Man of Steel Review | Is Zack Snyder’s Superman Underrated or Overhyped?

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[SPEAKER_03]: And hello movie lovers, I'm open to shows.

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[SPEAKER_03]: To tonight, I actually have my good friend Tamiko with me.

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[SPEAKER_03]: We're here to break down Man of Steel.

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[SPEAKER_03]: So we're gonna try not to up some necks.

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[SPEAKER_03]: We're gonna try to do this with a great review of Superman Man of Steel.

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[SPEAKER_03]: So we're probably going to guys thoughts are while we're doing the show, or if you catch us on the audio, go ahead, comment, email us and tell us what you think.

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[SPEAKER_03]: And let's go ahead, let's review Man of Steel, seen by scene.

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[SPEAKER_00]: Hey, let's make a hurry.

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[SPEAKER_00]: Hey, what's going on?

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[SPEAKER_03]: That's a model doing really good on a Friday night talking about a little man of steel.

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[SPEAKER_03]: How's it going for you?

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[SPEAKER_00]: I know, right.

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[SPEAKER_00]: I'm excited.

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[SPEAKER_03]: I am too.

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[SPEAKER_03]: I'm so excited.

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[SPEAKER_03]: So excited that I could actually pop some necks about that.

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[SPEAKER_02]: Okay.

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[SPEAKER_03]: So let's talk about this, okay?

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[SPEAKER_03]: So, okay.

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[SPEAKER_03]: So here's some a little bit trivia that I found.

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[SPEAKER_03]: And actually I knew about this back whenever, let's see here.

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[SPEAKER_03]: having the woods came out of stuff like that, but David S. Goyer actually convinced the idea of being a stale during a one-week writing break on the dark night rises.

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[SPEAKER_03]: He then wrote two-page treatment during this period, but it ultimately involved into a screenplay.

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[SPEAKER_03]: During his break from working on the dark night rises with Christopher Nolan, Goyer revisited early issues of action comics, and we are super-and-first appearance was this led him to develop the initial two-page treatment for men of steel while the exact

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[SPEAKER_03]: Time frame of the initial writing process.

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[SPEAKER_03]: After the two page treatment is now, it looks lame, mentioned.

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[SPEAKER_03]: It's clear that Goyer's idea for the film was sparked by his time off from another project.

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[SPEAKER_03]: So that's a little bit of trivia from that.

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[SPEAKER_03]: So my question for you to make a winner, you look at Manestyle.

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[SPEAKER_03]: as two thousand thirteen.

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[SPEAKER_03]: We're still coming young.

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[SPEAKER_03]: We're not, you know, we're, we're not twenties.

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[SPEAKER_03]: We're trying to go land.

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[SPEAKER_03]: What does a twenty something to me, uh, think a two thousand thirteen Superman?

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[SPEAKER_00]: Uh, she was not.

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[SPEAKER_00]: It was awesome.

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[SPEAKER_00]: Of course, she saw it in the theaters.

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[SPEAKER_00]: So I was ten times awesome to her.

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[SPEAKER_03]: But I, what would you do?

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[SPEAKER_03]: What would you give this likeness to, logically, for you?

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[SPEAKER_00]: Nine point seven.

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[SPEAKER_03]: Nine point seven.

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[SPEAKER_00]: Yeah.

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[SPEAKER_03]: So I actually saw this movie twice in theaters.

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[SPEAKER_00]: Oh, the first time was one of my friend, John.

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[SPEAKER_03]: And we were running late.

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[SPEAKER_03]: We actually sat in the front row, which sucks because I'm like, this whole entire time looking up.

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[SPEAKER_03]: So I went back a second time to really watch the film again because our neck was hurting.

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[SPEAKER_03]: I enjoyed it.

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[SPEAKER_03]: I enjoyed the storytelling of it.

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[SPEAKER_03]: I thought it was very different.

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[SPEAKER_03]: And you need to take on Superman.

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[SPEAKER_03]: I guess it deals with the origin story of Superman and stuff like that too, but at the same time doing something totally unique and a little bit different than what we got with the Christopher Reeves version of Superman.

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[SPEAKER_03]: But still, I ended up enjoying it for what it is.

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[SPEAKER_03]: So in the ass there is something that I didn't like with it that I still have issues with, we'll get into that later.

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[SPEAKER_03]: But, you know, I'm not going to get this release a seven point five.

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[SPEAKER_00]: Oh, no, stoichi.

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[SPEAKER_03]: It's stoichiically.

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[SPEAKER_03]: That's before we remove the nostalgia now.

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[SPEAKER_03]: That's okay.

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[SPEAKER_03]: So, you know, but yeah, so let's go ahead.

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[SPEAKER_03]: Let's break this down.

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[SPEAKER_03]: Best of them as Zack Snyder slow motion shot more powerful than a cratonian scream able to cause mass property damage with a single punch.

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[SPEAKER_00]: That's right, we're talking Man of Steel, the movie that asks, what else Superman saved her by absolutely wrecking half of it first?

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[SPEAKER_03]: Henry Cavalle's Superman's serious brooding in allergic to smiling and let's not forget the villain Michael Shannon as General Zod, who's yelling, I will buy him.

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[SPEAKER_03]: We're powered the entire, entire eastern seaboard.

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[SPEAKER_00]: We're diving into the epic.

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[SPEAKER_00]: controversial, and yes, the moment when Superman introduces Zythe concept of next step and do.

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[SPEAKER_03]: This is what you come on the show so you can do this kind of stuff.

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[SPEAKER_00]: Okay, okay, roll in.

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[SPEAKER_00]: Okay, action.

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[SPEAKER_03]: So grab your red cape in order all structure damage and join us as we

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[SPEAKER_03]: Ask was Man of Steel, the hero of the DCEU deserved or just the one in one hit crash landed with.

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[SPEAKER_00]: Yes.

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[SPEAKER_03]: Let's go ahead.

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[SPEAKER_03]: Let's review the scene by scene.

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[SPEAKER_03]: Okay.

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[SPEAKER_03]: See one on the plane propon Laura Laura Vaughn gives birth to a sudden name call out with the help of her husband for a letter.

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[SPEAKER_03]: Door travels to Kandor on his pet

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[SPEAKER_03]: Araqqa, where he stands in front of the Kryptonian law council, warning them that the planet is about to collapse because of the council's decision to harvest the planet core, to serve their civilization, depleted energy reserves.

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[SPEAKER_03]: They dismissed his claims, but before Jarel can do anything else, General Zod, overthrows the council in a violent co-op.

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[SPEAKER_03]: of us in Hagonating Civil War.

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[SPEAKER_03]: George breaches the Genesis Chamber and steals the codex, the respiratory from which all cartonians are officially conceived and generally engineered for.

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[SPEAKER_03]: Predominant roles in society.

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[SPEAKER_03]: Well, it is the first naturally convinced and naturally birthed a Kryptonian in centuries.

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[SPEAKER_03]: After returning home, gargryt graphs the optimized protex onto Colelle's and the creator a common key.

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[SPEAKER_03]: After saying their final goodbye, Jordan Laura put Cal in the key into the rocket ship that will take him to Earth, a far-off planet inhabited by species that physically resemble criftonians in orbit.

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[SPEAKER_03]: So Yellow Sun, which jar states will give Cal exceptional abilities.

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[SPEAKER_03]: So it discovers their plan and attack store, a fight in shores with Zod, stabbing and killing drawer while Laura launches Cal Al ship to Earth.

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[SPEAKER_03]: The ship safely escapes cartonian atmosphere, but the sphere guards intercept the co-ops force in arrest.

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[SPEAKER_03]: So on in his followers are put into trial for murder of the trees and in our sentence to the phantom zone.

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[SPEAKER_03]: And she's being taken away.

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[SPEAKER_03]: Zag ran south.

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[SPEAKER_03]: the council and files to Laura, who in the attendance said he will find Colau.

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[SPEAKER_03]: I will find him and take the codecs.

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[SPEAKER_03]: In his followers are then put into Stasis and brought aboard the Black Zero gigantic cryptonean ship that is then placed and on to the Phantom Zone.

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[SPEAKER_03]: Laura later returns home as the cartonian explodes.

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[SPEAKER_03]: She prays the cow to make a better world.

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[SPEAKER_03]: Cowels rocket lands in the field of farmers, Donathan and Marcia Kent in Smallville, Kansas.

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[SPEAKER_03]: So my thing is this, we've talked about the first one with Superman.

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[SPEAKER_03]: We talked about the look of Krypton, right?

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[SPEAKER_02]: Yeah.

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[SPEAKER_03]: And this to me is the, this is what I imagine Krypton to be like this city and space that's being destroyed by by things.

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[SPEAKER_03]: And you're on these alien life being monsters.

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[SPEAKER_03]: And I really love the look of it.

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[SPEAKER_03]: I really feel the danger and the element of this.

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[SPEAKER_03]: I really thought that I was more afraid of California.

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[SPEAKER_03]: Well, I really, I especially win all the sunglasses.

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[SPEAKER_03]: Mother just gives birth to him.

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[SPEAKER_03]: And now it's time to actually send your baby off to earth.

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[SPEAKER_03]: It's just horrifying to see everything that you love being destroyed.

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[SPEAKER_03]: And then nothing you can do, it can't do anything about it.

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[SPEAKER_03]: And therefore you want the best for your kids.

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[SPEAKER_03]: So you wind up sending them on to earth and live and hoping that he actually survives all this.

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[SPEAKER_03]: And also like the other thing I like about this though, too, is when you see Zod, he's really threatening.

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[SPEAKER_03]: You don't end, he'll destroy nothing to get what he wants.

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[SPEAKER_00]: Yeah.

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[SPEAKER_00]: Well, I will say, I think some of my opinions have changed since I first saw this in theater.

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[SPEAKER_00]: Watching it in theaters, it was the same reaction as you seeing the whole planet.

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[SPEAKER_00]: But since we saw seeing all the Superman movies, I kind of missed how Krypton looked like in Superman one.

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[SPEAKER_00]: It's something about that.

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[SPEAKER_00]: that crystal like element like everything.

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[SPEAKER_00]: It was like what's shining bright shiny, but still kind of her earthy to me, it was.

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[SPEAKER_00]: I don't know.

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[SPEAKER_00]: I don't know.

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[SPEAKER_00]: I'm watching it now.

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[SPEAKER_00]: I'm like, I don't know, a Krypton is kind of like dystopian and and like grounded and

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[SPEAKER_00]: I don't know, dangerous, like more dangerous than I expected it to be, which like you said, maybe it's a good thing, you know, just gives us more depth.

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[SPEAKER_03]: Right, it gives us a little bit more depth into what the place actually looks like.

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[SPEAKER_03]: Yeah, because think of it like this.

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[SPEAKER_03]: And the first one, everything's bright and shiny, kind of looks like the North Star kind of thing, right?

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[SPEAKER_03]: Yeah.

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[SPEAKER_03]: Where everybody seems like they're kind of happy in a sense, even though they're very happy, Janet.

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[SPEAKER_01]: They were saying this.

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[SPEAKER_03]: But it doesn't have that doomish kind of look to it.

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[SPEAKER_03]: You know what I mean?

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[SPEAKER_03]: It looks, it looks very different atmosphericly than it does with Man of Steel.

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[SPEAKER_03]: You know what I mean?

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[SPEAKER_03]: It has this bright color scheme and stuff like that.

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[SPEAKER_03]: But that's after we're introduced to Zod in the first one.

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[SPEAKER_00]: Yeah.

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[SPEAKER_03]: Remember, and they get sent into the Phantom Zone over there.

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[SPEAKER_03]: But it's like they combine part one of Superman and combining with part two of Superman and made of one gigantic movie.

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[SPEAKER_00]: Yes.

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[SPEAKER_00]: But I still liked the way.

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[SPEAKER_00]: I didn't plan one.

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[SPEAKER_00]: Like it wasn't like a safe area for me.

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[SPEAKER_00]: Like, yeah, it was bright and there's crystals everywhere.

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[SPEAKER_00]: But then that's dangerous because in Superman one, when Calale blasted through, he crashed through the ceiling and then there are shards of glass coming down.

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[SPEAKER_00]: It's void of anything that's very colorful.

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[SPEAKER_00]: So it's like like just this two-ton color like as darkness and in our life.

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[SPEAKER_00]: But I don't know.

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[SPEAKER_00]: I think of Krypton like that now.

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[SPEAKER_00]: I don't know why the first movie has imprinted on me that I'm like, no, that's Krypton.

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[SPEAKER_00]: I don't know.

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[SPEAKER_03]: Just to show you how well done those encrypted those movies are.

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[SPEAKER_03]: You like it even though it's smaller scale, but it is enough to actually use our imagination of what Crippon would actually look like.

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[SPEAKER_00]: Yes.

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[SPEAKER_00]: I mean, it was like low budget, morally brando at the

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[SPEAKER_00]: uh, aluminum foil suit.

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[SPEAKER_00]: You know, blinding my eyes, but I was like, this is crypto.

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[SPEAKER_00]: I, you know, like, I'm looking now.

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[SPEAKER_00]: I'm like, what does this play?

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[SPEAKER_00]: This is an avatar.

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[SPEAKER_00]: What is going on here?

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[SPEAKER_00]: James Cameron presents.

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[SPEAKER_01]: Man of steel.

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[SPEAKER_00]: But I will say the element I do like is like the granny.

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[SPEAKER_00]: You know how they did like a grand graphite.

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[SPEAKER_00]: They use like a graphite material to communicate with each other and the graphite robots.

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[SPEAKER_00]: Yeah.

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[SPEAKER_00]: I like that part, but that is not my crypto.

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[SPEAKER_00]: My crypto time is Superman one.

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[SPEAKER_00]: And that's what I like to do.

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[SPEAKER_00]: I'm just hoping and book and the avatar book.

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[SPEAKER_00]: It reminded me, you know, it reminded me too much of doom.

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[SPEAKER_00]: Like.

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[SPEAKER_00]: Okay, yeah, like that came out way before Doom.

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[SPEAKER_00]: So if I didn't see Doom or knew anything about it, I was like, oh my god, this is cool.

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[SPEAKER_00]: But seeing how Doom is, I'm like, no, that's Doom.

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[SPEAKER_00]: That's associated with Doom.

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[SPEAKER_00]: Krypton is Superman one.

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[SPEAKER_00]: Damn it.

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[SPEAKER_00]: I'm on a heel.

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[SPEAKER_00]: I'm on a heel, John.

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[SPEAKER_00]: I'm on a heel.

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[UNKNOWN]: Okay.

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[SPEAKER_00]: But what do you think about?

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[SPEAKER_00]: Yeah.

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[SPEAKER_03]: Michael, I'm on a heel.

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[SPEAKER_03]: Yeah.

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[SPEAKER_03]: Yeah.

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[SPEAKER_00]: I was going to turn it and ask you a question.

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[SPEAKER_00]: Okay.

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[SPEAKER_00]: You know, I'll screw up.

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[SPEAKER_00]: What do you think about, okay, Paris and a brando in the role of Superman's dad and then versus Russell Crowe?

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[SPEAKER_03]: The game, I've got a lot more to do.

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[SPEAKER_03]: Again, it was a pro about more to do than Brando.

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[SPEAKER_03]: Brando was just there for a couple of lines and he left.

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[SPEAKER_03]: But I felt more impactful.

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[SPEAKER_03]: with muscle crow playing camp because I feel like that you had that father connection and I fatherly love to protect his son not only protected son but also to protect his life though at the same time right so I love that element to it and of course like I said everything is done so perfectly well to where it's kind of rushed but it's rushed with a purpose

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[SPEAKER_02]: Right?

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[SPEAKER_03]: Because it's like my wife just get birth, but we have to go on ahead and get them out of here before our plan is destroyed and before it's on, find him.

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[SPEAKER_03]: And he winds up going into where all the other of Tonyans are being born to get this codex before Zod gets his hands on it and and plans it into his son.

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[SPEAKER_03]: And then he sends him off.

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[SPEAKER_03]: I just love that father and fatherly love of protecting my son and trying to get him out of harm's way before anything happened.

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[SPEAKER_03]: And sacrificing his own self as well.

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[SPEAKER_03]: and talking to the council and stuff.

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[SPEAKER_03]: I really enjoy the council being able to see more of a connection with the council and stuff instead of, you know, just this one layered thing that we got with Superman one where they're just in this dark shadowy thing, they send them off to the Phantom Zone and that's it.

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[SPEAKER_03]: You don't really get the politics of what they do.

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[SPEAKER_03]: With this one, it sets up the establishes

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[SPEAKER_03]: the political side of things we cropped on on how they handle stuff.

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[SPEAKER_03]: You also have Russell Crowe who's talks a lot he knows that Zod is up to no good and whenever you have the competition between the don't two of them and stuff.

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[SPEAKER_03]: Zod winds up killing him and it's like that, oh my gosh, moment of, okay, so it's not Krypton that kills him.

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[SPEAKER_03]: Is the person who's in charge of trying to protect Krypton as the one that's winds up killing him?

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[SPEAKER_00]: Yeah, I mean, yeah, I agree on that part.

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[SPEAKER_00]: I just, I say, Krypton is Superman one, but in this film, the first part, they do fill in the blanks, I feel.

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[SPEAKER_00]: Yeah, like you don't really see too much of an interaction with Brando and I'm sorry, Jorio and saw it.

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[SPEAKER_00]: You know, they're kind of like separate, but I do like I do see your point like real secros.

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[SPEAKER_00]: He plays it from a more like humanistic aspect, like you just described in Brando kind of plays it like a theater.

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[SPEAKER_03]: Like a Shakespeare.

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[SPEAKER_00]: Yeah, a Shakespearean theater play my son, you must go forth to the stars and escape.

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[SPEAKER_00]: You know.

16:16.932 --> 16:17.392
[SPEAKER_00]: Yeah.

16:18.312 --> 16:22.953
[SPEAKER_00]: When this one, he's like, my son, you know, Rosa Crowe toss kind of like, you know.

16:23.327 --> 16:24.328
[SPEAKER_00]: very soft.

16:24.648 --> 16:34.015
[SPEAKER_00]: Yeah, you know, and I, and I get it and it does, it does seem like Russell Crowe and I don't know the actress name, but they have good chemistry.

16:34.415 --> 16:43.621
[SPEAKER_00]: My everybody had good chemistry together and Superman won their, there was chemistry, but nobody kind of interacted with each other.

16:43.641 --> 16:43.682
[SPEAKER_00]: No.

16:44.742 --> 16:50.727
[SPEAKER_00]: It's like everybody stands in this place and I guess as I see Krypton, like everybody's very stoic.

16:51.840 --> 17:03.748
[SPEAKER_00]: And she experienced and is void and is like light here and there's dark disc here very orderly as I see Krypton and this Krypton I was like

17:04.586 --> 17:06.947
[SPEAKER_00]: chaotic and dirty.

17:07.307 --> 17:13.250
[SPEAKER_00]: And there's a Terrodacto flying for no reason.

17:13.310 --> 17:16.291
[SPEAKER_00]: I think that's what I was just dinosaurs doing in here.

17:17.111 --> 17:19.072
[SPEAKER_00]: I was going to make a come on.

17:19.752 --> 17:24.534
[SPEAKER_00]: I was like, what is this Terrodacto here?

17:24.794 --> 17:28.656
[SPEAKER_00]: Is like the blue people from Avatar gonna come out?

17:29.236 --> 17:30.657
[SPEAKER_00]: Is he the where's his tail?

17:30.717 --> 17:33.778
[SPEAKER_00]: He got a connect to his animal to ride.

17:35.163 --> 17:36.809
[SPEAKER_00]: I start to get my movies mixed up.

17:42.923 --> 18:05.369
[SPEAKER_03]: But you know, I just thought it was an interesting way of him traveling from one point to the other to try and go to protect his wife and going over to the console and then trying to tell the console, look, we need to go ahead and play and go on ahead and put the codex into my into our into somebody in order for other cartonians to live.

18:06.150 --> 18:09.570
[SPEAKER_03]: And so I was to be, he winds up telling him, hey, look, we have a perfect specimen.

18:09.631 --> 18:10.571
[SPEAKER_03]: It's actually my son.

18:11.631 --> 18:14.775
[SPEAKER_03]: and we can put this in him and we can actually restore the cartonians.

18:15.456 --> 18:22.445
[SPEAKER_03]: So he's the hope that we need, just as as it is for the earth for earth when we want that hope in need.

18:24.047 --> 18:25.529
[SPEAKER_03]: So it pulls on those layers.

18:26.130 --> 18:26.670
[SPEAKER_00]: I see that.

18:27.792 --> 18:30.115
[SPEAKER_00]: And I do appreciate that filling in the gaps.

18:30.730 --> 18:37.234
[SPEAKER_00]: you know, especially seeing how the babies are a manufacturer and it reminded me of the matrix.

18:37.754 --> 18:49.941
[SPEAKER_00]: It didn't have to be a factor in the batteries and these babies are pretty much like batteries, you know, they're like, that story building was very good.

18:51.290 --> 19:05.245
[SPEAKER_03]: Yeah, I really do agree with you on the robots though, too, about how they used the like I call a pin needles and you see the face is I like that that was pretty cool that and like that aspect of it that we haven't seen before in a Superman movie.

19:06.006 --> 19:11.412
[SPEAKER_03]: Um, then you have the whole trial of Zod that happens after he kills.

19:12.153 --> 19:17.196
[SPEAKER_03]: Yeah, but I don't think that Michael Shannon's like over the top with it when he goes, I will find him.

19:17.216 --> 19:23.821
[SPEAKER_03]: This just shows you how vicious it's odd is that we'll stop at nothing to get what he wants.

19:24.021 --> 19:26.623
[SPEAKER_03]: He doesn't care if he kills a bunch of crotonyins to get what he wants.

19:26.883 --> 19:29.925
[SPEAKER_03]: He doesn't care if he kills a bunch of hurtlings to get what he wants.

19:30.465 --> 19:34.728
[SPEAKER_03]: So I was going to try and do anything to keep him with him power of what he is motive is.

19:35.048 --> 19:40.011
[SPEAKER_03]: And I feel like so I'm motive in the disciplines a lot clearer than what was in

19:41.032 --> 19:42.393
[SPEAKER_03]: uh the the second one.

19:43.073 --> 19:43.614
[SPEAKER_03]: I agree.

19:44.274 --> 19:44.534
[SPEAKER_03]: Yeah.

19:45.314 --> 19:45.615
[SPEAKER_00]: Yeah.

19:45.695 --> 19:48.136
[SPEAKER_00]: You um the way they they played it.

19:48.276 --> 19:50.537
[SPEAKER_00]: You can kind of you know some sympathy for Zah.

19:50.597 --> 20:01.623
[SPEAKER_00]: He's like, No, I want to say my home planet and I want new people in power and new ideals and leaderships that make Krypton better make Krypton great again.

20:01.743 --> 20:02.083
[SPEAKER_00]: You know.

20:04.505 --> 20:05.985
[SPEAKER_00]: That's what I want it.

20:06.346 --> 20:09.587
[SPEAKER_00]: And this is all I in uh the first Superman is

20:11.327 --> 20:17.213
[SPEAKER_00]: Like you said, Shakespearean, you know, he was like, this is not good for you to do this.

20:17.773 --> 20:23.959
[SPEAKER_00]: And he probably said the same line, but I was like, this guy, I just felt like I was watching a theater play.

20:24.660 --> 20:27.462
[SPEAKER_00]: Right, you know, Superman.

20:27.843 --> 20:30.965
[SPEAKER_03]: Right, it's like Superman on Broadway.

20:31.106 --> 20:31.426
[SPEAKER_03]: Got it.

20:31.706 --> 20:33.127
[SPEAKER_00]: Yes, that's what it was.

20:33.147 --> 20:34.909
[SPEAKER_00]: That's what he was playing in tights.

20:35.810 --> 20:35.950
[SPEAKER_00]: Right.

20:36.452 --> 20:39.754
[SPEAKER_00]: But I do like the punishment that they gave in Superman one.

20:39.834 --> 20:43.996
[SPEAKER_00]: They're like encased in a shard of glass as flyin' through space.

20:44.056 --> 20:49.599
[SPEAKER_00]: I think that's ten times more worse.

20:49.659 --> 20:54.802
[SPEAKER_00]: Yeah, I think that's ten times worse because they're all crunched together and go ahead.

20:55.442 --> 20:58.664
[SPEAKER_00]: Yeah, I was just gonna say the punishment they didn't have in this one.

20:58.704 --> 21:02.606
[SPEAKER_00]: They're at least in separate parts.

21:03.387 --> 21:03.587
[SPEAKER_03]: Right.

21:04.765 --> 21:05.886
[SPEAKER_03]: But I want to mention this though, too.

21:05.906 --> 21:07.307
[SPEAKER_03]: You mentioned a very good point though.

21:08.028 --> 21:10.450
[SPEAKER_03]: The ones that think that they're right is the most dangerous.

21:10.951 --> 21:11.231
[SPEAKER_00]: Yes.

21:11.992 --> 21:17.236
[SPEAKER_03]: And that's what I like about having layers like, side, Thanos, and stuff like that.

21:17.436 --> 21:19.458
[SPEAKER_03]: Do you think that they're in the right?

21:19.578 --> 21:21.180
[SPEAKER_03]: And there's no changing their minds.

21:21.480 --> 21:24.303
[SPEAKER_03]: Because in their world view is you're in the right.

21:24.383 --> 21:26.965
[SPEAKER_03]: And they're not going to care about what anybody else has to say.

21:27.025 --> 21:28.747
[SPEAKER_03]: And that makes them even more dangerous.

21:29.467 --> 21:36.393
[SPEAKER_03]: Yeah, I often, I also want to bounce off of you on the punishment though with part one.

21:37.214 --> 21:49.264
[SPEAKER_03]: I do like the fact that they're trapped in that sphere versus it being in penis size, capsules and being frozen into a spaceship.

21:49.744 --> 21:53.328
[SPEAKER_00]: I mean, this, this whole plan is about reproduction, right?

21:53.528 --> 21:53.948
[SPEAKER_00]: So right.

21:54.008 --> 21:54.929
[SPEAKER_00]: It was intentional.

21:55.589 --> 21:55.830
[SPEAKER_03]: Maybe.

21:56.537 --> 21:59.439
[SPEAKER_03]: But it's just, yeah, go ahead.

21:59.459 --> 22:00.119
[SPEAKER_03]: I do agree with you.

22:00.239 --> 22:05.822
[SPEAKER_03]: I like the spear in the second one, you know, whenever he had to get stuck together.

22:06.302 --> 22:08.223
[SPEAKER_03]: This one, yeah, they're on the spaceship together.

22:08.263 --> 22:12.645
[SPEAKER_03]: Yes, they're frozen in the Phantom Zone in a spaceship.

22:13.006 --> 22:19.869
[SPEAKER_03]: So you get one of the means of transportation when you know your city is being destroyed.

22:20.229 --> 22:24.632
[SPEAKER_03]: And once that city is destroyed, therefore they lose the power.

22:25.963 --> 22:27.464
[SPEAKER_03]: That shit, and guess what?

22:27.884 --> 22:30.105
[SPEAKER_03]: They're like, they're actually floating on a space.

22:31.345 --> 22:31.726
[SPEAKER_00]: True.

22:32.526 --> 22:32.866
[SPEAKER_00]: True.

22:33.706 --> 22:36.247
[SPEAKER_00]: I was trying to think of what they did to their minds.

22:36.327 --> 22:39.069
[SPEAKER_00]: Like, didn't they do something to your member?

22:39.089 --> 22:40.669
[SPEAKER_00]: I don't think they did.

22:40.689 --> 22:44.171
[SPEAKER_00]: It's like they zapped something.

22:44.291 --> 22:44.831
[SPEAKER_00]: I don't know.

22:44.951 --> 22:47.912
[SPEAKER_00]: It was like something they tortured them mentally with.

22:47.992 --> 22:51.034
[SPEAKER_00]: I can't remember what it was, but that was brutal.

22:52.045 --> 23:02.148
[SPEAKER_00]: but not as brutal as being in a short of glass with your coworkers and your fly through space endlessly forever.

23:02.528 --> 23:05.129
[SPEAKER_00]: Not it is like a terrible punishment.

23:06.489 --> 23:07.189
[SPEAKER_03]: I think so too.

23:09.630 --> 23:12.250
[SPEAKER_03]: So, what do you think of Johnson and Martha in this one?

23:12.270 --> 23:14.011
[SPEAKER_03]: What do you think of Kevin Costner?

23:15.211 --> 23:16.472
[SPEAKER_00]: Oh, yeah, they were good.

23:16.492 --> 23:21.293
[SPEAKER_00]: I mean, they weren't like, you know how you, you have a certain

23:23.208 --> 23:38.777
[SPEAKER_00]: view of how John and Martha are supposed to be right from the movies like there's supposed to be much older couple these people they were kind of like middle age older-ish couple but they still have some youth about them.

23:40.078 --> 23:41.418
[SPEAKER_00]: But I like it.

23:41.919 --> 23:42.899
[SPEAKER_00]: I like them together.

23:42.979 --> 23:49.583
[SPEAKER_00]: I'm like Kevin Constner and almost any movie even water world that I saw

23:51.020 --> 23:53.621
[SPEAKER_00]: and it was terrible, but I watched it cause of Kevin.

23:54.442 --> 23:55.642
[SPEAKER_03]: I like water worlds, dude.

23:55.662 --> 23:57.583
[SPEAKER_00]: That's a great movie.

23:58.043 --> 23:58.943
[SPEAKER_00]: It's a gilting pleasure.

23:59.044 --> 24:00.484
[SPEAKER_00]: No, he's tired now.

24:01.825 --> 24:03.045
[SPEAKER_03]: Okay, this movie ever.

24:03.305 --> 24:03.846
[SPEAKER_03]: No, it's not.

24:03.866 --> 24:05.506
[SPEAKER_03]: It's really not.

24:05.646 --> 24:08.388
[SPEAKER_03]: And I enjoyed it because I got to see you with my grandfather.

24:08.508 --> 24:08.948
[SPEAKER_03]: That's why.

24:11.192 --> 24:12.953
[SPEAKER_03]: You don't have to do that.

24:12.973 --> 24:24.620
[SPEAKER_03]: I do like the whole entire deal of Kevin, Paul Kent, texting Clark in this one.

24:25.261 --> 24:31.004
[SPEAKER_03]: Not saying that they didn't do a bad job in the first movie or anything, but you establish more of a relationship.

24:32.005 --> 24:41.674
[SPEAKER_03]: in my opinion, and then, especially with the school bus scene, where Clark is over there saying, well, which I have done, should I have just made them ground?

24:42.255 --> 24:43.916
[SPEAKER_03]: Yeah.

24:43.936 --> 24:44.017
[SPEAKER_03]: Yeah.

24:46.219 --> 24:46.939
[SPEAKER_03]: You know what though?

24:46.999 --> 24:52.705
[SPEAKER_03]: If Clark had gone out of the back, then why couldn't you just open up the door for everybody else to just go in the back?

24:53.487 --> 24:57.010
[SPEAKER_00]: Yeah, that's the thing with the advice he gave, Clark.

24:57.430 --> 24:59.051
[SPEAKER_00]: He's like, you shouldn't have done anything.

24:59.351 --> 25:01.773
[SPEAKER_00]: And people would be like, well, I come Clarks a lot.

25:02.333 --> 25:03.314
[SPEAKER_00]: And my key is aren't.

25:04.115 --> 25:04.435
[SPEAKER_00]: Right.

25:04.555 --> 25:07.157
[SPEAKER_00]: Either way, there was nothing he could have done.

25:08.038 --> 25:08.298
[SPEAKER_03]: Right.

25:08.499 --> 25:13.684
[SPEAKER_03]: So, you know, he winds up picking up the school bus just as he did in part one of Superman.

25:13.704 --> 25:19.571
[SPEAKER_03]: And, you know, then after that, people have questions or wondering what's going on.

25:20.752 --> 25:24.316
[SPEAKER_03]: And even my cancels, everybody saw what he quite Clark did.

25:25.097 --> 25:27.239
[SPEAKER_03]: And I also like the other thing too is like,

25:28.508 --> 25:35.401
[SPEAKER_03]: We get to see more of the fact that the flashbacks and things like that of his childhood, we'll get into that in a few minutes.

25:36.624 --> 25:37.866
[SPEAKER_03]: Okay, so let's go in ahead.

25:37.886 --> 25:38.588
[SPEAKER_03]: Let's talk about this.

25:39.588 --> 25:52.541
[SPEAKER_03]: Thirty-three years later, Kellale Nounis Clark Kent is working on a crab boat when they receive a distress signal that an oil rig in the distance is on fire, jumping on board, overboard, and swimming over.

25:52.741 --> 26:01.610
[SPEAKER_03]: He begins to help people get to safety as the Coast Guard arrived to evacuate the employees when a piece of rigging threatens to fall on them.

26:01.990 --> 26:10.412
[SPEAKER_03]: Park holds it up and is with a superhuman strength, long enough for them to get clear before an explosion since Clark lying in the water.

26:10.832 --> 26:15.573
[SPEAKER_03]: While drifting unconsciously, Clark remembers and incident from when he was nine years old.

26:16.213 --> 26:23.235
[SPEAKER_03]: His super high hearing and extra vision first started manifesting while he was in class one day.

26:24.393 --> 26:36.485
[SPEAKER_03]: overwhelmed by experience, if you ran away and hit himself in the janitor's closet, refusing to come out until Martha helped him control his powers with breathing and medication exercises.

26:38.226 --> 26:45.533
[SPEAKER_03]: But I like about this is, you know, you get to see the aspect of Clark himself saving everybody on the oil rig.

26:45.574 --> 26:48.656
[SPEAKER_03]: You see his clothes being burnt off while he's trying to save everybody.

26:49.322 --> 26:59.410
[SPEAKER_03]: and then all the sudden, he gets blasted into the water and then we have that flashbacks in, like I said, but I like how it goes into that whole entire deal where Martha's trying to help them.

27:00.030 --> 27:05.235
[SPEAKER_03]: Just think of something quiet, Clark, and just trying to control everything all at one time.

27:05.275 --> 27:15.383
[SPEAKER_03]: It kind of reminds me, whenever I was on Adderall and with my ADHD, and I had that crashing and everything just comes in at one time, and it was just overwhelming.

27:16.187 --> 27:23.693
[SPEAKER_03]: So, you know, it just was one of those things that, you know, the overwhelming feeling of, I don't know how to control my powers.

27:23.914 --> 27:25.375
[SPEAKER_03]: I don't know what to do.

27:26.135 --> 27:32.681
[SPEAKER_03]: I'm seeing someone through their clothes and their bones structure and it's freaking me out.

27:33.622 --> 27:39.967
[SPEAKER_03]: And, you know, it's a whole entire thing, too, is like, what if his lasers came out and accidentally blasted the teacher?

27:41.915 --> 27:42.555
[SPEAKER_03]: You know what I'm saying?

27:42.595 --> 27:47.878
[SPEAKER_03]: Like anything at any given moment could have changed Clark's percent.

27:47.938 --> 27:48.598
[SPEAKER_03]: You know what I'm saying?

27:48.738 --> 27:50.739
[SPEAKER_03]: Could have changed Clark's life.

27:51.659 --> 27:52.980
[SPEAKER_00]: Yeah, I agree.

27:53.060 --> 27:55.541
[SPEAKER_00]: I mean, that's one of the things I do like about him.

27:55.701 --> 28:03.344
[SPEAKER_00]: I, you know, I just had a little tip and maybe there's another tip later on about what Krypton I was, but that's my personal opinion.

28:03.904 --> 28:10.207
[SPEAKER_00]: But I do like these modern superhero movies that are digging into the child with memories.

28:11.225 --> 28:15.248
[SPEAKER_00]: and what childhood is like for somebody that has advanced powers.

28:16.049 --> 28:20.292
[SPEAKER_00]: Because usually they just skip over their childhood and they mention it.

28:20.312 --> 28:22.794
[SPEAKER_00]: Like, oh, when I was a kid, I did blah, blah, blah.

28:23.474 --> 28:33.242
[SPEAKER_00]: But to see Clark, you know, like, be afraid and trapped in the closet and just seeing from his point of view is really scary.

28:33.657 --> 28:50.786
[SPEAKER_00]: But you can imagine it really scary like you can see a person's heart beat like literally you can see their heart and you can see their exoskeleton and everything else and you can hear them like auto senses coming at you is a very overwhelming.

28:51.627 --> 28:55.849
[SPEAKER_00]: So I really appreciate like we are seeing what Clark sees.

28:56.310 --> 28:59.892
[SPEAKER_00]: So it gives us a sense of

29:01.260 --> 29:02.981
[SPEAKER_00]: empathy and sympathy for him.

29:04.543 --> 29:05.043
[SPEAKER_03]: I agree.

29:05.243 --> 29:10.808
[SPEAKER_03]: It gives you a more of a human aspect to him than we were in Singapore that I really do appreciate with it.

29:11.508 --> 29:19.214
[SPEAKER_03]: You know, it makes us question two and we'll get to into it later on, but it makes us question about what would we do as humans?

29:19.735 --> 29:20.035
[SPEAKER_00]: Yes.

