys and hopper moment of them being engaged.

34:16.818 --> 34:18.080
[SPEAKER_02]: It ends over finally being in it.

34:18.100 --> 34:18.461
[SPEAKER_02]: Yes.

34:18.761 --> 34:19.162
[SPEAKER_02]: Yes.

34:19.442 --> 34:21.345
[SPEAKER_02]: I love it.

34:22.687 --> 34:23.769
[SPEAKER_02]: Such a good moment too.

34:23.789 --> 34:25.892
[SPEAKER_02]: I didn't have him proposing and all man.

34:25.912 --> 34:27.154
[SPEAKER_02]: It was great.

34:27.174 --> 34:29.398
[SPEAKER_02]: That was another great and then

34:29.783 --> 34:32.426
[SPEAKER_02]: Back to the, I guess, California, I think he said it was.

34:32.846 --> 34:37.852
[SPEAKER_02]: Yeah, California, it was a Montel, it was in Montel and yeah.

34:38.432 --> 34:39.694
[SPEAKER_02]: Yeah.

34:39.714 --> 34:40.414
[SPEAKER_04]: But I like that.

34:40.555 --> 34:44.058
[SPEAKER_04]: And then you also have, Everybody get the graduation.

34:44.078 --> 34:47.302
[SPEAKER_04]: You have Dustin who's making his speech, Valvatorian speech.

34:47.903 --> 34:49.544
[SPEAKER_04]: And this is a great tribute to Eddie.

34:50.325 --> 34:51.026
[SPEAKER_02]: Best for you.

34:51.086 --> 34:51.366
[SPEAKER_02]: Best for you.

34:51.386 --> 34:56.031
[SPEAKER_04]: Because remember, in season four, he said, I'm going to, when I graduate, I'm going to get on that stage.

34:56.392 --> 34:58.474
[SPEAKER_04]: I'm going to flip the principal off.

34:58.825 --> 35:02.069
[SPEAKER_02]: Like, right, like the moment I flew the pose of the wall and walk out.

35:02.109 --> 35:03.050
[SPEAKER_02]: Yeah, right.

35:03.110 --> 35:03.871
[SPEAKER_02]: It was great.

35:05.033 --> 35:06.174
[SPEAKER_02]: It was awesome.

35:06.675 --> 35:06.995
[SPEAKER_04]: I like it.

35:07.015 --> 35:11.761
[SPEAKER_04]: We started going like this because I'm the one person to hand this valvatorian thing on me.

35:12.041 --> 35:13.303
[SPEAKER_04]: And he starts taking it off.

35:13.643 --> 35:18.850
[SPEAKER_04]: And then he takes off the, the, the way we find out seeing the health fire.

35:18.890 --> 35:19.831
[SPEAKER_04]: T-shirt.

35:20.372 --> 35:21.433
[SPEAKER_04]: I've got five lives.

35:22.114 --> 35:22.655
[SPEAKER_01]: Yeah.

35:22.675 --> 35:22.975
[SPEAKER_01]: Love it.

35:24.137 --> 35:28.562
[SPEAKER_04]: And then I like how we also have the little machine that Erica was working on during this moment.

35:29.622 --> 35:36.074
[SPEAKER_02]: So, yeah, because I love that move when they walk by or should mess it with the thing and do they wish me to really do it.

35:36.195 --> 35:43.068
[SPEAKER_02]: And it's like nothing, but we're not, and then the freaking biggest bug like all that's what she was doing.

35:43.288 --> 35:44.009
[SPEAKER_02]: Yeah, okay.

35:44.911 --> 35:47.616
[SPEAKER_04]: I also like the maximum Lucas one, two.

35:49.019 --> 35:50.943
[SPEAKER_02]: Yeah, yeah, that move is really nice.

35:51.243 --> 35:51.664
[SPEAKER_02]: Yeah.

35:52.150 --> 35:56.254
[SPEAKER_04]: Because now she's on a skateboard before she graduates, you know, now she's able to walk.

35:56.294 --> 35:56.955
[SPEAKER_04]: So that's good.

35:56.995 --> 35:58.236
[SPEAKER_04]: She just need a physical therapy.

