Peacemaker Season 2 Ep3 & Ep4 Review | "Another Rick Up My Sleeve" + "Need I Say Door" Breakdown
In Peacemaker Season 2, Episodes 3 & 4, the chaos only gets bigger.
Episode 3, "Another Rick Up My Sleeve," throws Christopher Smith into an alternate universe where he finally has everything he ever wanted—a loving family and the public’s adoration. But this dream reality forces him to confront his painful past, while back in his own world, his team struggles with the fallout from Eagly’s savage attack on A.R.G.U.S. agents.
Episode 4, "Need I Say Door," finally reveals the shocking origin of the Quantum Unfolding Chamber. A flashback shows Auggie Smith killing an alien and stealing its portal device, exposing how he gained the tech for interdimensional travel without ever being smart enough to build it himself.
We break down both episodes—covering the emotional twists, Auggie’s alien secret, the sci-fi madness, and what it all means for Peacemaker and his team moving forward. James Gunn is only cranking the insanity higher!
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[SPEAKER_00]: Hello, movie lovers.
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[SPEAKER_00]: I'm welcome to show today to have my good friend Chris with me.
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[SPEAKER_00]: We're going to be reviewing piecemaker episode two in, well, episode three in four.
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[SPEAKER_00]: Please make her another rick up by sleep and need I say door is the name of the episode so we're going to be talking about tonight and diving into those episodes.
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[SPEAKER_00]: So let's go in hand.
00:21.125 --> 00:23.647
[SPEAKER_00]: Let's welcome Chris back to the show and listen to this.
00:25.208 --> 00:26.309
[SPEAKER_00]: And hey man, welcome back.
00:26.936 --> 00:27.697
[SPEAKER_01]: Hey, John.
00:27.757 --> 00:28.398
[SPEAKER_01]: How's it going?
00:28.759 --> 00:29.680
[SPEAKER_00]: It's going really good.
00:29.760 --> 00:37.631
[SPEAKER_00]: It's always good to be able to be in company with you watching these episodes and just geeking out over a piece, make our season too.
00:38.952 --> 00:39.834
[SPEAKER_00]: But how's it going for you?
00:39.854 --> 00:41.596
[SPEAKER_01]: It's going pretty good.
00:41.756 --> 00:42.417
[SPEAKER_01]: Going pretty good.
00:43.098 --> 00:50.561
[SPEAKER_01]: things have been moving along in the in film world and, you know, just just plug it along so far.
00:51.482 --> 00:52.022
[SPEAKER_00]: That's great.
00:52.182 --> 00:52.802
[SPEAKER_00]: That's great, man.
00:52.842 --> 00:58.164
[SPEAKER_00]: I'm happy to hear that, you know, your filming is actually starting to pick up a lot and everything getting some jobs.
00:58.284 --> 00:59.225
[SPEAKER_00]: That's always a good thing.
00:59.965 --> 01:02.407
[SPEAKER_00]: So with that being said, let's go ahead.
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[SPEAKER_00]: Let's get into this.
01:03.207 --> 01:05.729
[SPEAKER_00]: Another Rick up my sleeve is what we're going to be talking about.
01:06.590 --> 01:13.914
[SPEAKER_00]: And so this actually takes place three years ago, Rick flag and Emily Amelia was dating.
01:13.954 --> 01:16.016
[SPEAKER_00]: And he's cheating on her with enchantress.
01:17.057 --> 01:20.599
[SPEAKER_00]: But she to me is the most dangerous thing that you could do.
01:20.619 --> 01:21.560
[SPEAKER_01]: All right.
01:21.600 --> 01:24.942
[SPEAKER_01]: She can just blow up the planet like
01:26.414 --> 01:32.342
[SPEAKER_00]: Not only that dude, she can pretty much take his balls and just throw them like it was nothing.
01:33.003 --> 01:33.164
[SPEAKER_00]: Right.
01:33.184 --> 01:33.885
[SPEAKER_00]: You know what I mean?
01:34.686 --> 01:37.490
[SPEAKER_01]: Yeah, that's a, I gotta say that's a ballsy move.
01:38.030 --> 01:39.012
[SPEAKER_00]: It's definitely ballsy.
01:39.372 --> 01:41.255
[SPEAKER_00]: If you're going to get neutered by the infantress.
01:41.776 --> 01:41.996
[SPEAKER_00]: Right.
01:42.016 --> 01:42.717
[SPEAKER_00]: Like, you know,
01:43.798 --> 01:52.886
[SPEAKER_00]: I didn't really care for enchantress for the soy-sized squad movie or anything, but I thought it was neat that they actually tied that into it to give it a little extra flavor to it.
01:53.406 --> 01:57.510
[SPEAKER_00]: Even though I didn't care for enchantress, I thought that could actually do without enchantress.
01:57.930 --> 02:03.555
[SPEAKER_00]: It looked like that she was doing like a macarena dance ever since I went around to see her on the screen, and I'm like, okay, but still.
02:04.056 --> 02:09.340
[SPEAKER_00]: But then you have Chris's brother waking up Chris, kicking his bed, worried that Chris has relapsed.
02:11.322 --> 02:13.103
[SPEAKER_00]: And I love the chemistry between them too.
02:13.183 --> 02:16.384
[SPEAKER_00]: I really love the fact that he has his brother back.
02:16.404 --> 02:19.244
[SPEAKER_00]: I also like how he's making him eggs in the morning time.
02:19.304 --> 02:21.785
[SPEAKER_00]: So are you going to go see Jarhead?
02:22.125 --> 02:23.146
[SPEAKER_00]: No, fuck Jarhead.
02:23.426 --> 02:24.446
[SPEAKER_01]: Yeah, fuck that guy.
02:26.126 --> 02:27.107
[SPEAKER_01]: Yeah, look that guy.
02:27.167 --> 02:29.107
[SPEAKER_00]: What really liked it?
02:29.147 --> 02:30.528
[SPEAKER_00]: I mean, I liked the chemistry.
02:31.428 --> 02:35.329
[SPEAKER_00]: And it also makes me think like, you know what, this is everything that Chris has had
02:38.833 --> 02:44.117
[SPEAKER_00]: Like I said before, why would I want to live in this other world when I have everything I need and want in this world?
02:44.477 --> 02:46.839
[SPEAKER_01]: Yeah, he's really got his family.
02:46.859 --> 02:53.564
[SPEAKER_01]: He has a love interest coming in play and everything's just been nice for him.
02:54.104 --> 02:55.846
[SPEAKER_01]: Why what and you want that, right?
02:56.386 --> 02:56.746
[SPEAKER_00]: Exactly.
02:56.826 --> 03:01.229
[SPEAKER_00]: He's got a Amelia probably come back to him because she's still dating Rick Flag Jr.
03:01.249 --> 03:03.710
[SPEAKER_00]: Not only that but Rick Flag Jr.
03:03.730 --> 03:06.092
[SPEAKER_00]: is also alive in this world, so they have four great flags.
03:06.112 --> 03:07.673
[SPEAKER_00]: The year is not coming after him, so that's another thing.
03:07.693 --> 03:16.658
[SPEAKER_00]: But also too, I mean, I like how he asks his brother for all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all, all
03:16.898 --> 03:27.897
[SPEAKER_00]: address or where a million works because so what does a million work you think you're think you're gonna get let me give you the address for artists because never mind I got it thank you
03:28.997 --> 03:32.260
[SPEAKER_00]: that was the right answer because he goes pop quiz.
03:33.381 --> 03:34.942
[SPEAKER_01]: Yeah, pop quiz.
03:35.823 --> 03:37.204
[SPEAKER_01]: Is this even a pop quiz?
03:37.224 --> 03:39.506
[SPEAKER_01]: Is there like, I don't know, do I make up the rules?
03:39.526 --> 03:40.547
[SPEAKER_01]: Well, it seems like you are.
03:40.567 --> 03:45.831
[SPEAKER_00]: And then I like how he walks out the door and he goes, guess why?
03:48.053 --> 03:48.813
[SPEAKER_00]: Where's my car?
03:49.134 --> 03:50.375
[SPEAKER_00]: Where's your keys out to get truck?
03:56.139 --> 03:56.659
[SPEAKER_00]: Okay.
03:57.200 --> 03:57.720
[SPEAKER_01]: Peace cycle.
03:57.840 --> 03:59.281
[SPEAKER_01]: Yeah, the peace cycle.
03:59.861 --> 04:01.082
[SPEAKER_01]: Then he's awesome.
04:01.202 --> 04:01.902
[SPEAKER_01]: I'm sorry.
04:02.303 --> 04:07.265
[SPEAKER_01]: When he said peace cycle, I thought, you know, immediately I went to like a bicycle.
04:07.366 --> 04:09.507
[SPEAKER_01]: I didn't think of a motorcycle.
04:13.509 --> 04:25.850
[SPEAKER_00]: Now I'm picturing him like on this teenage bicycle with a basket on there like he's throwing out newspaper and his dad it has like a little homemade thing of calling it his peace cycle cycle.
04:26.652 --> 04:47.383
[SPEAKER_01]: Yeah, uh, so I was like, oh, no, this is where things are going to go south, then it's not all right, but then he had its motorcycle and it's really, you know, it's nice looking right and not only that, but let's talk about his clothes that he picks out it looks like just big low meal jiggle over right I love he also makes a comment is like, do you really think that I bought these.