29:20.635 --> 29:22.997
[SPEAKER_03]: And how would we react if we seen an alien?

29:23.638 --> 29:28.161
[SPEAKER_03]: And with these god-like powers, would we accept them or would we not accept them?

29:29.270 --> 29:34.234
[SPEAKER_03]: And a humanizes Superman to where she will be relatable.

29:35.355 --> 29:38.918
[SPEAKER_03]: Not only to like, how can we relate to someone with superpowers?

29:39.358 --> 29:39.738
[SPEAKER_03]: Here's the thing.

29:39.758 --> 29:41.780
[SPEAKER_03]: You don't have to connect with that.

29:41.840 --> 29:44.082
[SPEAKER_03]: You can connect with the fact that he's getting bullied.

29:44.622 --> 29:53.369
[SPEAKER_03]: But you could also relate to the fact of us as humans on how we would react, how we would treat somebody on the outside surface of everything.

29:54.261 --> 29:57.182
[SPEAKER_00]: Yeah, and I appreciate you sharing your story, too.

29:57.962 --> 30:17.107
[SPEAKER_00]: And you know, also where I work at, we talked about like neurodiversity and, you know, types of like, I was a spectrum or I don't want to say disorders, whatever that people go through, you know, like,

30:18.418 --> 30:25.522
[SPEAKER_00]: We may have experts, maybe a little bit sensitive to sound and everything else, and you need a quiet place.

30:26.342 --> 30:45.413
[SPEAKER_00]: And they're starting, I hope it catches on with some conventions they do have a quiet room, where you can just go to people that can't handle a lot of noise and they just need to get away from somewhere, you can go to a quiet room, a quiet space.

30:46.370 --> 30:53.764
[SPEAKER_00]: And I think, like you said, you don't have to imagine that if you have superpowers, would you be like Clark?

30:54.841 --> 31:21.345
[SPEAKER_03]: go to a closet or whatever is real life is people's real life like you basically if you think about Clark was actually overstimulating yeah point where everything was coming at him out of once and he doesn't know what to do with it this is his first time experience anything and this is also Martha's first time experiences to just as Clark is so Martha's just wanted to think of something out of her ass right now to try and conquer kid down yeah

31:21.923 --> 31:25.326
[SPEAKER_00]: Yeah, it's a learning experience for both of them.

31:25.646 --> 31:33.952
[SPEAKER_00]: As a mom, she's dealing with a baby, but this baby can basically rip her in half.

31:34.933 --> 31:40.777
[SPEAKER_00]: She's learning a lot about this child and he's learning about a lot about her and humans.

31:41.557 --> 31:44.159
[SPEAKER_00]: So it's a learning experience for both of them.

31:44.179 --> 31:48.803
[SPEAKER_00]: And to me, it is a big controversial.

31:50.735 --> 31:51.816
[SPEAKER_00]: with Paul Kent.

31:52.296 --> 31:56.820
[SPEAKER_00]: He wanted Superman and even in the first one to suppress his powers.

31:57.220 --> 31:59.182
[SPEAKER_00]: And we talked about that Superman one.

31:59.762 --> 32:04.646
[SPEAKER_00]: But here you can really see him go, no, you have to just, you know, try to fit in.

32:04.686 --> 32:06.848
[SPEAKER_00]: You have to suppress it, suppress it.

32:06.908 --> 32:13.113
[SPEAKER_00]: But there you can see his reason in it's like, you said to protect me because you're going to prove like this.

32:13.413 --> 32:15.475
[SPEAKER_00]: But I don't like how he's laying it out when

32:16.345 --> 32:18.246
[SPEAKER_00]: when the woman came over, right?

32:18.466 --> 32:20.186
[SPEAKER_00]: And she was like, is the miracle?

32:20.966 --> 32:34.170
[SPEAKER_00]: Clark's saved out of the kids from the bus, bla bla bla and then he went out to talk to Clark and he was like, well, Clark, you know, this is why I told you to pressure powers because people get scared.

32:34.851 --> 32:38.312
[SPEAKER_00]: And I'm like, what does that have to do with me?

32:38.512 --> 32:41.753
[SPEAKER_00]: I'm going through something myself, Dad, I need support.

32:41.773 --> 32:43.673
[SPEAKER_00]: And he's like, no, you're scared in people.

32:43.793 --> 32:45.234
[SPEAKER_00]: Like, I thought that would really

32:46.292 --> 32:50.614
[SPEAKER_00]: That's really awful to say, but I know where he was coming from, but yeah.

32:51.215 --> 32:57.198
[SPEAKER_03]: Yeah, from my perspective, it's more of the fact of, I think like this, and we mentioned this in Superman one.

32:57.218 --> 32:57.818
[SPEAKER_00]: Yeah.

32:58.119 --> 33:02.261
[SPEAKER_03]: The FBI could come knocking on the door, turning them into Area fifty one, for example.

33:02.281 --> 33:07.744
[SPEAKER_03]: And also to there's more technology now compared to before when we had Superman.

33:08.164 --> 33:13.747
[SPEAKER_03]: But they could have turned them into some type of science experiment or something like that, too, to figure out things.

33:15.104 --> 33:26.875
[SPEAKER_03]: From, I can't suspect though, though, they're not only, well, my, something could happen to my son or anything, is the fact that people are scared of what they do not understand.

33:27.396 --> 33:27.696
[SPEAKER_03]: True.

33:28.477 --> 33:29.318
[SPEAKER_03]: And that's what he tells him.

33:29.338 --> 33:31.420
[SPEAKER_03]: He goes, son, they're not ready for you yet.

33:32.321 --> 33:33.962
[SPEAKER_03]: World is so big, basically.

33:34.923 --> 33:36.264
[SPEAKER_03]: The world is not ready for you yet.

33:37.025 --> 33:39.768
[SPEAKER_03]: You need to suppress your powers until the world is ready.

33:41.140 --> 33:44.782
[SPEAKER_03]: And you'll know when that time it is, basically, it's what you're telling them to.

33:45.782 --> 33:50.605
[SPEAKER_03]: But just to be patient, suppress your powers, people are afraid of what they do not understand.

33:51.906 --> 33:55.167
[SPEAKER_03]: And this be the best that you can be right now.

33:55.748 --> 33:56.048
[SPEAKER_00]: Yeah.

33:57.048 --> 33:57.128
[SPEAKER_00]: Yeah.

33:57.148 --> 33:58.069
[SPEAKER_00]: That's what I guess from it.

33:58.569 --> 34:04.932
[SPEAKER_00]: I was thinking too much about my present day kids who are this going through things.

34:05.753 --> 34:05.893
[SPEAKER_00]: Right.

34:07.960 --> 34:19.627
[SPEAKER_00]: Anyway, and just having somebody like a parent figure say, no, you know, you gotta suppress, you know, like, if you have, I don't know, I keep thinking about inspirations.

34:19.767 --> 34:20.087
[SPEAKER_00]: Sorry.

34:20.307 --> 34:25.570
[SPEAKER_00]: But, you know, if you if you narrow that verse or you in that category, oh, you gotta count suppressed that.

34:25.590 --> 34:27.951
[SPEAKER_00]: I'm like, well, this is me naturally.

34:28.111 --> 34:29.732
[SPEAKER_00]: I don't know how to suppress that.

34:30.212 --> 34:30.653
[SPEAKER_00]: You know.

34:31.998 --> 34:33.959
[SPEAKER_00]: This is me now you don't scare people.

34:33.979 --> 34:36.080
[SPEAKER_00]: I kind of was thinking about you from that.

34:36.180 --> 34:39.481
[SPEAKER_00]: I kind of for to Superman totally out of it.

34:39.661 --> 34:42.502
[SPEAKER_00]: And I just put it in that perspective.

34:42.602 --> 34:43.522
[SPEAKER_00]: That's my bad.

34:43.682 --> 34:46.844
[SPEAKER_00]: But I know how to stand both aspects.

34:46.944 --> 34:48.384
[SPEAKER_00]: You know, like he's afraid.

34:49.024 --> 34:51.125
[SPEAKER_00]: He doesn't want them to experiment on them.

34:51.345 --> 34:52.626
[SPEAKER_00]: And this is his son.

34:52.666 --> 34:53.826
[SPEAKER_00]: He wants to protect them.

34:54.406 --> 34:57.607
[SPEAKER_00]: But but also I don't know.

34:57.668 --> 34:58.928
[SPEAKER_00]: It's just it just sounds

34:59.290 --> 35:01.011
[SPEAKER_00]: terrible to tell the kid.

35:01.031 --> 35:04.013
[SPEAKER_00]: Oh, yeah, it's a press who you are.

35:04.033 --> 35:05.754
[SPEAKER_00]: You got to scare people.

35:06.795 --> 35:07.035
[SPEAKER_03]: Right.

35:07.155 --> 35:09.276
[SPEAKER_03]: And pretend to be something that you're not.

35:09.677 --> 35:10.217
[SPEAKER_00]: Yeah.

35:10.277 --> 35:12.078
[SPEAKER_00]: No, it's a human to society.

35:13.179 --> 35:13.379
[SPEAKER_03]: Right.

35:13.999 --> 35:15.020
[SPEAKER_00]: Oh, that's terrible.

35:15.080 --> 35:16.941
[SPEAKER_03]: So I also like the other thing though, too.

35:17.001 --> 35:20.403
[SPEAKER_03]: I love the under water stuff that you get when a reason conscious.

35:20.443 --> 35:21.684
[SPEAKER_03]: I thought it was very beautiful.

35:21.704 --> 35:24.086
[SPEAKER_03]: I thought Aquaman might show up.

35:25.443 --> 35:30.810
[SPEAKER_00]: That's actually something that's been speculated before though, but it's not back but it's been speculated

35:42.279 --> 35:43.781
[SPEAKER_00]: Oh, I believe it.

35:43.961 --> 35:47.805
[SPEAKER_00]: I believe the opera man was like, that baby Superman.

35:47.945 --> 35:51.869
[SPEAKER_00]: Let me go send some of my peeps over there to get him on out of there.

35:52.049 --> 35:52.309
[SPEAKER_00]: Fuck.

35:52.369 --> 35:53.210
[SPEAKER_00]: We all, yeah.

35:53.450 --> 35:55.933
[SPEAKER_02]: Yeah.

35:56.153 --> 35:56.493
[SPEAKER_00]: Yeah.

35:56.573 --> 35:57.194
[SPEAKER_03]: Yeah.

35:57.234 --> 35:57.554
[SPEAKER_03]: Whatever.

35:58.055 --> 35:58.295
[SPEAKER_03]: Yeah.

35:58.455 --> 35:58.655
[SPEAKER_03]: But.

35:59.316 --> 36:00.257
[SPEAKER_00]: Yeah.

36:00.737 --> 36:01.398
[SPEAKER_00]: That's dolphin.

36:02.659 --> 36:03.740
[SPEAKER_03]: That's on the fact now.

36:08.051 --> 36:25.043
[SPEAKER_03]: So now we are returning the shore ashore Clark steals some clothes and skips down just like in Terminator two seeing a school bus on the way reminding him of a day from when he was thirteen in the school bus he was on on blue out of tire and ran off the bridge into the river.

36:25.363 --> 36:30.067
[SPEAKER_03]: Clark using a super strength which we talked about pushed the bus out of the river and stopped it.

36:30.527 --> 36:36.111
[SPEAKER_03]: from sinking, revealing his powers to Lana Lent Blaine and Pete Ross in the process.

36:36.532 --> 36:46.419
[SPEAKER_03]: Pete's mother later told that hints about quarks, astonishing feet, but the other hints deny that there was anything special about their son.

36:46.439 --> 36:48.801
[SPEAKER_03]: Yeah, it's just perfectly normal to lift your buzz up.

36:48.921 --> 36:50.041
[SPEAKER_03]: Yeah, it happens every day.

36:50.061 --> 37:07.887
[SPEAKER_03]: It's right in one, you know, later John didn't stress the plot, the importance of keeping his power secret or fear of Clark's safety, telling the him that people are afraid of what they don't understand when Clark pressed for answers, Jonathan revealed the the Kryptonian space pod.

37:07.947 --> 37:10.688
[SPEAKER_03]: Clark arrives right on to them on.

37:11.208 --> 37:12.969
[SPEAKER_03]: which he kept hidden under a barn.

37:13.330 --> 37:17.452
[SPEAKER_03]: He gave Clark the command key, which looks like a memory card.

37:18.393 --> 37:23.777
[SPEAKER_03]: And then encouraged him to find out his true origins and why he was sent to earth.

37:23.857 --> 37:26.539
[SPEAKER_03]: Well, reassuring him, he's still his son.

37:27.867 --> 37:38.533
[SPEAKER_03]: So Clark is now working on any highway bar, where he overhears some men talking about the military looking for a strange object under the ice near the Arctic.

37:39.094 --> 37:42.336
[SPEAKER_03]: Meanwhile, a Patreon starts sexually harassing a waitress.

37:42.756 --> 37:56.544
[SPEAKER_03]: Clark comes to the fence, just like in Superman, too, when he gave up his powers, destroys the truck belonging to the man responsible for skipping town in the direction of the yelling and ship.

37:57.699 --> 37:58.919
[SPEAKER_03]: So let's talk about this.

37:59.379 --> 37:59.679
[SPEAKER_00]: Okay.

38:00.340 --> 38:10.962
[SPEAKER_03]: Let's talk about the command key and stuff because remember in Superman one, all of we got was like a glowing, glowing green lights.

38:11.202 --> 38:13.182
[SPEAKER_03]: Basically.

38:13.862 --> 38:14.803
[SPEAKER_03]: Yeah, ghost.

38:15.063 --> 38:15.223
[UNKNOWN]: Yeah.

38:16.843 --> 38:17.523
[SPEAKER_03]: Yeah.

38:19.224 --> 38:20.944
[SPEAKER_03]: But that's what we got in the first one.

38:20.984 --> 38:25.165
[SPEAKER_03]: This one we got a memory flash card.

38:28.778 --> 38:32.019
[SPEAKER_00]: Yeah, it wasn't a flash.

38:32.059 --> 38:33.700
[SPEAKER_00]: It was a USB device.

38:33.760 --> 38:34.320
[SPEAKER_00]: Come on.

38:35.100 --> 38:37.581
[SPEAKER_03]: Okay, USB device with the SD.

38:37.641 --> 38:38.021
[SPEAKER_00]: My back.

38:38.061 --> 38:38.541
[SPEAKER_03]: Yeah, right.

38:50.004 --> 38:51.084
[SPEAKER_03]: I, what do you think though?

38:51.124 --> 38:59.407
[SPEAKER_03]: I mean, I, I like to settle in this of the fact that it's more updated and stuff like that, but at the same time is like, okay, that's pretty cool.

39:00.787 --> 39:02.027
[SPEAKER_00]: Yeah, I like the U.S.

39:02.088 --> 39:05.548
[SPEAKER_00]: B. Do my, like, from the same stick.

39:05.749 --> 39:07.449
[SPEAKER_00]: Yeah, I like that.

39:07.469 --> 39:08.589
[SPEAKER_00]: I think that's pretty cool.

39:08.609 --> 39:11.030
[SPEAKER_00]: Didn't think he had it around his neck and made it there.

39:11.050 --> 39:11.850
[SPEAKER_00]: I think you can do that.

39:11.870 --> 39:15.291
[SPEAKER_00]: What I have to show you is be put some string around your neck or something.

39:15.511 --> 39:16.932
[SPEAKER_00]: But, um, yeah, uh,

39:19.121 --> 39:23.584
[SPEAKER_00]: I was, you know what I was thinking about with us, the bully, Pete.

39:23.904 --> 39:29.247
[SPEAKER_00]: You know, he was bully before the playing crash, but he's do named Pete.

39:31.228 --> 39:35.770
[SPEAKER_00]: And I was thinking, if I was him, would I have rescued Pete?

39:36.331 --> 39:37.831
[SPEAKER_03]: It takes a lot to rescue him.

39:38.192 --> 39:40.273
[SPEAKER_00]: Yes, because, you know, Pete

39:41.062 --> 39:48.225
[SPEAKER_00]: Somehow, how it was under the water, and everybody else was still on the bus, and he had to go back and get Pete.

39:48.505 --> 39:50.886
[SPEAKER_00]: I'm like, would I have just, like, left him?

39:50.906 --> 39:55.548
[SPEAKER_00]: Like, I've got everybody out of the bus, and a little poor Pete didn't make it.

39:57.088 --> 39:58.529
[SPEAKER_00]: That's a nation call.

39:58.569 --> 40:03.151
[SPEAKER_03]: Oh, well, see, everybody is like, that's, you know what I'm saying?

40:03.531 --> 40:09.093
[SPEAKER_00]: Yeah, I mean, yeah, he clearly isn't human.

40:09.638 --> 40:11.820
[SPEAKER_00]: because we would be like, help you beat.

40:12.300 --> 40:13.041
[SPEAKER_00]: You didn't make it.

40:13.881 --> 40:21.367
[SPEAKER_03]: You see, that's why it takes a godlike person like Clark to be able to save someone like Pete, even though he's a tall ball bag.

40:22.208 --> 40:22.588
[SPEAKER_00]: Later.

40:22.708 --> 40:25.851
[SPEAKER_03]: He's thinking about Pete is like Brad from Superman III.

40:26.832 --> 40:28.453
[SPEAKER_03]: Oh, I don't know which one is worse.

40:28.473 --> 40:30.334
[SPEAKER_03]: I don't, I think Pete is worse.

40:30.935 --> 40:32.936
[SPEAKER_03]: Because the other one's just ducking his football years.

40:33.036 --> 40:37.220
[SPEAKER_03]: This one's just a ball bag bully that wants to bully Clark.

40:37.755 --> 40:39.997
[SPEAKER_00]: Yeah, but they both ended up as losers.

40:40.457 --> 40:44.720
[SPEAKER_00]: Yeah, I mean, being a manager of AHA is a loser job.

40:44.860 --> 40:48.863
[SPEAKER_00]: I mean, for Pete, he's a loser before he's a loser.

40:49.143 --> 40:49.984
[SPEAKER_00]: I like AHA.

40:50.344 --> 41:01.371
[SPEAKER_03]: But, you know, I think that is pretty cool to actually say Pete, because it gives him the redeemable quality about him, because he winds up saving Clark later on to do so.

41:01.451 --> 41:05.354
[SPEAKER_03]: I thought that was pretty cool on how they redeem the bully for that.

41:05.895 --> 41:06.275
[SPEAKER_03]: Yeah.

41:07.446 --> 41:09.709
[SPEAKER_00]: Clark is much better than all books.

41:10.510 --> 41:10.730
[SPEAKER_03]: Yes.

41:11.130 --> 41:24.987
[SPEAKER_03]: So, but did you think about the whole entire deal where we actually see Clark protecting the waitress and then he winds up taking Optimus Prime's Prime and putting it on the on the light poles?

41:26.139 --> 41:30.543
[SPEAKER_00]: Yeah, you know, he just came walk away from a bar fight.

41:31.064 --> 41:31.965
[SPEAKER_00]: That's when I were.

41:32.125 --> 41:35.108
[SPEAKER_00]: I learned as Superman is about that life.

41:35.188 --> 41:36.849
[SPEAKER_00]: You challenged him in a bar fight.

41:36.889 --> 41:38.210
[SPEAKER_00]: He got out of last word.

41:38.631 --> 41:41.313
[SPEAKER_00]: You know, he, it may take him some time like this.

41:41.353 --> 41:42.454
[SPEAKER_00]: He got off his shield.

41:42.795 --> 41:46.719
[SPEAKER_00]: He put your truck in the tree and then he said, okay, I'm fired.

41:46.819 --> 41:47.339
[SPEAKER_00]: I know that.

41:47.359 --> 41:47.840
[SPEAKER_00]: I'm going to go.

41:48.526 --> 41:52.327
[SPEAKER_00]: Superman too, it took you some time, but you know, he ain't let it go.

41:52.547 --> 41:55.368
[SPEAKER_00]: You know, I was like, we're going freaking his head.

41:55.388 --> 41:59.329
[SPEAKER_00]: That whole time back to their bar with my powers.

41:59.949 --> 42:05.551
[SPEAKER_00]: And I'm going to go straight to them and like, hey, and then I was sling him crawling in pinballs.

42:05.591 --> 42:07.051
[SPEAKER_00]: I was like, you could let it go.

42:07.532 --> 42:08.632
[SPEAKER_00]: You could let it go.

42:09.892 --> 42:12.153
[SPEAKER_00]: I'm going all the way back to them.

42:12.673 --> 42:16.054
[SPEAKER_00]: damn bar and I'm a show him a piece of my mind.

42:16.615 --> 42:19.296
[SPEAKER_00]: At least Clark here just got it out of his system.

42:19.356 --> 42:25.899
[SPEAKER_00]: He's like, I don't want to have to come back like a year later and find his guy and do the same thing.

42:26.079 --> 42:26.579
[SPEAKER_00]: He's true.

42:26.659 --> 42:27.779
[SPEAKER_00]: I'ma just do it now.

42:28.160 --> 42:33.702
[SPEAKER_00]: I'm gonna walk off my job and I'm gonna elf his trucker and then I'm gonna go find me another job.

42:35.563 --> 42:36.883
[SPEAKER_03]: That's where he's going.

42:37.524 --> 42:40.285
[SPEAKER_03]: He was like, he thought every single job he could find you, right?

42:40.705 --> 42:40.885
[SPEAKER_03]: Yeah.

42:41.412 --> 42:45.633
[SPEAKER_00]: Yeah, he did like, uh, what were they doing like, uh, craftsmen?

42:46.373 --> 42:49.054
[SPEAKER_00]: Yeah, he was a crafts, uh, fisherman in the new workshop.

42:49.094 --> 42:49.354
[SPEAKER_00]: All sure.

42:49.374 --> 42:51.774
[SPEAKER_00]: And he's like, I can't work in a bar.

42:51.794 --> 42:53.095
[SPEAKER_00]: And he's the most employable man I ever met.

42:53.115 --> 42:53.435
[SPEAKER_00]: Like he did.

42:53.955 --> 42:54.255
[SPEAKER_00]: He did a job.

42:54.275 --> 42:54.835
[SPEAKER_00]: He did a job.

42:54.855 --> 42:55.695
[SPEAKER_00]: He did a job.

42:55.755 --> 42:56.215
[SPEAKER_00]: He did a job.

42:56.235 --> 42:56.676
[SPEAKER_00]: He did a job.

42:56.716 --> 42:57.716
[SPEAKER_00]: He did a job.

42:57.736 --> 42:58.016
[SPEAKER_00]: He did a job.

42:58.036 --> 42:58.356
[SPEAKER_00]: He did a job.

42:58.376 --> 42:58.676
[SPEAKER_00]: He did a job.

42:58.696 --> 42:58.956
[SPEAKER_00]: He did a job.

42:58.976 --> 42:59.536
[SPEAKER_00]: He did a job.

42:59.816 --> 43:00.256
[SPEAKER_00]: He did a job.

43:00.276 --> 43:00.636
[SPEAKER_00]: He did a job.

43:00.656 --> 43:00.897
[SPEAKER_00]: He did a job.

43:00.917 --> 43:01.517
[SPEAKER_00]: He did a job.

43:01.737 --> 43:02.157
[SPEAKER_00]: He did a job.

43:02.197 --> 43:02.797
[SPEAKER_00]: He did a job.

43:02.817 --> 43:03.157
[SPEAKER_00]: He did a job.

43:03.177 --> 43:03.517
[SPEAKER_00]: He did a job.

43:03.537 --> 43:03.917
[SPEAKER_00]: He did a job.

43:03.937 --> 43:04.337
[SPEAKER_00]: He did a job.

43:04.357 --> 43:04.797
[SPEAKER_00]: He did a job.

43:04.817 --> 43:05.158
[SPEAKER_00]: He did a job.

43:05.178 --> 43:05.478
[SPEAKER_00]: He did a job.

43:05.498 --> 43:06.078
[SPEAKER_00]: He did a job.

43:06.478 --> 43:06.918
[SPEAKER_00]: He did a job.

43:06.998 --> 43:07.238
[SPEAKER_00]: He did a job.

43:08.280 --> 43:08.540
[SPEAKER_00]: Okay.

43:08.960 --> 43:09.721
[SPEAKER_00]: Oh, wait.

43:10.321 --> 43:21.925
[SPEAKER_00]: So, you remember, um, I know people wanted to get on command one and two and three and whatever, but in an offer man, he was kind of in a neighborhood of bar two.

43:22.585 --> 43:25.446
[SPEAKER_00]: I just thought about they both were doing blue collar work.

43:25.786 --> 43:25.987
[SPEAKER_00]: Yep.

43:26.067 --> 43:26.267
[SPEAKER_00]: Yep.

43:26.527 --> 43:27.687
[SPEAKER_00]: Who called the people?

43:27.947 --> 43:28.207
[SPEAKER_00]: Yeah.

43:28.688 --> 43:28.888
[SPEAKER_00]: Okay.

43:31.990 --> 43:34.152
[SPEAKER_03]: So now we get the daily planet report.

43:34.172 --> 43:42.801
[SPEAKER_03]: Lois Lane arrives via a chopper to report on the object under the sea and has her bags carried by Clark who is posing as a worker there.

43:43.142 --> 43:50.629
[SPEAKER_03]: The operation is led by a US Air Force Colonial Nathan Hart party who is working with Dr. Emile Hamilton of the

43:51.350 --> 44:17.232
[SPEAKER_03]: uh... depra hardy is not pleased to see lowest there and tries to get her away but her clearance all else are to stay they revealed that imaging has turned to up to a massive object that's nearly twenty thousand years old later that night clerk walks away from the military bar uh... through the ice with his heat vision lowest spots in follows him the object turns out to be a larger alien spacecraft

44:17.812 --> 44:26.358
[SPEAKER_03]: aboard the ship, Clark is associated by Robert's century until he inserts the command key into a port activating the ship's systems.

44:26.759 --> 44:33.464
[SPEAKER_03]: Those is then attacked by the century when she tries to take a picture of it, getting wounded in the process.

44:33.564 --> 44:34.605
[SPEAKER_03]: Clark saves her and

44:35.385 --> 44:37.946
[SPEAKER_03]: I categorizes her wound with his heat vision.

44:38.366 --> 44:43.348
[SPEAKER_03]: It then takes her outside where she can be found before the ship takes off and flies away.

44:43.628 --> 44:56.213
[SPEAKER_03]: Lois writes an article about what she saw in the Arctic, but her editor Perry White refuses to publish it on the grounds that he's worried that what kind of recoll mentions that the story would have on the world.

44:56.633 --> 45:01.575
[SPEAKER_03]: She then has a blogger, Glenn Woodburn, leaked the story on the internet.

45:02.075 --> 45:08.078
[SPEAKER_03]: So, let's talk about the fact that, you know, we finally got our first introduction to Lois, played by Amy Adams.

45:08.418 --> 45:08.698
[SPEAKER_00]: Yeah.

45:09.559 --> 45:10.840
[SPEAKER_03]: And what do you think of her?

45:11.660 --> 45:18.163
[SPEAKER_00]: Um, the moment she got out the plane, like her presence, it just wasn't given for me.

45:18.463 --> 45:29.929
[SPEAKER_00]: Like, the first thing I went down and then from there, I just was like, man, like the energy she gave off was like, man, versus the energy from Lois Lane.

45:30.029 --> 45:31.110
[SPEAKER_00]: I think that's the problem.

45:31.850 --> 45:35.253
[SPEAKER_00]: I saw a lowest lane, and everybody saw a lowest lane Superman.

45:35.733 --> 45:37.394
[SPEAKER_00]: And they know how she is.

45:37.454 --> 45:42.619
[SPEAKER_00]: You've got seeing tough and quick and snappy, you know, like I'll have time for this because I'm away.

45:42.679 --> 45:43.319
[SPEAKER_00]: I got a story.

45:43.359 --> 45:44.260
[SPEAKER_00]: I'm very ambitious.

45:44.800 --> 45:47.262
[SPEAKER_00]: And this one, she's like, she's good.

45:47.282 --> 45:49.224
[SPEAKER_00]: She's like, I don't know how time for this.

45:49.304 --> 45:51.305
[SPEAKER_00]: I got a story and I'm very busy.

45:51.746 --> 45:52.907
[SPEAKER_00]: And I'm kind of snarky.

45:52.967 --> 45:55.789
[SPEAKER_00]: And I'm going to kind of say some snarky stuff on the background.

45:56.189 --> 45:59.152
[SPEAKER_00]: And you're like, carry my pants because I'm spoiled right now.

46:00.028 --> 46:04.031
[SPEAKER_00]: Like, that's what the energy she gave me and the energy was like, man.

46:04.771 --> 46:06.713
[SPEAKER_00]: And I was like, well, I don't know.

46:07.413 --> 46:10.435
[SPEAKER_03]: So I felt like I like girl next door kind of thing, pacific dress of.

46:10.876 --> 46:20.202
[SPEAKER_00]: It felt like, like, like, the girl that's not like the top popular girl, but a girl that's like with the top popular girl.

46:20.222 --> 46:21.623
[SPEAKER_00]: You're supposed to be the popular girl.

46:21.643 --> 46:22.984
[SPEAKER_00]: You're supposed to be the popular girl.

46:23.004 --> 46:23.905
[SPEAKER_00]: You're supposed to be the

46:24.811 --> 46:28.013
[SPEAKER_00]: be at CTA blah, blah, blah in charge, you know.

46:28.633 --> 46:30.534
[SPEAKER_00]: You're as well to be like the understudy.

46:31.054 --> 46:33.276
[SPEAKER_00]: She play, she gave me understudy vibes.

46:34.696 --> 46:34.957
[SPEAKER_03]: Right.

46:35.037 --> 46:36.277
[SPEAKER_03]: I got to understand that.

46:36.297 --> 46:37.938
[SPEAKER_03]: You're like, you're not working for me either.

46:37.958 --> 46:48.424
[SPEAKER_03]: Like, I've seen everything Amy Adams is in just, and stuff, but she just doesn't have that energy, that charisma, that quickness, that whittiness of who low is is.

46:48.744 --> 46:50.785
[SPEAKER_03]: She does not embody on who low is is.

46:51.125 --> 46:53.807
[SPEAKER_03]: Especially when they say she does well, what if I need a tinkle?

46:54.278 --> 46:59.260
[SPEAKER_03]: Well, there's a bucket right there, basically the pissed off because she's even there in the first place.

46:59.640 --> 47:04.082
[SPEAKER_03]: And then they wind up giving her this little little warehouse thing for sleep in.

47:04.802 --> 47:08.864
[SPEAKER_03]: But that was the real lowest, even though it's supposed to be lowest.

47:09.804 --> 47:12.966
[SPEAKER_03]: The lowest that we know would say, I'm not sleeping in this.

47:13.506 --> 47:15.427
[SPEAKER_03]: I'm gonna sleep with you guys or sleep.

47:15.447 --> 47:17.928
[SPEAKER_03]: You guys can shit in a bucket and piss in a bucket.

47:18.308 --> 47:19.328
[SPEAKER_03]: But I'm not gonna do it.

47:19.428 --> 47:21.469
[SPEAKER_03]: You guys can do it, but I'm not gonna do it.

47:22.223 --> 47:27.887
[SPEAKER_00]: Yeah, if you don't find me someplace to feed, I'm gonna repair by sitting off like this.

47:28.107 --> 47:29.048
[SPEAKER_00]: It's our lowest.

47:29.348 --> 47:31.629
[SPEAKER_00]: This lowest is like, okay.

47:31.729 --> 47:33.711
[SPEAKER_03]: And that's what you want to do.

47:34.811 --> 47:37.113
[SPEAKER_00]: And I see Amy and the other things.

47:37.193 --> 47:39.815
[SPEAKER_00]: I just think this particular role wasn't for her.

47:40.322 --> 47:42.223
[SPEAKER_03]: No, and I like Amy Adams.

47:42.363 --> 47:42.643
[SPEAKER_03]: I do.

47:42.783 --> 47:46.284
[SPEAKER_03]: I really do have anybody's like, oh, he must really don't like Amy Adams.

47:46.564 --> 47:47.785
[SPEAKER_00]: We like Amy Adams.

47:47.885 --> 47:50.466
[SPEAKER_03]: I love Amy Adams and certain roles.

47:50.966 --> 47:53.027
[SPEAKER_03]: She does not embody lowest from me.

47:53.047 --> 47:55.728
[SPEAKER_03]: Doesn't have the energy of lowest from me.

47:55.788 --> 48:02.170
[SPEAKER_03]: It'd be sold on at least with the fantastic Mrs. Mazzle with the new Superman.

48:02.631 --> 48:05.792
[SPEAKER_03]: We're going to get a little bit of that witness and witness, I think, from her.

48:06.532 --> 48:07.874
[SPEAKER_03]: But I'm really excited.

48:08.014 --> 48:09.516
[SPEAKER_00]: Wait, wait, wait, wait.

48:09.696 --> 48:10.998
[SPEAKER_00]: That's who's going to play Loans.

48:11.238 --> 48:12.740
[SPEAKER_00]: Yeah.

48:12.981 --> 48:15.043
[SPEAKER_00]: The Lee from Fantastic.

48:15.944 --> 48:16.505
[SPEAKER_00]: Oh, yeah.

48:16.545 --> 48:16.725
[SPEAKER_00]: Yeah.

48:16.765 --> 48:16.906
[SPEAKER_00]: Yeah.

48:16.946 --> 48:17.847
[SPEAKER_00]: That's going to be good.

48:17.907 --> 48:18.207
[SPEAKER_00]: Okay.

48:18.267 --> 48:18.568
[SPEAKER_00]: Okay.

48:18.628 --> 48:19.349
[SPEAKER_00]: I got some hope.

48:19.489 --> 48:20.090
[SPEAKER_00]: I got some hope.

48:20.833 --> 48:22.614
[SPEAKER_03]: Yeah, so that's who's going to play Lois.

48:23.354 --> 48:25.695
[SPEAKER_03]: I'm not sold on in the abs is Lois.

48:25.775 --> 48:35.640
[SPEAKER_03]: She's like the girl next door kind of Lois where she just goes to the flow and a thing and then she follows up Clark up to the up to the mountain.

48:36.260 --> 48:37.201
[SPEAKER_03]: Yeah.

48:37.461 --> 48:44.044
[SPEAKER_03]: And then I like the look of the alien ship being underneath everything after twenty thousand a year like that.

48:44.104 --> 48:44.884
[SPEAKER_03]: That was pretty cool.

48:45.224 --> 48:45.405
[SPEAKER_03]: Yeah.

48:47.101 --> 48:53.084
[SPEAKER_03]: then the robot and stuff like that attacker for what and she wants to try to take a picture of something that she doesn't even know what it is.

48:54.524 --> 48:55.745
[SPEAKER_00]: Such a paparazzi.

48:56.525 --> 49:02.448
[SPEAKER_00]: All the robot I want to do is do his job and be in his house and have some privacy.

49:02.488 --> 49:04.969
[SPEAKER_00]: He's like, where's the robot?

49:05.069 --> 49:06.170
[SPEAKER_00]: What are you doing here?

49:06.230 --> 49:08.671
[SPEAKER_00]: Click click and he's like, look out on my way.

49:08.691 --> 49:10.592
[SPEAKER_00]: He's like, I almost killed her.

49:11.072 --> 49:12.553
[SPEAKER_00]: But I like their robot though.

49:13.213 --> 49:14.774
[SPEAKER_00]: I want their security system.

49:15.805 --> 49:17.366
[SPEAKER_00]: That's like really does security system.

49:17.406 --> 49:18.367
[SPEAKER_00]: Oh, my friend, door.

49:18.387 --> 49:19.188
[SPEAKER_00]: Yeah.

49:19.748 --> 49:20.469
[SPEAKER_00]: That's what they need.

49:20.969 --> 49:23.351
[SPEAKER_03]: That's exactly what we need for our security system.

49:23.431 --> 49:24.452
[SPEAKER_03]: I'll be a whole lot safer.

49:24.912 --> 49:30.697
[SPEAKER_00]: If the Tesla robots are like that, then I would get it on my karma account.

49:35.080 --> 49:40.785
[SPEAKER_03]: But then after that, he winds up having to be a cataract, cataract, her room.

49:40.845 --> 49:42.746
[SPEAKER_03]: Yeah, I know what I'm saying, burn room up.

49:43.226 --> 49:43.567
[SPEAKER_03]: You know,

49:45.048 --> 49:50.509
[SPEAKER_03]: I think that, you know, she doesn't play the dance, a lendistress like we did with the other Superman movies or anything.

49:50.909 --> 49:52.249
[SPEAKER_03]: They were trying to do something different.

49:52.970 --> 49:55.610
[SPEAKER_03]: But she put herself in harm's way, just like she always does.

49:55.810 --> 49:56.570
[SPEAKER_03]: If she got burned.

49:56.590 --> 49:57.450
[SPEAKER_00]: True.

49:57.691 --> 50:00.271
[SPEAKER_00]: Yeah, the real lowest would have been in the same predicament.

50:00.671 --> 50:00.891
[SPEAKER_00]: Yeah.

50:02.191 --> 50:03.612
[SPEAKER_03]: But yeah.