35:58.256 --> 36:06.924
[SPEAKER_02]: Just like Robins friend said, Which I don't know 18 months seem fast, but for the 80s, but you know, whatever it's fine.

36:07.225 --> 36:08.306
[SPEAKER_02]: It's fine.

36:08.326 --> 36:12.270
[SPEAKER_04]: I think here's the thing as adults time moves fast for us, but as kids.

36:13.611 --> 36:14.251
[SPEAKER_04]: It moves slow.

36:14.632 --> 36:19.997
[SPEAKER_04]: So I think that they should have at least, you know, slow to down a little bit and a kids perspective.

36:21.209 --> 36:25.817
[SPEAKER_04]: Yeah, but like I said, little small nitpicks, but nothing.

36:25.837 --> 36:26.238
[SPEAKER_04]: Sorry.

36:26.258 --> 36:26.338
[SPEAKER_04]: Yes.

36:26.839 --> 36:27.080
[SPEAKER_01]: Yeah.

36:27.220 --> 36:27.961
[SPEAKER_01]: I'm not mad about it.

36:28.743 --> 36:38.600
[SPEAKER_04]: Um, but then you have the moments where Steve Robin, Jonathan, and Nancy are all on the roofs, bringing some beers.

36:39.903 --> 36:42.407
[SPEAKER_04]: And like, what if we do this once a month?

36:43.771 --> 36:52.731
[SPEAKER_04]: up here, talk, and Nancy is now going to be writing news articles and stuff at that, which is something that she's been wanting to do since season three.

36:55.197 --> 37:01.611
[SPEAKER_04]: You also have Robin, who's also being a district, you're just trying to do it solo without Steve.

37:02.198 --> 37:11.251
[SPEAKER_04]: And she goes, I don't even know what to talk about because there was nothing for her to really talk about because of the fact that there's no upside down anymore, and there's no talking and code.

37:11.672 --> 37:16.679
[SPEAKER_04]: She was playing records that her parents grew up on nothing that she was that she grew up on.

37:17.320 --> 37:27.936
[SPEAKER_04]: So you had that look that moment, but I like how everybody knows who they are stuff and reputation, you know, I'm kind of categorizing who they are.

37:28.220 --> 37:30.183
[SPEAKER_02]: I do, I like the moment, too, where she messed it up.

37:30.203 --> 37:35.069
[SPEAKER_02]: It hits the Burton instead of the sound effect button.

37:35.109 --> 37:35.950
[SPEAKER_02]: She's trying to do it.

37:35.970 --> 37:39.335
[SPEAKER_02]: I can't remember what she was trying to do, but she, yeah, it's at that moment.

37:39.355 --> 37:42.619
[SPEAKER_02]: Oh, and Steve and then we cut to that to him be in the baseball coach.

37:42.639 --> 37:45.784
[SPEAKER_02]: But yeah, I just like that moment of her does not kind of know what to do.

37:46.424 --> 37:49.649
[SPEAKER_04]: The baseball coach seen for him was perfect.

37:50.069 --> 37:52.152
[SPEAKER_04]: Remember the whole nuggets.

37:52.233 --> 37:53.655
[SPEAKER_04]: thing they was talking about that.

37:54.356 --> 38:00.485
[SPEAKER_04]: And I like how John that goes this like whenever they were in the other world, because maybe you should not just refer to them as nuggets.

38:00.786 --> 38:01.026
[SPEAKER_02]: Yeah.

38:01.306 --> 38:01.667
[SPEAKER_02]: Yeah.

38:01.687 --> 38:01.787
[SPEAKER_02]: Yeah.

38:02.007 --> 38:02.989
[SPEAKER_02]: I do like that moment.

38:04.050 --> 38:07.916
[SPEAKER_02]: And then he thinks they should have said five and said a little whatever.

38:07.936 --> 38:11.121
[SPEAKER_04]: Well, you think I should have said four.

38:11.181 --> 38:12.002
[SPEAKER_04]: Yeah.

38:12.162 --> 38:14.005
[SPEAKER_04]: Maybe not call them nuggets.