04:49.484 --> 04:52.165
[SPEAKER_00]: Yeah, it was you're the one who bought them.
04:56.713 --> 05:02.738
[SPEAKER_00]: You really think I bought these ads and then also to like I like how everybody looks up to peace maker.
05:02.798 --> 05:12.227
[SPEAKER_00]: I like how everybody loves peace maker in this world and you have one kit for peace maker.
05:12.727 --> 05:13.448
[SPEAKER_01]: That's a bit much.
05:15.149 --> 05:16.450
[SPEAKER_01]: I like he says that too.
05:16.731 --> 05:18.072
[SPEAKER_01]: That's that's that's a little overdoing it.
05:18.973 --> 05:21.055
[SPEAKER_00]: And then he looks over to his right.
05:21.616 --> 05:25.059
[SPEAKER_00]: His woman finds out flashing or boobs at him.
05:25.439 --> 05:25.760
[SPEAKER_00]: Right.
05:26.621 --> 05:31.566
[SPEAKER_01]: Yeah and everyone's just he everyone loves peacemaker in this in this dimension.
05:31.586 --> 05:34.248
[SPEAKER_01]: He's like the Mr. Fantastic, I guess.
05:35.089 --> 05:35.269
[SPEAKER_00]: Right.
05:35.309 --> 05:40.672
[SPEAKER_00]: He's basically the Mr. Fantastic of this world and he's on cloud nine.
05:40.792 --> 05:41.873
[SPEAKER_00]: He has nobody after him.
05:42.253 --> 05:44.034
[SPEAKER_00]: He doesn't have a racist dad anymore.
05:44.054 --> 05:45.654
[SPEAKER_00]: He has his brother back.
05:45.955 --> 05:47.796
[SPEAKER_00]: He's got everything you ever wanted.
05:47.876 --> 05:50.097
[SPEAKER_00]: He's being looked up to not look down to.
05:51.334 --> 05:54.957
[SPEAKER_00]: And even when reflect, you know, comes into play as well.
05:55.177 --> 06:02.802
[SPEAKER_00]: There is some male testosterone, if you think about it, because he's like, where you're doing here, and then America has to tell him, look, he's he's here for me.
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[SPEAKER_00]: Is it business?
06:04.042 --> 06:05.283
[SPEAKER_00]: No, it's personal.
06:05.984 --> 06:14.849
[SPEAKER_01]: I just love he's just he's following all over himself trying to listen into the conversation and everything trips over the trash can.
06:14.869 --> 06:17.131
[SPEAKER_01]: He's like, I told you not to put the trash can on this corner.
06:18.152 --> 06:27.229
[SPEAKER_01]: This is all your fault and then he's like pretending to work with the guy right in that low cubicle that actually makes you laugh
06:28.010 --> 06:40.776
[SPEAKER_00]: But I also like how it shows vulnerability with Chris and Anilia where he's actually opening himself up to her and he's actually having a chance to have a second chance with her because this version of Chris cheated on her.
06:40.796 --> 06:55.282
[SPEAKER_01]: Right, and like he seemed very ego-tistical in this dimension supposedly his brother was worried that he did drugs, she even brought up that he was probably
06:57.723 --> 06:57.984
[SPEAKER_01]: Right.
06:58.685 --> 07:07.417
[SPEAKER_01]: Yeah, so he seems the the piecemaker of this dimension seems like like an arrogant prick exactly.
07:07.437 --> 07:10.701
[SPEAKER_00]: He's just an arrogant asshole like he was in season one.
07:11.041 --> 07:11.762
[SPEAKER_00]: If you think about it.
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[SPEAKER_01]: Yeah.
07:14.059 --> 07:25.530
[SPEAKER_00]: Yeah, but I like how he's opening up to her and then basically he's like, well, are you serious about this or you're not serious about this, are you just going to leave me like on Chris, like on Christmas day.
07:26.230 --> 07:31.655
[SPEAKER_00]: Actually, uses name as Chris as an in use Christmas as well, you know, to combine the two.
07:31.675 --> 07:34.798
[SPEAKER_01]: Yeah, and you're not going to change your mind three days later.
07:34.818 --> 07:35.519
[SPEAKER_01]: Yeah.
07:36.720 --> 07:51.214
[SPEAKER_00]: You know, then I don't know if I like, I understand why they had the Ozzy Osbourne song in there, you know, but at the same time, it kind of pulls me out of this thing just a little bit because I just don't see it as this romantic thing, I understand it's part of it.
07:53.015 --> 08:10.820
[SPEAKER_01]: because it's just I don't I think it may be it's a play on on like Chris' emotional kind of like back and forth with himself and then the whole situation and then you also got to remember what's going on in the other world and you know.
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[SPEAKER_00]: because it's also going into the Dimension Park though too.
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[SPEAKER_00]: So that also plays into the song.
08:15.929 --> 08:16.870
[SPEAKER_02]: Yeah.
08:16.890 --> 08:19.291
[SPEAKER_00]: This takes me out just a little bit, even though I like that song.
08:19.371 --> 08:21.512
[SPEAKER_00]: And that was came that came out back when we were on high school.
08:22.113 --> 08:23.333
[SPEAKER_00]: And I always liked that song.
08:24.114 --> 08:37.721
[SPEAKER_00]: But you know, but I do like the, and then of course, I like how they have the bird blindness joked back in here again with Adrian wanting to be quizzed on, grows and spiders now.
08:38.555 --> 08:43.638
[SPEAKER_01]: Yeah, grows and spiders, and why didn't you tell me that he had a duck?
08:45.559 --> 08:47.320
[SPEAKER_00]: Yes, I told you it was an eagle.
08:48.020 --> 08:52.923
[SPEAKER_00]: And then he turns, I think that was, and that's not a way to play on somebody's part blindness.
08:53.743 --> 08:59.066
[SPEAKER_01]: Right, I just love the blank stare of, Oh my gosh, I am blinking on her name.
08:59.726 --> 09:16.406
[SPEAKER_01]: The agent that was with him, the just like the blank stairs like why would I make that up just the practical joke or something on bird blindness and and then they just zoom in her honor and this is a blank look like what it's basically the same blank steer that up.
09:17.327 --> 09:24.148
[SPEAKER_00]: that we got from season one with Danielle Brooks's character and Leo to, you know, I'm out.
09:24.708 --> 09:37.171
[SPEAKER_00]: Yeah, it's what it is like now he's having to be part of this babysitting crew, babysit the guy with the bird blindness and also John over the stupid conversation.
09:37.191 --> 09:41.131
[SPEAKER_00]: Because I didn't say I didn't say that.
09:41.211 --> 09:41.951
[SPEAKER_00]: I said eagle.
09:42.111 --> 09:45.512
[SPEAKER_00]: I didn't say anything about a duck.
09:46.450 --> 09:46.670
[SPEAKER_01]: Right.
09:47.050 --> 09:47.291
[SPEAKER_01]: Right.
09:47.671 --> 09:50.393
[SPEAKER_01]: I got to say the the last two episodes.
09:50.493 --> 09:52.474
[SPEAKER_01]: I really appreciated a conmost.
09:53.755 --> 09:59.840
[SPEAKER_01]: He's really like he's really tried to help the Chris out trying to protect him and everything.
10:00.180 --> 10:10.027
[SPEAKER_01]: So I mean, I didn't really see a conmost doing that much in like season one and stuff, but I think kind of shows his connection with friends here with Beastmaker.
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[SPEAKER_00]: Right, because if you remember John, he was very quiet, very shy and awkward.
10:20.302 --> 10:36.768
[SPEAKER_00]: Now he's kind of come out of his shell a lot more speaking up against the against targets and stuff and speaking phone calls and trying to save Chris, I think dealing with vigilante, that vigilante, dealing with all the weird questions.
10:39.470 --> 10:44.532
[SPEAKER_00]: Then you have the sense of liberty, Chris goes inside the building with the bomb, not wearing his suit.
10:46.083 --> 10:49.887
[SPEAKER_00]: I thought him not wearing a suit would actually play into the next episode.
10:49.967 --> 10:56.173
[SPEAKER_00]: Like, maybe there was a rule that he has to have a suit on because maybe he has a legal not to have a suit on.
10:56.614 --> 11:01.939
[SPEAKER_00]: So I was just thinking it was probably because of that's what I was thinking that they would actually play on on that.
11:02.780 --> 11:08.846
[SPEAKER_00]: But I like the fact that it's like him, Chris doesn't need to be peace maker in order to save somebody.
11:09.286 --> 11:09.567
[SPEAKER_01]: Right.
11:10.298 --> 11:39.307
[SPEAKER_01]: Yeah, and he came up with a plan of action and he took it and I didn't really think too much about the whole whole uniform thing, but I was kind of focused on on him like what's going on in the background like why is this place, you know, I had that skeptical like this is too good to be true kind of place and then he came up with the plan and then he went in and he diffuses those balls right like it was nothing.
11:39.907 --> 11:44.149
[SPEAKER_01]: Like, and then tell me that was like the easiest movie bomb diffusion ever, right?