50:03.852 --> 50:09.613
[SPEAKER_03]: And then we have, um, then what do you think about her, trying to leak this to

50:10.787 --> 50:16.469
[SPEAKER_03]: Some of that basically has Zenga, which is a blogging website back in the day in the early two thousand.

50:16.569 --> 50:17.749
[SPEAKER_03]: That's what I was going to tell them.

50:17.789 --> 50:23.671
[SPEAKER_03]: I think a blogging, I think a Zenga that old website that we had back in the early two thousands.

50:24.191 --> 50:28.712
[SPEAKER_03]: But a very white Lawrence Frischborn does not work for doesn't even work either.

50:29.332 --> 50:39.315
[SPEAKER_00]: No, I mean, like I said, the moment this lower came on screen, it looked like it set a whole tone for the daily planet.

50:40.052 --> 50:46.499
[SPEAKER_00]: But everybody was like, you know, like lacking, like not giving it to me.

50:47.220 --> 50:48.601
[SPEAKER_00]: It's more interesting.

50:48.781 --> 50:56.370
[SPEAKER_00]: Now, like Lawrence Fishburn and Amy Adams are best at roles where they have to do quiet intensity.

50:57.197 --> 51:03.985
[SPEAKER_00]: This is like a big budget film, you know, you got a, I don't think in a daily planning like, oh, come on, what's the latest story?

51:04.005 --> 51:11.133
[SPEAKER_00]: What's the latest story put on my desk, but then on my desk, but then on my desk right now, you know, not like, Loish, we can publish this.

51:12.194 --> 51:14.817
[SPEAKER_00]: No, I don't think I was like, it's more fierce.

51:15.618 --> 51:19.000
[SPEAKER_00]: Yeah, safer and more fears don't belong behind the desk.

51:19.620 --> 51:20.981
[SPEAKER_03]: No, we doesn't now.

51:21.041 --> 51:32.026
[SPEAKER_03]: You for bringing that up because even whenever the FBI is coming at their door every month, it reminds me of the matrix with canaries whenever he sees agentsmith for the first time.

51:33.070 --> 51:33.690
[SPEAKER_03]: Mr. Anderson.

51:34.511 --> 51:35.292
[SPEAKER_03]: There, Neo.

51:35.312 --> 51:38.234
[SPEAKER_03]: There's gonna be a couple of Asians coming back.

51:38.714 --> 51:39.535
[SPEAKER_03]: Yeah, come and get you.

51:40.455 --> 51:41.636
[SPEAKER_03]: We're gonna save you.

51:41.656 --> 51:42.357
[SPEAKER_03]: Okay, thank you.

51:42.457 --> 51:43.097
[SPEAKER_03]: And then take you.

51:43.578 --> 51:46.340
[SPEAKER_03]: Well, then this is, this is Tim talking to Lois.

51:46.680 --> 51:48.481
[SPEAKER_03]: Lois, you have the eyes here.

51:48.941 --> 51:49.222
[SPEAKER_03]: Oh, no.

51:49.242 --> 51:53.004
[SPEAKER_03]: They're gonna, they're gonna question you about what you saw over the Arctic was.

51:53.525 --> 51:54.545
[SPEAKER_03]: Oh, yeah.

51:54.966 --> 51:55.766
[SPEAKER_03]: I don't know Lois.

51:56.087 --> 51:56.787
[SPEAKER_03]: You need to go in.

51:56.967 --> 52:02.051
[SPEAKER_03]: You need to, you need to, uh, you need to go in ahead and get out of the building for the API.

52:03.152 --> 52:04.213
[SPEAKER_03]: I don't know, it's not my problem.

52:04.233 --> 52:05.093
[SPEAKER_03]: I don't know, it's not my problem.

52:05.853 --> 52:07.194
[SPEAKER_03]: I don't know, it's not my problem.

52:07.214 --> 52:08.354
[SPEAKER_03]: I don't know, it's not my problem.

52:08.374 --> 52:09.415
[SPEAKER_02]: I don't know, it's not my problem.

52:09.435 --> 52:10.395
[SPEAKER_02]: I don't know, it's not my problem.

52:10.415 --> 52:12.236
[SPEAKER_03]: I don't know, it's not my problem.

52:12.256 --> 52:13.016
[SPEAKER_03]: I don't know, it's not my problem.

52:13.036 --> 52:13.796
[SPEAKER_02]: I don't know, it's not my problem.

52:13.816 --> 52:16.017
[SPEAKER_03]: I don't know, it's not my problem.

52:16.037 --> 52:18.238
[SPEAKER_03]: I don't know, it's not my problem.

52:18.358 --> 52:19.299
[SPEAKER_03]: I don't know, it's not my problem.

52:19.319 --> 52:20.299
[SPEAKER_03]: I don't know, it's not my problem.

52:20.319 --> 52:21.960
[SPEAKER_03]: I don't know, it's not my problem.

52:22.140 --> 52:24.240
[SPEAKER_03]: I don't know, it's not my problem.

52:24.260 --> 52:25.481
[SPEAKER_03]: I don't know, it's not my problem.

52:25.581 --> 52:26.802
[SPEAKER_03]: I don't know, it's not my problem.

52:26.822 --> 52:27.962
[SPEAKER_03]: I don't know, it's not my problem.

52:27.982 --> 52:29.222
[SPEAKER_03]: I don't know, it's not my problem.

52:29.242 --> 52:30.123
[SPEAKER_03]: I don't know, it's not my problem.

52:30.143 --> 52:30.463
[SPEAKER_03]: I don't know

52:31.042 --> 52:37.926
[SPEAKER_03]: I feel like that the daily plan in this one has been through so much shit to the point is like, okay, another story.

52:38.126 --> 52:38.406
[SPEAKER_00]: Yeah.

52:38.506 --> 52:40.087
[SPEAKER_03]: I see what we can find.

52:40.687 --> 52:41.388
[SPEAKER_03]: Okay.

52:42.288 --> 52:44.209
[SPEAKER_03]: Well, some more political stuff.

52:44.489 --> 52:46.050
[SPEAKER_03]: Okay, just another Tuesday.

52:46.070 --> 52:49.432
[SPEAKER_03]: You know what I'm saying?

52:49.592 --> 52:49.952
[SPEAKER_00]: Yeah.

52:50.372 --> 52:52.714
[SPEAKER_03]: There's no liveliness to that, sorry.

52:52.994 --> 52:54.034
[SPEAKER_00]: There's a liveliness.

52:54.254 --> 52:58.076
[SPEAKER_00]: Here's the Monday blues throughout the whole movie at the day.

52:58.597 --> 52:59.497
[SPEAKER_00]: And it was dark.

52:59.797 --> 53:00.458
[SPEAKER_00]: They didn't make it.

53:01.078 --> 53:02.600
[SPEAKER_00]: I think that's my other issue.

53:02.660 --> 53:06.846
[SPEAKER_00]: Like, isn't like the daily planet like light, you know?

53:06.906 --> 53:10.250
[SPEAKER_03]: Even like properly supposed to be white of bright and style.

53:11.309 --> 53:15.631
[SPEAKER_03]: And I exact pretty much made it dark and dim and stuff like that.

53:15.731 --> 53:18.352
[SPEAKER_03]: And it's not, it's the overall tone of it.

53:18.652 --> 53:22.893
[SPEAKER_03]: It does not match with the tone of what we know, which I'm pleased to be.

53:23.033 --> 53:25.474
[SPEAKER_03]: And that's my next big picky thing about this film.

53:26.175 --> 53:32.257
[SPEAKER_03]: It's the fact that the, there's the colors, the atmospheric thing, the vibe of Superman is not Superman in a sense.

53:32.852 --> 53:33.072
[SPEAKER_03]: Yeah.

53:33.092 --> 53:35.673
[SPEAKER_03]: Properties in the daily planet are not bright and sunny.

53:36.474 --> 53:37.854
[SPEAKER_03]: Nobody feels energetic.

53:37.954 --> 53:39.935
[SPEAKER_03]: They don't want to be there at the daily planet.

53:40.856 --> 53:41.376
[SPEAKER_03]: Or anything.

53:42.076 --> 53:43.297
[SPEAKER_03]: Everything just feels bland.

53:44.438 --> 53:44.738
[SPEAKER_00]: Yes.

53:45.598 --> 53:53.702
[SPEAKER_00]: I feel like he put more of the color and the sense of life in like in Clark's childhood.

53:54.742 --> 53:57.824
[SPEAKER_00]: I feel more lively to me than the daily planet.

53:58.609 --> 54:03.533
[SPEAKER_00]: Like, what is, what is the, is there a news paper in Batman, right?

54:04.453 --> 54:07.956
[SPEAKER_00]: Gotham, what, I think they have a news.

54:07.996 --> 54:12.539
[SPEAKER_00]: But anyway, that, that tone should have been in the Batman movie.

54:13.120 --> 54:16.342
[SPEAKER_00]: Like, this is the Gotham blah, blah, blah.

54:16.722 --> 54:24.528
[SPEAKER_00]: Like, I expect them to be kind of like, uh, whatever, because I mean, they've been through some stuff, man, like, every five minutes.

54:25.130 --> 54:36.016
[SPEAKER_00]: they in something, some crime, but also trying to get them a bad man, I spit that for now, but troplies, I spit it to become like New York, you know, exactly.

54:36.056 --> 54:41.018
[SPEAKER_03]: That's exactly how it's supposed to, well, Gotham is supposed to be basically not.

54:43.099 --> 54:48.502
[SPEAKER_03]: Oh, yeah, basically, do you think about Gotham is basically going to be New York?

54:48.522 --> 54:54.325
[SPEAKER_03]: And I would say Jersey, probably from a troplist or I could even go Chicago, probably.

54:55.461 --> 54:55.741
[SPEAKER_00]: Oh, okay.

54:55.801 --> 54:56.321
[SPEAKER_00]: I see that.

54:56.381 --> 54:56.541
[SPEAKER_00]: Yeah.

54:56.561 --> 54:56.841
[SPEAKER_00]: Yeah.

54:56.861 --> 54:57.042
[SPEAKER_00]: Yeah.

54:57.782 --> 54:58.082
[SPEAKER_03]: Maybe.

54:58.302 --> 55:00.942
[SPEAKER_03]: But it's just doesn't fit the color scheme.

55:01.062 --> 55:01.683
[SPEAKER_03]: I even sorry.

55:01.723 --> 55:02.463
[SPEAKER_03]: I just don't like it.

55:02.583 --> 55:03.063
[SPEAKER_00]: No.

55:03.283 --> 55:08.264
[SPEAKER_00]: And the way that it's stylistically is the tone of the two muted.

55:08.924 --> 55:09.104
[SPEAKER_00]: Yeah.

55:09.664 --> 55:17.166
[SPEAKER_00]: And your eyes go like this and you already feel like you just got the dreadful to be here with them.

55:17.226 --> 55:19.447
[SPEAKER_00]: Like I'm dreading being here today.

55:19.467 --> 55:20.147
[SPEAKER_00]: The plan of two.

55:22.482 --> 55:22.942
[SPEAKER_00]: me here.

55:23.323 --> 55:24.804
[SPEAKER_00]: I don't want to work here too.

55:24.884 --> 55:25.745
[SPEAKER_00]: That's how I felt.

55:26.065 --> 55:28.267
[SPEAKER_00]: Like, is weird watching this the second.

55:28.427 --> 55:30.809
[SPEAKER_00]: I haven't seen it since I saw it in theaters.

55:31.490 --> 55:32.211
[SPEAKER_00]: Actually, I don't know.

55:32.291 --> 55:32.731
[SPEAKER_00]: Oh, right.

55:33.592 --> 55:34.693
[SPEAKER_00]: How a question.

55:35.433 --> 55:40.738
[SPEAKER_00]: Yeah, I felt the same way with Lawrence Fishburn.

55:40.758 --> 55:42.380
[SPEAKER_00]: I was like, oh, I didn't pretty cool.

55:42.400 --> 55:43.521
[SPEAKER_00]: You know the color now.

55:43.541 --> 55:45.742
[SPEAKER_00]: I'm like, oh, the colors.

55:46.203 --> 55:48.405
[SPEAKER_00]: It just make you feel so depressed.

55:49.187 --> 55:49.527
[SPEAKER_02]: Uh-huh.

55:49.708 --> 55:52.911
[SPEAKER_00]: You know, like, uh-huh, the daily planet.

55:52.951 --> 55:56.915
[SPEAKER_00]: I don't want to be hairy, the hairy, another story.

55:57.015 --> 56:02.440
[SPEAKER_03]: It makes us feel like we've been working for him for about twenty years and we just got here about two hours ago.

56:02.460 --> 56:07.325
[SPEAKER_00]: I mean, it just seemed like Perry would go out to retire the next year.

56:07.345 --> 56:08.366
[SPEAKER_00]: Planned now.

56:08.406 --> 56:11.909
[SPEAKER_03]: Especially when he's looking at the window and telling her no, he's like, every going again.

56:13.831 --> 56:16.372
[SPEAKER_00]: But yeah, I think I didn't answer your question.

56:17.753 --> 56:22.977
[SPEAKER_00]: Yeah, I think that was the only way she could get that story out was to a conspiracy theory blog.

56:23.357 --> 56:25.078
[SPEAKER_00]: I think that was a perfect place to put it.

56:25.659 --> 56:26.279
[SPEAKER_03]: I think so too.

56:26.820 --> 56:28.020
[SPEAKER_03]: But here's the thing.

56:28.681 --> 56:32.243
[SPEAKER_03]: I understand the FBI is busy against stuff like that.

56:32.944 --> 56:35.425
[SPEAKER_03]: And they're all also trying to protect area fifty one.

56:36.566 --> 56:41.450
[SPEAKER_03]: Most of the stuff that comes out of a blog is someone living in their mom's basement that doesn't mean shit.

56:42.364 --> 56:42.924
[SPEAKER_03]: after time.

56:42.944 --> 56:51.010
[SPEAKER_00]: So I think because they already had people on site like this was their area of the point.

56:51.070 --> 56:52.791
[SPEAKER_00]: And then it's on his blog.

56:52.811 --> 56:54.652
[SPEAKER_00]: So they're like, well, crap, this kid now.

56:55.072 --> 56:56.113
[SPEAKER_00]: I have to take it.

56:56.513 --> 56:58.795
[SPEAKER_00]: Yeah, and then, of course, it's saying like a canary.

56:59.555 --> 57:00.896
[SPEAKER_00]: Oh, that's Lois Lane.

57:00.956 --> 57:02.517
[SPEAKER_00]: Yeah, she gave me this door.

57:02.557 --> 57:04.278
[SPEAKER_00]: She worked at the Daily Planet.

57:04.319 --> 57:07.361
[SPEAKER_00]: That's fifteen, fifty-five metropolis way.

57:07.961 --> 57:09.662
[SPEAKER_00]: You know, just telling everything.

57:09.702 --> 57:10.983
[SPEAKER_00]: I'm like, good, God.

57:12.509 --> 57:26.236
[SPEAKER_03]: All right, so now we're at the ship settles on Undersea Island and Clark is greeted by a holographic projection of Jorrell who tells Clark the full story of the origins, his birth name and why he was sent to Earth.

57:26.616 --> 57:39.463
[SPEAKER_03]: Jorrell reveals that in the distant past, Krypton was once a flourishing civilization and sought to expand themselves in the madness of space at one time before human civilization even started.

57:40.043 --> 57:40.484
[SPEAKER_03]: This is ship.

57:41.724 --> 57:44.525
[SPEAKER_03]: Clark found was one of the hundreds lost in the void.

57:44.845 --> 57:49.627
[SPEAKER_03]: However, these grandiose projects died.

57:50.387 --> 57:56.349
[SPEAKER_03]: Once the artificial breeding was established, and when they didn't manage to find new resources.

57:56.670 --> 58:02.892
[SPEAKER_03]: And by the time of Carl's birth, their society was a shell of its past glory.

58:03.412 --> 58:13.796
[SPEAKER_03]: I believe in that Kryptonian's artificial breeding and genetic engineering policies led to this downfall with Kryptonians losing the ability to choose their own lives.

58:14.336 --> 58:22.559
[SPEAKER_03]: For and Laura convinced Cal to rebel against the system and send them to Earth to not just escape Kryptonian Kryptonians.

58:23.599 --> 58:39.687
[SPEAKER_03]: and but to forge his own path, George Thor believes humanity has the potential to become great ascript on was at its height and housed guidance as he can embody the best of both worlds.

58:40.407 --> 58:57.334
[SPEAKER_03]: You have to give him a format crotony and suit, and with the House of Ells, Code of Arms, a symbol meant to represent hope after donning the suit in taking George's words of encouragement to keep pushing the limits of his abilities, Clark.

58:57.895 --> 59:02.797
[SPEAKER_03]: After a stumble, it's essentially able to fly with his Superman costume on.

59:04.238 --> 59:09.300
[SPEAKER_03]: So I like the idea of him explaining the origin story.

59:09.980 --> 59:13.121
[SPEAKER_03]: through this background of their stuff.

59:13.221 --> 59:18.263
[SPEAKER_03]: It gives us a perfectly out of what Ripton was supposed to be and what it represented.

59:18.723 --> 59:25.405
[SPEAKER_03]: And then it fell into something that didn't even need to be or anything like that as time went by.

59:26.065 --> 59:28.326
[SPEAKER_00]: Yes, I like that too.

59:28.366 --> 59:37.112
[SPEAKER_00]: That's, that's still my favorite part of the movie, just the special effects, you know, in the storytelling.

59:38.732 --> 59:41.834
[SPEAKER_00]: I'm sorry, I'm going back to my soapbox, but it'll just be a minute.

59:42.295 --> 59:54.562
[SPEAKER_00]: So if, if crypto exchanges be like the, the granite aspects of the storytelling, then I would be okay minus the dirt and the dinosaurs.

59:55.617 --> 59:56.637
[SPEAKER_00]: Okay, I'm a lady girl.

59:57.037 --> 01:00:14.882
[SPEAKER_00]: So anyway, I actually was wondering especially in the first Superman, Krypton is so advanced like how do how does one's conscience look like it's living and it's moving and it's interacting with somebody else.

01:00:15.103 --> 01:00:22.805
[SPEAKER_00]: It still battles me to this day how advanced their technology is that you have jewelry like

01:00:25.152 --> 01:00:27.474
[SPEAKER_00]: Oh, Cal, how are you?

01:00:27.494 --> 01:00:28.455
[SPEAKER_00]: It's me, Drew.

01:00:28.515 --> 01:00:30.117
[SPEAKER_00]: And he doesn't even sound like a robot.

01:00:30.217 --> 01:00:32.259
[SPEAKER_00]: It sounds like I'm interacting with my dad.

01:00:32.499 --> 01:00:33.019
[SPEAKER_00]: He's right.

01:00:33.059 --> 01:00:36.162
[SPEAKER_03]: It's like AI artificial intelligence talking to you.

01:00:36.842 --> 01:00:37.383
[SPEAKER_00]: Thank you.

01:00:37.403 --> 01:00:38.424
[SPEAKER_00]: You answered my question.

01:00:38.464 --> 01:00:39.585
[SPEAKER_00]: Yeah, it makes sense.

01:00:39.845 --> 01:00:44.289
[SPEAKER_03]: It's like AI generation, generational, um, andology.

01:00:44.349 --> 01:00:50.234
[SPEAKER_03]: If you think about it, yes, he's not standing in a mirror like they were doing in the very first one.

01:00:51.161 --> 01:00:51.861
[SPEAKER_03]: I don't remember.

01:00:51.922 --> 01:00:54.244
[SPEAKER_03]: I feel like Kim is just watching in his parents.

01:00:55.506 --> 01:00:59.330
[SPEAKER_03]: You know what I'm saying on teleprompter or something.

01:00:59.350 --> 01:01:00.872
[SPEAKER_03]: It's actually on the wall.

01:01:00.892 --> 01:01:07.579
[SPEAKER_03]: But with this one, you actually have the human error actually between Kellell and his dad.

01:01:09.197 --> 01:01:17.322
[SPEAKER_03]: And you actually get to see them face to face talking to each other, having that father and son conversation, which is something that I like with this.

01:01:17.342 --> 01:01:21.905
[SPEAKER_03]: It gives you more of a father and son dynamic versus the original Superman movies.

01:01:22.165 --> 01:01:24.267
[SPEAKER_03]: So that's something I do appreciate with this one.

01:01:25.427 --> 01:01:32.912
[SPEAKER_03]: But yeah, I would say it's like artificial intelligence, when it becomes down to the technology of the plutonians, when it went with that scene.

01:01:34.028 --> 01:01:34.268
[SPEAKER_03]: Yeah.

01:01:34.488 --> 01:01:41.513
[SPEAKER_03]: And especially about how he actually just walks around and showing him certain things.

01:01:41.553 --> 01:01:43.554
[SPEAKER_03]: I'm like, how do you know where they are?

01:01:43.574 --> 01:01:49.078
[SPEAKER_00]: I mean, how much planning has went into this?

01:01:50.219 --> 01:01:52.781
[SPEAKER_00]: Like, they had the plan like weeks ahead.

01:01:53.181 --> 01:02:00.666
[SPEAKER_00]: And he had to like put his conscience or loaded it or whatever he did, where he could just walk around and

01:02:01.183 --> 01:02:04.347
[SPEAKER_00]: and show him like, okay, this is this, this is that.

01:02:04.988 --> 01:02:15.041
[SPEAKER_00]: Like, and it's still one of my favorite scenes from the movie, but also it's really interesting because Superman won or two.

01:02:16.311 --> 01:02:22.393
[SPEAKER_00]: Clark seemed like he was more closer to his mom because we started to see him interact with his mom more than his dad.

01:02:22.833 --> 01:02:32.137
[SPEAKER_00]: And in this, he's interacting with his dad, which I really like the key to of son and father relationship is really important.

01:02:32.517 --> 01:02:33.617
[SPEAKER_00]: So I really like that.

01:02:33.697 --> 01:02:35.318
[SPEAKER_00]: He's interacting with his father.

01:02:36.044 --> 01:02:37.385
[SPEAKER_03]: It's about father and sons.

01:02:37.646 --> 01:02:38.927
[SPEAKER_03]: This is what this movie's about.

01:02:38.947 --> 01:02:46.975
[SPEAKER_03]: It's about father and son relationships, and in humanizes a drill even more with a son.

01:02:47.576 --> 01:02:50.699
[SPEAKER_03]: Even though it's like AI artificial intelligence talking to a son,

01:02:51.500 --> 01:02:59.743
[SPEAKER_03]: But it gives you more of a structure of who he is and a personality that Clark never got to see before because he never knew his real father.

01:03:00.063 --> 01:03:01.263
[SPEAKER_03]: So I like that.

01:03:01.463 --> 01:03:04.584
[SPEAKER_03]: It doesn't leave any questions anymore as to who he is.

01:03:04.664 --> 01:03:10.406
[SPEAKER_03]: He knows what everything is what he is and what he needs to do.

01:03:11.586 --> 01:03:12.406
[SPEAKER_00]: That's really good.

01:03:12.826 --> 01:03:13.467
[SPEAKER_00]: Yeah.

01:03:13.607 --> 01:03:14.227
[SPEAKER_00]: He's fine.

01:03:14.267 --> 01:03:17.508
[SPEAKER_00]: And now who he truly is during his mother.

01:03:19.325 --> 01:03:19.665
[SPEAKER_00]: Wow.

01:03:19.965 --> 01:03:20.266
[SPEAKER_00]: Yeah.

01:03:20.466 --> 01:03:28.690
[SPEAKER_00]: Or in this case, Clark is really looking, you know, he's finding out who he is from his biological dad.

01:03:28.950 --> 01:03:33.953
[SPEAKER_00]: And then he had his earthly dad or step dad or whatever.

01:03:34.073 --> 01:03:35.233
[SPEAKER_00]: I still, he's dad.

01:03:35.814 --> 01:03:39.596
[SPEAKER_00]: Give him these lessons on how to be a good human.

01:03:40.156 --> 01:03:41.857
[SPEAKER_00]: Like how to interact with people.

01:03:41.997 --> 01:03:47.940
[SPEAKER_00]: So he has the best of both worlds combined in one, which fulfills his parents' dreams, you know.

01:03:48.820 --> 01:03:49.601
[SPEAKER_00]: But I like that.

01:03:49.821 --> 01:03:54.924
[SPEAKER_00]: For Joreal to say, oh, the earth can be just like, Krypton.

01:03:54.944 --> 01:03:56.525
[SPEAKER_00]: I'm like, no, earth is earth.

01:03:56.885 --> 01:03:59.727
[SPEAKER_00]: Like, there can be, there can't be another Krypton.

01:04:00.688 --> 01:04:02.289
[SPEAKER_00]: You know, Krypton was his own thing.

01:04:02.309 --> 01:04:11.795
[SPEAKER_00]: And he was still thinking, even before he, when he was alive, like, oh, you know, earth would be just great as Krypton, be Krypton too.

01:04:12.495 --> 01:04:14.577
[SPEAKER_00]: And that's the same thing in Zahn hat.

01:04:14.617 --> 01:04:16.678
[SPEAKER_00]: But it was today, string viewpoint.

01:04:17.713 --> 01:04:21.227
[SPEAKER_03]: right, but I think it's also like build your own crypt on.

01:04:22.448 --> 01:04:27.231
[SPEAKER_00]: I mean, Krypton is going, or you have his chance.

01:04:27.812 --> 01:04:28.072
[SPEAKER_00]: Right.

01:04:28.232 --> 01:04:31.674
[SPEAKER_00]: It's like Kryptonism is in you, but it's not part of you.

01:04:32.094 --> 01:04:34.276
[SPEAKER_03]: Wow.

01:04:34.436 --> 01:04:37.257
[SPEAKER_03]: Wow, dropping truth balls over here, man.

01:04:37.478 --> 01:04:39.038
[SPEAKER_03]: That's how I got.

01:04:39.098 --> 01:04:43.061
[SPEAKER_03]: It's like, Krypton is part of you, but it's not who you are.

01:04:44.302 --> 01:04:49.325
[SPEAKER_03]: Yes, you're a Kryptonian, but at the same time, you're your own individual person.

01:04:49.345 --> 01:04:51.126
[SPEAKER_03]: You're only individual thoughts.

01:04:52.104 --> 01:04:55.025
[SPEAKER_00]: Yeah, but it's part of who you are, right?

01:04:55.145 --> 01:05:00.888
[SPEAKER_00]: Like, we live in, okay, I'm from Atlanta and you're originally from Boston, right?

01:05:01.088 --> 01:05:02.449
[SPEAKER_00]: We're in different states.

01:05:03.409 --> 01:05:15.355
[SPEAKER_00]: But where we are, it's part of who we are, where we came from, you know, it's still caring like Atlanta, like the culture of Atlanta, you still care the culture of Boston.

01:05:16.315 --> 01:05:19.077
[SPEAKER_00]: But it's not who you are, doesn't.

01:05:20.129 --> 01:05:22.730
[SPEAKER_00]: limit you like, oh, I can only be in Boston.

01:05:22.770 --> 01:05:23.931
[SPEAKER_00]: I can only be at Lennon.

01:05:23.971 --> 01:05:26.312
[SPEAKER_00]: No, you take Atlanta in Boston with you.

01:05:27.192 --> 01:05:27.392
[SPEAKER_00]: Right.

01:05:28.193 --> 01:05:30.794
[SPEAKER_00]: And he takes Krypton with him, literally.

01:05:31.694 --> 01:05:36.256
[SPEAKER_00]: This is like implanted in hell, which was genius.

01:05:36.276 --> 01:05:42.639
[SPEAKER_00]: Anyway, this, I'm just learning so much from this conversation is very deep.

01:05:43.399 --> 01:05:49.662
[SPEAKER_03]: Yeah, this is probably as deep as we went with some of it, even though we did part three that we went deep with that.

01:05:50.441 --> 01:05:51.621
[SPEAKER_00]: We do have to move on.

01:05:51.841 --> 01:05:52.362
[SPEAKER_00]: I'm sorry.

01:05:52.402 --> 01:05:53.462
[SPEAKER_00]: Yeah, we have to move on.

01:05:54.302 --> 01:05:55.802
[SPEAKER_03]: Okay.

01:05:55.822 --> 01:05:58.283
[SPEAKER_03]: What do you think of the whole flying scene though?

01:05:58.463 --> 01:06:06.365
[SPEAKER_03]: I like the Hans Zimmer flights of light theme of it with a slow pacing and then you get to the whole time.

01:06:06.385 --> 01:06:08.526
[SPEAKER_03]: I think where he's stumbling, he doesn't know how to fly.

01:06:09.446 --> 01:06:10.887
[SPEAKER_03]: He's just trying to figure out his powers.

01:06:10.927 --> 01:06:17.448
[SPEAKER_03]: Just as we're trying to figure out his powers for him as well as an audience because we're one to see a fly.

01:06:17.528 --> 01:06:19.049
[SPEAKER_03]: We're wanting that moment.

01:06:20.022 --> 01:06:22.983
[SPEAKER_03]: And it's just that little bill to it.

01:06:23.463 --> 01:06:24.803
[SPEAKER_03]: And then you finally get it.

01:06:25.123 --> 01:06:27.743
[SPEAKER_03]: And I'm still geek out over it.

01:06:27.863 --> 01:06:33.164
[SPEAKER_03]: And the scoring that Hans Zimmer does for a flight is that one of my favorites.

01:06:33.744 --> 01:06:36.705
[SPEAKER_00]: Yes, where you could put a side by side.

01:06:36.725 --> 01:06:39.345
[SPEAKER_00]: We had a client covered the flower.

01:06:39.365 --> 01:06:40.246
[SPEAKER_00]: He's a teenager.

01:06:40.266 --> 01:06:41.126
[SPEAKER_00]: He's like, right.

01:06:41.186 --> 01:06:44.386
[SPEAKER_00]: And I don't think I would like you to see a little string pulling them up.

01:06:44.466 --> 01:06:47.207
[SPEAKER_00]: I can marinate versus this.

01:06:48.673 --> 01:06:52.776
[SPEAKER_00]: But yeah, I think this one was more like a victory flight.

01:06:53.596 --> 01:06:55.358
[SPEAKER_00]: It's like, wow, I know who I am.

01:06:55.418 --> 01:06:56.418
[SPEAKER_00]: I know where I come from.

01:06:57.719 --> 01:07:02.523
[SPEAKER_00]: You know, I'm learning how these things, you know, like how Spider-Man told him a cry.

01:07:02.663 --> 01:07:07.726
[SPEAKER_00]: My choir was learning how to shoot from whales from his disgusting wrists.

01:07:11.209 --> 01:07:15.051
[SPEAKER_00]: But yeah, I like him flying across all the elements.

01:07:15.191 --> 01:07:15.852
[SPEAKER_00]: Like we see.

01:07:16.959 --> 01:07:19.642
[SPEAKER_00]: I think we sent all the elements when I heard fire.

01:07:19.662 --> 01:07:21.424
[SPEAKER_00]: Yeah, we got to see it all.

01:07:21.504 --> 01:07:22.284
[SPEAKER_03]: There was a kid.

01:07:22.404 --> 01:07:24.487
[SPEAKER_03]: Yeah, we got to see most of it.

01:07:24.687 --> 01:07:25.167
[SPEAKER_03]: I spread.

01:07:25.488 --> 01:07:26.348
[SPEAKER_03]: We didn't get to see that.

01:07:26.368 --> 01:07:28.731
[SPEAKER_00]: Oh, yeah, but I like it.

01:07:28.851 --> 01:07:29.772
[SPEAKER_00]: I like his flight.

01:07:29.972 --> 01:07:31.794
[SPEAKER_00]: I was happy for him.

01:07:31.834 --> 01:07:33.556
[SPEAKER_00]: I felt like my accomplishment too.

01:07:33.636 --> 01:07:36.659
[SPEAKER_00]: I'm like, yes, Clark, you found out who you truly are.

01:07:37.341 --> 01:07:37.661
[SPEAKER_00]: Great.

01:07:37.861 --> 01:07:38.201
[SPEAKER_03]: Me too.

01:07:38.442 --> 01:07:42.224
[SPEAKER_03]: It's not about stuff identification and stuff.

01:07:43.324 --> 01:07:45.585
[SPEAKER_03]: You know, dropping it and trying dropping them true.

01:07:46.406 --> 01:07:51.088
[SPEAKER_03]: You remember when he sees the pods and sees all his dead ancestors and stuff?

01:07:51.328 --> 01:07:52.109
[SPEAKER_03]: Yeah, that was creepy.

01:07:52.789 --> 01:07:53.449
[SPEAKER_03]: Look at this.

01:07:54.030 --> 01:07:58.832
[SPEAKER_03]: Now, I don't know if you remember this or not, but remember the open pod is a pod that was opened.

01:07:59.232 --> 01:08:00.013
[SPEAKER_03]: I don't think you remember.

01:08:00.253 --> 01:08:02.054
[SPEAKER_03]: You don't remember because he's frozen.

01:08:02.114 --> 01:08:02.994
[SPEAKER_00]: Oh, it blanked out.

01:08:03.455 --> 01:08:04.235
[SPEAKER_00]: Oh, okay.

01:08:04.715 --> 01:08:04.975
[SPEAKER_00]: Okay.

01:08:05.316 --> 01:08:05.536
[SPEAKER_00]: Okay.

01:08:05.556 --> 01:08:05.656
[SPEAKER_00]: Okay.

01:08:06.412 --> 01:08:07.393
[SPEAKER_00]: All right, and we're big.

01:08:08.034 --> 01:08:09.855
[SPEAKER_00]: Yeah, I do remember the open point.

01:08:10.676 --> 01:08:20.725
[SPEAKER_03]: Okay, so there was actually going to be a, there was a comic a little small mini comic that came with the DVD and it was actually super that was actually in that pod.

01:08:21.864 --> 01:08:26.027
[SPEAKER_03]: Oh, so they did like a little small thing for it.

01:08:26.627 --> 01:08:26.967
[SPEAKER_03]: Stop.

01:08:27.208 --> 01:08:28.188
[SPEAKER_03]: They came with your blue ring.

01:08:29.069 --> 01:08:29.909
[SPEAKER_00]: Interesting.

01:08:30.270 --> 01:08:30.730
[SPEAKER_00]: Okay.

01:08:32.111 --> 01:08:32.571
[SPEAKER_00]: Yeah.

01:08:32.791 --> 01:08:35.393
[SPEAKER_00]: But everybody else was like a skeleton.

01:08:35.413 --> 01:08:37.614
[SPEAKER_00]: I don't know if this is like a horror movie.

01:08:37.674 --> 01:08:38.295
[SPEAKER_00]: Geez.

01:08:38.915 --> 01:08:40.376
[SPEAKER_00]: That looks like the thing, right?

01:08:40.596 --> 01:08:43.338
[SPEAKER_00]: Oh, man.

01:08:43.798 --> 01:08:46.200
[SPEAKER_00]: Oh, yeah.

01:08:46.240 --> 01:08:46.540
[SPEAKER_00]: Yeah.

01:08:46.580 --> 01:08:46.880
[SPEAKER_00]: Yeah.

01:08:46.920 --> 01:08:50.303
[SPEAKER_00]: They can watch your review on the thing on movie lovers, you and I.

01:08:51.043 --> 01:08:51.924
[SPEAKER_00]: Yep, exactly.

01:08:51.944 --> 01:08:53.044
[SPEAKER_00]: I've reviewed that movie.

01:08:54.025 --> 01:09:00.129
[SPEAKER_03]: You guys can find it on the audio and video formats in the eighties playlist of the video section.

01:09:00.269 --> 01:09:09.735
[SPEAKER_03]: But yeah, then so now we have lowest begins of this getting Clark's life and the history of saving and helping people over the years and collecting, talking with the grown up douchebag feet.

01:09:09.795 --> 01:09:14.559
[SPEAKER_03]: I mean, Pete before turning up at the Kent Farm, those visits Johnson gave

01:09:15.579 --> 01:09:22.704
[SPEAKER_03]: where Clark arrives and tells the story of Jonathan and helping people during a tornado and sacrifice himself to keep Clark's ability as a secret.

01:09:23.064 --> 01:09:33.792
[SPEAKER_03]: The topic is especially painful, but Clark as he and Jonathan and an argument before the tornado struck and he never got the chance to apologize for what he said in the heat of the moment.

01:09:35.793 --> 01:09:48.324
[SPEAKER_03]: publish the story to aren't drawn to the sacrifice, talk return to home and re-nice with Martha, excitedly telling her that he's found out while reassuring her, nothing between them has changed.

01:09:49.004 --> 01:09:50.586
[SPEAKER_00]: Yeah, I noticed that too.

01:09:50.846 --> 01:09:53.688
[SPEAKER_00]: When he was like, Mom, I found my parents.

01:09:53.788 --> 01:09:54.729
[SPEAKER_00]: I know who I am.

01:09:54.769 --> 01:09:56.291
[SPEAKER_00]: She was like, that's great, Clark.

01:09:57.051 --> 01:09:57.552
[SPEAKER_00]: Who's story?

01:09:57.972 --> 01:09:58.212
[SPEAKER_00]: Yeah.

01:09:58.592 --> 01:09:59.733
[SPEAKER_00]: I mean, I'm sorry, bro.