38:14.980 --> 38:42.304
[SPEAKER_02]: And then he's also going to teach sex and It was funny too, which was There's some people in the comments on Facebook There's like over time how many times that happened Do you know what I mean just like where the Whatever the part you know the person is and that town just becomes like the teacher And that there's a there's a person that never left their town Yeah, that's all It's Steve's definitely that day for sure

38:42.284 --> 38:44.126
[SPEAKER_04]: Yeah, he's never left his hometown.

38:44.226 --> 38:48.932
[SPEAKER_04]: He's now a baseball coach for the same people, the kids that he saved.

38:49.753 --> 38:49.893
[SPEAKER_04]: Mm-hmm.

38:49.913 --> 38:50.153
[SPEAKER_04]: Yeah.

38:50.374 --> 38:51.074
[SPEAKER_04]: It's just pretty cool.

38:51.635 --> 38:52.035
[SPEAKER_04]: Yeah.

38:53.477 --> 39:04.450
[SPEAKER_04]: You have the other, now you actually have Will Mike Dustin and Lucas Max and all them playing D&D.

39:04.991 --> 39:05.271
[SPEAKER_02]: Yeah.

39:06.044 --> 39:09.047
[SPEAKER_02]: which I love that moment with her involved in it.

39:09.287 --> 39:18.735
[SPEAKER_02]: And then, I mean, we'll talk about it a little more, but when they're all putting the books up, and she puts her book up to do, I do like that little moment because she's part of the group.

39:19.276 --> 39:21.377
[SPEAKER_02]: She is, she is officially part of the group.

39:22.578 --> 39:25.361
[SPEAKER_04]: But it just makes me sad to see them now leaving.

39:25.901 --> 39:27.963
[SPEAKER_02]: Yeah, that's a great way to self-yet.

39:28.123 --> 39:28.964
[SPEAKER_02]: It's like soft.

39:29.024 --> 39:35.950
[SPEAKER_04]: And I like how the mother, once again, calls them back up for dinner in the last time,

39:37.162 --> 39:56.400
[SPEAKER_02]: And the other I like the movie where he says, what are you, what are you, you can't come up with anything and he kind of gives them each one little last like goodbye, which I really did like I love that movie because I did cry, but I don't remember work for what he was saying to each of them, but there were some tears coming out in those moments because he was crying.

39:56.440 --> 39:58.444
[SPEAKER_04]: Yeah, I was in that part.

39:59.133 --> 40:07.896
[SPEAKER_04]: because he's the storyteller and he was telling stories of Dustin, Dustin is going to be in the library of the college doing his thing.

40:07.936 --> 40:14.914
[SPEAKER_04]: It's about moving on from the town that you once grew up in as a child and now going into the neighborhood or adulthood.

40:15.721 --> 40:20.828
[SPEAKER_04]: And the things like you once new are not going to be there, everybody's going to move, move away.

40:21.669 --> 40:29.039
[SPEAKER_04]: But the thing that I like the most was, where you had to see Will, and he says to Will, he goes, you're going to meet somebody.

40:29.479 --> 40:30.801
[SPEAKER_04]: And then you have somebody in the bar.

40:31.602 --> 40:39.633
[SPEAKER_04]: And then you have, and I like everybody's like, he's hyper focused on everybody else by himself, because he doesn't want to talk about 11.

40:41.555 --> 40:45.120
[SPEAKER_04]: And Max, like, is like, what about you, the storyteller?

40:45.742 --> 40:55.631
[SPEAKER_04]: And then that's when everyone's up saying, well, some say that the mage survived and there's some that said that she died.

40:57.272 --> 41:05.960
[SPEAKER_04]: And then he begins up breaking it down to how a living could basically still be alive because of the whole entire thing with eight and stuff.

41:06.341 --> 41:11.565
[SPEAKER_04]: So I'm thinking this, the directors are smart for this and the writers are smart for this.

41:12.486 --> 41:14.668
[SPEAKER_04]: By your own ending on how you think that the show ended.

41:15.475 --> 41:20.664
[SPEAKER_04]: Yeah, yeah, like you can either believe that she's alive or if you believe that she's dead.

41:21.505 --> 41:23.629
[SPEAKER_04]: And make your own right is up to you.

41:23.709 --> 41:25.432
[SPEAKER_02]: And that's well, I like that you she died.