11:44.209 --> 11:47.870
[SPEAKER_00]: It was all you had to do was take out a USB cord and that was it.
11:47.910 --> 11:48.670
[SPEAKER_00]: That was the end of it.
11:49.050 --> 11:50.071
[SPEAKER_01]: Yeah, there's no truth.
11:50.571 --> 11:50.831
[SPEAKER_00]: Right.
11:50.911 --> 11:52.291
[SPEAKER_00]: It's just, okay, done.
11:52.972 --> 11:54.192
[SPEAKER_00]: Yeah, there's like a big deal.
11:54.652 --> 11:57.213
[SPEAKER_01]: Is that a best dimension ever?
11:59.494 --> 12:04.118
[SPEAKER_00]: But I also like how it crashes through the window, like Captain American, he too.
12:04.138 --> 12:05.439
[SPEAKER_00]: I like how he does this.
12:05.479 --> 12:09.502
[SPEAKER_00]: And then also through the five choreography, I thought it was really good with this scene as well.
12:10.562 --> 12:13.404
[SPEAKER_00]: Um, I really ended up enjoying that a lot.
12:14.025 --> 12:17.407
[SPEAKER_01]: Yeah, the sons of Liberty, a little brief thing there.
12:17.728 --> 12:18.808
[SPEAKER_01]: They all got taken out.
12:19.549 --> 12:24.593
[SPEAKER_01]: And then the poor helicopter guys up there waiting and then Chris's brother just comes crashing.
12:26.952 --> 12:29.233
[SPEAKER_00]: So that was actually Chris's brother that went through, right?
12:29.253 --> 12:31.814
[SPEAKER_00]: Yeah, that was his, okay, I didn't know that.
12:31.894 --> 12:32.914
[SPEAKER_00]: I was like, what is that?
12:33.194 --> 12:36.815
[SPEAKER_00]: Because it happened so fast that I didn't even realize that was what was going on.
12:37.295 --> 12:46.619
[SPEAKER_01]: He just went straight through and it blew up and then he landed next to Chris and he was like, did you diffuse bomb?
12:46.899 --> 12:50.600
[SPEAKER_01]: And he was like, yeah, and they're all celebrating and everything.
12:51.120 --> 12:58.947
[SPEAKER_00]: And then at this moment too, now we actually have, okay, so the events of Superman carries through through this episode at the end of it.
12:58.967 --> 13:01.670
[SPEAKER_00]: I don't know if you've seen the news to remember, maybe you're not.
13:02.137 --> 13:16.046
[SPEAKER_00]: Yeah, I did see the new Superman movie because they actually mentioned Metropolis in this movie because of the events that happened in Metropolis with a man movie so they do acknowledge the fact that this is and being taken place in
13:25.432 --> 13:30.735
[SPEAKER_01]: Yeah, because like we don't need this to happen again, um, uh, the same thing that happened in Metropolis here.
13:30.775 --> 13:31.035
[SPEAKER_01]: Yeah.
13:31.255 --> 13:32.075
[SPEAKER_01]: Yeah.
13:32.516 --> 13:37.278
[SPEAKER_00]: And then you have, uh, they want to kill Eglie in this universe, artists does.
13:37.918 --> 13:40.300
[SPEAKER_00]: And then you have Rick and Jager.
13:41.360 --> 13:45.301
[SPEAKER_01]: So now, legally took out the whole artist's team.
13:45.341 --> 13:48.642
[SPEAKER_01]: So I'm telling me how awesome legally is, right?
13:49.142 --> 13:50.382
[SPEAKER_01]: Igly is just awesome.
13:50.563 --> 13:52.783
[SPEAKER_01]: And then they had to bring in a Mary St.
13:52.863 --> 13:53.563
[SPEAKER_01]: wild, right?
13:53.743 --> 13:54.183
[SPEAKER_01]: That's what it is.
13:54.203 --> 13:54.764
[SPEAKER_00]: Yeah, Mary St.
13:54.784 --> 13:55.204
[SPEAKER_00]: wild.
13:55.264 --> 14:01.585
[SPEAKER_00]: And then you go, but then also too, you also have Jager now that John now John has the babysitter, Jager.
14:01.605 --> 14:03.606
[SPEAKER_01]: Yes, you can be fucking kidding me.
14:03.626 --> 14:07.107
[SPEAKER_01]: I was like, do you remember that time when you hit me with a tire iron?
14:10.105 --> 14:11.365
[SPEAKER_01]: Yeah, well, she would get.
14:13.546 --> 14:17.747
[SPEAKER_00]: And I just thought the back of four between John and him was really good.
14:17.767 --> 14:31.670
[SPEAKER_00]: I also like the fact to the, he's trying to, you know, he's basically trying to ease himself into our out of August in the sense, because he doesn't want to do do anything to Chris to arm Chris.
14:32.450 --> 14:36.152
[SPEAKER_00]: And here, they are trying to break into the crisis house at the end.
14:36.312 --> 14:39.714
[SPEAKER_01]: And he's trying to create so much discourse between the team and everything.
14:39.834 --> 14:46.658
[SPEAKER_01]: So you have John talking to Jager not Jager.
14:47.278 --> 14:47.819
[SPEAKER_00]: Jager.
14:48.399 --> 14:48.739
[SPEAKER_00]: Jager.
14:50.000 --> 14:53.182
[SPEAKER_01]: The whole back and forth, you know, it starts getting a little comedic.
14:53.202 --> 14:58.565
[SPEAKER_01]: So you would like carry my corpse and front of my loved ones and everything is like, I don't think you're taking it a little too seriously.
14:59.315 --> 15:06.158
[SPEAKER_01]: And then Mary scene while and chiming in and then it was a flurry with the whole wink.
15:06.859 --> 15:11.501
[SPEAKER_00]: Yeah, because he winked at me, because no, that just means that we're in this together.
15:11.861 --> 15:19.845
[SPEAKER_00]: And then I like how Jacob goes, I've been all over the world and never have I've ever seen somebody wink at me and say that we're in this together.
15:20.548 --> 15:24.671
[SPEAKER_00]: That was a that was a same Mary same Mary to that which is played by Michael Roker.
15:25.211 --> 15:28.393
[SPEAKER_00]: Yes, who is freaking phenomenal right this.
15:28.593 --> 15:29.854
[SPEAKER_00]: I really love it.
15:29.894 --> 15:30.714
[SPEAKER_00]: I love it.
15:30.734 --> 15:36.218
[SPEAKER_00]: He kind of reminds me of Willie Nelson, but that's what with a slight bit of Woody Harrelson.
15:36.923 --> 15:43.650
[SPEAKER_01]: I feel like he could have played either this role or he could have played Chris' dad, like either one of those two.
15:44.291 --> 15:46.493
[SPEAKER_01]: And he's doing such a great job.
15:47.854 --> 15:53.560
[SPEAKER_01]: He's got that comedy to him, but it's so serious at the same time.
15:53.740 --> 16:00.027
[SPEAKER_00]: Right, he's taking it serious, but at the same time though, that's why you're laughing because of how serious he's taking it.
16:00.567 --> 16:01.169
[SPEAKER_01]: Right.
16:02.612 --> 16:04.957
[SPEAKER_01]: This whole like eagle hunting thing.
16:05.578 --> 16:08.004
[SPEAKER_01]: It's freaking hilarious.
16:08.384 --> 16:10.188
[SPEAKER_01]: Then he winds up eating it like a chip.
16:10.822 --> 16:11.722
[SPEAKER_01]: Yes, yeah.
16:12.182 --> 16:22.065
[SPEAKER_00]: Igly's perp, I mean, just eat three days old three days old taste like lunch meats lunch meats I'm picking up something else.
16:23.745 --> 16:24.365
[SPEAKER_00]: Prooty pebbles.
16:25.165 --> 16:28.786
[SPEAKER_01]: Did you did you that you catch the scene.
16:29.286 --> 16:31.407
[SPEAKER_00]: Yeah, I love the ass off on that.
16:31.487 --> 16:34.327
[SPEAKER_01]: I wish they would have kept that in the actual episode.
16:34.528 --> 16:35.368
[SPEAKER_01]: That was just hilarious.
16:35.408 --> 16:36.908
[SPEAKER_01]: He just keeps going on and on.
16:44.451 --> 16:49.873
[SPEAKER_00]: And I like how John's like, how the hell did you know what caviar tastes like?
16:50.634 --> 16:51.954
[SPEAKER_01]: No, you're just making stuff up.
16:55.396 --> 16:56.136
[SPEAKER_01]: That was great.
16:56.176 --> 16:57.016
[SPEAKER_01]: That was hilarious.
16:57.257 --> 16:58.617
[SPEAKER_00]: I really loved how that ended.
16:58.657 --> 17:01.458
[SPEAKER_00]: And then of course, you have Chris's brother to be for that.
17:01.479 --> 17:04.720
[SPEAKER_00]: It's concerned for him and shows the love for Chris.
17:05.300 --> 17:08.662
[SPEAKER_00]: And I always like, this is the little quote that I like, I will always be a brother.
17:09.550 --> 17:12.452
[SPEAKER_00]: And to me, I think that is closure for that Chris needed.