01:09:59.934 --> 01:10:00.714
[SPEAKER_00]: I'm your mom.

01:10:01.375 --> 01:10:02.055
[SPEAKER_00]: They left you.

01:10:02.095 --> 01:10:03.497
[SPEAKER_00]: I was here for you, but it's fine.

01:10:04.200 --> 01:10:05.521
[SPEAKER_00]: I was like, I don't know.

01:10:05.961 --> 01:10:07.642
[SPEAKER_00]: We got a little cold over there.

01:10:07.923 --> 01:10:08.783
[SPEAKER_00]: Mom, too.

01:10:08.863 --> 01:10:09.904
[SPEAKER_00]: I mean, you're still white.

01:10:09.924 --> 01:10:11.145
[SPEAKER_03]: You're a little Superman.

01:10:11.185 --> 01:10:12.306
[SPEAKER_03]: Maybe you never came back.

01:10:15.108 --> 01:10:20.011
[SPEAKER_00]: That's why we didn't see her no more.

01:10:21.312 --> 01:10:21.792
[SPEAKER_00]: Day.

01:10:21.812 --> 01:10:22.993
[SPEAKER_00]: Oh, okay.

01:10:23.033 --> 01:10:24.614
[SPEAKER_00]: That's my little gripe too.

01:10:24.714 --> 01:10:28.557
[SPEAKER_00]: Like, do I think lower should have known sooner?

01:10:29.137 --> 01:10:29.918
[SPEAKER_00]: That he is super

01:10:30.900 --> 01:10:32.961
[SPEAKER_00]: That's part of our rest of it in this movie.

01:10:33.061 --> 01:10:34.762
[SPEAKER_00]: It's like she knew immediately.

01:10:34.962 --> 01:10:37.644
[SPEAKER_00]: Like, you know, like boom, I'm Superman.

01:10:38.164 --> 01:10:39.865
[SPEAKER_00]: Before she knew he was Clark.

01:10:41.826 --> 01:10:42.186
[SPEAKER_00]: I don't know.

01:10:42.246 --> 01:10:46.768
[SPEAKER_00]: I still like, I still like, oh, does she know?

01:10:46.828 --> 01:10:47.429
[SPEAKER_00]: No, she knows.

01:10:47.449 --> 01:10:49.189
[SPEAKER_00]: Oh, it's glass is all in this glass.

01:10:49.370 --> 01:10:52.151
[SPEAKER_00]: Oh, I know that a lot of people are like, they're so stupid.

01:10:52.751 --> 01:10:54.552
[SPEAKER_00]: She could clearly see that there's him.

01:10:55.213 --> 01:10:57.894
[SPEAKER_00]: That that Superman, Superman Clark, one person.

01:10:57.954 --> 01:10:59.395
[SPEAKER_00]: But here she's introduced to

01:11:00.225 --> 01:11:00.805
[SPEAKER_00]: Superman.

01:11:00.885 --> 01:11:02.226
[SPEAKER_00]: No, she didn't do it him and Clark.

01:11:02.627 --> 01:11:02.887
[SPEAKER_00]: Right.

01:11:02.987 --> 01:11:06.349
[SPEAKER_00]: Well, because it's introduced to him as Clark before they worked together.

01:11:06.409 --> 01:11:07.990
[SPEAKER_00]: I don't know how I feel about that.

01:11:08.050 --> 01:11:09.991
[SPEAKER_00]: Maybe I'm too much of a traditionalist.

01:11:10.792 --> 01:11:12.193
[SPEAKER_03]: I've left the same way though, too.

01:11:12.473 --> 01:11:19.537
[SPEAKER_03]: I felt like it was a little too rushed to for her to, you know, he Superman stuff like that.

01:11:19.577 --> 01:11:23.780
[SPEAKER_03]: Yeah, I get the fact that she's a reporter, but she's doing it really quick.

01:11:24.748 --> 01:11:24.968
[SPEAKER_02]: Yeah.

01:11:24.988 --> 01:11:25.569
[SPEAKER_03]: That's the thing.

01:11:25.589 --> 01:11:26.510
[SPEAKER_03]: You know what I mean?

01:11:26.590 --> 01:11:28.573
[SPEAKER_03]: Because it wasn't too long whenever he saved her.

01:11:28.713 --> 01:11:32.178
[SPEAKER_03]: And then all of a sudden now she's doing all this research on him.

01:11:32.959 --> 01:11:34.601
[SPEAKER_03]: And we get to see Pete at the eye hop.

01:11:34.641 --> 01:11:35.742
[SPEAKER_03]: He's a manager now.

01:11:36.223 --> 01:11:37.525
[SPEAKER_03]: We get to see all this lead up.

01:11:37.925 --> 01:11:39.327
[SPEAKER_03]: But I think I wanted it.

01:11:39.728 --> 01:11:40.489
[SPEAKER_03]: It would be okay.

01:11:40.529 --> 01:11:42.071
[SPEAKER_03]: If I was to fix the DCU.

01:11:43.918 --> 01:11:50.941
[SPEAKER_03]: I would have him try to find out who he is in the second movie, just like how they did with the other one, with the original.

01:11:51.281 --> 01:11:52.141
[SPEAKER_02]: Yes.

01:11:52.201 --> 01:11:53.341
[SPEAKER_03]: Have that lead up to it.

01:11:53.862 --> 01:12:02.605
[SPEAKER_03]: But just to go ahead and put it in there now, and I get the fact that they're combining part one and part two together with this one, it just doesn't work for me either with this.

01:12:03.485 --> 01:12:06.746
[SPEAKER_03]: There's that mystery element of when is low is going to find out.

01:12:06.966 --> 01:12:11.308
[SPEAKER_03]: This raises all the credibility of, you know, when does that lead up?

01:12:12.693 --> 01:12:13.794
[SPEAKER_03]: Yeah, those conversations.

01:12:14.354 --> 01:12:17.117
[SPEAKER_03]: And yes, you do have those conversations inside the cemetery.

01:12:18.057 --> 01:12:28.966
[SPEAKER_03]: And it feels like the interview that, you know, that lowest sense of remain had in the first one, but it doesn't have that same aspect of first have him sitting down with her and telling her what happened.

01:12:29.046 --> 01:12:29.386
[SPEAKER_00]: Yeah.

01:12:30.227 --> 01:12:31.728
[SPEAKER_00]: And maybe that's the problem.

01:12:32.409 --> 01:12:34.390
[SPEAKER_00]: They said they combined two movies and one.

01:12:34.831 --> 01:12:38.854
[SPEAKER_00]: And I'm sure I don't know how he feels if

01:12:39.352 --> 01:12:45.394
[SPEAKER_00]: if he has any, like, oh, I could have done this better with this family or not, but I do wish it was based out.

01:12:45.494 --> 01:12:59.219
[SPEAKER_00]: I'm just still pissed at Henry Cavill for so good in his movie, and he can't get another opportunity to space this out, because I like Manus Steel, and I would have liked to see Manus Steel two and three, and that's it.

01:12:59.860 --> 01:13:02.401
[SPEAKER_03]: You know, but I would like to see him in Manus Steel two.

01:13:02.901 --> 01:13:06.022
[SPEAKER_03]: Yeah, and then have Batman, have a Batman movie out.

01:13:06.422 --> 01:13:08.263
[SPEAKER_00]: Okay, Batman is a Batman movie.

01:13:09.532 --> 01:13:12.314
[SPEAKER_00]: Like Batman Superman is Manor Steel III.

01:13:13.655 --> 01:13:19.600
[SPEAKER_03]: Yeah, and then the finishing thing would be Batman vs Superman killing off Superman.

01:13:20.380 --> 01:13:23.263
[SPEAKER_00]: Oh, what about Justice Lee?

01:13:23.543 --> 01:13:24.343
[SPEAKER_00]: Or is that fit?

01:13:25.184 --> 01:13:25.464
[SPEAKER_03]: Okay.

01:13:27.129 --> 01:13:31.532
[SPEAKER_03]: But Justice League can actually have another Batman movie.

01:13:32.132 --> 01:13:37.755
[SPEAKER_03]: After a man is still two, you have, you have Batman one.

01:13:38.436 --> 01:13:43.359
[SPEAKER_03]: Then after that, you have another Superman movie and then you have Justice League.

01:13:45.740 --> 01:13:46.060
[SPEAKER_00]: Yeah.

01:13:46.941 --> 01:13:48.962
[SPEAKER_00]: Yeah, it was just too bright.

01:13:49.022 --> 01:13:49.402
[SPEAKER_00]: I don't know.

01:13:49.462 --> 01:13:51.303
[SPEAKER_03]: So I have all the characters before that though, too.

01:13:53.124 --> 01:13:55.126
[SPEAKER_00]: He's Snyder, right?

01:13:55.226 --> 01:13:55.546
[SPEAKER_00]: Snyder.

01:13:55.935 --> 01:14:03.817
[SPEAKER_00]: Yeah, I don't know if he thought, okay, well, I don't want to do this Superman movie again because it's already done before.

01:14:03.897 --> 01:14:05.837
[SPEAKER_00]: So I'm just going to do one and two and be done.

01:14:05.857 --> 01:14:12.299
[SPEAKER_00]: But when you do that, you get out of these issues we're talking about, you know, you get lowest.

01:14:12.319 --> 01:14:15.120
[SPEAKER_00]: She finds out, oh, this is Clark.

01:14:15.540 --> 01:14:16.940
[SPEAKER_00]: Oh, he's also Superman.

01:14:17.740 --> 01:14:24.482
[SPEAKER_00]: And then when we're get to it, but later on, they meet it's kind of like, oh,

01:14:25.176 --> 01:14:30.581
[SPEAKER_00]: high card, you know, right, you know.

01:14:32.843 --> 01:14:38.929
[SPEAKER_03]: Yeah, I definitely agree, but then you have the whole type thing with, I can't dying in the tornado.

01:14:41.378 --> 01:14:55.191
[SPEAKER_03]: and Clark was going to go ahead and save him and he's still telling him no not to do it because he went on because part went, part can't went and saved the dog from getting as well by the tornado.

01:14:55.211 --> 01:15:02.257
[SPEAKER_03]: It's just those moments of like I wish I could have actually told my dad that I loved him one last time and I'm sorry for what I said.

01:15:03.178 --> 01:15:06.962
[SPEAKER_00]: That part, the part of that movie heights me to this day.

01:15:07.980 --> 01:15:09.181
[SPEAKER_00]: And it shouldn't, right?

01:15:09.541 --> 01:15:13.483
[SPEAKER_00]: But I was like, should he have just went and got him?

01:15:14.563 --> 01:15:20.446
[SPEAKER_00]: Or maybe he would have known if he came for me, everybody would have known he's Superman, because he can't restrain his power, shit.

01:15:21.006 --> 01:15:22.007
[SPEAKER_03]: Well, I think at this moment.

01:15:23.475 --> 01:15:29.098
[SPEAKER_03]: He could restrain his powers, but once again, Pawkins like, look, they're not ready for yet.

01:15:29.118 --> 01:15:29.898
[SPEAKER_03]: They're not ready.

01:15:30.119 --> 01:15:33.800
[SPEAKER_03]: You're gonna have to, you know, suppress your powers again.

01:15:33.820 --> 01:15:36.322
[SPEAKER_03]: And you're gonna have to let me go.

01:15:36.342 --> 01:15:40.084
[SPEAKER_03]: And that's one of the hardest things as a adult is letting your parents go.

01:15:40.104 --> 01:15:41.784
[SPEAKER_00]: It is.

01:15:43.995 --> 01:15:45.776
[SPEAKER_00]: It just, you know, bothers me.

01:15:45.877 --> 01:15:52.842
[SPEAKER_00]: It's moving out in twenty thirteen and it's twenty twenty five and it's that scene just feels rent free in my hair.

01:15:53.062 --> 01:15:53.803
[SPEAKER_00]: We call for months.

01:15:53.863 --> 01:15:55.444
[SPEAKER_00]: I'm like out of blue.

01:15:55.524 --> 01:15:57.385
[SPEAKER_00]: I just be making mashed potatoes.

01:15:57.445 --> 01:15:57.966
[SPEAKER_00]: I'm like.

01:15:59.527 --> 01:16:01.188
[SPEAKER_00]: You should open after his dad.

01:16:01.348 --> 01:16:02.870
[SPEAKER_00]: I know his dad said, don't come in.

01:16:02.910 --> 01:16:05.832
[SPEAKER_00]: It's like, if you dad, I'm coming out to you.

01:16:07.860 --> 01:16:15.763
[SPEAKER_00]: I mean, it just, it has me in a chokehold talking about, it's like, man, this is part of life, you know?

01:16:15.803 --> 01:16:20.125
[SPEAKER_00]: I understand, I understand, John, I'm just, this is Superman.

01:16:21.006 --> 01:16:30.790
[SPEAKER_00]: I was like, that's how it's like, and I know you want to be obedient, son, and that whole fight was as horrible as I was like, well, you're not my real dad.

01:16:30.810 --> 01:16:33.591
[SPEAKER_00]: And I was like, oh, damn.

01:16:35.025 --> 01:16:38.547
[SPEAKER_00]: And then his daughter came and he's like, dish.

01:16:39.428 --> 01:16:40.208
[SPEAKER_00]: There's a storm.

01:16:40.248 --> 01:16:44.571
[SPEAKER_00]: I'm like, no, man.

01:16:44.631 --> 01:16:45.632
[SPEAKER_00]: He's dead.

01:16:45.652 --> 01:16:47.573
[SPEAKER_00]: He's dead.

01:16:47.973 --> 01:16:50.034
[SPEAKER_00]: He's like a Superman figure.

01:16:50.855 --> 01:16:54.237
[SPEAKER_00]: He runs out into the storm and I'm gonna save people.

01:16:54.757 --> 01:16:57.579
[SPEAKER_00]: And I'm gonna get them to save the and shelter.

01:16:58.179 --> 01:16:59.820
[SPEAKER_00]: But first I'm gonna save the dog.

01:17:00.481 --> 01:17:02.042
[SPEAKER_00]: But then I'm gonna save the people.

01:17:02.122 --> 01:17:03.863
[SPEAKER_00]: It's like, oh my God.

01:17:06.644 --> 01:17:16.750
[SPEAKER_00]: They did a turn bay where he's like I'm a ghetto and he looked and he's like I was like Okay, I'm sorry.

01:17:16.770 --> 01:17:17.430
[SPEAKER_03]: It's just sad.

01:17:17.450 --> 01:17:26.155
[SPEAKER_03]: It's it's a sad way to lose your father and the tornado and not knowing that you can save him, but you can't save him.

01:17:28.497 --> 01:17:32.179
[SPEAKER_03]: No, I'm because your parents trying to be protective of you.

01:17:33.159 --> 01:17:33.279
[SPEAKER_02]: No

01:17:34.790 --> 01:17:35.830
[SPEAKER_03]: But I do want to say this.

01:17:36.350 --> 01:17:39.231
[SPEAKER_03]: You mentioned how I would fix the DCU and all that stuff.

01:17:40.352 --> 01:17:46.573
[SPEAKER_03]: It actually has a has a video out now on Roberto's room on how he would fix the DCU.

01:17:47.354 --> 01:17:49.234
[SPEAKER_03]: So going and check that out on Roberto's room.

01:17:49.394 --> 01:17:53.015
[SPEAKER_03]: But you know, I just want to mention that and we'll shout out.

01:17:53.315 --> 01:17:54.296
[SPEAKER_03]: Yes.

01:17:54.776 --> 01:17:58.337
[SPEAKER_03]: But now we're going to get into the Black Zero arrives in Earth's

01:17:58.957 --> 01:18:06.766
[SPEAKER_03]: Orban and Transmission Message across the world, every electronic device, the Manning KELL, and himself over to them.

01:18:07.126 --> 01:18:10.370
[SPEAKER_03]: Within twenty-four hours, or Earth will suffer the consequences.

01:18:10.450 --> 01:18:17.678
[SPEAKER_03]: Lois is forced to take it by the FBI after woodburned out her as knowing KELL while Clark visits

01:18:18.238 --> 01:18:21.824
[SPEAKER_03]: a pre-set the local church for advice on what he must do.

01:18:22.265 --> 01:18:26.772
[SPEAKER_03]: The priest father Leon Leonney tells Clark to take a leap of faith.

01:18:27.132 --> 01:18:32.521
[SPEAKER_03]: Clark recalls another childhood incident in which he was being bullied by some classmates who tried to

01:18:33.762 --> 01:18:44.564
[SPEAKER_03]: go to him into fighting back, even as he refused later, Jonathan told him that he would grow up to change the world and that it's up to him to decide what kind of man he wants to become.

01:18:45.064 --> 01:18:53.586
[SPEAKER_03]: We talked about that, so what we'll do is we'll talk about what we'll do is we'll talk about the fact that this actually feels like horror movie?

01:18:54.066 --> 01:18:54.366
[SPEAKER_00]: Yes.

01:18:55.506 --> 01:18:59.827
[SPEAKER_03]: Especially when every all the transcendent, you know what I mean?

01:18:59.847 --> 01:19:00.527
[SPEAKER_00]: Yeah, yeah, I know.

01:19:01.890 --> 01:19:04.051
[SPEAKER_03]: basically all the new stations are covering this.

01:19:04.531 --> 01:19:07.913
[SPEAKER_03]: What was this trying to get just continue on with her day?

01:19:09.153 --> 01:19:11.635
[SPEAKER_03]: And she was looking for black ink cartridge.

01:19:11.915 --> 01:19:13.215
[SPEAKER_03]: But black ink cartridge.

01:19:14.196 --> 01:19:18.858
[SPEAKER_03]: And then all of a sudden, it's just this thing of the world just stopped because of this one thing.

01:19:19.978 --> 01:19:22.439
[SPEAKER_03]: And, you know, it's like you are not alone.

01:19:22.880 --> 01:19:24.280
[SPEAKER_03]: Hello.

01:19:24.600 --> 01:19:25.581
[SPEAKER_03]: I am General Zodd.

01:19:25.921 --> 01:19:29.783
[SPEAKER_03]: And that's just this horrifying of the fact of like the food is out there.

01:19:30.443 --> 01:19:32.964
[SPEAKER_03]: Yeah, I'm saying it is just horrifying.

01:19:33.004 --> 01:19:36.044
[SPEAKER_03]: It felt like a sci-fi horror movie at that point.

01:19:36.744 --> 01:19:43.366
[SPEAKER_03]: And I had goosebumps still to this day whenever he was Michael Shannon says that, I am General Zodd.

01:19:44.026 --> 01:19:44.526
[SPEAKER_03]: Hell out.

01:19:45.686 --> 01:19:48.007
[SPEAKER_03]: I bring a brain call out to me.

01:19:48.027 --> 01:19:55.369
[SPEAKER_03]: I mean, it's just fascinating on how they pulled on those layers of turning into like a sci-fi horror movie.

01:19:55.729 --> 01:19:57.069
[SPEAKER_00]: What has even scarier

01:19:57.684 --> 01:20:02.265
[SPEAKER_00]: to, you know, how like, you're on your TV, you can just get like a random alert.

01:20:02.786 --> 01:20:12.349
[SPEAKER_00]: And everybody is the same alert and you're like, as really scary aliens can just tap into your system.

01:20:12.609 --> 01:20:13.049
[SPEAKER_00]: Yeah.

01:20:13.389 --> 01:20:16.890
[SPEAKER_00]: And they can just take over the TV and that's a very frightening.

01:20:17.010 --> 01:20:19.511
[SPEAKER_00]: And then you can really see his face, it was static.

01:20:19.991 --> 01:20:22.792
[SPEAKER_00]: And to make it worse, he's moving in the static.

01:20:22.832 --> 01:20:26.313
[SPEAKER_00]: And I'm like, no, no, I could just take the static, but you're like,

01:20:26.702 --> 01:20:29.765
[SPEAKER_00]: movement, like a farm is moving in the static.

01:20:30.106 --> 01:20:35.812
[SPEAKER_00]: And it's Michael Shannon anyway, he's a great actor, but he scares a crap out of me.

01:20:35.832 --> 01:20:40.817
[SPEAKER_03]: Say in here, we're like, Empire was one of those shows that scared the hell out of me.

01:20:41.098 --> 01:20:44.622
[SPEAKER_00]: So I wish we could do that, but that would be like,

01:20:45.804 --> 01:20:48.446
[SPEAKER_00]: I don't know, it's like two years of talking about a board.

01:20:49.827 --> 01:20:55.031
[SPEAKER_00]: I can do some of my actions from another family.

01:20:55.131 --> 01:20:55.792
[SPEAKER_00]: I can take it.

01:20:55.812 --> 01:20:56.232
[SPEAKER_00]: I don't know.

01:20:56.332 --> 01:20:57.593
[SPEAKER_00]: I can take it again.

01:20:59.434 --> 01:21:03.297
[SPEAKER_00]: But yeah, he's just, oh my God, he's so intense.

01:21:03.397 --> 01:21:05.499
[SPEAKER_00]: Like his whole energy is intense.

01:21:06.280 --> 01:21:06.980
[SPEAKER_00]: Michael Shannon.

01:21:07.521 --> 01:21:08.121
[SPEAKER_03]: Yes, he is.

01:21:08.281 --> 01:21:09.962
[SPEAKER_00]: But yeah, I do this Gary.

01:21:10.463 --> 01:21:11.804
[SPEAKER_00]: That was really scary.

01:21:12.064 --> 01:21:13.525
[SPEAKER_00]: Yeah, that's what I had in my nose.

01:21:15.090 --> 01:21:16.591
[SPEAKER_00]: creepy and invasive.

01:21:17.091 --> 01:21:22.433
[SPEAKER_03]: And I like how they give like a twenty four hour period to give give them up, give clay low up.

01:21:22.973 --> 01:21:33.636
[SPEAKER_03]: And then you know, you have this human aspect of Superman that we haven't seen before, where he goes to a charge and ask for a vice from a priest on what to do.

01:21:35.617 --> 01:21:54.725
[SPEAKER_03]: And he's like, and is basically about being the best version of yourself and be the man who you want to be, which is what Jonathan is giving his advice to Clark, because as the priest is also giving him the same advice, but this time he's the priest is like, take a leap of faith, as well, what do I do?

01:21:56.206 --> 01:22:01.668
[SPEAKER_03]: And in order to save mankind, he has to sacrifice himself for the greater good.

01:22:02.731 --> 01:22:12.259
[SPEAKER_03]: So he winds up giving himself up when he could just go ahead and just walk away and not even show up.

01:22:13.520 --> 01:22:18.264
[SPEAKER_00]: I did find an interesting like this and dare devil.

01:22:18.864 --> 01:22:21.006
[SPEAKER_00]: They introduced a concept of God.

01:22:22.272 --> 01:22:26.793
[SPEAKER_00]: Superhero, I superheroes are going to church him and asking, what should I do?

01:22:26.953 --> 01:22:31.935
[SPEAKER_00]: I'm like, it's, it's, it's still my guy above them.

01:22:32.615 --> 01:22:34.656
[SPEAKER_00]: Cause they're like, go into a priest.

01:22:34.996 --> 01:22:35.636
[SPEAKER_00]: What should I do?

01:22:35.736 --> 01:22:37.457
[SPEAKER_00]: I mean, Matt Murdoch murder.

01:22:37.677 --> 01:22:38.377
[SPEAKER_00]: How many people?

01:22:38.497 --> 01:22:40.698
[SPEAKER_00]: And he's like, I come to make a confession.

01:22:40.778 --> 01:22:43.758
[SPEAKER_00]: I'm like, you know, I'm making a confession.

01:22:44.018 --> 01:22:45.019
[SPEAKER_00]: Oh, oh, I got it.

01:22:45.259 --> 01:22:48.860
[SPEAKER_00]: Yeah, well, I have superhero pounds and I, a Catholic is a Catholic.

01:22:50.701 --> 01:23:05.173
[SPEAKER_00]: Yeah, but it was so interesting that that Clark would go to this pastor and as first he out himself, he was like, um, oh, is that are you who they're looking for?

01:23:05.213 --> 01:23:09.656
[SPEAKER_00]: He's like, yeah, I'm the guy's looking for a name and saw and I come from his planet crew.

01:23:09.676 --> 01:23:10.337
[SPEAKER_00]: I'm like, we're talking

01:23:10.997 --> 01:23:11.717
[SPEAKER_00]: Shut up.

01:23:12.038 --> 01:23:13.659
[SPEAKER_00]: He's good.

01:23:13.759 --> 01:23:14.979
[SPEAKER_00]: Are you saying too much?

01:23:15.680 --> 01:23:17.041
[SPEAKER_00]: He's crazy.

01:23:17.501 --> 01:23:18.982
[SPEAKER_00]: I feel so good to tell you.

01:23:19.102 --> 01:23:20.162
[SPEAKER_00]: I'm Superman.

01:23:20.182 --> 01:23:21.863
[SPEAKER_00]: I'm a alien.

01:23:21.923 --> 01:23:23.184
[SPEAKER_00]: I got something to church.

01:23:23.584 --> 01:23:24.485
[SPEAKER_00]: I'm not human.

01:23:24.585 --> 01:23:25.405
[SPEAKER_00]: I'm an alien.

01:23:25.425 --> 01:23:28.087
[SPEAKER_00]: Thanks come from my planet do.

01:23:28.667 --> 01:23:29.568
[SPEAKER_00]: What should I do?

01:23:30.903 --> 01:23:31.943
[SPEAKER_03]: I can see a mattress.

01:23:32.003 --> 01:23:33.264
[SPEAKER_03]: I feel so good about this.

01:23:33.444 --> 01:23:34.444
[SPEAKER_03]: This is a great talk.

01:23:34.584 --> 01:23:36.304
[SPEAKER_00]: I'm glad we had this talk.

01:23:36.404 --> 01:23:37.865
[SPEAKER_00]: I feel so much better.

01:23:37.945 --> 01:23:39.785
[SPEAKER_00]: And I sure she won't tell nobody.

01:23:40.245 --> 01:23:40.985
[SPEAKER_00]: Not even in.

01:23:41.265 --> 01:23:41.566
[SPEAKER_00]: Yeah.

01:23:42.666 --> 01:23:43.466
[SPEAKER_00]: Hi, are you a man?

01:23:43.486 --> 01:23:45.446
[SPEAKER_00]: He was really desperate.

01:23:45.766 --> 01:23:49.867
[SPEAKER_03]: He was like, oh, the priest doesn't even question him or anything like that either.

01:23:49.907 --> 01:23:52.948
[SPEAKER_03]: He's not just like, you don't scared.

01:23:53.308 --> 01:24:00.670
[SPEAKER_00]: He's just like, he's just like, he's like, well, you sometimes you have to take out my work.

01:24:02.178 --> 01:24:03.999
[SPEAKER_00]: You know, I want to go to this priest.

01:24:04.179 --> 01:24:06.900
[SPEAKER_00]: I just like, you know, commit it.

01:24:07.100 --> 01:24:09.662
[SPEAKER_03]: I have to say, this is probably the best priest that we have ever had.

01:24:09.722 --> 01:24:10.482
[SPEAKER_03]: No judgment.

01:24:11.002 --> 01:24:14.364
[SPEAKER_03]: No, no, not scared of Superman or anything.

01:24:14.604 --> 01:24:17.145
[SPEAKER_00]: Yeah, I did something horrible to somebody.

01:24:18.446 --> 01:24:20.827
[SPEAKER_00]: Well, you know, sometimes you have to take a leap of faith.

01:24:20.967 --> 01:24:21.627
[SPEAKER_00]: Oh, thank you.

01:24:21.707 --> 01:24:22.088
[SPEAKER_00]: Okay.

01:24:22.308 --> 01:24:24.469
[SPEAKER_00]: Well, I'm sure you want to.

01:24:24.609 --> 01:24:31.392
[SPEAKER_00]: I'm sure he won't tell the the face that I'm in this church after I did something horrible to

01:24:32.440 --> 01:24:34.422
[SPEAKER_00]: to being somebody else's life.

01:24:34.802 --> 01:24:38.565
[SPEAKER_00]: Well, sometimes I'll take a leap of faith and then you'll be okay.

01:24:39.165 --> 01:24:40.086
[SPEAKER_00]: Do you feel better?

01:24:40.186 --> 01:24:40.767
[SPEAKER_00]: Thank you.

01:24:40.787 --> 01:24:42.448
[SPEAKER_00]: Oh my, what is wrong with this?

01:24:42.508 --> 01:24:43.889
[SPEAKER_00]: This is the most chill dude.

01:24:43.969 --> 01:24:45.310
[SPEAKER_00]: I guess he heard everything.

01:24:45.330 --> 01:24:48.653
[SPEAKER_00]: He's like this and you are alien and are hurt at all.

01:24:52.342 --> 01:24:52.842
[SPEAKER_00]: I won't.

01:24:53.022 --> 01:24:53.302
[SPEAKER_00]: I won't.

01:24:53.402 --> 01:24:53.903
[SPEAKER_00]: I won't.

01:24:54.243 --> 01:24:54.543
[SPEAKER_00]: I won't.

01:24:54.643 --> 01:24:55.263
[SPEAKER_03]: I do too.

01:24:55.563 --> 01:24:56.204
[SPEAKER_03]: That's actually that.

01:24:56.384 --> 01:24:58.965
[SPEAKER_03]: That's actually the best priest that I ever see is real.

01:24:58.985 --> 01:24:59.565
[SPEAKER_03]: Not scared.

01:24:59.765 --> 01:25:00.525
[SPEAKER_03]: No judgment.

01:25:00.705 --> 01:25:02.126
[SPEAKER_03]: No one even criticized you.

01:25:02.146 --> 01:25:05.007
[SPEAKER_03]: It's like, yes, I'm, yeah, I've been there myself.

01:25:05.467 --> 01:25:08.368
[SPEAKER_03]: I just sometimes feel like I needed to know I'm an alien.

01:25:08.448 --> 01:25:08.849
[SPEAKER_03]: Yeah.

01:25:10.169 --> 01:25:10.509
[SPEAKER_00]: Yeah.

01:25:10.729 --> 01:25:13.130
[SPEAKER_00]: Him and Matt Murdoch's priest.

01:25:13.210 --> 01:25:17.232
[SPEAKER_00]: Those are two I want to talk to because I mean here Matt Murdoch.

01:25:17.252 --> 01:25:18.212
[SPEAKER_00]: I'm the keels.

01:25:18.292 --> 01:25:19.073
[SPEAKER_00]: Oh, many people.

01:25:19.113 --> 01:25:20.133
[SPEAKER_00]: He can't we blow it.

01:25:20.980 --> 01:25:21.940
[SPEAKER_00]: Oh, what should I do?

01:25:22.161 --> 01:25:24.582
[SPEAKER_00]: Well, you know, I'm like, don't wait.

01:25:25.802 --> 01:25:27.643
[SPEAKER_00]: Anyway, that was a good thing.

01:25:27.723 --> 01:25:39.468
[SPEAKER_00]: I just thought it was interesting that certain superhero movies introduced a concept of God into their interact with God.

01:25:40.388 --> 01:25:48.632
[SPEAKER_00]: Others, he doesn't really exist, but it just seems kind of, looks like D-E-C-U doesn't have a problem with it.

01:25:49.465 --> 01:25:52.107
[SPEAKER_00]: Yeah.

01:25:52.147 --> 01:25:53.048
[SPEAKER_00]: Marvel.

01:25:53.609 --> 01:25:56.091
[SPEAKER_00]: They don't kind of talk about God too much.

01:25:56.231 --> 01:26:00.134
[SPEAKER_00]: Like God or say in or good.

01:26:00.575 --> 01:26:03.517
[SPEAKER_00]: They have the realms and stuff.

01:26:04.498 --> 01:26:04.778
[SPEAKER_00]: Yeah.

01:26:04.898 --> 01:26:06.319
[SPEAKER_00]: Realms.

01:26:07.300 --> 01:26:13.005
[SPEAKER_00]: But I think DC or Cyrus called DC EU is DC to me.

01:26:13.225 --> 01:26:14.767
[SPEAKER_00]: DC is more grounded.

01:26:14.787 --> 01:26:15.287
[SPEAKER_00]: They're like,

01:26:15.664 --> 01:26:19.935
[SPEAKER_00]: There's a guy and there's a, and I go to church and I go to confessional.

01:26:20.236 --> 01:26:22.181
[SPEAKER_03]: You know, exactly.

01:26:22.633 --> 01:26:29.739
[SPEAKER_03]: But yet now, donning his cryptocurrency to Clark flies to Edward Air Force Base where he surrenders himself with the new Clevver's one SWIC.

01:26:30.280 --> 01:26:47.095
[SPEAKER_03]: And Connell Hardy's forces on the condition that low is be free, low is interviews Clark on his origins and notes that the house of L. Crest looks like the letter S, giving her an idea for an alien of LIs Clark can use in the middle of the desert, Zod's ship.

01:26:48.355 --> 01:27:10.384
[SPEAKER_03]: uh... lands where they are greeted by for a high you okay who demands uh... that lowest uh... come along to despite hearty's protest lowest obliges as they were being brought aboard a black zero house lifts her the command key lowest is given a biser to help her breathe

01:27:10.964 --> 01:27:17.669
[SPEAKER_03]: As the atmosphere comes to a composition of board Black Zero is toxic to humans and cow collapses.

01:27:17.870 --> 01:27:22.073
[SPEAKER_03]: We can then coughing up blood due to having adapted to Europe's atmosphere.

01:27:22.153 --> 01:27:29.899
[SPEAKER_03]: He is stable down on to a table in his weakened state and meets General Zod in a mental projection.

01:27:30.360 --> 01:27:33.022
[SPEAKER_03]: Zod explains that after he and his followers escape,

01:27:34.002 --> 01:27:40.707
[SPEAKER_03]: The Phantom Zone, and proposed the Black Zero's Phantom Zone project, projector into a hybrid drive.

01:27:41.147 --> 01:27:50.253
[SPEAKER_03]: They searched through a banding Kryptonian outpost for supplies and other possible survivors due to Clark's activation of the old Kryptonian ship.

01:27:50.733 --> 01:27:52.615
[SPEAKER_03]: They picked up the signal and put

01:27:53.235 --> 01:27:54.176
[SPEAKER_03]: It's connected to Earth.

01:27:54.636 --> 01:28:00.822
[SPEAKER_03]: So it offers Cal the chance to bring the chance to bring Kryptonians back.

01:28:01.163 --> 01:28:06.388
[SPEAKER_03]: Cal Resod plans to use Earth as the foundation, which will wipe out all of humanity.

01:28:06.888 --> 01:28:08.770
[SPEAKER_03]: Cal refuses to go along with this.

01:28:08.890 --> 01:28:13.575
[SPEAKER_03]: So it then reveals he killed Jorel and then leaves to search for the code acts.

01:28:14.895 --> 01:28:16.756
[SPEAKER_03]: So there's like going on here.

01:28:17.416 --> 01:28:17.676
[SPEAKER_03]: Yeah.

01:28:17.936 --> 01:28:24.398
[SPEAKER_03]: So let's talk about the fact that, you know, he winds up surrounding himself through the, um, to the year four space.

01:28:24.598 --> 01:28:32.681
[SPEAKER_03]: And then, you know, and then, uh, we have that scene where park ones, but I'm not Clark, but Superman was up getting questioned by the lowest.

01:28:33.321 --> 01:28:39.743
[SPEAKER_00]: Yes, it's interesting that they want to hurt a come to, uh, I don't know why, but I found it interesting.

01:28:39.763 --> 01:28:39.803
[SPEAKER_00]: Um,

01:28:41.777 --> 01:28:45.359
[SPEAKER_00]: I like both women in both films, both Superman films.

01:28:48.460 --> 01:28:49.781
[SPEAKER_00]: I don't know where her name is.

01:28:50.321 --> 01:28:55.464
[SPEAKER_00]: I want to call her a horror, but that's too great.

01:28:56.505 --> 01:29:01.467
[SPEAKER_00]: Whatever her name is, Mrs. X. Yeah, I like her.

01:29:01.487 --> 01:29:06.270
[SPEAKER_00]: I like the designs of the suits when they come out.

01:29:06.590 --> 01:29:08.391
[SPEAKER_00]: They look like real aliens.

01:29:09.251 --> 01:29:10.652
[SPEAKER_00]: They look very intimidating.

01:29:11.674 --> 01:29:13.336
[SPEAKER_00]: Um, yeah, I don't know.

01:29:13.496 --> 01:29:15.379
[SPEAKER_00]: It shows a lot going on in this scene.

01:29:15.439 --> 01:29:19.343
[SPEAKER_00]: It's like so many things we can talk about, but we don't have time to talk about.

01:29:19.523 --> 01:29:25.270
[SPEAKER_03]: Well, but I was going to do was actually, how did you, I want to split this up.

01:29:25.290 --> 01:29:27.573
[SPEAKER_03]: So much of a deep dive.

01:29:28.133 --> 01:29:28.414
[SPEAKER_00]: Okay.

01:29:28.454 --> 01:29:28.634
[SPEAKER_00]: Good.

01:29:29.756 --> 01:29:31.898
[SPEAKER_03]: So because we're at an hour and thirty two minutes guys.

01:29:31.978 --> 01:29:33.900
[SPEAKER_03]: So so let's go ahead.