41:25.593 --> 41:30.321
[SPEAKER_02]: I like to think that that was the end for and not that I want 11 be dead or anything.

41:30.381 --> 41:33.366
[SPEAKER_02]: No, I do think in that moment the sacrifice makes sense.

41:33.599 --> 41:38.768
[SPEAKER_04]: It does because for eight or eight blood out, there was no illusion to or anything like that.

41:39.470 --> 41:47.324
[SPEAKER_04]: Otherwise, why would a lemon say, look, I need to go, I'm sorry for doing this, but please no, why I'm doing it.

41:47.344 --> 41:51.431
[SPEAKER_02]: But I also love that moment of her being able to get away and being invisible.

41:51.471 --> 41:54.176
[SPEAKER_02]: I have no problem with that.

41:54.196 --> 41:55.298
[SPEAKER_04]: I go back and forth with it.

41:55.598 --> 41:56.640
[SPEAKER_04]: I go back and forth with it.

41:56.680 --> 41:57.582
[SPEAKER_04]: I'm like,

41:57.815 --> 42:15.943
[SPEAKER_02]: Do I like what when ending when I'm on for a week, both like us right again and it gives you those But where you can like you said go back and forth where one day you can say you know what I'm glad she's she's state alive or you know I'm glad she died you know because you get different you get different satisfaction out of both you know what I mean.

42:16.544 --> 42:16.824
[SPEAKER_02]: Yeah.

42:17.225 --> 42:17.465
[SPEAKER_02]: Yeah.

42:17.846 --> 42:18.527
[SPEAKER_04]: So I like that.

42:18.647 --> 42:20.650
[SPEAKER_02]: I like to wait it's a good way to end the story.

42:20.950 --> 42:21.451
[SPEAKER_04]: I agree.

42:21.671 --> 42:27.919
[SPEAKER_04]: I really like that whole idea thing where we get to pick and choose that instead of doing anything else that happened.

42:28.440 --> 42:29.001
[SPEAKER_02]: It really doesn't.

42:29.021 --> 42:33.867
[SPEAKER_02]: You know, because they always say, oh, when somebody comes back from a dad that doesn't, it doesn't mean as much.

42:33.887 --> 42:37.892
[SPEAKER_02]: And it's like, she's not really back from a death because she might be dead.

42:37.932 --> 42:38.353
[SPEAKER_02]: She might not.

42:38.393 --> 42:40.275
[SPEAKER_02]: We don't really actually know the answer.

42:40.335 --> 42:43.339
[SPEAKER_02]: So you can't really put it down to one of the other.

42:43.399 --> 42:45.042
[SPEAKER_02]: You know, you got to know, it's open.

42:45.262 --> 42:46.924
[SPEAKER_02]: It's an open, it's an open question.

42:47.005 --> 42:51.069
[SPEAKER_04]: So don't be nending to go into how we think and how we want it to be.

42:52.330 --> 42:55.013
[SPEAKER_02]: I like what are to be dead and that's how you want to remember them.

42:55.313 --> 42:56.754
[SPEAKER_02]: She said that they want to remember.

42:56.795 --> 42:57.015
[SPEAKER_02]: Yeah.

42:57.395 --> 42:57.876
[SPEAKER_02]: Exactly.

42:58.596 --> 42:59.737
[SPEAKER_04]: But I like that.

42:59.958 --> 43:08.045
[SPEAKER_04]: And then you have the final thing where as Mike and his friends are going upstairs, you see Holly and her friends brush past Mike.

43:08.906 --> 43:09.086
[SPEAKER_04]: Yeah.

43:09.207 --> 43:16.894
[SPEAKER_02]: And now they're going on their own adventures to

43:17.600 --> 43:20.244
[SPEAKER_04]: Me too, but also to Eric is a little bit older than Holly.

43:20.264 --> 43:26.152
[SPEAKER_02]: Yeah, I know she is, but it would have just been funny for her to been in there with them, but I do like that moment a lot.

43:26.172 --> 43:40.814
[SPEAKER_04]: Yeah, I do too, and I like the fact that Derek is in this group, though, too with them, and also too, like there's this meme going around with Derek, where he's waving the mic, and next, you know, he's sitting next to Holly, uh, at the graduation.