17:12.913 --> 17:26.503
[SPEAKER_00]: So if he wanted to choose to go back into our admit the dimension that he's in, which is the original dimension that we set him up with, he could actually have flows would be like, look, I don't need this other world when I already have the closure I have for my brother.
17:26.985 --> 17:29.566
[SPEAKER_01]: Yeah, they all hit me in this other world anyways, right?
17:29.666 --> 17:31.446
[SPEAKER_01]: So what's the matter if I'm gone?
17:32.447 --> 17:41.389
[SPEAKER_01]: So yeah, he's getting all this this great closure from his brother and I mean the next step would be all the closure from his dad.
17:41.950 --> 17:42.250
[SPEAKER_01]: Right.
17:42.390 --> 17:42.570
[SPEAKER_01]: Right.
17:43.010 --> 17:48.151
[SPEAKER_01]: And then he's getting some of his love interest back with Amelia and.
17:49.972 --> 17:51.954
[SPEAKER_00]: Right, he's getting everything he ever wanted in this world.
17:52.014 --> 17:56.457
[SPEAKER_00]: He's has someone that really wants to be with him trying to work through their differences.
17:57.178 --> 17:59.560
[SPEAKER_00]: You also have his dad back.
17:59.760 --> 18:00.801
[SPEAKER_00]: He's not racist.
18:01.781 --> 18:03.683
[SPEAKER_00]: You also have his brother back.
18:04.323 --> 18:05.824
[SPEAKER_00]: He has the best of both worlds right now.
18:06.225 --> 18:10.208
[SPEAKER_01]: He's got to do like that Leotos like what if this isn't real.
18:10.828 --> 18:12.330
[SPEAKER_01]: So he's all having the whole conversation.
18:13.813 --> 18:16.114
[SPEAKER_01]: how I don't think that this is real.
18:16.174 --> 18:20.596
[SPEAKER_01]: This doesn't sound real like, you know, and she's actually bringing that to his attention.
18:20.636 --> 18:30.880
[SPEAKER_01]: I was actually wondering if one of one of his buddies were, what would actually bring that up, vigilante is too like, oh, I hope there's, there's another me out there that would be cool.
18:32.508 --> 18:32.768
[SPEAKER_01]: Yeah.
18:32.808 --> 18:38.793
[SPEAKER_00]: And then you're not going to get that from John because John is trying to play both sides between Chris and Argus.
18:39.313 --> 18:45.718
[SPEAKER_00]: So I think it was a perfect moment between them too that be able to have that talk and just, well, because well, what do you mean?
18:45.778 --> 18:46.378
[SPEAKER_00]: It's not real.
18:46.398 --> 18:47.439
[SPEAKER_00]: I went there.
18:47.739 --> 18:48.580
[SPEAKER_00]: I saw everything.
18:49.080 --> 18:49.681
[SPEAKER_00]: What do you mean?
18:49.741 --> 18:50.281
[SPEAKER_01]: I'm pretty sure.
18:50.441 --> 18:51.282
[SPEAKER_01]: I'm pretty sure it's real.
18:51.982 --> 18:52.563
[SPEAKER_00]: Exactly.
18:53.323 --> 18:54.724
[SPEAKER_00]: And because that's what I'm talking about.
18:55.124 --> 18:56.966
[SPEAKER_00]: Whatever this is too good to be true.
18:57.226 --> 18:59.848
[SPEAKER_00]: What if there's something more to it than that?
19:00.602 --> 19:25.548
[SPEAKER_01]: Yeah, which is sending, you know, I'm really thinking it's it's going to turn into like there is something horribly wrong with this air here, everything is just too, too nice right it almost feels like Indie Griffin kind of with the town is everybody's happy that he's making us around as far as you're early in the Griffin show right to see that to be honest with you would be interesting.
19:27.568 --> 19:35.336
[SPEAKER_00]: But when he's made it right, but I still say this, I think that this, you don't see any other nationalities in this.
19:36.093 --> 19:36.553
[SPEAKER_00]: or anything.
19:36.593 --> 19:39.495
[SPEAKER_00]: You don't see anybody that said someone of color.
19:39.535 --> 19:42.476
[SPEAKER_00]: You don't see anybody or anything like that in this dimension.
19:43.136 --> 19:44.437
[SPEAKER_00]: So this is me speculating.
19:44.477 --> 19:49.019
[SPEAKER_00]: I'm not saying this is true guys or anything that's watching because I know I'm going to get comments later.
19:49.739 --> 19:53.741
[SPEAKER_00]: But I'm just speculating and also fan and this is just a fan theory of mine.
19:54.181 --> 19:57.663
[SPEAKER_00]: What if he's got all his family members back and they're not racist?
19:58.023 --> 20:02.725
[SPEAKER_00]: But what happens if he's actually in a racist town where everybody's racist but his own family?
20:03.285 --> 20:07.690
[SPEAKER_00]: because that could be the two good to be true kind of thing that she was telling him about.
20:08.371 --> 20:15.579
[SPEAKER_01]: Yeah, like everything's like super actually like super nasty in this town area because he hasn't really left the town area.
20:16.455 --> 20:20.457
[SPEAKER_01]: He doesn't really know the rest of the world, right, as far as we know.
20:20.937 --> 20:22.838
[SPEAKER_01]: So it has to be like this location.
20:23.298 --> 20:26.099
[SPEAKER_01]: I think that could be a possibility.
20:26.419 --> 20:32.762
[SPEAKER_01]: I do think that guy that Frank Junior went to with the trash can.
20:32.802 --> 20:36.463
[SPEAKER_01]: I think maybe he was different at this degree.
20:36.503 --> 20:39.825
[SPEAKER_01]: I can't remember though, I think he, but I could be wrong.
20:41.566 --> 20:48.888
[SPEAKER_01]: I wasn't really paying, I didn't really look that much into that, but now that you say that and it was like, now I'm thinking it was like, what's there?
20:48.908 --> 20:56.851
[SPEAKER_01]: And it could very little be because his father in art imagine was super racist, racist,
20:59.312 --> 21:16.507
[SPEAKER_01]: And yeah, I mean, if his family fits in perfectly in this world, maybe the whole town is, that's a possibility, another idea that I was thinking, you know, you got rid of all the aliens in season one, right?
21:17.047 --> 21:17.287
[SPEAKER_01]: Right.
21:17.708 --> 21:20.470
[SPEAKER_01]: What if they actually took everything over in this, in this dimension?
21:21.542 --> 21:23.665
[SPEAKER_00]: Well, this is another thing though too.
21:23.965 --> 21:29.693
[SPEAKER_00]: Remember at the beginning of this one, it was takes late 35 years ago and they found the door.
21:29.713 --> 21:36.201
[SPEAKER_00]: There's a dad shoots the alien that happens to have the helmet that his dad makes.
21:37.140 --> 21:37.400
[SPEAKER_01]: Right.
21:37.560 --> 21:40.941
[SPEAKER_01]: And and creates doors or at least one door.
21:41.501 --> 21:41.701
[SPEAKER_00]: Right.
21:42.501 --> 21:56.084
[SPEAKER_00]: So that tells me, even whenever you see that other alien that comes out of that other door that we see him in, it's not, it's not, I think it's a possibility because you can actually open other doors or anything.
21:56.124 --> 21:57.184
[SPEAKER_00]: There's no boundaries.
21:57.624 --> 22:01.225
[SPEAKER_00]: I don't think that alien, well, I think that aliens can go
22:05.386 --> 22:06.788
[SPEAKER_01]: Yeah, Chris can go through other doors.
22:06.808 --> 22:10.511
[SPEAKER_01]: He's see the end lien at the beginning from 35 years ago.
22:11.593 --> 22:17.559
[SPEAKER_01]: And it really solidifies how abusive his father was to them back then as well.
22:18.360 --> 22:20.682
[SPEAKER_01]: And yeah, there's the whole possibility.
22:20.722 --> 22:23.605
[SPEAKER_01]: I mean, he says hi to the one guy, the one alien.
22:24.386 --> 22:27.230
[SPEAKER_01]: but he never gets in and he gets mad at, right?
22:28.011 --> 22:38.025
[SPEAKER_01]: So I mean, it's an entire, it's possibility to, we just have to kind of see where or James is going to take the series, right?
22:38.565 --> 22:45.935
[SPEAKER_00]: Exactly, but I also like to the once again with the conversation between leader and, you know, Chris and stuff too.
22:46.115 --> 22:54.707
[SPEAKER_00]: I definitely like the conversation between them because they're really deep diving this off with one another and they have become like really like.
22:55.428 --> 23:06.191
[SPEAKER_01]: I think they're really good friends at this point because, you know, he knows when he's flipping out and they have like deeper discussions now than than he would ever usually.
23:06.211 --> 23:07.312
[SPEAKER_01]: Right.
23:07.992 --> 23:08.192
[SPEAKER_01]: Right.
23:08.712 --> 23:10.193
[SPEAKER_00]: I mean, I like you.
23:10.293 --> 23:12.913
[SPEAKER_00]: I appreciate that popped up on my recommended.
23:12.973 --> 23:14.094
[SPEAKER_00]: I'll stick around for a bit.
23:14.354 --> 23:15.314
[SPEAKER_00]: Yeah, stick around.