01:29:34.500 --> 01:29:38.043
[SPEAKER_03]: Let's stop it right here at the Air Force Base.

01:29:38.363 --> 01:29:38.684
[SPEAKER_00]: Okay.

01:29:38.964 --> 01:29:44.388
[SPEAKER_03]: And then we'll go in with part two of the review because seriously, this is a two and a half hour and twenty two minute movie.

01:29:45.269 --> 01:29:45.549
[SPEAKER_00]: Yeah.

01:29:46.780 --> 01:29:47.360
[SPEAKER_03]: I want to do this.

01:29:47.420 --> 01:29:52.564
[SPEAKER_03]: I mean, I want to do a deep dive on this and in order to do this right guys, we're going to split this up into two parts.

01:29:53.144 --> 01:29:53.305
[SPEAKER_00]: Okay.

01:29:53.325 --> 01:29:59.749
[SPEAKER_03]: So we'll get up with Tamika on when she can come back to do a two part with it.

01:29:59.769 --> 01:30:04.933
[SPEAKER_03]: Yeah, I definitely enjoy this deep dive for the first half of this because

01:30:05.693 --> 01:30:09.357
[SPEAKER_03]: I feel like we need to talk about this and compare it to the other ones.

01:30:09.397 --> 01:30:12.240
[SPEAKER_03]: And then do our Superman ranking of all the films.

01:30:12.260 --> 01:30:15.123
[SPEAKER_03]: I'll accept this one because it's in separate from Christopher Reeves.

01:30:16.004 --> 01:30:18.246
[SPEAKER_03]: But I just feel like there's a lot to talk about.

01:30:18.266 --> 01:30:21.990
[SPEAKER_03]: It gives you a lot of humanization with this one compared to the Christopher Reeves ones.

01:30:22.411 --> 01:30:23.732
[SPEAKER_03]: A lot of layers of pull on.

01:30:23.912 --> 01:30:26.915
[SPEAKER_03]: I just feel like there's a lot of deep stuff that we can go off of.

01:30:27.556 --> 01:30:29.918
[SPEAKER_03]: So guys, we're going to pause it right here.

01:30:30.299 --> 01:30:42.271
[SPEAKER_03]: But I hope that you guys come back again and check out our part two review of being of steel because you know what part one is just getting in my opinion, we're actually giving this a sequel that it actually deserves.

01:30:47.712 --> 01:30:51.457
[SPEAKER_03]: So, thank you guys so much for watching.

01:30:51.937 --> 01:30:59.286
[SPEAKER_03]: So don't forget to smash the like button, subscribe button, also to give us a five star rating on wherever you guys get your app, a podcast from Apple Podcast, Spotify, wherever.

01:31:00.828 --> 01:31:02.150
[SPEAKER_03]: But yeah, guys, thank you so much.

01:31:02.290 --> 01:31:03.652
[SPEAKER_01]: And we'll catch you guys in the next one.

01:31:03.732 --> 01:31:04.152
[SPEAKER_01]: Thanks, guys.

01:31:37.355 --> 01:31:38.876
[SPEAKER_01]: And hello, movie lovers.

01:31:39.337 --> 01:31:41.098
[SPEAKER_03]: And I just want to say this.

01:31:41.138 --> 01:31:44.720
[SPEAKER_03]: This is our Part Two review of Man of Steel.

01:31:44.800 --> 01:31:47.683
[SPEAKER_03]: If you guys were with us, we're at Part One.

01:31:48.163 --> 01:31:49.704
[SPEAKER_03]: I hope that you enjoy Part Two.

01:31:49.924 --> 01:31:55.448
[SPEAKER_03]: This review was so long and so in depth, the point where we actually had to split this into two different parts.

01:31:55.768 --> 01:31:57.590
[SPEAKER_03]: But last time we did this was for the Flash review.

01:31:57.770 --> 01:31:59.291
[SPEAKER_03]: So let's go ahead.

01:31:59.531 --> 01:32:00.552
[SPEAKER_03]: Let's talk about it.

01:32:01.052 --> 01:32:04.014
[SPEAKER_03]: I'm excited to have to make a back here with me and talk about Man of Steel.

01:32:04.214 --> 01:32:04.935
[SPEAKER_03]: Let's do it guys.

01:32:06.155 --> 01:32:07.536
[SPEAKER_03]: And hey, Tamika, welcome back.

01:32:07.696 --> 01:32:09.178
[SPEAKER_03]: Hey, what's going on?

01:32:09.838 --> 01:32:11.119
[SPEAKER_03]: That's much what's going on with you.

01:32:11.259 --> 01:32:11.800
[SPEAKER_03]: How are you doing?

01:32:12.881 --> 01:32:13.821
[SPEAKER_00]: I'm doing great.

01:32:13.942 --> 01:32:22.689
[SPEAKER_00]: I want everybody to know that you, you are my friend because it's Monday night raw and I'm here.

01:32:24.430 --> 01:32:25.911
[SPEAKER_00]: That's what you're my friend.

01:32:26.552 --> 01:32:26.812
[SPEAKER_00]: Okay.

01:32:26.852 --> 01:32:29.114
[SPEAKER_00]: I appreciate your friendship and your dedication to my.

01:32:29.134 --> 01:32:30.835
[SPEAKER_00]: Appreciate my sacrifice.

01:32:31.096 --> 01:32:31.476
[SPEAKER_00]: Thank you.

01:32:32.567 --> 01:32:33.328
[SPEAKER_03]: Thank you so much.

01:32:33.348 --> 01:32:34.429
[SPEAKER_03]: I do appreciate that.

01:32:35.190 --> 01:32:36.131
[SPEAKER_03]: That's why they have a DB.

01:32:36.331 --> 01:32:38.554
[SPEAKER_03]: That's why you're able to record it or scream it now.

01:32:39.715 --> 01:32:48.466
[SPEAKER_03]: But anyways, it's good to have you back.

01:32:53.911 --> 01:32:57.533
[SPEAKER_03]: This is what I have to say, previously on Man of Steel, review part one.

01:32:57.913 --> 01:32:59.074
[SPEAKER_03]: Superman learned how to fly.

01:32:59.094 --> 01:33:01.915
[SPEAKER_03]: I can't got sucked into a tornado because secrets.

01:33:02.375 --> 01:33:04.637
[SPEAKER_03]: And the audience still isn't sure how low is laying.

01:33:04.877 --> 01:33:06.798
[SPEAKER_03]: Heaps, going up everywhere.

01:33:07.478 --> 01:33:13.901
[SPEAKER_03]: And now, part two, where's odd, fully, here are forms, metropolis, becomes a demolition derby.

01:33:14.402 --> 01:33:20.125
[SPEAKER_03]: And Superman proves he's faster than a speeding punch, directly into a building or five.

01:33:20.845 --> 01:33:22.226
[SPEAKER_03]: Maybe ten, maybe six.

01:33:23.346 --> 01:33:36.334
[SPEAKER_03]: This is the part where Zack Snyder said, you know what is emotional with what this emotional art needs a forty five minutes city wide WWE match with laser eyes and flying uppercuts.

01:33:37.634 --> 01:33:41.637
[SPEAKER_03]: Also featuring the most intense game of do not stop, do not snap his neck.

01:33:42.798 --> 01:33:45.599
[SPEAKER_03]: you never ever seen until he totally does.

01:33:45.979 --> 01:33:52.061
[SPEAKER_03]: So grab your capes, dodge some falling debris, and join us as we unpack the chaos, the controversy.

01:33:52.441 --> 01:33:57.283
[SPEAKER_03]: And why Superman probably needs to pay for a lot of construction, or is this an act of God?

01:33:58.003 --> 01:33:59.804
[SPEAKER_03]: Uh, let's get destructive.

01:34:00.144 --> 01:34:11.330
[SPEAKER_03]: Donning his crittonion suit, Clark flies to Edwards Air Force Base for a surrender to some general Clevver's Swan Swick and Connell Hardy's forces on the condition that low is to be freed.

01:34:11.750 --> 01:34:24.157
[SPEAKER_03]: Low is interviews Clark on his origins in notes that the house of El Chess looks like the LRS giving her an idea for an alias Clark in use in the middle of the desert.

01:34:24.849 --> 01:34:29.994
[SPEAKER_03]: Zod's ship lands where they are greeted by for a whole whole way look.

01:34:30.274 --> 01:34:31.215
[SPEAKER_03]: I do not say that word.

01:34:31.275 --> 01:34:35.939
[SPEAKER_03]: Yeah, it's called U-I.

01:34:37.240 --> 01:34:37.620
[SPEAKER_03]: U-I.

01:34:38.001 --> 01:34:38.981
[SPEAKER_03]: That's how my name is.

01:34:39.001 --> 01:34:40.222
[SPEAKER_03]: So, a horror.

01:34:41.203 --> 01:34:43.045
[SPEAKER_03]: A who I. A horror.

01:34:43.926 --> 01:34:44.246
[SPEAKER_03]: Whatever.

01:34:48.664 --> 01:34:50.766
[SPEAKER_03]: who demands that Lois comes along too.

01:34:51.106 --> 01:34:57.951
[SPEAKER_03]: Despite Hardy's protest, Lois obliges in us, they're being brought aboard the Black Zero.

01:34:58.392 --> 01:35:00.774
[SPEAKER_03]: Kells slips her the command key.

01:35:01.274 --> 01:35:03.696
[SPEAKER_03]: Lois is given a visor to help her breathe.

01:35:04.297 --> 01:35:08.120
[SPEAKER_03]: As the atmospheric pressure aboard Black Zero is toxic.

01:35:08.600 --> 01:35:12.242
[SPEAKER_03]: the humans and KELO's collapse in KELO collapses.

01:35:12.722 --> 01:35:17.425
[SPEAKER_03]: We can then coughing up blood due to the, to having adapted to Earth's atmosphere.

01:35:17.445 --> 01:35:24.309
[SPEAKER_03]: He is strapped down to the table in his weakness date and meets General Zod in a mental projection.

01:35:24.809 --> 01:35:33.674
[SPEAKER_03]: Zod explains that after he and his followers escape the Phantom Zone and repurposed the Black Sarah's Phantom Zone, Projector into a hybrid drive.

01:35:34.354 --> 01:35:40.517
[SPEAKER_03]: They searched through abandoned cryptonean outposts or supplies and other possible survivors.

01:35:40.917 --> 01:35:50.881
[SPEAKER_03]: Due to Clark's salvation of the old cryptonean ship, they picked up the signal it put out and cracked it to Earth.

01:35:51.421 --> 01:35:55.623
[SPEAKER_03]: God offers Cal the chance to bring cryptone back.

01:35:56.203 --> 01:36:12.963
[SPEAKER_03]: ever exhaust plants to use earth as a foundation which will wipe out all the community cow refuses to go along with this thought then reveals he killed JRL and then research for the code X. So we have a lot going on here so the first thing I want to talk about is this.

01:36:13.503 --> 01:36:20.572
[SPEAKER_03]: So in Superman one, we actually have that one-on-one interview with Lois with Superman.

01:36:20.592 --> 01:36:28.441
[SPEAKER_03]: And it's more of a classy way of actually doing an interview where it's on the Skyline of her house and stuff like that.

01:36:28.542 --> 01:36:30.244
[SPEAKER_03]: With this, it's totally different.

01:36:30.364 --> 01:36:31.545
[SPEAKER_03]: It's more of the fact that

01:36:32.516 --> 01:36:38.999
[SPEAKER_03]: He's in this base, she's in this base, and he got arrested and printed himself in to save community with side.

01:36:39.959 --> 01:36:50.984
[SPEAKER_03]: And I like the fact that, you know, it's in this base area, and not at our house where she feels safe at, this is actually vulnerable for the both of them, you know?

01:36:51.004 --> 01:36:51.064
[SPEAKER_00]: Yes.

01:36:53.256 --> 01:37:00.740
[SPEAKER_03]: And yeah, and I just thought that there was kind of need on how the back at fourth of them going and trying to build that chemistry between the two of them.

01:37:01.521 --> 01:37:05.123
[SPEAKER_03]: But I didn't really feel the energy from low is like we said before.

01:37:05.543 --> 01:37:08.465
[SPEAKER_03]: I didn't feel the chemistry coming off of them too.

01:37:08.885 --> 01:37:15.089
[SPEAKER_03]: All I feel like it's like two high school friends just like so I see you have an S on the chest.

01:37:15.769 --> 01:37:16.990
[SPEAKER_03]: Yeah, the stance for hope.

01:37:20.079 --> 01:37:22.700
[SPEAKER_03]: It's like over here on earth, it has an axe.

01:37:23.740 --> 01:37:36.223
[SPEAKER_03]: So it just doesn't have that world building that we had in the first one, but Lois and having her meet Superman face the face and having that one on one talk, like I wanted it to.

01:37:36.824 --> 01:37:37.524
[SPEAKER_03]: But what about for you?

01:37:38.424 --> 01:37:41.265
[SPEAKER_00]: Yeah, I feel in the chemistry.

01:37:41.565 --> 01:37:45.306
[SPEAKER_00]: I think in, does that bad man versus Superman?

01:37:45.906 --> 01:37:48.907
[SPEAKER_00]: When they both, they both Lois and

01:37:49.489 --> 01:37:51.930
[SPEAKER_00]: Clark were in the belt.

01:37:53.350 --> 01:37:55.170
[SPEAKER_00]: Yeah, that wasn't bad for that life man.

01:37:55.310 --> 01:38:00.512
[SPEAKER_00]: If that life weren't chemistry, this is feels like awkward first date.

01:38:00.532 --> 01:38:02.452
[SPEAKER_00]: But I guess they first met, right?

01:38:02.472 --> 01:38:03.572
[SPEAKER_00]: They're getting the know each other.

01:38:03.613 --> 01:38:13.415
[SPEAKER_03]: So maybe that's not to know each other better because don't forget they actually meet during that whole entire ice thing too that we talked about whenever they first come in contact with the ship.

01:38:13.895 --> 01:38:17.556
[SPEAKER_03]: And then she's also interviewing everybody around smallville.

01:38:18.710 --> 01:38:23.452
[SPEAKER_03]: And then there was basically just them just talking in front of podcast great.

01:38:25.132 --> 01:38:25.432
[SPEAKER_03]: Yeah.

01:38:25.472 --> 01:38:27.493
[SPEAKER_03]: So that was pretty much it.

01:38:27.613 --> 01:38:30.394
[SPEAKER_03]: This is actually them talking back and forth.

01:38:31.194 --> 01:38:31.374
[SPEAKER_00]: Yeah.

01:38:31.414 --> 01:38:32.595
[SPEAKER_03]: In a full blown conversation.

01:38:33.175 --> 01:38:34.615
[SPEAKER_00]: When she broke into this house.

01:38:35.096 --> 01:38:35.336
[SPEAKER_00]: Yeah.

01:38:36.176 --> 01:38:36.376
[SPEAKER_00]: Yeah.

01:38:36.456 --> 01:38:37.876
[SPEAKER_00]: And trip to the alarm system.

01:38:38.257 --> 01:38:38.517
[SPEAKER_00]: Yeah.

01:38:38.577 --> 01:38:39.037
[SPEAKER_00]: Yeah.

01:38:39.237 --> 01:38:42.038
[SPEAKER_00]: And then she got her and then he had to go to the home.

01:38:42.678 --> 01:38:42.898
[SPEAKER_00]: Right.

01:38:42.958 --> 01:38:43.438
[SPEAKER_00]: Exactly.

01:38:43.778 --> 01:38:44.139
[SPEAKER_00]: Got it.

01:38:44.219 --> 01:38:44.499
[SPEAKER_00]: Yeah.

01:38:45.419 --> 01:38:47.200
[SPEAKER_00]: But yeah.

01:38:50.175 --> 01:39:03.422
[SPEAKER_00]: Yeah, she's like, I don't know, I'm just energy is just, and I didn't get why I'm a call or a horror, even though it's not her name, and that's the cheek from Star Trek.

01:39:03.943 --> 01:39:08.245
[SPEAKER_00]: Anyway, when a horror was like, yeah, she can come too.

01:39:08.325 --> 01:39:11.166
[SPEAKER_00]: I'm like, why is she coming?

01:39:11.327 --> 01:39:13.948
[SPEAKER_00]: Why do you think they chose for lowest to come?

01:39:14.755 --> 01:39:19.978
[SPEAKER_03]: I think it's the fact that they needed like a dazzle and distress kind of thing for the writing of it because of Lois.

01:39:21.358 --> 01:39:26.361
[SPEAKER_00]: I mean, I mean, was I, it's true to take Lois at that point.

01:39:26.381 --> 01:39:31.323
[SPEAKER_03]: Well, don't forget the female person in part two, she was like that.

01:39:31.583 --> 01:39:34.325
[SPEAKER_03]: Where is like, oh, I like your badge.

01:39:34.565 --> 01:39:35.545
[SPEAKER_03]: I want to take that.

01:39:36.066 --> 01:39:40.768
[SPEAKER_03]: So it was like whatever that belongs to earth, I feel like is basically when she wants.

01:39:41.820 --> 01:39:46.002
[SPEAKER_03]: But even then, they don't even know that low, this is actually low as is.

01:39:46.222 --> 01:39:49.344
[SPEAKER_03]: And Superman's first confrontation between the two of them.

01:39:49.484 --> 01:39:53.226
[SPEAKER_03]: So therefore, why aren't you even taking them into the first place?

01:39:54.086 --> 01:39:54.546
[SPEAKER_00]: Yes.

01:39:55.407 --> 01:39:57.668
[SPEAKER_00]: Like you said, it was only to drive a plot.

01:39:58.668 --> 01:40:01.650
[SPEAKER_00]: But there was no reason for them to take lowest.

01:40:02.270 --> 01:40:02.470
[SPEAKER_03]: No.

01:40:02.850 --> 01:40:04.611
[SPEAKER_03]: There wasn't absolutely no reason.

01:40:06.592 --> 01:40:08.053
[SPEAKER_03]: Other than the fact of the fact

01:40:08.968 --> 01:40:12.370
[SPEAKER_03]: They wanted her to save Superman or Superman and save her.

01:40:13.271 --> 01:40:17.433
[SPEAKER_00]: Yeah, that was, yeah, no, no good, no good.

01:40:17.454 --> 01:40:19.035
[SPEAKER_03]: I agree.

01:40:19.175 --> 01:40:20.616
[SPEAKER_03]: I did not like this.

01:40:20.676 --> 01:40:22.097
[SPEAKER_03]: I'm like, this is just not for me.

01:40:22.157 --> 01:40:30.262
[SPEAKER_03]: Every single time I watch it, yeah, I'm like, I wish it was just more meat there for me to be more invested in.

01:40:31.402 --> 01:40:39.627
[SPEAKER_03]: And the other thing that was actually pretty cool was like, where he actually tells the general and everybody else he's like, look, I can see right through the mirror.

01:40:39.707 --> 01:40:42.528
[SPEAKER_03]: He goes, and he goes, you can trust me, general.

01:40:43.109 --> 01:40:46.851
[SPEAKER_03]: You don't have to on try and take out your gun or anything.

01:40:46.891 --> 01:40:48.032
[SPEAKER_03]: I'm just paraphrasing.

01:40:48.072 --> 01:40:50.373
[SPEAKER_03]: I'm not going for a week.

01:40:51.193 --> 01:40:53.475
[SPEAKER_03]: He's also Martian man hunter later on.

01:40:55.176 --> 01:40:56.336
[SPEAKER_03]: That's right.

01:40:56.496 --> 01:40:56.897
[SPEAKER_03]: Yeah.

01:40:56.997 --> 01:40:57.457
[SPEAKER_03]: I'm like,

01:40:58.547 --> 01:41:05.569
[SPEAKER_03]: So, and I'm trying to still does not make sense even with him being Martian, man hunter later on for Justice League.

01:41:07.329 --> 01:41:09.010
[SPEAKER_00]: Maybe he's just wanted to get him.

01:41:09.030 --> 01:41:09.650
[SPEAKER_00]: He's trying to blend in.

01:41:10.010 --> 01:41:12.791
[SPEAKER_00]: Test them out, like what type of alien is this?

01:41:12.811 --> 01:41:21.133
[SPEAKER_00]: So, yeah, so he's like stealing his role as a human, help you add director whatever he is.

01:41:22.033 --> 01:41:24.994
[SPEAKER_03]: That's true, because he's also trying to blend in with the Earthlings too.

01:41:25.641 --> 01:41:26.021
[SPEAKER_00]: Yeah.

01:41:26.762 --> 01:41:27.222
[SPEAKER_00]: Yeah.

01:41:27.762 --> 01:41:30.544
[SPEAKER_00]: But yeah, that lowest part still didn't make sense.

01:41:30.644 --> 01:41:36.388
[SPEAKER_00]: It made more sense in, was that superman one or two when they took low.

01:41:37.189 --> 01:41:43.193
[SPEAKER_00]: You know, remember when they took lowest with them, how they crashed into the daily planet?

01:41:44.013 --> 01:41:44.153
[SPEAKER_00]: Yeah.

01:41:44.173 --> 01:41:45.914
[SPEAKER_00]: Because she knew Superman.

01:41:45.934 --> 01:41:51.298
[SPEAKER_00]: And then if they take her, then it's like a hostage and Superman will follow.

01:41:52.081 --> 01:41:52.481
[SPEAKER_00]: Right because.

01:41:52.681 --> 01:41:56.624
[SPEAKER_00]: Yeah, that part made more sense.

01:41:57.364 --> 01:41:58.725
[SPEAKER_00]: This doesn't make sense.

01:41:58.985 --> 01:42:01.226
[SPEAKER_00]: The size her saying how go.

01:42:02.867 --> 01:42:03.127
[SPEAKER_03]: Right.

01:42:03.408 --> 01:42:10.452
[SPEAKER_03]: It's like, no, I remember never all the people from the army's like, no, she's staying and goes, no, it's okay.

01:42:10.932 --> 01:42:11.532
[SPEAKER_03]: I'll I'll go.

01:42:11.833 --> 01:42:12.573
[SPEAKER_03]: It'll be fine.

01:42:14.882 --> 01:42:16.883
[SPEAKER_03]: I'm like, girl, it's not going to be fine.

01:42:17.103 --> 01:42:19.343
[SPEAKER_03]: You don't even know what you're in till there.

01:42:19.403 --> 01:42:21.324
[SPEAKER_03]: You don't even know if you can even breathe on the ship.

01:42:22.064 --> 01:42:29.906
[SPEAKER_03]: Because here's the thing, for all they know, they could actually kill her on the ship and not even know that they're about the fact that she can't breathe on the ship or anything.

01:42:29.946 --> 01:42:39.168
[SPEAKER_03]: For example, even though they had that thing to make a breath, what makes them think that they're sure enough that that would actually help her breathe.

01:42:39.528 --> 01:42:41.249
[SPEAKER_00]: Yeah, unless they

01:42:42.733 --> 01:42:45.956
[SPEAKER_00]: You think they wanted to just take her hostage because she's an earthling.

01:42:46.897 --> 01:42:50.600
[SPEAKER_00]: Probably maybe that's some kind of, I don't know.

01:42:51.567 --> 01:42:55.650
[SPEAKER_00]: something like you, we get, we got one of yours.

01:42:55.970 --> 01:42:59.092
[SPEAKER_00]: And so you can't really do anything to us type of thing.

01:42:59.432 --> 01:43:01.073
[SPEAKER_00]: I don't have to watch that scene over.

01:43:01.193 --> 01:43:07.076
[SPEAKER_00]: Like, even after the entire case, I'm going to have to watch it over to see if I can make some sense out of it.

01:43:07.116 --> 01:43:09.778
[SPEAKER_00]: Because it just seems like a one big plight home.

01:43:10.498 --> 01:43:12.760
[SPEAKER_03]: It doesn't make sense even for me.

01:43:12.920 --> 01:43:15.622
[SPEAKER_03]: I see in this movie maybe over five or ten times.

01:43:15.842 --> 01:43:16.022
[SPEAKER_00]: Yeah.

01:43:16.955 --> 01:43:18.235
[SPEAKER_03]: And I'm still questioning it.

01:43:18.415 --> 01:43:21.776
[SPEAKER_03]: Even now, it's like, why do they have this scene in here?

01:43:22.096 --> 01:43:24.737
[SPEAKER_03]: Because she doesn't make sense to me at all.

01:43:24.797 --> 01:43:29.298
[SPEAKER_03]: I understand that what they're trying to do is build up that tension of, oh, snap.

01:43:29.838 --> 01:43:31.738
[SPEAKER_03]: They have one of ours.

01:43:32.159 --> 01:43:33.379
[SPEAKER_03]: And what are we going to do about it?

01:43:34.119 --> 01:43:37.520
[SPEAKER_03]: Because Superman's also going up in space with her.

01:43:38.240 --> 01:43:44.281
[SPEAKER_03]: Because remember, even the army general was like, no, you didn't say anything about it in one of ours.

01:43:44.341 --> 01:43:45.682
[SPEAKER_03]: You only stand cut out.

01:43:45.742 --> 01:43:46.382
[SPEAKER_03]: You didn't say her.

01:43:47.082 --> 01:43:47.362
[SPEAKER_00]: Yeah.

01:43:48.122 --> 01:43:49.843
[SPEAKER_03]: And yeah, it just doesn't make sense.

01:43:49.943 --> 01:43:50.723
[SPEAKER_03]: I just don't like it.

01:43:51.803 --> 01:43:53.083
[SPEAKER_03]: All this verse that part goes.

01:43:53.683 --> 01:43:54.884
[SPEAKER_00]: It doesn't make sense.

01:43:54.964 --> 01:44:09.747
[SPEAKER_00]: But also since they have that device where she can breathe, it makes me wonder how many other, well, I guess anybody that isn't cryptonian, they have had that device so they can breathe their atmosphere.

01:44:09.887 --> 01:44:13.387
[SPEAKER_00]: So it didn't matter if she was from Earth or not.

01:44:13.727 --> 01:44:13.948
[UNKNOWN]: Right.

01:44:14.208 --> 01:44:14.628
[SPEAKER_00]: I don't know.

01:44:14.708 --> 01:44:15.868
[SPEAKER_00]: Anyway, that part was cool.

01:44:16.724 --> 01:44:19.048
[SPEAKER_00]: Yeah, you know, having a device so she can breathe.

01:44:19.649 --> 01:44:24.377
[SPEAKER_00]: But then also Clark, I'm sorry, Superman doesn't have any device.

01:44:24.417 --> 01:44:27.463
[SPEAKER_00]: So he's trying to get it just to the atmosphere.

01:44:27.932 --> 01:44:34.374
[SPEAKER_03]: Well, don't forget the two Zagos who doesn't know that Clark, well, Superman is unable to breathe or anything either.

01:44:34.394 --> 01:44:41.535
[SPEAKER_03]: Because he thinks that he can breathe on his own without having getting his type of breathing machine or equipment or anything either.

01:44:42.196 --> 01:44:49.097
[SPEAKER_03]: But he's been in the work sadness for your soul on that it's actually kind of poisonous to him until he actually gets used to it.

01:44:49.378 --> 01:44:54.479
[SPEAKER_03]: So I like that idea of the fact, okay, I've been in this work sadness for your soul on that

01:44:55.279 --> 01:44:58.140
[SPEAKER_03]: New surround things take me a while to actually.

01:44:58.160 --> 01:45:01.762
[SPEAKER_03]: Uh, game used to so I like that idea.

01:45:01.782 --> 01:45:03.743
[SPEAKER_03]: Yes, you're just with it.

01:45:04.224 --> 01:45:04.484
[SPEAKER_00]: Yeah.

01:45:04.884 --> 01:45:05.084
[SPEAKER_00]: Yeah.

01:45:05.104 --> 01:45:05.564
[SPEAKER_00]: That's cool.

01:45:05.724 --> 01:45:06.124
[SPEAKER_03]: That's cool.

01:45:06.945 --> 01:45:09.486
[SPEAKER_03]: But it also humanizes him a little bit too.

01:45:10.567 --> 01:45:19.871
[SPEAKER_03]: Like we mentioned earlier, because um, in part one's review, where he, uh, where humanizes him to have a little bit more weakness through new surroundings.

01:45:22.101 --> 01:45:23.802
[SPEAKER_03]: But I thought it was pretty interesting.

01:45:23.822 --> 01:45:28.746
[SPEAKER_03]: And I wish this wasn't a dream sequence with Zod explaining stuff to him.

01:45:28.766 --> 01:45:37.833
[SPEAKER_03]: And he's being grounded in all these skulls that he thought it was kind of like, what's the movie called?

01:45:37.853 --> 01:45:39.454
[SPEAKER_00]: Oh my gosh, I can't remember.

01:45:39.914 --> 01:45:40.535
[SPEAKER_00]: It's marble.

01:45:41.075 --> 01:45:44.898
[SPEAKER_00]: You know, it means marble would it like took her into another sequence.

01:45:45.398 --> 01:45:45.979
[SPEAKER_00]: But it wasn't.

01:45:46.459 --> 01:45:50.162
[SPEAKER_00]: I guess it would be like a dream, but it was kind of a simulation.

01:45:51.365 --> 01:45:55.127
[SPEAKER_03]: Right, it was one of those projections, like I mentioned.

01:45:55.908 --> 01:45:56.708
[SPEAKER_00]: Oh, excuse me.

01:45:58.830 --> 01:46:00.031
[SPEAKER_03]: I still didn't like it though.

01:46:00.091 --> 01:46:12.379
[SPEAKER_03]: I mean, like, I get the fact that they want to show, it was cool was not actually shows him on the farm in the light that heat that clock knows and Superman knows.

01:46:13.419 --> 01:46:14.760
[SPEAKER_03]: He's like, this is not your home.

01:46:15.601 --> 01:46:17.362
[SPEAKER_03]: The home that you live on is Krypton.

01:46:17.542 --> 01:46:18.362
[SPEAKER_03]: That wasn't your home.

01:46:19.163 --> 01:46:20.444
[SPEAKER_03]: That's the temporary place.

01:46:21.285 --> 01:46:24.406
[SPEAKER_03]: And it doesn't mean anything to you, just as it doesn't mean anything to me.

01:46:24.426 --> 01:46:29.649
[SPEAKER_03]: But therefore, the decision mattered to you for what I do with this place.

01:46:30.409 --> 01:46:37.492
[SPEAKER_03]: And then he winds up finding out that Kellell loves the humans and will do anything to protect the humans.

01:46:38.533 --> 01:46:41.194
[SPEAKER_03]: And then he gets shrouded in the bunch of skulls.

01:46:41.274 --> 01:46:45.176
[SPEAKER_03]: And I just wish that they would have had this without the sequence like that.

01:46:46.125 --> 01:46:58.653
[SPEAKER_03]: because I thought it was a cool scene to have to show everything that Zod's done and showing all the people that he killed along the way to make him look like he's right when he's wrong.

01:47:01.274 --> 01:47:05.617
[SPEAKER_03]: Instead, he's going to become one of those girls if he doesn't do what Zod tells him to do.

01:47:06.097 --> 01:47:12.021
[SPEAKER_03]: He's also still looking for the codex that he doesn't even know that's implanted in Clark right now, either.

01:47:12.675 --> 01:47:16.176
[SPEAKER_00]: Well, I thought he did in his day at say that the code access in him.

01:47:16.916 --> 01:47:18.357
[SPEAKER_03]: Yeah, but I didn't know that.

01:47:19.117 --> 01:47:20.238
[SPEAKER_03]: Only Cal, I'll knows that.

01:47:21.218 --> 01:47:32.662
[SPEAKER_03]: Uh, saw it doesn't know that until like later on, whenever the doctor asked it, whenever he asked the doctor, he's like, so with this code X, do I need, does this person need to be alive?

01:47:32.882 --> 01:47:33.142
[SPEAKER_00]: True.

01:47:33.342 --> 01:47:33.602
[SPEAKER_00]: Okay.

01:47:34.502 --> 01:47:35.102
[SPEAKER_03]: And you just know.

01:47:35.623 --> 01:47:39.504
[SPEAKER_03]: So therefore, he can go ahead and kill Superman if you wanted to.

01:47:40.142 --> 01:47:50.388
[SPEAKER_00]: Yes, I mean, he did offer him like, hey, you can come be with me because I want to your true people and this earth is in yours.

01:47:50.488 --> 01:47:54.030
[SPEAKER_00]: So we can kind of just rebeocrypt on together.

01:47:54.871 --> 01:48:01.595
[SPEAKER_00]: So he did all bring him like the olive rent before he destroyed it.

01:48:03.963 --> 01:48:07.625
[SPEAKER_03]: He was trying to act like he's all, you know, a sweet and every, you know what I'm saying?

01:48:07.725 --> 01:48:09.886
[SPEAKER_00]: Like, so he's never been sweet.

01:48:10.167 --> 01:48:14.389
[SPEAKER_00]: It's like diplomatic, you know, like, you know what I'm saying though.

01:48:14.509 --> 01:48:23.374
[SPEAKER_03]: So I'm just trying to show hello that, you know, he's not threat to hammering thing and just trying to show him a life of his home life.

01:48:24.075 --> 01:48:26.816
[SPEAKER_00]: Yes, it would have been really messed up.

01:48:26.876 --> 01:48:27.857
[SPEAKER_00]: Yeah, interesting.

01:48:27.877 --> 01:48:29.078
[SPEAKER_00]: It was super massive.

01:48:30.081 --> 01:48:30.441
[SPEAKER_00]: Okay.

01:48:33.304 --> 01:48:35.645
[SPEAKER_00]: I'm going to go with you, guys.

01:48:36.406 --> 01:48:36.606
[SPEAKER_00]: Yeah.

01:48:36.966 --> 01:48:37.167
[SPEAKER_00]: Okay.

01:48:37.187 --> 01:48:37.967
[SPEAKER_00]: Excuse me, humans.

01:48:38.247 --> 01:48:38.548
[SPEAKER_00]: Yeah.

01:48:38.728 --> 01:48:39.048
[SPEAKER_00]: Okay.

01:48:39.548 --> 01:48:40.409
[SPEAKER_00]: I go with you, guys.

01:48:41.130 --> 01:48:43.471
[SPEAKER_00]: I don't have anything else here at a time either.

01:48:44.492 --> 01:48:44.732
[SPEAKER_03]: Right?

01:48:44.872 --> 01:48:47.174
[SPEAKER_03]: I don't have lowest lowest doesn't mean anything to me.

01:48:47.234 --> 01:48:48.155
[SPEAKER_03]: I can kill her right now.

01:48:48.475 --> 01:48:49.536
[SPEAKER_00]: I just met her today.

01:48:49.936 --> 01:48:50.257
[SPEAKER_00]: Yeah.

01:48:50.397 --> 01:48:51.958
[SPEAKER_00]: I just wrote what you mean me to do.

01:48:52.038 --> 01:48:53.219
[SPEAKER_00]: You need me to do something.

01:48:54.980 --> 01:48:55.921
[SPEAKER_03]: But here's the thing though.

01:48:56.001 --> 01:48:56.862
[SPEAKER_03]: That's where podcasts

01:49:00.456 --> 01:49:02.777
[SPEAKER_03]: method of being that moral compass.

01:49:03.998 --> 01:49:05.418
[SPEAKER_03]: New Clark comes in.

01:49:06.479 --> 01:49:08.659
[SPEAKER_03]: Where it's like, you know what?

01:49:09.080 --> 01:49:10.300
[SPEAKER_03]: This is where I grew up in.

01:49:10.340 --> 01:49:11.720
[SPEAKER_03]: These are the people I care about.

01:49:12.181 --> 01:49:14.041
[SPEAKER_03]: The place clicked on is not who I am.

01:49:14.101 --> 01:49:15.282
[SPEAKER_03]: Like I mentioned before.

01:49:15.642 --> 01:49:18.623
[SPEAKER_03]: So it all comes full circle around again.

01:49:19.672 --> 01:49:24.594
[SPEAKER_03]: And so now Zad realizes, okay, I cannot change Kellell's mind no matter what I try.

01:49:25.395 --> 01:49:30.877
[SPEAKER_03]: And then he destroys the fake bomb on in the fake small bill that he designed.

01:49:31.497 --> 01:49:34.439
[SPEAKER_03]: And then of a sudden, he winds up becoming who he is.

01:49:35.199 --> 01:49:40.301
[SPEAKER_00]: Yeah, him seeking in the in the schools, tasting my kind of video game.

01:49:41.162 --> 01:49:43.083
[SPEAKER_03]: Yeah, it does feel like a video game.

01:49:43.243 --> 01:49:43.623
[SPEAKER_03]: And it's just

01:49:44.693 --> 01:49:48.757
[SPEAKER_03]: Something about it that I wish that it was more real than what it was supposed to be.

01:49:48.817 --> 01:49:55.343
[SPEAKER_03]: But then again, it's a dream sequence slash, you know, showing that scene on scene.

01:49:55.903 --> 01:49:59.607
[SPEAKER_03]: So of course, it's going to feel like probably a video game because of the fact it's a dream sequence.

01:50:00.808 --> 01:50:01.108
[SPEAKER_00]: Yeah.

01:50:01.148 --> 01:50:05.953
[SPEAKER_00]: So you wanted a real like terminated to, you know, actually is on this.