43:42.296 --> 43:47.303
[SPEAKER_04]: Yeah, and in that, yeah, that's all.

43:47.367 --> 43:48.569
[SPEAKER_02]: He was on it.

43:48.789 --> 43:49.290
[SPEAKER_02]: He was on it.

43:49.730 --> 43:50.051
[SPEAKER_02]: Right.

43:50.071 --> 43:50.972
[SPEAKER_02]: They're best friends now.

43:51.713 --> 43:51.994
[SPEAKER_04]: Right.

43:52.655 --> 43:54.778
[SPEAKER_02]: That's all that matters.

43:54.798 --> 43:55.779
[SPEAKER_04]: But I must stop.

43:55.899 --> 43:57.742
[SPEAKER_02]: He's going to shoot a shot away when they get to high school.

43:57.842 --> 43:58.623
[SPEAKER_02]: That's what's going to happen.

44:00.626 --> 44:03.511
[SPEAKER_04]: But I wouldn't mind having another adventure with these kids.

44:04.031 --> 44:04.832
[SPEAKER_02]: Yeah, not at all.

44:05.253 --> 44:05.734
[SPEAKER_02]: Not at all.

44:06.375 --> 44:13.425
[SPEAKER_02]: You know, it's kind of like, we were watching it before this, but he like he said that the kids are really, they really like,

44:14.637 --> 44:16.520
[SPEAKER_02]: stepped it up in this in this season, man.

44:16.620 --> 44:17.000
[SPEAKER_02]: I agree.

44:17.040 --> 44:19.243
[SPEAKER_02]: I mean, I feel like you're past.

44:19.263 --> 44:21.867
[SPEAKER_04]: I feel like this if they did do this, I wouldn't be mad about it.

44:21.947 --> 44:25.152
[SPEAKER_04]: If they went on a hand and did it with these kids and do something totally different.

44:25.592 --> 44:29.498
[SPEAKER_02]: But I think they want to focus something back first from the first season that plays Holly.

44:29.678 --> 44:30.659
[SPEAKER_02]: Is it the same little girl?

44:31.100 --> 44:31.801
[SPEAKER_02]: I don't think so.

44:32.081 --> 44:33.223
[SPEAKER_02]: I was going to say, I don't think it is.

44:33.483 --> 44:34.705
[SPEAKER_02]: No, it's not.

44:34.685 --> 44:35.526
[SPEAKER_02]: Okay, okay.

44:35.546 --> 45:03.544
[SPEAKER_02]: Also, I say, I don't think it is now, but what I was going to say was this, I know they want to concentrate outside of Hawkins, I think did another one, but I don't think they are going to do anymore furniture things with this, I mean, it's interesting what if there are other would because remember it's also in Russia true there is an opening in Russia, so maybe there's another dimension portal maybe there's another portal over there that we don't know about that, you know,

45:04.790 --> 45:05.290
[SPEAKER_02]: Yeah, I don't know.

45:05.371 --> 45:06.652
[SPEAKER_02]: There's ways that they could do it though.

45:06.672 --> 45:07.333
[SPEAKER_02]: I think.

45:07.353 --> 45:07.593
[SPEAKER_04]: Right.

45:07.673 --> 45:08.954
[SPEAKER_04]: But I wouldn't, here's the thing though.

45:08.974 --> 45:13.979
[SPEAKER_04]: I'm already invested in these characters that they set up for them to continue if they wanted to do it.

45:14.500 --> 45:14.760
[SPEAKER_02]: Yeah.

45:15.260 --> 45:17.763
[SPEAKER_02]: I'm just saying, there's ways they can bring it back.

45:18.103 --> 45:22.507
[SPEAKER_02]: And, you know, maybe they have to get from Russia to Hawkins to get to one, but, you know, right.

45:22.527 --> 45:23.749
[SPEAKER_02]: I don't know.

45:24.289 --> 45:24.589
[SPEAKER_04]: I don't know.

45:24.609 --> 45:26.511
[SPEAKER_04]: But there's actually this other meme, too.

45:26.551 --> 45:33.278
[SPEAKER_04]: I want to talk about, you know, the part where we'll said, oh, where Mike winds up saying, well, you'll meet

45:34.085 --> 45:34.827
[SPEAKER_02]: Yeah.