23:15.814 --> 23:17.755
[SPEAKER_00]: Tell me what you got to think about my review and stuff.
23:18.575 --> 23:22.738
[SPEAKER_00]: And if you have any questions or anything, go on ahead and ask inside the chat.
23:22.758 --> 23:27.401
[SPEAKER_01]: I do appreciate that speaking of Leona was like, she's so excited.
23:27.621 --> 23:29.983
[SPEAKER_01]: She finally has her ad in that magazine.
23:30.003 --> 23:30.943
[SPEAKER_01]: Oh, yeah.
23:31.343 --> 23:36.607
[SPEAKER_01]: And then piece maker is just like, he's like, you know, no one reads that, right?
23:36.627 --> 23:37.768
[SPEAKER_01]: And she goes, what are you talking about?
23:37.808 --> 23:38.428
[SPEAKER_01]: How many people?
23:38.508 --> 23:39.969
[SPEAKER_01]: And it's like, maybe 12.
23:40.550 --> 23:42.991
[SPEAKER_01]: And she's like, well, hi, it's like, like, 1200.
23:43.051 --> 23:43.291
[SPEAKER_01]: No, like 12.
23:45.993 --> 23:49.798
[SPEAKER_01]: like, and I don't even think that they even read the magazine.
23:49.838 --> 23:56.587
[SPEAKER_01]: I think they just take money from, well, you know, want to be mercenaries, and she's like, she's like, what?
23:56.607 --> 23:57.348
[SPEAKER_01]: Yeah, yeah.
24:04.888 --> 24:13.191
[SPEAKER_00]: But I like how they're also teeming up to get this door, get the door back into another location.
24:13.932 --> 24:14.672
[SPEAKER_01]: Yeah, yeah.
24:14.732 --> 24:16.673
[SPEAKER_01]: It was like he stumped he literally stumbles.
24:16.693 --> 24:24.136
[SPEAKER_01]: I know the dimension off of this high, you know, he's feeling good about himself, everything's working out wonderful.
24:24.818 --> 24:33.624
[SPEAKER_01]: And he flops down on his bed and then he like rolls over and he sees like pull it all here and pull it all there and then all these floors like oh shit.
24:33.644 --> 24:39.549
[SPEAKER_01]: And then he comes out and eagleies out there are attacking the refrigerator trying to get the money.
24:39.569 --> 24:40.269
[SPEAKER_00]: Got to get out now.
24:40.289 --> 24:42.531
[SPEAKER_00]: And then then you have.
24:43.191 --> 24:45.673
[SPEAKER_01]: No, he gets the text message from John first.
24:45.773 --> 24:46.014
[SPEAKER_00]: Right.
24:46.174 --> 24:47.955
[SPEAKER_01]: It's like trying to decipher it.
24:48.015 --> 24:50.457
[SPEAKER_01]: It's like, what does he trying to say?
24:50.537 --> 24:50.937
[SPEAKER_01]: Oh, shit.
24:54.163 --> 24:57.865
[SPEAKER_00]: And then I'll like how also to everybody on our guess is like, where are you texting?
24:58.106 --> 24:58.546
[SPEAKER_00]: No, body.
24:58.566 --> 25:02.248
[SPEAKER_00]: Yeah, or worry.
25:02.328 --> 25:03.829
[SPEAKER_01]: Don't worry about it.
25:03.929 --> 25:10.333
[SPEAKER_01]: It's funny business messaging all these people and like he's doing it off to the side, but it's so obvious that he's right.
25:10.974 --> 25:15.657
[SPEAKER_00]: It's like you're going to take a leak or something and just and then do the text.
25:15.677 --> 25:18.318
[SPEAKER_00]: Because look guys, I just have to bring my lizard for him and I'll be right back.
25:18.398 --> 25:20.160
[SPEAKER_00]: But no, he doesn't wide open.
25:20.920 --> 25:22.742
[SPEAKER_00]: just texting conveniently.
25:23.202 --> 25:30.249
[SPEAKER_01]: I do like, um, and the, uh, last at towards the end, um, when we're seniors there, he's like, take his phone away from him.
25:30.470 --> 25:31.030
[SPEAKER_01]: I don't trust him.
25:32.372 --> 25:32.992
[SPEAKER_01]: You can't do that.
25:35.334 --> 25:41.801
[SPEAKER_00]: And then I like that we're trying to stall because, because Chris says, look, stall, so I can get this door into the cabin.
25:41.821 --> 25:42.442
[SPEAKER_00]: Right.
25:43.768 --> 25:46.891
[SPEAKER_00]: And he's like, well, how long until I until I'm done.
25:47.672 --> 25:51.735
[SPEAKER_00]: And just, yeah, all I got to do is just take this little square thing to get right here.
25:51.755 --> 25:56.479
[SPEAKER_01]: Oh, no, I was like, and then he just sit there and he stares at it.
25:56.739 --> 25:58.421
[SPEAKER_01]: And he's like, well, open it up.
25:58.461 --> 26:01.363
[SPEAKER_01]: He's like, I'm trying to think of the best way to do this.
26:01.904 --> 26:04.286
[SPEAKER_01]: Well, you hacked into the CIA at the age of 14.
26:04.366 --> 26:07.068
[SPEAKER_01]: And he was like, well, yeah, but I got caught.
26:07.829 --> 26:08.970
[SPEAKER_01]: And I swore to myself.
26:09.610 --> 26:11.172
[SPEAKER_01]: I would never get caught again.
26:12.433 --> 26:18.859
[SPEAKER_01]: Just find the way to just find a way to open the door and then something to the door has hold.
26:19.260 --> 26:21.101
[SPEAKER_00]: Okay, not a problem.
26:21.742 --> 26:24.064
[SPEAKER_00]: Oh, I got to use this little square thing to you right here.
26:24.084 --> 26:27.768
[SPEAKER_00]: And then I got to connect this chord into this.
26:29.688 --> 26:32.750
[SPEAKER_01]: And then, well, we got the, well, did you hear that?
26:33.010 --> 26:33.630
[SPEAKER_01]: Did you hear that?
26:34.191 --> 26:34.951
[SPEAKER_01]: I think that was a cat.
26:36.312 --> 26:38.153
[SPEAKER_00]: It's like, one does a cat in the draw.
26:38.613 --> 26:41.014
[SPEAKER_00]: And she's like, I'm not worried about the damn cat in the draw.
26:41.395 --> 26:41.735
[SPEAKER_00]: Okay.
26:41.935 --> 26:42.855
[SPEAKER_01]: Well, Alice.
26:44.977 --> 26:45.177
[SPEAKER_00]: Right.
26:45.297 --> 26:47.458
[SPEAKER_00]: And then remember what else he says to Chris he's like,
26:48.237 --> 26:52.518
[SPEAKER_00]: Well, hopefully you won't be able to get the cat out of the drum after this, so.
26:52.658 --> 26:52.958
[SPEAKER_00]: Right.
26:53.018 --> 26:53.358
[SPEAKER_00]: Okay.
26:54.078 --> 26:59.799
[SPEAKER_01]: You know, we got to go search in for that cat after this, you know, and there's like, okay, now I'm going to put these electrodes here.
27:00.659 --> 27:00.919
[SPEAKER_00]: Right.
27:01.879 --> 27:06.220
[SPEAKER_00]: Let's see, Mad Dog says, I personally like season one better than two.
27:06.360 --> 27:10.581
[SPEAKER_00]: So for maybe once it's all about in hindsight, it won't be different.
27:10.601 --> 27:15.482
[SPEAKER_00]: But so far, it's just too goofy for the entire DCU and has been all gun need diversity and
27:17.577 --> 27:33.494
[SPEAKER_00]: See, for me, I can understand your point, I do, because I know some of the people that have the same issue, and I respect your opinion on that as well, for me, I think it still fits the same tone, I know some people are like, well, there's just too many bits in this go.
27:34.615 --> 27:48.539
[SPEAKER_00]: and stuff and everything feels like an SNL scan and feels like a bit versus it being a whole entire show that we got in thought that we got because we're only what we're for four episodes in and there's still nothing a lot going on.
27:49.379 --> 27:53.180
[SPEAKER_01]: It does seem a little slow with these last two episodes.
27:53.800 --> 28:03.429
[SPEAKER_00]: right because I feel like episode three was basically kind of filler, because it's getting us familiar with this universe that Chris is wanting to go to, you know?
28:03.449 --> 28:15.099
[SPEAKER_01]: I can see it, but you know, it's a, I almost feel like it's kind of a different dimension from season one, honestly.
28:15.863 --> 28:16.083
[SPEAKER_01]: Right.
28:16.103 --> 28:36.155
[SPEAKER_01]: I really I really do think that we're watching a different dimension from from see like we have all these parallels right, but you have the slight small differences like when when this season started the whole the whole end of season one was changed.
28:36.855 --> 28:40.777
[SPEAKER_00]: to the new because a Superman and because he wanted to have everything connected.
28:41.417 --> 28:43.599
[SPEAKER_00]: Well, he's bigger man as small appearance in Superman.
28:43.679 --> 28:57.786
[SPEAKER_01]: And then we got this connected world within Superman itself as well because it's a different tone or a lot more, you know, because and when the season one you had Superman, you had the flash and wonder woman.