01:50:05.993 --> 01:50:08.455
[SPEAKER_00]: You like on the gate.

01:50:08.835 --> 01:50:10.217
[SPEAKER_00]: And then to this.

01:50:11.891 --> 01:50:14.313
[SPEAKER_00]: If you give them a fire, because that was a real to me.

01:50:14.333 --> 01:50:16.075
[SPEAKER_00]: Yeah, that was real.

01:50:16.135 --> 01:50:16.695
[SPEAKER_00]: That was real.

01:50:16.735 --> 01:50:18.397
[SPEAKER_00]: I keep playing.

01:50:19.418 --> 01:50:20.539
[SPEAKER_00]: Yeah, I get what you mean.

01:50:21.615 --> 01:50:26.537
[SPEAKER_03]: But then, you know, that's actually the Black Zero's Phantom Zone projector.

01:50:28.098 --> 01:50:37.202
[SPEAKER_03]: But they searched through abandoned cryptonean outpost for supplies and other supplies, survivors due to Clark's activation of the old cryptonean ship.

01:50:37.723 --> 01:50:38.643
[SPEAKER_03]: They picked up the signal.

01:50:38.683 --> 01:50:41.905
[SPEAKER_03]: So how do you feel about the fact that he was the one because of Clark?

01:50:42.585 --> 01:50:45.286
[SPEAKER_03]: That's how they were able to pick up the signal from the old ship.

01:50:46.027 --> 01:50:47.167
[SPEAKER_00]: It's messed up, man.

01:50:47.487 --> 01:50:50.909
[SPEAKER_00]: I mean, I don't know anyway, he could have avoided that.

01:50:51.625 --> 01:50:52.065
[SPEAKER_03]: Me either.

01:50:52.205 --> 01:50:54.487
[SPEAKER_00]: Like, I widened his deck.

01:50:55.588 --> 01:50:57.049
[SPEAKER_00]: I guess he didn't think about it.

01:50:57.109 --> 01:50:59.151
[SPEAKER_03]: No, because Jonathan didn't know what this was.

01:50:59.231 --> 01:51:00.712
[SPEAKER_03]: Paul Kent didn't know what that was.

01:51:01.352 --> 01:51:02.153
[SPEAKER_00]: Well, he didn't.

01:51:02.433 --> 01:51:02.993
[SPEAKER_00]: Yeah.

01:51:03.133 --> 01:51:09.818
[SPEAKER_00]: Oh, Kryptonian, David, why didn't figure out if my son pushed the U.S.

01:51:09.898 --> 01:51:15.943
[SPEAKER_00]: B in the drive, then it was sent out this signal to others.

01:51:16.103 --> 01:51:18.465
[SPEAKER_00]: Like, something more advanced.

01:51:19.530 --> 01:51:20.631
[SPEAKER_03]: But things were like this though, to make it.

01:51:20.651 --> 01:51:23.592
[SPEAKER_03]: It's more advanced technology and stuff like that, too.

01:51:24.553 --> 01:51:26.253
[SPEAKER_03]: Jonathan's also an ugly.

01:51:26.334 --> 01:51:28.475
[SPEAKER_03]: So he wouldn't know what that was or what it would do.

01:51:29.375 --> 01:51:34.037
[SPEAKER_03]: And the Clark, he was just, you know, he just seemed that it went inside the ship.

01:51:35.338 --> 01:51:37.260
[SPEAKER_03]: and activated the signal, so he didn't.

01:51:37.780 --> 01:51:39.401
[SPEAKER_03]: So he was just innocent with this.

01:51:39.642 --> 01:51:50.410
[SPEAKER_03]: And then he didn't realize because of what he did, also jeopardizes the people that he cares about, which is the people on earth and smallville and also metropolis.

01:51:50.930 --> 01:51:59.157
[SPEAKER_03]: So it jeopardizes a rebounder because of the choice that he made, even though he didn't realize the choice that he made would put anyone in danger.

01:52:00.229 --> 01:52:02.454
[SPEAKER_03]: because he wanted to figure out who he was.

01:52:03.036 --> 01:52:03.196
[SPEAKER_03]: Yep.

01:52:03.697 --> 01:52:06.083
[SPEAKER_03]: You see, this is why you should not try to figure out who you are.

01:52:06.384 --> 01:52:09.431
[SPEAKER_00]: Now, this is said that you are like

01:52:10.145 --> 01:52:10.746
[SPEAKER_00]: human.

01:52:11.626 --> 01:52:15.730
[SPEAKER_03]: Well, even Jonathan said this, like even Jonathan Mars was like, you're our son.

01:52:15.951 --> 01:52:16.751
[SPEAKER_03]: That's now.

01:52:16.791 --> 01:52:18.693
[SPEAKER_00]: You walk, you know, you're our son.

01:52:18.773 --> 01:52:21.616
[SPEAKER_00]: Ignore those feelings of trying to want to figure out who you are.

01:52:21.636 --> 01:52:22.657
[SPEAKER_00]: That's wrong with you.

01:52:23.378 --> 01:52:23.638
[SPEAKER_00]: Right.

01:52:24.559 --> 01:52:25.600
[SPEAKER_00]: Those people didn't raise you.

01:52:25.980 --> 01:52:26.180
[SPEAKER_00]: Yeah.

01:52:26.200 --> 01:52:26.881
[SPEAKER_00]: He raised you.

01:52:27.141 --> 01:52:27.541
[SPEAKER_00]: Yeah.

01:52:27.802 --> 01:52:29.603
[SPEAKER_00]: Tell them how I'm done.

01:52:31.337 --> 01:52:33.399
[SPEAKER_03]: Meanwhile, a low is activated to command key.

01:52:33.539 --> 01:52:39.184
[SPEAKER_03]: The drawer L takes over the Black Zero systems, changing the atmosphere to give Clark his powers back.

01:52:39.244 --> 01:52:53.396
[SPEAKER_03]: He also helps low escape to ship, giving her instructions on how to send the invaders back to the Phantom Zone, feed boards, and escape pod, which gets damaged by one of the Dodds followers, kelp, escapes, and has final words with his father.

01:52:53.892 --> 01:52:56.875
[SPEAKER_03]: who encourages him to save Lewis and all humanity.

01:52:57.496 --> 01:53:02.881
[SPEAKER_03]: If he flies out and saves Lewis before her pod burns and crashes.

01:53:03.562 --> 01:53:13.552
[SPEAKER_03]: So I thought it was cool to see the father doing something to help L and her out of this situation and having that interaction with her.

01:53:14.377 --> 01:53:21.359
[SPEAKER_03]: And I like how he opens the doors, I like how he tries it, uh, stalled time and stuff.

01:53:21.439 --> 01:53:24.260
[SPEAKER_03]: And he's like, he was really a great AI.

01:53:25.720 --> 01:53:26.100
[UNKNOWN]: Yeah.

01:53:26.560 --> 01:53:33.562
[SPEAKER_00]: That's really really the AI got her around for her to have seen into Monji, where the guy's like, welcome to Jim Monji.

01:53:33.882 --> 01:53:34.682
[SPEAKER_00]: He's your guy.

01:53:35.302 --> 01:53:39.103
[SPEAKER_00]: Yeah, I did say like a, a really cool video game.

01:53:39.963 --> 01:53:41.984
[SPEAKER_00]: Like if they could create that,

01:53:42.657 --> 01:53:45.280
[SPEAKER_00]: I don't know if they may manage the video game or not.

01:53:45.320 --> 01:53:49.163
[SPEAKER_03]: They made a Superman Returns video game with sucked.

01:53:51.024 --> 01:53:53.847
[SPEAKER_03]: Like I brought it back to GameStop the next day.

01:53:53.867 --> 01:53:57.170
[SPEAKER_03]: And got ten dollars for it.

01:53:58.651 --> 01:54:01.574
[SPEAKER_00]: Well, at least you can get some mad Donalds.

01:54:02.875 --> 01:54:03.235
[SPEAKER_00]: Yeah.

01:54:03.275 --> 01:54:03.956
[SPEAKER_00]: Yeah.

01:54:04.336 --> 01:54:04.696
[SPEAKER_00]: Cool.

01:54:05.057 --> 01:54:05.217
[SPEAKER_00]: So.

01:54:06.734 --> 01:54:19.417
[SPEAKER_00]: Yeah, if they could make that into a video game, that would be nice where Joel is telling us, like, turn left and then, you know, you turn left and then he's like, you know, take that weapon.

01:54:19.777 --> 01:54:20.957
[SPEAKER_00]: Dude is, dude that.

01:54:21.217 --> 01:54:22.957
[SPEAKER_00]: Like, I thought that was pretty cool.

01:54:23.777 --> 01:54:30.379
[SPEAKER_00]: Yeah, very strange that he, I don't know, I just think it's, it's just really strange and cool.

01:54:30.619 --> 01:54:35.760
[SPEAKER_00]: Like he said, it is like, where he can sense or no.

01:54:36.726 --> 01:54:38.787
[SPEAKER_00]: Oh, this is, um, lowest.

01:54:39.308 --> 01:54:40.308
[SPEAKER_00]: This is Clark.

01:54:40.829 --> 01:54:43.991
[SPEAKER_00]: This is, uh, Zion, you know, right.

01:54:44.071 --> 01:54:51.495
[SPEAKER_03]: It's like he knows people's temperaments in their arts and don't have to wait until they can trust them.

01:54:53.978 --> 01:54:57.860
[SPEAKER_03]: But if you've already programmed Zod to be the bad guy already.

01:54:58.200 --> 01:55:03.023
[SPEAKER_03]: So it's kind of weird on how that works with Louis.

01:55:04.083 --> 01:55:09.326
[SPEAKER_03]: Unless you know, he knows that there's that this is an hurtling and doesn't need to be on this ship with Clark.

01:55:11.407 --> 01:55:14.889
[SPEAKER_00]: So you're telling me that, hey, I will be like, you're real.

01:55:14.929 --> 01:55:19.352
[SPEAKER_00]: All right, it will sense who is who is bad, who is good.

01:55:20.249 --> 01:55:20.769
[SPEAKER_00]: possibly.

01:55:22.811 --> 01:55:26.374
[SPEAKER_03]: But if you think about it, I'm going to go further though, like you said a video game.

01:55:26.454 --> 01:55:30.197
[SPEAKER_03]: This might be a perfect, uh, for the, uh,

01:55:31.106 --> 01:55:33.427
[SPEAKER_03]: ride for like universal studios.

01:55:34.048 --> 01:55:39.511
[SPEAKER_03]: We can actually go inside the space pod and for else actually going with along the ride with you.

01:55:39.531 --> 01:55:41.752
[SPEAKER_03]: And he's like, hey, I'm left.

01:55:41.912 --> 01:55:42.292
[SPEAKER_03]: Okay.

01:55:42.792 --> 01:55:44.854
[SPEAKER_03]: And okay, we're going to slide this door down.

01:55:44.894 --> 01:55:45.614
[SPEAKER_03]: Hurry up, guys.

01:55:45.674 --> 01:55:46.094
[SPEAKER_00]: Hurry up.

01:55:46.595 --> 01:55:46.895
[SPEAKER_03]: Okay.

01:55:47.595 --> 01:55:52.358
[SPEAKER_03]: So I would love to see that as a ride and then then the pods of roller coaster.

01:55:52.798 --> 01:55:53.078
[SPEAKER_00]: Yeah.

01:55:53.939 --> 01:55:54.659
[SPEAKER_00]: Yeah, I keep going.

01:55:55.359 --> 01:55:55.920
[SPEAKER_00]: What are I doing?

01:55:57.178 --> 01:56:01.361
[SPEAKER_03]: Now you have to wait until Superman saves you and bring your back to bring your back to earth.

01:56:02.302 --> 01:56:03.603
[SPEAKER_00]: Oh, that's when they drop us.

01:56:04.063 --> 01:56:06.285
[SPEAKER_00]: Yeah, when you pop you and you go in the earth.

01:56:06.305 --> 01:56:10.468
[SPEAKER_00]: So it was a ride car, Universal Studios, Tower of Terror.

01:56:11.189 --> 01:56:11.449
[SPEAKER_00]: All right.

01:56:11.469 --> 01:56:14.892
[SPEAKER_00]: It was caught when they just do a death drop on you back in the day.

01:56:14.932 --> 01:56:16.993
[SPEAKER_00]: Yeah, that would be on Tower of Terror.

01:56:17.414 --> 01:56:17.694
[SPEAKER_00]: Okay.

01:56:17.814 --> 01:56:24.699
[SPEAKER_00]: What is with a pod is doesn't giant death drop and then suddenly stops and then it's like Superman.

01:56:25.420 --> 01:56:25.600
[SPEAKER_00]: Right.

01:56:26.253 --> 01:56:26.799
[SPEAKER_00]: Okay cool.

01:56:26.960 --> 01:56:27.243
[SPEAKER_00]: Bye.

01:56:31.566 --> 01:56:39.710
[SPEAKER_03]: But, you know, I thought that it was actually pretty cool on how that happens with, um, with, uh, Joel, helping out Lois.

01:56:39.930 --> 01:56:53.836
[SPEAKER_03]: And they have them more to do than what they, what we got in the second Superman movie where you have the mother coming out of her hologram and hugging her son for giving up his powers, even though she told him not to give up his powers.

01:56:54.157 --> 01:56:54.517
[SPEAKER_00]: Yeah.

01:56:54.757 --> 01:56:56.438
[SPEAKER_03]: That was like the only moment where

01:56:57.418 --> 01:57:01.941
[SPEAKER_03]: you know, where's where I feel like that this one did better than that.

01:57:02.722 --> 01:57:03.062
[SPEAKER_00]: Okay.

01:57:03.142 --> 01:57:03.462
[SPEAKER_00]: Yes.

01:57:03.722 --> 01:57:04.383
[SPEAKER_00]: I can see that.

01:57:05.624 --> 01:57:12.608
[SPEAKER_03]: Because it's ever been the love for the mother, especially the love of the father, that helps in guides for her out.

01:57:12.729 --> 01:57:13.469
[SPEAKER_03]: I mean, Carl.

01:57:13.929 --> 01:57:14.270
[SPEAKER_03]: Yes.

01:57:14.710 --> 01:57:15.050
[SPEAKER_00]: Yes.

01:57:15.470 --> 01:57:16.151
[SPEAKER_00]: Exactly.

01:57:16.311 --> 01:57:20.234
[SPEAKER_00]: And he's teaching her how to teach her combat skills on the fly.

01:57:20.914 --> 01:57:21.154
[SPEAKER_00]: Yeah.

01:57:21.695 --> 01:57:23.116
[SPEAKER_00]: I thought that was pretty cool.

01:57:23.256 --> 01:57:26.278
[SPEAKER_00]: I was like, whoa, she got her up and learned quick or she'll die.

01:57:27.270 --> 01:57:34.417
[SPEAKER_03]: But what did you think of the final words with Kelly Skapes and has final words with his father?

01:57:34.498 --> 01:57:36.139
[SPEAKER_03]: What do you think about that?

01:57:36.600 --> 01:57:38.842
[SPEAKER_03]: Where he actually has that heart to heart moment with Joel?

01:57:39.443 --> 01:57:48.052
[SPEAKER_00]: I thought that was a really nice conclusion, you know, like a full circle moment for him to say goodbye to his dad.

01:57:48.863 --> 01:57:49.283
[SPEAKER_03]: I agree.

01:57:49.343 --> 01:58:00.030
[SPEAKER_03]: I think that was actually a perfect sweet little send off where he never got a chance to say hi to his dad or say goodbye to his dad, because he was just a baby at the time who got sent into their earth's atmosphere.

01:58:01.051 --> 01:58:04.353
[SPEAKER_03]: So I definitely like that hard to heart moment.

01:58:04.393 --> 01:58:14.620
[SPEAKER_03]: And then even in death, he's still trying to protect his son and stalling to for a lowest to get out of the out and go into the pod.

01:58:15.320 --> 01:58:18.063
[SPEAKER_03]: And then you have super, I call out saving her.

01:58:18.283 --> 01:58:19.664
[SPEAKER_03]: So I like those moments.

01:58:20.765 --> 01:58:21.706
[SPEAKER_00]: That was deep, John.

01:58:22.287 --> 01:58:24.289
[SPEAKER_00]: Even in death, you're trying to save his son.

01:58:24.849 --> 01:58:25.070
[SPEAKER_00]: Right.

01:58:26.911 --> 01:58:27.152
[SPEAKER_00]: Eat.

01:58:27.172 --> 01:58:28.993
[SPEAKER_00]: Sorry.

01:58:32.009 --> 01:58:46.399
[SPEAKER_03]: So on the Kent Farm, Zod in his forces in confront Martha, demanding to know where the codecs is, Park arrives and tackles Zod, punching him in a rage as they fly across Malville before crash landing in the town center.

01:58:46.900 --> 01:58:49.662
[SPEAKER_03]: Zod's helmet is damaged and his senses are overwhelmed.

01:58:50.202 --> 01:58:59.668
[SPEAKER_03]: As he is exposed to Earth's environment, Clark taunts the weakened journal in his blasted by an arriving cryptonean vessel.

01:58:59.728 --> 01:59:10.994
[SPEAKER_03]: That's quoted a wave for Aura, and named remained behind to battle Cal in a destructive confrontation throughout.

01:59:11.094 --> 01:59:11.955
[SPEAKER_03]: Smallville, the U.S.

01:59:11.975 --> 01:59:13.296
[SPEAKER_03]: military led by Hardy,

01:59:13.956 --> 01:59:21.338
[SPEAKER_03]: also arrives in an engaged, all three cryptonians for easily dispatches all of the human soldiers.

01:59:21.378 --> 01:59:41.742
[SPEAKER_03]: While Cal is able to send NAMC crashing into a nearby train yard, Clark Dan tackles for just as she's about to fight Hardy one-on-one, only to get hit by a train thrown by NAMC and sent crashing into a nearby store.

01:59:42.921 --> 01:59:48.903
[SPEAKER_03]: Missile hits Afora, knocking her out in Namek, departs with her.

01:59:49.183 --> 01:59:57.205
[SPEAKER_03]: Cal emerges from the ruins, from heart, before hearty and the soldiers in hearty declares that Cal is not the enemy.

01:59:57.825 --> 02:00:02.226
[SPEAKER_03]: Cal thinks the connal and flies off to the can't have can farm.

02:00:02.306 --> 02:00:07.748
[SPEAKER_03]: To check on Martha, Lois arrives with information on how to defeat sod and his men.

02:00:09.528 --> 02:00:17.395
[SPEAKER_03]: When I like about this is the action sequences that reminds me playing what my own action figures and having these little small play sets that I had.

02:00:18.416 --> 02:00:18.736
[SPEAKER_03]: Yes.

02:00:18.996 --> 02:00:23.260
[SPEAKER_03]: And sending Superman flying into buildings and stuff like that.

02:00:24.081 --> 02:00:30.246
[SPEAKER_03]: And these are two unstoppable forces that are fighting against each other who have the same superpowers.

02:00:31.127 --> 02:00:33.949
[SPEAKER_03]: And Clark just became Superman about seven hours ago.

02:00:36.545 --> 02:00:37.666
[SPEAKER_03]: So he's new to the job.

02:00:37.786 --> 02:00:40.647
[SPEAKER_03]: So he doesn't quite know how his abilities work.

02:00:41.147 --> 02:00:49.711
[SPEAKER_03]: So that's why I have to give a little bit of a greatest to why people criticize him a little bit because I feel like, you know, he just became Superman.

02:00:49.771 --> 02:00:52.092
[SPEAKER_03]: He just got a chance to even get to know his father.

02:00:52.212 --> 02:00:53.472
[SPEAKER_03]: He knows where it comes from now.

02:00:53.972 --> 02:00:55.973
[SPEAKER_03]: He just put on the suit not too long ago.

02:00:56.513 --> 02:01:02.896
[SPEAKER_03]: So he doesn't really know how to really go about using his powers the way he needs to use his powers.

02:01:03.704 --> 02:01:05.626
[SPEAKER_03]: So he's new to the job.

02:01:05.986 --> 02:01:09.269
[SPEAKER_03]: He's about eight hours in to his job before he came Superman.

02:01:09.689 --> 02:01:12.271
[SPEAKER_03]: Yeah, he just got here.

02:01:12.911 --> 02:01:23.840
[SPEAKER_03]: So but I like this whole entire thing of a unstoppable force meets another unstoppable force with the same power and they're going through smallville just destroying and annihilating the smallville.

02:01:25.099 --> 02:01:27.160
[SPEAKER_03]: I wish that they would have just kept an in small bill.

02:01:27.280 --> 02:01:34.863
[SPEAKER_03]: That would have been cool just to have that one small town and have him fight on Clark's turf on Kellell's Kirk turf.

02:01:36.464 --> 02:01:39.385
[SPEAKER_03]: It's not like this.

02:01:39.485 --> 02:01:40.546
[SPEAKER_03]: It's not about cornfield.

02:01:40.886 --> 02:01:43.447
[SPEAKER_03]: You have a couple of small buildings you have and stuff like that.

02:01:44.559 --> 02:01:53.085
[SPEAKER_03]: And also two years, I get the fact that, you know, Metropolis gets destroyed and stuff, but there's not that much casualties if you think about it.

02:01:53.165 --> 02:01:58.288
[SPEAKER_03]: If you look at it from a small town scale, if he would just fight on the same turf.

02:01:58.729 --> 02:01:58.929
[SPEAKER_03]: Okay.

02:01:58.969 --> 02:01:59.609
[SPEAKER_03]: I kept it there.

02:02:00.470 --> 02:02:00.730
[SPEAKER_00]: Yeah.

02:02:01.330 --> 02:02:05.533
[SPEAKER_00]: I see what you mean is we're having one fight in one location.

02:02:06.174 --> 02:02:06.414
[SPEAKER_03]: Right.

02:02:06.774 --> 02:02:11.517
[SPEAKER_03]: Instead of having to go over from smallville, then fly over to Metropolis.

02:02:11.918 --> 02:02:12.118
[SPEAKER_03]: Yeah.

02:02:13.150 --> 02:02:17.351
[SPEAKER_03]: Hey, Auntie Rose, how you doing?

02:02:17.391 --> 02:02:18.271
[SPEAKER_03]: That's how I look at it.

02:02:18.331 --> 02:02:23.073
[SPEAKER_03]: I look at it at the fact that you know, I just look at it at the fact that it's a small town.

02:02:23.473 --> 02:02:27.754
[SPEAKER_03]: These people are hiding inside their little small buildings, like that's going to help.

02:02:29.714 --> 02:02:33.516
[SPEAKER_03]: Because even Clark is like, hey, get inside the building.

02:02:35.296 --> 02:02:36.576
[SPEAKER_03]: And I'm like, what is that going to do?

02:02:36.856 --> 02:02:39.157
[SPEAKER_03]: These are two people with the same superpowers.

02:02:39.257 --> 02:02:42.338
[SPEAKER_03]: There's no way that they're not going to destroy the buildings.

02:02:43.473 --> 02:02:50.931
[SPEAKER_00]: Yes, I did mind the flight from small viewing to Metropolis.

02:02:51.926 --> 02:03:02.229
[SPEAKER_00]: Um, you know, with all these superhero films, you have to fly into the city and then crash a bunch of stuff and property damage and almost kill the citizens.

02:03:02.849 --> 02:03:04.549
[SPEAKER_00]: That's like we're every one of them.

02:03:04.749 --> 02:03:11.091
[SPEAKER_00]: I don't don't believe I've seen a superhero film where they just find in a small location.

02:03:11.891 --> 02:03:14.592
[SPEAKER_00]: That's one of your damage is possible.

02:03:15.155 --> 02:03:19.639
[SPEAKER_03]: Right, because every single superhero movie always has to have two or three different locations.

02:03:20.279 --> 02:03:22.301
[SPEAKER_03]: And it does geek out over and have those fights.

02:03:22.741 --> 02:03:26.924
[SPEAKER_03]: And I even like the little sound effects and even the little special effects of like the web.

02:03:27.565 --> 02:03:32.649
[SPEAKER_03]: You know, I'm talking about like you see the impact of the fist hitting dodge face and you have that.

02:03:33.189 --> 02:03:33.830
[SPEAKER_03]: I love that.

02:03:33.850 --> 02:03:35.871
[SPEAKER_03]: Everybody's doing something straight out of a comic book.

02:03:36.412 --> 02:03:37.472
[SPEAKER_03]: Other comic book pages.

02:03:37.553 --> 02:03:39.194
[SPEAKER_03]: So that's something I liked about with that.

02:03:41.376 --> 02:03:43.917
[SPEAKER_03]: I feel like that this was the most threatening.

02:03:45.380 --> 02:03:50.742
[SPEAKER_03]: part of this moving and of course, Zod is now hearing and everything coming in.

02:03:51.862 --> 02:04:05.206
[SPEAKER_03]: So just as Superman is a sick as soon as he gets into the space atmosphere in that ship, Zod's also getting sick into our atmosphere because he's not used to our atmosphere or anything.

02:04:05.626 --> 02:04:12.468
[SPEAKER_03]: So we're taking everything in and everything is just hitting him all at once and I like how Superman is like, you feel that's odd?

02:04:13.168 --> 02:04:13.388
[SPEAKER_03]: Yeah.

02:04:14.377 --> 02:04:15.897
[SPEAKER_03]: That's everything that you're hearing.

02:04:16.677 --> 02:04:20.138
[SPEAKER_03]: That's everything I had to face here on earth to get used to it.

02:04:21.438 --> 02:04:28.459
[SPEAKER_00]: I just didn't like when he gave away the secret of how to, how to give adjusted to it.

02:04:28.559 --> 02:04:29.940
[SPEAKER_00]: He was like, yeah, you feel that.

02:04:30.540 --> 02:04:34.320
[SPEAKER_00]: Yeah, my mom told me that's what the focus on one thing.

02:04:34.680 --> 02:04:35.461
[SPEAKER_00]: That's what helped me.

02:04:35.481 --> 02:04:37.961
[SPEAKER_00]: I was like, would you shut up and let the man suffer?

02:04:39.101 --> 02:04:43.902
[SPEAKER_03]: He's kept in him like a WWE match like I mentioned in the intro.

02:04:44.382 --> 02:04:46.904
[SPEAKER_00]: How would it just let that man suffer?

02:04:47.084 --> 02:04:53.828
[SPEAKER_00]: And then walked away or punched him with something, he's like, he feels like a coat.

02:04:54.269 --> 02:04:58.051
[SPEAKER_00]: Okay, Zine, now what you need to do is concentrate on one thing.

02:04:58.071 --> 02:05:01.273
[SPEAKER_00]: And that will help you with all of these symptoms.

02:05:01.574 --> 02:05:02.934
[SPEAKER_00]: You have the find your centers odd.

02:05:03.235 --> 02:05:08.618
[SPEAKER_00]: Yeah, find your centers odd, find your center and then let everything else flow.

02:05:08.638 --> 02:05:10.039
[SPEAKER_00]: I was I set up.

02:05:10.259 --> 02:05:12.621
[SPEAKER_00]: Danny, how are you telling them the secrets?

02:05:13.705 --> 02:05:19.410
[SPEAKER_03]: I thought that guys were supposed to tell the secrets of the superheroes supposed to be the one that takes them down for giving away the secret.

02:05:19.831 --> 02:05:21.712
[SPEAKER_00]: I mean, he just got on this job.

02:05:21.773 --> 02:05:22.393
[SPEAKER_00]: So he's new.

02:05:22.693 --> 02:05:23.895
[SPEAKER_03]: Yeah, he's new here.

02:05:24.575 --> 02:05:26.157
[SPEAKER_03]: He just got hired about eight hours ago.

02:05:26.337 --> 02:05:27.978
[SPEAKER_00]: I wouldn't have said nothing.

02:05:28.018 --> 02:05:29.740
[SPEAKER_03]: I wouldn't have said anything crap.

02:05:29.900 --> 02:05:30.601
[SPEAKER_00]: I'm sorry.

02:05:30.781 --> 02:05:33.684
[SPEAKER_00]: I mean, the most I would have said is like, Oh, look at you now.

02:05:33.704 --> 02:05:35.005
[SPEAKER_00]: You can't even breathe.

02:05:36.875 --> 02:05:37.976
[SPEAKER_00]: And then kick him in the face like that.

02:05:38.136 --> 02:05:40.478
[SPEAKER_02]: Yeah, yeah, and tombstone him.

02:05:41.019 --> 02:05:42.099
[SPEAKER_00]: Yeah, the destroyer.

02:05:42.140 --> 02:05:43.341
[SPEAKER_00]: I mean, in a movie zone.

02:05:43.601 --> 02:05:43.801
[SPEAKER_00]: Right.

02:05:43.841 --> 02:05:44.381
[SPEAKER_00]: Exactly.

02:05:44.401 --> 02:05:52.508
[SPEAKER_03]: But I do and then also to you also have thought that swing swing him around for this cape.

02:05:52.789 --> 02:05:57.493
[SPEAKER_03]: Oh, no, I mean, the Bobbers everything is going to destroyed.

02:05:57.513 --> 02:05:58.674
[SPEAKER_03]: Yeah.

02:06:00.338 --> 02:06:05.144
[SPEAKER_03]: You asked me a question, do I think that this was the most threatening side that we had?

02:06:05.645 --> 02:06:06.586
[SPEAKER_03]: Did I like partly?

02:06:06.726 --> 02:06:08.308
[SPEAKER_03]: Could man choose odd or this side?

02:06:08.749 --> 02:06:13.615
[SPEAKER_03]: I like this side because he doesn't just have the three of me goes with him.

02:06:15.306 --> 02:06:16.847
[SPEAKER_03]: He has a crew with him.

02:06:17.348 --> 02:06:20.570
[SPEAKER_03]: That makes it even more threatening because he has a screw with him.

02:06:21.251 --> 02:06:28.877
[SPEAKER_03]: Hostages having the other guy who doesn't even know how his powers were and not that great at his powers.

02:06:28.917 --> 02:06:34.281
[SPEAKER_03]: And then you also have the female person from the second one too.

02:06:34.301 --> 02:06:42.788
[SPEAKER_03]: So I'd like the fact that you have this more menacing crew with him that you actually need that actually empowers who's odd is.

02:06:43.687 --> 02:06:47.750
[SPEAKER_00]: Okay, the woman was still menacing in the second one.

02:06:48.190 --> 02:06:48.871
[SPEAKER_00]: Yeah, he was.

02:06:49.271 --> 02:06:51.893
[SPEAKER_00]: Yeah, they were menacing.

02:06:51.913 --> 02:06:54.635
[SPEAKER_00]: Oh, who were us?

02:06:55.256 --> 02:06:56.577
[SPEAKER_00]: Even though it's not her name.

02:06:57.998 --> 02:07:02.081
[SPEAKER_03]: But I just thought that, you know, I just thought that this was better.

02:07:03.262 --> 02:07:04.403
[SPEAKER_03]: Yeah, I was a handler.

02:07:04.803 --> 02:07:07.625
[SPEAKER_00]: Yeah, it kind of reminded me of Thanos and his crew.

02:07:08.245 --> 02:07:11.588
[SPEAKER_00]: My very menacing from outer space, the real threat.

02:07:12.502 --> 02:07:15.864
[SPEAKER_00]: not like they're going to some Russian ballet or something.

02:07:16.905 --> 02:07:17.405
[SPEAKER_03]: Exactly.

02:07:17.505 --> 02:07:30.612
[SPEAKER_03]: But what you think about the fact that, you know, when the missile hits for a knocking her out, then because the amic is the one that ended up hitting her with it.

02:07:32.153 --> 02:07:32.714
[SPEAKER_00]: Oh, is that?

02:07:32.734 --> 02:07:37.596
[SPEAKER_00]: Because I know that it wasn't seen what they were on the helicopter.

02:07:38.297 --> 02:07:39.878
[SPEAKER_03]: Yeah, the helicopter scene.

02:07:39.978 --> 02:07:41.619
[SPEAKER_03]: All this happens in smallville.

02:07:42.826 --> 02:07:45.407
[SPEAKER_00]: So, okay.

02:07:46.927 --> 02:07:52.848
[SPEAKER_00]: Um, having, like, did that really, like, get her, what happened?

02:07:52.868 --> 02:07:53.349
[SPEAKER_00]: She died.

02:07:53.369 --> 02:07:53.449
[SPEAKER_00]: Yeah.

02:07:55.169 --> 02:07:55.689
[SPEAKER_00]: Oh, my God.

02:07:55.729 --> 02:07:56.609
[SPEAKER_00]: She died again.

02:07:56.629 --> 02:07:57.610
[SPEAKER_00]: No, no, she didn't die.

02:07:57.670 --> 02:08:01.410
[SPEAKER_03]: And this one, like that, she got, she went back up to the ship because she was weak.

02:08:02.191 --> 02:08:02.451
[SPEAKER_00]: Oh, okay.

02:08:02.531 --> 02:08:04.031
[SPEAKER_00]: I was like, surely, I'm real saying.

02:08:04.051 --> 02:08:04.991
[SPEAKER_03]: Cause I thought for sure, too.

02:08:05.171 --> 02:08:05.911
[SPEAKER_03]: I'm gonna be real with you.

02:08:06.032 --> 02:08:07.932
[SPEAKER_03]: I thought for sure that she died in this scene.

02:08:08.473 --> 02:08:11.597
[SPEAKER_00]: Yeah, I was like a meal saying I'm gonna take my girl out now.

02:08:11.797 --> 02:08:12.939
[SPEAKER_00]: No, it's really not.

02:08:13.299 --> 02:08:14.100
[SPEAKER_00]: I really like it.

02:08:14.220 --> 02:08:15.041
[SPEAKER_00]: I don't know.

02:08:17.004 --> 02:08:19.065
[SPEAKER_03]: Yeah, you get to see Pete working in an eye hop.

02:08:19.105 --> 02:08:23.707
[SPEAKER_03]: You get to see everybody doing their day-to-day business in this little small town.

02:08:24.267 --> 02:08:24.547
[SPEAKER_00]: Yeah.

02:08:24.827 --> 02:08:25.847
[SPEAKER_03]: And they're not used to this.

02:08:25.867 --> 02:08:29.949
[SPEAKER_03]: So I used to use superhuman spitting everywhere.

02:08:29.969 --> 02:08:35.991
[SPEAKER_03]: But then you actually have the black hawk that gets shut, you know what I mean?

02:08:36.131 --> 02:08:40.733
[SPEAKER_03]: Like basically, once they're crashing, then you have Superman trying to save them.

02:08:42.233 --> 02:08:45.655
[SPEAKER_03]: Then you have, then you have Hardy who's trying to do a one-on-one match with Hora.

02:08:46.555 --> 02:08:47.015
[SPEAKER_03]: as well.

02:08:49.837 --> 02:08:50.877
[SPEAKER_00]: But with the knife.

02:08:52.959 --> 02:08:54.620
[SPEAKER_00]: I was like, where did he do it?

02:08:55.200 --> 02:08:56.741
[SPEAKER_00]: He's buying for democracy.

02:08:56.781 --> 02:09:01.443
[SPEAKER_00]: That's what you do.

02:09:01.483 --> 02:09:04.785
[SPEAKER_00]: You know how they always had a long human.

02:09:05.105 --> 02:09:07.927
[SPEAKER_00]: They're trying to go up against a unstoppable force.

02:09:08.413 --> 02:09:08.673
[SPEAKER_00]: Yeah.

02:09:08.893 --> 02:09:10.214
[SPEAKER_00]: And then you want to cheer for him.

02:09:10.234 --> 02:09:12.454
[SPEAKER_00]: You're like, yeah, man, you go to your down.

02:09:12.494 --> 02:09:12.955
[SPEAKER_03]: Yeah, bro.

02:09:12.995 --> 02:09:13.495
[SPEAKER_03]: You got it.

02:09:13.595 --> 02:09:14.775
[SPEAKER_00]: You got this.

02:09:14.815 --> 02:09:15.836
[SPEAKER_03]: And then I'm looking at my other.

02:09:16.316 --> 02:09:17.096
[SPEAKER_03]: You don't got it.

02:09:17.156 --> 02:09:22.078
[SPEAKER_00]: No, I think I'm going to take my girl out.

02:09:22.518 --> 02:09:27.260
[SPEAKER_03]: And then Superman winds up, you know, taking trying to weaken her.

02:09:28.220 --> 02:09:30.121
[SPEAKER_03]: And then he goes back over to the hearty.

02:09:30.381 --> 02:09:32.142
[SPEAKER_03]: He's like, look, I just, if he goes.

02:09:33.182 --> 02:09:35.603
[SPEAKER_03]: And he looks at the other guys because he's on no problem here.

02:09:36.692 --> 02:09:37.393
[SPEAKER_03]: He's one of us.

02:09:37.813 --> 02:09:40.976
[SPEAKER_00]: Yes, finally, finally the government lists.

02:09:43.158 --> 02:09:47.442
[SPEAKER_00]: But yeah, when I had a cape, right, and he just swung around.

02:09:47.462 --> 02:09:53.728
[SPEAKER_00]: That's why, you know, in the in not incredible incredible incredibles, right?

02:09:54.268 --> 02:09:54.969
[SPEAKER_00]: Whatever.