45:34.847 --> 45:35.589
[SPEAKER_02]: Yeah.

45:35.609 --> 45:36.552
[SPEAKER_02]: That's probably with them.

45:36.612 --> 45:37.514
[SPEAKER_02]: I will say that to them.

45:37.554 --> 45:38.818
[SPEAKER_02]: I'm going to go on the tower with them.

45:38.838 --> 45:39.520
[SPEAKER_02]: It was really nice.

45:40.342 --> 45:47.622
[SPEAKER_04]: But did you know what the, someone put Ted Bundy in the bar where Will is and having a meet?

45:47.787 --> 45:52.835
[SPEAKER_04]: That's like, no, that's the way self was like this because like, great.

45:53.015 --> 45:59.505
[SPEAKER_04]: First of all, dealing with supernatural stuff and now the game has to come back to put me into.

45:59.565 --> 46:01.428
[SPEAKER_02]: He's, well, we'll try to figure things out.

46:01.448 --> 46:01.849
[SPEAKER_02]: He doesn't.

46:01.869 --> 46:02.169
[SPEAKER_02]: Right.

46:02.630 --> 46:04.733
[SPEAKER_04]: That was messed up, but still.

46:05.017 --> 46:21.478
[SPEAKER_04]: No, it's funny, it is funny, but I started doing my own like fan theory of it of how they could get back and I'm like, okay, I'm not going down this thing, but still, but okay, so, but I'm going to say this, I enjoy this, the series a lot, I've been watching it since 2016.

46:21.498 --> 46:34.855
[SPEAKER_02]: This is one of the stronger finishes to a show for me.

46:35.088 --> 46:41.295
[SPEAKER_02]: No, well, yes and no, it's not that it's not better than Cobra Kai.

46:41.356 --> 46:43.418
[SPEAKER_02]: It's just a different type of show for me.

46:43.478 --> 46:46.201
[SPEAKER_02]: It's a different type of show for me.

46:46.261 --> 46:48.744
[SPEAKER_02]: So how many of I would say it was better or worse?

46:48.885 --> 46:54.692
[SPEAKER_02]: I would just say that I still think Cobra Kai is my favorite show of all time, but this is definitely the top five.

46:54.712 --> 46:56.274
[SPEAKER_02]: I mean, this is easily too three.

46:56.454 --> 46:57.275
[SPEAKER_02]: I mean, there's no doubt.

46:57.315 --> 46:58.016
[SPEAKER_02]: It's up there.

46:58.456 --> 47:00.138
[SPEAKER_04]: It's a great nostalgia for me.

47:00.238 --> 47:00.979
[SPEAKER_02]: It's the best.

47:01.300 --> 47:01.940
[SPEAKER_02]: 100%.

47:02.141 --> 47:02.661
[SPEAKER_02]: Yeah.

47:02.681 --> 47:04.183
[SPEAKER_02]: No, it's a stepally up there.

47:04.940 --> 47:06.586
[SPEAKER_02]: I can enjoy Cobra Kai.

47:06.646 --> 47:09.798
[SPEAKER_02]: I think a little more watching it because look, they're a part of this show.

47:09.818 --> 47:12.207
[SPEAKER_02]: They're pretty mind bending and create.

47:12.228 --> 47:13.151
[SPEAKER_02]: I mean, it's intense.

47:13.231 --> 47:14.095
[SPEAKER_02]: It's an intense show.

47:14.115 --> 47:15.540
[SPEAKER_02]: We're Cobra Kai's more of just a.

47:16.381 --> 47:18.524
[SPEAKER_02]: Let's just have fun and see what happens with the character.

47:19.265 --> 47:19.566
[SPEAKER_03]: Right.

47:20.126 --> 47:21.949
[SPEAKER_02]: I mean, it's intense, but not in the same way.

47:22.009 --> 47:22.550
[SPEAKER_02]: You know what I mean?

47:22.951 --> 47:23.932
[SPEAKER_04]: I got it.

47:23.952 --> 47:25.314
[SPEAKER_04]: But I'm with you.

47:25.694 --> 47:29.961
[SPEAKER_04]: I think that this is actually one of the best finale endings that we had in a while.