28:57.926 --> 28:58.907
[SPEAKER_01]: And this one
29:06.271 --> 29:10.775
[SPEAKER_00]: But even the cutscene, they actually put Mr. Terrific in that cutscene.
29:11.336 --> 29:12.837
[SPEAKER_01]: That's true, Mr. Terrific is there too.
29:13.318 --> 29:17.942
[SPEAKER_01]: But I think we're seeing a slight different dimension.
29:17.962 --> 29:20.485
[SPEAKER_01]: Like I think it's a little bit.
29:20.985 --> 29:30.609
[SPEAKER_01]: Yeah, so I mean, it's not the exact same dimension as season one, so maybe there's going to be more more Chris is popping up here in the in the future.
29:30.869 --> 29:36.131
[SPEAKER_00]: Thank you for bringing that up because Leeda even said, because well, I can't go back.
29:36.151 --> 29:37.611
[SPEAKER_00]: I have to go back over to that other dimension.
29:37.671 --> 29:37.951
[SPEAKER_00]: Why?
29:38.272 --> 29:41.333
[SPEAKER_00]: Because I killed Chris, I killed my other self.
29:41.873 --> 29:44.314
[SPEAKER_00]: Just what the fuck how do you kill your own self?
29:45.274 --> 29:45.954
[SPEAKER_01]: It was an accident.
29:48.175 --> 29:49.555
[SPEAKER_00]: Me too, right?
29:50.576 --> 29:57.817
[SPEAKER_00]: Maddox says the perm blindness of Joe he laughed once and then just kept on going for me.
29:58.238 --> 30:13.901
[SPEAKER_00]: I enjoy that joke because you never know when it's going to pop up again in an episode, but I do hope that maybe in the next episode, that's a couple episodes they move away from it's some and I hope that they actually do more with Adrian, decides the whole entire crow
30:17.682 --> 30:20.885
[SPEAKER_01]: the bird trivia, the tarantula trivia.
30:21.485 --> 30:21.745
[SPEAKER_00]: Right.
30:22.806 --> 30:28.731
[SPEAKER_00]: Even though the crow's can go ahead, take someone's dick and you know, and kill somebody with it or something.
30:29.011 --> 30:39.020
[SPEAKER_01]: I mean, he's kind of feeling that it's probably going to die down a little bit, but at the same time, it'll keep going throughout the season just because now we have
30:41.235 --> 30:41.816
[SPEAKER_01]: Mary St.
30:41.856 --> 30:46.061
[SPEAKER_01]: Wild chasing after Eglie and we still have Florian the picture.
30:46.681 --> 30:48.724
[SPEAKER_01]: So I think the joke will probably still be there.
30:49.505 --> 30:51.247
[SPEAKER_01]: Hopefully it does die down a little bit.
30:51.527 --> 30:58.255
[SPEAKER_01]: I can see it being a little used, I used a little too much where we're at and it was hilarious at first.
30:58.275 --> 30:59.036
[SPEAKER_01]: They even had like a
31:00.197 --> 31:04.720
[SPEAKER_01]: promotional video where they were talking about herb blindness, which was hilarious.
31:05.180 --> 31:06.121
[SPEAKER_00]: A lot of them.
31:06.381 --> 31:10.003
[SPEAKER_00]: When you sent that to me, I was dying laughing when I saw that.
31:10.023 --> 31:11.203
[SPEAKER_01]: I saw that.
31:11.404 --> 31:16.967
[SPEAKER_01]: I just, it was hilarious, but I could see, I could see how the joke could be run too luck.
31:17.447 --> 31:17.787
[SPEAKER_01]: Me too.
31:17.907 --> 31:20.510
[SPEAKER_01]: So yeah, I I can I can agree with that.
31:20.970 --> 31:22.351
[SPEAKER_00]: So I like it like that too.
31:22.391 --> 31:30.377
[SPEAKER_00]: Sometimes I'm like every go again with the same joke and the same beat for beat where I want something different versus something that I've already seen before.
31:30.397 --> 31:31.718
[SPEAKER_00]: But I totally get it.
31:31.979 --> 31:35.421
[SPEAKER_00]: And Mad Dog's viewpoint is definitely respected.
31:35.582 --> 31:37.863
[SPEAKER_00]: You know, I mean, because I actually feel the same way.
31:39.084 --> 31:40.906
[SPEAKER_01]: So let's say you're a man
31:46.270 --> 31:46.750
[SPEAKER_00]: Let's see here.
31:46.790 --> 31:53.592
[SPEAKER_00]: He says I'm fine with the Jellani bit because he is a psychopath, but Lori, the Lori character is just an idiot.
31:53.932 --> 31:54.152
[SPEAKER_01]: Yes.
31:54.692 --> 31:54.872
[SPEAKER_01]: Yep.
31:55.092 --> 31:56.553
[SPEAKER_01]: Yes, Lori is just an idiot.
31:57.493 --> 31:57.753
[SPEAKER_00]: Yes.
31:58.353 --> 32:00.674
[SPEAKER_00]: And because you almost got me and Titi's killed.
32:01.094 --> 32:06.215
[SPEAKER_01]: Yeah, I he keeps calling her Titi's too, which is way.
32:06.335 --> 32:09.696
[SPEAKER_00]: The first time I laughed and I'm with Mad Dog on certain things.
32:10.096 --> 32:11.136
[SPEAKER_00]: I laughed on the first time.
32:11.296 --> 32:14.157
[SPEAKER_00]: The second time I'm like, okay, it's no longer considered funny.
32:14.577 --> 32:16.880
[SPEAKER_01]: Yeah, I don't even think he knows what our name is at this point.
32:17.040 --> 32:19.623
[SPEAKER_01]: So I think that's just why he keeps calling or that.
32:20.394 --> 32:35.043
[SPEAKER_00]: Uh, but I also like how this episode deals with how Chris's dad found the helmets and then John's Incova pushes the, um, ends up pushing the hippy dude down because he's trying to save Chris from him.
32:35.243 --> 32:45.490
[SPEAKER_01]: I'm shooting, uh, eagerly right, uh, he pushes he pushes, um, wild down to the floor and then he's like trying to come up with a cover story like right on the.
32:45.990 --> 33:00.177
[SPEAKER_01]: right on the fly and I was like oh yeah and then just uh i i mean an eagle another eagle came and just knocked you down to the ground right because there was two eagles that doesn't make any sense why would it be too
33:00.862 --> 33:04.945
[SPEAKER_01]: But that's what I'm saying, and I would like, that's quesadental.
33:05.025 --> 33:07.066
[SPEAKER_00]: That's what that's why you got no idea.
33:07.587 --> 33:20.175
[SPEAKER_01]: So no, no, why don't things that Eglie is like this some Native American eagle god that rolls over all eagles and now he must he must bring Eglie to
33:22.957 --> 33:32.561
[SPEAKER_01]: And just seeing seeing him doing that whole Native American dance was just like, well, I'm like, oh, okay, I don't want to see.
33:32.701 --> 33:33.482
[SPEAKER_00]: Oh, man ball.
33:36.227 --> 33:49.154
[SPEAKER_00]: And then he takes the blood and he takes any in the whole entire thing just lights up and he's the eagerly flying to the cabin right just oh, I know where you're at now my third I my third I is woken up son.
33:50.514 --> 33:57.498
[SPEAKER_01]: What I can see everything yeah, then he like uses blood draw out like an eagle in the safe.
33:58.970 --> 34:07.706
[SPEAKER_00]: But I also like how, you know, once he gets the door up, once Chris gets the door up and everything, and Argus winds up trying to break the door down, finally.
34:08.446 --> 34:09.086
[SPEAKER_00]: Yeah, finally.
34:09.126 --> 34:31.358
[SPEAKER_01]: He's a very good cause, just sweaters, like, so I have to wonders, like, are those all sweaters from when he was a kid and stuff, probably that's when the door was open, so, so it's all these, like, 30 year olds and hers, and they even they're wondering, like, why are these just closing here?
34:31.438 --> 34:34.160
[SPEAKER_00]: And why does he have a combination to this?
34:35.060 --> 34:43.122
[SPEAKER_01]: And that is the the machine that made the door wasn't a completely different room just stuffed in a random box, too.
34:43.182 --> 34:46.023
[SPEAKER_01]: You would think that that would be locked up somewhere else.
34:46.763 --> 34:47.703
[SPEAKER_01]: Exactly, dude.
34:47.763 --> 34:55.905
[SPEAKER_01]: It was just in a bunch of pile of boxes like what it's then I, because I agree with Amelia, why would she want to help
34:56.526 --> 35:05.808
[SPEAKER_00]: Brick's Flag Junior when they bring much ex-a-nade-hade off the list, and she's trying to rediscover who she is, and all she's doing is getting into fights.
35:06.614 --> 35:11.595
[SPEAKER_00]: And then she winds up telling him, telling them, hey, look, I know what Chris is.
35:11.615 --> 35:13.876
[SPEAKER_00]: I'm going over there to see him.
35:13.896 --> 35:20.437
[SPEAKER_00]: And I'm wondering if Chris is going to go ahead and turn back around as soon as he knows something that's up before he even gets out of the car.