02:09:55.269 --> 02:09:59.573
[SPEAKER_00]: Anyway, when she said no caves, I'm like, yeah, that makes sense.

02:10:00.434 --> 02:10:00.654
[SPEAKER_00]: Yeah.

02:10:01.370 --> 02:10:02.150
[SPEAKER_00]: No case.

02:10:02.610 --> 02:10:10.472
[SPEAKER_00]: I mean, Zart flew without a cape and that was my question like, why can't Superman fly without a cape?

02:10:11.132 --> 02:10:13.533
[SPEAKER_00]: I think they're just like a fashion accessory.

02:10:13.553 --> 02:10:17.174
[SPEAKER_00]: You do need a cape for better wind velocity or what?

02:10:17.614 --> 02:10:26.176
[SPEAKER_00]: Well, I mean, clearly, he can fly without a cape because I see Zart flying and doing out each other.

02:10:26.196 --> 02:10:26.296
[SPEAKER_00]: Right.

02:10:26.316 --> 02:10:28.717
[SPEAKER_03]: Because then he's in his pajamas after he gets on taking

02:10:32.890 --> 02:10:34.711
[SPEAKER_00]: and fight you in my PJs.

02:10:34.731 --> 02:10:44.593
[SPEAKER_03]: Now, once he goes from bringing this big huge metal armor down and he gets pissed off enough like a baby and he drives a thing he was pajamas.

02:10:44.813 --> 02:10:45.494
[SPEAKER_00]: Yeah.

02:10:46.214 --> 02:10:49.675
[SPEAKER_00]: Yeah, I'm gonna fight you in my pajamas like a real man.

02:10:49.895 --> 02:10:55.957
[SPEAKER_00]: Yeah, I mean, well, technically Superman is pajamas.

02:10:55.997 --> 02:10:57.417
[SPEAKER_00]: He just got a fancy cape on.

02:10:59.228 --> 02:11:03.112
[SPEAKER_03]: But yeah, Missle hits for a knocking her out and anemic departs with her.

02:11:03.895 --> 02:11:10.137
[SPEAKER_03]: Then Cal emerges from the ruins before Hardy and his soldiers, and Hardy disclares that Cal is not in the enemy.

02:11:10.617 --> 02:11:13.477
[SPEAKER_03]: Cal thinks the Connell and flies off to the Kent farm.

02:11:13.897 --> 02:11:18.259
[SPEAKER_03]: So now we actually get to see Mark Kent going through the family albums and stuff.

02:11:19.139 --> 02:11:22.780
[SPEAKER_03]: And then you see Lois arrive and then you see it and stuff like that.

02:11:23.540 --> 02:11:26.761
[SPEAKER_03]: And then they realize that state farms aren't on their side because it's an act of God.

02:11:28.481 --> 02:11:31.742
[SPEAKER_00]: Oh, I'm wish for dance policy.

02:11:34.032 --> 02:11:51.147
[SPEAKER_03]: Back aboard the Black Zero, Zodd learned some Jack's yore that Jorel influenced infused with the codex into cows cells after Jack's sure confirms that cow does not need to be alive in order for the codex to be extracted.

02:11:51.167 --> 02:11:54.610
[SPEAKER_03]: So on order orders for the world engine.

02:11:54.810 --> 02:12:01.454
[SPEAKER_03]: a machine used by the cartoning and space explorers to transform the planet to be deployed.

02:12:01.855 --> 02:12:13.522
[SPEAKER_03]: The world engine detaches from the Black Zero and lands into the Indian Ocean while the Black Zero positions itself over Metropolis to give us a great techno beat.

02:12:14.263 --> 02:12:18.326
[SPEAKER_03]: As they were all the engine begins because of that.

02:12:18.666 --> 02:12:19.767
[SPEAKER_03]: Oh, not that, right?

02:12:19.787 --> 02:12:21.308
[SPEAKER_03]: You know what I mean?

02:12:21.368 --> 02:12:22.448
[SPEAKER_03]: Black Zero, huh?

02:12:23.209 --> 02:12:23.469
[SPEAKER_00]: Go ahead.

02:12:24.062 --> 02:12:24.682
[SPEAKER_03]: No, not going ahead.

02:12:25.282 --> 02:12:26.523
[SPEAKER_00]: No, I have to say I eat.

02:12:27.383 --> 02:12:27.603
[SPEAKER_03]: Okay.

02:12:27.783 --> 02:12:31.044
[SPEAKER_03]: The world engine detaches from the Black Zero and lands in the Indian Ocean.

02:12:31.124 --> 02:12:31.344
[SPEAKER_03]: Okay.

02:12:32.084 --> 02:12:36.006
[SPEAKER_03]: As the world engine begins, it's chair, chair, forming process.

02:12:36.026 --> 02:12:44.588
[SPEAKER_03]: Dr. Hamilton realizes that what is happening and warns that once the engine has finished its work, there won't be a human race left.

02:12:44.988 --> 02:12:52.511
[SPEAKER_03]: Well, now, person's super is now Superman, lowest and hard of your ride with Kell else, ship and toe.

02:12:53.478 --> 02:13:00.921
[SPEAKER_03]: explaining to Sunwick and Hamilton that both the Black Zero and KELL spaceships are powered by phantom drives.

02:13:01.401 --> 02:13:09.725
[SPEAKER_03]: And that causing the tube to collide, but greatly be significantly that will suck thought in his soldiers back into the phantom zone.

02:13:10.525 --> 02:13:15.987
[SPEAKER_03]: So the plan and Superman flies off to the Indian Ocean destroy the world engine.

02:13:17.808 --> 02:13:20.709
[SPEAKER_03]: So of course, when you have a villain, H.O.

02:13:20.729 --> 02:13:21.850
[SPEAKER_03]: Joe, how are you doing?

02:13:23.043 --> 02:13:32.245
[SPEAKER_03]: So, of course, when you have the supervillain, they also have to have some type of technology to try and stop the hero from destroying the earth.

02:13:32.685 --> 02:13:33.225
[SPEAKER_02]: Yes, stop.

02:13:33.665 --> 02:13:35.665
[SPEAKER_03]: This is where it doesn't work for me.

02:13:37.466 --> 02:13:40.286
[SPEAKER_03]: And I really don't like the scene.

02:13:40.446 --> 02:13:42.867
[SPEAKER_03]: I really don't like anything with the rest of it.

02:13:42.947 --> 02:13:45.727
[SPEAKER_03]: I don't like anything with tentacles that he has to go ahead and fight.

02:13:45.747 --> 02:13:49.488
[SPEAKER_03]: Because I've really, every movie in two thousand thirteen had tentacles in it.

02:13:50.141 --> 02:13:56.426
[SPEAKER_00]: Well, I just got kind of weary where they'll come in back and forth into my chocolates.

02:13:57.027 --> 02:14:00.529
[SPEAKER_00]: It's like a beat up and then they hover over to regroup.

02:14:00.970 --> 02:14:02.471
[SPEAKER_00]: Okay, so this is what we gonna do.

02:14:02.871 --> 02:14:03.252
[SPEAKER_00]: Three.

02:14:03.512 --> 02:14:04.593
[SPEAKER_00]: Okay, we back guys.

02:14:04.693 --> 02:14:05.934
[SPEAKER_00]: I'm like geez, man.

02:14:05.974 --> 02:14:14.481
[SPEAKER_00]: Like they came back and forth into the chocolates on like two, three times after they got a beat up.

02:14:14.541 --> 02:14:18.504
[SPEAKER_00]: And I'm like, can y'all just go like they just like,

02:14:19.095 --> 02:14:20.617
[SPEAKER_00]: That part was annoying to me.

02:14:20.717 --> 02:14:22.178
[SPEAKER_00]: I was like dang they bad.

02:14:22.199 --> 02:14:27.284
[SPEAKER_00]: It's like they're helping around and then the part with lowest was like, oh, I know how to defeat that.

02:14:27.344 --> 02:14:32.590
[SPEAKER_00]: I'm like, oh, it just felt like it was just an exaggerated plot.

02:14:33.091 --> 02:14:36.495
[SPEAKER_03]: Yeah, just a furthered long instruction out even further.

02:14:36.515 --> 02:14:40.199
[SPEAKER_00]: Yeah, it was like stressed out beyond what it needed to be.

02:14:41.337 --> 02:14:45.539
[SPEAKER_03]: I get the fact that Todd wants to make it a cropped Tony in.

02:14:45.679 --> 02:14:46.459
[SPEAKER_03]: I understand that.

02:14:46.479 --> 02:14:47.820
[SPEAKER_00]: I understand that.

02:14:47.940 --> 02:14:55.683
[SPEAKER_00]: It was just that once they got beat up, they flew away and then they came back like, hey, okay, so this is what we gonna do.

02:14:55.703 --> 02:14:57.824
[SPEAKER_00]: We got destroyed.

02:14:59.945 --> 02:15:02.706
[SPEAKER_00]: They just was like back for back and forth.

02:15:02.726 --> 02:15:04.107
[SPEAKER_00]: That part was kind of annoying.

02:15:04.988 --> 02:15:07.671
[SPEAKER_00]: it was because it's like, okay, round one, I got my ass handed to me.

02:15:07.911 --> 02:15:08.051
[SPEAKER_00]: Yeah.

02:15:08.291 --> 02:15:08.672
[SPEAKER_03]: Yeah.

02:15:08.872 --> 02:15:09.813
[SPEAKER_03]: Okay, it comes around two.

02:15:10.193 --> 02:15:12.375
[SPEAKER_03]: Round two is I'm going to destroy everybody that Clark.

02:15:12.636 --> 02:15:13.056
[SPEAKER_03]: Hello.

02:15:13.596 --> 02:15:16.739
[SPEAKER_03]: Here's about even though I already told them that I was going to kill everybody that

02:15:17.723 --> 02:15:18.484
[SPEAKER_03]: Uh, then he cares about.

02:15:18.504 --> 02:15:20.946
[SPEAKER_03]: I think it would have been better if they went all right.

02:15:21.046 --> 02:15:22.387
[SPEAKER_03]: They would did this already.

02:15:22.827 --> 02:15:23.188
[SPEAKER_00]: Yeah.

02:15:23.228 --> 02:15:24.108
[SPEAKER_03]: Those machines out.

02:15:24.128 --> 02:15:24.629
[SPEAKER_03]: Yeah.

02:15:24.649 --> 02:15:28.932
[SPEAKER_03]: And then you had that battle of him trying to take down.

02:15:28.992 --> 02:15:35.597
[SPEAKER_03]: Zod versus it having them fight again and do the same repetitive stuff that we've seen before.

02:15:35.978 --> 02:15:43.043
[SPEAKER_03]: You could still have the fight between Zod and everybody else in smallville and then take it over to Metropolis.

02:15:43.804 --> 02:15:44.264
[SPEAKER_00]: Yes.

02:15:44.905 --> 02:15:46.506
[SPEAKER_00]: Yes, because if that

02:15:47.435 --> 02:15:52.318
[SPEAKER_00]: Ashley that machine that was making her techno beats that you talked about.

02:15:52.999 --> 02:16:08.429
[SPEAKER_00]: Yeah, that could have been going on when he was by Zoy because then we're been a conflict like, oh no, I need to stop this machine from destroying my droplets, but then I'm fighting Zoy because it's like he fought Zoy and that was it.

02:16:08.869 --> 02:16:11.111
[SPEAKER_00]: Okay, and now they're gonna pull out of the machine.

02:16:11.652 --> 02:16:15.815
[SPEAKER_00]: So they gave him time to focus and concentrate on one thing at a time.

02:16:15.975 --> 02:16:19.117
[SPEAKER_00]: Like, is she should have been in a situation where he multitasked?

02:16:19.918 --> 02:16:23.000
[SPEAKER_00]: Like, there's this machine and it's crushing the earth.

02:16:23.500 --> 02:16:31.465
[SPEAKER_03]: But then I'm watching this guy and you know, there should have been that thing where it's all just trying to stop him from stopping the machine.

02:16:31.725 --> 02:16:34.107
[SPEAKER_00]: Yes, like, oh, that would have been a spin.

02:16:34.127 --> 02:16:38.310
[SPEAKER_00]: It's like man has Superman going to fight Zai and then save metropolis.

02:16:39.617 --> 02:16:42.458
[SPEAKER_03]: right and then having the both of them to cucko collide.

02:16:42.478 --> 02:16:43.439
[SPEAKER_00]: Yeah.

02:16:43.879 --> 02:16:44.299
[SPEAKER_00]: Yeah.

02:16:44.640 --> 02:16:45.480
[SPEAKER_00]: I would have wrote that.

02:16:45.520 --> 02:16:47.181
[SPEAKER_00]: We're not sure if you wrote this movie.

02:16:47.401 --> 02:16:48.341
[SPEAKER_00]: That's what I should have did.

02:16:48.361 --> 02:16:50.362
[SPEAKER_00]: It's a Snyder baby.

02:16:50.483 --> 02:16:52.243
[SPEAKER_00]: Just, you know, you'd be my son.

02:16:52.263 --> 02:16:53.684
[SPEAKER_03]: Snyder than write this one.

02:16:53.704 --> 02:16:55.085
[SPEAKER_03]: You only directed it.

02:16:56.806 --> 02:16:58.707
[SPEAKER_03]: Whoever wrote it, they would be my second.

02:17:00.468 --> 02:17:03.489
[SPEAKER_03]: That would actually be David as Goyer.

02:17:03.509 --> 02:17:04.270
[SPEAKER_00]: Okay.

02:17:04.550 --> 02:17:04.790
[SPEAKER_00]: Well,

02:17:05.570 --> 02:17:08.031
[SPEAKER_03]: Okay, I have to say, Goyer and Zack Snyder bolted.

02:17:08.111 --> 02:17:09.752
[SPEAKER_03]: Okay, so they both were collaborators.

02:17:10.452 --> 02:17:12.033
[SPEAKER_00]: Okay, what they would be in my second.

02:17:12.073 --> 02:17:14.014
[SPEAKER_00]: And I might know, this is what we come to.

02:17:16.996 --> 02:17:24.239
[SPEAKER_00]: But then they would ask me, okay, with Zy's fight, if Superman is fighting Zy, what has he got to stop his machine?

02:17:25.360 --> 02:17:25.820
[SPEAKER_00]: And I'm right.

02:17:25.840 --> 02:17:30.282
[SPEAKER_03]: Because he also has to fight the woman too, and he also has to fight to Southern Italians.

02:17:30.734 --> 02:17:31.074
[SPEAKER_00]: Yeah.

02:17:31.334 --> 02:17:35.596
[SPEAKER_00]: And that's what I get like, we're a super girl comes in for no reason at all.

02:17:35.656 --> 02:17:37.317
[SPEAKER_00]: And it's like, whoa, wait a minute.

02:17:37.377 --> 02:17:38.417
[SPEAKER_00]: We want to follow the hell.

02:17:38.717 --> 02:17:39.798
[SPEAKER_00]: And it's moving to the name.

02:17:39.818 --> 02:17:43.479
[SPEAKER_00]: It was supposed to be until men are still too, which we don't even get men are still too.

02:17:43.939 --> 02:17:46.140
[SPEAKER_00]: I'm like, well, we ain't doing men are still too.

02:17:46.180 --> 02:17:47.020
[SPEAKER_00]: Let's do it now.

02:17:47.100 --> 02:17:48.421
[SPEAKER_00]: Super girl comes in.

02:17:48.501 --> 02:17:49.921
[SPEAKER_00]: She focused on the phenomenon.

02:17:50.422 --> 02:17:51.942
[SPEAKER_00]: And then he is fine.

02:17:51.962 --> 02:17:53.443
[SPEAKER_00]: So that's how that works.

02:17:55.419 --> 02:18:04.604
[SPEAKER_03]: But yeah, I just, I wish I was more to this than just that, you know, but the machines and, but it is what it is.

02:18:05.224 --> 02:18:15.249
[SPEAKER_00]: Yeah, I think Zai and his crew wasted too much time and they actually made it easier for Superman.

02:18:15.910 --> 02:18:21.553
[SPEAKER_00]: Like I said, he, he fought them and he had time to just focus on just a machine.

02:18:22.395 --> 02:18:22.895
[SPEAKER_00]: Exactly.

02:18:23.216 --> 02:18:25.177
[SPEAKER_03]: Yeah, they should award him down more.

02:18:25.197 --> 02:18:27.319
[SPEAKER_03]: Yeah, they should have worn him down more.

02:18:27.399 --> 02:18:40.449
[SPEAKER_03]: Something should have actually happened to where maybe there's something on top of Zod and Zod has to try to get out to try to stop Superman from putting him back in the Phantom Zone and stuff.

02:18:40.609 --> 02:18:47.635
[SPEAKER_03]: But even that that plan doesn't even work at all because they don't even get sent in back into this Phantom Zone.

02:18:48.455 --> 02:18:48.735
[SPEAKER_00]: No.

02:18:49.376 --> 02:18:49.616
[SPEAKER_03]: No.

02:18:50.176 --> 02:18:50.857
[SPEAKER_03]: No, it doesn't.

02:18:51.417 --> 02:19:00.984
[SPEAKER_03]: Instead, we have it to USB drive that winds up and sucked into the machine again with the letter S and then all the power stops and then they just crash.

02:19:01.724 --> 02:19:02.125
[SPEAKER_00]: Yes.

02:19:02.205 --> 02:19:05.447
[SPEAKER_00]: Are you trying to explain where the human saved him?

02:19:05.907 --> 02:19:07.688
[SPEAKER_00]: And he got kind of stuck like this.

02:19:08.629 --> 02:19:10.671
[SPEAKER_00]: And they were like, what are we going to do?

02:19:11.111 --> 02:19:12.011
[SPEAKER_00]: Smack it in there.

02:19:12.312 --> 02:19:16.114
[SPEAKER_00]: Like, yes, I know how you do a USB machine sunrise at port.

02:19:16.735 --> 02:19:16.895
[SPEAKER_03]: Yeah.

02:19:17.468 --> 02:19:22.033
[SPEAKER_03]: Someone needs to go ahead and get text up IT out there to help out with the USB port.

02:19:22.373 --> 02:19:25.476
[SPEAKER_00]: That's how to ram your USB into the port light is.

02:19:25.497 --> 02:19:25.717
[SPEAKER_00]: Let's see.

02:19:30.215 --> 02:19:54.836
[SPEAKER_03]: Okay, so now Cal Ship is loaded aboard a military plane that hits to Metropolis, where the Black Zero working in Tandrum with the World Engine is causing a massive destruction in the city's odd hits to Elfmer Island, where he hunts his heightened senses before entering the scout ship and installing his own command key, giving himself control over the craft.

02:19:55.416 --> 02:20:00.158
[SPEAKER_03]: Correll appears in tries to talk Zod out of going through the with this plan.

02:20:00.698 --> 02:20:12.123
[SPEAKER_03]: Zod clearly ruffs his former friend in Deliz's program from the ship systems before taking the control and flying to Metropolis.

02:20:12.543 --> 02:20:16.705
[SPEAKER_03]: Superman battles the world's engines defensive measures despite the toxic atmosphere.

02:20:16.725 --> 02:20:23.588
[SPEAKER_03]: It is generating then gathers his strength implies straight into the engine destroying it.

02:20:24.057 --> 02:20:24.417
[SPEAKER_00]: Hmm.

02:20:25.258 --> 02:20:25.678
[SPEAKER_00]: Yeah.

02:20:26.519 --> 02:20:26.619
[SPEAKER_00]: Yeah.

02:20:26.659 --> 02:20:29.700
[SPEAKER_00]: I didn't see it with Jorio and Zod.

02:20:30.581 --> 02:20:33.883
[SPEAKER_00]: Where Jorio said, my son is more of a man than you are.

02:20:33.903 --> 02:20:35.284
[SPEAKER_00]: I was like, dang.

02:20:36.044 --> 02:20:36.825
[SPEAKER_00]: He went savage.

02:20:37.225 --> 02:20:37.965
[SPEAKER_00]: Yeah.

02:20:38.626 --> 02:20:42.308
[SPEAKER_00]: And he knew he was going to like destroy the program.

02:20:42.368 --> 02:20:44.830
[SPEAKER_00]: So he was like, I'm just going to drop it like a boss.

02:20:45.770 --> 02:20:48.412
[SPEAKER_00]: My son, more of a man than you are might drop.

02:20:48.592 --> 02:20:49.813
[SPEAKER_00]: He was like, and the

02:20:53.812 --> 02:20:55.674
[SPEAKER_03]: I was like, I'm getting tired of your work.

02:20:59.577 --> 02:21:03.621
[SPEAKER_03]: But my question is for you, like, what do you think about the fact that the codex is inside of him?

02:21:04.842 --> 02:21:18.554
[SPEAKER_03]: That's inside of Superman, and that, you know, all the cryptoneans that's in him that's all just trying to make this planet of is implanted into Superman.

02:21:20.102 --> 02:21:23.864
[SPEAKER_00]: I think it is a smart move and also dangerous.

02:21:25.445 --> 02:21:36.873
[SPEAKER_00]: Like how can one person hold at much information be that much of a vessel for such a powerful, I don't want to say weapon, but you know, I'm not weapon.

02:21:36.913 --> 02:21:41.976
[SPEAKER_03]: I would say like, I would have to say like a like a card.

02:21:42.817 --> 02:21:43.097
[SPEAKER_00]: Yeah.

02:21:44.450 --> 02:21:45.750
[SPEAKER_03]: Yeah, that's what it is.

02:21:45.770 --> 02:21:58.975
[SPEAKER_00]: They also for everything including the mutant babies in a matrious pause.

02:21:59.835 --> 02:22:10.238
[SPEAKER_03]: I think there is something dangerous about having the fact that you have this weapon that's planted inside of you of this and you don't even know what it is or what it could do to your kid.

02:22:11.218 --> 02:22:12.679
[SPEAKER_00]: Yeah, very invasive.

02:22:13.941 --> 02:22:26.465
[SPEAKER_03]: but you know that in your heart that you're doing the right thing and trying to protect it and you also know your son that he's going to be okay.

02:22:27.165 --> 02:22:30.406
[SPEAKER_03]: So that's what I got from him from that angle.

02:22:31.267 --> 02:22:42.030
[SPEAKER_00]: Or you could say that, well, I just want to make much of a reddit theory, but in the Superman Batman, what was it Justice League?

02:22:42.787 --> 02:22:45.969
[SPEAKER_00]: I can't remember one that Superman went totally crazy.

02:22:45.989 --> 02:22:47.290
[SPEAKER_00]: Yeah, I was just as lean.

02:22:47.330 --> 02:22:49.291
[SPEAKER_00]: Just as he was like, bro, you need to chill.

02:22:49.911 --> 02:22:50.151
[SPEAKER_00]: Yeah.

02:22:50.532 --> 02:22:50.852
[SPEAKER_00]: Okay.

02:22:50.972 --> 02:22:53.794
[SPEAKER_00]: I think the code is was like, make him crazy.

02:22:54.114 --> 02:22:55.234
[SPEAKER_00]: Like, it was still a lamb.

02:22:55.434 --> 02:23:02.739
[SPEAKER_00]: So it was like, my scatter in a car getting his brain and he's like, oh, why are you people?

02:23:03.199 --> 02:23:05.020
[SPEAKER_00]: You know, even though that's not true.

02:23:05.640 --> 02:23:07.962
[SPEAKER_00]: Anyway, that's my redic theory for today.

02:23:10.667 --> 02:23:10.848
[SPEAKER_03]: Oh, man.

02:23:16.561 --> 02:23:19.682
[SPEAKER_03]: But again, he tries to talk Zad out of going through with a plan.

02:23:20.622 --> 02:23:21.682
[SPEAKER_03]: But we talked about that.

02:23:21.762 --> 02:23:22.923
[SPEAKER_03]: So Superman then flot.

02:23:23.103 --> 02:23:28.904
[SPEAKER_03]: So what did you think about the fact that, you know, it's actually weeding a call out Superman.

02:23:28.924 --> 02:23:30.325
[SPEAKER_03]: This machine is.

02:23:30.825 --> 02:23:31.145
[SPEAKER_00]: Yeah.

02:23:31.845 --> 02:23:36.306
[SPEAKER_03]: And he's still having to fly into this machine to kill this machine.

02:23:36.606 --> 02:23:38.387
[SPEAKER_03]: But at this point, he's actually weakened.

02:23:39.107 --> 02:23:43.508
[SPEAKER_03]: And he has to use all his strength to basically just knock this thing and annihilate it.

02:23:44.408 --> 02:23:46.571
[SPEAKER_00]: Just shows our power for years.

02:23:47.071 --> 02:23:54.161
[SPEAKER_00]: Like, yeah, even though he's taking some of his strength, he still has enough strength to destroy it.

02:23:55.262 --> 02:23:59.007
[SPEAKER_00]: The scene that was, I guess it was touching to me was

02:23:59.835 --> 02:24:01.777
[SPEAKER_00]: the girl from the daily plan.

02:24:01.817 --> 02:24:03.599
[SPEAKER_00]: I think she was an intern or whatever.

02:24:03.679 --> 02:24:06.582
[SPEAKER_00]: She was trapped in a car or something.

02:24:07.203 --> 02:24:11.567
[SPEAKER_03]: She was trapped in the building, the destruction of the building.

02:24:11.587 --> 02:24:14.971
[SPEAKER_03]: Because Perry was trying to, we'll get to that in a minute.

02:24:21.015 --> 02:24:35.143
[SPEAKER_03]: So now we're getting into Superman then fly some a trap was and lands in the scout ship projecting Zod's please that damaging the ship but ruined the chance to rebuild Krypton arguing

02:24:35.883 --> 02:24:47.212
[SPEAKER_03]: Back that crypton, it's chance had his chance Superman uses his heat vision to damage the Genesis chamber, flooding the ship and causing it to crash through skyscrapers into the ground of a troplist.

02:24:47.273 --> 02:24:54.739
[SPEAKER_03]: The military are deployed to take out the Black Zero, but the gravity team throws the missiles off course.

02:24:54.799 --> 02:24:59.403
[SPEAKER_03]: Lois Dr. Hamilton and Connell Hardy was aboard a C- Seventeen with cows.

02:25:00.083 --> 02:25:17.667
[SPEAKER_03]: else ship, which he gave them to use against the black zeros for a arrives on the plane and takes the soldiers to boot on out on board, but is unable to stop party as he flies the plane into black zero, creating a portal for the fans of them.

02:25:17.747 --> 02:25:19.848
[SPEAKER_03]: Okay, so she does get socked back into this.

02:25:20.588 --> 02:25:26.277
[SPEAKER_03]: So she does get sucked back into the Panthers out, which is everything inside, including the ship.

02:25:26.758 --> 02:25:33.368
[SPEAKER_03]: So it's followers and Hardy Hamilton in for your lowest falls out in his state by Superman.

02:25:33.408 --> 02:25:35.491
[SPEAKER_03]: Catches are in midair after the heat pun.

02:25:35.992 --> 02:25:54.707
[SPEAKER_03]: He puts low as down next to Perry, Steve and Jenny, they share, share a kiss Superman then levels to confront and enraged side who vows to kill the humans and revenge as his purpose and life to protect for Tony and in its crypton in his people.

02:25:55.227 --> 02:25:56.288
[SPEAKER_03]: has been taken from him.

02:25:56.488 --> 02:26:04.575
[SPEAKER_03]: The two then have a disdainting battle across metropolis destroying several buildings in cars in the process.

02:26:05.015 --> 02:26:16.904
[SPEAKER_03]: So then rips off his armor and learns to fly as they continue to battle and even for contest after their flight.

02:26:18.005 --> 02:26:42.320
[SPEAKER_03]: fight takes them into space, then they land inside Metropolis Central Station where Zod opens his heat vision on civilian Superman grapples with Zod, trying to effort his heat vision before having no other choice but to snap Zod's neck, killing him horrified what he did, Superman excreembs out in agony as lowest arrives to console and deeply hurt Colau.

02:26:43.020 --> 02:26:56.550
[SPEAKER_03]: So the skyscraper scene was pretty cool about seeing how they fall and seeing these two characters destroying these buildings and also seeing Perry tried to save Jimmy.

02:26:56.810 --> 02:27:06.117
[SPEAKER_03]: Well, that's actually supposed to be Jimmy, but they changed, uh, they basically switched, um, sex on this one and made her made him a girl.

02:27:08.018 --> 02:27:09.719
[SPEAKER_03]: So they did a gender swap, for sure.

02:27:09.959 --> 02:27:10.219
[SPEAKER_03]: Okay.

02:27:10.519 --> 02:27:14.841
[SPEAKER_03]: So, but yeah, she's under that debris and Perry's over there trying to save her.

02:27:15.922 --> 02:27:22.765
[SPEAKER_03]: And then it's even darker at Metropolis than what it is when we saw it saw them in Metropolis and the opening act.

02:27:24.126 --> 02:27:31.430
[SPEAKER_03]: But, you know, I'd like the fact that, you know, these are the people that's actually seeing what's happening in the city.

02:27:31.990 --> 02:27:33.771
[SPEAKER_03]: And there's something apoptolithic within it.

02:27:34.751 --> 02:27:47.141
[SPEAKER_03]: himself, and seeing these superhuman beings just annihilating each other, being each other up, and then flying on to space, and then being on top of Bruce Wayne's satellite dish.

02:27:51.165 --> 02:27:55.208
[SPEAKER_03]: I don't know if you noticed the logo on that side.

02:27:55.248 --> 02:28:01.833
[SPEAKER_03]: Yeah, there was a, if you pay close attention, you can see the Wayne enterprise logo on it.

02:28:01.933 --> 02:28:03.675
[SPEAKER_03]: No, man, I basically even sweeter.

02:28:06.152 --> 02:28:07.613
[SPEAKER_03]: That's also wise, Pistach.

02:28:08.154 --> 02:28:12.218
[SPEAKER_00]: Here's a drawer where I satellite is Batman versus Superman.

02:28:14.040 --> 02:28:14.660
[SPEAKER_00]: You bleed.

02:28:15.101 --> 02:28:15.641
[SPEAKER_00]: Yeah.

02:28:16.342 --> 02:28:16.802
[SPEAKER_00]: Yeah.

02:28:18.163 --> 02:28:18.704
[SPEAKER_00]: Oh, man.

02:28:18.944 --> 02:28:19.525
[SPEAKER_00]: Oh, yeah, yeah.

02:28:19.605 --> 02:28:19.985
[SPEAKER_00]: Okay.

02:28:20.025 --> 02:28:22.387
[SPEAKER_00]: So, yes, the while we're Perry was touching.

02:28:23.188 --> 02:28:26.932
[SPEAKER_00]: Um, it is just amazing.

02:28:27.332 --> 02:28:28.133
[SPEAKER_00]: Us humans.

02:28:28.937 --> 02:28:32.401
[SPEAKER_00]: You know, like we do anything we can to help somebody who's in danger.

02:28:32.782 --> 02:28:38.568
[SPEAKER_00]: Like they're trying to live debris and I'm like, we don't have any superhuman strength, but they're trying.

02:28:39.790 --> 02:28:43.154
[SPEAKER_00]: And then they stay there with her like where we're all going to die.

02:28:43.875 --> 02:28:46.538
[SPEAKER_00]: It's like, let's hold hands, you know.

02:28:47.601 --> 02:28:56.429
[SPEAKER_03]: Well, also, too, they even try getting like a pole, like a middle pole and get leverage to where they can get her out of there.

02:28:56.469 --> 02:28:57.449
[SPEAKER_03]: I left to get her out of there.

02:28:57.850 --> 02:29:01.313
[SPEAKER_03]: So the two of them together, basically, are having their own strength.

02:29:01.753 --> 02:29:02.714
[SPEAKER_03]: Double their own strength.

02:29:03.154 --> 02:29:14.224
[SPEAKER_00]: Yes, yes, but their own ages give up and they just reach out their fingertips to each other like, well, this is it, right?

02:29:14.344 --> 02:29:15.645
[SPEAKER_00]: It's, it's really touching.

02:29:16.595 --> 02:29:17.275
[SPEAKER_00]: It really is.

02:29:17.355 --> 02:29:20.676
[SPEAKER_03]: I get, I just, I love that scene too.

02:29:22.016 --> 02:29:23.256
[SPEAKER_03]: Even though it's all destruction.

02:29:23.276 --> 02:29:24.036
[SPEAKER_02]: Yeah.

02:29:24.096 --> 02:29:26.637
[SPEAKER_03]: And seeing the outcome of what they're witnessing.

02:29:27.017 --> 02:29:27.517
[SPEAKER_03]: Yeah.

02:29:27.577 --> 02:29:27.877
[SPEAKER_03]: Yeah.

02:29:27.957 --> 02:29:32.998
[SPEAKER_03]: In the data we're yelling in, we're coping Superman gets, uh, is odd.

02:29:33.038 --> 02:29:36.258
[SPEAKER_03]: But at the same time, it's also something horrifying to witness.

02:29:37.479 --> 02:29:37.779
[SPEAKER_00]: Yeah.

02:29:38.379 --> 02:29:38.659
[SPEAKER_00]: Yeah.

02:29:38.739 --> 02:29:42.900
[SPEAKER_00]: It shows Superman can't say everybody, which is the conflict.

02:29:42.920 --> 02:29:44.520
[SPEAKER_00]: They should have had with the machine.

02:29:45.634 --> 02:29:47.615
[SPEAKER_00]: but it did give me some conflict.

02:29:47.675 --> 02:29:56.459
[SPEAKER_00]: Like he's fighting Zara and in there's debris on his girl and then people run around her and he can't save everybody.

02:29:56.980 --> 02:29:57.560
[SPEAKER_03]: Exactly.

02:29:57.600 --> 02:30:03.323
[SPEAKER_00]: I think that is the lesson on premise of Superman.

02:30:03.383 --> 02:30:04.884
[SPEAKER_00]: He can't save everybody.

02:30:05.464 --> 02:30:09.046
[SPEAKER_00]: He wants to but he can't because there's only one of them.

02:30:09.880 --> 02:30:10.340
[SPEAKER_00]: Exactly.

02:30:10.360 --> 02:30:15.541
[SPEAKER_03]: And then Zod after he gets, I like the whole entire, it also feels like the matrix.

02:30:15.662 --> 02:30:24.924
[SPEAKER_03]: It also feels like the matrix with the lines through the air getting and getting punched around inside the build office buildings and stuff like that.

02:30:24.944 --> 02:30:30.485
[SPEAKER_03]: I thought these scenes were pretty neat to actually see is we never seen that in a Superman movie before.

02:30:31.106 --> 02:30:32.686
[SPEAKER_00]: We ended the matrix come out.

02:30:33.737 --> 02:30:34.237
[SPEAKER_00]: Ninety-nine.

02:30:35.258 --> 02:30:35.818
[SPEAKER_00]: Or not eight.

02:30:36.458 --> 02:30:39.139
[SPEAKER_00]: Well, yeah, they stole somebody in front of majors, but it's fine.

02:30:39.599 --> 02:30:42.901
[SPEAKER_00]: So those are in front of majors and they put it in the suit.

02:30:43.961 --> 02:30:49.763
[SPEAKER_03]: Well, if you think about those, they pretty much borrow stuff from Superman though because Superman's been out for years.

02:30:50.484 --> 02:30:52.004
[SPEAKER_03]: Isn't part two Neo flies.

02:30:53.145 --> 02:30:53.505
[SPEAKER_00]: Okay.

02:30:54.085 --> 02:30:55.946
[SPEAKER_00]: Well, you can do that with your next move.

02:30:56.066 --> 02:30:57.086
[SPEAKER_00]: Neo next review.

02:30:57.827 --> 02:30:59.407
[SPEAKER_00]: Well, we already get a reverse.

02:30:59.987 --> 02:31:01.108
[SPEAKER_00]: This man of steel.

02:31:02.294 --> 02:31:02.814
[SPEAKER_00]: parallels.

02:31:03.175 --> 02:31:03.635
[SPEAKER_00]: I don't know.

02:31:06.897 --> 02:31:09.278
[SPEAKER_03]: The thing that, okay, here's another thing though, too.

02:31:09.338 --> 02:31:09.799
[SPEAKER_03]: What's odd?

02:31:09.819 --> 02:31:19.185
[SPEAKER_03]: He goes, um, this quote that I like is I did and not a day goes by that it doesn't hot me, but if I had to do it again, I would.

02:31:19.205 --> 02:31:24.228
[SPEAKER_03]: I have a duty to my people and I would not lot anyone to bring me from carrying it out.

02:31:25.792 --> 02:31:35.300
[SPEAKER_03]: And then also to this also gets a revenge plot now to go in because remember whenever we actually get the fact that it's on killed by Kellown's father.

02:31:35.660 --> 02:31:35.921
[SPEAKER_00]: Yeah.

02:31:35.961 --> 02:31:38.122
[SPEAKER_03]: He doesn't know that he was the one who killed this father.

02:31:38.763 --> 02:31:48.592
[SPEAKER_03]: So that piss him off even more that this man also killed my father who's also going to kill everybody else that I care about on this planet if I don't do something about it.

02:31:49.391 --> 02:31:57.499
[SPEAKER_00]: Yeah, I do remember the controversy about his death, Zahaz del, and his superman showed up killed him.