47:30.361 --> 47:31.923
[SPEAKER_02]: You said, yeah, I would say this.

47:31.944 --> 47:33.045
[SPEAKER_02]: I said it from Coca-Cola.

47:33.185 --> 47:33.666
[SPEAKER_02]: It got for me.

47:34.006 --> 47:35.709
[SPEAKER_04]: Coca-Cola, I also finished off strong.

47:36.110 --> 47:36.450
[SPEAKER_02]: It did.

47:36.650 --> 47:38.693
[SPEAKER_02]: But I think this was a stronger finish than Coca-Cola.

47:38.713 --> 47:38.954
[SPEAKER_04]: Yes.

47:39.214 --> 47:40.175
[SPEAKER_02]: It made overall.

47:40.396 --> 47:40.596
[SPEAKER_02]: Yeah.

47:41.237 --> 47:45.443
[SPEAKER_04]: I can agree with that.

47:45.693 --> 47:51.931
[SPEAKER_04]: Right, but I want to talk about Murray blowing up the helicopter and 11 also blowing the brains out of that.

47:53.295 --> 47:54.258
[SPEAKER_00]: What am I supposed to get?

47:54.338 --> 47:56.384
[SPEAKER_02]: Yes, I love Murray.

47:56.524 --> 47:57.527
[SPEAKER_02]: I love Murray.

47:57.567 --> 47:59.854
[SPEAKER_02]: He's so much fun to me just.

48:00.509 --> 48:26.128
[SPEAKER_02]: Bernie is actually one of my favorite characters on there and to see him I like the movement even though it's kind of messed up when they come up airs when they when eight dies or they is dead and he's like maybe he just he's always like the dude like telling the jokes and then he finally is like maybe what's wrong where's where's you know he just always gets it but he's just always the dude and just like trying to get her by the lap right

48:26.412 --> 48:32.584
[SPEAKER_04]: And then 11 blue, uh, blue the brains out of me, this, the military dude, uh, always brains out.

48:33.526 --> 48:35.509
[SPEAKER_00]: Dude, that was a cool kill.

48:35.529 --> 48:36.832
[SPEAKER_00]: That was really cool.

48:37.313 --> 48:41.781
[SPEAKER_00]: I did not expect her to go to that hardcore, but she was like, no, you're all dead.

48:42.603 --> 48:44.286
[SPEAKER_04]: Right, she had another role.

48:45.599 --> 48:48.042
[SPEAKER_04]: But yeah, guys, tell us in the comments that you like this show.

48:48.123 --> 48:49.164
[SPEAKER_04]: Did you not like this show?

48:49.224 --> 48:50.426
[SPEAKER_04]: Did you like the finale?

48:50.446 --> 48:55.293
[SPEAKER_04]: Did you feel like guys have some little small nitpicky things, but nothing major, or did you not like it?

48:55.353 --> 48:57.055
[SPEAKER_04]: I like to know in the comments and everything.

48:57.095 --> 49:02.343
[SPEAKER_04]: If not, we're going to close this out, but I do appreciate you guys tuning in watching anyways.

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[SPEAKER_04]: I will if you catch us on the rewatch going ahead and comment over there.

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[SPEAKER_04]: I'll go ahead and geek out with you guys as well.

49:10.154 --> 49:10.915
[SPEAKER_04]: I'm not going to go in.

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[SPEAKER_04]: Um, but I'm going to go in ahead and close us out, um, I will be taking a little bit of a short break after this, um, because I haven't had a winter break, this is like last year.

49:26.120 --> 49:32.026
[SPEAKER_04]: So I am going to be taking a little bit of a break and then I'll come back and we'll start doing some more reviews and stuff.

49:32.367 --> 49:37.712
[SPEAKER_04]: Maybe do some and listen to some movies from 2026 and you with that way.

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[SPEAKER_04]: So that's going to be it as far as this goes.

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[SPEAKER_04]: Thank you Tom for joining me as always.

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[SPEAKER_04]: I do appreciate it and thank you guys for watching.

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[SPEAKER_04]: And also to go ahead and bring me on Spotify and podcast where you guys got your podcast from, tell us what you think of our show and always it's next to you guys.