35:20.857 --> 35:23.158
[SPEAKER_00]: But then again, Chris is also kind of like a jock.
35:24.018 --> 35:25.078
[SPEAKER_00]: And I don't know.
35:25.138 --> 35:27.459
[SPEAKER_00]: I think that he'll still go into the trap.
35:27.919 --> 35:28.439
[SPEAKER_01]: Yeah, you think?
35:28.679 --> 35:28.859
[SPEAKER_01]: Well,
35:29.782 --> 35:32.144
[SPEAKER_01]: I, I think that he will go into the trap.
35:32.564 --> 35:33.325
[SPEAKER_01]: He probably won't see it.
35:33.585 --> 35:51.260
[SPEAKER_01]: I think he's still kind of on this, like even though he just went through the fight in the woods and running from everyone, he still kind of has this like kind of a high from being in the other dimension and he's really hoping to maybe enact with a millionaire or whatever.
35:51.340 --> 35:54.283
[SPEAKER_01]: So he's going, I think he's going to go straight into the trap, honestly.
35:54.725 --> 35:56.206
[SPEAKER_00]: Yeah, if no one him, he will.
35:56.807 --> 35:57.087
[SPEAKER_01]: Yeah.
35:57.728 --> 35:59.229
[SPEAKER_01]: Then he'll try and fight his way out.
35:59.930 --> 36:00.170
[SPEAKER_00]: Right.
36:00.690 --> 36:05.174
[SPEAKER_01]: He'll try and fight his way out and it's just not going to be pretty for anyone.
36:06.071 --> 36:09.912
[SPEAKER_00]: No, but what do you think about Jagger and Chris fighting?
36:10.252 --> 36:12.353
[SPEAKER_00]: Because remember, Chris is running through the woods.
36:12.733 --> 36:14.654
[SPEAKER_00]: And then you see Jagger on the right hand side.
36:15.054 --> 36:17.495
[SPEAKER_00]: He's in Jaggers over there doing flips and shit.
36:18.175 --> 36:20.836
[SPEAKER_00]: And then they get into this whole entire fight.
36:21.276 --> 36:25.238
[SPEAKER_00]: And then he wants I'm tossing him like WWE fashion.
36:26.878 --> 36:38.443
[SPEAKER_00]: And then he also throws the helmet off the, um, off the hill and then that bolt rolling off the hill and then at that point I like when he first starts fighting at me throws the lunch meat at his face.
36:40.223 --> 36:50.747
[SPEAKER_01]: Yeah, the me that he had for eagerly trying to lure eagerly I didn't even realize he still even had it in his hand and he just like throws it at him and then.
36:50.968 --> 36:54.269
[SPEAKER_00]: And that's it just falls off of his helmet and that's the end of it.
36:54.797 --> 36:58.928
[SPEAKER_00]: You know, and then I like how Chris also wins on top of Gagor, though, too.
36:58.948 --> 37:01.334
[SPEAKER_00]: Well, just, and I don't know, I thought he was dead.
37:03.932 --> 37:04.712
[SPEAKER_01]: I thought he was too.
37:04.753 --> 37:09.415
[SPEAKER_01]: I was like, oh my gosh, it's a big guy just landed on top of him after a big fall like that.
37:09.475 --> 37:12.517
[SPEAKER_01]: And then you do see him stumbling out of the woods at the end.
37:12.717 --> 37:14.338
[SPEAKER_01]: So, you know, he's still there.
37:14.598 --> 37:17.700
[SPEAKER_01]: We'll still see our little old Vietnamese guy.
37:18.540 --> 37:19.761
[SPEAKER_01]: Yep, we'll get to see him.
37:20.321 --> 37:22.082
[SPEAKER_00]: But I thought this episode was really good.
37:22.142 --> 37:23.803
[SPEAKER_00]: I really liked how it was structured.
37:23.823 --> 37:33.049
[SPEAKER_00]: I like the conversation, the deep conversation, even though there's a lot of goofiness within this show, it does have some moments of where it does take itself serious a little bit.
37:33.629 --> 37:35.350
[SPEAKER_00]: with leader in him talking.
37:35.750 --> 37:37.671
[SPEAKER_00]: So that's one of the things I do like.
37:38.251 --> 37:41.453
[SPEAKER_00]: And they even did that with Susan one where there was like comedy.
37:41.973 --> 37:46.255
[SPEAKER_00]: And then there was also within the comedy was the drama that and the stuff that he went through.
37:46.275 --> 37:51.617
[SPEAKER_00]: Yeah, it's for us to laugh at, but at the same time, it's from drama.
37:51.757 --> 37:55.119
[SPEAKER_00]: Different things that he went through as a kid with his dabbing races.
37:55.179 --> 37:59.221
[SPEAKER_00]: And I am not knowing things that he didn't know that was racist.
37:59.701 --> 38:00.761
[SPEAKER_00]: It was just things that he taught.
38:02.562 --> 38:28.979
[SPEAKER_01]: So it deals with so much stuff in season one and then going into season two, it still has that kind of flavor to it where it doesn't change the tone in a sense and then we also have a serious moment between Amelia and Rick before she sets up the the trap for Chris trying to get her back into our guess is a serious moment like this goes her career, but then at the same time it's Chris.
38:29.840 --> 38:37.850
[SPEAKER_01]: She doesn't want to admit that she has feelings for her, but you can kind of tell that there's some sort of connection there, but this is her career.
38:37.890 --> 38:38.871
[SPEAKER_01]: This is what she knows.
38:39.451 --> 38:44.557
[SPEAKER_01]: So you see the fight there, and it's a more serious, more serious tone as well.
38:45.240 --> 38:45.660
[SPEAKER_00]: that way.
38:46.620 --> 38:54.302
[SPEAKER_00]: So before we close out, I do want to address one more thing that Mad Dog gets said, and it was about, it's just too goofy.
38:54.342 --> 38:58.263
[SPEAKER_00]: The entire DCU has been all gunned, diversity and series up.
38:58.623 --> 38:59.063
[SPEAKER_00]: Here's the thing.
38:59.143 --> 39:02.524
[SPEAKER_00]: I think he knows the tone that he wants to go for certain characters.
39:02.884 --> 39:09.466
[SPEAKER_00]: Now, he makes Batman into the way he makes peacemaker or Superman, because Batman's
39:15.387 --> 39:17.408
[SPEAKER_00]: So he does not need to make this joke.
39:17.448 --> 39:25.990
[SPEAKER_00]: He can make camping characters out of the out of the stuff for Batman, but he does not need to go full on Goofy for the tone or anything.
39:26.030 --> 39:31.192
[SPEAKER_00]: This is why he needs other directors decides his own self to build up this universe.
39:31.892 --> 39:33.792
[SPEAKER_00]: forward the bat for Batman and stuff.
39:34.092 --> 39:43.875
[SPEAKER_00]: I think that he, I think that he needs to separate himself also from doing other comic book movies because he's already working on Superman 2.
39:44.375 --> 39:45.295
[SPEAKER_00]: He's already got his script.
39:45.335 --> 39:46.355
[SPEAKER_00]: He's making for that.
39:46.755 --> 39:49.316
[SPEAKER_00]: I think that James Gunn is a great creative.
39:49.536 --> 39:59.878
[SPEAKER_00]: I'd like him as a director and a writer, but I also think he needs a little bit breathing room to be able to approve certain scripts and allow other directors to come in after him.
40:00.558 --> 40:06.904
[SPEAKER_00]: and be like, hey, look, I got ideas as well and we can probably expand on some of your ideas and we'll put those ideas in our script.
40:07.264 --> 40:14.891
[SPEAKER_00]: So I think it's time for him to least be in control of the DC universe and let other people to be able to grow.
40:14.911 --> 40:17.193
[SPEAKER_01]: And I think it's kind of a breather, too.
40:17.213 --> 40:21.256
[SPEAKER_01]: We've had such super serious heroes stuff for the past.
40:21.997 --> 40:27.221
[SPEAKER_01]: several years having something a little lighter kind of is needed in these times.
40:27.481 --> 40:40.590
[SPEAKER_01]: I mean, look, look at how serious everything has been for, I'd say the last decade, at least, aside from like, Guardians of the Galaxy, which had some some comedy to it, but it was still serious stuff.
40:41.030 --> 40:41.210
[SPEAKER_00]: Right.
40:41.270 --> 40:42.231
[SPEAKER_00]: It was serious moments.
40:43.171 --> 40:46.674
[SPEAKER_00]: Let's see, Maddox says, I'm a little confused with
40:51.697 --> 40:59.925
[SPEAKER_00]: Here's the thing, they never, as far as I remember, though, in Suicide Squad 1, they never really addressed him Amelia.
41:00.085 --> 41:02.147
[SPEAKER_00]: It was him and in Enchantris that was together.
41:02.868 --> 41:11.116
[SPEAKER_00]: So in this one, we actually know that he's been cheating on Enchantris with Amelia in the new dimension.
41:11.917 --> 41:13.498
[SPEAKER_00]: Yeah, and then in the new dimension.
41:14.218 --> 41:22.383
[SPEAKER_01]: So in our dimension that that we're calling normal, I don't think it's really been connected that he was ever with a million.
41:22.724 --> 41:22.984
[SPEAKER_01]: Okay.