02:31:57.539 --> 02:32:03.244
[SPEAKER_00]: I think most of the people that didn't agree wanted it to be a man of steel too.

02:32:03.965 --> 02:32:09.570
[SPEAKER_00]: You know, where Zahaz comes back, I think that was most of their complaints.

02:32:10.071 --> 02:32:13.274
[SPEAKER_00]: Like, oh, you killed his guy, now there's no man of steel.

02:32:14.225 --> 02:32:17.267
[SPEAKER_03]: Also too, the one that I always see is this, okay?

02:32:17.687 --> 02:32:25.793
[SPEAKER_03]: Like Superman does not kill Superman is supposed to be the best of Batman because Batman is the one that is the loose cannon.

02:32:29.056 --> 02:32:30.096
[SPEAKER_00]: He doesn't kill either.

02:32:30.116 --> 02:32:34.940
[SPEAKER_00]: I later on, but initially he did beat people.

02:32:36.075 --> 02:32:37.976
[SPEAKER_03]: Right, and just put someone in the hospital.

02:32:38.196 --> 02:32:42.819
[SPEAKER_03]: Yeah, you know, but also to Michael, he's Batman.

02:32:42.839 --> 02:32:50.503
[SPEAKER_03]: He also put a bomb in someone's crotch and, you know, that's just silly games.

02:32:50.563 --> 02:32:51.844
[SPEAKER_00]: What are you talking about?

02:32:51.904 --> 02:32:53.285
[SPEAKER_00]: He's outlining games.

02:32:53.345 --> 02:32:53.905
[SPEAKER_00]: Come on.

02:32:53.925 --> 02:33:01.470
[SPEAKER_03]: Okay, so I actually did a vote on Twitter on Twitter.

02:33:02.050 --> 02:33:02.310
[SPEAKER_00]: Okay.

02:33:05.776 --> 02:33:10.301
[SPEAKER_03]: If everyone thought that, did you think to remain shut up broken Zod's neck?

02:33:11.762 --> 02:33:13.784
[SPEAKER_03]: Six six six point seven percent said yes.

02:33:14.765 --> 02:33:21.752
[SPEAKER_03]: And my friend Sean said, it was actually a comment, but I guess someone deleted it.

02:33:22.481 --> 02:33:25.204
[SPEAKER_03]: But he actually agrees that he should have died.

02:33:25.524 --> 02:33:26.805
[SPEAKER_03]: Because Zada actually said it.

02:33:26.865 --> 02:33:27.706
[SPEAKER_03]: He said this to him.

02:33:27.746 --> 02:33:31.169
[SPEAKER_03]: He goes, I will stop it and nothing to kill the people that you love.

02:33:31.770 --> 02:33:36.554
[SPEAKER_03]: And it doesn't matter what you do, I want to kill everyone you love.

02:33:37.175 --> 02:33:48.105
[SPEAKER_03]: And even whenever he has his heat blasters inside the subway station, he was about to wipe out and disintegrate those homes, the women, the women and children in that building.

02:33:48.481 --> 02:33:52.542
[SPEAKER_00]: Yeah, they were in a corner and the lasers were like right here.

02:33:53.203 --> 02:33:56.564
[SPEAKER_00]: And I guess, I don't, I don't disagree.

02:33:56.624 --> 02:33:58.605
[SPEAKER_00]: I thought he should, I think he should be going.

02:33:59.125 --> 02:34:00.445
[SPEAKER_00]: When did you learn to kill him?

02:34:00.845 --> 02:34:09.868
[SPEAKER_00]: If there was another way, when he couldn't cover his eyes, because he would burn to his flesh, he'd just do like, throwing.

02:34:12.229 --> 02:34:13.650
[SPEAKER_00]: It's not the three stages.

02:34:14.030 --> 02:34:15.370
[SPEAKER_00]: No, no, no.

02:34:19.457 --> 02:34:20.397
[SPEAKER_00]: But yeah, I agree.

02:34:20.437 --> 02:34:22.158
[SPEAKER_00]: He should, yeah, he should be going.

02:34:22.218 --> 02:34:28.200
[SPEAKER_00]: Even when I first saw it, I was like, oh, man, I was like, it's about time.

02:34:28.300 --> 02:34:30.300
[SPEAKER_00]: I got tired of their boy scout crowd.

02:34:31.101 --> 02:34:31.341
[SPEAKER_03]: Right?

02:34:32.121 --> 02:34:34.462
[SPEAKER_03]: But, okay, this is where my friend Sean says, okay.

02:34:34.482 --> 02:34:38.903
[SPEAKER_03]: He goes, it was a less of a dick move than taking away his powers in the murdering him.

02:34:39.523 --> 02:34:41.504
[SPEAKER_03]: Then he says, he's a protector of humans.

02:34:41.604 --> 02:34:45.325
[SPEAKER_03]: He's not a protector of crotony and trying to kill him in humans.

02:34:45.805 --> 02:34:46.025
[SPEAKER_03]: True.

02:34:47.186 --> 02:34:47.286
[SPEAKER_03]: True.

02:34:47.326 --> 02:34:48.166
[SPEAKER_03]: Yeah, true.

02:34:49.551 --> 02:34:53.536
[SPEAKER_03]: So I agree with him snapping Zod's neck.

02:34:53.696 --> 02:34:54.297
[SPEAKER_03]: I'm sorry.

02:34:54.357 --> 02:34:55.318
[SPEAKER_03]: I know that's controversial.

02:34:55.338 --> 02:34:59.322
[SPEAKER_03]: I know that's something that nobody wants to hear, but which choice did he have?

02:34:59.823 --> 02:35:01.104
[SPEAKER_03]: He even said it himself.

02:35:01.485 --> 02:35:07.712
[SPEAKER_03]: I will stop at nothing to kill the people you love and destroy the human race.

02:35:08.252 --> 02:35:08.512
[SPEAKER_00]: Yeah.

02:35:08.972 --> 02:35:11.133
[SPEAKER_03]: So what choice, what did Superman have?

02:35:11.454 --> 02:35:12.094
[SPEAKER_03]: What could he do?

02:35:12.494 --> 02:35:15.415
[SPEAKER_03]: He already just tried to suck everybody into this Phantom Zone.

02:35:15.976 --> 02:35:22.399
[SPEAKER_03]: And the only one that he did was get Zod's little groupies that get sucked off.

02:35:22.879 --> 02:35:26.561
[SPEAKER_03]: I'm sorry, that didn't suck the Phantom Zone.

02:35:26.921 --> 02:35:28.762
[SPEAKER_00]: I got it.

02:35:31.223 --> 02:35:32.103
[SPEAKER_03]: But you know what I'm saying to me.

02:35:35.386 --> 02:35:36.626
[SPEAKER_03]: But she wants the man to do.

02:35:36.646 --> 02:35:40.127
[SPEAKER_03]: And he even said, it's hard.

02:35:40.187 --> 02:35:40.828
[SPEAKER_03]: Stop this.

02:35:41.388 --> 02:35:42.628
[SPEAKER_03]: Stop doing what you're doing.

02:35:43.168 --> 02:35:43.409
[SPEAKER_00]: Yeah.

02:35:44.129 --> 02:35:45.049
[SPEAKER_03]: And so it's a no.

02:35:45.689 --> 02:35:47.450
[SPEAKER_03]: So he goes on ahead.

02:35:47.790 --> 02:35:50.071
[SPEAKER_03]: He crapped and he kills him.

02:35:50.531 --> 02:35:55.513
[SPEAKER_03]: And even in Superman too, he takes away Zod's powers and he kills him.

02:35:56.133 --> 02:35:57.334
[SPEAKER_00]: Yeah.

02:35:57.354 --> 02:35:58.394
[SPEAKER_03]: You're okay with that.

02:35:58.574 --> 02:36:02.676
[SPEAKER_03]: You're okay with weakening this other superhuman.

02:36:03.016 --> 02:36:03.236
[SPEAKER_00]: Yeah.

02:36:04.315 --> 02:36:10.358
[SPEAKER_03]: And taking away his powers and then making my whip and then I think basically kicking them in the balls and killing them.

02:36:10.819 --> 02:36:11.119
[SPEAKER_00]: Yes.

02:36:11.219 --> 02:36:14.321
[SPEAKER_03]: They grew up not okay with him not taking away his powers.

02:36:15.181 --> 02:36:15.901
[SPEAKER_03]: Yeah.

02:36:17.182 --> 02:36:20.644
[SPEAKER_00]: I think they, he was the next snapping for them.

02:36:21.625 --> 02:36:22.085
[SPEAKER_00]: Yeah.

02:36:22.145 --> 02:36:27.768
[SPEAKER_00]: I guess they would have liked the other way, where it's like, let's just like take away his powers.

02:36:28.557 --> 02:36:31.639
[SPEAKER_00]: and then rid of him useless and then kill him.

02:36:31.819 --> 02:36:36.201
[SPEAKER_00]: I guess that's like a humane way for them, but I'm like, there's not a humane about this man.

02:36:36.662 --> 02:36:40.464
[SPEAKER_03]: No, this man had dead center on what he was gonna do.

02:36:40.484 --> 02:36:41.264
[SPEAKER_03]: He had a plan.

02:36:41.304 --> 02:36:42.365
[SPEAKER_03]: He was gonna carry it out.

02:36:44.126 --> 02:36:47.108
[SPEAKER_03]: The characters that think that they're on the right are the most dangerous characters.

02:36:47.168 --> 02:36:48.188
[SPEAKER_03]: I will say that again.

02:36:48.208 --> 02:36:53.791
[SPEAKER_03]: I will die on this hill and say that Superman did the right thing by cracking his neck.

02:36:54.412 --> 02:36:56.373
[SPEAKER_03]: Even though some people don't like that ending.

02:36:56.869 --> 02:36:57.209
[SPEAKER_00]: I agree.

02:36:57.530 --> 02:37:00.432
[SPEAKER_00]: I agreed in a theater when I first saw it and I agree now.

02:37:01.493 --> 02:37:02.793
[SPEAKER_03]: Because I was even thinking this too.

02:37:02.834 --> 02:37:05.255
[SPEAKER_03]: I'm like, OK, let me go into it with an open mind.

02:37:05.896 --> 02:37:07.397
[SPEAKER_03]: What, you know what I'm saying?

02:37:07.417 --> 02:37:10.259
[SPEAKER_03]: Like, let me get trying to get a new perspective of it.

02:37:11.300 --> 02:37:13.742
[SPEAKER_03]: And the motivation for that is still there.

02:37:14.542 --> 02:37:15.683
[SPEAKER_03]: It's there in black and white.

02:37:16.263 --> 02:37:18.225
[SPEAKER_03]: There is day of what his motives were.

02:37:20.018 --> 02:37:21.419
[SPEAKER_03]: And there's no other way about it.

02:37:21.499 --> 02:37:23.860
[SPEAKER_03]: There's no other way you can try to do this.

02:37:23.940 --> 02:37:24.621
[SPEAKER_03]: You arrest him.

02:37:25.321 --> 02:37:26.342
[SPEAKER_03]: He breaks out of prison.

02:37:26.582 --> 02:37:27.462
[SPEAKER_03]: He has superpowers.

02:37:27.943 --> 02:37:33.726
[SPEAKER_03]: You're getting get kryptonite, but how do you get the kryptonite to weaken someone like this?

02:37:33.746 --> 02:37:37.228
[SPEAKER_03]: And also to he's a Kryptonian who's also probably at you and to the Kryptonite.

02:37:37.568 --> 02:37:41.551
[SPEAKER_03]: So therefore, you get not weaken his powers.

02:37:42.571 --> 02:37:43.092
[SPEAKER_03]: I love you.

02:37:43.952 --> 02:37:45.993
[SPEAKER_00]: So if you arrest him, where are you going to put him?

02:37:46.574 --> 02:37:47.034
[SPEAKER_03]: Exactly.

02:37:47.214 --> 02:37:47.995
[SPEAKER_03]: Area fifty one.

02:37:48.215 --> 02:37:48.595
[SPEAKER_03]: I don't know.

02:37:52.728 --> 02:37:55.009
[SPEAKER_03]: And what else could he do?

02:37:55.649 --> 02:37:58.609
[SPEAKER_03]: I don't understand what other ending that everybody wanted.

02:37:59.330 --> 02:38:02.690
[SPEAKER_00]: Yeah, I can't think of anything else besides.

02:38:04.091 --> 02:38:05.231
[SPEAKER_00]: Maybe they wanted it.

02:38:06.111 --> 02:38:07.331
[SPEAKER_00]: Maybe they wanted it written.

02:38:07.391 --> 02:38:12.873
[SPEAKER_00]: Some kind of way where it's odd, it's caves, and there's a Man of Steel, too, and then you kill.

02:38:13.513 --> 02:38:13.993
[SPEAKER_00]: I don't know.

02:38:14.813 --> 02:38:18.414
[SPEAKER_00]: But I'm like, listen, this man had to go.

02:38:18.914 --> 02:38:22.435
[SPEAKER_00]: But what, what I do find scary?

02:38:23.665 --> 02:38:27.513
[SPEAKER_00]: and is that you see a little bit of a dark side of Superman.

02:38:28.134 --> 02:38:35.108
[SPEAKER_00]: You know, like if he's really profote and in a corner like, saw I put him in, he will snap your neck.

02:38:35.782 --> 02:38:42.387
[SPEAKER_00]: you know, like right, like what if this was a human would add any superpowers and he was a threat to other humans.

02:38:43.107 --> 02:38:50.813
[SPEAKER_03]: But put them in the line of like a cop or someone for example of someone committing crime and you don't want to kill this person for example.

02:38:51.753 --> 02:38:58.298
[SPEAKER_03]: But you're putting it, but you're putting that person in the position of having, I'm just saying, I'm just an example.

02:38:58.918 --> 02:39:03.421
[SPEAKER_03]: You're putting yourself in the line of fire or I'm trying to, I'm just trying to give some example.

02:39:04.682 --> 02:39:06.062
[SPEAKER_03]: But it's like, what do you do?

02:39:06.963 --> 02:39:10.704
[SPEAKER_03]: You just say, now, now, don't be pointing that gun at me.

02:39:11.144 --> 02:39:12.204
[SPEAKER_03]: You need to put it down.

02:39:12.884 --> 02:39:13.164
[SPEAKER_03]: No.

02:39:13.865 --> 02:39:15.225
[SPEAKER_03]: You pointed something at me.

02:39:15.525 --> 02:39:17.245
[SPEAKER_03]: So therefore, I'm going to point something at you.

02:39:17.806 --> 02:39:20.286
[SPEAKER_03]: And then there's going to be repercussions.

02:39:20.326 --> 02:39:21.767
[SPEAKER_03]: Because it's just, I'm going to kill you.

02:39:23.247 --> 02:39:23.707
[SPEAKER_00]: Yeah.

02:39:24.567 --> 02:39:25.608
[SPEAKER_00]: So it's Superman.

02:39:26.748 --> 02:39:27.248
[SPEAKER_00]: Sorry.

02:39:27.268 --> 02:39:30.489
[SPEAKER_00]: I don't know.

02:39:30.569 --> 02:39:31.589
[SPEAKER_00]: Yeah.

02:39:31.709 --> 02:39:33.610
[SPEAKER_00]: And in the Superman context,

02:39:34.406 --> 02:39:39.950
[SPEAKER_00]: We just put him all such a high pedal stool where we like Superman cannot kill.

02:39:40.931 --> 02:39:42.032
[SPEAKER_00]: What is he doing?

02:39:42.212 --> 02:39:46.875
[SPEAKER_00]: You know, and I'm sure in the comments he killed him murder people countless times.

02:39:47.696 --> 02:39:51.639
[SPEAKER_00]: But yeah, I mean, I guess here is like Superman cannot kill.

02:39:51.659 --> 02:39:52.900
[SPEAKER_00]: He is a boy scout.

02:39:53.993 --> 02:39:56.475
[SPEAKER_00]: And people are just adamant about that.

02:39:56.495 --> 02:40:00.458
[SPEAKER_00]: They're like Batman can and they don't even want Batman to kill.

02:40:00.478 --> 02:40:02.880
[SPEAKER_00]: No, I'm Batman is not supposed to kill.

02:40:02.900 --> 02:40:09.064
[SPEAKER_00]: He's thought that like break your arm and put you in the crazy house or put you in a coma and either way.

02:40:09.104 --> 02:40:15.309
[SPEAKER_00]: Yeah, yeah, but it's like like I'm tired of that.

02:40:15.655 --> 02:40:21.117
[SPEAKER_00]: You know, I'm I'm I'm tired of like these limits that put on his these superheroes.

02:40:21.297 --> 02:40:23.038
[SPEAKER_03]: They're the handcuffs down to.

02:40:23.338 --> 02:40:26.559
[SPEAKER_00]: Yeah, that's been going to be like more on up right.

02:40:26.759 --> 02:40:28.400
[SPEAKER_00]: And I'm like, he's a dangerous people.

02:40:29.160 --> 02:40:31.841
[SPEAKER_00]: Like Superman is dangerous.

02:40:31.881 --> 02:40:33.682
[SPEAKER_00]: He's a dangerous Ellie.

02:40:34.182 --> 02:40:35.903
[SPEAKER_00]: He's he has all these powers.

02:40:35.943 --> 02:40:37.663
[SPEAKER_00]: Like if he's provoked like a god.

02:40:38.063 --> 02:40:39.284
[SPEAKER_00]: Yeah, he's provoked.

02:40:39.584 --> 02:40:40.584
[SPEAKER_00]: That's what they mentioned.

02:40:40.924 --> 02:40:44.226
[SPEAKER_00]: They touched a little bit on that in a Justice League.

02:40:45.345 --> 02:40:50.228
[SPEAKER_00]: You know, if he's provoked, he can do some serious damage.

02:40:50.648 --> 02:40:54.270
[SPEAKER_00]: He constantly has to keep himself in check and then control.

02:40:54.290 --> 02:40:57.191
[SPEAKER_00]: He's all one that can control himself.

02:40:59.052 --> 02:41:05.216
[SPEAKER_00]: And there comes a point where, like everybody has somebody that can check them, but nobody can check Superman.

02:41:05.316 --> 02:41:06.737
[SPEAKER_00]: And that is very dangerous.

02:41:07.597 --> 02:41:11.099
[SPEAKER_00]: I think that's something people need to realize, even with Batman.

02:41:11.575 --> 02:41:18.699
[SPEAKER_00]: I mean, he had Alfred, the count of sort of check them, but when Alfred had more, more, more, more, more, more compass in this.

02:41:18.719 --> 02:41:19.159
[SPEAKER_00]: Yeah.

02:41:19.179 --> 02:41:19.260
[SPEAKER_00]: Yeah.

02:41:19.420 --> 02:41:20.580
[SPEAKER_00]: Alfred is not there.

02:41:20.660 --> 02:41:21.601
[SPEAKER_03]: And Alfred's gone.

02:41:21.641 --> 02:41:23.062
[SPEAKER_00]: Who's going to check Batman?

02:41:24.002 --> 02:41:24.322
[SPEAKER_00]: No, what?

02:41:24.382 --> 02:41:25.343
[SPEAKER_03]: No, not the age.

02:41:26.184 --> 02:41:29.185
[SPEAKER_03]: But I still too, they have no jurisdiction.

02:41:29.365 --> 02:41:32.647
[SPEAKER_03]: Even Superman has no jurisdiction, just as Batman doesn't have no jurisdiction.

02:41:33.448 --> 02:41:33.808
[SPEAKER_00]: Yeah.

02:41:34.408 --> 02:41:38.551
[SPEAKER_00]: And that's the thing I did like about Avengers series.

02:41:39.220 --> 02:41:41.442
[SPEAKER_00]: how to incorporate the government into it.

02:41:41.602 --> 02:41:43.083
[SPEAKER_00]: It's a coven course.

02:41:43.823 --> 02:41:45.385
[SPEAKER_00]: That was their jurisdiction.

02:41:45.465 --> 02:41:48.367
[SPEAKER_00]: And they were saying, like, you guys are super beings.

02:41:49.327 --> 02:41:50.949
[SPEAKER_00]: You have no control.

02:41:50.989 --> 02:41:52.710
[SPEAKER_00]: You could just do whatever you want to.

02:41:52.830 --> 02:41:54.131
[SPEAKER_00]: You need to be regulated.

02:41:55.772 --> 02:41:57.814
[SPEAKER_00]: And that made sense to me.

02:41:58.354 --> 02:41:59.135
[SPEAKER_00]: But it sucks.

02:41:59.355 --> 02:42:01.136
[SPEAKER_00]: Because it's like, no, there's superheroes.

02:42:01.196 --> 02:42:06.640
[SPEAKER_00]: But then, if you think about it, practically, how much property damage to these people does?

02:42:07.165 --> 02:42:07.605
[SPEAKER_00]: Exactly.

02:42:07.705 --> 02:42:13.148
[SPEAKER_00]: And then you got to lawsuit some out of, I don't know, a short of glass, could somebody.

02:42:13.688 --> 02:42:14.889
[SPEAKER_00]: And you find aliens.

02:42:14.929 --> 02:42:16.349
[SPEAKER_00]: And then like, what I say to where?

02:42:16.369 --> 02:42:19.711
[SPEAKER_00]: And they're like, yeah, I want to uncle dies or something.

02:42:20.111 --> 02:42:21.372
[SPEAKER_00]: I got my bills.

02:42:22.252 --> 02:42:25.174
[SPEAKER_00]: And then we got these, this city is in disarray.

02:42:25.814 --> 02:42:30.376
[SPEAKER_00]: Like, that concept I find really interesting and superhero movie.

02:42:30.416 --> 02:42:31.877
[SPEAKER_00]: Like, what is the aftermath?

02:42:32.423 --> 02:42:34.684
[SPEAKER_00]: Like, yes, they say the world.

02:42:35.165 --> 02:42:37.506
[SPEAKER_00]: Yes, but what are the consequences?

02:42:38.146 --> 02:42:40.447
[SPEAKER_00]: Yeah, superman kills on.

02:42:40.527 --> 02:42:43.049
[SPEAKER_00]: Well, what was the consequence behind that?

02:42:43.369 --> 02:42:46.771
[SPEAKER_00]: Like, it had to be done, but everything has a consequence.

02:42:47.351 --> 02:42:47.871
[SPEAKER_00]: Exactly.

02:42:49.332 --> 02:42:52.174
[SPEAKER_03]: So now we're getting into wrapping it up.

02:42:52.674 --> 02:43:01.579
[SPEAKER_03]: So sometimes later, Superman down to US military drone to the constriction of armiginal Calvin's one sick, some tweak.

02:43:02.185 --> 02:43:10.130
[SPEAKER_03]: Superman reassures him he's not an enemy of American interests or communities, but he does not want anyone spying on him.

02:43:10.150 --> 02:43:24.299
[SPEAKER_03]: It's one quick agrees returning to Smallville to speak with his mother Martha the two peacefully think back to the nine year old Clark playing in the garden and running around with the red cape back.

02:43:24.860 --> 02:43:29.463
[SPEAKER_03]: A sign of things to come in the potential Jonathan always saw him in.

02:43:30.302 --> 02:43:37.505
[SPEAKER_03]: Martha then asks what Clark's going to do when he's saving the world, and Clark tells her he has to get a job.

02:43:38.006 --> 02:43:46.230
[SPEAKER_03]: We can't keep his hand this hand to the ground and no one will guess his fish is when he wants to go to dangerous places.

02:43:47.650 --> 02:43:53.893
[SPEAKER_03]: And a rebuilding metropolis, Clark is on his bike and arrives at the daily planet as he enters the elevator.

02:43:54.194 --> 02:43:55.594
[SPEAKER_03]: He puts on his eye glasses.

02:43:55.674 --> 02:43:56.895
[SPEAKER_03]: So nobody would recognize him.

02:43:57.712 --> 02:44:03.598
[SPEAKER_03]: as the alien hero Superman is really by the lowest welcomes who welcomes him to the planet.

02:44:04.139 --> 02:44:04.519
[SPEAKER_03]: That's it.

02:44:07.302 --> 02:44:09.364
[SPEAKER_00]: So he gets another job.

02:44:09.845 --> 02:44:12.427
[SPEAKER_00]: What are you going to do now, son?

02:44:12.528 --> 02:44:13.829
[SPEAKER_00]: I have a deal to pay mom.

02:44:13.909 --> 02:44:14.750
[SPEAKER_00]: I get a job.

02:44:17.433 --> 02:44:19.074
[SPEAKER_00]: Superman got a deal, son.

02:44:20.772 --> 02:44:31.506
[SPEAKER_03]: But, you know, I like the whole thing with the colonel and stuff like that too, and then the little the woman's over there smiling, she's just, we're just smiling about, but he's kind of hot sir.

02:44:32.067 --> 02:44:38.215
[SPEAKER_00]: Yeah, well, yeah, that was cool, but also you can see the

02:44:38.932 --> 02:44:39.893
[SPEAKER_00]: Not much of a threat.

02:44:39.933 --> 02:44:42.615
[SPEAKER_00]: He threw a piece of it at the gym room.

02:44:42.655 --> 02:44:43.776
[SPEAKER_00]: Like, oh my god.

02:44:44.276 --> 02:44:46.458
[SPEAKER_00]: You know, like, three times out of line up.

02:44:46.598 --> 02:44:47.239
[SPEAKER_00]: That's a lie.

02:44:47.259 --> 02:44:48.860
[SPEAKER_00]: And then you throw a satellite.

02:44:48.960 --> 02:44:51.662
[SPEAKER_00]: I mean, you can kind of look it off the hand right now.

02:44:52.363 --> 02:44:55.945
[SPEAKER_00]: And like you said, what's going to stop you from killing us?

02:44:56.866 --> 02:44:58.888
[SPEAKER_00]: That was a great answer.

02:44:59.188 --> 02:45:01.990
[SPEAKER_00]: I mean, that was a great question that he asked Superman.

02:45:02.411 --> 02:45:04.392
[SPEAKER_00]: Like, how can we trust you not to kill us?

02:45:04.412 --> 02:45:05.373
[SPEAKER_00]: You're a super being.

02:45:05.845 --> 02:45:07.827
[SPEAKER_00]: He's like, where did you have faith in me?

02:45:07.947 --> 02:45:09.208
[SPEAKER_00]: Like, no, I don't know you.

02:45:09.228 --> 02:45:11.970
[SPEAKER_00]: I don't know you yesterday.

02:45:12.250 --> 02:45:12.590
[SPEAKER_00]: Yeah.

02:45:13.191 --> 02:45:15.312
[SPEAKER_03]: And we don't even know how much time has passed either.

02:45:15.793 --> 02:45:16.533
[SPEAKER_00]: Exactly.

02:45:16.613 --> 02:45:20.076
[SPEAKER_03]: Like, I was a thing would have actually gave us some context into how long it's been.

02:45:20.556 --> 02:45:20.857
[SPEAKER_00]: Yes.

02:45:20.877 --> 02:45:22.078
[SPEAKER_03]: Well, it's been yesterday.

02:45:22.098 --> 02:45:22.178
[SPEAKER_03]: Yeah.

02:45:23.098 --> 02:45:26.661
[SPEAKER_00]: You know, it's like, you know, it's like, just have to have some faith in me.

02:45:27.242 --> 02:45:28.563
[SPEAKER_00]: What have you had a bad day?

02:45:28.583 --> 02:45:31.065
[SPEAKER_00]: And he just like, killers.

02:45:31.945 --> 02:45:32.706
[SPEAKER_00]: We were in the way.

02:45:32.766 --> 02:45:35.248
[SPEAKER_00]: Like, well, we only saw that in Superman three.

02:45:36.170 --> 02:45:39.332
[SPEAKER_00]: Yeah, that would just make me so it would make me so on.

02:45:39.452 --> 02:45:43.514
[SPEAKER_00]: You know, our people say, oh, I wish I could live in a world with superheroes.

02:45:43.714 --> 02:45:47.275
[SPEAKER_00]: No, I don't because they would make me feel so uneasy.

02:45:47.335 --> 02:45:49.296
[SPEAKER_00]: Like, okay, what do they have a bad day?

02:45:50.437 --> 02:45:53.938
[SPEAKER_00]: And we're just at their mercy because they are super beings.

02:45:54.459 --> 02:45:55.519
[SPEAKER_03]: Well, I have a question for you.

02:45:56.059 --> 02:45:58.300
[SPEAKER_03]: So what happens if our house gets destroyed?

02:45:58.360 --> 02:45:59.421
[SPEAKER_03]: Would that be an act of God?

02:46:01.022 --> 02:46:02.402
[SPEAKER_03]: And with our insurance coverage?

02:46:06.355 --> 02:46:07.756
[SPEAKER_00]: You're paying on your insurance.

02:46:08.636 --> 02:46:13.839
[SPEAKER_00]: I just, I walk.

02:46:14.119 --> 02:46:15.620
[SPEAKER_00]: But yeah.

02:46:15.960 --> 02:46:22.964
[SPEAKER_00]: I don't like the reversal of, of low as knowing who Clark is.

02:46:23.324 --> 02:46:23.684
[SPEAKER_03]: Me too.

02:46:25.365 --> 02:46:27.486
[SPEAKER_00]: I don't feel right to me.

02:46:29.207 --> 02:46:30.488
[SPEAKER_00]: Like he's coming in.

02:46:30.568 --> 02:46:30.948
[SPEAKER_00]: It's like,

02:46:31.515 --> 02:46:32.875
[SPEAKER_00]: Oh, Lo is me's Clark.

02:46:32.935 --> 02:46:36.216
[SPEAKER_00]: And she's like, oh, hey, hello, good sir.

02:46:36.356 --> 02:46:37.317
[SPEAKER_00]: How are you?

02:46:37.337 --> 02:46:42.278
[SPEAKER_00]: I never met before and don't know your Superman under the glasses.

02:46:42.378 --> 02:46:43.598
[SPEAKER_00]: How are you sir?

02:46:43.698 --> 02:46:45.439
[SPEAKER_00]: Welcome to the Daily Planet.

02:46:45.879 --> 02:46:47.499
[SPEAKER_00]: Oh, so fake.

02:46:47.539 --> 02:46:50.560
[SPEAKER_00]: He's like, yes, I haven't met you before my life.

02:46:50.700 --> 02:46:53.101
[SPEAKER_00]: Like, come on.

02:46:54.061 --> 02:46:56.402
[SPEAKER_03]: But I wanted was a little bit of clumsiness from Clark.

02:46:56.942 --> 02:46:57.322
[SPEAKER_03]: Yeah.

02:46:58.188 --> 02:47:01.215
[SPEAKER_03]: Like this guy already, it looks like Superman's playing Clark.

02:47:01.616 --> 02:47:06.307
[SPEAKER_00]: It doesn't look like Superman cosplay Clark.

02:47:07.159 --> 02:47:09.641
[SPEAKER_03]: That's what it looks like to me because he has a smirk on his face.

02:47:09.701 --> 02:47:11.042
[SPEAKER_03]: He looks like he has it together.

02:47:11.603 --> 02:47:17.407
[SPEAKER_03]: While Clark is supposed to be this clotsie nerdy guy and stuff.

02:47:17.768 --> 02:47:20.109
[SPEAKER_03]: He doesn't have anything like that.

02:47:20.790 --> 02:47:27.635
[SPEAKER_03]: And, you know, he's like, and you see Perry goes, welcome Mark to the, uh, to the day of playing.

02:47:28.256 --> 02:47:29.497
[SPEAKER_03]: Oh, welcome to the planet.

02:47:30.518 --> 02:47:32.319
[SPEAKER_03]: And my mother's like, what does, did they mean by that?

02:47:32.379 --> 02:47:32.639
[SPEAKER_03]: I'm like,

02:47:33.540 --> 02:47:39.904
[SPEAKER_03]: It means, in the context, welcome to our planet, not welcome to the daily planet.

02:47:40.725 --> 02:47:46.608
[SPEAKER_00]: Yes, he does like a college professor that was in the second job in between classes.

02:47:47.589 --> 02:47:48.409
[SPEAKER_00]: Right.

02:47:48.490 --> 02:47:50.151
[SPEAKER_00]: I didn't feel any nerd in this room.

02:47:50.971 --> 02:47:52.932
[SPEAKER_03]: No, this guy has a gatherer.

02:47:53.132 --> 02:47:54.693
[SPEAKER_03]: Yeah, this guy has a get positive.

02:47:55.674 --> 02:48:00.297
[SPEAKER_03]: Looks like you guys, talking to himself, he has a swagger about him.

02:48:00.557 --> 02:48:01.518
[SPEAKER_03]: Yeah, it's too much work.

02:48:02.827 --> 02:48:07.289
[SPEAKER_00]: If it's too much ragging, his back is straight, his ass is on correct.

02:48:07.530 --> 02:48:09.030
[SPEAKER_00]: It was flat.

02:48:09.391 --> 02:48:10.571
[SPEAKER_00]: His clothes are on here.

02:48:10.851 --> 02:48:11.392
[SPEAKER_00]: I don't get it.

02:48:11.492 --> 02:48:12.352
[SPEAKER_00]: I don't like it at all.

02:48:12.892 --> 02:48:13.413
[SPEAKER_00]: I don't like it.

02:48:14.053 --> 02:48:15.974
[SPEAKER_00]: No, too much product in his hair.

02:48:19.016 --> 02:48:19.516
[SPEAKER_03]: My shell.

02:48:19.936 --> 02:48:22.838
[SPEAKER_00]: Yeah, I got it clocked up perfectly.

02:48:24.259 --> 02:48:25.099
[SPEAKER_00]: No, I don't like it.

02:48:25.119 --> 02:48:25.819
[SPEAKER_00]: He looks hot.

02:48:26.120 --> 02:48:26.620
[SPEAKER_00]: I don't like it.

02:48:28.026 --> 02:48:32.629
[SPEAKER_03]: I'll tell you see him in the bathtub with lowest and Batman versus Superman.

02:48:32.849 --> 02:48:34.290
[SPEAKER_00]: Yeah, I don't know where to see.

02:48:34.310 --> 02:48:35.871
[SPEAKER_00]: Why would they put it in a van?

02:48:37.872 --> 02:48:40.073
[SPEAKER_03]: But we're not going to be covering Batman versus Superman.

02:48:40.274 --> 02:48:48.599
[SPEAKER_03]: Yes, or any other stuff within this, but I hope everyone enjoyed our review and our take on all the Superman movies.

02:48:48.819 --> 02:48:50.820
[SPEAKER_03]: But I do have a couple of little small announcements.

02:48:53.840 --> 02:48:56.061
[SPEAKER_03]: and June Generation podcast.

02:48:56.101 --> 02:48:59.424
[SPEAKER_03]: We're gonna be doing a review of Airborne coming up in August.

02:48:59.804 --> 02:49:03.667
[SPEAKER_03]: So we have a lot of stuff here coming up in the next couple of months.

02:49:03.687 --> 02:49:05.928
[SPEAKER_03]: So it's actually like been smash the subscribe button.

02:49:05.968 --> 02:49:08.370
[SPEAKER_03]: I just dropped my account to review over there.

02:49:08.830 --> 02:49:13.954
[SPEAKER_03]: Also did my John Wick versus Warriors review for the parallels.

02:49:14.234 --> 02:49:16.256
[SPEAKER_03]: Maybe between take a look at that video.

02:49:16.316 --> 02:49:17.156
[SPEAKER_03]: We have a lot of stuff.

02:49:17.196 --> 02:49:18.437
[SPEAKER_03]: I have trailer reactions.

02:49:18.477 --> 02:49:19.518
[SPEAKER_03]: We have all that stuff.

02:49:19.798 --> 02:49:21.880
[SPEAKER_03]: You guys can't watch this on YouTube.

02:49:22.520 --> 02:49:24.824
[SPEAKER_03]: We do have an audio podcast that I'll put this on.

02:49:24.964 --> 02:49:26.126
[SPEAKER_03]: Give me a five star review.

02:49:26.146 --> 02:49:27.869
[SPEAKER_03]: Tell us what you think about our podcast.

02:49:27.889 --> 02:49:29.291
[SPEAKER_03]: Okay, I mean, we love it tonight.

02:49:30.013 --> 02:49:34.981
[SPEAKER_03]: And also to go ahead and visit my co host Rossi's YouTube channel called Rossi's Clubhouse.

02:49:35.762 --> 02:49:36.924
[SPEAKER_03]: And that's going to be it, guys.

02:49:37.024 --> 02:49:39.549
[SPEAKER_03]: Don't forget to smash the like button, subscribe button, and all that other good stuff here.

02:49:40.050 --> 02:49:41.212
[SPEAKER_03]: We'll catch you guys on the next one.

02:49:41.252 --> 02:49:45.118
[SPEAKER_03]: Thank you so much to make it for joining me for this final review for a main of steel.

02:49:45.539 --> 02:49:45.819
[SPEAKER_03]: Yes.

02:49:45.859 --> 02:49:46.480
[SPEAKER_03]: You appreciate it.

02:49:46.941 --> 02:49:48.003
[SPEAKER_03]: Don't pay Superman.

02:49:48.063 --> 02:49:49.185
[SPEAKER_03]: Oh, yes.

02:49:49.205 --> 02:49:52.190
[SPEAKER_03]: You might actually get direct TV satellites showed up your ass or something.