41:23.704 --> 41:32.990
[SPEAKER_01]: As far as I as as far as I could tell, in this dimension, you can't really it's never really been connected that he junior was with a
41:33.830 --> 41:42.275
[SPEAKER_01]: But his alternate dimension, he is worth a million, but he's also cheating on enchantress, which is kind of crazy.
41:43.116 --> 41:46.718
[SPEAKER_00]: Yeah, like I said, you do not want to cheat on someone with the witch.
41:47.159 --> 41:48.259
[SPEAKER_00]: This is as we're around.
41:48.860 --> 41:54.263
[SPEAKER_00]: But if Mad Dog, if you have any more questions or anything, don't insure them into the light chat and stuff.
41:54.503 --> 41:55.064
[SPEAKER_00]: Talk to us.
41:55.104 --> 41:58.866
[SPEAKER_00]: We will be here until at least nine o'clock a little bit.
41:59.106 --> 42:01.568
[SPEAKER_00]: But if not, we're going to go in and close out.
42:02.568 --> 42:06.771
[SPEAKER_00]: If anybody wants to comment or anything like that as well, go ahead and comment if you're watching.
42:07.431 --> 42:12.974
[SPEAKER_00]: Also too, this podcast is also one Apple podcast, Spotify, it's stuff like that too.
42:13.434 --> 42:20.458
[SPEAKER_00]: So go ahead and give me a five star rating if you guys see it deemable as well because we have a lot of stuff on our audio podcasts as well.
42:20.478 --> 42:23.460
[SPEAKER_00]: We have all the decks for reviews, even though you can get that on here as well.
42:24.260 --> 42:27.723
[SPEAKER_00]: but if you want to take our podcast on the go, that's the perfect way to do it.
42:28.263 --> 42:34.448
[SPEAKER_01]: And it's going to hit Mr. Parallel or if you have any questions, I say you just popped into chat, feel free to ask.
42:35.058 --> 42:43.984
[SPEAKER_00]: Yep, so, but yeah, I think that these two episodes were good, but if we need to establish plot, we need to establish a villain.
42:44.425 --> 42:48.708
[SPEAKER_00]: Other than that, I feel like it's just a bit after bit in a sense, even though I'm enjoying it.
42:49.228 --> 42:53.971
[SPEAKER_01]: I feel like it's moving slow, super slow.
42:54.011 --> 43:01.176
[SPEAKER_01]: Like, I feel like they're making the series theme like it's an ever-going movie, so to speak.
43:03.758 --> 43:05.038
[SPEAKER_01]: but it's taking way too long.
43:05.618 --> 43:10.099
[SPEAKER_01]: Honestly, maybe the villain is this dimension.
43:10.580 --> 43:11.220
[SPEAKER_01]: Let's see here.
43:12.400 --> 43:15.281
[SPEAKER_00]: Ben Todd says, see your boys checking in.
43:15.321 --> 43:17.901
[SPEAKER_00]: I watched the task episode one on HBO today.
43:18.001 --> 43:18.241
[SPEAKER_00]: Nice.
43:18.501 --> 43:19.862
[SPEAKER_00]: It was really good.
43:19.922 --> 43:21.882
[SPEAKER_00]: Reminds me of the movie at the town.
43:21.982 --> 43:23.103
[SPEAKER_00]: I need to check that out.
43:23.263 --> 43:28.124
[SPEAKER_00]: I've seen it on HBO Max's stuff and I never checked it out.
43:28.224 --> 43:29.764
[SPEAKER_00]: So I might actually have to check out that one.
43:33.805 --> 43:38.749
[SPEAKER_00]: for season one of Watson, that that was very different take from what we got with Sherlock.
43:39.329 --> 43:46.354
[SPEAKER_00]: Yeah, it's actually Watson working in a medical field learning things that he learned from Sherlock.
43:48.152 --> 43:51.115
[SPEAKER_00]: And he has his own doctors and stuff like that.
43:51.135 --> 44:00.946
[SPEAKER_00]: It's already available to figure out diagnosis and stuff like that to be able to take your certain patients and stuff and, you know, it's actually a different spin.
44:00.986 --> 44:05.651
[SPEAKER_00]: And then you also have, I heard that they're putting in Sherlock in season two.
44:06.231 --> 44:09.034
[SPEAKER_00]: So it's a different spin that what we got for Benedict Converbatches.
44:09.635 --> 44:12.597
[SPEAKER_00]: I don't know like homes TV series, but I enjoyed it.
44:12.657 --> 44:18.440
[SPEAKER_00]: I actually have to say I thought it was a nice little fun series and season two is going to be coming out soon.
44:19.121 --> 44:28.106
[SPEAKER_00]: Another thing that I'm excited about is land man's coming out next month and then you also have what's that one I want to watch it with so long.
44:38.009 --> 44:39.170
[SPEAKER_00]: Those are King season three.
44:39.250 --> 44:40.471
[SPEAKER_00]: I'm excited for that as well.
44:40.611 --> 44:44.794
[SPEAKER_00]: So I'm actually going to be doing after shows for those to TV series as well.
44:45.014 --> 44:48.617
[SPEAKER_00]: So not only do I do movies, I also do TV reviews as well.
44:49.517 --> 44:53.020
[SPEAKER_00]: So I might actually have to do a review on that first pilot episode though, Mad Dog.
44:53.060 --> 44:54.541
[SPEAKER_00]: Thank you for recommending that show.
44:55.361 --> 44:57.763
[SPEAKER_00]: So if that's going to be it, guys.
44:57.863 --> 45:00.245
[SPEAKER_00]: I do appreciate Mad Dog popping into the live chat.
45:00.905 --> 45:04.168
[SPEAKER_00]: I appreciate everybody watching on our Instagram.
45:04.768 --> 45:06.850
[SPEAKER_00]: And I hope everyone has a, oh, hold on.
45:07.505 --> 45:11.867
[SPEAKER_00]: And doc says when I'm looking forward to coming up in the next couple of weeks on Netflix is black rabbit.
45:12.407 --> 45:15.869
[SPEAKER_00]: House of Genesis, Pinky blinders creator.
45:16.009 --> 45:16.349
[SPEAKER_00]: Okay.
45:16.429 --> 45:16.669
[SPEAKER_00]: Nice.
45:16.729 --> 45:19.710
[SPEAKER_00]: My wife and I are just now starting to Pinky blinders for the first time.
45:20.491 --> 45:23.052
[SPEAKER_00]: This low horse season five and Tulsa King.
45:23.212 --> 45:23.492
[SPEAKER_00]: Okay.
45:23.612 --> 45:25.353
[SPEAKER_00]: So you got some good stuff.
45:25.573 --> 45:32.796
[SPEAKER_00]: The year wanted to check out and I don't think you're going to check out the first two season reviews that I've done for Tulsa King.
45:37.668 --> 45:39.289
[SPEAKER_01]: that landman's great series.
45:39.449 --> 45:40.190
[SPEAKER_00]: I love landman.
45:40.470 --> 45:52.259
[SPEAKER_00]: And here's the thing, I don't, I thought I would not like this show because I don't like anything to do with the oil rigs or anything like that by Billy Bob Dorn, he made me care about what they're doing.
45:52.940 --> 45:54.862
[SPEAKER_00]: I'm like, I'm induced with this.
45:55.742 --> 45:58.584
[SPEAKER_01]: Charlie Bob Thornton is doing a great job on that series.
45:59.044 --> 45:59.565
[SPEAKER_00]: Yes he is.
46:00.285 --> 46:02.627
[SPEAKER_00]: Well guys that's going to be as first as show goes.
46:03.707 --> 46:06.689
[SPEAKER_00]: I do want to thank Chris for coming on the show again.
46:06.829 --> 46:07.750
[SPEAKER_00]: Thank you again for that.
46:07.970 --> 46:08.630
[SPEAKER_00]: Thanks for having me.
46:09.031 --> 46:09.471
[SPEAKER_00]: You're welcome.
46:09.991 --> 46:23.420
[SPEAKER_00]: And by the way guys we're not going to just do one episode reviews or anything we're going to combine them two together because I think it's just an easier way to be able to talk about both episodes and just have fun and just do this with you guys.
46:24.180 --> 46:28.262
[SPEAKER_00]: Um, but yeah, don't forget to like, subscribe, and all that other good stuff here at movie television night.
46:28.643 --> 46:30.804
[SPEAKER_00]: We also have a merch store to get you some merch.
46:31.044 --> 46:38.048
[SPEAKER_00]: And also too, you mean if I start review and everything on, uh, has bought a pie, have a podcast where you guys get your podcasts from take me on to go with you.
46:38.068 --> 46:43.671
[SPEAKER_00]: I mean, we guys think email me and movie love tonight at gmail.com and always until next time, guys have a great and safe day.
46:44.151 --> 46:45.512
[SPEAKER_00]: And we'll catch you guys on the next one.
46:45.792 --> 46:46.172
[SPEAKER_00]: Bye, guys.
46:46.232 --> 46:47.053
[SPEAKER_00]: And thank you again, Chris.
46:47.333 --> 46:47.693
[SPEAKER_01]: Bye, guys.
46:56.665 --> 46:57.267
[UNKNOWN]: Thank you.
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